House | Deep House 117 Items

A raw and soulful House EP featuring three deep and groovy tracks from Peter Clamat. All tracks from this EP are based around complex rythms and deep melodic patterns.

Blinding Beatdown House/Electronica EP

This is Potion number two. wilma is a machine made lady designed to drive people nuts with a juicy body of driving bass and fat synths. wilma has a certain taste for the dusty and the raw and like any other girl she just wanna have fun. Behind wilma are Jeppe Willumsen and Dan Madsen, expert ticklers of Copenhagen’s bulging underbelly and for the first time working on production together. After Murat Tepeli’s “Drop It Like It’s Hot EP”, Potion is proud to introduce 4 tracks by wilma. “Fabio” has be featured in Prosumer’s fabric mix and is now ready to be unleashed to the dancefloors, alongside three strong, brave and moving companions. Enjoy.

Incl. Remix by Trickski.

Bass Culture’s latest release comes straight from the studio of the label head, D’Julz. A man who draws on dub influences, groove and deep soul-enriching rhythms, D’Julz is a member of the Paris old school fraternity and brings that classic sound right into the 21st Century with his Houdini EP.Across three tracks we have a selection of music that epitomises what he’s all about. The title track gets things rolling with a sultry groove pervading throughout, crunchy claps add depth while fizzing synth lines and throwback yelps give it plenty of character. Second track ‘Waiting 4 Visa’ is a classy breakbeat-led outing, delicate effects loom in the background entrancing the listener while the minimal composition keeps things simple and hypnotic. Lastly ‘Serendipity’ takes us a few layers deeper, with a laid-back bounce and chirpy bleeps really bringing it to life. D’Julz shows us once again why he’s one of the mainstays of the Paris, a godfather who does everything with a touch of class.

This is Potion number three. The Tuff City Kids have spent some time in the lab and created four fine potions to ease our ailments. Like memories of a Nexus 6, these tracks are machine made but feel organic, familiar and timeless. Programmed to make us dance, they reach straight for our brain's motion centre. "Carden Eden" has been included in Prosumer's fabric mix and we are proud to finally present it on vinyl, together with three brand new companions as "Underground House Research Vol. 2". Philipp Lauer and Gerd Janson have built an excellent reputation for the Tuff City Kids moniker in the three years they are releasing together. And if you got this far into reading this, you surely know already what absolute legends they are.

It’s not every day you find a keyboard player with chops like John Camp. Plucked from the same Minneapolis Jazz vine that grew such deliciously ripened talents as No Regular Play's Greg Paulus and Aaron James (Gregory Porter band), we met Camp for the first time at the Marcy Hotel. Initially adding his signature touch to other’s Crew Love records and last year dropping an incredi- ble EP on Have A Killer Time, the Mistral EP marks his first official Crew Love release!

Hailing from Berlin, but spiritually from Chi-town, Snuff Crew are back in your area with some freshly served up basement goodies once again. Following on from Basement Jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare I say it, they go even harder this time. Stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you; four tracks obviously engineered for use in the club, whether its the massive kick in ‘What It Is’ or the ravey acid lead in ‘88cents’. The jams on the B-side may do the most damage. ‘Remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. Analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. I know Snuff Crew are real analog guys though, in sound and mentality, so hearing Basement Jams #2 for the first time had me so excited once again.

For his first collaboration with Syncrophone, K’ Alexi delivers a sublime set of new unreleased tracks + a new edit of his classical My Medusa previously released in 1989, here called My Sweet MF. Year 2011, Mr K’ Alexi Shelby is definitely back !!!

Nicholas returns on X-masters for a collaboration with Detroits Nikki-O.

Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.

Another House-Gem brought back!

DJ Haus goes a little freaky on the Helta Skelta EP. This 4 track ep show his strangely funky side with some odd and jerky rhythms and melodies. It takes it ques from the windy city but doesnt hide DJ Haus's roots in the UK with a bleepy techno twist and pirate radio energy.

2015, Kenneth Werner aka AS IF has released his first vinyl release with ROHS! - MOMENTS EP. This EP is a pure retro-futuristic Acid-Downtempo vision. Initially it was released on white label 7 inch vinyl of 50 ONLY limited copies. It has been reissued in 2019 with a totally new face/design and on 250 limited copies for the world. This is a pure gold futuristic gem on wax.

Matt Karmil was born in 1979 near the giant pre-historic glockenspiel / mythical neolithic monument known as Stonehenge. His debut EP for Studio Barnhus, following 2014’s masterful remix of Talaboman, is an homage to the Nacksving studio in Gothenburg, another mythical place that Matt calls home.

It’s been a while since the first release on forTunea came out. Now it’s time to wake up from hibernation! Klaus Benedek delivers us this time with „Calm Before The Storm“ an extraordinary piece of music. This over 9 minute journey bundles the sound of current deep house with a breakbeat rhythm. This track takes its time and builds up to a smooth string chorus that will certainly give you goosebumps. The B-Side on the other hand stays more traditionally in the house sector. First we engaged the service of Vienna’s MPC wizard Roman Rauch (Philpot, Quintessentials, Tenderpark) to give KB’s track „Still Daydreaming“ a harder edge, while the EP’s title track on B2 bounces with it’s hypnotic filtered hookline the listener into new heights. Give this release a try! It is definitely a record that is quite unique in its own way. Enjoy!
Limited to 300 copys! There will be no repress! Mastering by Patrick Pulsinger.

forTunea is a new upcoming vinyl label from Vienna, Austria. The „Still Daydreaming EP“ by label head Klaus Benedek features 3 tracks. While the title track on the A-Side creates with its hypnotic synths an overwhelming, melancholy atmosphere, „Fragile Balance“ and „Road To Infinity“ on the B-Side focus more on the dancefloor. If you like deep, raw, energetic house that puts you in another dimension through listening then check this release out! Limited to 350 copys. There will be no repress!

After a blazing start, Low Budget Family return !

The celebrated independent Moscow-based record label run by the crew behind the legendary Shop&Bar Denis Simachev deliver another stunner from SIMPLE SYMMETRY

MIMINO is another tropical House delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line

The Instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path

SIMSIM wraps things up in fine Middle Eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam

Zouk it and see !

The EP in series offering up late 90’s early 000 previsously unreleased deep house tracks from SF.

Arturo comes correct on Robsoul!

The boss is back with 3 juicy house cuts!

Rawax proudly welcomes Atom heart to the family! Atom™ (also known as Atom Heart and often confused with Señor Coconut, real name Uwe Schmidt) is a German composer, musician and record producer of electronic music. He is often regarded as the father of electrolatino, electrogospel and aciton (acid-reggaeton) music.

Machine music with real heart and soul as, time and again, the tracks locate that elusive sweet spot that unifies mind and body.

Cool house cuts with a Hip-Hop vibe.

For the second release of S3A RECORDS, S3A chose the most talented Parisian New blooded artist nowadays: Neue Grafik ! He has Jazz, funk and hiphop roots and his house music sweats all of these influences. This ep goes from “great sample based house musi”c to “Saxophone played bridges” passing by delicious Piano interludes witch can demonstrate all breadth of his talent. A release made to last for years with a Classy delightful efficiency.

- 2022 repress -

Fourth part in the very exclusive 'Schatrax' repress series. Hand-stamped 180 grams black vinyl.

A rare 7" on Omar S' great FXHE imprint. Highly recommended!

Anyone who followed the development of house music made in the usa in the last decade will certainly have met the art of Fred Peterkin aka Fred P aka Black Jazz Consortium.

His musical set phrase isn't following new trends. Fred is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase "deepness" finally gets a fresh truthfully new meaning.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series".

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

Reissue of a few classic Gemini tracks!

The title track “Coconut Paradise” is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. “Thick As Mud” lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. “Pants on Fire” is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes.

incl. Roberto Rodriguez & Nachtbraker Remixes

Two unique tracks - ranging from House to Disco and Jazz influences, Kito found his very own style and switches easily between them. Up tempo and energetic tracks with great melodies, driving bass lines and clever sample use.

2021 Repress. Next round for Another Picture. After exploring the highs in electricity and the lows of the deep grounds we go further into things. Sensing vibration of the fire below and turning it into a never-ending evolution of sound and groove. This is what you might know about Losoul tracks - and here you can’t go wrong either. There are scattered artefacts of the city bringing vibe and inspiration - the streets, the people, the concrete, the action - it’s all in between. Then there’s the ever-changing beauty of nature out there on a day to just leave things as they are. Soul, movement and emotion. Again Losoul gives a strong example of experience from his longterm career in house and techno production and performing. Two pieces of music timeless in many ways. See you on the dancefloor. And everywhere else.

Late last year, the world was introduced to DJ Wey via “Nosebleed,” a singularly jacking piece of house destruction on the Lovers Rock no. 6 compilation. Now the enigmatic producer returns to the LR fold with his debut EP “Introduccion.” Across four tracks, Wey maps a wild, tripped out terrain, both sinister and fun: “Anthem Para La Club,” recorded with J. Albert as Amigos DJs, bounces bitter tales of rejection against a twisting, unrelenting drum track. With Wey on the mic, jokes seethe and complaints dissolve into laughs, while the percolating drum pattern takes on a truly anthemic quality. Elsewhere, Wey indulges his dreamier side: “Emily’s” infectious, bouncing bassline and wandering leads are soaked in emotion, while “Tare Gent Us” builds on the sickeningly-sweet tension of “Nosebleed.” Finally, “Llanganatis” closes out the EP with a moment of breathtaking introspection. Unfinished melodies flicker across aquatic pads, while a distant electro beat betrays the producer’s Miami roots. Fresh, fun, out of control and yet surprisingly nuanced, Lovers Rock is proud to present DJ Wey’s “Introduccion.”

Dark acid from the Pukemaster.

Hot release! Riverette is back with another reference this time produced by Cliff Lothar. Old Jams Die Hard #1 stands as a classic and old school release full of techno and nasty acid bass lines. Warning! Beware of the dance floor! Want to miss this one?

The aptly-titled ‘Raw Materials’ sees Marquis Hawkes making a welcome return to the primitive house rhythms for which he became known via his early work for Dixon Avenue Basement Jams.

Helsinki's Lauri Saine is the storyteller for this, the third chapter of Fools & Fables. Pleasingly his irresistible releases don't come along all that often, but when they do, they justifiably make serious waves. Small Remedies, takes us on a journey to a side of Saine we seldom see... First things first, 'Blush' cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. 'Casual' wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. The tropical breeze blows free through 'Leisure Song' too, as we begin to get the impression Finland might actually be a small Pacific island. The sun has definitely set as we move to side B. Electronic elements play alongside the organic materials as pitched vocals punctuate a more plaintive vibe. As the first cool beers of the evening begin to create a warm glow, we head to a dimly-lit basement bar, 'No Rush' where the hep cats are hanging and a sharp fingered double bassist dances a deadly duet with the Rhodes player. We wrap up this most memorable evening back in the hammock, taking in the 'Scenes' as the sun's just beginning to peek over the horizon, we bask in the glow of the day and night we'll have again and again... Another strictly limited affair from the F&F camp. No repress, no digital. Not now, not ever.

The Dutch Pinkman label is back with a new EP from Xosar, who debuts on the label and covers release number 10. Xosar is the Berlin based, American born producer who has excelled on LIES and Rush Hour with a unique, experimental sound that draws heavily on the hardware she uses as well as a live, freeform approach to arrangement. Here she comes correct once more with two new cuts of mystic techno. ‘World Of Illusion’ goes first and marries reverb rich claps and cacophonous hi hats with a tough bassline. Spritely and nimble and with thumping kicks down below, various bleeps, serene string sounds and glassy melodies colour the groove and make for engaging listening. On the flip, ‘Phasers of Eden’ is a kinetic fusion of ticking percussion, molten synths and withering chords that works you into an ethereal and otherworldly trance. Still with some all important drum funk powering things along down below, this is another idiosyncratic winner from Xosar.

Houseworx welcomes Federico Curatolo from italy. On his debut ep called "Chicago Series",
Federico delivers four great tribute tracks dedicated to the music and the artists of the "Windy City".

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series". We're happy to present you on the second release Mr. Ron Trent!

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

Killer Acid workouts from Hard Ton!

‘Absolute Presence‘ is about losing connection with the physical world and exploring a much deeper place in your mind. It’s about experiencing a significant transformative state from which one can either come back to the physical world, or fade into death. In this enhanced state of consciousness, one may feel entirely weightless, at peace, and removed from their physical body. It’s the feeling of all of existence hitting you at once, and distinct emotions and identifiable feelings fading into irrelevance. How does one approach their day to day life after such an experience? This is what ‘Absolute Presence‘ attempts to address.

Inspired by a long lost tale from dark and cold northern lands, written many ages ago, ‘Neida‘ is the story of a young boy who one day noticed an eerie call, so peculiar and odd that he could not resist but to follow it. While it resonated through remnants of ancient settlings, the boy had to overcome many obstacles and solve numerous quests, journey through mystical forests, foggy mountains and ghostly villages, battle the forces of nature and lose himself in this adventure. Finally reaching the ocean after an exhausting voyage, a mysterious invisible force drew him closer and closer to it, suddenly entranced in a state between consciousness, floating underwater, lured by the siren of the sea.

The modern classic is back!!! Oslo’s magic music maker Todd Terje has already gained a wunderkind like reputation for his gentle yet potent productions (we won’t mention the “E” word here) on labels like Full Pupp, Permanent Vacation and Running Back on top of being one of the best remixers money can buy (Shit Robot, Bryan Ferry, Dølle Jllle etc etc). What is there left for him to do? Establish a label of his own! “It’s The Arps” is the starting signal for Olsen. And what a splendid one it is. Created from scratch and solely on the mythical synthesizer ARP 2600 (check www.letsnerd.com for help), it features four tracks (reads instant classics) that couldn’t be a better followup to his 2011 super hit EP “Ragysh”. Towering over the assortment is the laser crime scene called “Inspector Norse”. Defying genres and blinkers, this is finest goose bumps dance music that makes you whistle along, laughing and crying all at the same time – but the rest isn’t half bad either. The short, but sweet “Myggsommer” gives away Terje’s secret love for quirky exotika, whereas “Swing Star Pt 1” and its brother have a (balearic) brilliance and witchery to them that is rarely found nowadays. Released on Olsen Records and housed in a beautiful sleeve courtesy of Bendik Kaltenborn (www.benkalt.no). 100% Arp 2600 and 200% Todd Terje.

One of Detroit's best house producer gets the Boot treatment… some classics from Kenny Dixon Jr.!

Second part in the very exclusive 'Schatrax' repress series. Hand-stamped 180 grams black vinyl.

Ultra cult classic kat williams “that track by kat” massively played for 15 years everywhere in the world by ricardo villalobos comes up with 2 F.T.G (aka Fuckthegovernment) versions on B side.

Aptly timed for the festival months, the ‘Just' EP follows up a series of self-released titles which include collaborations with Ebony and Midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords.

The title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. A vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. Tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.

New work from Theo Parrish – massive!

Specter from Chicago comes with a massive track on Theo Parrish's label. Killer!

‘We Should Shout’ features Nicola Duncan over a classic House vibe with a beautiful moody organ rolling over a hard house bass line

‘Babylon Fall’ classic – beautiful – sweet stuff from the Persian featuring vocal snippets from the talented Sevi G

The name of the next track is the same as the label: ‘Existence Is Resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the Authentic early Electro sound of 83-84 complete with vocoder

‘Pot Of Gold’ : Disco sounds of the roller skating era.

Every now and then, there are tracks that stand the test of time. Tracks that are more than just another DJ-tool. Tracks to remember. When „Fom Within“ was released 13 years ago. the track found its way into almost every DJ-Case that summer, and to this day, people playit out at special moments. When Gregor Tresher started to mix Celeda´s „Music Is the Answer“ Acapella over it, inofficial remixes popped up everywhere. We decided to actually never release that version, as we believe some things should be in the DJ´s hands, as there´s nothing quite magic as if a DJ-Mix creates something new. We are happy to give to you an official repress of one of the strongest tracks from our label´s history. Play it out and let it work it´s magic.

Almost two years after their sensational debut release‚ Blaue Moschee, the arena rocking EP that's still a permanent fixture in Sven Väth's record bag, Die Vögel have laid another milestone in the history of club music - the Fratzengulasch EP. Ground breaking, surreal and captivatingly timeless, this dance music doesn't give a damn about the laws of gravity and the monotony of everyday routines. For some reason or another, there seems to be a sort of restricting fence around the electronic dance music scene at the moment. In true Trojan style, Die Vögel batter and ram the wall until a hole appears; a hole big enough for all the gleely squealing party people to crawl through. Out and on to freedom! It's a brave new world and help is at hand for the weary of ear. Listen in to the dream-like canons, freely dissonant brass orchestrations and hypnotic-psychedelic beats. The arrangements are clever, without relying on samples and tried and tested techniques. Off they stroll, Mense Reents and Jakobus Siebels, breathing in the fresh air, enjoying a clear view of a history of nocturnal dance music that goes back beyond 1986 and Chicago and is today international electronic folklore. It was the machines that taught Die Vögel duo to play their instruments in a different way and from them the machines have learned what makes a musician tick. That's how songs like ‚Fratzengulasch' come about: A tribal meditation, and a beautiful canon sung by Jakobus and Ebba Durstewitz, otherwise known as the band Ja König Ja. Or the glorious ‚Maikäferbenzin': There are sub binaural sounds on this track that get your brain hemispheres swinging in perfect synchronicity, on a frequency generally only experienced when in a trance. And there they're left, swinging away until the last third of the song where an abrupt saxophone break briefly interrupts, only to deliver the listener safely back into an absolute state of bliss and felicity. Mense and Jakobus' brilliant Pantha du Prince remix got people wondering but even before that the question cropped up: what is this music? DJ Koze calls it ‚Sect Funk'. We say: Pampa style in its purest form! Die Vögel' album will be released at the beginning of 2012.

One of Detroit's best house producer gets the Boot treatment… some classics from Kenny Dixon Jr.!

Blend has been doing his thing around town since the early 80s..As you can see from these tracks, this cat knows what he's doing!

3 House grooves from the Chez Damier vaults!

2022 Repress

2 tracks by Berlin based Germann Nguyen also known as Binh.

Originally released in 2011 on 2 different EPs & out of print for a long time, those 4 remixes done by the legends Ron Trent, Gene hunt & Merwyn of Virgo Four gets a re-issue. A timeless classic.

Originally released in 2011 on 2 different EPs & out of print for a long time, those 3 remixes done by the legend Chez Damier gets a re-issue. A timeless classic.

Repress of Norm Talley's 2011 Mixmode heater

Following the sold out Theo Parrish remix of Marcos Valle's '1985', this is the second in Far Out's Brazilika 12" with three scorching remixes from UK dance veteran Ashley Beedle.

Highly sought after tracks from labelboss Josh Brent himself finally re-released on limited edition heavy weight Colored Vinyl. As released on the 1998 Schatrax album, these three floorburners still sound fresh as ever!

We've long been admirers of Kornél Kovács and the Studio Barnhus label he co-runs, so it was only a matter of time before we poached him for a 12". Like some of us at Numbers he was an early starter, playing in clubs since the age of 14, promoting his own parties and hosting a radio show - the influential ‘P3 Dans Show' on Swedish national radio. He's got a unique approach to house and techno which packs in bags of personality along with the odd curveball, but he always remains firmly focused on making people dance.

Dancing is exactly what you'll do to Radio Koko, that dream radio station where music never sleeps and the hits keep coming. Pantalon, the brexit baiting sequel to Sabrina's ‘Boys, Boys, Boys' is on constant rotation and according to those in the know, is destined to top the charts in at least four European nation states despite an EU wide ban on it's accompanying video.

The many highlights of Radio Koko's night time programming includes the summertime jack of Lighthouse which can be adapted to suit both nightclub and bbq situations. Strictly for the club is the late night stalker jam Gangsta whose growling Reese basslines and Mentasm riffs are slowed down to a menacing 120 BPM.

Radio Koko also features special guest, Marcus Price who provides assistance on Malon, a soundclash of the melancholic and the ecstatic, matching up rough experimental drum programming with unexpected bursts of ‘hands in the air' piano licks.

Third EP from the Danish duo containing three solid house tracks.

Invasive psychoacoustic acid killer from EVOL for the sympathetic freaks at Sweden’s iDEAL.
Continuing a pursuit of altered states induced by pure frequency manipulation, ‘Purple Melters’ is the fourth work in a series that started with ‘Proper Headshrinker’ (Editions Mego, 2013), a series which will also see a release on Diagonal later this year.
Essentially, it’s acid house without the house, drilling down to the 303’s micro phase variations and psychedelic sleight-of-mind conjuring a sense of movement from ostensibly static phrases.
Granted, you have to be a bit of a sadist to enjoy this, but really only in the same sense as a proper hardcore hooligan who gets their rocks off jackin’ in man-made synthetics to amplified music while gobbling illicit chemicals from a Dutch laboratory supplemented by synthetic hormone-infused energy fizz.