House | Deep House 119 Items

Back in! We are very happy to present our first album on Ilian Tape. At the beginning of 2014 we moved our two separate bedroom studios into one and soon after started working on the album. All the tracks were made in about 6 months in our new Ilian Tape Space Studio in Munich. The time felt right to focus on this adventure, but without any pressure. Therefore the process became very natural and we felt free to go wherever the vibe led us. Our intention was to create a very personal and honest sound without any limitations or guidelines. It’s a reflection of all the years we’ve been growing up, working, traveling and playing together and it means a lot to us. But enough said music is not supposed to be described with words, so sit back, close your eyes, light one up and turn up the speakers!

The Dutch Pinkman label is back with a new EP from Xosar, who debuts on the label and covers release number 10. Xosar is the Berlin based, American born producer who has excelled on LIES and Rush Hour with a unique, experimental sound that draws heavily on the hardware she uses as well as a live, freeform approach to arrangement. Here she comes correct once more with two new cuts of mystic techno. ‘World Of Illusion’ goes first and marries reverb rich claps and cacophonous hi hats with a tough bassline. Spritely and nimble and with thumping kicks down below, various bleeps, serene string sounds and glassy melodies colour the groove and make for engaging listening. On the flip, ‘Phasers of Eden’ is a kinetic fusion of ticking percussion, molten synths and withering chords that works you into an ethereal and otherworldly trance. Still with some all important drum funk powering things along down below, this is another idiosyncratic winner from Xosar.

This is Potion number two. wilma is a machine made lady designed to drive people nuts with a juicy body of driving bass and fat synths. wilma has a certain taste for the dusty and the raw and like any other girl she just wanna have fun. Behind wilma are Jeppe Willumsen and Dan Madsen, expert ticklers of Copenhagen’s bulging underbelly and for the first time working on production together. After Murat Tepeli’s “Drop It Like It’s Hot EP”, Potion is proud to introduce 4 tracks by wilma. “Fabio” has be featured in Prosumer’s fabric mix and is now ready to be unleashed to the dancefloors, alongside three strong, brave and moving companions. Enjoy.

Eddie C, Lauer, Konstantin Sibold, Naum Gabo and many more can be found on the 2nd part of "I'm starting..."

Back in the early 1990s house music was having perhaps its most fertile and creative period. The original house from Chicago had blown up back in the ‘80s and left nothing short of a cultural revolution in its wake, with regional variants springing up all over the US, the UK and Europe.
London in particular was a global hub for house music, with a whole slew of clubs and a long established underground scene that had taken house to its heart. A key mover-and- shaker was a young Jeremy Newall, who worked successively at a whole bunch of record stores including Catch-A-Groove, where the likes of Tony Humphries would come and hang out when in town (Humphries used to record his shows at a flat above the shop with a wide-eyed Jeremy soaking in the vibes), and latterly Release The Groove, where he could be found well into the twenty-first century. A close association with Paul ‘Trouble’ Anderson saw him repping for the big fella when Trouble was unable to do his Kiss FM radio show, and as the resident alongside him at Trouble’s much loved Loft Sessions in Camden. He also played on many pirates, at all the best parties in London, Europe and beyond. Jeremy’s position as the go-to guy behind the capital’s hippest record store counters saw many visiting US jocks passing him records that barely saw the light of day in a scene where superb new tunes were coming thick and fast. Therein lie the roots of this compilation … a collection of overlooked, unreleased, and just hard-to-find gems to put alongside some of the better-known and overplayed classics of the era.

This is Potion number three. The Tuff City Kids have spent some time in the lab and created four fine potions to ease our ailments. Like memories of a Nexus 6, these tracks are machine made but feel organic, familiar and timeless. Programmed to make us dance, they reach straight for our brain's motion centre. "Carden Eden" has been included in Prosumer's fabric mix and we are proud to finally present it on vinyl, together with three brand new companions as "Underground House Research Vol. 2". Philipp Lauer and Gerd Janson have built an excellent reputation for the Tuff City Kids moniker in the three years they are releasing together. And if you got this far into reading this, you surely know already what absolute legends they are.

Tiger & Woods / Lone / Prins Thomas / Shan / Pete Herbert & Dicky Trisco / Shan / DJ Oyster

Tensnake’s standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone’s happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert’s & Dicky Trisco’s respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!

The title track “Coconut Paradise” is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. “Thick As Mud” lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. “Pants on Fire” is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes.

Compiled by Hunee, 'Sounds from the Far East' features highly sought after material by legendary Japanese house producer Soichi Terada and fellow producer Shinichiro Yokota!

Hailing from Berlin, but spiritually from Chi-town, Snuff Crew are back in your area with some freshly served up basement goodies once again. Following on from Basement Jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare I say it, they go even harder this time. Stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you; four tracks obviously engineered for use in the club, whether its the massive kick in ‘What It Is’ or the ravey acid lead in ‘88cents’. The jams on the B-side may do the most damage. ‘Remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. Analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. I know Snuff Crew are real analog guys though, in sound and mentality, so hearing Basement Jams #2 for the first time had me so excited once again.

Out of the clear sky, the vinyl nerds from skylevel deliver two beautifully crafted gems of dance music, keeping the overall vibe of the originals alive without being afraid of deconstructing and rearranging heavily. The A Side features a concentrated, groove oriented arrangement that slides from part to part smoothly, playing with a certain rock attitude while holding back a few surprises. The

After a blazing start, Low Budget Family return !

The celebrated independent Moscow-based record label run by the crew behind the legendary Shop&Bar Denis Simachev deliver another stunner from SIMPLE SYMMETRY

MIMINO is another tropical House delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line

The Instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path

SIMSIM wraps things up in fine Middle Eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam

Zouk it and see !

New Scott Grooves 12" on Natural Midi representing the first four parts of the Scott Grooves sound - Basic Part, Synth Part, Jamaican Part, and the Gritty Part. Even though all four tunes differ from each other, they all have Scott’s unmistakable groove.

The EP in series offering up late 90’s early 000 previsously unreleased deep house tracks from SF.

Helsinki's Lauri Saine is the storyteller for this, the third chapter of Fools & Fables. Pleasingly his irresistible releases don't come along all that often, but when they do, they justifiably make serious waves. Small Remedies, takes us on a journey to a side of Saine we seldom see... First things first, 'Blush' cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. 'Casual' wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. The tropical breeze blows free through 'Leisure Song' too, as we begin to get the impression Finland might actually be a small Pacific island. The sun has definitely set as we move to side B. Electronic elements play alongside the organic materials as pitched vocals punctuate a more plaintive vibe. As the first cool beers of the evening begin to create a warm glow, we head to a dimly-lit basement bar, 'No Rush' where the hep cats are hanging and a sharp fingered double bassist dances a deadly duet with the Rhodes player. We wrap up this most memorable evening back in the hammock, taking in the 'Scenes' as the sun's just beginning to peek over the horizon, we bask in the glow of the day and night we'll have again and again... Another strictly limited affair from the F&F camp. No repress, no digital. Not now, not ever.

Following the sold out Theo Parrish remix of Marcos Valle's '1985', this is the second in Far Out's Brazilika 12" with three scorching remixes from UK dance veteran Ashley Beedle.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series". We're happy to present you on the second release Mr. Ron Trent!

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

The boss is back with 3 juicy house cuts!

"Heat Up", another wonderful uptempo soul classic by Peven Everett repressed officially onGroovin Recordings. On the flip "Fantasy Eyes", a soulful gem by the super talented singer and musician from Chicago, never released on vinyl.

‘We Should Shout’ features Nicola Duncan over a classic House vibe with a beautiful moody organ rolling over a hard house bass line

‘Babylon Fall’ classic – beautiful – sweet stuff from the Persian featuring vocal snippets from the talented Sevi G

The name of the next track is the same as the label: ‘Existence Is Resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the Authentic early Electro sound of 83-84 complete with vocoder

‘Pot Of Gold’ : Disco sounds of the roller skating era.

Great!!!

A rare 7" on Omar S' great FXHE imprint. Highly recommended!

Omar S starts 2011 with this absolutely incredible track. This is on a level with the likes of Psychotic Photosynthesis! One sided release.

The Anoma tree grows another branch with this one by Ohm. One track with organic drum structures and influential spanish lyrics, the other side with some citizen jazz sensuality in collaboration with Montreal artist Do Mi.

Inspired by a long lost tale from dark and cold northern lands, written many ages ago, ‘Neida‘ is the story of a young boy who one day noticed an eerie call, so peculiar and odd that he could not resist but to follow it. While it resonated through remnants of ancient settlings, the boy had to overcome many obstacles and solve numerous quests, journey through mystical forests, foggy mountains and ghostly villages, battle the forces of nature and lose himself in this adventure. Finally reaching the ocean after an exhausting voyage, a mysterious invisible force drew him closer and closer to it, suddenly entranced in a state between consciousness, floating underwater, lured by the siren of the sea.

5 tracks of jackin' beats from Jamal MOSS's partner in Africans With Mainframes. The tracks mostly eschew an easy four-on-the-floor rhythm in favor of raw, jacking beats. One for fans of Detroit influenced Chicago beats. Originally released back in 2010. Paper sleeve.

Nicholas returns on X-masters for a collaboration with Detroits Nikki-O.

For the second release of S3A RECORDS, S3A chose the most talented Parisian New blooded artist nowadays: Neue Grafik ! He has Jazz, funk and hiphop roots and his house music sweats all of these influences. This ep goes from “great sample based house musi”c to “Saxophone played bridges” passing by delicious Piano interludes witch can demonstrate all breadth of his talent. A release made to last for years with a Classy delightful efficiency.

Immensely inspired by the beautiful simplicity embodied by the laws of nature, especially the number Pi and the notion of the golden ratio, Michał Lewicki has always been searching for new ways to implement mathematics into his music. But aiming for the perfect proportions while making the music feel natural and complex at the same time has been no easy feat. In the creation of “Ton” he applied a very technical approach, utilizing various random midi generators, midi delays, polyrhythms, pitch shifters, scales and more in order to create something that posseses a live on its own, bringing him as close as possible to a naturally occurring chaos we can find in the surrounding nature every day.

“One of the basic rules of aesthetics – man’s senses enjoy objects that are properly proportioned. He referred to the direct relationship between beauty and mathematics, which is often measurable and can be found in nature.” – R. Fisher on philosopher St. Thomas Aquinas

After painstakingly accurate and detailed editing of these generators, they would create something unique and different upon every single run. The result are unique non-recurring snapshots as foundation for most tracks, a quasi-mathematical experiment in audio-randomization. Now Michal really started his work, creating arrangements and progressions based on the simple sines and natural convolution, giving the track dynamics, adding layers of synths and instrumentation.

Matt Karmil was born in 1979 near the giant pre-historic glockenspiel / mythical neolithic monument known as Stonehenge. His debut EP for Studio Barnhus, following 2014’s masterful remix of Talaboman, is an homage to the Nacksving studio in Gothenburg, another mythical place that Matt calls home.

The aptly-titled ‘Raw Materials’ sees Marquis Hawkes making a welcome return to the primitive house rhythms for which he became known via his early work for Dixon Avenue Basement Jams.

2021 Repress. Next round for Another Picture. After exploring the highs in electricity and the lows of the deep grounds we go further into things. Sensing vibration of the fire below and turning it into a never-ending evolution of sound and groove. This is what you might know about Losoul tracks - and here you can’t go wrong either. There are scattered artefacts of the city bringing vibe and inspiration - the streets, the people, the concrete, the action - it’s all in between. Then there’s the ever-changing beauty of nature out there on a day to just leave things as they are. Soul, movement and emotion. Again Losoul gives a strong example of experience from his longterm career in house and techno production and performing. Two pieces of music timeless in many ways. See you on the dancefloor. And everywhere else.

Double vinyl re-issue of the classic Lord Echo debut. Features the huge single - the cover of the classic Sister Sledge track‘Thinking Of You’. Available for the first time on general release outside Japan. Look out for the brand new album Harmonies from Lord Echo - art 3 in the trilogy.

Turmoil!! Only 1(!) copy per customer!

Levon Vincent returns with his most ambitious yet concise work to date: no less than a quadruple LP on his own imprint Novel Sound. The entire gamut of Levon's unique talent is expressed in it's fullest here: stark minimalism adherent to the the groove - submerged industrial rhythms and flexing, dubbed-out basslines - shimmering leads and beautiful melody. Set to be an instant classic, Levon Vincent's self-titled opus is finally upon us!

3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...

Timeless deep house anthem by Larry 'Mr. Fingers' Heard!

We've long been admirers of Kornél Kovács and the Studio Barnhus label he co-runs, so it was only a matter of time before we poached him for a 12". Like some of us at Numbers he was an early starter, playing in clubs since the age of 14, promoting his own parties and hosting a radio show - the influential ‘P3 Dans Show' on Swedish national radio. He's got a unique approach to house and techno which packs in bags of personality along with the odd curveball, but he always remains firmly focused on making people dance.

Dancing is exactly what you'll do to Radio Koko, that dream radio station where music never sleeps and the hits keep coming. Pantalon, the brexit baiting sequel to Sabrina's ‘Boys, Boys, Boys' is on constant rotation and according to those in the know, is destined to top the charts in at least four European nation states despite an EU wide ban on it's accompanying video.

The many highlights of Radio Koko's night time programming includes the summertime jack of Lighthouse which can be adapted to suit both nightclub and bbq situations. Strictly for the club is the late night stalker jam Gangsta whose growling Reese basslines and Mentasm riffs are slowed down to a menacing 120 BPM.

Radio Koko also features special guest, Marcus Price who provides assistance on Malon, a soundclash of the melancholic and the ecstatic, matching up rough experimental drum programming with unexpected bursts of ‘hands in the air' piano licks.

forTunea is a new upcoming vinyl label from Vienna, Austria. The „Still Daydreaming EP“ by label head Klaus Benedek features 3 tracks. While the title track on the A-Side creates with its hypnotic synths an overwhelming, melancholy atmosphere, „Fragile Balance“ and „Road To Infinity“ on the B-Side focus more on the dancefloor. If you like deep, raw, energetic house that puts you in another dimension through listening then check this release out! Limited to 350 copys. There will be no repress!

It’s been a while since the first release on forTunea came out. Now it’s time to wake up from hibernation! Klaus Benedek delivers us this time with „Calm Before The Storm“ an extraordinary piece of music. This over 9 minute journey bundles the sound of current deep house with a breakbeat rhythm. This track takes its time and builds up to a smooth string chorus that will certainly give you goosebumps. The B-Side on the other hand stays more traditionally in the house sector. First we engaged the service of Vienna’s MPC wizard Roman Rauch (Philpot, Quintessentials, Tenderpark) to give KB’s track „Still Daydreaming“ a harder edge, while the EP’s title track on B2 bounces with it’s hypnotic filtered hookline the listener into new heights. Give this release a try! It is definitely a record that is quite unique in its own way. Enjoy!
Limited to 300 copys! There will be no repress! Mastering by Patrick Pulsinger.

incl. Roberto Rodriguez & Nachtbraker Remixes

Two unique tracks - ranging from House to Disco and Jazz influences, Kito found his very own style and switches easily between them. Up tempo and energetic tracks with great melodies, driving bass lines and clever sample use.

Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.

Ultra cult classic kat williams “that track by kat” massively played for 15 years everywhere in the world by ricardo villalobos comes up with 2 F.T.G (aka Fuckthegovernment) versions on B side.

Machine music with real heart and soul as, time and again, the tracks locate that elusive sweet spot that unifies mind and body.

Scary looking new 12" on Amsterdam's Dekmantel imprint. 3 deep and insightful new JJ&J tracks with a top notch remix from Ra.H (Morphine). Limited edition of 500 copies!

- 2022 repress -

Fourth part in the very exclusive 'Schatrax' repress series. Hand-stamped 180 grams black vinyl.

Highly sought after tracks from labelboss Josh Brent himself finally re-released on limited edition heavy weight Colored Vinyl. As released on the 1998 Schatrax album, these three floorburners still sound fresh as ever!

Second part in the very exclusive 'Schatrax' repress series. Hand-stamped 180 grams black vinyl.

It’s not every day you find a keyboard player with chops like John Camp. Plucked from the same Minneapolis Jazz vine that grew such deliciously ripened talents as No Regular Play's Greg Paulus and Aaron James (Gregory Porter band), we met Camp for the first time at the Marcy Hotel. Initially adding his signature touch to other’s Crew Love records and last year dropping an incredi- ble EP on Have A Killer Time, the Mistral EP marks his first official Crew Love release!

Only ONE Music presents another outstanding release from the past. This time it's Jaime read - Never The Future EP, originally released in 2010 on Elektrosouls Recordings. A must have item which will be availalable only on vinyl - highly recommended!

Pampa Records is back with its sixth release. This one will be a split 12" of Isolée and Robag Wruhme who each drop tracks of their upcoming artist albums to be released on Pampa in 2011. Side A: Isolée -Taktell There it is again - the very unique Isolée feeling. This diffuse happiness that occurs. No matter in which club of the world this tune might be dropped, pure euphoria appears instantaneously. "Taktell" is a warm, intelligent timeless piece of music. Yes, it's classic mesmerizing, melty, melancholic, terrific sounddesigned Rajko Müller material. Oh, that's Isolée's real name. Yes, it's hard to believe something so beautiful could come from such a wretched species as homo sapiens. This is the kind of music that sounds like it was plucked directly from a dewy-leafed Haribo tree by a one-eyed synthasaurus. It's an evergreen already and taken from upcoming Isolée album Well Spent Youth, to be released on Pampa Records on January 28th, 2011. Side AA: Robag Wruhme - Thora Vukk Robag Wruhme, by no mere coincidence, is also preparing his latest full-length album Thora Vukk, to be released in late March 2011. Robag´s festive anthem "Thora Vukk", here in a special 12" edit, raises highest expectations on the upcoming longplayer, which guarantees the most exceptional & beautiful material that the world has seen in a long time. On "Thora Vukk" THX-sounds meet frenzy-melancholy, tardiness on focused half metallic reverberations and half fairy-tale make-out sessions. This is the kind of dance music, that reflects the belief in the movement perfectly.

Swedish producer HNNY (real name Johan Cederberg) releases his debut album 'Sunday' on Omena Records, a label set up by Tobias 'Tooli' Lidstrom. The ten track debut album continues an ongoing partnership between HNNY and Omena Records that started in April 2014 when the 12" 'Always' was released which also marked the starting point of the label. Sunday is released as a 180 g vinyl edition in gatefold sleeve.

Repress -

Four luscious, beach-coasting, jet-skiing tracks from the depths of Detroit via Manchester from Hidden Spheres.

Vocal tracks that undulate with 'mmm's and 'uuuh's for the real deal summer feel. Sweeping Rhode lines, organic percussion to make the thumbs raw and those deep, woofing basses that just keep on giving.

Hidden Spheres going for the jugular. Melting the sun like butter on a roasting-hot lobster.

"I use music as a medium to talk to other people", Sun Ra once revealed. The Düsseldorfer Stefan Schwander would agree with this statement by the avant-garde jazz great, though he would not necessarily sign his name to it. He also speaks to people through music. Yet he also likes to let music talk to music. Since 2008, as Harmonious Thelonious, on numerous EPs and two albums, he blends the reduced patterns and structures of American minimalist music with African, Latin American and Caribbean rhythms.

For his new work "Santos", which he sees as an LP with a unified concept, he embarked on a mental journey to the north of the African continent and became entranced by Moroccan trance music. The resulting pieces are light, with traces of pop, interweaving the atmospheres of the Master Musicians Of Joujouka and Gnawa music with the driving force of techno. This time Schwander invited a handful of guest musicians to serve as sound sources. The Berliner Ghazi Barakat, former bass player of Stereo Total and man behind the psychedelic experimental project Pharoah Chromium, contributed modified sounds from his Moroccan flute. A second guest musician is the Cologne-based composer Volker Zander, who has long played double bass and electric bass with Calexico. For songs like "Mountains" or "Belloumi" he played a melody on the Turkish Tambur, lending an oriental flair to the vital rhythms of the tracks. The intricate rhythmic patterns also incorporate instruments such as banjo, mandolin and Afro-Cuban drums, played by the percussionist Stefan Suhr, who studied Afro-Cuban ritual drumming in Cuba. Schwander's electronic sequencing blurs these organic sources and brings them into a fluid dialogue with his electronic ideas. For a piece like "Rendez-vous of the Dead", for example, Harmonious Thelonious projected himself out of the studio onto the Djemaa el Fna square in Marrakech. Here, every evening after sunset, local musicians meet and play themselves into a frenzy on distorted mandolins. Harmonious Thelonious translates this dream into a quaking dance monster whose home might be a techno club with an experimental sonic approach. Of course, most of the pieces of "Santos" are heavily danceable, although this time Harmonious Thelonious' tracks roll a little slower than previously. Their rugged beauty has also given way to a very smooth sound. His music, however, has lost none of its complexity. The many voices speak together, propelling each other toward something that traverses traditional genre boundaries, creating a playful trance.

The cover of "Santos" underscores this: It is a collage designed by the artist himself, depicting his notion of an all-star band. Everyone must decipher for themselves exactly who is to be found there. Here, once again, the pictures are not direct portrayals, but veiled references to an emotional state hidden far beyond the visual realm. Just like the music of Thelonious Harmonious, which uses various layers tell countless stories.

Killer Acid workouts from Hard Ton!

New Omar S ish!

Coming off his last record, ‘Nocturne’, Generation Next shows us that he has no plans in slowing down. Even though his last EP was impressive, ‘Ender’ just shows us how much this producer has evolved.

Reissue of a few classic Gemini tracks!

Frits has steadily built a reputation as one of Holland's finest exports through a string of successful releases on his own Bobby Donny, Triphouse Rotterdam and of course WOLF Music.
The longplayer format has given Frits the ability to show off his production ability with a mix of styles encompassing lo-fi hip-hop and downbeat tracks featuring the amazing vocals of Loes Jongerling as well as Frits signature House sound.

Anyone who followed the development of house music made in the usa in the last decade will certainly have met the art of Fred Peterkin aka Fred P aka Black Jazz Consortium.

His musical set phrase isn't following new trends. Fred is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase "deepness" finally gets a fresh truthfully new meaning.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series".

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

Florian Kupfer is back. This time he shows a glimpse into his diversity and depth. Starting in the familiar territory with his trade marked, blue eyed freaky soul vocals and rough beats before meandering his way through strangely sad blown out drum workouts and hip hop styled new beat tracks... Comes with full color sleeve. Tip!

Houseworx welcomes Federico Curatolo from italy. On his debut ep called "Chicago Series",
Federico delivers four great tribute tracks dedicated to the music and the artists of the "Windy City".

Invasive psychoacoustic acid killer from EVOL for the sympathetic freaks at Sweden’s iDEAL.
Continuing a pursuit of altered states induced by pure frequency manipulation, ‘Purple Melters’ is the fourth work in a series that started with ‘Proper Headshrinker’ (Editions Mego, 2013), a series which will also see a release on Diagonal later this year.
Essentially, it’s acid house without the house, drilling down to the 303’s micro phase variations and psychedelic sleight-of-mind conjuring a sense of movement from ostensibly static phrases.
Granted, you have to be a bit of a sadist to enjoy this, but really only in the same sense as a proper hardcore hooligan who gets their rocks off jackin’ in man-made synthetics to amplified music while gobbling illicit chemicals from a Dutch laboratory supplemented by synthetic hormone-infused energy fizz.

‘Absolute Presence‘ is about losing connection with the physical world and exploring a much deeper place in your mind. It’s about experiencing a significant transformative state from which one can either come back to the physical world, or fade into death. In this enhanced state of consciousness, one may feel entirely weightless, at peace, and removed from their physical body. It’s the feeling of all of existence hitting you at once, and distinct emotions and identifiable feelings fading into irrelevance. How does one approach their day to day life after such an experience? This is what ‘Absolute Presence‘ attempts to address.