House | Deep House 262 Items

EBY is an acid house artist who has more than made his mark over the years. 40 years, to be exact, and to mark that rather notable occasion he is back with a special release on Foxbam Inc called Acid Thing and it comes in various different formats. This is a grey vinyl version that celebrates the classic acid sound while infusing it with a modern twist and plenty of big basslines, squelchy synths, and potent rhythms. The standout 'Acidanus' includes MC Soph who made her debut on Acid Indigestion Pt4 at just eight years old and now returns at 25. The EP also features a remix of 'Eggtrip' by renowned Belgian producer Outlander who you will likely remember from his iconic cut 'Vamp.'

”Dischi Spranti - vol. 2" is the second official release for the independent label Dischi Spranti. After the first volume with some of the best producers of electronic music in Salento, "vol. 2" continues its research into the local groove, by collecting six tracks mainly dedicated to the dancefloor. The watchword is 4/4, no matter if it is house, techno, acid, tribal or deep, with an ambient finale that appeases bodies and sweat. Marco Santoro, Buck, Giorgio Luceri, Mhadan aka Daniele Marzano and the two founders Max Nocco and Marco Erroi invite you to follow their disjointed dances and, as always, to get lost in Massimo Pasca’s amazing artwork. All you have to do is turn up the volume and argue with your neighbor.

Following his debut on Planet E Communications last year to release Art-O-Fact, New Jersey-born and-based house music legend Junior Sanchez now teams up with longtime friend, label boss and techno icon Carl Craig for a brand new Remix EP. “Art-O-Fact (Detroit Remix)” injects the futuristic sound of Carl’s hometown, the EP also includes a ‘Beatless’ mix and a ‘Bass’ mix, which split the new Detroit Mix directly in half, with one focused on melody and the other on rhythm.

Sanchez initially brought “Art-O-Fact” to Planet E with Detroit in mind. “I loved so many records by Carl Craig, Derrick May, Kevin Saunderson, and Juan Atkins,” he says. “I let my inspiration guide me, and I thought about that city—what it meant to me and what techno meant to my heart.” To fully connect the dots, Carl Craig has hopped on the remix, reinforcing the eclectic synth work with a heavy new groove, a gritty bass line, and subtle, shadowy synth melodies. The result is a fortified connection between two scenes and eras that sonically toes the line.

We're thrilled to announce the new EP "Another Time" from Argentina's Kermesse. This release marvelously blends groovy rhythms, funky synths, and live instrumentation, enriched by Pedro Perelman's hypnotic vocals. Co-produced by Noema, the EP merges organic and electronic elements seamlessly. Known for standout performances in Ibiza and Portugal, and with over 9M Spotify plays, Kermesse continues to deliver his unique trademark sound.
Out on December 6, 2024, via The Magic Movement.

Club music reduced to its essential elements, those elements then pushed to their limits! Dangerously malfunctioning DJ tools! The Feeling of Power!
All that and much more on this striking new record from the one and only Barnt, the great reductional absurdist finally appearing on Studio Barnhus, providing concrete proof of the secret, decade-long love-affair between artist and label, after a bunch of Barnt b2b Boman DJ sets over the years, Kornél Kovács’ legendary “disco edit” of classic Barnt track “Chappell”, endless “Studio Barnthus” jokes, etc.
Aqua Breeze immediately makes its mark as an essential part of Barnt’s relatively small, absolutely profound catalogue, with digital files and vinyl records optimised for maximum soundsystem impact arriving in shops on September 27

With THEE CHURCH OV ACID HOUSE's third EP, the miracle is now complete, the trinity has come full circle, the triptych is complete, the church has fully handed over the Holy Spirit to its disciples. For this celebration, apostles such as Glow, Tyson and Elektra, as well as the church leaders of THEE CHURCH OV ACID HOUSE themselves, come together again to celebrate a Dionysian Bachanal.

It starts with Glow's ‘Acid House Planet’, an epic-ambient call to the gods at the foot of the Acid House Olympus.

And the next track on the EP, ‘Coming Home’, a no less epic house tune that calls the children of faith home to the church with the vocoder voice of the gods, shows that they listen to their disciples.

‘Mitzubishi’ by Tyson celebrates the holy sacrament of acid painting in chords that melt on the tongue like a lollipop over a ritual beat.

This is followed by Elektra, which has already provided highlights on the previous EPs. And this time too, her hypnotic acid anthem worms its way deep into the ear canals and brains of the trance-listening worshippers.

Shortly before the end, the church leaders return to deliver an abstract breakbeat hymn with ‘Waves Ov Power’, which, surrounded by numerous sample memories of house history, sings of the pure power of the acid ecstasy techno religion.

Finally, THEE CHURCH OV ACID HOUSE disciples are dismissed from the service with a powerful hymn of distorted bass drums, namely Random Noise Generator's ‘SM 58’ in the T.C.O.A.H. Schranz remix - a track that will give the inspired followers of the CHURCH OV ACID HOUSE enough strength to spread the happy acid message throughout the land.
Amen.

It’s 2024 and Egyptian-born artist of South Sudanese origin Sam Alfred has had a monstrous 12 months. A new year means stepping in a new zone with new tunes. This is Forward Step.

First is the title track “Forward Step (Journey Mix)”, an epic cow-bell-laden house hammer that blooms into a euphoric flower. Running with a 90’s club flavour, Sam lays airy synths over punchy piano and rave stabs while an all-powerful speech plays out, celebrating the idea that we’re all in control of writing our futures. There’s a bubbling over of excitement on this one as it builds and builds and builds!

Up next is “Care 4 U” – a crunchy drum club roller paired with fuzzy bass tones and a super hooky vocal loop. A section that’s been lodged in our brains from the moment we heard it. Toss in airy pads and a key melody that’s also impossible to forget and this track’s got you hook, line and sinker. In true Sam Alfred style, “Care 4 U” is yet more proof that this lad is a wizard at writing jacked-up club cuts, each full of fizz.

Third in line comes “Keep It” a relentless hypnotic piece of techno. Outer space synths drone while shuddering percussion rumbles beneath. It’s here where the EP takes a darker turn. The curtain closer and focus track for the EP drop is “Distance” – an acidic house track to seriously lock and load to. Characterised by sharp hi-hats and lively keys, as its name suggests this one goes and goes and goes.

GENRE/S: House, Deep House

[12” vinyl]
A1. Acid Left And Right
A2. Forever Latino
B1. Space Drag
B2. Ohh Baby

SHORT INFO:
Axel Boman returns in defiantly good form with a brand new original EP on his very own Studio Barnhus label, blessing this fast paced world with some slow moving music inspired by the Eterna Primavera mountains outside Medellin. Specifically, this record was created during months of isolation spent on an avocado farm, with the Swedish producer letting the outside world disappear bit by bit, until only clear shapes of unclear importance remained.
Of course, this is all just an attempt to poetically describe a collection of tracks that sound exactly like the kind of disco business Axel has been meddling in for the last 15 years. Don't be fooled by the rocks that he got, he’s still, he's still Axel from the block. Viva house music!

VITAL SALES POINTS:
- limited edition vinyl, WAS exclusive.
- artwork by Robin Ekemark
- Released on Axels own label Studio Barnhus, following up his latest double album LUZ/ Quest for Fire
which got Grammis nominated and listed on uncountable "Best of 2022” lists all over the world.
- AXEL BOMAN!!!!!!!

UK producer Lex Wolf joins the RNT roster with a searingly hot EP of summer bangers! Known for his recent superlative output on the Make-A-Dance crew’s MAD Edits series, Lex brings his signature sample-heavy touch to this quartet of club and festival-ready tunes. Sounding a bit like Bob Sinclar over tough electro production, ‘Get Into The Sound’ starts the record off with a party then moves to the genre bending ‘Russle Love,’ with its melancholic vocals floating over a pulsating rubbery bassline. On the flip, ‘Warmer’ takes us into darker latenite territory with heavy low-end, stabby 80s synths and abstract vocal samples, and the record finishes off with the whimsical and effusive Sendsome, a plucky-guitar and horn driven earworm of an Afro edit. Classic RNT white label design with a special hot pink sleeve…because this baby is HOT!

It's ten up for the cultured hose label No Fuss here and they hit the milestone in style with underground Michele Chiavarini and his Jazz Codes project. Their innovative 'Jazz Was Dancing' has a monologue about jazz over jazzy keys and live-sounding jazz drums so in a word, it's jazzy. Saison adds some more bumping drums and swinging grooves to their remix and on the flip, Japan's Yuichi Inoue offers a deep house sound that also explores jazz, but in a more seductive way on 'A Night In The Room.' Sebb Junior's 'As One' is last up and slows things down with a more sensuous late-night sound full of heart.

BerettaMusic, known for discovering and developing Detroit talent and serving as a launching ground for several well known artists such as Seth Troxler, Ryan Crosson, Luke Hess and many others continues on the heels of many recent successful records. The label further solidifies their legacy in Detroit dance music with a release from Detroit native John “Zoetic” Briggs.

Briggs, a.k.a. Zoetic (Atjazz Records, Yoruba Records), brings his talents to BerettaMusic, one of Detroit's hottest boutique record labels, with his distinctive take on electronic dance music. His “Spirit World” EP is an electronic 'chef-d'oeuvre' that skillfully weaves Techno, House, Funk, Jazz, and World music elements, creating a unique release perfect for the dancefloor and your headphones. Beretta label boss Ryan Sadorus (one half of Airport Society) steps up on remix duties to deliver a hypnotic deep house jam perfect for those late night sets.

Written and Produced by John “Zoetic” Briggs. Remix by Ryan Sadorus. Mixed and mastered at the Bear Cave in Detroit cut by Dietrich Schoenemann. Pressed at the world famous Archer Records in Detroit.

With memories of 2022’s ‘Serendipia’ still at the forefront of many minds, Oath are proud to offer up a fresh perspective on the John Beltran produced LP, with some stellar names featuring that will help the musical love affair continue onwards and upwards…

The art of the remix is certainly alive and well, and is often the final piece of the jigsaw on records where a alternative perspective sits alongside original tunes – a mirrored yet respectful sound that adds to the overall musical narrative. It often helps when the source material has so much to take in, and on ‘Serendipia’ the sonic ideas that John Beltran conjured up are a treasure trove for artists to work with. A breezy, Brazilian love affair, ‘Serendipia’ is the kind of record to take around in your pocket, a sound that nurtures the body and soul with its delicate rhythms and enriching, mellow yet captivating melodic sequences. From the walking pace through to the rhythms of life, Beltran captured something truly extraordinary on this record, such is what we have come to expect from his finger tips. Sunrises, sunsets, orange hued afternoons and deep blue seas, it is a record for the pastoral times, to riding back and soaking up the goodness – music that maintains smiles in abundance, no matter where or when.

The revisit to ‘Serendipia’ saw Oath approach some top notch producers, who provided a bountiful array of alternative styles and takes on the hazy rhythms and gorgeous melodic features of Beltran’s original tracks. In doing so, the artists involved managed to capture the core essence of the original LP, and that is of the broad diversity of feel which Beltran provided, with tracks swinging from genre and style with ease and intuition. What is perhaps handled the best is the balance between the original cuts and the musical personality of the music makers involved, and that makes for a truly feel good experience.

Danilo Plessow’s remix of ‘Sa Coma Blue’ slides into view as the record’s opener. Plessow turbo charges the core melodic drivers of the original, moving the atmosphere into a club environment with high line drumming patterns, driving synth sequences and a firm hand on controlling the shifts in energy and mood. Kareem Ali is up next with his spin on ‘Cachaca’, with a house leaning twist put on this rhythmically enriching palette. Ali draws focus on a piano riff found within the original, which acts as the melodic cornerstone of the track as it weaves and grooves into the night.

Melodiesfonie turns up next with their take on ’Suenos Soleados’, as the light starts to pour in on the dance floor. Slow, sultry and easy going, this track breezes along with a gentle whisper, with plenty of space available for a glorious array of instrumentation. Guitar and keys are given plenty of time to breathe, particularly in those dreamy breakdown moments. Session Victim then present their take on ‘Ask Anlari’, with this reworking spreading out the relatively short original cut and adding a fresh heap of drums whilst incorporating the original melodic density expertly. This one unravels like the freshest sunset going, its one to dip your head into. ‘Em Trancoso’, which lands next, is flipped from sun kissed to night time groover with some class by Em Trancoso. The rhythm and melody is spread out, with a hefty dosage of space added into the blend which creates a rhythmic work of art. Lastly, we have Xique’s remix of ‘Yangu Milele’, which stays true to the original in all the best ways. Similar tempo, similar thuds and a spread of rhythmic notions that will get the heart skipping, a perfect way to see out the record.

‘Serendipia’ provided a rich insight into John Beltran’s musical universe, and this remix record helps to add further to that album’s rich legacy. All the artists involved throw their hats into the ring, providing enlightening and characterful reworkings which are as dynamic as they are diverse. Each track flows into one another, capturing the musical dexterity of the original music and in turn contributing to a wholesome, rewarding musical experience. A record with many moments, and Oath couldn’t be more thrilled to share it with the world.

Electronic producer Intriguant with his 3rd album Spirits on vinyl as a limited release under record label from Singapore, TAV Records. When it comes to the relationship between electronic music and its interaction with Singapore, we always find the theme of longing connectivity through its panorama even within the many concrete walls and high-rises we have grown accustomed to living in. With Spirits, Intriguant takes the role of an observer and explores the landscapes of many different cultures and sounds that have taken habitat past and present. Driven by hauntingly futuristic break-beats of the 90s, shaped 808s, imagined club sounds of dancing folks, bass-heavy textures reminiscent of Burial, Spirits is both for the late-night vanguards and personal home listening rooms. Intriguant's third album encompasses his experiences as an artist most vividly, highlighting his ability to use the flexibility of electronic music to link floating ideas to the physical world. The Analog Vault is honoured to be working with Intriguant for our third release as TAV Records.

For Alt014, Altered Circuits presents its first Various Artists release. In addition to the label's co-founder, three friends of the label appear on this heterogeneous, club-oriented 12". "Portal", with its breakbeat layered drum section and spartan bass hook, sounds like classic Innershades from the start. When the angular leads and slowly phased, ominous chords hit, we are reminded of the artist's fondness for the new beat genre and his ability to translate its tropes and conventions to the present. On "Show You Love", Mr. Ho combines skippy two-step drums with an Ms20 type of flat bass. After introducing a one-bar mid-bass arpeggiator, gently swelling pads, leisurely spread side riffs and reverb-drenched musings join, calibrating the vibe to lush and groovy. On the other side, Oshana treats groove as the focal point with her "Hey Kiss Kiss" contribution. Over its 6-minute course, the snappy 909 kick rarely relents while a bunch of often short, many a time looped sequences emerge and disappear, unfolding a hypnotic tapestry of textures. Rising talent Salom?e closes the VA with "Late Night Summer", a track capable of setting the floor in motion at any moment. It revolves around a portamento-heavy, neon-tinged lead that lingers long after the track ends and a sturdy, efficient one-note bass pulse.

Rob Woodward, AKA Demetae, dons his Tasteless Talk alias for the first time for the ‘Love’s Destination’ EP on La Mano’s Sound Du Jour label. Alongside the single, Woodward is joined by PBR Streetgang and 1⁄2 of PBR Streetgang, Magari, for the remixes. It follows Demetae’s recent ‘Space-time Sleaze’ EP on Sound Du Jour, which won support from Chloé, Mufti, Captain Mustache, Posthuman, and many more. As Tasteless Talk, Demetae writes 80s-inspired Italo, Disco and Electro Funk, lacing the ‘Love’s Destination’ single on Sound Du Jour with retro synths and the passionate vocals of vocalist Millicent. Bodied drums hang down low, airy melodies and nostalgia-rich lyrics at the forefront before Bonar Bradberry and Tom Thorpe’s PBR Streetgang remix the track. Their version ups the energy via an organic breakbeat and layers of additional harmonies while maintaining Millicent’s timeless vocal. Bradberry then goes solo for the final track on the EP as Magari, his Scena Finale mix of ‘Love’s Destination’ features bold rhythms, chugging bass and an EBM-tinged feel. The EP has gained the support of many respected artists such as Solomon, Groove Armada and Claptone. Love’s Destination is expected to be the perfect sound to serenade the closing of the summer season.

Porridge Bullet connects with Rio De Janeiro don Gabriel Guerra aka Guerrinha, who clearly has patent on the deeper side of all things funky, jazzy & housey. “Prédio Avenida Central” is free flowing & instantly gripping equipment as you’d expect, full of expertly layed down instrumentation & arresting atmospheres – muy perfecto for hypnotizing the dancefloor. The title pays homage to the Avenida Central building in Rio’s rustling & bustling downtown, where Guerrinha is a frequent visitor to buy his much needed electronica.”

Vinyl with a couple of light scuffs

Igor Jadranin is back on Star Creature with the "contemporary Outdoors EP". 6 massive left leaning killer floor fillers. He delivers a perfect blend of boogie basslines on exoplanet hypothesis warp mode & vintage drum machines. Remixes by A Vision OF Panorama & Byron THE Aquarius.