House | Deep House 113 Items

Reissue of Lexx’s „Young Corner“ EP. Originally released on Phantom Island Records as a three track 12“ in 2014, now additionally contains „All That Is Now“ which was previously only available on 7“. This EP contains some of the producers most acclaimed works from 2005 to 2014 and is back for a new generation of DJ’s to discover.

New York, early 90's, the haydays of the New York and Jersey clubhouse! With labels such as NuGroove, Nervous, Freeze, Strictly Rhythm, Henry Street Music taking all the spot light, there is Jovonn working on a small but sensational catalogue of music that somehow gets overshadowed by the popular releases on the mentioned labels. The honest productions, jazzy melodies and playful vocals (rooted in gospel) were taking things into a more musical, more spiritual way, lacking gimmicks or dispensable samples. For the real diggers, the true lovers of House music Jovonn always was a name to watch, a producer of some of their favorite NY house tracks, tracks that have a raw edge combined with a sincere human touch and pure underground house vibes. People such as Rex resident Dj Deep was a huge fan, and also collaborated on couple later productions with Jovonn. Slowly he started getting recognition from europe which resulted in a handfull of records on European labels such as Distance, Coco Soul and Estereo. Now after almost 25 years since his first release the man's small discography on his own Goldtone label and Emotive records stand out with his unique musical personality. More then 20 years after their original release dates these tunes are still very relevant and stand for many things we love about house music! We are happy to offer this selection of his hard to find early works remastered by Alden Tyrell and pressed on fresh clean high quality vinyl.

"A tribute to the energy of Frankie Knuckles" by none other than Ron Trent!

Excellent tracks from Ron Trent, originally released in 1992!

The Second release by Ron Maney on Chiwax is the remastered version of former Relief records n°761 called "2 Entities". Hot!

Sweat drops on naked skin, gloss high upon the white blue sky. Take me to the top, white wash seashore break on the rock. Seduction mainstream leftfield of the Balearic dream. No shadowseater, boardwalk sunfeeler. Sweat drops on naked skin, gloss high upon the white blue sky. Take me to the top, white wash seashore break on the rock. Seduction mainstream leftfield of the Balearic dream. No shadowseater, boardwalk sunfeeler.

Next up is Josh Brent - revered throughout the globe for releases on his own Schatrax label, Josh has been releasing records since 1994 and has built a back catalogue of exceptional consistency. Stepping aside from his habitual sound Josh turns in 'Then Again', a 4-track collection of tumbling Breaks and Garage shuffles that have been tried and tested on Fabric's system.

Erman & Abtomat, Kid Mark, An Expresso, Shin, Rosenhaft. A Fistul Of Wax is an extension for some very special projects of our beloved deep house Skylax Records’ sub – label Wax Classic. A Fistful of Wax is back with its fourth volume! This offshoot originally began as an avenue for showing off some of the overflowing great talent we have floating about the Wax Classic sub-label, but with the growing reception of our previous three releases, it has developed itself into its own uniquely successful imprint.

It takes a lot to achieve the status of legendary or era defining in dance music, its sands shift so quickly artists, genres and labels have often come and gone before you realise.
So it's with some pride and deserved justification that Yoshitoshi marks its 20th anniversary with celebratory remix packages of its most iconic tracks.

Already riding high in the Beatport charts with the success of the Uto Karem and Robosonic mixes of Eddie Amadors House Music, the latter of which has spent the past month in the overall top 5, the label now plans a one, two punch with the follow-up: Alcatraz seminal Giv Me Luv.

We thought long and hard about how we scheduled this 20th anniversary project, says label boss Sharam, little point launching big and then following up with a whimper so we deliberately chose Alcatraz for this difficult task.

But the challenge didnt end there; a massive record still deserves a massive remix and I think its safe to say we found the perfect woman for the job...
Step forward undisputed techno titan Nicole Moudaber who leapt at the opportunity to remix the track.

Ive got so many fond memories of Giv Me Luv, it was one of my favourite tunes from my formative clubbing days, recalls Nicole happily, so, when Yoshi mentioned the idea of me remix-ing it I just couldn't say no.

In fact I was so familiar with Alcatraz I was already awash with ideas of what I could, or should, do with it.

As I got into the mix one of those ideas just grew and grew, namely an extended breakdown that constantly builds; layering the memorable vocal to an intense pay-off and (hopeful) moment of real dancefloor drama. Nicoles humble description doesn't quite do the end result justice, which is a modern, masterful take on the classic.
Her iconic techno beats, dark twisted stabs and arrangement of that bassline drive toward the mentioned break, which will undoubtedly rival the fireworks of any impending NYE celebrations.

In fact, expect this track to be THE soundtrack to many a dance floor come the all-important hand-over to 2015. And, just in case that weren't enough, Yoshi has also secured the skills of Tent Cantrelle to deliver the perfect deep house foil to Nicoles techno ferocity as Sharam concludes, We wanted a real slice of contemporary funk from the companion mix.

Yoshi is synonymous with exploring the line between deep house and techno, perhaps no more so than during its formative years, so this re-mix completes the package perfectly.

New album by the maestro! Parrish's electronics getting blended with a good dose of Jazz & Soul influence - here the past collides with the future.

Nico Groove aka Nastyboy has dropped hot releases for labels: On The Prowl, Shift Ltd and Underground Limited. Here he handles the task of producing V1 of Klapmaster's Nu Groove Records Tribute Series, influenced by Rheji & Rhano Burrell.

Adam Beyer has been showing us the extent of his versatility for years and this EP solidly cements the idea that Beyer can confidently swing between genres and keep up his consistently high standards within electronic music. 'You're The Same' is a remarkable piece of work and keeps the tech house bods moving and shaking. All the tracks on this three-part stunner are chunky, solid grooves, that are infused with dashes of techno, house and dub. Vocal snippets are used to create some spine tingling hooks as well as moody pads to create eerie atmospheres. 'Valium & LFO's' has already built up quite a following courtesy of its inclusion in Beyer's landmark Amnesia Terrace set for Cocoon that was later broadcast as part of his Drumcode Live radio show. It has also been a mainstay in Richie Hawtin's sets along with other accomplished DJ's including the likes of Joseph Capriati. A well accomplished single from the Swede.

New album by the maestro! Parrish's electronics getting blended with a good dose of Jazz & Soul influence - here the past collides with the future.

The Organ Grinder / Detroit Swindle / Max Graef / Frits Wentink / Nachtbraker

The Roundup part 1 is the first part of an annual recurring event: the big Heist family remix EP, where all artist names get put in a big bowl, and by luck of the draw, find themselves remixing (and remixed by) another Heist artist.

Roy Comanchero is a DJ/Producer. He doesn’t like modern tool like laptop, but loves cheap and vintage machine instead. He is traveling and looking for golden shiny beach like Cancun, Miami, Gold Coast and Nice… to make music everyday.

From the depths of the Detroit underground, Black Catalogue presents MD. This 5 track EP is just a small glimpse into the soul and versatility of this artist. Deep, futuristic soul from another dimension. And it's just the beginning. Another winner from Monty Luke's label.

Limited 12" 180g records, single press, hand stamped, individually numbered, no repress, no digital. Tusk says, "The title track from TW15 was conceived after a particular heavy Tusk Wax label party at Renate in Berlin. I went back to my old pal PORK INTL's place for a bit of drunk studio time and told him all about the living legend that is Gizzy the Fox. A couple of bottles of wine later and I was telling the story to a microphone and we were writing an oddity of a track. If you have had the pleasure to meet Gizzy and spend time in Renate you might understand the lyrics, if not, they'll probably just sound like the rantings of a drunk man, funny that."

Brilliant, discofried, jacking house from the Mood Hut corner, featuring Vancouver tuffies LNRDCROY, Cloudface, Hashman Deejay and Memory Man.

Michael is the debut full length from Les Sins, the dance project of Toro Y Moi’s Chaz Bundick. Inspired by cartoon and movie soundtracks, the largely instrumental album explores classic dance and pop music traditions. Catchy, repetitive vocal hooks gel with beats and synth work influenced by house, techno, French electronic, and ’90s hip-hop production. Bundick made the album over two years and recorded everything in his home studio.

The funky “Why” features vocals from Berkeley, Calif. singer-songwriter Nate Salman asking “Why you wanna go and do that?” “Bother” holds down a head-bobbing, body-moving groove until a stunning hallelujah moment straight out of a sci-fi version of Kanye West’s My Beautiful Dark Twisted Fantasy. While there are no concrete themes associated with the album, Chaz says he can imagine all of these songs playing in the middle of the brilliantly lighted and busy Ginza district in Tokyo.

Touchstones like Timbaland, Mr. Oizo, and Daft Punk, and contemporaries such as Motor City Drum Ensemble offered inspiration, but most influential on the making of the album was the sage advice of a design icon. “My favorite graphic designer, P. Rand always said, ‘Don’t try to be original, just try to be good,’” Bundick says. “When making this record that was/is my mantra—it was just constantly looping in my mind. I believe ‘good’ is timeless and once you can recognize that you’ll see the world in its fullest.”

Michael follows a 12” on Carpark Records and two singles for Jiaolong. The LP is the first release on Company Records, a new label partnership between Chaz and Carpark.

Whilst most will know Dave Maclean as the drummer, producer and de-facto leader from the Mercury-nominated, UK four-piece Django Django, Maclean is first and foremost a DJ and record collector. Maclean’s eclectic tastes have long been looking for a suitable outlet and today sees a long-awaited dream finally come to fruition, as Maclean announces the launch of his record label Kick + Clap. Kick + Clap’s debut release comes courtesy of fellow Scot producer Neil Landstrumm, with an EP entitled “Knights of Shame". Well known for his early Peacefrog Records’ classics such as “Brown by August", Landstrumm has been navigating unchartered musical territories since the 1990’s. Circling mostly around experimental techno, Landstrumm is also know for exploring grime and dubstep, long before it was the done thing and has released nine albums across legendary labels such as Peacefrog, Tresor, Mosquito, Planet Mu, Sonic Groove and his own imprint, Scandinavia.

It's late. Too late? Still you can't help hitting redial. Three rings…four. Should you hang up?

Cosmic Club is a Sylax Sub – label. For this 14th release, we give you the opportunity to grab 6 fantastic trax done by one of today’s hotest producer from germany : ANDREAS GEHM aka ELEC PT1.After a bunch of releases on MATHEMATICS, BUNKER, CHIWAX, SNUFF TRAX, he sent us his brand new tracks & we felt it was so good that we decided to release them straight ! His sound is firmly rooted in proto-house and acid. A whirlwind of crystalline electronics, playful synthesizer riffs (with a dash of original chi-town jack thrown in), it comes on like a particularly cosmic jam session between Stevie Poindexter & drexcya. Jack Attack ! On this evidence, Andreas is clearly one to watch!

With a title like Annoying Mumbling Alkaholik, you'd expect this three-tracker from the mighty Alex "Omar" Smith to be full of pent-up anger and bitter frustration. Sure, there's a raging rawness about the third track - an undulating trip into spiraling acid territory - but for the most part the EP is a beacon of simple beauty. The opening track is particularly picturesque, with beautiful, new-age influenced melodies and immersive pads riding a cymbal-heavy Detroit deep house groove. There's more Mood Hut/Future Times style synth work on the Tangerine Dream influenced "Track 2", which contrasts deep, sun-kissed melodic loops with a fuzzy drum machine groove.

This NYC house master piece was originally released in 1990. Ben Cenac aka Dream 2 Science released this African influenced house LP under his Push/Pull moniker. It sounds somewhere in between the NYC band No Smoke (Koro Koro) and the Dream 2 Science's signature sound. Original copies are rare!

Following the success of the digital release of Sleazy McQueen's You Know How EP, upstart label, CVMR were compelled to press the remixes to vinyl. The proceedings open in superb style thanks to The Revenge's Live Dub. A bass heavy tool with equal parts classic house and disco, with a touch of Arthur Baker-style drums. On A2, Sleazy McQueen's Space Coast take things to the basement with the help of Romano Arcaini (Latenight Society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. B/W Compost Black’s main man Kasper Bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented Copenhagen born producer. Closing out the remix EP, CVMR in-house producer, Century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

From Francesco: "After first performing together at Sonar Festival with what was essentially a live version of our respective "B.O.A.T.S." and "Adamant" albums, Thomas and I decided to expand on these ideas for something more broad and improvisation-centric. After months in the studio drinking nothing but amaretto and working on new music for this purpose, our new live experiment (now simply called CW/A) was ready. The reception on these shows was so (thankfully) positive that Vakant eventually pressured us into releasing some sections as tracks. "Conducting the Method" is nothing other than a sample of what this new project is about: a collection of three excerpts taken from this year's performances. To round things off, we invited over our friends Dead Heat for a reinterpretation of one of our tracks. We can state with confidence that we are excited these tracks are no longer confined to our club and festival performances and can't wait for everyone to hear them. Hopefully you will enjoy them as much as we enjoy playing them out. "

Slo –mo house at it’s best deep shape, including the rare, sought after Maurice Fulton remix for Alice Smith “Love Endeavour”. Compiled by Rainer Trüby.

Daniela will release her 2nd album on housewax - we are more than exited about the result. so many good tracks - that's why we decided to present you an pre-release sampler.

Manuel Gonzales aka MGUN, steps up to the plate for FIT SOUND with an EP that is equal parts diverse, epic and RAW! From the basement techno of "Wide Eye", to the scuffling acidic "Debit, and finally onto the melodic/ melancholic sound of "M.S.C.", Essential music from the underground for the underground!

Classic track from Stasis with a contemporary rework by Unbroken Dub!

Vinyl only and focused on acid! Hot!

Stump Valley is a funny ol' place ...

More House grooviness from the Music Is Love crew!

With "Catch 'n' Release", the first solo vinyl from the Big Bait labelhead since his EP back in 2011, the shuffle-don delivers a highly elaborated house music EP – extremely warm, soulful, sparkling with energy and fully loaded with refreshing grooves.

After a successful year for both Big Strick and Generation Next, they come with the LP album titled "Like Father Like Son2. Four months after they collaborated on the "Like Father Like Son" EP , this 10-track masterpiece shows off skills from two eras of dance music on one platform with an array of styles and versatility.

Album Sampler Part 3/3

UQ boss Jus-Ed always brings a sense of serene and spaced-out futurism to his label. Ruh's shadowy new sound fits perfectly with that aesthetic.

This is not an album that needs to be dissected to be enjoyed: from start to finish it easily holds your attention. It might sound clichéd, but this album proves in exemplary fashion that staying true to yourself really is the only way to go.

Kyle Hall back on Hyperdub for our 10th Anniversary? - Yes please. In fact this is more or less a long delayed EP from the vaults, recorded around the same time as his 2010 ‘Kaychunk’ EP … which just goes to show how ahead of the curve the young Detroit producer is. Starting with 'Girl U So Strong', the track riffs on a distorted arpeggiating bassline, seasick organ and a dubbed out voice, and a flicking metronomic note, starting slowly before shuffling drums give the track some rhythmic focus. Soon a warm melody builds over some happy arpeggios, and the whole track feels like a product of brilliant spontaneous energy. 'Take Me Away' works an 8 bit bassline, bleeps and throbs into an off beat shuffle over a pulsing bass drum, loose and happy, dosed with sunshine and space.

The PGH guys drop their debut album, focused on the dancefloor and sequenced for those whose favorite dancefloor is at home, putting their distinctive spin on house, techno, electro, & disco. Warm, inviting, & perfect for the summer months ahead!

Mr.G opens the new year with a bouncy and oldschoolish 12 on his home label Phoenix G. Ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. All and all this is the dancefloor music we are used to from Mr.G. The A2 brings a more technoish vibe to dance to. This fits perfect in the modern trend of bass producers turning techno. While of course G is somewhat more of a legend and he didnt just turn to this type of music recently. It does proove that he is still abel to catch any kind of vibe to get the people moving. On the B1 we find a Ben Sims remix. Which of course is enough said. Mr Sims turns the A2 original into an absolute floor wrecker.

Seafloor is the experimental-dance music brainchild of Brooklyn-based musician, producer and graphic designer Matthew Young, heretofore better known for his role as keyboardist/vocalist in the synth-dance outfit Body Language and one half of Vacationer.

For the Lure EP, his third official release as Seafloor, Young has sculpted four heavy-hitting tracks that take cues from the classic house model but re-contextualize them within the constantly mutating scene of club music. Pronounced melodies, textures and rhythmic elements are woven together seamlessly to create rich, vibrant songs that engage the listener as well as inspire kinetic movement.

SKYLAX 136 arrives in the form of a killer EP from none other than Lady Blacktronika. Most will know her from her own imprint, Sound Black Recordings, where she has served up some of the best deep house and slo-mo beatdown to come from the US since the label’s inception in 2010. Such a stellar output has led many to refer to her as the ‘First Lady’ of both the genres she frequents, and with this new offering of pure-grade deep house, she shows no sign of letting go of that title. Right Direction’ begins with a stuttering piano stab pattern that could mislead people into thinking they are in for a seven minute long throwback to yesteryear. However, before the thought begins to linger, Lady Blacktronika introduces her signature stamp of deepness and soul with chilling pad sounds and vocal slices. The mood is carried forward into ‘Deee With It (How Do You Say)’, where layers upon layers of percussion give it that extra bite to ride above a bassline that you will be dying to hear on a club system, all whilst sacrificing none of the inherent deep nature of the track. Flipping over to the B side, ‘Cheat & Lie’ is one of those tracks which can suit any time of the day (or night). The moody vibe it evokes is a product of each element working together harmoniously in the mix; the wide kick drum, swirling chords and soulful vocal cuts show that Lady B knows her way around the studio. The EP closes with ‘Fantasize Me’, another solid piece which rounds off the release perfectly. Here, Lady B proves that less is more by keeping out any ancillary elements so that the main features of the track can flourish on their own.

6th Borough Project have just dropped their second LP Borough To Borough to a great reaction with the vinyl holding pole position on the Juno LP chart (knocking Moodymann off the top spot) and garnering much praise from DJ’s and press alike. You know we like a good remix at Delusions Of grandeur and here we present not one but three very different takes on three of the LP tracks. Opening up the A side we have rising star Cuthead serving up his trademark scratchy, swinging MPC beats with clattering percussion and stabbing chords on his excellent remix of Back 2 Black. Perfect, leftfield house music with depth and flair and a perfect example of why the Uncanny Valley regular is picking up so much praise right now. Next up Fantastic Man gets to grips with Read My Mind, bringing a lovely bit of proto-house flavour to the release on this James Mason ‘Nightgruv’ inspired remix. Chiming DX7 synths and lush pads are the order of the day here, creating a lovely warm up vibe before going heads down and dubby for the final 3 minutes. Flipping over we’re treated to some lush, slo-mo-lo-slung vibes on the Ben La Desh remix of Walk Away, the Dutch producer teasing things out with a chugging 7 minute workout which will sound dreamy and creamy on a big system.

Last copies found in the US

Russian producer based in Moscow offers a full range of musical emotions for the dancefloor.. from the high highs of "Release" to the crying on the dancefloor of "Happiness Side Effects".

6th Borough Project are back with the follow up to their 2011 debut One Night In The Borough. A hectic couple of years have been lived out by Graeme Clark and Craig Smith during the making of this LP with Graeme continuing to play week in and week out as Revenge and setting up his new imprint Roar Groove whilst Craig has established the brilliant Fifty Fathoms Deep label. Studio time has been tight to say the least but that hasn’t stopped the duo from pulling out all the stops and ensuring that this LP surpasses the already sky-high benchmark set by it’s predecessor. Followers of 6th Borough Project will be pleased to hear that all the low-slung, loopy, hypnotic vibes we’ve come to expect are present and correct whilst the duo have still made sure to push things forward with their sound, bringing a minimalist, housier edge to many tracks. Things kick off with the Intro setting the mood, coming on like a bizarre dream that’s over in a flash but seems to include an entire episode of your life and succeeds in encapsulating the sentiment of the entire LP in 40 seconds! Soul, Beach, City, Gig, Party, Energy, Relaxation.... It’s all here. On Our Love we find a brilliantly lop-sided shuffling groove laying the foundation for some classic 6BP-style vocal chops, easing us in gently with the warm up vibes. Things take a slightly darker direction on U Know U with this heads-down track, a crisp, stripped-back beat being joined by filtering pads and a distant vocal for company. Think It Over and In Your Arms follow seeing the boys building things perfectly and increasing the party atmosphere with two floor-friendly tracks which look set to be just a couple of the DJ’s favorites from the LP. Dropping things down a notch we’re treated to the beautiful slow-mo gem entitled Through The Night before heading deeper still on the tripped out, dark and dubby The Call Back. Back 2 Black picks up the tempo again for a percussion heavy workout with just a hint of Africa emerging through the echoing stabs and sub bass. The party continues with Read My Mind which brings us some brooding, up-tempo warehouse vibes to get immersed in before F.E.E.L and a brand new LP version of previous single The Vibes pushes further still in a darker, more abstract and clubby mood. Finally, we wind down with Walk Away, making the perfect close for a brilliant, fresh and original LP from a highly talented couple of producers whose passion and knowledge of music shines brightly here. Difficult second LP clearly not an issue with 6th Borough Project!

With the "Body EP", Scott Fraser signs his third collaboration for Astro Lab Recordings, after the highly acclaimed "John Hugue Experience" with Mark E on the remix and tracks on labels such Bird Scarer, Crimes Of The Future, Scott is back with this inspired track of Old School Chicago house with a small touch of classic Detroit techno. With Scott we decided to ask Raudive for the b-side remix, he tuned "Body" into his own techno secret, strong bass treatment, crazy synth, something really strong for the dance floor!

Following their seriously strong debut release from rising talent & label mastermind Thatmanmonkz. We have an absolutely superb duo of reworks (and dubs) from the man himself & Chicago polymath Khalil Anthony, an author, musician and celebrated collaborator in theatre productions.

Four great cuts by the legendary Virgo Four!!! True Chicago House!

The Scottish techno veteran with some forward-thinking & energetic pumping house/bass tracks!

Second EP from the Danish duo containing two solid house tracks. Limited to 250 copies!

6th Borough Project are all set to release the follow up to their 2011 debut LP One Night In The Borough at the start of March. A hectic couple of years have been lived out by Graeme Clark and Craig Smith during the making of their Borough 2 Borough LP with Graeme continuing to play week in and week out as Revenge and setting up his new imprint Roar Groove whilst Craig has established the brilliant Fifty Fathoms Deep label. Studio time has been tight to say the least but that hasn’t stopped the duo from pulling out all the stops and ensuring that this LP surpasses the already sky-high benchmark set by it’s predecessor. As a taster for the LP we present you with this sampler single containing three gems that’ll whet your appetite and leave you gagging for more! Kicking off we have In Your Arms which sees the duo deliver some classic 6BP business with a party-starting house track laced with Philly strings and a heavy dose of soul. Next up things take a slightly darker direction on U Know U with this heads-down track incorporating a crisp, stripped-back beat joined by filtering pads and a distant vocal for company. Flip over for Read My Mind which brings some deep and brooding warehouse vibes to the table. This is the sound of 6th Borough Project doing techno with just a hint of 909 ride adding to the layers of bouncing stabs and off-kilter vocals.

Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo, Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. Infinidelity Pt. 3 closes out the 12" series with two monstrous remixes. UK remix maven and recent Strut Records mix maker Leo Zero turns "Skin Orders" into a sprawling, eight minute mix of rapid fire drum patterns akin to "Bombs Over Baghdad" and odyssey-like, Garcia inspired guitar work by Crow of Mountain of One. Canadian producer Andrew Allsgood's take on "Two Tons" stomps away with a heavy kick, conga-laden percussion, and fuzzed out bass line, eventually oscillating into a cosmic cataclysm and refrain. This remix fits in nicely with Allsgood's classic 12" for History Clock and features additional production by Worst Friends. Complete the Infinidelity series with this final chapter. Infinidelity was mastered by Graeme Durham at The Exchange. Each 12" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by Mark McCoy.

12" comes w/ a download card with 320 kbps mp3s of the five song EP.THESE ARE POWERS lay it on thick, sweet, and sludgy for their new Candyman EP. The Brooklyn-based trio of Anna Barie (vocals & electronics), Pat Noecker (bass, electronics, vocals), and Bill Salas (beats & production) do nothing to sugar coat the grimy center of a new, bass bin rattling, electro-shock sound. THESE ARE POWERS kick off the EP with "Candyman", a naughty nursery rhyme set to a bombastic East meets West-Indies reggaeton shuffle. The rifling bass and scattered snare shots of "Gutterspaces" emerge as dancehall back from the future, followed by the sputter to mega-life Chicago juke and drone fest of "World Class Peoples". The EP also includes a runway house remix of "Candyman" by globe-trotters Teengirl Fantasy and a remix of "World Class Peoples" by Costa Rica's Cosmetics that is as much Burial as it is Scott Walker. The artwork, by Kevin O'Neill at Will Work For Good, is inspired by the slimy fetish known as sploshing. The sploshee featured on the cover will remain anonymous. Mastered by Leandro Gonzales at Brooklyn Phono.12" artwork conceived and designed by Kevin O'Neill at Will Work For Good.

One of the most beloved Innervisions tracks of 2012.

2024 Repress on black Vinyl comes in IV-backcatalogue sleeve!

Official re-issue of Andy Vaz's 2012 “Imaginary Beings” EP originally released on Chiwax + Bonus track. Serge from Clone called this the best authentic Chicago Acid House heard in a long time – sounding like something Jack Frost (aka Adonis) would had made.

We don't have much to add to this. If you are looking for some real Chi-Style rough and raw acid house. This IS THE Closest IT CAN GET. Comes as strictly 150 copies limited Handstamped EP.

Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo, Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. Infinidelity pt. 2 locks into the groove in hit form with a "Taverns" remix by Sweden's Jackpot, a track that neatly pits the vocal track against a jack happy beat and arpeggios that joyfully amp up the outro. Kool Keith pops his head in the UFO! remix of "Take it to the Top", making it cool to rap about Eric Clapton over the hyper-dub marching band madness. The 12" continues on its eclectic way with a metallic revision of "Things Alright" by RVNG sound racketeers Allez-Allez and ends with a Kool Keith redux and some Miami Bass / saxophone skeeze with Montreal's CFCF at the helm of another "Take it to the Top" remix. Infinidelity was mastered by Graeme Durham at The Exchange. Each 12" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by Mark McCoy.

Metropolitan Indian & RVNG Intl. present the historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo (Feathers Like Leather, 57 Octaves Below..., White Pigeons), Infinidelity offers ten songs from historics late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. The Infinidelity story is one of meditation within / without a relationship, wrapped in a transient prose that skirts comedic and tragic traditions. Strategies For Apprehension deals in related subjects, those of bonds forged and broken, of ever-shifting alliances. In keeping with those themes, the conception and recording of the record were devoutly unfaithful to any rote route of standard-fare album construction. From those sessions were born enough boundless ideas to place in the hands of others, who in turn have created their own commentaries on and reinterpretations of the music. The Infinidelity Pt. 1 12" flickers to life with a re-work of "Fan Fare" by Tom Croose, a track that swells with a massive drum loop, buzzy bass blasts, and an ominous synth line only to break itself down and accentuate a stark female vocal sample. The glimmering sensibility of Croose's track patters over into the buildup of Sir Billy and Creso's Saturday Crimson Mix of "Kinda Personal", another warm track with its roots grown thick in a heavy kick, and its wings beating to the crisp high hat on the up beat. Low Motion Disco's take on "Languages", a meditative number, recalls the even unfolding of an early morning, the calm of the evening, and the moment before you head into the night for the acid thump of Pink Stallone's remix of "City to City" and repeat the shimmering cycle. The artwork, also informed by Leo's story, was created by artist Mark McCoy. The intricate collages convey sanctity within immolation, sacrifice to nature's thorny embrace. Kevin O'Neill at Will Work For Good commanded the build & design of the packaging...

Wonderful set of Old-school tinged House tunes, a dedication to Theo, Larry, Chez and all the legendary deep House cats.

Reissue of a classic: On John Talabot's 2012 debut album "Fin," the Spanish producer "builds on his distinctive sound - colorful, nostalgic but never retro, loose but slightly confused - without repeating himself. ... Talabot has become a role model for a new generation of producers working at the intersection of deep house, disco and indie pop, carving his own niche somewhere between the slow-motion theatricality of artists like ... the globe-trotting jewel tones of Four Tet and Caribou and the psych-pop frenzy of Animal Collective and Delorean. ... His slow tempos, oversaturated colors and tropical accents fit right in with the woozy, dank dance music currently in vogue, and he's found himself in esteemed company - remixing The XX. ..." Pitchfork Media - Candidate for Album of the Year 2012.

It's been three years since Swiss producer Michel Cleis conjured a storm with "La Mezcla", a Cadenza hit cemented into house canon as it was swiftly reissued by Strictly Rhythm, bringing the sabor latino into clubs worldwide. Some more 12"s and a number of high-profile remixes (going from tracey thorn to skunk anansie,for labels like rekids , bronswood or Aus) later, he's now teaming up with DJ Koze's crew for his next move: a colorful, crescendoing 12-minute tune that's ready to make a splash in your summer soundtrack. "Mir a Nero" begins with a steady, upbeat kick underlying a simple piano arpeggio - like if Philip Glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. By the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the track's overall organic feel, leading into the playful piano chords and colombian vocal hook. Simply put, this is Latin House with that anomalous Pampa Records swagger, drenched with flavor like Sangria-soaked mango. Flip that baby over and you get "Amaranthus", named after the famed flower that represents immortality. This piece stands as a color-negative of "Mir a Nero", an unwavering stomp with just shadows of the piano sample heard earlier. Freeze-dried rather than sun-ripened, "Amaranthus" is a dubby, more technofied counterpart to the A-Side, crafted for deeper and darker moments on the dancefloor.

After his separation from Playhouse in 2007 and the rather longish break that followed it, it looks as if Isolée has finally found their new homebase with Pampa Records. Evidence of this may be found in such unprejudiced tracks as "Taktell", a single extracted from the album "Well-Spent Youth" . As is tyical for Isolée, it defies any clear-cut genre classification and creates its very own harmonic setting, merging associations of pop, house and distant landscapes into a unique sound voyage. Now his second EP on Pampa is being released, and "Allowance" doesn't leave an inch of a doubt where the road is headed. Without making any concessions to the needs of a DJ, from bar one the theme is being introduced in all its inherent necessity and then continually established until a seemingly worn-out, mainstream, pop autotune voice settles upon the cosy bass bed just like a cherry on the cake. We haven't known Isolée anywhere near as free and poppy in a very long time. A more mix-friendly version of the track will be available for digital download. "You Could Do Your Memories" lures the listener away into a daydream, as if he suddenly found himself in an unknown place at a new-wave party that cannot possibly have happened the way it did. "Wobble", on the other hand, leaves only few questions unanswered, the party definitely looks familiar, and just when we reach that point where the funk motif resulting from the fusion of bassline and chords is threatening to wear us down, we are being released.

A. Dntel - My Orphaned Son (Die Vögel Remix) AA. Herbert - It's Only (DJ Koze Remix) Pampa is proud to present stunning remixes from Die Vögel for Dntel & DJ Koze for Matthew Herbert. Still impressed by the outstanding Dntel album "Aimlessness" Die Vögel deliver a remix that broadens their multifaceted sound aesthetics once again with catchy Steve-Reich'esque melodies that cover the voice of Jimmy Tamborello just like they always been there. A very powerful fundament is carrying the house, so big and full of suprises. Also, this house has many windows to all cardinal points.It was 2001 when Matthew Herbert enchanted us all with his blueprint album "Bodily Functions". 11 years later the distinctive DJ Koze takes on two of his all-time favs to remix, "You saw it all" (which will be part of the re-release on Accidental) and "It's only" which will be released by Pampa Records digitally AND on vinyl. The result is a breathtaking piece of modern music, The beautiful voice of Dani Siciliano has experienced a total new dress, she´s now the irrestible captain of a fat but flexible submarine, diggin' in deep waters for new ways to enlighten the dancefloor... An instant classic already....

A very special and limited pressing of Session Victim’s first album ‘The Haunted House of House’ in Translucent Orange vinyl.

Containing SV classics such as Good Intentions, Zionks, Dark Sienna and Cow Palace.

Cologne based house maestro Adryiano hits the ground running with his first release, the Snapback Grooves EP on Soul Notes Recordings. "Open Up" is full of shuffling hats, 90s synth stabs and a deftly cut-up female vocal. The rhythm skips you along with the beat, the bassline barely audible beneath a pounding kick drum. Kastil's remix soaks the track in depth, bringing the pads to the forefront and making light use of the vocal cuts. "Feel Like" brings us back into the glossy world of new house music: the hats still shuffle, the female vocal still cries out and the stabs still keep you moving, but the polished production brings this track straight onto 2012 dancefloors.

The third release on Slices OF Life comes from the Berlin vinyl DJ and producer Baaz, who has been gaining steady growing attention by House Music lovers and DJ's. He is the reason that Daniel Bell reactivated his Elevate label to release a Baaz 12inch in 2008. This ep and the releases on Agnes' label Sthml Audio opened up the door for very productive collaborations with other labels and dj's. The 3 tracks on Slices OF Life show Baaz's focus on deep pure and simple House grooves that roll on massively, and work perefectly without using obvious effects and frills. The A side "Judy's Bass" clearly reveals Baaz's love of fat bassdrums and basslines in combination with classic drum machine and percussion elements while the stringline carries you away endlessly. With "Jeally" on B1 Baaz delves even deeper into percussion programming and creates a perfect deep track for the late hours. Carbon Hair (b2) shows the dubby and darker side of Baaz: a very dub techno influenced house track that is especially driven by warm beats and open high hats.

Disco-tinged House with an electronica touch!

2021 Repress

Limited edition handstamped Colored Vinyl.

REPRESS! Long, strung out deep Theo beats and deep, deep jazz is the flavour of this release, with a strong Sun Ra vibe.