House | Deep House 372 Items

The Chicago-based artist, real name Andres Ordonez, has been a fixture in US house music circles since the '90s, releasing a string of EPs on labels like Sistrum, Semantica and Sound Signature. Theo Parrish's outlet, which last year put out a live mix from Ordonez, will handle his first album.

A very special and limited pressing of Session Victim’s first album ‘The Haunted House of House’ in Translucent Orange vinyl.

Containing SV classics such as Good Intentions, Zionks, Dark Sienna and Cow Palace.

Arabic house for Bar Mitsvah, weddings, Aid Al Kabir & other memorable moments in life.

STEAL VYBE presents the double LP GENERATIONS, a vast journey of sound & element of R&B, House, Afro, Broken-Beat, Nujazz with many multi-talented musicians & vocalists including: KENNY BOBIEN, PEVEN EVERETT, SARA DEVINE, OMAR, ALEXA GOLD, URSULA RUCKER & more. Full color jacket included!

Stunning new album from Chicago’s finest electronic futurist Hieroglyphic Being, aka Jamal Moss, newly released on Soul Jazz Records. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016).
Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s.
The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’ (2015). Similarly, his relationship to Chicago’s original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil’ Louis, Adonis and many others.
What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.
‘Outsider House’ ‘Afro-Futurist’ ‘Rhythmic Cubism’, Moss’s near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicago’s rich musical history.
Red Notes is the prolific artists new revelatory and unique project – in his own words ‘A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock’ fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape. Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.

Safe Trip is taking one final deep dive into the warm waters of Italian dream house with Welcome To Paradise Volume 3, the concluding chapter in the label’s journey through the previously overlooked world of one of dance music’s most vibrant and influential underground movements.
While the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and ’94, when producers across Italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes – most notably from Chicago, New York and New Jersey – with elements borrowed from ambient, jazz and Balearica.
It’s this six-year period that provides the focus for Welcome To Paradise Volume 3, which draws together a spine-tingling mixture of sought-after classics, unheralded gems and little-known delights from the original Italian dream house movement.
Thrillingly, Welcome to Paradise Volume 3 co-curator Young Marco has managed to source two previously unreleased tracks during the dream house period: the gently unfurling, sunrise-friendly bliss of Jacy’s “Resounding Seashell” and a special “Longer Edit” of Neurostate’s brilliant “Dance To The House”, a track that – somewhat surprisingly – has never previously been issued on vinyl before.
Elsewhere, there are plenty of treats to set the pulse racing, from the must-have deep house brilliance of Leo Anibaldi’s “Universe” – a rare foray into dream house territory from the Italian techno pioneer – and the Afro-bleep-goes-dream-house trip of Golem’s “Sun City”, to the cowbell-driven, New Jersey garage-influenced warmth of Deep Choice’s “Children Trip” and Cosmic Galaxy’s “Walkin’ On The Moon”, a Detroit techno-influenced outing with a deliciously saucer-eyed, extended ambient intro. You’ll also struggle to find a more inspired house record than Green Baize’s “Tramp Heart”, which mixes familiar dream house elements with spacey electronics and tribal chants that recall Italy’s early ‘80s Afro-cosmic scene.
It all adds up to another essential selection of rich, glassy-eyed dream house treats tailor-made for sound-tracking drawn-out Adriatic sunsets, Mediterranean sunrises and loved-up parties the world over.

DJ, actor and Lgbt icon, figurehead of voguing in France, the profile of Kiddy Smile shines by its diversity. It is with this first album that Kiddy asserts himself as a singer and flourishes on the front of the stage. "One Trick Pony" is an album with a house DNA that reveals itself as pop through songs like "Be Honest", "Movin' On Now" or "Summer Rain". We will also find Kiddy Smile in Gaspar Noé'snew film, "Climax",both on screen and on the soundtrack with "Dickmatized",alongside Thomas Bangalter, Aphex Twin or Giorgio Moroder.

BBE Music celebrates 8 glorious years of House and
Disco magic from Marcel Vogel and friends with
compilation album ‘Lumberjacks In Hell’.
Founded in 2010 by German DJ and producer Marcel
Vogel, the ‘Lumberjacks in Hell’ label has won fans
over the world thanks to its deeply rooted, timeless
sound. Described by 5 Magazine as “the best
Chicago dance music label not based in Chicago”,
the imprint has seen legends such as Rahaan,
Soulphiction, Karizma and Jamie 3:26 (whose ‘Taste
Of Chicago’ compilation is coming soon on BBE) rub
shoulders with virtually unknown names, ensuring
that great music is always the star of the show.
Convinced he had to contribute something unique to
DJ culture, Marcel Vogel began “chopping up soulful
tunes” in the early 2000’s. After moving to
Amsterdam in 2010, he founded ‘Lumberjacks In
Hell’, initially as a conduit for his own edits and
productions. Soon he found himself releasing
original tracks from his musical heroes and bringing
the ‘Lumberjacks’ sound to clubs and festivals all
over the globe.
This compilation captures the vibe and vision of
‘Lumberjacks In Hell’, a project which, after only 8
years, has gained a seat at the top table of House
music; revered by weathered veterans and freshfaced
young guns alike.

Under an old alias, Nicolas Jaar puts out a new album, prooving that he is innovative as ever.

2021 Repress

The body never lies. Every dance is a graph of the heart. Nothing is more revealing than movement. These are the words of Martha Graham, one of the greatest American dancers and choreographers of the 20th century. Massimiliano Pagliara might as well have them tattooed on his chest, close to his heart, being an accomplished dancer, too. He has studied contemporary dance in Milan and Berlin, and went on to dedicate his life to transforming experience into movement, be it musical, physical, or spiritual. Massimilano's message is clear: Don't stand still. Don't keep looking back. Know where you are coming from, but don't remain petrified by the past. Take a chance at Endless Change, instead. Move on! Just like Massimilano did.

We were waiting for it and it is for the 17th release of Rutilance Recordings that DJ Steaw offers us a complete album with 9 original tracks in different styles passing from hip hop to funk, from house to techno. This album is not ready to be forgotten.

The new Hot Chip album on a new label: Domino. Whynot!