House | Deep House 226 Items

Finely tuned tropical house from Samo DJ & 5ive, new on Trilogy Tapes!

Following on from the sidestepping Bass Clef 12" a few weeks back, Samo DJ skates back to the fold with a dope three tracker produced in tandem with 5ive. On Drunkenstein they call on the help of fellow Born Free producer Powder for a micro dub house number that sounds like a delicious Rhythm & Sound plate pitched up and played at 45 rpm. On the flip, Ethno Room provides a more inward looking dub mixe before End Game goes down a more disco-fixed tip for the ride home.

Capping things of, it's housed in a sick sleeve by Will Bankhead that makes this one a no-brainer!

Second in a series of four limited edition 12-inch singles constituting the vinyl release of A Guy Called Gerald’s killer new album ‘Tronic Jazz : The Berlin Sessions’

Adam Feingold aka Ex-Terrestrial, finds himself providing a hit single along with two remixes on the flip from Project Pablo & Diji himself.

Future music from New Kanada's frontman Adam Marshall. Sometimes its hard to categorize certain tracks and these ones are from outa space. Magic moments which at first listen maybe not seem to work on the dancefloor because they are too challenging, but if you find the right moment they gonna work wonder…tip!!

Lenny limbs looks on as the time for automation
draws nearer. What is our fate you ask? - The robots are coming.
Banoffee Pies Records introduce the sixth insert to the original series with a mechanically inspired sample infused three track heavy weight. Disclaimer: This record is for the dancefloor. TIP. For the lovers. Banoffee xx

Sound Signature comes correct for 2017 with a new single from Alton Miller. On the flip is a killer remix from none other than Theo Parrish!

All tracks written & produced by Alton Miller. Except A1 written & produced by Alton Miller & Amp Fiddler, mixed by Amp Fiddler and Kyle Hall. Mastered by Carsten Daembkes. Design by Atilla Fidan. Illustration on b-side by Kiki Dauta. Back after a short break, Bass Cadet Records' Orbit series continues with a 3 tracker from US legend Alton Miller. On the A-side lays 9 minutes of pure Detroit House bliss, with a version of his classic track "When Morning Comes" that has only seen light on a japanese special limited edition until now. The flip offers two brilliant club crafts that sparkle Chicago soulful Deep House in the vein of Ron Trent, Glenn Underground and co.

Dance fiction is a little bit more than just a various artists EP. This house music record, made for the floor, is the result of the friendship between the Art Feast crüe and artists that have played at our parties. Long nights in Lyon, eating some of the finest local food, dancing, drinking, and having a good time together. This is what we call Dance Fiction, a simple story of friendship and love of music.

Anthony Nicholson Chicago deep house maestro delivers here two amazing soulful deep house tracks for the Attias brothers label Visions. Visions open mind and wide vision returns here with their 15th release continuing their journey into the world of electronic dance music on the a side Anthony and William Kurk have produced an amazing soulful vocal track mixing lush Pads Rhodes and beautiful vocals sustained by a solid house beat. This is a sublime journey into a soft and beautiful Chicago deep house jam that we fell in love instantanely with and wanted to share itwith the music lovers and vinyl collectors. The b side is a jazz funk number that rolls deep into Rhodes chords, Moog leads and funky basseline for an 8min 20 long amazing dancefloor instrumental bomb. With one track per side and with the great mastering and the loud cut , these two chicago slices of goodness will find place in any DJ bag for sure.

BLAK MUZIK presents it's 2nd release NIGHT-CLUBB-ING from Chicago's ANTHONY NICHOLSON. ANTHONY provides 2 rare & unique unreleased dance floor gems for NIGHT-CLUBB-ING. DARKWAVE DISKO provides feel good Proto House Disco vibes & CHILL OUT GIRLS is a hypnotic House groove with dub elements.

After making his debut as part of duo Klubbhuset on Let's Play House, Artur Brandstrom initiates his solo run under the alias "Ari Bald".
The Moonshiner EP is a disco house record in full, with heavy sampling beefed up by club-ready drums laced with 909s.

Music for non-unified movement.

For those who dance and live to the beat of their own drum. A step towards more green spaces within our safe spaces.

A palette of sounds to make you feel all the emotions - without the need for clothing.

Stay Natural x

Omena Limited is back after a short hiatus with its fifth release.

This time Japanese producer Atsushi Yano delivers Rotties Bites EP, three organic & live-sounding percussion filled tracks that become totally infectious…

For the fourth release on DJ Koze and Marcus Fink's Pampa imprint, hyperactive hotshot house hunk Axel Boman steps up and delivers a stunning debut EP for the label. Since many years an important force on the small but friendly Swedish club scene, and one third of the Studio Barnhus crew together with Kornél Kovács and Petter, Axel is as experienced a producer as his ideas are fresh. This tattooed Swede often talks about creating "worlds" rather than "tracks", and on his "Holy Love" EP we are transported to three very different places indeed. The title track, a collaboration with vocalist J Jonason, invites you to take part in a lazy afternoon cocktail party onboard an old sailing boat in Gothenburg's archipelago. Ten City are mixing up the White Russians and Giorgio Moroder's estranged Swedish grandson is peeling the shrimp. You fall asleep on the patio and wake up in a sweaty basement later that night. Through the shabby speakers of one of those small but friendly Stockholm night clubs, you hear "Purple Drank", a sleazy, sexy number that draws influences from Houston style screw music, classic deep house and hypnotic techno. The irresistible vocal hook - "I woke up with your name on my lips" has already echoed across dance floors from Tokyo to Amsterdam. Bouncy yet unsettling, this track is probably the most obvious DJ's favorite on the EP. Morning comes yet again, and for the after party we head to Axel's private rooftop terrace in sunny Gröndal. The laptop speakers are banging out the most loved up piano loop you ever heard. "Not So Much" is as simple and naïve as Axel Boman's haircut, a perfect ending to a perfect night and a perfect little record from this imperfect genius of a dance music producer.

Baaz from Berlin gives us further insight into his diverse musical interests with his ‘Two (For You)’ EP on Office. As the title suggests the talented producer splits his musical activity into two genres on this record: One is deep and moody Techno with a knack for strong sub bass and soft pads. And the other one is striking Ambient with a wonderful appreciation of moving melodies and mellow chords combined with touching vocal parts. What is remarkable how well these four carefully building tracks go together and how effortless they further underline Baaz’ artistic vision of reduced and understated electronic music which unfolds slowly but emphatically. A respectable new record which is well worth opening yourself to.

Trilogy Tapes present the new release “Entendrillar Transprism“ by Bass Clef.

The album “Bicep” is the perfect summation of the duo’s career to date - it’s a sonic tour of their history touching the cornerstones of underground club culture. Matt and Andy have pulled off the rarest of feats, to make a singularly unique electronic record founded on the blueprint of classic house, techno, electro and Italo disco, but flipped and morphed into a fresh design bearing the unique Bicep sonic signature. It’s a perfectly succinct album: loose, raw and energetic enough for the dancefloor, yet refined, artfully composed and contemplative enough for home listening.

Their spirited, daring approach brings them into the Ninja Tune fold. “For us it’s important to be part of a label that looks broadly at music,” Matt says. “We felt no restrictions at Ninja to be pigeonholed,” continues Andy. Displaying a theme of technical experimentalism and a deft melodic touch which runs throughout the entire record, it’s this openness and no-rules approach to music making which has allowed Bicep to establish a unique position all their own on an increasingly crowded global dance stage.

Second V.A on the label, melting flavors from Blutch and Dj Psychiatre.

Much could be said about German house royalty Boris Dlugosch. From his teen DJ years under the wings of Front’s legendary Klaus Stockhausen in Hamburg to his own marvelous tenure there that is pretty much synonymous with the explosion of Acid House in its proto- and post-incarnations. One could examine his role as a herald of US garage and Jersey house or as a remixer of underground gone pop records. But we will leave that and other stories for the Front page soon. The “Traveller EP” is the result of Dlugosch and Cassara meeting at a mutual friend of theirs, getting excited about their shared love for classic synths (see Sh-101 for the Traveller bass line) and exploiting the latter’s extensive synth collection. What you get: classic disco, French house, electro-funk, DJ sound effects (that tractor plowed the Front EVERY night) and most of all fun, fun and a little bit of extra fun. Chin-stroking impossible.…

Prince Paul hit Chopped Herring up to release this dope early 90's project!!

The first incarnation of the group was formed around 1989 in Amityville, Long Island, New York, although the family grew up in Long Island. The family of four brothers (Anthony, Richard, Joel, and Edward) and one sister (Dawne), of which Anthony (Poetic) was the eldest, were born to Trinidadian parents who moved from Trinidad and Tobago in 1971, making their first residence in Queens, New York for a short time, then moving to Long Island. John Berkeley (a pastor and a local businessman) and Ela Berkeley (a homemaker, cook-nutritionist, and teacher) were both singers and artistic in general, and they encouraged artistic expression in their five children. The family was well-rounded musically, singing gospel and R&B up to their early teens all around New York, other states, and Canada as "The Berkeley Singers". Anthony (Poetic), Dawne, and Joel (Brainstorm) sang, accompanied by Richard on the drums and Eddie (E-Sharp) on the piano or keyboard.

Poetic began rhyming in his early teens in Wyandanch, and was known by many names and building a name for himself as a lyrical battle MC. He changed his name to Poetic around 1985, and in 1986 he formed the crew known as Too Poetic, who in 1988-89 released a modestly popular single called: “God Made Me Funky/Poetical Terror”, under the DNA/Tommy Boy Music imprint. The group’s relationship with Tommy Boy Records eventually panned out for various reasons, scrapping the album and making Poetic very displeased, an early casualty of the politics of the music business.

While Poetic was just beginning his formal hip hop career in 1987–89, Brainstorm was attending college at the State University of New York at Farmingdale, Long Island, where he was the roommate of Brooklyn’s own Super DJ Richie Rich (who had been in Third Base, Clark Kent’s Supermen, and the movie Juice). The university was host to many hip hop artists as visitors for parties and to do shows like Rakim, EPMD, Producer-Super DJ Clark Kent, and Biz Markie.

After Brainstorm finished his college run in 1989, he took time to learn many aspects of the music business, but in 1989 he and Poetic mutually decided to pair up with a hardcore lyrical edge, original word play, and acute metaphors, after many collaborations between them since 1985. Thus, Da Bruthas G.R.Y.M. was born shortly after Too Poetic’s deal with DNA/Tommy Boy had soured. The energy and high chemistry between these true by-blood brothers at the time was, simply put, natural.

In the first Bruthas G.R.Y.M. era (c. 1989–1992), the brothers Poetic (Brother One) and Brainstorm (Brother Two) garnered much respect on the underground hip hop scene of New York Their first official demo featured the underground bangers like “Bruthas G.R.Y.M.”, “Circle-Circle-Dot-Dot”, the politically charged “Popcorn” and “Livin’ In Hell (Had To Survive)”. The demo featured production mastering by Nate "NATO" Tinsley, their in-house producer Semi-Automatic (Pedro Sims, Mr. Semi, Gravediggaz), and the brothers themselves. After blazing underground radio and live shows around New York City, they were listed in The Source magazine as the best unsigned rap group of 1989. The crew was then managed by longtime friend Jack Pope (Jack Sprat, Starving Artists Entertainment), who later became the road manager of the Gravediggaz.

These cassette tape “dubs” floated around the New York streets in the late 1980s and early 1990s, and their demo eventually made their way to the seasoned musical ear of fellow Amityvillain Prince Paul (Stetsasonic, De La Soul, Gravediggaz) from his association with the local Long Island artists who had met the brothers and saw their raw talent. In 1990 Prince Paul decided to fund and executive produce further demos, finding various other known and up-and-coming producers for the unnamed project, as well as being the tentative DJ for the group.

Then the unfortunate happened – being disenfranchised by the politics and games of the music business and life in general, Brainstorm just quit altogether for “personal enlightenment”, before any formal deal could solidify. Poetic understood about Brainstorm’s personal path at that stage in his life, but was silently devastated because they were so close to sealing a major record deal that would have propelled them further into Hip Hop history.

Their original demo, even today, is still one of Prince Paul’s favorites. It was not until 1992 that Poetic, after Brainstorm quit in 1991, that it is said that Poetic “fell on hard times”, including a short period of homelessness.

Brainstorm would continue to write for leisure and therapeutic reasoning, but never to seriously pursue a music career, moving to Brooklyn New York and later down south to various states; in fact, Brainstorm was so “finished with Hip Hop” that he gave Poetic all of his original rhyme books to use at his own discretion – some lyrics ending up on Gravediggaz projects.

Yore proudly presents BXT - a new Superdupa Group from Detroit, consisting 3 Legends: Eddie Fowlkes, Amp Fiddler and Niko Marks. Talents which are no strangers to say the least. You know what to expect. Detroit in the House at it’s best and this is just the beginning.

A Limited Purple Vinyl repress for 2024. The Classic 'At Les' remixed by Christian Smith with the blessing of Carl Craig.

Delivered in both Tronic Treatment and Hypnotica Remix forms, Smith has taken the originals warmth, musicality and emotion and given them the sort of energy and power which has made him one of the most bankable producers of recent years.

The Tronic Treatment remix starts slow but with careful and patient layering of melodies builds to an epic, peak time track which takes on an almost orchestral feel while the aptly titled Hypnotica Remix takes a slightly more aggressive, loopier and hypnotic take.

The mysterious parisian Chevals joins Better Listen for their eighth outing, after making his debut on NYC's Homage with a global affair.

London's Chocky joins the Dessous Recordings label and shares four tracks of sublime house music on Steve Bug's imprint. 'Self Knowledge' is a deep, techy roller clocking it at nearly 10 mins - plenty of space to expand into its full potential - the groove grows ever more hypnotic and engaging as the track unfolds. Next up is 'A Reefa' - a non too subtle reference to a certain herb that might have inspired this loose yet highly funky deep house jam. 'Casa De Estrela' changes the vibe up with a more direct and jacking track - even though it would work at prime time, Chocky's feel for space and drama make sure the track will be heard in many diverse surrounding and sets this year.

Another smasher from Nous, this time courtesy of Cofaxx, AKA Joseph Magee and his boundlessly breathtaking 'Pico Vu' EP, a seven tracker that manages to cover immense ground and knowledge within a compact narrative. And each track is a mandatory component of this cleverly assembled story with startling standouts such as 'Dicey' a deep Detroity piece, layering into a Sound Signaturey space, while LA's seasoned producer Brown Irvin closes side 1 with a bolshier bash at opening track 'Tide Pool's ambient, semi-conscious swirlings. Over on the flip 'Velvet' is all golden era electronica stylings, early days Warp and Planet E on a lingering dinner date, while 'Shape to Fade in's smoky textures straddle irridescent sounds for a not-out-of-place jazzy backroom style builder.

"Repetition is a form of change," reads one of Brian Eno's Oblique Strategies. Seth Haley knows the concept well, and his style of technicolour synth-wave takes the mantra as a challenge. Six years after Galactic Melt introduced the cosmic story of Com Truise, Iteration now concludes his sprawling saga. True to its name, the album is built on Com Truise hallmarks: neon-streaked melodies, big drums, robotic grooves, bleary nostalgia. But Iteration is also the most elegant and streamlined that Haley's si...

It is time to discuss fundamentals. For his second appearance on Laut & Luise Constantijn Lange shows his interpretation of human mannerisms that contrast so much while being closely entangled. Able to deliver both pain and satisfaction alike, its apparen

When he's not busy in the studio or touring the world with his running mate Hans (Junktion) as Fouk.. Daniel Leseman takes time for his own solo projects and we're pleased to be able to release two vintage Daniel Leseman groovers on a piece of 10" vinyl for the 7th stop in our Kolour LTD 10" series.

DDMS is the combination of 4 prolific producers : Deadbeat, Dewalta, Mike Shannon & The Mole Previously this combination has appeared on Haunt records releasing a two part series in 2013 to critical acclaim. Part two of Tin Tin’s Rocket features mixes from The Mole and Deadbeat.

For the second instalment, 外神田Deepspace takes us down from the neon skyline to the hum of surface drones and tesla waves seeping through the circuit boards of the megacity. It’s the slogan for our new robot overlords as we punch into cellular devices. The gradual seeping of billboard acid frequencies into the bloodstream as mutants whistle out from ventilation shafts. A hazy bygone recollection of biological matter as we sink into concrete, junk and mechanical S&M.

MFM's curious and utterly killer Afro/Belgian electronic project gets the re-whip by a bunch of current producers. The EP also includes the previously unreleased, Veronika V02 (a synth bass heavy version of the compilation track, Veronika 02).

Soundway Records presents the debut solo album from the ever-energetic Diron Animal, lead singer of the band Throes + The Shine.
Born and raised in the ghettos of Cazenga in the Angolan capital of Luanda, the Portugal-based artist is known for his incredible stage presence and unique fashion sense. Influenced by traditional African music, Diron brings modern electronic production and multilingual vocals to his album, which explores the realities of growing up in harsh conditions. The impact of such a life on himself and his local community is thematically apparent: pessimism, greed, and ambition feature - and yet the overarching message is that of opportunity, hope and channelling one’s struggles into creativity.
Spell-binding rhythms, bass hooks and original lyrics abound, spanning Portuguese, Kimbundu and English.
Lead single “Don’t Stop”, out 7 July, is a fast-paced funked up anthem with a contagious saxophone riff, to be followed by an equally mesmerising video to boot.

DJ Boring embarks on the sixth expedition into the exotic lands of palm trees and blue skies with his dreamy ‘Different Dates’ EP. Expedition six features three jams packed full of moody synth lines and broken beat drum sequences, accompanied by a mind-blowing remix from Baltra.

Mindshift Records is proud to present Trouble11, "The Solar Mind Shift EP", produced by DJ Jes.
Jes, founder of Fresca Recordings, contributes a stellar release here, pressed on limited-edition vinyl, out of continued respect for the vinyl

n 1990 Joe Lewis teamed up with singer Darryl Goodlett to form the shortlived Survival. Now on Clone Classic Cuts their Midnight Dancin' finally gets a full release with all the versions. 2 of which were never released at the time. To top it of Simply Yours by DJ Joe Lewis also from the original Midnight Dancin' EP. Remastered by Alden Tyrell.