House | Deep House Vinyl 233 Items

Back in! We are very happy to present our first album on Ilian Tape. At the beginning of 2014 we moved our two separate bedroom studios into one and soon after started working on the album. All the tracks were made in about 6 months in our new Ilian Tape Space Studio in Munich. The time felt right to focus on this adventure, but without any pressure. Therefore the process became very natural and we felt free to go wherever the vibe led us. Our intention was to create a very personal and honest sound without any limitations or guidelines. It’s a reflection of all the years we’ve been growing up, working, traveling and playing together and it means a lot to us. But enough said music is not supposed to be described with words, so sit back, close your eyes, light one up and turn up the speakers!

The Dutch Pinkman label is back with a new EP from Xosar, who debuts on the label and covers release number 10. Xosar is the Berlin based, American born producer who has excelled on LIES and Rush Hour with a unique, experimental sound that draws heavily on the hardware she uses as well as a live, freeform approach to arrangement. Here she comes correct once more with two new cuts of mystic techno. ‘World Of Illusion’ goes first and marries reverb rich claps and cacophonous hi hats with a tough bassline. Spritely and nimble and with thumping kicks down below, various bleeps, serene string sounds and glassy melodies colour the groove and make for engaging listening. On the flip, ‘Phasers of Eden’ is a kinetic fusion of ticking percussion, molten synths and withering chords that works you into an ethereal and otherworldly trance. Still with some all important drum funk powering things along down below, this is another idiosyncratic winner from Xosar.

Two years after releasing his first EP, X_1 pursues his exploration of the connections between electronic codes and sounds related to space, stories or emotions. This disc is teinted with Electroacoustic influences and its three tracks, "Le Glitch", "Happy Hifi" & "Tangente a l’Ouest" each have their own identity. They are all indeed dedicated to both dancing and meditating. This disc aims to generate proper listening moments and emotions wether you’re in a club, at home, in the street, alone or with some friends. Three colored wanderings that came out of this young producer’s mind.

This is Potion number two. wilma is a machine made lady designed to drive people nuts with a juicy body of driving bass and fat synths. wilma has a certain taste for the dusty and the raw and like any other girl she just wanna have fun. Behind wilma are Jeppe Willumsen and Dan Madsen, expert ticklers of Copenhagen’s bulging underbelly and for the first time working on production together. After Murat Tepeli’s “Drop It Like It’s Hot EP”, Potion is proud to introduce 4 tracks by wilma. “Fabio” has be featured in Prosumer’s fabric mix and is now ready to be unleashed to the dancefloors, alongside three strong, brave and moving companions. Enjoy.

Wantigga collaborated with various vocalists on the Pillow talk EP: Sascha Vee (New Zealand), Mar (The Netherlands), Louis Bordeaux (The Netherlands), Phatt (The Netherlands). Every tune and melody was built from cratch in close collaboration with the vocalists. This process resulted is 4 diverse tracks, equally honest and personal with the seductive signature sound of Wantigga.The right balance between experimental and danceable, but also deep and easy to listen.

Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres.

This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s first album, On te l’avait dit, released last year on Favorite Recordings.

With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes.

If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control!!

Early 90's Warehouse find featuring classic NY Garage, Disco & Boogie + a DJ tool. This amazing EP starts off with AFTERSHOCK'S "SLAVE TO THE VIBE" followed by "KEEP ON MOVIN" Remix by DEODATO. On the flip we have "THE SOUND OF MUSIC" by DAYTON and to end we have "SET IT OUT" by MIDWAY

All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.

All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.

Multi Culti's astrological archive expands into vinyl-phase #2 with deep lunar trips and solar worship from Nicola Cruz, Moscoman, Zongamin, Manfredas, Umoja and Crowdpleaser feat Mah'Mood.

The dawn of Multi Culti's astrological epic assault kicks off with exotic neo-hippie modulations from Von party, Red Axes, and 'The Australians' - Dreems, Ccolo, Nick Murray & Kris Baha. In pole party position of A1 on Vinyl #1 is 'Wet Raga' from Cult Leaders VON PARTY & DREEMS - This sprawling, 13-minute, raga-sampling main-room odyssey powers us into sunrise...and the journey begins. Prolific maestros RED AXES then kick things into darker territory with Boosha Gdola, a squelchy bleep-fest straight out of the Israeli underground. On the flip (which could be titled 'The Oz side') DREEMS comes up to bat again with the herbal Sine 'O' The Tymes, squeezing the groove into an acid genie bottle, bumping along with a few lazy cowbells in tow, until finally giving us melodic finish. Masterful. We are all feeling this one. Fellow Australian doof dingos NICK MURRAY & KRIS BAHA bring up the tempo, toting electrified guitars, and hypnotic grooves that speak to a lifetime of overhearing digeridoos. Finally, Ccolo sends us off with F33lings, a curious mix of lush ambient electronics and bush-ready downtempo acid.

Eddie C, Lauer, Konstantin Sibold, Naum Gabo and many more can be found on the 2nd part of "I'm starting..."

Back in the early 1990s house music was having perhaps its most fertile and creative period. The original house from Chicago had blown up back in the ‘80s and left nothing short of a cultural revolution in its wake, with regional variants springing up all over the US, the UK and Europe.
London in particular was a global hub for house music, with a whole slew of clubs and a long established underground scene that had taken house to its heart. A key mover-and- shaker was a young Jeremy Newall, who worked successively at a whole bunch of record stores including Catch-A-Groove, where the likes of Tony Humphries would come and hang out when in town (Humphries used to record his shows at a flat above the shop with a wide-eyed Jeremy soaking in the vibes), and latterly Release The Groove, where he could be found well into the twenty-first century. A close association with Paul ‘Trouble’ Anderson saw him repping for the big fella when Trouble was unable to do his Kiss FM radio show, and as the resident alongside him at Trouble’s much loved Loft Sessions in Camden. He also played on many pirates, at all the best parties in London, Europe and beyond. Jeremy’s position as the go-to guy behind the capital’s hippest record store counters saw many visiting US jocks passing him records that barely saw the light of day in a scene where superb new tunes were coming thick and fast. Therein lie the roots of this compilation … a collection of overlooked, unreleased, and just hard-to-find gems to put alongside some of the better-known and overplayed classics of the era.

Limitd to 300 copies and mastered by Patrick Pulsinger.

"Teklife presents Afterlife, the first release on the new Teklife Records label. The album is a celebration of the life and music of the late, great DJ Rashad and features 15 previously unreleased tracks, each a collaboration between DJ Rashad and friends from the Teklife crew and beyond. A limited edition double vinyl will accompany the digital release.

Afterlife is testament to an incredible breadth of influences and love of music with soul, hip-hop, house, techno and many more all brought together at 160bpm. Rashad's presence is felt throughout in the boundless energy and creativity which run through the album, whilst each collaborator brings their personal touch to the compositions.

With such a prolific body of work as both a solo artist and in collaboration with other musicians, it would be impossible to present a definitive collection of DJ Rashad's music and many many classics will remain unreleased for ever.

Afterlife is our tribute to our friend and our inspiration. Rest In Peace DJ Rashad.

A percentage of the profits from the album will be donated to Rashad’s family.

Following up from the “#3 White” LP compilation – “#3 Black” feature another 7 exclusive track to celebrate Nous's 3 years in the business... TIP!

Exclusively played by Solomun & Butch on the white Isle.

Vinyl Only Release!

vinyl only

Mysterious acidic black label release on the Planet Rhythm imprint, coming from the hands of an unknown artist…

Danish producer Uffe Christensen returns to Tartelet Records with his second LP 'No!', a deeply personal LP to follow 2015's unanimously unfuckwithable debut 'Radio Days'. Every bit as abundant as his first, it's a record that scales polyrhythmic percussion, improvised jazz, & billowing ballads.

TV.OUT from Tel Aviv, this limited 10 Inch, remind to the old italian productions on MBG and DFC Records. TIP !

This is Potion number three. The Tuff City Kids have spent some time in the lab and created four fine potions to ease our ailments. Like memories of a Nexus 6, these tracks are machine made but feel organic, familiar and timeless. Programmed to make us dance, they reach straight for our brain's motion centre. "Carden Eden" has been included in Prosumer's fabric mix and we are proud to finally present it on vinyl, together with three brand new companions as "Underground House Research Vol. 2". Philipp Lauer and Gerd Janson have built an excellent reputation for the Tuff City Kids moniker in the three years they are releasing together. And if you got this far into reading this, you surely know already what absolute legends they are.

2024 Repress

The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.

How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.

Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.

Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.

Timmy P’s latest outing on Dessous Recordings continues the long list of illustrious labels that have been home to his house vision. Now based in London, Timmy has a string of emphatic releases under his belt, not least on influential imprints such as Local Talk, Extended Play, Dirt Crew and MadTech. With Safety First, Timmy’s playful approach to the deeper side of house shines though. The title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. The fantastically named ‘Grim Fandango’ is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. Timmy’s balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. ‘Bosh’ is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while James Dexter’s remix is a robust, deep roller. This is house music made with joy and passion.

Our latest “Looking for Mushrooms” EP comes to us from a collaboration between long time Dirt Crew resident Tigerskin and gifted jazz pianist and composer Grambow. We first heard from Grambow when his fluid key stylings featured on Tigerskin’s “Faint” in 2015. The title track is a suspenseful and moody journey, lead by live double bass from feature artist “Das Eb". Building in intensity with Tigerskin’s warm production and steady percussive instrumentation until Grambow’s live lead on a gritty synth growls in over the top. A true modern electronic classic as far as we are concernred. “Tsukiji” is a playful deep house groover. Balmy tuned percussion and shaken highs roll along under the light hearted piano which cruises along throughout the whole tropically touched endeavour. This track has “Party” written all over it! “Octocat” is a tougher italo disco tainted work out, tightly programmed live and analogue percussive elements push along, while wailing keys lick over a tenacious grunting bass. You can really taste and feel the long studio sessions the guys had to compose this great track. It is so much more than generic dance music. “Red Fox” is a divine culmination of the pair’s compositional prowess and dance music knowhow. A cinematic and spirited house track that glides and glistens via delicate piano, plucky percussive riffs, bright strings and woodwinds. We are very honoured to release this outstanding musical release by Tigerskin and Grambow.

Theo Parrish teams up with Amp Fiddler on "Ghetto Proposal" - a deep grimy chugger of a track featuring vocals from Kitten Koroi and John Douglas on trumpet. Instrumental version on the flip.

Full color inner sleeve with 3D art by Kanika Tupathi. Vivian is a great acid banger with high frequency Jupiter 8 eruptions and a simple 'raga style' melody.

Green Transparent Vinyl. Kambo is a dark and mysterious, almost Chris & Cosey sounding, 808 driven trip into the Amazon.

One of the most wanted Intangible releases in the rebound. Terrence Parker also produced for this re-issue a new remix of "I Love The Way U Hold Me".

Essential record!

Tiger & Woods / Lone / Prins Thomas / Shan / Pete Herbert & Dicky Trisco / Shan / DJ Oyster

Tensnake’s standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone’s happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert’s & Dicky Trisco’s respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!

In times where a compilation of 12-inch bangers passes as an album, Telephones "Vibe Telemetry” opts for a different approach. Without being a departure from his 12″s for Sex Tags Ufo, Full Pupp and yours truly or his brilliant remix work for José Padilla and Vangelis Katsoulis, the Norwegian producer from Bergen who calls Berlin his home, hones sound, skills and aesthetics on his debut long-player. "Vibe Telemetry” is inspired by the pure feeling of listening to house, disco and techno, prior to knowing what it actually was: ambiguous, euphoric, mystical and melancholic. Sonic and physical experiences, which names and origins were yet to be discovered.

The title track “Coconut Paradise” is a masterclass in crisp, high-definition house, as dubby synths, a solid kick and an insistent bass stab form a deeply hypnotic groove. Sustained tones surge in from the distance - all the elements coming together to create a perpetual motion machine. “Thick As Mud” lives up to its name: this is house music that draws on the deep and deadly palette and spacious arrangements of dubstep and glitch, burnished with snickering percussive repetitions and scything synths. “Pants on Fire” is a restlessly inventive bricolage of unconventional percussive sounds and textures. Metallic tones ping and bounce deliciously in every direction. One EP. Three outstanding tunes.

500, 12" 180g, hand stamped, individually numbered records, single press only.

Just in time for summer, Sol Power Sound is proud to present its 4th release, the Djidjo Vide EP, a 1-2 punch of Afro house by label heads, the Sol Power All-Stars.

Djidjo Vide, the title track on the A-side, features DC (via Togo) Afrobeat band, Elikeh. It's a vibey slice of propulsive Afro house about finding joy in the face of hardship. Massama Dogo's commanding vocals (sung in Mina) combined with the driving bassline, and aggressive horns (performed by DC's Sticky Bear) make Djidjo Vide a summer sure shot for a roof-top jam, beachside dance floor, or nightclub near you.

The B-side, Tell Me Why is darker and deeper, chock full of percussion, a chopped vocal sample, and in-your-face afrobeat horns (performed by Matt Rippetoe and Joe Herrera of DC's the Harry Bells). It's a late-night beatdown that will set things off proper in a dark room!

Hailing from Berlin, but spiritually from Chi-town, Snuff Crew are back in your area with some freshly served up basement goodies once again. Following on from Basement Jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare I say it, they go even harder this time. Stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you; four tracks obviously engineered for use in the club, whether its the massive kick in ‘What It Is’ or the ravey acid lead in ‘88cents’. The jams on the B-side may do the most damage. ‘Remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. Analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. I know Snuff Crew are real analog guys though, in sound and mentality, so hearing Basement Jams #2 for the first time had me so excited once again.

After a blazing start, Low Budget Family return !

The celebrated independent Moscow-based record label run by the crew behind the legendary Shop&Bar Denis Simachev deliver another stunner from SIMPLE SYMMETRY

MIMINO is another tropical House delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line

The Instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path

SIMSIM wraps things up in fine Middle Eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam

Zouk it and see !

Popcorn French Duo Siler & Dima signe their first EP on Phonogramme with Jazz influenced downbeat of the 90’s in collaboration with Paul Cut, Chez Damier & Le Loup.

"It's the year 2024 and the planet Perth is under attack!!
The boys of SENATE Corp. are its only hope!"

Good Company Records returns for 2016 with two blasts of sci-fi Techno from the twisted minds behind last year's 'Gangstalker' cannonade for Lobster Theremin sublabel Pacific Command.
Strike one is the unrelenting, caustic hardcore of Pugilist Dub, strong enough to melt away even the toughest exoskeleton.
Into the centre hole & through the other side, it's Forza Rays - a dystopian electro stormer that will haunt your working week.

"Mission report: The Discoid invaders never stood a chance."

Select with extreme prejudice, and play without mercy: Just don't forget your gloves.

Vancouver mainstay Ryan Trann aka Secret Lover follows his first EP, Jus Jack Girl, with his second offering for Heart to Heart, the much anticipated "Between You and Me" EP. Trann perfectly encapsulates the Vancouver sound with Between You and Me, balancing the hazy Summertime feels of "Space and Time" and "Do You Do" with the late night stripped back grooves of "Ready to Pop" and "I Want You".

RAWAX proudly welcomes Final Chapter label boss Sean Dixon to the Family! The swedish DJ and producer presents four melodic and groovy cuts for the vinyl only series. "Heat" is a great debut - more to come!

New Scott Grooves 12" on Natural Midi representing the first four parts of the Scott Grooves sound - Basic Part, Synth Part, Jamaican Part, and the Gritty Part. Even though all four tunes differ from each other, they all have Scott’s unmistakable groove.

The EP in series offering up late 90’s early 000 previsously unreleased deep house tracks from SF.

5y anniversary repress on Colored Vinyl Satin Jackets' debut album, featuring a string of cameos from vocalists familiar and exotic, jetting in from LA, Berlin, London, Belgium and Australia.

Sakro returns once again on Houseworx Records. Here started his career and this is his home.
This time Edgardo invited some friends like Brandub, Max Jacobsen and Mike Montañoto to
join him on his journey "From North To South".

S3A Records is delighted to welcome Sam Irl in the family. Samples, classy Rhodes solos for this great S3A REC Artist EP: Similarity on each side: One banger track, one hip hop interlude and one personal (or deep) track. Have a nice trip in the creativity of this mucial note blooded artist ! He is very close from the forward thinking electronic music producers from Vienna like Dorian Concept, The Clonious, Roman Rauch. He manages with a lot of class, minimalism and harmony to the samples he uses. As we love Jazz&Milk records, it was natural to propose to him to work with us on his first S3A REC Artist EP. Let us introducing Sam Irl!! We are so happy to present you this beautiful EP. One banger track, One hiphop interlude and One personal (or deep) track on each side. Have a nice trip!

Helsinki's Lauri Saine is the storyteller for this, the third chapter of Fools & Fables. Pleasingly his irresistible releases don't come along all that often, but when they do, they justifiably make serious waves. Small Remedies, takes us on a journey to a side of Saine we seldom see... First things first, 'Blush' cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. 'Casual' wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. The tropical breeze blows free through 'Leisure Song' too, as we begin to get the impression Finland might actually be a small Pacific island. The sun has definitely set as we move to side B. Electronic elements play alongside the organic materials as pitched vocals punctuate a more plaintive vibe. As the first cool beers of the evening begin to create a warm glow, we head to a dimly-lit basement bar, 'No Rush' where the hep cats are hanging and a sharp fingered double bassist dances a deadly duet with the Rhodes player. We wrap up this most memorable evening back in the hammock, taking in the 'Scenes' as the sun's just beginning to peek over the horizon, we bask in the glow of the day and night we'll have again and again... Another strictly limited affair from the F&F camp. No repress, no digital. Not now, not ever.

Following the sold out Theo Parrish remix of Marcos Valle's '1985', this is the second in Far Out's Brazilika 12" with three scorching remixes from UK dance veteran Ashley Beedle.