House | Deep House Vinyl 19 Items

Chicago House legend Tyree Cooper reissues this incredibly storied stone cold classic. Though the origin story has been greatly disputed, one thing is certain.. this record bangs. Includes the original, the "acid Crash RX", and a very special rework from fellow Chicago legend Traxman.

Another critical refix for 2023 from the Chicago OG. A tracky remix from DJ Sneak jacks so hard you might hurt yourself alongside a refreshed for `23 version of the original from the man himself on the A-side. While soulful pianos contrast with classic acid to form the perfect storm on the B.

Larry and Bell are two musos from the east and west of the Atlantic, who met on a scuba trip in Belize in '99. Larry plays Bongos, Bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on Guitar, Double Bass, and Kick Drum. After a few Rum Daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

A much-needed reissue of an all-time house classic, from the early explosion of the genre on dancefloors the world over. From the minds behind C+C Music Factory, David Cole and Robert Clivillés, Sandee ‘Notice Me’ encapsulates the New York Freestyle era of the late ‘80s perfectly. Early house heat laced with a distinctly Latin American feel, that has been heavy sampled since it burst onto the scene in ‘88. It’s syncopated, seductive and seriously infectious, with a steamy bassline that couples with Sandee’s echoed vocals to send your brain into a state of rapture. The ‘Notice The House’ mix is a shining example of that freestyle flavour, with the ‘Club Vocal’ leaning into a more synth pop meets electro, proto house feeling. Taking the final spot the stripped back dubbed out, b-boy beast ‘Dubbin' At Studio 54’. A must have record that still lights up the dance to this day.

Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

Another gem from the DJ International vaults... This time label owner Rocky Jones steps to the plate with 4 fresh acid house cuts from 1987. Re mastered from DAT and re released for 2014. One of the rarest releases from DJ International with releases going for silly money on Discogs.

Huge repress of 'The Truth Of Self Evidence' on KMS from 1988. Detroit techo gold that samples Martin Luther King. All b sides included and re mastered for 2014.

An all-time classic from the early days of US house music, Raze ‘Break 4 Love’ gets a much deserved remastered reissue on Champion. A seminal track from back in ’88, simple yet oh-so effective, with a grooving bassline, breakbeat loops, synth stabs and blissful vocals. Timeless business that still gets the hairs on the back of your neck standing up every time it gets played. With the original mix cut loud and proud on the A side, the flip side houses the Our Tribe Club Remix that gave a ravey 1994 tinge to proceedings, switching up the bassline for a more late night club-ready feel whilst spicing things up with chest rattling, fist-pumping synth stab section.

An example of globalisation's ultra exoticisms: a Guinean hit that changed the perception of African music in European dance charts (selling over a million copies), covered by a Hongkongese pop star two years later, the perfect recipe for ensuring heavy frothing amongst diggers and collectors worldwide. Besides its aesthetic novelty, it's also highly effective on just about any dancefloor, a theme that sounds so familiar to many but then with the added unexpected surprised factor of the lyrics being sung in a female voice and in Cantonese -- a hard moment to forget on a well helmed club floor. Another generosity of this release amongst the other 3 tracks is a display of heavy Cantonese ballad prowess in the Adult Contemporary landscape, especially with a cover of Gamble & Huff's "When Will I See You Again", huge on the couples' slow dance scene, shameless drama.

More quality from the Trax vaults. One of the biggest all time house music anthems from Marshall Jefferson, mixed by Ron Hardy and produced by Virgo. Re mastered versions from the Traxbox compilation.

By 1980 James Brown did one album for Henry Stone's T.K. While this doesn't have Brown bubbling over with innovation, he still provided a more substantial alternative to disco. On this album, we have a sublime sped-up version of "The Payback," which rocks like nobody's business. Or on the remake of "Mashed Potatoes", Brown is reuniting with Bobby Byrd. Shortly afterward they both go through a travelogue of cities and states like it's "Night Train" all over again. Soul Syndrome has Brown still full of ideas. The inane "Funky Men" has a killer reggae/funk guitar riff and a fantastic Latin horn arrangement...In the end, it makes it a nice album that counts in the rich carrer of the master of Funk !

After the re-issue of Ghia's “Don't Leave Me Alone” we continue the Austrian collaboration with Ghia's only known album release to date. Originally from 1988, this album features 9 tracks that further deepen the aesthetic direction strongly established by the now digger-delight single released the year before. An album that was somewhat mysterious due to little information online, yet coveted amongst diggers that had already been exposed to the magic of “Don't Leave Me Alone”. From slow dance ballad pop smoothness to high paced quasi-house keyboard and guitar infused playfulness, “Here I Am” has a sound that's unique yet refined, characteristic of an ace studio recording environment. Essential in any well seasoned record collection. Severely remastered.

Adonis' comically named "Endless Pokers" project is no joke, in fact, this is some serious Chicago ACID House! Originally released in 1987 and featuring Adonis' trademark staccato drum machine rhythms, creeping acid lines and cowbells "The Poke" is a classic (Watch out for those vocal stabs too!). All 3 mixes featured on this 12" bring something new to the table, twisting and turning that acid line into a frenzied buzz. This is pure old school business, Chicago style! Raw, simple box jams of the highest order! A definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today. Re-mastered, re-pressed and brought to you in conjunction with DJ International Records.

DBH Music proudly presents the new inhouse label called DBH! We're very happy and proud to represent with the first release the first ep which came out on legendary Dance Mania Records! "Hardcore Jazz" by Duane & Co. was done as a hommage to James Brown. Special thanks to Ray Barney! Here are some words by Duane Buford: Some yers ago my friend and Mentor Ray Barney started a record label and we sat down and talked about his 1st release, I sat down in my basement and put something together little did I know years later it will be reissued, a little while later we did our second release which was really successful. I really give thanks to Dancemania records a label Ray Barney and I started, many others have tried to claim that they started this record label but all of them are totally full of s*** . A little while later ended up getting signed to a major record label which actually served no purpose for me what so ever, it was'nt the label it was the people i was involved with at the time, I was making more money with Ray Barney and Dancemania. Moral to this, take care of your paper work when you release your music, don't sign away your publishing, you never know where your song will end up.

Re-release of the ‘88 rave house classic 'The Real Life' sampling Queen, Simple Minds, Prince and Scarface here perfectly formed Oppy Mix. Used copies still sell up to £50 with very few cropping up on the market so this official remastered reissue will be a welcome sight to many.

Flipped with the collectable housey / garage crossover gem 'So Where Are You' harnessing the raw vocal power of Kevin Williams over a tough house rhythm. Both the Hashish Dub and Vocal Mix are included on this release.

Repressed on Blue 12 inch vinyl with replica Smokin’ artwork.

12inch release of highly sought after Colored Music edits by Tokyo's, Chee Chimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of 'Heartbeat' that featured on the Japan only "Individual Beauty" LP of 2018 (also compiled by Chimizu)

Ce Ce Rogers' spine tingling, seminal hit 'Someday' gets a much-welcomed official remastered, reissue 31 years after it first took the scene by storm. Produced by Chicago's master, Marshall Jefferson, every element is unmistakable - from the dynamic bass and sweeping flutes that set the scene for that instantly recognisable piano riff, to the raw soulful beauty of Rogers' vocals. 'Someday' is a record that truly captures the euphoric, loving nature of the early house music scene - epitomising a timeless spirit and hope for future harmony within society. Often cited as one of the greatest dance records of all time, it's influence is clear to be seen from the sheer number of covers and records that have since sampled it. An indisputable masterpiece, complete with dub mix and accainstrumental versions, this is an essential 12" for any record collector out there - house head or not.

There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.