House | Deep House Vinyl 213 Items

For the second release of S3A RECORDS, S3A chose the most talented Parisian New blooded artist nowadays: Neue Grafik ! He has Jazz, funk and hiphop roots and his house music sweats all of these influences. This ep goes from “great sample based house musi”c to “Saxophone played bridges” passing by delicious Piano interludes witch can demonstrate all breadth of his talent. A release made to last for years with a Classy delightful efficiency.

Florian Kupfer is back. This time he shows a glimpse into his diversity and depth. Starting in the familiar territory with his trade marked, blue eyed freaky soul vocals and rough beats before meandering his way through strangely sad blown out drum workouts and hip hop styled new beat tracks... Comes with full color sleeve. Tip!

Rawax proudly welcomes Atom heart to the family! Atom™ (also known as Atom Heart and often confused with Señor Coconut, real name Uwe Schmidt) is a German composer, musician and record producer of electronic music. He is often regarded as the father of electrolatino, electrogospel and aciton (acid-reggaeton) music.

Back in! We are very happy to present our first album on Ilian Tape. At the beginning of 2014 we moved our two separate bedroom studios into one and soon after started working on the album. All the tracks were made in about 6 months in our new Ilian Tape Space Studio in Munich. The time felt right to focus on this adventure, but without any pressure. Therefore the process became very natural and we felt free to go wherever the vibe led us. Our intention was to create a very personal and honest sound without any limitations or guidelines. It’s a reflection of all the years we’ve been growing up, working, traveling and playing together and it means a lot to us. But enough said music is not supposed to be described with words, so sit back, close your eyes, light one up and turn up the speakers!

Cool house cuts with a Hip-Hop vibe.

Turmoil!! Only 1(!) copy per customer!

Levon Vincent returns with his most ambitious yet concise work to date: no less than a quadruple LP on his own imprint Novel Sound. The entire gamut of Levon's unique talent is expressed in it's fullest here: stark minimalism adherent to the the groove - submerged industrial rhythms and flexing, dubbed-out basslines - shimmering leads and beautiful melody. Set to be an instant classic, Levon Vincent's self-titled opus is finally upon us!

Machine music with real heart and soul as, time and again, the tracks locate that elusive sweet spot that unifies mind and body.

This is Potion number two. wilma is a machine made lady designed to drive people nuts with a juicy body of driving bass and fat synths. wilma has a certain taste for the dusty and the raw and like any other girl she just wanna have fun. Behind wilma are Jeppe Willumsen and Dan Madsen, expert ticklers of Copenhagen’s bulging underbelly and for the first time working on production together. After Murat Tepeli’s “Drop It Like It’s Hot EP”, Potion is proud to introduce 4 tracks by wilma. “Fabio” has be featured in Prosumer’s fabric mix and is now ready to be unleashed to the dancefloors, alongside three strong, brave and moving companions. Enjoy.

incl. Roberto Rodriguez & Nachtbraker Remixes

Two unique tracks - ranging from House to Disco and Jazz influences, Kito found his very own style and switches easily between them. Up tempo and energetic tracks with great melodies, driving bass lines and clever sample use.

Arturo comes correct on Robsoul!

You know that mesmerizing feeling given to you by that very special girl or boy? The one with a sweet and peculiar face covered in freckles, even though the sun has been hiding since forever. One of those happy souls frolicking through life, excited as if every single day was the first. That very person who once turned your winter, into summer. The three Swedes David Günther and Shakarchi & Stranéus set the cheerful vibe on this YUM002 record stubbornly released in the middle of the winter along with a HNNY edit – to give you, that very same feeling.

New Big Strick release for 2015!

The Dutch Pinkman label is back with a new EP from Xosar, who debuts on the label and covers release number 10. Xosar is the Berlin based, American born producer who has excelled on LIES and Rush Hour with a unique, experimental sound that draws heavily on the hardware she uses as well as a live, freeform approach to arrangement. Here she comes correct once more with two new cuts of mystic techno. ‘World Of Illusion’ goes first and marries reverb rich claps and cacophonous hi hats with a tough bassline. Spritely and nimble and with thumping kicks down below, various bleeps, serene string sounds and glassy melodies colour the groove and make for engaging listening. On the flip, ‘Phasers of Eden’ is a kinetic fusion of ticking percussion, molten synths and withering chords that works you into an ethereal and otherworldly trance. Still with some all important drum funk powering things along down below, this is another idiosyncratic winner from Xosar.

The aptly-titled ‘Raw Materials’ sees Marquis Hawkes making a welcome return to the primitive house rhythms for which he became known via his early work for Dixon Avenue Basement Jams.

"I use music as a medium to talk to other people", Sun Ra once revealed. The Düsseldorfer Stefan Schwander would agree with this statement by the avant-garde jazz great, though he would not necessarily sign his name to it. He also speaks to people through music. Yet he also likes to let music talk to music. Since 2008, as Harmonious Thelonious, on numerous EPs and two albums, he blends the reduced patterns and structures of American minimalist music with African, Latin American and Caribbean rhythms.

For his new work "Santos", which he sees as an LP with a unified concept, he embarked on a mental journey to the north of the African continent and became entranced by Moroccan trance music. The resulting pieces are light, with traces of pop, interweaving the atmospheres of the Master Musicians Of Joujouka and Gnawa music with the driving force of techno. This time Schwander invited a handful of guest musicians to serve as sound sources. The Berliner Ghazi Barakat, former bass player of Stereo Total and man behind the psychedelic experimental project Pharoah Chromium, contributed modified sounds from his Moroccan flute. A second guest musician is the Cologne-based composer Volker Zander, who has long played double bass and electric bass with Calexico. For songs like "Mountains" or "Belloumi" he played a melody on the Turkish Tambur, lending an oriental flair to the vital rhythms of the tracks. The intricate rhythmic patterns also incorporate instruments such as banjo, mandolin and Afro-Cuban drums, played by the percussionist Stefan Suhr, who studied Afro-Cuban ritual drumming in Cuba. Schwander's electronic sequencing blurs these organic sources and brings them into a fluid dialogue with his electronic ideas. For a piece like "Rendez-vous of the Dead", for example, Harmonious Thelonious projected himself out of the studio onto the Djemaa el Fna square in Marrakech. Here, every evening after sunset, local musicians meet and play themselves into a frenzy on distorted mandolins. Harmonious Thelonious translates this dream into a quaking dance monster whose home might be a techno club with an experimental sonic approach. Of course, most of the pieces of "Santos" are heavily danceable, although this time Harmonious Thelonious' tracks roll a little slower than previously. Their rugged beauty has also given way to a very smooth sound. His music, however, has lost none of its complexity. The many voices speak together, propelling each other toward something that traverses traditional genre boundaries, creating a playful trance.

The cover of "Santos" underscores this: It is a collage designed by the artist himself, depicting his notion of an all-star band. Everyone must decipher for themselves exactly who is to be found there. Here, once again, the pictures are not direct portrayals, but veiled references to an emotional state hidden far beyond the visual realm. Just like the music of Thelonious Harmonious, which uses various layers tell countless stories.

Hailing from Berlin, but spiritually from Chi-town, Snuff Crew are back in your area with some freshly served up basement goodies once again. Following on from Basement Jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare I say it, they go even harder this time. Stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you; four tracks obviously engineered for use in the club, whether its the massive kick in ‘What It Is’ or the ravey acid lead in ‘88cents’. The jams on the B-side may do the most damage. ‘Remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. Analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. I know Snuff Crew are real analog guys though, in sound and mentality, so hearing Basement Jams #2 for the first time had me so excited once again.

Numbered limited boxset (1000 units Worldwide) with red ribbon inside to pull out the records. Features 3LP+3CD and a large poster. includes REMIXES by Frankie Knuckles, Kevin Saunderson, Alan Braxe, Dimitri from Paris, etc…!

A rare 7" on Omar S' great FXHE imprint. Highly recommended!

Egbert / Vince Watson / Arjuna Schiks / Aril Brikha / Mathew Jonson / Anthony Rother / Dosem

Loveland are one of the longest running quality event promoters of the Netherlands. As music has always been their reason to live it made sense to launch a record label after 20 years in the business. Most artists on this release have a special bond with Loveland built up over many years of performing at their events and in some cases from the very start of their carreer. The vinyl showcases 7 exclusive tracks on two 12″discs. From the bright and melodic sounds of Egbert, Vince Watson, Arjuna Schiks and Dosem to the repetitive hypnotizing grooves of Mathew Jonson, Anthony Rother and Aril Brikha this release covers a wide scope of quality music. Listen for yourself…

Invasive psychoacoustic acid killer from EVOL for the sympathetic freaks at Sweden’s iDEAL.
Continuing a pursuit of altered states induced by pure frequency manipulation, ‘Purple Melters’ is the fourth work in a series that started with ‘Proper Headshrinker’ (Editions Mego, 2013), a series which will also see a release on Diagonal later this year.
Essentially, it’s acid house without the house, drilling down to the 303’s micro phase variations and psychedelic sleight-of-mind conjuring a sense of movement from ostensibly static phrases.
Granted, you have to be a bit of a sadist to enjoy this, but really only in the same sense as a proper hardcore hooligan who gets their rocks off jackin’ in man-made synthetics to amplified music while gobbling illicit chemicals from a Dutch laboratory supplemented by synthetic hormone-infused energy fizz.

Having made a firm footing for themselves, we’re excited to bring you Bodhi’s rave inspired track ‘88’. 88 incorporates a staple rave synth line that immediately grabs all ears in the club. Already proving to be a go to track from Kry Wolf’s DNA compilation, we’re bringing this underground anthem to you on 12” with a fresh new remix from Jauge.

Eddie C, Lauer, Konstantin Sibold, Naum Gabo and many more can be found on the 2nd part of "I'm starting..."

Reissue of a few classic Gemini tracks!

Killer Acid workouts from Hard Ton!

Hot release! Riverette is back with another reference this time produced by Cliff Lothar. Old Jams Die Hard #1 stands as a classic and old school release full of techno and nasty acid bass lines. Warning! Beware of the dance floor! Want to miss this one?

Swedish producer HNNY (real name Johan Cederberg) releases his debut album 'Sunday' on Omena Records, a label set up by Tobias 'Tooli' Lidstrom. The ten track debut album continues an ongoing partnership between HNNY and Omena Records that started in April 2014 when the 12" 'Always' was released which also marked the starting point of the label. Sunday is released as a 180 g vinyl edition in gatefold sleeve.

Highly sought after tracks from labelboss Josh Brent himself finally re-released on limited edition heavy weight Colored Vinyl. As released on the 1998 Schatrax album, these three floorburners still sound fresh as ever!

The EP in series offering up late 90’s early 000 previsously unreleased deep house tracks from SF.

Tiger & Woods / Lone / Prins Thomas / Shan / Pete Herbert & Dicky Trisco / Shan / DJ Oyster

Tensnake’s standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone’s happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert’s & Dicky Trisco’s respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!

forTunea is a new upcoming vinyl label from Vienna, Austria. The „Still Daydreaming EP“ by label head Klaus Benedek features 3 tracks. While the title track on the A-Side creates with its hypnotic synths an overwhelming, melancholy atmosphere, „Fragile Balance“ and „Road To Infinity“ on the B-Side focus more on the dancefloor. If you like deep, raw, energetic house that puts you in another dimension through listening then check this release out! Limited to 350 copys. There will be no repress!

It’s been a while since the first release on forTunea came out. Now it’s time to wake up from hibernation! Klaus Benedek delivers us this time with „Calm Before The Storm“ an extraordinary piece of music. This over 9 minute journey bundles the sound of current deep house with a breakbeat rhythm. This track takes its time and builds up to a smooth string chorus that will certainly give you goosebumps. The B-Side on the other hand stays more traditionally in the house sector. First we engaged the service of Vienna’s MPC wizard Roman Rauch (Philpot, Quintessentials, Tenderpark) to give KB’s track „Still Daydreaming“ a harder edge, while the EP’s title track on B2 bounces with it’s hypnotic filtered hookline the listener into new heights. Give this release a try! It is definitely a record that is quite unique in its own way. Enjoy!
Limited to 300 copys! There will be no repress! Mastering by Patrick Pulsinger.

Helsinki's Lauri Saine is the storyteller for this, the third chapter of Fools & Fables. Pleasingly his irresistible releases don't come along all that often, but when they do, they justifiably make serious waves. Small Remedies, takes us on a journey to a side of Saine we seldom see... First things first, 'Blush' cuts a breezy, cheerful path through a warm analogue space, with the mid-tempo throb of sampled rhythms to keep you from drifting too far off course. 'Casual' wears altogether looser pants as we just bob to and fro in a hammock while rum-soaked session players jam away in a distant speakeasy. The tropical breeze blows free through 'Leisure Song' too, as we begin to get the impression Finland might actually be a small Pacific island. The sun has definitely set as we move to side B. Electronic elements play alongside the organic materials as pitched vocals punctuate a more plaintive vibe. As the first cool beers of the evening begin to create a warm glow, we head to a dimly-lit basement bar, 'No Rush' where the hep cats are hanging and a sharp fingered double bassist dances a deadly duet with the Rhodes player. We wrap up this most memorable evening back in the hammock, taking in the 'Scenes' as the sun's just beginning to peek over the horizon, we bask in the glow of the day and night we'll have again and again... Another strictly limited affair from the F&F camp. No repress, no digital. Not now, not ever.

Bass Culture’s latest release comes straight from the studio of the label head, D’Julz. A man who draws on dub influences, groove and deep soul-enriching rhythms, D’Julz is a member of the Paris old school fraternity and brings that classic sound right into the 21st Century with his Houdini EP.Across three tracks we have a selection of music that epitomises what he’s all about. The title track gets things rolling with a sultry groove pervading throughout, crunchy claps add depth while fizzing synth lines and throwback yelps give it plenty of character. Second track ‘Waiting 4 Visa’ is a classy breakbeat-led outing, delicate effects loom in the background entrancing the listener while the minimal composition keeps things simple and hypnotic. Lastly ‘Serendipity’ takes us a few layers deeper, with a laid-back bounce and chirpy bleeps really bringing it to life. D’Julz shows us once again why he’s one of the mainstays of the Paris, a godfather who does everything with a touch of class.

It’s not every day you find a keyboard player with chops like John Camp. Plucked from the same Minneapolis Jazz vine that grew such deliciously ripened talents as No Regular Play's Greg Paulus and Aaron James (Gregory Porter band), we met Camp for the first time at the Marcy Hotel. Initially adding his signature touch to other’s Crew Love records and last year dropping an incredi- ble EP on Have A Killer Time, the Mistral EP marks his first official Crew Love release!

Dark acid from the Pukemaster.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series". We're happy to present you on the second release Mr. Ron Trent!

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

Nicholas returns on X-masters for a collaboration with Detroits Nikki-O.

Matt Karmil was born in 1979 near the giant pre-historic glockenspiel / mythical neolithic monument known as Stonehenge. His debut EP for Studio Barnhus, following 2014’s masterful remix of Talaboman, is an homage to the Nacksving studio in Gothenburg, another mythical place that Matt calls home.

This is Potion number three. The Tuff City Kids have spent some time in the lab and created four fine potions to ease our ailments. Like memories of a Nexus 6, these tracks are machine made but feel organic, familiar and timeless. Programmed to make us dance, they reach straight for our brain's motion centre. "Carden Eden" has been included in Prosumer's fabric mix and we are proud to finally present it on vinyl, together with three brand new companions as "Underground House Research Vol. 2". Philipp Lauer and Gerd Janson have built an excellent reputation for the Tuff City Kids moniker in the three years they are releasing together. And if you got this far into reading this, you surely know already what absolute legends they are.

After a blazing start, Low Budget Family return !

The celebrated independent Moscow-based record label run by the crew behind the legendary Shop&Bar Denis Simachev deliver another stunner from SIMPLE SYMMETRY

MIMINO is another tropical House delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line

The Instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path

SIMSIM wraps things up in fine Middle Eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam

Zouk it and see !

Food Music welcomes A1 Bassline to the label to release his first LP - Technicality.

The album’s title draws from the club night “Technicality”, a monthly Drum & Bass night at Herbal in East London, which is run by Chris Inperspective and continued the sound of early Reinforced and Metalheadz records as well as pushing new forward thinking music. The album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend Rahim (Lab Creation), where the likes on Fold, Ben UFO, Breakage would attend the club.

In addition to well received records on DirtyBird, Pets Recordings and his collaborative work with Leon Vynehall as Laszlo Dancehall, the album is a stamp on A1’s sound and his influences from his teenage years to growing up and discovering House and Techno.

Anyone who followed the development of house music made in the usa in the last decade will certainly have met the art of Fred Peterkin aka Fred P aka Black Jazz Consortium.

His musical set phrase isn't following new trends. Fred is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase "deepness" finally gets a fresh truthfully new meaning.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition ”RAWAX - AIRA EP vinyl series".

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music”, not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

Back in the early 1990s house music was having perhaps its most fertile and creative period. The original house from Chicago had blown up back in the ‘80s and left nothing short of a cultural revolution in its wake, with regional variants springing up all over the US, the UK and Europe.
London in particular was a global hub for house music, with a whole slew of clubs and a long established underground scene that had taken house to its heart. A key mover-and- shaker was a young Jeremy Newall, who worked successively at a whole bunch of record stores including Catch-A-Groove, where the likes of Tony Humphries would come and hang out when in town (Humphries used to record his shows at a flat above the shop with a wide-eyed Jeremy soaking in the vibes), and latterly Release The Groove, where he could be found well into the twenty-first century. A close association with Paul ‘Trouble’ Anderson saw him repping for the big fella when Trouble was unable to do his Kiss FM radio show, and as the resident alongside him at Trouble’s much loved Loft Sessions in Camden. He also played on many pirates, at all the best parties in London, Europe and beyond. Jeremy’s position as the go-to guy behind the capital’s hippest record store counters saw many visiting US jocks passing him records that barely saw the light of day in a scene where superb new tunes were coming thick and fast. Therein lie the roots of this compilation … a collection of overlooked, unreleased, and just hard-to-find gems to put alongside some of the better-known and overplayed classics of the era.

Late last year, the world was introduced to DJ Wey via “Nosebleed,” a singularly jacking piece of house destruction on the Lovers Rock no. 6 compilation. Now the enigmatic producer returns to the LR fold with his debut EP “Introduccion.” Across four tracks, Wey maps a wild, tripped out terrain, both sinister and fun: “Anthem Para La Club,” recorded with J. Albert as Amigos DJs, bounces bitter tales of rejection against a twisting, unrelenting drum track. With Wey on the mic, jokes seethe and complaints dissolve into laughs, while the percolating drum pattern takes on a truly anthemic quality. Elsewhere, Wey indulges his dreamier side: “Emily’s” infectious, bouncing bassline and wandering leads are soaked in emotion, while “Tare Gent Us” builds on the sickeningly-sweet tension of “Nosebleed.” Finally, “Llanganatis” closes out the EP with a moment of breathtaking introspection. Unfinished melodies flicker across aquatic pads, while a distant electro beat betrays the producer’s Miami roots. Fresh, fun, out of control and yet surprisingly nuanced, Lovers Rock is proud to present DJ Wey’s “Introduccion.”

Houseworx welcomes Federico Curatolo from italy. On his debut ep called "Chicago Series",
Federico delivers four great tribute tracks dedicated to the music and the artists of the "Windy City".

Coming off his last record, ‘Nocturne’, Generation Next shows us that he has no plans in slowing down. Even though his last EP was impressive, ‘Ender’ just shows us how much this producer has evolved.

The boss is back with 3 juicy house cuts!

Frits has steadily built a reputation as one of Holland's finest exports through a string of successful releases on his own Bobby Donny, Triphouse Rotterdam and of course WOLF Music.
The longplayer format has given Frits the ability to show off his production ability with a mix of styles encompassing lo-fi hip-hop and downbeat tracks featuring the amazing vocals of Loes Jongerling as well as Frits signature House sound.

2015, Kenneth Werner aka AS IF has released his first vinyl release with ROHS! - MOMENTS EP. This EP is a pure retro-futuristic Acid-Downtempo vision. Initially it was released on white label 7 inch vinyl of 50 ONLY limited copies. It has been reissued in 2019 with a totally new face/design and on 250 limited copies for the world. This is a pure gold futuristic gem on wax.

New Scott Grooves 12" on Natural Midi representing the first four parts of the Scott Grooves sound - Basic Part, Synth Part, Jamaican Part, and the Gritty Part. Even though all four tunes differ from each other, they all have Scott’s unmistakable groove.

2021 Repress. Next round for Another Picture. After exploring the highs in electricity and the lows of the deep grounds we go further into things. Sensing vibration of the fire below and turning it into a never-ending evolution of sound and groove. This is what you might know about Losoul tracks - and here you can’t go wrong either. There are scattered artefacts of the city bringing vibe and inspiration - the streets, the people, the concrete, the action - it’s all in between. Then there’s the ever-changing beauty of nature out there on a day to just leave things as they are. Soul, movement and emotion. Again Losoul gives a strong example of experience from his longterm career in house and techno production and performing. Two pieces of music timeless in many ways. See you on the dancefloor. And everywhere else.