House | Deep House Vinyl 3656 Items

Who We Used To Be Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Finally the debut Album by „Mainline Magic Orchestra” is out via Public Possession & Primavera
Labels, 01. March, 2024.
Se bendecido!
Harri Poter, Pretty Otter, Trabajo con Shrek, Smoking prohibited, John McClane pleases U, hohoho,
killer. Featuring. Juicy Romance, LVL1 & P. Vanillaboy

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Arutani

LP | 2024 | EU | Original (Laut & Luise)

Mind Against Feat. Tsha & Nimmo

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Everything flows. Arutani's third album is a very personal note on change and life. The stories we see and create, the balance of hope and melancholia that accompanies every step we take. Calm, light, modest and mindful as the artist himself, with a glimpse of light in every aspect. Minimal in character and rich in detail. Luise is once again oh so happy to give a home to this masterpiece.

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Onlyl

12" | 2024 | UK | Original (Habitat)

LP | 2024 | EU | Original (Nouveaumonde)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Italian electronic duo Mind Against pull out all the stops on a new interpretation of Tsha & NIMMO’s hit single “OnlyL” (Ninja Tune, 2021). Maintaining the integrity of NIMMO’s mesmerizing vocals, the long-awaited new version takes “OnlyL” from artful dance pop to a rich and layered cinematic piece that blends deep, resonating bass with a soaring, crunchy arpeggiated synths to take it to a new dimension. It’s the perfect balance of restraint and exuberance, allowing NIMMO's vocals to soar while wrapping them in a lush, vibrant soundscape that highlights the duo’s signature mastery of texture and depth. One more to highlight the strength of Mind Against and their new label Habitat.

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Amor Gullit

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Star Creature)

A Vision Of Panorama

Fusion To Illusion

Escape From Luna Black Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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For those seeking a musical experience reminiscent of the iconic Larry Heard, RON Trent & Kerri Chandler, delving into the enchanting sounds of A Vision OF Panorama is a journey well worth taking. A Vision OF Panorama, much like MR. Fingers, has mastered the art of crafting immersive and soulful electronic compositions. This latest release invites you into a sonic realm where lush melodies, dreamy textures, and intricate rhythms coalesce to create an atmosphere of pure musical bliss. In a landscape where electronic music continually evolves, A Vision OF Panorama stands out as an artist who skillfully pays homage to the timeless vibes of classic deep house while adding a contemporary touches of forward thinking smooth and Balearic jazz. The fusion of classic house elements with a futuristic flair makes A Vision Of Panorama the closest thing available to the legends that precede.

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Jinjé

12" | 2024 | UK | Original (Mesh)

7" | 2024 | JP | Original (Flower)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Following on from his Mesh debut Jinjé returns with Escape from Luna, a four-track EP expanding further on the infinite sonic worlds of his solo production work.

Lead single and opening track ‘bblo’ launches with a voyage into detailed textural layers, gliding through microscopic ambient-leaning compositions before dropping into a weighty electronic beat with touches of electro and dub.

As a founding member of the Leeds-based experimental band Vessels - an act acclaimed for their ability to defy categorisation - Lee Malcolm is no stranger to breaking the boundaries of genre. With his solo project, Jinjé, he delves into atypical sonic wanderings that navigate between acoustic and electronic, synthetic and organic, employing a learned ear for the fusion of seemingly disparate elements. For this latest release on Mesh, he hones in on these moments of coalescence, fusing various stylistic pieces together with an infectious sense of optimism and an open mind.

Jinjé steers his work across various genres not out of a desire to be referential, but out of a necessity to explore the peculiar spaces that sit between. Implementing this approach with a great understanding of musical production and spatial composition, ‘Escape from Luna’ stands as a crucial documentation of his craft.

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Dominic Dawson

Twilight Feat. Miotina

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Veteran UK DJ/creator Dominic Dawson, who has a cult following among deep house heads, will be releasing his new EP for the first time worldwide on Flower Records! A more danceable cover of the famous Balearic classic "Twilight" by Maze feat. Frankie Beverly. The B-Side features a more organic remix by Coastlines, the unit consists of DJ/producer Masanori Ikeda and cro-magnon keyboardist Takumi Kaneko.

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Gomma Dancefloor Gems Volume 2

2LP | 2024 | Original (Toy Tonics)

LP | 2024 | EU | Original (Egm)

Release: 2024 / Original

Genre: Electronic & Dance

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12 tracks originally released on the indie dance label GOMMA RECORDS between 2001 and 2010. (Gomma was the label Toy Tonics did before starting Toy Tonics.)
Along with DFA and Output records Gomma released a wild mix of electronic dance music, indie rock, undergound disco, post punk and new wave funk that was big in the 2000s. The Y2K sound!

Gomma released music by artists like Peaches, Whomadewho, The Rammellzee, James Murphy, LCD soundsystem and artists like Nick McCarthy of Franz Ferdinand.
Now it’s 2023 and its feels fresh to put a spotlight on some of these tracks again.
And so here comes a 2nd compilation part of Gomma tracks:
Nancy Whang the singer of LCD Soundsystem, WhoMadeWho (the band started their career on Gomma), Italian disco producer Bottin, UK Indie Disco hero The Deadstock 33s aka Justin Robertson, NY Disco hipsters In Flagranti, German producers Munk and many more on this compilation.

Gomma not only was a record label, but was also a home for cutting edge design, wild T-shirt styles, underground exhibitions with new artists from the Berlin scene and crazy poster and fanzine design.
Many graphic design trends of the last years were preceded by what the artists on Gomma were doing. And many record and street wear labels of today look a bit like Gomma was looking before ... copying the images that Gomma preceeded: ironic cartoons, trash aesthetics, greek symbols, ugly design ideas and lot of ironic things.
The Gomma visuals world was exposed in a couple of exhibitions around the world and at a big exhibition at #hausderkunst München before the label was closed in 2015. (when Toy Tonics took off...)

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Kev Koko

House Party

Reverendos Of Soul & Heston

Release: 2024 / EU – Original

Genre: Electronic & Dance

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House Party is the 2023 debut album by German musician Kev Koko. After rising to international fame as part of a techno trio during the 2010s and producing multi platinum hits for German artists during the pandemic, ‘House Party’ marks the return of Kev Koko as an artist. To reflect both the multitude of influences as well as the collaborative spirit that define Kev Koko’s work, every song features another artist from Berlin’s music scene: From techno artists (southstar & Alcatraz) and German rap stars (Pashanim & Yung Hurn), to newcomers like Ceren & Sita Messer. - “I wanted to capture what a house party in Berlin in 2023 sounds like. Journeying from techno to rap, from electronic music to hyper pop. You are all invited.”

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Love Is All Around

12" | 2015 | EU | Original (Cimbarecord)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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2x12" | 2021 | EU | Original (Up The Stuss)

Locklead

Square One

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One of the Netherlands most exciting rising names, Utrecht’s Locklead is emerging into the spotlight in style. Known for serving up heavy-hitting stabs of dancefloor driven material across SlapFunk, Pleasure Zone and Dungeon Meat, he now takes things deeper and brings his surging momentum to countryman Chris Stussy’s Up The Stuss imprint for the label’s first album release.

Stepping out into fresh territories, his eight-track debut LP ‘Square One’ showcases a previously unseen side to the Dutchman, revealing a collection of lush, deep journeys coupled with crisp house and vibrant, spacey cuts along the way.

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East End Dubs Collaborations EP Blue & Orange Vinyl Edition

2x12" | 2021 | EU | Original (Eastenderz)

LP | 2021 | US | Original (L.A. Club Resource)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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East End Dubs unveils his new EA series with a huge collaboration EP as he partners with Fabe, Rossi. Sidney Charles, Rich NxT and Cuartero for the first instalment.

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Delroy Edwards

Change The World

2LP | 2021 | EU | Original (Psionic)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Only 1 per cutomer! Delroy's in love. With House. Absolutely essential again.

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Oshana

Disciples Of Dystopia

LP | 2021 | US | Original (Four Four)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Channeling her innermost depths, Oshana reveals her widest body of work to date, “Disciples of Dystopia;” a multi-faceted expression of the emotions, influences, and sounds that have guided her on her musical journey. The album aptly marks the fourth release on her very own, Psionic label, and is the first double 12” in the catalogue.

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Black Dice

Mod Prog Sic

LP | 2021 | EU | Original (Childhood)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Mod Prog Sic is the new album from Black Dice, their first LP in almost a decade. The album is the band at their peak, combining twisted rhythms and sharp, beamed-in guitar melodies and vocals . The album packs twists and turns all along the way, morphing and changing shape, creating a truly alien form of classic rock and some of the most timeless and unique leftfield electronic music being made today. This is Black Dice's 25th year as a band and they sound as unto themselves as they did in 1997, even while sounding nothing like the screamo punk of their Providence days.

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CYRK

Escaping Earth

2x12" | 2021 | EU | Original (Visionquest)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Mission Escape: signal incoming...Escaping Earth - file loaded...press enter --> program launched! When things become too much, escaping might help. Take a seat and join the ride with CYRK's first full length musical player on Childhood. After having released outstanding records on labels such as Running Back, Rawax, Burial Soil, Vakant, Avoidant, Dred, Science Cult, Lone Romantic and their own Time Zero imprint, the seminal Berlin machine funk duo launched their analog spaceship studio once again to tell their most advanced and versatile intergalactic tale to date. Escaping Earth is a story that comes in 8 episodes and showcases Sam and Pascals mastered skills in detailed sound design and arrangement, while always keeping a focus on powerful dancefloor oriented electro grooves. Ranging from Detroit influenced bassline bouncers to slower acid variations, this album will let you dive deeply into CYRK's beautiful musical language and range: a soulful journey from the light to the darkness and back. Above all, this album is at all times pure analog electronic funk and won't let you go from beginning to end. Sometimes escaping helps. This musical story will make you travel the stars with ease. The album is pressed DJ friendly on 2 x 12" vinyl and includes a download copy. A limited edition of 100 numbered copies comes in double colored (red/green) records and will be exclusively sold via Childhood's bandcamp page as well as the Clone store. Vinyl to be released on September 13th 2021, followed by the digital release on September 24th 2021.

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Shaun Reeves

The Eye That Sees Us All

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Teddy Douglas Presents Monday Night Studio Sessions Live @ Rockwell

2LP | 2021 | EU | Original (Basement Boys)

2LP | 2021 | EU | Original (Sakanat)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Teddy Douglas presents Monday Night Studio Sessions Live @ Rockwell is a unique recording from a legendary event that is all about putting the focus on house music's finest artists. Monday Night Studio Sessions @ Rockwell is the brainchild of the imitable house impresario Teddy Douglas and his partner DJ Tanz. The night started in 2017 and ever since has showcased true artistic talent in a perfect setting with the legendary likes of Byron Stingly, Lalah Hathaway, Jasper St Company and Josh Milan, just a few of the animus who have played in the past. This session was live on the Monday and then recorded in Teddy's studio the night after with Davon McCoy on percussion, Charles Dockins on keyboards and the maestro DJ Tanz and Teddy Douglas conducting the show. Standout tracks on this essential collection include the 'I'm Blessed' Remix by Richard Burton with its driving gospel handclaps and Charles Dockin's magical live piano over the top. 'Spanish Joint' is a chunky dance floor party record that builds and builds with mesmerizing and hypnotic Spanish guitar played by Skip and the Whole Nine Yards. It is the Monday night theme song and gets played twice a night. 'You Can Do It' by Barbara Tucker, Zhana, and Teddy Douglas was the first single from the LP last year and epitomizes the musical house grooves you can expect at one of these sessions. Rochelle Fleming's 'Nobody's Fool' and 'Get Lifted' by Andrea Holdclaw were two strong singles before the pandemic, and 'We Belong Together' from the voice of house, Mr Bryon Stingily, and Teddy Douglas is the 100th release on the label, and it has a catchy hook that adds to the legacy of Byron Stingly classics. 'Rise (instrumental)' from Teddy Douglas is an absolute crowd favourite with powerful grinding organs that wail and moan with intensity throughout the tune. 'Gotta Get Away' is DJ Tanz's first production and an absolute killer with a techy 80's edge design to get the floor pumping. Add in the live and off-the-cuff happenings of Navasha Daya scatting to the crowd over 'Supernova Spinning' and percussionist Davon McCoy and saxophonist Brandon Moultrie having a jam session - you have a magical session captured in all its glory. The sublime collection is a real labour of love that features superbly talented artists at the top of their game.

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Mehdi M

Flash Of The Spirit

Dominion Swing Glow In The Dark White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Mehdi M brings newfound expression to his debut eclectic album, folding richly harmonic elements into his cryptic palette of electronic sounds. The album is at its core a collection of influences through out the years exploring the artists journey after his international departure from Egypt. His work taps into an expressive dimension most importantly focusing on intimacy and uniqueness.

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Interstate

2x12" | 2021 | EU | Original (Shall Not Fade)

Pete Bones And The Stones Of Convention

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hitting us with a double LP of sublime dance music lingering on the border of ambience, Interstate is the alter ego of DJ Swagger. Earlier this year, he graced Shall Not Fade's Time Is Now sub label in collaboration with DJ Aedidias for four feelgood UKG cuts - now returning for the second album in the Seasons Series, expect something a little different. Dominion Swing is his first LP under the Interstate moniker.

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Wild Moose Chase

LP | 2021 | EU | Original (Red Ant)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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I Love It When A Band Comes Together…The one thing that has kept most artists sane during the pandemic is writing and creating. In an attempt to apply this logic Red Ant Records maestro Pete Bones decided to recruit the talents of a bunch of cool cats he had met whilst traveling the globe and put a band together. Having often wondered after 30 odd years as a DJ/Producer how the band would sound had he not been swept up by Acid House in the late 80s, six months later, plenty of file bouncing and numerous edits, and The Stones Of Convention are ready to wreak havoc; with Jeff Ward on electric guitar, Jeff Richey on saxophone, Pierre Davis on drums, Scott Anderson on slide guitar, Duncan Gray on bass and electric guitar, Sean Q6 on acoustic guitar, and featuring the effervescent vocals of Laura Clarke. Hailing from Galway, Orlando, Pittsburg, St Petersburg, Slough, San Francisco and Glastonbury respectively, band practice might be problematic. The album features 7 original tracks, 2 full vocal cuts, and a cover of the Talking Heads classic Pull Up The Roots

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2x12" | 2021 | EU | Original (Chubby)

Various Volume 4

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since launching in 2018, Aaron Andrew and Steve Sullivan's Chubby label has become a trusted - if frustratingly irregular - source of high-quality deep house. Their latest missive, the Aussie imprint's first release since the autumn, is their most expansive yet, with four fresh cuts (each with an accompanying remix) stretched across two slabs of wax. Aleqs Notal goes ultra-deep on immersive and hypnotic opener 'Planetary Insanity', which is subsequently given an equally spacey revision courtesy of Life Recorder. Cheerier and breezier deep house warmth comes courtesy of Jose Rico's 'Agonias' and Leonidas' slightly darker revision, while Nail's squelchy, early morning take on Ewan Jansen's bubbly 'Basillica' is one of the EP's standout moments. Arguably best of all though is John Beltran's gorgeous revision of David Swatten's brilliantly bittersweet 'Wave Energy'.

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2x12" | 2021 | EU | Original (Automatic Writing)

Scenarii Volume 2

2x12" | 2021 | EU | Original (Basic Moves)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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To celebrate our 10th vinyl release and the label's 5 years anniversary, Automatic Writing presents Scenarii Vol.2. This various artists compilation features tracks from all the artists who contributed to write the first chapters of our sonic adventures: Gab Jr., Charonne, Sweely, Guillermo Jamas and Gabriel Belabbas. We are also very happy to welcome new faces in the family, artists whose music and mindset have been great inspirations for us since the inception of the label back in 2016: Shcaa, veteran producers Felipe Valenzuela & Dorian Paic and finally, the mysterious Haunted Thompson.

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Child Of The Waves

Basic Moves 15

Elevate 2021 Repress Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Swiss DJ and producer Walid reaches new heights with his highly anticipated proto-techno project "Child of the Waves", taking his place in the great Swiss electronic tradition - peopled by the likes of Carlos Peron, Boris Blank and Grauzone, to name just a few.

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Webb

12" | 2021 | EU | Original (Mixed Signals)

LP | 2020 | EU | Original (Legwork)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2021 repress! David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Brother Nebula

The Physical World

2LP | 2020 | EU | Original (New State Music)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After a short hiatus, Brother Nebula is back home on Legwork with his debut long player. Less FaceTime, More Spacetime.

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The Beloved

Happiness

2LP | 2020 | EU | Original (Compost)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Happiness LP reissue - Double 180g Heavyweight Vinyl. After this January’s reissue of their 1987 indie – facing compilation of early singles – ‘Where It Is’, The Beloved are back with a 30th Anniversary Reissue of this 1st album proper - Happiness. Available as a 180g heavyweight double vinyl package for the first time, ‘Happiness’ has been remastered from the original analogue studio masters (by John Davis at Metropolis Studios) and has a significantly louder and clearer audio than the original release.

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Fred Und Luna

Im Weltenraum

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Ociya (Patricia & Tin Man)

Powers Of Ten

2LP | 2020 | EU | Original (Avenue 66)

LP | 2020 | EU | Original (Sdban Ultra)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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As Ociya, hardware freaks Tin Man (Johannes Auvinen) and Patricia (Max Ravitz), come together in unholy acid matrimony on a definitive double-album, Powers Of Ten. We know both sides well. Over a prolific run of records for Acid Test and his own Global A, Auvinen has expounded upon the promise of “Nonneo” (recently named one of Resident Advisor’s 2010-19: Tracks Of The Decade), unearthing new, emotional vistas from the Roland TB-303. Ravitz, meanwhile, matches Tin Man in studio ethic, establishing himself as one of North America’s hardware masters on records for Ghostly and Opal Tapes. What we couldn’t have predicted is how well the parts merge. Cuts like “Ghost Moons” channel the hazy IDM legacies of the past, while “Hopeful Galaxy” mixes a plaintive Rhodes motif with a hopeful 303 line for the perfect “tears on the dance floor” cut. The track titles on Power Of Ten— a perfect melodic techno LP generously spread across two records—are celestially minded ("Gravity Knots,” “Star Scraping") and indeed, the cosmic metaphor is apt or the newly-formed duo.

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Glass Museum

Reykjavik

Heading In A Backwards Direction

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP in printed innersleeve. Since 2016, Glass Museum's raw, sunny energy has been uniting the surgical precision of the best contemporary jazz, a la Gogo Penguin and Badbadnotgood, with the electronic influences of Jon Hopkins or Floating Points.'Reykjavik' prevail at the intersection of classical music, electronics and jazz, a chiaroscuro whose highlights are defined by their energy and vibrant colour.

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Roger Gerressen

2LP | 2019 | EU | Original (Yoyaku)

2LP | 2019 | EU | Original (Drumpoet Community)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Yoyaku presents its third release with an album by talented dutch artist Roger Gerressen.

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Quarion

Shades

2LP | 2018 | EU | Original (My Own Jupiter)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Thirteen years after Quarion released the instant classic "Karasu" on Drumpoet, he returns to the label with yet another remarkable debut. His first album "Shades" takes you on an emotional journey to the deeper realms of House Music encompassed by elements of Detroit Techno, Dub and Electronica. All of the nine tracks fully display Quarion's unmistakable musicality and state-of-the-art production skills and are, undoubtedly, the artist's most accomplished work to date.

Ever since starting to produce as Quarion back in 2006, Yanneck Salvo has enjoyed an exciting career with stellar releases on Retreat, Innervisions, Tamed Musiq and certainly Drumpoet. 2016 proved to be a turning point artistically as well as personally, which eventually triggered an outburst of inspiration consolidating in the core of "Shades". After two years spent on refining this music, Yanneck felt that the bond between the tracks was too strong to be split across various EPs and chose instead to elaborate his vision as a full-scale album.

The nine pieces that make up "Shades" are quintessential Quarion, yet their scope is both broader and more precise than on previous releases by the Swiss producer. The beautiful melancholy of "Indigo (Aries)", the rich layers of "Periwinkle" or the panoramic journey of "Cobalt (Plains)" are testimonial to the new depth in the music of the Berlin-based artist.
In addition, the album has highly benefitted from a more experimental writing process, showcased in the bass-heavy ambient piece "Teal" or the sliding pads of "Ultramarine". This passion for unrestrictive creativity is clearly at the heart of "Azure (Ãmotion)", a thrilling collaboration with Ripperton where both artists twist life out of a modular system.
Finally there are tracks as intense as the Acid workout "Sapphire (Tessellate)" and the techno-influenced "Cerulean". Their electric tension easily creates a watershed moment on the dance floor that lingers long after the night is gone.

An imperceptible thread lays within the album's tracks. It molds "Shades" into an outstanding album by an artist on top of his game, highlighting Quarion's ever-growing talent for producing music of the deeper kind.

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Michelle

Zocco

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Perseverance White Vinyl Edition

Uppermost

2LP | 2018 | EU | Original (Kuroneko)

2LP | 2017 | EU | Original (Dekmantel)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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This is Uppermost with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his French signature at the core of the project.

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Juju & Jordash

Sis-Boom-Bah

2LP | 2017 | EU | Original (Live At Robert Johnson)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Gal (Juju) and Jordan (Jordash) return home to the Dekmantel stable for their fourth LP. It’s their most complete record to date. A series of purpose-written compositions, that highlight their maturity as musicians, and adept dexterity in the studio.

Without the pairing of Juju & Jordash, there would be no Dekmantel. The duo are an integral part of the label’s history, dating back to 2009 when they where they were the first act to release on the imprint. The two vagabonds can often be found performing live at various outdoor festivals and renowned clubs around the globe, jamming away behind a tabletop of buttons, knobs, synths, and drum machines - like a retro, control-station from Star Trek - albeit one that hums along with the jazz-centric, discordant house, and techno whirrings played by the musicians.

Nowadays Juju & Jordash have evolved far beyond their ’oddball house’ moniker. Their freestyle approach to performance, and immaculate refined sounds have became somewhat more defined, in a style that’s unique, yet elaborate, with a sense of otherworldliness, not only befit for the dancefloor, but otherwise transcendental moments. Following on from their previous LP, 2014’s Clean-Cut, a record of primal, forward thinking, variations from the studio, Sis-boom-bah is an album steeped in studio traditionalism, with a direction towards composition. “We wanted the focus of this album to be the music and not necessarily the process, so we made sure to perfect the performances before shifting the focus on to the production,” states Jordash about the record. Recorded over the space of a few, intense weeks, and built upon years of improvised live shows in front of thousands of listeners, Sis-boom-bah was written around grooves written by Juju on the guitar, and Jordash on the Rhodes. It was the first album the duo have written using such an approach, and solely produced and mixed by Jordash in Amsterdam over the course of a year, making it their most authentic record to date.

Sis-boom-bah’s diverse, spiritual nature is built around Juju & Jordash's use of polyrhythms. The percussive sequenced grooves, and rhythmic backbone was generated using the Yamaha DX7, along with the Roland TR606 drum machine. This approach to rhythm can be heard from the outset within the very first track ‘Herkie’, an ephemeral, yet tribal approach to minimalist funk. The spirituality flows throughout the record, where it sounds like the duo have brought along the nature with them from the foresty raves. In actually fact, the background noise comes courtesy of “noise generators from two separate synthesizers, each with its own filter slowly opening and closing so it kinda sounds like waves or wind.” There are also nods towards their acid influences, with some surefire slices of house music too. Sis-boom-bah is still very much a Juju & Jordash record, yet it's one with a greater depth, musically and stylistically. As electronic music albums go, you'll be hard pushed to find one more complete. "People should listen to this on a loud and clear sound-system," explains Jordash, "high on life, in their own special safe place."

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Orson Wells

Pneumatics

Love, Care, Kindness & Hope

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Alvin Toffler was overwhelmed. When in the morning of October 4th, 1988–it was his 60th birthday–he was starring with a still somewhat absent look into a bowl of cornflakes, he thought that in the surface structure of the yellowish shimmering milk which was making an emulsion with the maple syrup and slowly but irreversibly corroding the crunchy crystals on the flakes, he could see through a window into a timeless dimension. Toffler, who at that time had reached the peak of his fames as a future scientist, was sustainably disturbed from his peek into this extra temporary peephole. In none of his books–“Future Shock” had just been released with yet another edition featuring a proud printed note on the book cover stating “more than 5 million copies in print”–did he ever mention this occurrence. Even after his death in June 2016, no note on this incident could ever be found in his estate. The “flake dimension” as Toffler called it in notes which were later shredded remains a secret of opaque, hard-to-grasp radiant power.

Maybe it’s too simple to describe “Pneumatics“ as a creation coming from this cornflake world? Without doubt. Are there any more precise terms or instruments to determine the multifacetedness and beyond-timeliness of the “Pneumatics” soundscape? There are still unknown. “Pneumatics” is, after releases at Innervisions, Die Orakel und his own label Sound Mirror, the debut album of Orson Wells (as long as you don’t count in “Jupiter” – Wells’s first LP which was released in 2014 with 48 copies on cassette–have fun digging for rarities and bargains!).
Perhaps Wells, known in Frankfurt under his real name Lennard Poschmann and as an employee at the record store Tactile, is only a messenger. Or a psychic. The sound manifesto that he apparently transmits from Toffler’s secret dimension tells of a city of upside down pyramids (“Tianon”), of passes into the land of the five elements (“Multipass”) and dead straight four-to-the-floor lines which appear bended within the spherical dimension (“”Geodesic”). These beats are right on the heels of the ones of Intersteller Fugitives; the strings sound like that at any moment a vocal sample edited by Moodyman could warp over through the Cornflake wormhole. Pneumatics is the science of all technological applications powered by condensed and often by quite heated air. It is a matter of mechanics, compression, jackhammer, ramblings, high pressure levels, valves for blowing of steam. On “Pneumatics” it’s all about this. And more. Orson Wells’s album gets to the point of the post-retro futuristic state of the dancefloors of the house and techno clubs of this planet. It is like a peek into another dimension, right on the golden cut of spacetime geometry.

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Fred Everything

LP | 2024 | UK | Original (Lazy Days)

12" | 2024 | EU | Original (Spacedust)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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One day early in the global lockdown, Frédéric Blais scribbled four words on a Post-It note and pinned it up in his studio. When he headed to a studio in the mountains north of Montreal to start work on his fifth album as Fred Everything, those words went with him. They would not only provide inspiration during two weeks of isolated music-making, but ultimately provide the subsequent album with its title: Love, Care, Kindness and Hope.

Those sentiments – a positive mantra during a period of personal and collective vulnerability and isolation – resonate throughout the album, a gorgeously warm and beautiful affair that counts as Blais’s most personal, musically expansive, mature and sonically detailed set to date.

While each of the tracks began as a rough sketch laid down during Blais’ retreat, they evolved considerably over the months that followed. Blais reached out to a handful of carefully selected guest vocalists and collaborators, including Stereo MC’s, Robert Owens, Sapele, James Alexander Bright, Wayne Tennant, string arranger Pete Whitfield and multi-instrumentalist Finn Peters. He also lent his voice to several tracks, a first in a career that stretches back to the 1990s.

The results are magical, with Blais not only offering subtle variations on his own trademark deep house sound, but also nods to complimentary music styles and classic electronic albums from the late ‘90s and early 2000s.

Naturally, much focus will fall on the album’s high-profile guests, whose contributions work perfectly with Blais’ cultured dancefloor electronica and soul-soaked broken house grooves. Robert Owens – “the voice of house” himself – expertly delivers lyrics full of compassion and reassurance on recent single ‘Never’, Sapele infuses ‘A Long Time Coming’ with lashings of soulful spirituality, and UK hip-hop/soul legends Stereo MC’s make their presence felt on the subtly Latin-infused dub house excellence of ‘Soul Love’.

Then there’s ‘Breathe’, where UK singer-songwriter James Alexander Bright and backing vocalist Wayne Tennant rise above punchy broken house beats, Blais’ trademark square-wave bass and Pete Whitfield’s swelling strings on ‘Breathe’. By the time kaleidoscopic, sun-down breakbeat brilliance of ‘A Good Day’ arrives to draw proceedings to a close, you’ll be overflowing with Blais’ “love, care, kindness and hope” – just as he intended.

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Cal C

2 The Organisms

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-08-23

After an interstellar odyssey of anticipation, CAL C (Callum Cockburn) bestows upon us his inaugural Spacedust EP, a pulsating gift to the dance cosmos. Crafted and pressed with care at the mystical enclave of Mother Tongue in Verona, this sonic voyage is a testament to Toronto's rhythm reveller. CAL C expertly blends the primal with the visionary, injecting a futuristic groove into the vibrant mosaic of contemporary music realms.

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The Very Polish Cut Outs Sampler Volume 10

12" | 2024 | EU | Original (The Very Polish Cut Outs)

LP | 2024 | UK | Original (Rene Koala)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After 14 years Zambon is closing down the beloved Sampler Series with Vol.10.
7 tracks. 7 new producers. All killers no fillers.

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Jnn Aprl

Gift N Curse Principle

2x12" | 2024 | EU | Original (Compost)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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On Gift n Curse Principle, Jnn Aprl puts forth her own signature interpretation of “techno”, relying on her art school drop out sensibilities and analog ear. After spending the better portion of the last decade immersing herself in the heartland of electronic music, The Seoul by way of Chicago by way of Detroit by way of Seoul again producer and DJ is proud to present the debut of her new EP as well as her new label, Rene Koala. Find on the record a set of tracks spanning the gamut, made with the assistance of a MPC 1000, a Prophet Synth, vocal effect and some grit. For the dancers and for the artist alike, each song represents a journey. 'Gift n Curse Principle' employs a minimal beat with raw intention. ‘Freedom Bondage’ taps into a low frequency and steady modulation, emulating a heartbeat. All tracks ask to be heard in their entirety. This EP was made with support from Piranhahead of Rustbelt Studios and Bill Skibbe of Third Man Records.

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Arno E. Mathieu

Contemplation Remixes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2x12" | 2021 | EU | Original (Cosmo)

Traumer

3 Years Ago 2023 Repress

LP | 2018 | US | Original (L.I.E.S.)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Traumer's '3 Years Ago' on Cosmo Records blends Moroccan influences and electronic beats from Casablanca collaborations, merging club music with deep musical traditions.

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Krikor

Saudi

22,79 €* 23,99 € -5%

Hard Feelings Black Vinyl Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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Originally released as a limited run cassette on Low Jack's Editons Gravats label in 2017, we now get an official vinyl pressing via L.I.E.S.
Krikor Kouchian serves this killer soundtrack to the documentary 'Arabie Saoudite: Les Liaisons Dangerousness' Where the French TV program focuses on the Saudi royal family’s support of Wahhabism and the West’s appeasement of Saudi foreign policy, Kouchian underlines and accentuates the content with a brooding blend of mirage-like electronics and minimalist drum machine geometries. A deviation from his previous works and he moves into appropriately darker synth territory with this one.

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Hard Feelings

2LP | 2021 | UK | Original (Domino)

22,49 €* 24,99 € -10%

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Renaissance Transmission 1

Wandalhouz

12" | 2021 | EU | Original (Surface)

A Million Pieces Of You EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Surface Label based in the south of France offers you a catalog of new references limited to a few copies. A kind of rebirth is being launched this year.

The versions are specially long and adapted to enthusiasts but also to collectors. We hope that our selection gives you an emotion such as we have tried to convey to you since the beginning, more than 25 years ago.

The vinyl will be transmitted to the future generation who will be able to attest that the human being was still in the creativity despite the technology.

We want to be human markers unlike machine man. Don’t listen to the machine. Listen to the human emotions. A new page opens ….. the story continues …

WandalHouz

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Lee Gamble

12" | 2021 | EU | Original (Hyperdub)

12" | 2021 | EU | Original (Middle Name)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lee Gamble Completes His `Flush Real Pharynx 2019-2021' Album Cycle With `A Million Pieces Of You', The Third Ep Of A Triptych Written In A Time When The Subjective Experience Of Overload Came To A Halt, Giving Way To An Overbearing Sense Of Loss, Burnout And A Desperate Need For Hope. These Seven Tracks Feel More Reflective, More Human Than The Two Preceeding Eps; The Serpentine Dopplers And Seductive Supercar Engines Of `In A Paraventral Scale', And Imploding Motion Sculptures Of `Exhaust'. A Deepfake Of Lee's Voice Appears From The Chaotic Slow-Mo Crash Of `Balloon Lossy', Timidly Telling Of "[Garbled]_ Good News". The Uncanny Spectre Of Deep Fakes, Ai And Deep Learning Models Give Way To The Melancholic Loneliness Of The Solo Piano In `Empty Middle Seat'. Then Glimmering, Golden Pads On `Hyperpassive' Slowly Crawl Into The Hopeful, Bright Arpeggiations Of `Balloon Copy'. `A Million Pieces Of You' Is A Ride Through A Part-Synthetic, Part-Modelled, Part-Imitation, Part-Taught, Part-Human, Part-Hopeful, Part-Reflective And Paradoxically Affirmative Space - An Involuntarily Fitting Finale To An Album Originally Conceived In A World Different To The One We Now Inhabit.

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Sampology

Regrowth

LP | 2021 | EU | Original (SUED)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Regrowth' by Sampology is an album that his last two EPs 'Natural Selections' & 'Mt Glorious' have built towards. Despite his love for sampling - with the exception of the Mariana Ingold sample on the opening song on 'Regrowth (Peace Lily)' - all of the samples you hear on the album are recorded from scratch either in his home studio or on his travels over the past four years. Regrowth has string quartets, woodwind, full 20-piece choirs, vibraphones, double bass, various pianos and synths. Vinyl package includes a die cut 3mm spine outer sleeve revealing a beautiful foliage wrapped inner sleeve which includes full liner notes For every 500 copies of vinyl pressed, Middle Name Records will commit to planting 100 trees through the fantastic work from ReForest Now. www.reforestnow.org.au

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SVN

Release: 2021 / EU – Original

Genre: Electronic & Dance

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SVN is back with his second solo album, this time on his own imprint Sued. Coming strong with a new approach. As he states himself: “A change of equipment and the loss of my old tape machine marks a new era in my sound and production.

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Dynam'hit Europop Version Française 1990-1995

LP | 2021 | EU | Original (Born Bad)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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France, 1990. Fun Radio, NRJ, Skyrock set a new pace, and their crushing hegemony irrevocably marks the end of the free radio utopia. The giants become vital in the hit industry and carry on fuelling France’s greatest invention: la variété. A quintessentially French version of British dance pop with a very specific tang to it, too coy to emulate trendy clubs’ and rave parties’ music, europop cautiously tests the waters of what will soon turn into a tsunami : house music. Is house the soundtrack of the 90s? In Europe, it gave steam to comeback bands just as much as to the most memorable formations of the decade, while in France it paved the way for the global success of French Touch. “Real” house music emerges in early 80’s Chicago (where the Warehouse club, which allegedly gave its name to the genre, closes down in 1983). England’s acid house and Belgium’s new beat, its European offshoots, fed the cravings of tabloids in 1988 and 1989. The house music we’re interested in though, the type bound to soon overwhelm European charts, is already pretty far away from the afro-american music born in Chicago. So far away it inherited a new name: dance music. Just like it had been the case with disco a few years back, house and techno aren’t exactly in the good books – acid house and new beat even less so. And it’s precisely the genre’s mainstream iteration this compilation focuses on; the house en français, which strives to get on board the running train in 1990. The house which sports the all-over jean look, bandana, cap, chewing gum, peugeot 205 complete with snazzy beats on the radio. The big deal big fuss type, miles away from the original, underground house. It might not have been born in the nineties, but that’s clearly when house music became mainstream. What underpins house music might even be what is to define the decade to come: jingles and pin’s, megaclubs and clips. That and the hits. Very soon house is everywhere: on the air of the big radio stations and on TV, creeping in as far as kids’ programs. The French may not even notice, but they’re all listening to it. Meanwhile, music producers smell the gravy and, willy-nilly with the earnest, enlightened amateurs, propose their very own club versions, cross breeding French variété and house. The result: a chart and club ready ersatz that is to quickly seduce young audiences. Hits, that’s what we want – or tubes for the French, like in House Tube, one of the landmarks of this compilation. The tracklist, like the soundtrack to a club night that never happened, fictitiously reconstructs the fleeting moment when house made its arrival in France, bridging the gap between variété and eurodance. House quiproquo House music barges in like a UFO on European land. With the arrival of this repetitive, yet transgressive music, tabloids freak out, while widespread incomprehension over the genre inspires dubious misconceptions. The media are happy to suckle on the music’s popularity, though well hidden behind the veil of decorum: NRJ airs a remake of a famous new beat track, Rock To The Beat, in which, however, “ecstasy” is swapped for “fantasy”. Dechavanne, thoughtful as usual, calls fans junkies and nazis on his tv show, Ciel Mon Mardi – though the show’s theme song is nothing else than a house track. The footage became a classic, and the comments, sampled by producers, provided the vocals for a flagship new beat track (Dr. Smiley – L’Echo Dechavanne). The Dechavanne episode is representative of the general confusion surrounding this barbarian music; skepticism remained high, even (if not more so?) in the musical world. In fact, it’s the subject of the unequivocal House Tube: “House tube, bouse tube ; on n’aime pas vraiment le house tube House soupe, bouse soupe ; on n’aime pas vraiment le house soupe” That is: “House hits, house shit; we don’t really dig house hits House soup, shit soup; we don’t really dig house soup” The success of house music inspired many exasperated reactions, just like House Tube (the B-side of a deodorant ad’s theme). Laurent Castellvi, surprised that the joke-track he composed at the time still sparked interest, told us: “At the beginning of the nineties, house was all over the radio. It annoyed me a little that most tracks were based on the same two chords. House Tube is a joke, it’s me sitting at the piano playing two chords. And that’s what the lyrics say.” On the other hand and following up with the next track, Fred de Fred was clearly in the know. The Frenchman had moved to the epicentre of the English commotion, Sheffield, a few years prior to the arrival of house. That’s where Warp (Autechre, Aphex Twin) originated – and at the time Warp still went by the name FON, Fred already hung around in their studios. Robert Gordon, Fred’s pal and co-founder of the label, signs the remix of one of his 1989 tracks, Sous Sous. In 1991, he composes a record of songs, and when it comes to pairing a suitable club remix single, Fred knows what’s up. Je T’Aime En Amour, sleek rock, mutates into a syncretism of french chanson and nearly rave breakbeat (here provided in its “2020” version). Fred de Fred is exemplary of the variété-club crossover driving this record; his career started within the collective ZNR, he crossed paths with the likes of Alain Bashung and then the Stone Roses, was close to Warp, and ended up signing a record on Barclay. Studio sharks Electronic musicians are often referred to as “producers”. This emanates from the delimitation of roles in the making of recorded music, traditionally assigned as singer, songwriter and producer. The latter takes care of the recording per se; that is, he manages the project, rents the studio, hires the musicians (known as requins de studio – studio sharks – for accumulating studio sessions) and cashes in at the end. The artist in electronic music is the producer alone, who essentially combines all roles at once: totally autonomous in his home studio, he can do without musicians or singers. The moment we’re interested in is this transitory period in which the two types of producers coexist. On the one hand, the new producers, like Fred Rister with Everybody Dancing, who recorded in a shack on a 4-track recorder, according to the sound engineer. On the other, the revival of old brigade producers, always on the lookout for a hot deal. The producer behind Près De Toi is of the latter type – pursuing a long musical career though quick to forget Claire-An (and so did posterity). New beat’s heritage isn’t negligible : its pioneers fashioned the “new generation” producer formula, a one-man-band in his machine-filled home studio. They’re also the first to churn out major hits, hitting the floor of a few Belgian clubs and eventually making it to the European top 50. What seems like mad creative abundance (hundreds of tracks between 1987 and 1989) is in fact the work of a handful of Belgian producers, barely ten, hidden behind multiple aliases. Among them, Marc Neuttiens, Jack Mauer and Fabian Van Messen, who often work as a trio and produce some of the genre’s most iconic tracks. In the midst of which On Se Calme, produced under the name Bassline Boys, sampling none other than Christophe Dechavanne. It’s no coincidence then that Anne Zamberlan should knock on their door with in mind the idea of an antidrug track. She wants to make noise, they know how to make a hit. And the track has it all: proto-acid gimmicks, big beat, house piano, verses rapped with a hiphouse flow… It might have been great, but even a Virgin Megastore ad she appeared in two years later got her more success. À la folie, je danse This tale is also the one of the pioneers who brought house music to France, first on the radio, well before rave parties or Laurent Garnier’s nights in Paris. As soon as the early eighties, Robert Levy Provençal plays the edits of the young Dimitri from Paris on the airwaves of Radio 7. At the time they’re unusual: like one would use samples in hip hop, Dimitri loops soul, funk and disco tracks, creating extended mixes. He breaks down tracks, reducing them to a gimmick or a bass line, thus creating easy-to-mix tools for DJs and bringing them closer to the sounds of house and techno music. He soon becomes resident DJ on NRJ and hosts the popular show Hot Mix. Like his colleague RLP, Dimitri proposes a trailblazing selection, blending together French news and the odd new sound from the States. At the turn of the nineties, when europop wants in at the club, only these influencers master the dance side of things. There’s RLP, Bibi Fricotin, Dom T… And Dimitri, who becomes the assigned variété remixer, adapting dozens of songs that were never meant to make it into a club. The general tendency however is less to official remixes than to bootlegs: a “pirate”, unauthorised and often private remix – just like Jacques Dutronc’s Opium, stretched out into a nearly 7-minute-long mix. The nineties also set the stage for the first TV stars, the ones who become famous without anyone really knowing why. Take, say, Jordy, four years old. The kid, in his diapers, sings along a New York style, house piano production and somehow makes it to the top 50’s number 1. For years, Jordy plays out the role of the child star and demonstrates that dance music is a perfectly profitable affair: it fuels the radios turned juggernauts, and lands on TV, seeping through music programs… In 1989, Vincent Lagaf (a famous french TV host) dives in with Bo Le Lavabo. The pitch is simple: the TV host adapts a track well known overseas, Lil Louis’ French Kiss (without any direct reference), simply adding lyrics taken from a sketch. He’s rather clear on his intentions (“Well, that’s just how you make it to the top 50”) and has no mercy for a musical genre he clearly understands nothing about (“See? Easy.”). Single night stars The club is a democratic place where anyone can be a star for a night (a nineties remix of Andy Warhol’s famous saying, meaning to imply: never has fame been so near, yet so far). The ghost of stardom haunts all of these forgotten tracks… This is particularly true in the case of Techno 90, Fred Rister’s first band. The DJ hailing from Northern France takes part in the short-lived though seminal Maxximum radio and mixes everywhere on both sides of the Belgian border, quickly becoming a local celebrity. At the turn of the century, he starts collaborating with David Guetta – another DJ, slightly better known than Rister and a rising star of the Parisian club scene. Together they eventually co-sign a few global hits: Love Is Gone, When Love Takes Over, I Gotta Feeling. This tale is the story of French variété’s unforeseen encounter with the avant-garde, of DJs who rose to the status of pop stars and others who descended deep into the rave party scene. It’s all of these oddities our compilation seeks to recount, like a wacky TV show featuring anonymous stars, forgotten ghosts of a decade bygone (Jacques Dutronc, Jean-Francois Maurice) or yet to come (David Guetta), inspired though unlucky blokes plus a girl band. And somewhere in the shambles, the tracklist of our compilation, the B-side of dance music’s official story – what could have been France’s alternative hit machine.

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Oz Echoes: DIY Cassettes And Archives 198

LP | 2021 | EU | Original (Efficient Space)

LP | 2020 | EU | Original (Lumiere Noire)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Oz Echoes peels away another layer of Australia’s ’80s DIY hive mind. The Oz Waves successor exposes a deeper circuit of micro-run cassettes, community radio archives and irrationally abandoned studio sessions, as Steele Bonus sequences a 10-track compendium of drone pop, psyche-electronics and agitated tape cut-ups. From the Sydney cassette network, The Horse He’s Sick returns with an industrial car crash, alongside Wrong Kind of Stone Age’s pagan cacophony and primal riddims. M Squared dynamo Patrick Gibson appears in both Height/Dismay and Mr Knott, his respective studio-as-an-instrument collaborations with Dru Jones (Scattered Order) and ex-Slugfucker Gordon Renouf - the former’s worn out apparition hails from an instantly deleted 1981 7″, while Mr Knott entrust one of the compilation’s five previously unreleased tracks.

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Sutja Gutierrez

Phylax Society

2LP | 2020 | EU | Original (Welcome To Unreality)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Sutja Gutierrez is back on Lumière Noire. The finesse of his productions and his implacable stage performances have given him a special place within the Parisian label. In 2017, he released the EP “The Legend of Time” and one year later, he appeared on the compilation From Above with his track “Allodoxaphobia". He comes back here with an LP entitled Phylax Society, which confirms that Sutja Gutierrez is indeed an artist in his own right. Phylax means guardian in Latin, and the album’s title is directly inspired by the “Phylax Society”, a group of people who, in the late 19th century, wanted to create the ultimate canine breed, but who due their lack of consensus failed and dissolved.

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Simon Lovejoy

The Rave Age

LP | 2020 | EU | Original (Atomnation)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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It’s time to rave again! Welcome to Simon Lovejoy in the unreality world. Simon began professionally playing ‘rave’ and club venues and releasing records from 1989. 'The Rave Age 'album is a supreme mix of techno, house and downtempo, includes unreleased tracks from his rave age..

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Applescal

Diamond Skies

Koichi Sakai & Afla Sackey

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Pascal Terstappen a.k.a. Applescal has released his new artist album, ‘Diamond Skies’ on Atomnation. The nine-tracker is a collection of expertly-produced, instrumental melodic house with lush, ambient soundscapes and a nod to the analog sounds of the 90’s. The album has received heavy support from key names in underground electronic music community and is Applescal’s sixth studio album to date. Terstappen has been running Atomnation full-time since his early twenties and has shaped it into one of The Netherlands’ leading independent labels and a home for an eclectic mix of electronic music including signed artists such as Gidge, Polynation, Tunnelvisions and Sam Goku. ‘Diamond Skies’ exemplifies the vibrant sound of Atomnation, a lush, colourful album which journeys through melody, ambience and emotion while offering an occasional surprise to the senses. The album was written and produced through 2019 and completed in the early days of March 2020 when dark skies were looming. ‘Diamond Skies’ represents a creative optimism and brings a sense of something to look forward to. Applescal has created a musical dreamworld for a listener to step into as an antidote to troubled times. ‘Diamond Skies’ is an album which feels uplifting and effortless, a confluence of melodic house, occasional breakbeat and ambient energy; the sound of a producer at the height of his powers.

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Wono Lp

LP | 2020 | EU | Original (Olindo)

Country Girl Uncut Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Following a successful EP in 2019, featuring remixes from Osunlade & Pocz, Olindo Records are proud to present “Wono”, the debut collaborative album from Koichi Sak& Afla Sackey.
The album is a deep exploration of Koichi's love of both electronic and West African music, in close collaboration with Ghana-born master percussionist, singer, band leader, teacher and songwriter, Afla Sackey.
Featuring 7 tracks ranging from the meditative “Yamb”, which features master kora player Kadialy Kouyate, to the acid infused, slow house workout of “Niege”. Passing through a contemporary highlife take on advance single “Suolo” and an album version of the previously released “Jingo”.
Koichi Sakai is a London-based producer and DJ, a well-known head in London music circles thanks to his role in co-founding the legendary Afrobeat Vibration nights alongside Dele Sosimi. He has previously recorded and released music with Kay Suzuki as Afrobuddha, and they recorded a set together for Boiler Room.
Afla Sackey is leader of 10-piece afro funk and highlife orchestra, Afrik Bawantu, and the man who the likes of Kokoroko call when they need some extra power on the percussion or a singer to lead their Church of Sound tribute to Ebo Taylor.
Koichi Sakai & Afla Sackey’s first collaborative project on Olindo Records, the “Wono” EP released late last year, received widespread support, particular from Gilles Peterson on BBC Radio 6 Music, Defected Radio, Mafalda, Hector Plimmer & Zakia (NTS), Tony Minvielle (Jazz FM), Tim Garcia (Música Macondo / Jazz FM), Music is my Sanctuary, TwistedSoul, Mari* & Papaoul (Worldwide FM), Alan McKinnon and DJ Harv.

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Boy Harsher

LP | 2019 | EU | Original (Nude Club)

2LP | 2019 | EU | Original (Fuse)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In October of 2017 Boy Harsher released the four-track EP, Country Girl. The EP
was released by Ascetic House as a one time vinyl pressing of 600 copies, which
sold out in a month. This new deluxe reissue titled Country Girl Uncut, includes four
previously unreleased tracks, for a total of eight songs. Country Girl marked a distinct
sonic shift with the band, as the EP was the first group of songs written in their new
home in rural Massachusetts. The novel isolation of the Northeast gave Jae and
Augustus plenty of time to write and explore new sounds, while reminiscing about
their time in the south. The move also put the band within driving distance of New
York City which was another important factor in their progression. The band
attributes partial influence on Country Girl EP to their frequent shows in Manhattan
and Brooklyn. Playing parties like Nothing Changes and Lost Enterprises gave them
access to a vibrant new music community. From industrial to noise table techno, the
band was enamored by the raw sound and fearless attitude of the artists and
crowds alike. The sound of Country Girl is defined by these two worlds that the band
existed within - their quiet, modest life in small town Massachusetts and their speedfueled
weekends in New York. Country Girl Uncut includes the complete track list of
songs from this time period

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Enzo Siragusa presents

A Decade Of Rave

2LP | 2018 | EU | Original (Emotional Response)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. Enzo Siragusa adds fuel to FUSE’s milestone 10-year anniversary with the release of a metamorphic album that draws influence from the London institution’s cultivated sound, as well as the capitals ‘90s rave heritage that so heavily influenced their decade-long dominance.

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Roy Of The Ravers

White Line Sunrise II

12" | 2018 | US | Original (100% Silk)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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After the success of the 2 Late 4 Love EP, Roy Of The Ravers returns to Emotional Response with a double LP with a deeper perspective, experimenting in ambient and drone textures, lucid techno travails and acid interludes. Recorded between 1997 and 2017, the album was pieced together over the last six months after Roy's archives were first feared lost and then found. Approached by the label to release a follow up with something more introspective and personal, it was discovered that a recent move to a new studio had led to over 20 years of music being misplaced after it was believed they were mistakenly dropped at a local charity store. However, deep in a box of what were thought to be patch cables were in fact the decades worth of hard drives and here presented, is a sample of those lost recordings. The nature of the music is introspection, eschewing the acid beats and white noise for a personal encounter between man and machine. The orchestral opening of the title track gives way to the submarine beats, pulsing TB303 and gliding hats of Robinson College 10 to set the outlook to come. Even with the scattering A Dim And Distant Past waking lulled senses, the melodies and feel all lead to a pause and reflect rather than jump and shout. This is continued with the haunting drives of Bounce Erec and Oriental X0X-Press; the twisted, warped jams of The Weber Traum Boat Pt.3, Ichi and Roland Corp Labs 05; and the beautiful, heartfelt odes in Sade Lost Theme, The Clock House Pt.2 and closer, Nemesis '01. The album's melodic nature hums and shines as CS (6x8) appears as much a centre piece as a alternative consideration to the acid tinged, club bangs of Roy's releases to date. A surprise package maybe, but in the rolling, word of mouth phenomena that was Emotinium II, all this and more was sensed and so White Sunrise Music II, spreading across 12 songs of contrasting moods, is a further affirmation that there is something good and worthy of exploration.

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The Cyclist

Alabaster Thrones

Release: 2018 / US – Original

Genre: Electronic & Dance

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2LP | 2018 | EU | Original (Housewax)

Orlando Voorn

Collabs 001

2LP | 2017 | US | Original (Inner Muse)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Housewax presents Orlando Voorn - Collabs 001 Mr. Voorn teamed up with great artists like Santonio Echols, Ittal Barkai, Denizio, Mike Anderson, Joel Kehren Souldoobie & Clang83. The result is a very soulful album you might would not expect. Worth to check!

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Alton Miller

Lightyears Away

Release: 2017 / US – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (Money $ex)

IMYRMiND

Uniwersum Luxus

Thank You For Letting Me Be Myself (Vinyl EFGH)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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IMYRMIND's debut album UNIWERSUM LUXUS surfaces at record stores worldwide on February 27th, 2017 courtesy of Berlin-based Money $ex Records. Idiosyncrasies of both IMYRMIND himself, and indeed the label as a whole, seep through the fabric of the album; a patchwork of tasteful re-appropriation and sophisticated originality.Covering a broad landscape of raw, gutsy minimalism, mesmeric synthwork and trademark ultra-loose beat-making, IMYRMIND has crafted a record that embodies his rapacious ear and well-groomed production style. In a maturation of techniques explored across earlier releases, borrowed organic textures meet frazzled analogue electronics and clunky, lagging beat iterations in a collection of tracks ranging from the quivering to the aggressive. UNIWERSUM LUXUS is a bright convergence of influence and innovation, all reverberating within the echo chamber of the Money $ex world; self-aware, playful, and at times even ironic.

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Omar S

2LP | 2013 | US | Original (FXHE)

Thank You For Letting Me Be Myself (Vinyl ABCD)

Release: 2013 / US – Original

Genre: Electronic & Dance

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VINYL EDITION - DOUBLE PACK #2: Omar-S' new album "Thank You For Letting Me Be Myself," is Alex Smith's best album to date. The fourteen tracks on this disc demonstrate Smith's studio prowess and his dynamic range as a producer - from uplifting house to raw techno beats and acid! Albums don't come much better than this one...listen for yourself!

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Omar S

2LP | 2013 | US | Original (FXHE)

2LP | 2012 | EU | Original (Smalltown Supersound)

Release: 2013 / US – Original

Genre: Electronic & Dance

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VINYL EDITION - DOUBLE PACK #1: Omar-S' new album "Thank You For Letting Me Be Myself," is Alex Smith's best album to date. The fourteen tracks on this disc demonstrate Smith's studio prowess and his dynamic range as a producer - from uplifting house to raw techno beats and acid! Albums don't come much better than this one...listen for yourself!

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Mungolian Jetset

Mungodelics

Release: 2012 / EU – Original

Genre: Electronic & Dance

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2LP | 2012 | EU | Original (Electric Blue)

Ron Trent

Raw Footage Part 2

It Can Be Done But Only I Can Do it

Release: 2012 / EU – Original

Genre: Electronic & Dance

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The second part Of Ron Trent's new album! Essential for every House fan!

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Omar S

2LP | 2011 | US | Original (FXHE)

Release: 2011 / US – Original

Genre: Electronic & Dance

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Nothing Makes Me Feel Better / Keep Me In The Dark

Picture
Coming Soon

Incognito

12" | 2024 | Original (Splash Music)

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2012 | Reissue (Permanent Vacation)

John Talabot

Fin

Mark Knight / Green Velvet / James Hurr

Release: 2012 / Reissue

Genre: Electronic & Dance

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If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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The Greatest Thing Alive Lady Hear Me Tonight

12" | 2024 | Original (Toolroom)

LP | 2024 | EU | Original (Moonwalk X)

Release: 2024 / Original

Genre: Electronic & Dance

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DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

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ZK Bucket

Techstar Liner

Night Of Cheetah 2024 Repress

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Moonwalk X continues with ZK Bucket’s debut album. Mirroring his wide musical influences and production techniques from early detroit to UK wave and dub music, Techstar Liner is powered by a drumbrain and flying on ringing spring-reverbs. Stripped down rhythms, sequenced synthesizers and wide atmospheric pads with a spooky touch. Zoned-out machine music from the gritty side of town. Make sure to check the wavey vocal track “Natural Peeling”. 200 copies only.

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Mystic Jungle

LP | 2018 | EU | Reissue (Periodica)

Che E' Stato? Black Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Long awaited reissue of the the first LP by Mystic Jungle. Originally published in 2018, minimalistic funk and experimental boogie jams with a massive use of FM synthesis made by Periodica Records foreman.

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Modula Feat. Gino Saccio

7" | 2024 | EU | Original (Archeo)

LP | 2024 | UK | Original (Pal Joey Music)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Archeo Recordings is a record label.Old, lost, obscure and forgotten gems and a boundless focus on the new balearic scene for a wider audience of collectors, djs and music lovers. all releases are limited edition. This release is 500 copies limited edition (ar026). 7” with the original song + a special rework by Pellegrino: neapolitan sound at its best!

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Pal Joey

Hear

LP | 2024 | EU | Original (Cracki)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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NYC dance music legend Joey Longo has been a part of the dance music soundscape for those in the know from way back when, his first records surfacing in 1989 under a variety of monikers and on a slew of labels out of NYC. Some (Cabaret, Loop d'Loop, Foot Stompin') were his own, others (Underworld, Maxi, Minimal) not, but the they always came bearing the credit 'produced by Pal Joey'. Joey hit the heights early on, as one of his earliest records, Dance (as Earth People), went big in dance music terms. If you were raving in the early '90s chances are you will be getting flashbacks from 'Dance', as it was played across a number of scenes. A deeper 'beats' mix features on this gem of an album, his first in over 10 years, along with a perfectly selected blend of classic cuts, new versions and remixes and unreleased wonders. Mastered to perfection, but keeping his raw New York style.

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Pedro Bertho

Mêlé

Jt Donaldson & Penelope Antena

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Brazilian producer and DJ Pedro Bertho, now based in France and an active member of Lyon's electronic music scene, releases his first EP on Cracki Records. With "Mêlé", he attempts to translate what it feels like to be a black, Brazilian man living in France in the 21st century. A complex patchwork of experiences, accents and heritages that he translates on this powerful record, mixing baile funk, house, electro or acid house, sprinkled with Tr-808 and iPhone recordings. The mix extends to the remixes, with Brazilian underground queen Badsista signing a hard-hitting version of "Jour 4", while Chilean Alejandro Paz tackles the bouncy "3333".

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Dis Oui

7" | 2024 | US | Original (Dolfin)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Kween In My Eyes / Domelo Ance

Felix

7" | 2024 | US | Original (Dolfin)

Release: 2024 / US – Original

Genre: Electronic & Dance

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7" | 2024 | US | Original (Dolfin)

Rami & Ben Hixon

Work / Movedat

Release: 2024 / US – Original

Genre: Electronic & Dance

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12" | 2024 | US | Original (Dolfin)

Ben Hixon

Fresh!!! EP

Release: 2024 / US – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Magnetron Music)

Comtron

The Roaring Twenties

21,84 €* 22,99 € -5%

2LP | 2020 | EU | Original (Balance Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After a long hiatus in Comtron releases they are back. Stronger than ever. Comtron (Fatima Yamaha and Rimer London) are known for they're critical view on society, the financial and political world. From dark and twisted electro tracks to pumpin' big room, gimmicky techno, deep swirling ambient and slow house beats, this double 12" has no flaws.

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Jeremy Olander

Balance Presents Vivrant

21,84 €* 22,99 € -5%

Release: 2020 / EU – Original

Genre: Electronic & Dance

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This a limited 2LP vinyl sampler and download code is included with two full length mixes.The Swedish Vivrant label founder, DJ, and producer joins Kolsch, Hernan Cattaneo, Patrice Baumel, Joris Voorn, and more, as a contributor to the revered series.

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Noho Ep: Turning The Crank

12" | 2024 | EU | Original (Holuzam)

21,84 €* 22,99 € -5%

12" | 2015 | US | Reissue (Black Tekno)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Very dope.

With this EP an attempt is made at documenting the vibrant action happening during the late 1970s and early 1980s in the Pioneer Valley area of Western Massachusetts, US. The story is richer than the snapshot we present here, and a more detailed account is to be found in the accompanying book that can be purchased separately.

The Five Colleges in Hampshire County congregated a vast student population that inevitably interacted with the towns in the area. Bars, music and record stores, live music and a lot of experimentation and free thinking. Hampshire College, especially, promoted new approaches to teaching, subjects that might be considered radical by some even today, although a more favourable context would now surely exist for openly debating such topics as American Indians, Kayak Design, Black Oral Tradition, Food Management, etc. And the music? The immediate "punk effect" motivated the creation of numerous bands, many short lived, others evolving into New Wave / Power Pop territory, eventually crossing into Post-Punk experimentation. What is captured in "Noho EP" is a more electronic disposition, favoured by the existence of EMS gear and other equipment at Hampshire College and University of Massachusetts. We chose to focus on a group of musicians who, for a time, played together in different combinations under the loose umbrella of the Tekno Tunes label and the structure around it.

These musicians come from very different backgrounds and the nucleus portrayed here consisted of Christopher Vine, Elliott Sharp, James Whittemore and Nicholas Brown.

Of the several line-up changes The Scientific Americans went through, it was actually only the duo of Chris Vine and Jim Whittemore who recorded "Among Bodge Watt". Never before released, it is a companion piece to their track "El Salvador" available on the 1981 Roir tape-album "Load & Go!". The Sci Ams were founders of the Tekno Tunes label and also created the Tekno Tours "concert promotion agency", under which name they exposed local audiences to bands such as The Stranglers, The Slits, Pylon, Pere Ubu, The Psychedelic Furs, The Bush Tetras, Steel Pulse, etc. Their own sound kept progressing but at its best there's a solid dub undercurrent, pretty obvious in "Among Bodge Watt".

Human Error was born out of a collective jam by Chris Vine, Elliott Sharp, Jim Whittemore and Nick Brown. Elliott Sharp had moved to Northampton in August of 1978 and naturally became involved in the local music scene, hooking up first with Whittemore at a hi-fi audio store where he worked at the time. Basement jams followed stimulating conversations, and other musicians joined the sessions. "Clandestinator" sounds gorgeously loose, an effortless groove coming from a quasi-dub set-up. Nothing here seems calculated, the music just flows, contagious and irregular as the handclaps in the mix.

The Higher Primates later evolved into a "proper" band but started as Nick Brown's solo project. The Primates only ever released a (now sought-after) 7" single in 1980 (on the Tekno Tunes label, precisely). Both tracks on "Noho EP" were recorded the following year and never released until now. "Auto Music in the Disco Dub Style" is self-explanatory, with a steady, mid-tempo Tr808 beat running through, supporting synth squelches, echoes and reverbs, a fat bassline, dissonant melodic lines and odd vocal snippets. Kind of a DJ tool when the concept was barely in place. The more uptempo "Teresa Variations" adds a Fender Jazz bass and Selmer sax to the electronics. It actually sounds more "Disco", even with the robotic, unintelligible vocals. On top of this, the vibe is sealed by the overall Radiophonic Workshop analogue strangeness applied to a dance beat.

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Noleian Reusse

Megamix (Smiley Face)

12" | 2021 | US | Original (Ocha)

Release: 2015 / US – Reissue

Genre: Electronic & Dance

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Originally released in 2015. Megamix of some 90's classic house cuts with tracks by DJ Funk - "knock Knock", DBX - "phreak" and "acid Indigestion" by Gherkin Jerks and lots more. Jackin' house and techno. Two mixes (1 each side). White label with smiley stamp. Limited copies!

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CoFlo

A Warriors Dance EP

Release: 2021 / US – Original

Genre: Electronic & Dance

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Ocha's newest offering "A Warriors Dance" by Coflo is a spiritually moving EP drenched in percussion & electronic rhythms. Chicago's RON Trent masterfully reworks "A Warriors Dance" as only he can do. Includes full color jacket and special colored wax!

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2LP | 2021 | EU | Original (Sofa Movements)

DVA

LP | 2021 | EU | Original (Epic)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sofa Movements Records, a Slovak-Irish label, returns with its second Various Artists compilation named DVA (meaning "two"). Four countries, twelve producers. House, Deep House, LoFi House, Techno, Minimal. Filters, vocals, synths, raw beats and everything danceable from 115 to 127 bpm. Keep your eyes and ears peeled for this one!

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LOWLOW

In Prima Persona

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Quartier Groove)

Ritmo Del Barrio

12" | 2021 | US | Original (Mahogani Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Quartier Groove Records releases its first EP “Ritmo del Barrio” that features two club weapons from the Spanish electronic music vaults of the 90s, TYU’s remix of Bravo & Dj’s 1989 one-hit wonder “Difacil Rap”, and Richard Fribert’s rework of the early electronic rumba track “Sueño Almohade” by Sombra y Luz. Both tracks have been licensed and agreed with the original labels and writers, and will be limited to 300 copies. On the a-side, an edgy club revision of a 90s hip-house track that was originally written by a group of DJs compelling us to join them for a wild night out. TYU’s remix, that only makes use of the rad rapapella, makes a perfect match to the daring call and takes us to a 90s rave of today in full style, with its bold drums, slappy snares, trancy synths and road-paving bassline. The flip comes with Richard Fribert’s powerful and fearless hi-NRG rework of the experimental rumba song “Sueño Almohade” by Sombra y Luz, a track that makes a clear flirt with the history of Spain, a country that was once the Muslim ruled area of “Al-Andalus”. Spanish passion meets Arabic mystique in this hard, slamming, acid ride of an update. The result, a DJ weapon to be reckoned with. The two tracks comes together to form Ritmo del Barrio EP, “Quartier Groove” in Spanish, the project by label heads Richard Fribert & Moqst that was designed to encourage listeners to search for more unknown and forgotten music in the most unexpected of corners of the world.

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Andres (DJ Dez)

Praises / New For U

20,99 €* 29,99 € -30%

Release: 2021 / US – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Rika Muzika)

Kozmodrum

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Audio premiere for Povratak na Parni Pogon on Monday 24th of May via Music is my sanctury
Video premiere via Clash or Twisted Soul
Airplay - dom servini (soho radio), Wyep Pittsburg (dubmission), Wkdu Philadelphia (eavesdrop radio), Jocks & nerds (soho radio), Basic Soul Show, Bondfire Radio NYC + many smaller stations across EU, UK & US
LP review - Mojo, Songlines agreed so far
Key selling points:

Kozmodrum are pioneers of the Croatian nu-jazz scene

Kozmodrum's second albumGravitywon the highest award in Croatia, Porin

Individual members of Kozmodrum as well as Kozmodrum as a collective are acclaimed musicians in the Balkans and have won numerous prestigious awards for their work

Their music is like a DJ set played live - as all the music is played live with 'traditional' instruments by the Kozmodrum ensemble

numerous great reviews, but not many in English - we're looking to introduce the band to UK audiences with this release -- this is one review in english for their album Gravity:https://exclaim.ca/music/article/kozmodrum-gravity Our PR for this 3rd album by Kozmodrum is done by Francesco Soragna (Jus Like Music) with specific focus on UK market. BIO:
Kozmodrumhave been pioneering a new approach to electronic music in Croatia, often described by the band as Organic Dance Music. Techno, House and Dub styles intertwine through a continuous set, played by a live band on guitars, drums and keyboards.Simultaneously, the tradition of jazz ensemble performance is stitched into the architecture of music itself.
Kozmodrum have released 2 albums, 'Na Tragu Satelita' in 2016, and 'Gravity' the following year, receiving a Porin Award for the latter (the Croatian Grammy). Individual band members also received numerous awards for their accomplishments and are considered by many to be pioneers in the Croatian nu-jazz scene. Kozmodrum's main influences are Tycho and Elektro Guzzi, as well as Jaga Jazzist with whom they performed live. The band have played numerous festivals and concerts, with Kozmodrum's members performing with Hans Joachim Roedelius, noise/art/sound figure Sunao Inami, as well as jazz masters Reggie Washington, Peter Erskine, David Liebman, Alan Broadbent, David Murray and Saskia Laroo.
Onstage, Kozmodrum is a five-piece ensemble that adds a third dimension to their music, written and produced by the band's founder Janko NovoseliÄ‡. Using the framework of a DJ set, the compositions are made to be played openly, where the beat is 'looped' until a cue is given to make a change or switch to another part. The pieces are often minimalistic to start with, but evolve over the performance into more complex patterns, harmonies and melodies. With constant shifts between the natural and the artificial, organized and improvised, quiet and loud - Kozmodrum create an unforgettable, mantric performance.
Kozmodrum are:
Goran DelaÄ - bass
Hrvoje Galler - keyboards
Ivan Kapec - guitar
Elvis Penava - guitar
Janko NovoseliÄ‡ - drums, percussion, synths, sounds & fx

Press Release:
see B2C notes :)

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The Home Truths Compilation Volume III

LP | 2021 | UK | Original (Palham Music)

2x12" | 2021 | EU | Original (D:fferent Place)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The Palham Music truck is back on the release highway with a superb 7 track selection of Workshop Records affiliated artists & friends, delivering a wide range of styles. Surf House by Even Tuell, a cerebral bouncer by Move D & DMan, distortions via ultra.clean, a slice of functional bass by Herron, locomotion speed-ups by Mm/km, a veritable brain raider courtesy of Lowtec & some slow grind by Pressburg. Packaged in a beautiful sleeve with artwork by Paul David Rollmann & Andrew Lyster. No more words.

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D:fferent Place

D:Fferent Place 004

Berlin Pankow Move D Remix

Release: 2021 / EU – Original

Genre: Electronic & Dance

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D:fferent Place hits back once again but this time with more substance than ever, a 2×12″ LP chock-full of authentic vibes.

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Rawell

2x12" | 2020 | EU | Original (Red Ember)

Nothing Good Happens Before Midnight

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Back in 1999, label boss Ewan Jansen took receipt of demo tapes by Kai Kroker (AKA Rawell) who subsequently appeared on Red Ember’s very first compilation record ‘Deepsounds One’.
These forgotten demos (lost even to Rawell himself) plus further works from 1995-2002, span a 2LP release of deeply emotive minimal house, techno & leftfield; an earnest synthesis of minimalism and romance from Berlin in the 90s. Included also is an ambient/downbeat 6-track digital EP (including the original version of ‘Tailwind’).
Move D’s gloriously moody and life-affirming ‘90s galore mix’ of ‘Tailwind’ is a very special reunion between close friends; the pair’s last collaboration dates back to 2005 under the ‘Faked.Info’ moniker and both recorded together along with Jamie Hodge under the collective ‘Studio Pankow’.

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Simoncino

2LP | 2020 | EU | Original (Rawax)

12" | 2019 | US | Original (Viva)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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RAWAX presents Simoncino's new album called "Nothing Good Happens Before Midnight"! A massive work by Nick who teamed up here on 2 tracks with Luke Hess! The Album will be out first week of April.
Worth to check!

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Omotani

With The Jazz

LP | 2019 | EU | Original (Don't Be Afraid)

Release: 2019 / US – Original

Genre: Electronic & Dance

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VIVA RECORDINGS drops their first vinyl release in over ten years. OMOTANI has been doing VIVA art for covers on and off for years, and has recently remixed JAY TRIPWIRE on the label. Remixes on this deep and jazzy groover come from BERTHA (DIZ) and TIM K (HOME AND GARDEN). Limited edition, 300 copies, hand numbered. Full color front and back jackets. Labels will be hand stamped, may vary from image slightly. Soulful and stylish house.

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rRoxymore

Face To Phase

LP | 2019 | EU | Original (Bigamo)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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rRoxymore's long-anticipated debut album, Face To Phase, was born of her annual creative hibernation practice. Whereas her previous appearances for Don't Be Afraid - Thoughts Of An Introvert, Parts 1 & 2 - revealed inner worlds of saturated colour and natural expressiveness, she retreated into her studio at the turn of winter 2018 occupied with the idea of dismantling the dancefloor-centric pressure paradigm.
The resulting album, Face to Phase, finds rRoxymore methodically and mindfully stripping back to fundamentals: rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour. Forged by the spirit of club music cultures, Face To Phase favours deep listening; resisting the temptation to reflect on the past or project towards the future, it's an album that is firmly rooted in the contemporary.
Sparked by her own archive of field recordings, and produced primarily but not exclusively in the box, Face To Phase adds several facets to rRoxymore's already wide repertoire. The pensive and beatless opener "Home Is Where The Music Is" was inspired by her longtime friend Planningtorock, while "Forward Flamingo" is a spiraling dream-state of house music dissociation; elsewhere "Energy Points" remains anchored to the ocean floor, radiating heavy dub waves, "Passages" is a ghoulish skeleton of UK break beats, "What's The Plan" closes the album in a blissfully blunted fashion, while twisting, shape-shifting rhythms push and pulse "PPS21" into series of ever-evolving shapes and forms.
Through and in between the eight songs of Face To Phase, rRoxymore fortifies her status as a seasoned artist, grounded by over a decade of live performance and touring, collaboration, composition and experimentation. With a new live performance collaboration with a percussionist set to debut the LP at Atonal on 1st September, rRoxymore is primed to expand her reputation even further as one of the most vital and distinctive artists on the fringes of contemporary club culture.

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Keope

Triangulo

LP | 2019 | EU | Original (Vumbuka)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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There is this phenomenon that I call the „Keope moment“. I saw it again at this year's Sacred Ground Festival. Two guys start playing music on a guitar and a table full of unknown objects. Nobody knows them and nobody knows what to expect. 20 minutes later everybody’s dancing because some strings just pulled you close to them and made you dance. I sincerely hope that when you listen to their second LP - which I’m very proud to be able to present you - you can’t help yourself but dance! Frank Wiedemann

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Sandy B

Qhum Qhaks