House | Deep House Vinyl 7 Inch 143 Items

WOLF Music offer up something a little different to their usual tip, enlisting the warm dusty reverberations of four-piece, jazz-not-jazz collective Velour for a 7 inch of hazy, genre traversing rhythms. Alongside being producer for the Velour project, long-standing member of the WOLF pack Mr. Fries gives his own distinctive house touch to the flip side remix.
Perfectly capturing the new school of jazz, Essen-based Velour crisscross genres drawing on elements from each yet anchoring their roots in the richness of jazz’s deft melodies and percussive touches. Head-nodding down the open road, ‘Pose’ is that undeniably soulful, first swig of summer many tracks strive to be. Morphing into a woozy affair as the sun sets midway through, Velour’s songwriting talent well outstrips their years. Throw WOLF pack member Mr. Fries into the mix, kneading in his signature production style and the freshly baked result straddles the intersection between jazz, broken beat, house and soul.
Fries then takes on remix duties for the flip, maintaining that dusty demeanour yet going for a full frontal Moodymann-esque house interpretation. The smokey jazz bar sax, background hustle and weighty beat make for a summertime heater served straight from the grill, garnished just right with Mr. Fries own vocals over the top.

Black vinyl repress of this long out of press Omar-S 7".

Precursor to DJ Die Soon's upcoming monster of an album on Morphine, this 7inch introduces the legendary beatmaker from Berlin with a more stripped down, clashy dancefloor killer on one side, and a 'deep doped' heavy roller on the B side. TIP!

Record is close to NM.

Dubbed out, unique, leftfield House blends

Love Me Like Cooked Food Featuring Legendary Jamaican singer and rapper Nardo Ranks. And Renualt Used Car sellsmen John FM on Secrets with Andre Foxxe on guitar.

File under Funk Edits / Soul Edits
Black Cash & Theo Edits

Man Tear are back with this high-energy emo-disco record, originally scheduled for release some 11 years ago! A sweet little 7′’ is what their equally fast-footed and broken-hearted fanbase are finally being offered. On the record we find two captivating dance pop ditties from the greatest band to never make it, once again proving that it’s all about love - not about emotions! Let’s hope this release is the spark that sets Man Tear’s future ablaze. Let’s hope for death to self-loathing! Death to expectations! Death to laziness! Man Tear are back, maybe!

This years annual Dub-Team-Up 7" from Moss Norway, 10th issue, a decade strong with double A-side. Kambo Super Sound flexing a hard & heavy, ultra steady ghost-town stepper. Don Papa meets DJ Sotofett in the matters of dub & funk with that significant Latino Dub twist, live drums & percussions. A true crossover – true to its roots!

Danny Krivit is currently known as one of the music community’s greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as “King of the Re-edit.”
Danny has a deep connection to Kim English’s “It Makes A Difference” release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny’s re-edit of one of the most famed dubs from the Nervous catalogue
as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The “rushing rushing rushing” hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.

RB & MB sour up the dance ... Jamal Moss reedited/remixed on Taiwan's R=A. Pickles on 45 (70g, 7inch). TIP!

First time vinyl pressing of an amazing track from the man who invented it all together with Alan Vega in world conquering Suicide.
„Gutter Rock” is an undisputed gem from Martin Rev, dark-happy hypno-lounge from New York, recorded in 2003.
This stimulating piece of music for walking, driving and dancing is backed by two other cuts from the same year.

With his third single release, Y-Bayani (pronounced like Why-Bayani) shows clearly that he is the most intriguing roots-reggae sensation coming out of Ghana. He is backed again by the lushly grooving Band of Enlightenment, Reason and Love.
Asembi Ara Amba, sung in Fanti language, is an old Fanti story about having bad luck if you see a vulture up in the sky. As Y-Bayani sees one suddenly and for no reason he gets in trouble with the police. Being hold back in the police station he finally takes his chance to escape into freedom while the police men taking a nap.
On We Are The Band of Enlightenment, Reason And Love the group presents their personal anthem. The song is a cinematic journey starting with a mighty horn theme, followed up by a mantric chant and enters finally into a wall of sound in double time. It's a small symphony for sure.

White Coloured vinyl

Second up on our Bobby Boyd unreleased recording we have some dope mid 80s material from Bobby, 'I Like What You Do To Me' is Boogie / Proto House joint that is totally my bag, feels like it should be in a 80s movie weightlifting montage (in a good way) it just works on the dance floor so well.
On the flip things get even stronger with the proto-house banger 'Girl Like You' a sick soulful number with with a biggest swinging kick drum I have ever heard, both proper club material.

If your not a rare soul or disco collector Bobby's name might not be a name your familiar with but as one of the founder members of Lafayette Afro Rock Band you will have experienced his music and influence which is far reaching.

Limited Edition for Record Store Day 2018! Osunlade's beautifully crafted Yoruba Soul imprint drops 2 delightfully soul & funk fuelled cuts in his distinctly unmistakable style. Pressed on green vinyl in bespoke 7" sleeves.

Bastard Jazz presents tasty 7" coming from two talents from up North, Toronto's freewheeling producer/DJ Birthday Boy and Canadian songstress Trish (plus songwriter and backup vocalist Joe Law) who link up for a lesson in positive vibrations and soulful, R&B-infused future grooves. "Magic" toys with a mellow bassline and warm guitar loop from Tom Misch while "Chance To Go Far" is a Kaytra-esque hip-hop number with big drums and hook that will stay with you all day. Taken from their Joseph EP, also out Jan 19th on Bastard Jazz.

Birthday Boy is a music producer and DJ renowned for his eclectic and inventive musical sense, shown in both his productions and live sets. Drawing from jazz, house, hip-hop and funk, Birthday Boy has cultivated a dynamic sound that ebbs and flows across genres, never fitting squarely into a single category. First establishing himself with a string of up-tempo remixes and genre-bending originals, Birthday Boy has earned the praise of outlets such as Pitchfork, the FADER, Hypebeast, and many more outlets through collaborations with fellow Toronto artists Allie and Drew Howard.

As he continues to impress audiences on stages at WayHome and SXSW, Birthday Boy also has his hand in several upcoming projects from rising Canadian and International artists all while continuing to prep his debut album.

Clattering drums hum alongside the chatter of birds, the trickle of rain, and the billowing of wind chimes, as Marina Price layers on her smooth, smoky vocals, creating gorgeous soundscapes.

Marbled vinyl.

A rare 7" on Omar S' great FXHE imprint. Highly recommended!

Yellow vinyl.

Vinyl with a couple of light scuffs, close to VG+. Limited to 500 copies.

Writing on label.
Tiny tear at the opening side.

Cover with taped edges and small puncture.