Hip Hop 262 Items

Fiendsh returns to Cold Busted with Hayashi Reborn, the Bangkok-based producer’s long-awaited follow-up to 2016’s To The End. The title refers to the Hayashi, a group of instrumentalists in Japanese Noh theater. Noh often revolves around themes of life, so with this album the Fiendsh alter-ego takes on the role of the Hayashi of the young beat-producer’s life. The album’s sounds are introspective and rich, combining deep rhythms and warm melodies. Sometimes a hint of Fiendsh’s Thai culture drops in, but mostly the influences are straight from the well of hip-hop, soul, and jazz classics.

Xardinal Coffee is a debut album that is a strikingly contemporary record of slick hip hop, rich textures, idiosyncratic grooves and electronic-tinged wonky R&B. It’s an album that feels intricate and busy but also manages to retain a sense of space and looseness, allowing hypnotic rhythms to unfurl with grace. Exum, aka Antone Chavez Exum Jr. credits the 'genius' of his two producers, Erik Samkopf and Dex Barstad, who he works closely with. Samkopf being the producer responsible for Xardinal Coffee respectively. 'Sam and I don’t really like doing anything that doesn’t have an ückean effect. We’re not from here you know, we’re just getting adjusted’, says Exum of the album’s eclectic sonic palate. 'We love to push the envelope on what is considered quirky, but try not to think about it too much. If me and another are walking down a street, whose going to be first to try something spectacular? Them. My walk will speak.’

However, any sense of weirdness is also married with an infectious and accessible quality. Tracks such as Arrest the Dancer - 'a David Bowie/Lady Gaga-type beat we got from YouTube by a producer named Raixsa' - comes alive with an irresistible funk strut, almost recalling Prince in the swaggering bounce of it. On top of this, Exum’s vocals offer versatility and flexibility, moving from caramel smooth croons to tight rap flows and to enthusiastic bursts of singing.

A sense of texture is palpable throughout too. Portabella Mushroom was recorded on a rare magic mushrooms trip and retains a lysergic and psychedelic quality, sucking the listener up into its swirling atmospheres. Whereas the sparse, minimal and slightly eerie beats of Wolves Eat Wolves was recorded in pitch black and the song takes on that kind of crepuscular vibe, which interspersed with the song’s dark lyrical content - touching upon sex trafficking - further cements this. ‘I take no form’, the artist says, and his formless nature speaks to his willingness to constantly recreate himself as an artist.

A love of words is also clear in Exum’s delivery, with them being carefully placed and sequenced amidst the ambitious soundscapes of the record. 'Writing is precious to me', he says. 'The vulnerability to bleed on paper. While playing with words, styling the same outfit for the 7th day in a row.'

Initially Exum looked up producer Erik Samkopf to work with when he’d had a temporary falling out with his previous producer Barstad. In love with Samkopf’s work with Pen Gutt, Exum took a punt and flew from his hometown of Richmond, Virginia to Oslo, Norway to work with him. As Exum and Barstad patched things up, Exum and Samkopf were building chemistry, creating something truly unique. 'Dex and Sam never cease to amaze me', he says. 'They’re versed and creative beyond measure, they both have an immense amount of musicality, and most of all, their love for music is sweaty.’

However adding to the legend, Exum took a little detour on his musical journey, spending years as a professional footballer in the NFL, for teams such as the San Francisco 49ers and the Minnesota Vikings. Now leaving that chapter of his life behind, Exum has returned to the true love held dear to him ever since he can remember: music.

Exum is not simply trying his hand at music though; he is crafting every part of his artistic journey, from carefully selected contributors (such as string composer Christian Balvig) and overseas producers, to shaping his own brilliant music videos with directors such as Allison Bunce and Rosabel Ferber. Both of whom occupy creative space in his art world, which goes by the name of ücke. He has effectively created his own musical ecosystem. 'You’ve got to create your own world and live highly in that first', he says. 'Making it inevitable for other worlds to not be touched by what’s vibrating through you. In my world I’m already a massively iconic artist.'

Eversor is back! Incredible instrumental album from start to finish, all killer no filler!



"Da Dirty Dozen" is a collection of beats, some made in the late 90's and some rearranged with samples already recorded back then, stored on floppy disks and zip drives. The sounds were processed through Akai and Ensoniq models from the 90's era.



This is not your typical beat tape, but rather an instrumental album, reflecting the man's early influences by the likes of Lord Finesse, Easy Mo Bee, Marley Marl and more, as well as the sound of independent NY rap artists/groups from the late 90's.



This is the first collaboration between Hip-Hop Enterprise and Ground Beef Records. By joining forces, we provide you with high quality glass master CDs, black and yellow transparent vinyl. The CD also contains 4 bonus tracks! We also want to take care of our vinyl heads, DJ's and beatmakers, so there is an exclusive surprise for you too!

Here's my new EP called unexpected I already had chosen the title but unfortunately my dad died unexpected so this is for you dad, I hope you found peace I love you - Eevee.

Rare promo copy! Few scratches on both records!

Vinyl has a few scuffs and scratches! Close to VG+!

Clear wax! Limited edition 200 numbered copies

Welcome to the majestic world of Arodasio, a fictional floating island that finds its home in Dosi & Wishes and Dreams’ latest collaborative album. Though few tread here, the music recounts stories of the city’s former glory - soul-lifting piano melodies, cinematic drums and exotic ambience drift from far away in the distance, beckoning. Will you be the first to step foot on its land?

Larderello is the name of the city in Italy, which is known for its pioneering in geothermal energy. It is also where Dos Monos dream of making pilgrimage to pay homage to their underground power.

This is Dos Monos' 3rd album and 3rd for Deathbomb Arc.

Limited edition of 25

In a world of beauty school dropouts and jukebox tearjerkers, Eva Lazarus (DJ Vadim, The Nextmen, and a guest on Yoda’s ‘Home Cooking’ album) invites you to come and feel ‘My Energy’. A superlatively soulful slow jam wrapped in stars and stripes, it’s a timeless, lilting breakup song, with Yoda shiftily putting in work on the decks out back. Authentic doo wop straight from a 50s picture show, Lazarus takes centre stage as she leaves a string of devastated would-be suitors in her wake. The new sound of DJ Yoda revisits a golden era of rhythm and blues – going all in on ‘Prom Nite’, his new album of retro Americana and superstar guests continues to expand his musical expertise, with his signature scratches and cut-ups craftily coming into view over Heartbreak Ridge.

The 16th release from Heat Rock is here! Featuring a duo of 80s Funk remixes from DJ Organic (Phoenix, USA) who takes a Clinton classic to the club, while Nick Bike (Vancouver, Canada) walks a fine line between House and Hip-Hop with his Rick James flip. There's a big BPM difference between the sides which makes this one a must-have
DJ tool. Doubles are recommended!

white vinyl limited to 300 copies

Gatefold cover. Vinyl is close to NM. With booklet.

Vinyl with scuffs and hairlines. Cover with price tag on the front. Booklet included.

Degiheugi releases his 2008 album on vinyl for the first time. One time pressing, only one per customer.

Known for his proudly bugged-out delivery and laid-back style, the immensely likeable Declaime, p/k/a Dudley Perkins is pleased to rerelease his debut solo LP, Illmindmuzik on vinyl for the first time since 1999.



Produced entirely by his longtime homie Madlib, the Oxnard-based duo concoct a seriouly funky listening experience that combines Declaime’s delightfully woozy verses centered around crate-digging and mind expanding, over the Beat Konducta’s blunted instrumentals.



Illmindmuzik is a must for fans of Cali underground hip-hop and boasts guest appearances from the likes of the Lootpack, Evidence and more, and includes the stand out singles, “Let It Be Known” and “Roll ‘Em Right.”

Two new joints by Cousin Feo & Lord Juco aka Death AT THE Derby produced by the almighty Big Ghost LTD. Themed around the MLS’s two lone derbies between the LA Galaxy & Lafc, as well as the NY Red Bulls & Nycfc, they bring the series to the states & celebrate two of league’s marquee clashes with "Los Traficantes" b/w "Bodies In The Hudson".

Heres some new Detroit Hip Hop on Fxhe approved by Omar S! Sonny Dulphi & Pat2Dope is the Hi Tech to Hip Hop. They have the same energy as Milf Melly and King Milo from Hi Tech,in fact Milf Melly and Sonnydulphi are Cussins. This Double 7" comes in a Dope ASS dual 7 " Booklet.

With releases already under his belt with Cosmic Bridge and Civil Music, Danny Scrilla returns with a killer 12? released on Rudimentary Records. The release continues Danny’s exploration of cinematic bass heavy sounds, with a dynamic astral sound. Bismuth rides the slowfast rhythm with intricate beats and a constantly evolving synth melody, on the flip Lone Ranger takes you on an epic journey into deep space.

price tag

Four modern, textural, slow-burning instrumental hip hop soundscapes set a distinct mood on this new EP by the venerable Chris DeLuca. Heavy-hitting basslines and slightly ominous hat patterns dominate, leaving these cuts verging on the territory of dark, minimal electro destruction… with a subtle dose of that funky boom bap. Perfectly applicable to both basement dancefloor experiments and gangster dealings alike.
One half of Berlin’s Funkstörung, alongside partner Michael Fakesch, De Luca is more than well-versed in the genre, having done a few remixes for high-profile hip hop and experimental acts such as Wu Tang Clan and Bjork. They’ve released an uncountable amount of records on labels !K7, Compost Records, Music aus Strom and Acid Planet, to name but a few. This is his first release for Detroit Underground.
Includes two fire remixes, one by fellow DU resident producer Valance Drakes, and the second by none other than Chris DeLuca’s son, Lenny DeLuca.

When Chester Watson debuted in the mid-2010s with verbose, technically precise music indebted to MF Doom, Earl Sweatshirt, and more obscure artists from the stratosphere and the blogosphere, it was as if he was simultaneously from the past and future. Before he was old enough to legally drink, there were “Best Of,” rarities compilations, and .zip files floating through the ether. Whenever industry prospectors earmarked him as the next big thing, he disappeared back underground, only to reemerge sharper, leaner, weirder. Though only 26, the St. Louis-born rapper and producer has seen enough for several lifetimes—and raps as if he’s tapped into many more. But after a few years of highs, lows, and traumatic odysseys, he was able to stare straight into the abyss and conquer it. This regained confidence is exhibited on fish don’t climb trees, the largely self-produced new album that reaffirms him as one of rap’s great auteurs. While working on "fish", he vowed to be more true to the emotions and experiences he’d endured. Being true to those fractured, discordant feelings requires a prismatic approach. And so you get fish’s exhilarating hairpin turns: from downtempo dub (“bora bora”) to 808s rattling through a haunted house (“tourniquet”), beats that sound as if they’re molting into new shapes in real time (the two-song suite of “daze” and “grey theory”) to ones that that plunge to the bottom of a pocket (“spirits”). The album’s title comes from the maybe-apocryphal Einstein quote, about how a fish judged by its ability to climb trees will “spend its whole life believing it is stupid.” For Watson, this meant embracing the cheery first half of the quote (“Everybody is a genius”), but also being cognizant of the dark undercurrents that flow just beneath seemingly innocent misjudgments and mis-categorizations.