Hip Hop 381 Items

Includes two previously unreleased instrumentals by The Summit from 2013 Amulets demo sessions, available only on cassette.

19 Tracks feat. The Barrell Brothers, Oddisee, M.O.P., Chino XL, Finale, Evidence, Rasheed Chappell, Saga, Ty Farris, Rapper Big Pooh, Dynasty, Ras Kass, Vinnie Paz, Blacastan, Your Old Droog, Masta Ace, Wordsworth, Maffew Ragazino, Freddie Gibbs, OC, Westside Gunn, Planet Asia, Eternia, Sean Price, Reks & Ugly Heroes. Whoa!

With two full-length albums already under their belts that garnered them buzz in the underground ("Lasting Impressions" & "The Revisited"), New Jersey originated emcee uMaNg, reunites with Swedish producer B.B.Z. Darney ("The Boom Bappin' Zombie"), to complete their trilogy of albums with their label debut on Ill Adrenaline Records entitled, "The Black Rose Certificate."
Shortly after inking a deal with the label, the next eight months would find uMaNg & B.B.Z. embarking on a musical journey that would result in their most personal & brutally honest record to date. The title "The Black Rose Certificate", while a representation of many a symbolism, reflects the duo's state of mind, the hand they've been dealt as typecasts in society. Since being impossible to produce a "black rose" also stands for purest devotion. A kind of devotion that uMaNg & B.B.Z. put forth in their respected crafts.
Over the course of 14 tracks, the duo sonically stick to their traditional "boom-bap" roots, whilst also bringing sounds that range from "darker" to "aggressive", to even more "melancholic". The production B.B.Z. Darney showcases is heavier, more conceptual than previous releases. uMaNg has been notable throughout his career for being a clever & witty, punchline heavy emcee. While staying true to his stylings on the mic, he gets deeper & more transparent than past albums have suggested. For every braggadocious track, there is another where the Jersey emcee bares his soul through the pen, opening up about past discretions, family HIStory, amongst other topics on the emcee's mind. Also unlike "Lasting Impressions" & "The Revisited", that found the duo being the lone contributors to their works alongside the legendary DJ Grazzhoppa, they now bring along with them close collaborators as well as in-label artists. The album features tracks from the likes of Brick City veteran and close Artifacts affiliate Beneficence, Purpose of the Tragic Allies camp, close friends HexOne & Tek-nition of the critically acclaimed duo Epidemic, and Hashfinger to lend their talents and further enhance the album's disposition.

Ain’t only a simple compilation of rare and unreleased tracks, it’s rather a musical documentation of a group that has been staying in its lane creating raw, uncut, and uncompromising Bronx flavor for more than two decades now. So this 20-track strong album includes the rare 12" single only "Freestyle Demolition" from 1994, rare old and unavailable on CD tracks, unreleased joints and instrumentals plus 3 brand new bangers ("For You", "Stereo", "Stereo [Remix]"), produced by The Legion, Buckwild, and Confidence.

Virginia hiphop stalwarts MC Rapper Big Pooh & grammy-award winning producer Nottz team up to create a homage to their origins in their new album “Home Sweet Home”.

If there’s a secret to time travel, Kool Keith owns the patent. Even a flying DeLorean seems too conventional for the Bronx legend. He’d more logically orbit throughout the galaxy in a gleaming chrome spaceship, teaching the stars and aliens new forms of originality. He is too weird to live, too rare to die, too uniquely ultra-magnetic to be accurately mimicked.

Released on Mello Music Group, Time? Astonishing! is the latest dimensional warp from hip-hop’s premiere astral traveler. His union with MMG producer L’ Orange finds him exploring uncharted terrain: choppy volcanic rock planets, ice glacier moons, new surgical procedures, and fresh rappers to toss into the ether. The scalpel remains eternally sharp.

Limited edition of 300 copies worldwide of the "Flexin x Whilin EP", accompanying the vinyl release of the Formulatin Fathers "Sleepless Knights" album. Included are the vocal, instrumental and acapella version of "Flexin x Whilin", the instrumental version of "Ease Your Sorrow", a remix plus instrumental of "The Sheep Step" plus the heavy Shane Great remix of "October 26th".

Petestrumentals 2conjures memories of BBQ cookouts and 70s Blaxploitation scores, rattling summer jeep cruises and blunted Jamaican vacations. There’s a gorgeous requiem to Dilla (“Dilla Bounce (R.I.P),” where the originator pays tribute to the prodigy. You see the full range of Rock’s gifts on display: the meticulously chopped horns, unquantized drums, and air raid sirens. It contains the emotion of a thousand eulogies.

Oddisee, XO and yU are back with production by Large Professor, Oh No, Diamond D, Black Milk, Apollo Brown, Nottz, L'Orange & more …

What happens when an Austrian rap producer with a history of more than 20 years in the game, teams up with some of his favorite MC's from the US? First of all, great music. But wait a second, who's that guy? Flip is a veteran producer and rap enthusiast from Linz, Austria who got addicted to hip-hop and its culture in the early 80's when he first heard joints by The Fat Boys and Melle Mel on Austrian radio. A couple years later, heavily being influenced by the sound of Public Enemy, Eric B & Rakim and EPMD, Flip and a bunch of other rap-nerds founded the nationally critically acclaimed group Texta in 1993 and became the originators of the Austrian rap scene. Flip also has been organizing hip-hop shows in his hometown Linz since 1994 and started building connections to the US indie rap circuit since 2000. So as these connections grew, Flip began to record songs with the artists passing through and doing shows. Out of many tracks Flip recorded, he picked the best collabos for his "Reflections" album, with a line-up boasting artists from all corners of the US, like AG (of D.I.T.C.), Killah Priest of the Wu-Tang family, Elzhi, Guilty Simpson, Phat Kat, Edo. G, Kev Brown, LMNO, Tragic Allies and many more.

Following the critically acclaimed "Pillars" EP with MindsOne, Kev Brown teams up again with Ill Adrenaline Records, this time collaborating with fellow Low Budget Crew member Hassaan Mackey to bless listeners with "That Grit".
Both the Washington D.C. based producer-on-the-mic and the Rochester, NY emcee are longtime members of the prolific artist collective and have previously worked together various times, but this mini-album marks the first time the two embark on a full project. Most boom-bap enthusiasts should already be well acquainted with both Kev Brown and Hassaan Mackey: double threat Kev Brown already showcased his skills on microphones as well as production boards on countless releases and has been dubbed "king of basslines" by fans worldwide. In addition to his solo recordings Kev's credits include beats for heavyweights like Busta Rhymes, Biz Markie, De La Soul, Jazzy Jeff, and Marley Marl just to name a few, as well as handling entire album production for LMNO, Kaimbr, and Raw Poetic. Hassaan Mackey released a string of albums, including a full-length LP with Apollo Brown, and appearances on releases by Oddissee, Kaimbr, The Left and L'Orange.
Recorded during a series of impromptu bus and train trips Hassaan took from Rochester to visit Kev in Washington, "That Grit" was created with a spontaneous approach, reflecting both Mackey's freestyle background and Brown's proven "random joints" formula. Entirely produced by Kev Brown and featuring his signature bassline-driven and raw but soulful sound, "That Grit" consists of an intro, eight full-length tracks and six instrumentals. Hassaan and Kev share mic duties on most of the songs, inviting close friends/frequent collaborators Kaimbr, Toine, yU, Kenn Starr, Eye-Q, Asheru (of Unspoken Heard) as well as the Younger Soul Brother Grap Luva along as feature guests, turning the record into a true family affair.

When Diamond District dropped In the Ruff on Mello Music Group in 2009, the gritty drums and grimy raps combined as elementally as hydrogen and oxygen. The D.C. Voltron of Oddisee, yU, and X.O. dusted off and revitalized a sound once consigned to the catacombs.

Hailed as an instance classic, its impact reverberated throughout the underground and mainstream. The Washington D.C. City Paper called it the city’s best album in many years. During an era when lyricism was deemed too intellectual and samples too dated,Diamond District overturned conventional logic. They preserved the raw and made it righteous.

A half-decade later, the holy trinity has returned with March on Washington. The truths remain timeless. Wisdom over rhythm. Slang turned into testament.

A bright and colourful scenery: Shrill blinding sights, piercing foreign sounds, a fusion of disparate scents blended into a cocktail of curiosity. Fleeting attempts embrace a thousand senses in one single second. Bustling around in the shadows of buildings as high as mountains, an almost eerily overwhelming sense of contentment is omnipresent - but something doesn't appear to be right...
Stranded on a lonely island in the midst of a chaotic metropolis, disconnected - a feeling of drowning in an ocean of overstimulus and importunities of disproportionately inflated personalities, without ever even being registered or taken notice of.
What's left is nothing more than the ghost of a young soul, wandering about and curiously studying the surrounding, forever looking for answers that would otherwise seem trivial.

After “Kidsuke” the critically acclaimed collaboration project with Daisuke Tanabe, “Tokyorkshire” based producer kidkanevil continues his fascination with Japan and readies his latest solo album My Little Ghost. Inspired by a summer spent in Tokyo collaborating, exploring and generally refusing to grow up, the double vinyl is due May 2nd on Project: Mooncircle and features a wide range of guests including PMC's own submerse and Tokyo vocalist Cuushe.

'My Little Ghost' comes out worldwide on limited gatefold, double, pink vinyl (including download code) as well as a limited edition CD including a bonus track via flau records - http://www.flau.jp/ in Japan.

L’Orange’s most revealing effort yet, 19 tracks feat. Homeboy Sandman, Blu, Jeremiah Jae, Billy Woods & others!

Apollo Brown’s Thirty Eight is a contemporary throwback, inhabiting the realm of reverent reinvention and innovation. It deftly bridges the gap between ‘70s Blaxploitation soundtracks (e.g. Curtis Mayfield’s Superfly or Marvin Gaye’s Trouble Man) and the hip-hop records that sampled from them. Includes bonus 5" feat. Roc Marciano!

Originally scheduled for release way back in March 1996, “The Raw Factor” by North Carolina native Omniscence is one of the last of the unreleased mid-90’s albums to see the light of day. Despite being awarded The Source’s coveted “Hip Hop Quotable” and dropping two well-received singles (“Amazin” and “Touch Y’all”), record label politics meant the full-length “The Raw Factor” album was never released and fans were left wondering what might have been. 28 years later, “The Raw Factor” is finally being released on vinyl, CD and digital stores. Featuring punchline-driven lyrics from Omniscence delivered in his unmistakable cadence, and backed by head-nodding production from Fanatic, the album is a must-own for fans of 90’s Hip Hop. Omniscence haunted the same early 90's cyphers and stages that many lyrical greats from the era had to cross. With a gruff delivery and equal adeptness with punchlines and metaphors, his high finish at the 1994 edition Battle For World Supremacy at the New Music Seminar assured heads across the culture were watching. After this, Omniscence locked in with producer Fanatic (who also laced tracks for Notorious B.I.G., Ma$e and Michael Jackson). The result was “The Raw Factor” album, fifteen plus tracks of jazzed out boom-bap, replete with crackin' drums. Now Below System Records has not only given the album its first deluxe physical release (including 2xLP, CD and digital) as well as a slew of bonus/unreleased tracks.

Tha Alkaholiks bring you the next installment of Likwit Crew classics with E & J Soundsystem, "Rubber Bands." Tha Liks prove, once again, real Hip Hop is still alive and inebriated with hard hitting lyrics and a head banging beat in true DJ E-Swift fashion. The single is crowned by a music video shot in Australia fresh off the NWA world tour. This Transparent “Beer” colored 7” vinyl is limited to a 500 piece pressing.

KEATS 06 comes courtesy of Doctor Do from Wuppertal. Limited to 300 numbered copies, only 1 per customer!

Album produced & mixed by Oddisee!

Strictly limited to 300 numbered copies!

Volume 4 from this nice label straight outta the Kiezes of Berlin. Each volume is dedicated to the Kiez (hood) and beats of a contemporary beatsmith which equals KEATS. After the much loved volumes by Figub Brazlevic, Q-Cut & dude26 Cap Kendrick knocks out 16 straight nice ones straight from Munich / Bavaria.
The photograph on the front side is shot by Tom Doolie and the fresh frame is provided by V.Raeter as usual and Donald & Rave keep the Keats dropping, so what?!

Only 1 per customer!

Suisse made beats. Limited to 150 copies.

Strictly limited to 300 numbered copies!

3rd release from this nice label straight outta the Kiezes of Berlin. Each volume is dedicated to the Kiez (hood) and beats of a contemporary beatsmith which equals KEATS. After the much loved Volume 1 (Moabit) by Figub Brazlevic and sum otha shit by Q-Cut, dude26 delivers 14 straight bangers from Lindenau / Leipzig.
Rufus Grimes, Chop Ross & Freekee help out on the production, Martin Glos provides the mastering, the photograph on the front side is shot by Fabian Ng‘uni and the fresh frame is provided by V.Raeter as usual and Donald & Rave keep the Keats dropping, so what?!

Only 1 per customer!

Royce & Premier have created an incredible album strictly using Adrian Younge samples. Featuring Ab Soul, School Boy Q, Common, Killer Mike, Slaughter House, Dwele, Jay Electronica and Mac Miller.

Strictly limited to 300 numbered copies!

Another quickstrike from this damn fresh new label straight outta the Kiezes of Berlin. Each volume is dedicated to the Kiez (hood) and beats of a contemporary beatsmith which equals KEATS. After the much loved Volume 1 (Moabit) by Figub Brazlevic Q-Cut steps up to the plate an delivers a totally different take.
This one is called ‚Kaiju Dugu‘ and is not exactly dealing with his neighborhood (called Kiez) itself but the arrival of giant monsters (Kaiju) in his hood. The festivities (Dugu) surrounding this arrival give the inspiration to the dark soundscape of this Keats issue. It is obscure, gloomy and challenges the brain with twisted rhythm patterns, somwhere between, beneath or besides Madlib, El-P or Flying Lotus. Hundreds of records, a sampler and occasionally a Microkorg are the tools of choice, the ‚Kaiju Dugu‘ illustraion is by Q-Cut as well, the fresh frame is provided by V.Raeter as usual and Donald & Rave keep the Keats dropping, so what?!

Only 2 per customer!

Fresh new label straight outta the Kiezes of Berlin. Each volume is dedicated to the Kiez (hood) and beats of a contemporary beatsmith. Figub Brazlevic delivers Volume 1, a 12 track boom-bap-old-school-future love affair, freshly produced and arranged this spring and packed with a photograph from his neighborhood, shot by Figub himself. The whole series will be themed by a nice extra frame, drawn for each volume by one of our favorite illustrators, DJs & beatmakers: V.Raeter of Ecke Prenz.

Each volume is limited to 300 handnumbered copies and will be exclusively available at HHV!

Only 1 copy per customer!

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.

After last year's release of his debut full length album entitled “Death Star Droid” Berlin stromtrooper Robot Koch kept himself hella busy. In 2010 alone he dropped the new Jahcoozi album “Barefoot Wanderer” on BPitch, released his EP “Listen To Them Fade“ on Project:Mooncircle, did a bunch of remixes and productions for both major and indie artsits and played stunnig live shows everywhere from Low End Theory in LA to the Sonar Festival in Barcelona.

And now he's back to do some serious damage with his 2nd LP “Songs for Trees and Cyborgs”.

The album shows Robot’s versatility as a producer – it mixes and blends fresh, forward thinking electronic beats with heartfelt melodies and organic live instumentation.

On choice tracks Mr. Koch teams up with the likes of Boxcutter (Planet Mu), 1000 Names (Black Acre), Doshy (Robox Neotech), RQM (Baby Sumo) and Graciela Maria (Project Mooncircle) to present the point where dubstep, hip-hop and its myriad of influences fuse into a kaleidoscopic collage of sounds.

Artwork by 44 Flavours.