Hip Hop 429 Items

Repress 2024. On “Breakin’ My Heart”, Jim Sharp finds a way to bridge the summery goodness of ATCQ with the original instrumentation sampled by Dilla. The iconic vocal lead of Bebel Gilberto floats over the boom bap drums to make it a sure shot. The flip side, “Check Minnie's Love” once again shows that Naughty NMX and Runex are on point. The product is horns, beefed up beats, fat bass and silky smooth vocals to make you think it’s ’92 again (without the Rhime). Minnie rips the lovely
vocals into a dance floor banger.

Finally back on vinyl, this 2011 release was the first proper full-length showcase for the Grammy Award-winning superproducer. The signature soulful style of 9th’s beats was a sensation in hip hop and R&B--for underground fans and in the mainstream--and he played a leading role in bringing North Carolina to the forefront of American music culture in the 21st century. Featuring guest appearances by Kendrick Lamar, Mac Miller, Raekwon, Masta Killa, Warren G, Marsha Ambrosius, Terrace Martin, Talib Kweli, Blu, Raekwon, Murs, Skyzoo, and more.

Why you'll love it...
The Diary, the legendary lost album and instrumentals from J Dilla, released posthumously in 2016, is the VMP Hip-Hop Record of the Month for November 2022. It's here on exclusive 2LP Purple & Orange Marble vinyl, with lacquers cut by...

Why you'll love it...
“Blu’s 'Her Favorite Colo(u)r' hits harder than it did on its initial 2009 leaked-to-streaming run or its official, somewhat-remastered first physical release two years later. We’re more used to noise in hip-hop, more accustomed to pendulum-swinging inner conflicts between invincibility and unease, even more forgiving of those times when artists put out a potentially alienating experiment or two for every crowd-pleaser. It’s an untraditional album that blurs the lines between pop culture references as familiar touchstones and the specificity of a film or a record that speaks to an artist’s own impossible-to-duplicate experience, a run-on sensory-overload experience that could feel mysteriously impressionistic and painfully specific all at once.”

The album finds the Haitian born, Montreal raised producer delivering on the promise of his early self-released EPs and remixes.

Since the age of fourteen, when he first began to DJ and when his brother introduced him to music production software, his output has been relentless. He explains, “after he showed me the basics, from that day on I couldn’t stop making beats,” pumping out a handful of tracks per day for the next couple of years.

Having released singles like ‘Drive Me Crazy‘ with Vic Mensa and ‘Leave Me Alone‘ with Shay Lia, Kaytranada has since cemented his reputation and his sound; an undeniable swing of the drums comparable to Dilla’s, a signature soulful touch in the melodies, and a healthy dose of funky bass lines.

99.9% features guest turns from Anderson .Paak, Vic Mensa, Little Dragon, Syd, Craig David, Goldlink, Alunageorge, BADBADNOTGOOD and many more.

Big Body Bes, Meyhem Lauren, Chauncy Sherod, Chance the Rapper & Party Supplies assist Bronsolino on the mic, production comes from the likes of The Alchemist, Mark Ronson & Statik Selektah!

Why you'll love it...
While fighting through label limbo and placing his budding film career on freeze, Antwan “Big Boi” Patton spent a couple years readying the artillery for his solo close-up. Sir Lucious Left Foot: The Son of Chico Dusty is both a testament to the maturation of Big Boi and a tribute to his late father; underneath, it’s a speakeasy at breakneck speed, sittin’ on 32s. Where many other formidable MCs would be eaten alive, Big Boi shapeshifts across every mood and landscape with his trademark tenacity. He’s an effortless showboat who can portray sleaze with ease, but he’s a true class act who’s got nothing left to prove, yet will never let it show. Flanked by his known co-conspirators and many more, Big Boi blesses the senses the way only an East Point playboy can; it’s an intergenerational time warp, and another funky ride in HD. The final product is a natural progression of his Organized Noize lineage, sent across dimensions to return with an assemblage of time-tested potent Black grooves, then pressure-cooked in the kitchen of thefinest booty club in Georgia.

After the collaboration in 2014 the two parties team up again for this full length, produced by Frank Dukes (Danny Brown, 50 Cent). Guestlist includes MF Doom!

180g vinyl.

The contributions of the late Detroit producer James DeWitt Yancey -better
known to the world as J Dilla- to the world of hip-hop can't be overstated, and
nowhere is his legacy more apparent than his work as a member of Slum Village.
A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided
the group's distinctly esoteric, free-wheeling sound, built around winding
basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul
samples. Against the backdrop of Dilla's rich production, T3 and Baatin's
free-flowing style of rhyming would also earn wide critical praise, leading to
comparisons as the successors to A Tribe Called Quest. (A label they themselves
have rejected.)
It's on Slum Village's 1997 studio debut, Fan-Tas-Tic Vol. 1, that all these
elements come together in the most proficient manner. An instant hit among
Detroit's underground hip-hop scene, the album seemed to combine all the best
elements of the reigning alternative and gangsta styles of hip-hop into one
cohesive style that was a hit among critics. Fan-Tas-Tic's influence extended far
beyond Detroit, as its sound heavily influenced the sounds of D'Angelo, Erykah
Badu, and The Roots just to name a few. (Roots drummer ?uestlove has even
declared that: "Hands down this album birthed the neo-soul movement.")
Ne'Astra Media Group now presents the album reissued on vinyl, for the first
time in several years. Every wobbling bass note of J Dilla's production has been
preserved and every freestyle line of T3 and Baatin has been re-created, to
maintain the legacy of a late-90s rap classic, and the legend of one of hip-hop's
greatest beatsmiths.

Why you'll love it...
Album of the Year, Black Milk's fourth studio album, was produced almost entirely by himself with assistance from Will Sessions and originally released in 2010.

Limited to 1000 copies, the VMP exclusive version of Black Milk's Album of the Year is pressed on Gold Nugget vinyl at GZ Vinyl. The 2LPs will arrive in a widespine, direct-to-board, foil-stamped and numbered jacket.

Record Store Day 2021 Release.

A deep cut 7” non-skip ultra-pitch scratch tool with the best samples
from vol. 1 and vol. 2 remixed. The A side at 83bpm and the B side at
100bpm.
The press, cut and production is the best yet and will certainly be the
‘to go to’ 7” whilst on the move.
A new standard has been set.

Oh yes, next big surprise release by King Kendrick called "Untitled Remastered".

Finally on wax with download code!

Propelled by the subtle African polyrhythms of Cameroonian drummer Garcia Etoa-Ottou and the hypnotic basslines of Charles Thuillier, pianist Noam Duboille takes you on a deeply emotional journey.

Original compositions created in their hometown of Amiens and recorded at the historic Studio Pigalle in Paris.

In a world full of cheesecake rappers, one man has assembled a phenomenal team to bring you madness. The original originator, ultramanetic, high-wire rap legend Kool Keith brings a star studded album to the fore. "Feature Magnetic" highlights MF Doom, SLug of Atmpshere, Mac Mall, Necro, Craig G, Dirt Nasty, Ras Kass and more. This special edition 24 for '24 Artist Series Vinyl also features original oil painting art by KipDaFog for this oen time pressing on tri-color canary cake vinyl.