Hip Hop 360 Items

DJ BK is back in full effect with tracks by Beneficence, Phife Dawg, D.I.T.C, Mr. Lif, Apathy, Constant Deviants, Blaq Poet, Epidemic, Masta Ace, Homeboy Sandman, Blu, Jonwayne, Havoc and many others. Tip!

DJ BK is back in full effect with tracks by Apollo Brown, Hus Kingpin, Apathy, Denmark Vessey, WestSide Gunn, J-Live and many more. Tip!

All new mixtape by BK, incl. Tracks by ChillxWill, J-Live, Willie The Kid, yU, The Four Owls and many more. Dope!

Finally new material from suisse wonderboy Dimlite, now on Stones Throw's Now Again label.

Brand new project by Didaflo in which he made everything in the concept of collage, going through the whole process of re-using lots of materials to create new textures and give new life to obscure and for most forgotten bits of the American Pop culture. This is the 2nd album by Didaflo but his first ever on vinyl!

This album is a real piece of art that comes in a very exclusive collector gatefolder edition with many printed parts done by the ever mystic man himself Sir Froderick.

We like to think of this one as an extra special release as it exhibit the art of Sir Froderick like never before. Once opened the album takes you to his universe and is pretty much like entering a fresh dimension of beats, samples & visual graphics.

Oddisee, XO and yU are back with production by Large Professor, Oh No, Diamond D, Black Milk, Apollo Brown, Nottz, L'Orange & more …

Limited to 500 hand numbered copies.

Devin The Dude is your favorite rapper's favorite rapper. Devin released his 6th studio album Suite 420 on the unofficial weed smoker's holiday, 4/20, in 2010. Full of laid-back grooves and features from Devin's OG crew Da Odd Squad aka the Coughee Brothaz (Jugg Mugg and Rob Quest) and other Houston affiliates, Suite 420 is pure southern comfort hip-hop music.

Thanks to Get On Down for sharing this exclusive with us for the European fans.

Conceived in New Jersey’s then-emerging DIY scene of the late 1990s, cult hip-hop act Dälek pioneered an intriguing fusion of progressive lyrical prowess and sonic experimentation. With unique dark ambient / rhythmic noise elements, the trio was described as a mix of Public Enemy and My Bloody Valentine. Their singular sound was documented on four milestone albums released on Mike Patton’s Ipecac Recordings imprint, alongside live actions supporting the likes of Tool and Melvins and collaborative works with artists such as Faust, before the group ceased regular activities in 2011.

In the spring of 2015, mastermind MC Dälek (a.k.a. Will Brooks) revived the project with the blessing of ex-member / co-producer Oktopus. Featuring new members DJ rEk and Mike Swarmbots, Dälek presents their newest release and first proper full-length since 2009’s Gutter Tactics.

A formidable display of true hip hop artistry, Asphalt for Eden is a creative peak for the forward-thinking trio and will generate renewed interest in their iconoclastic sound.

Propelled by the subtle African polyrhythms of Cameroonian drummer Garcia Etoa-Ottou and the hypnotic basslines of Charles Thuillier, pianist Noam Duboille takes you on a deeply emotional journey.

Original compositions created in their hometown of Amiens and recorded at the historic Studio Pigalle in Paris.

Before Sunz of Man and before Wu, there was Da Last Future. The line-up before they got down with the Wu was KiIllah Priest, Prodigal Sunn, Hell Razah, Shabazz the Disciple, 7th Ambassador and our man producer Su-Preme. They dropped a low run 12" on Nocturnal 7 Records, engineered and mixed by another friend o'Herring, Carlos C-12 Bess at the legendary Firehouse Studios in NYC.

Another stunner from Da Great Deity Dah with features by Matthew Paine, Ibn Nur Quiet Storm 720 and The 5Bro MCs. Tip!

Czarface, Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric, isn’t concerned with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group’s fans.

In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the ‘90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante.

This time around the group is the same, but it’s fair to say that all three men have stepped up their game. “We knew how we felt about the last album, but weren’t sure how it would be received by listeners,” explains MC Esoteric. “But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2.”

Inspectah Deck adds, “Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I’m in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I’m here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit…I love that. I love when i can just spit freely and just be an MC.”

The fighting analogy – whether drawn from pugilism or ‘80s wrestling, both which figure into Every Hero Needs A Villain – is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse. Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, “All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well.”

On the production side, 7L shows yet again – as he did with the group’s debut – that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths.

Red Cover Edition. 6 years after the first release of Conway’s classic debut album “Reject 2”, Scmd Music (Taha and Jtlm Records) brings the official reissue with the OG art cover to the world. Straight up classic material! The masterpiece features underground heroes such as Westside Gunn, Roc Marciano, Mach Hommy, Benny The Butcher, Skyzoo, etc. Productions by DJ Daringer. Buffalo in full effect…

Damaged cover!

6 years after the first release of Conway’s classic debut album “Reject 2”, Scmd Music (Taha and Jtlm Records) brings the official reissue with the OG art cover to the world. Straight up classic material! The masterpiece features underground heroes such as Westside Gunn, Roc Marciano, Mach Hommy, Benny The Butcher, Skyzoo, etc. Productions by DJ Daringer. Buffalo in full effect…

6 years after the first release of Conway’s classic debut album “Reject 2”, Scmd Music (Taha and Jtlm Records) brings the official reissue with the OG art cover to the world. Straight up classic material! The masterpiece features underground heroes such as Westside Gunn, Roc Marciano, Mach Hommy, Benny The Butcher, Skyzoo, etc. Productions by DJ Daringer. Buffalo in full effect…

King of Hearts is the fourth and final album by the late rapper, singer and producer, Camu Tao. Originally posthumously released in 2010 by Definitive Jux in collaboration with Fat Possum, King of Hearts was Tao's last record before his untimely death at just 30 years old from lung cancer in 2008. Recorded with Definitive Jux label head, EL-P (also one half of Run the Jewels), had it been released in 2008 when it was originally slated to, it probably would have felt ahead of its time. Pop-focused, hook-driven, and more sung than rapped, it pre-dates the similar ideas since explored by Kid Cudi, Janelle Monae, and even 808 and Heartbreaks-era Kanye. So singular and affecting was Tao's music, it led to EL-P dedicating an entire solo record to his legacy, on the now-classic Cancer 4 Cure. Now on Oct 18th 2019, Fat Possum will finally issue the album on vinyl for the first time, and re-introduce Camu Tao's music to the wider audience it deserves.

“Nostalgic, soulful and, of course, boogie-woogie.” That’s how Belgian DJ producer Boogie Belgique (aka Oswald Cromheecke) describes the enticing combination of styles and sources from different decades that make up his music. Taking vintage inspirations, most notably from swing and jazz eras, and merging them with contemporary beats and textures is the young producer’s forte. This is pleasingly evident on Volta, the latest Boogie Belgique album for the Cold Busted label. “Jungle Law” gives a glimpse into Boogie Belgique’s sonic palette. Tough hip hop beats and funky live guitar follow an intro of jungle ambience as a trumpet presents the melody. Soon some swingy big band jazz enters the song in an almost ghostly manner, while the insistent beat keeps the dance floor moving. Album opener “Go Slow” shows a different side to the coin giving the listener an uptempo broken beat rhythm, some bouncy bass guitar, snippets of string loops, and a lovely, forlorn vocal line that echoes the past. It’s a beautiful concoction, and Boogie Belgique delivers on many aspects of this style throughout his eleven track album. Volta is a satisfying trip in an aural time machine.

Bluestaeb hooks up with Jakarta for the all new "Rodaquilar" album. Produced, recorded and mixed by Blue, features Blameful Isles on one track.

We teamed up with Radio Juicy & Urban Waves again to make Bluestaeb's out of print title "1991 Extraterrestrial" available again on vinyl. This is one hell of a producer album that shouldn't be missed by any beat conaisseur. Lyrical features are provided by Teknical Development of Obba Supa & Man Of Boom fame as well as Eloquent & NaNo. Bonus remix provided by Antitune, cuts provided by Grizzly Adams of the Beat Evolutioners and the mastering was made by Figub Brazlevic.

Fresh new 6-tracker by Blu!

HFC is now finally mastered and commercially available for the first time, marking the first-ever proper solo releases for Blu.

Black Milk, one of the most prodigious and versatile talents in the world of hip-hop, returns alongside his band Nat Turner with a live instrumental LP, The Rebellion Sessions, a jazz-funk opus recorded over the span of one week.

Orchestrated and produced by Black Milk, The Rebellion Sessions features Nat Turner (Aaron “Ab” Abernathy on keys, Malik Hunter on bass, and Zebulun “Z” Horton on drums). Although the guys have appeared on Black’s previous works, The Rebellion Sessions is the first project created by the four as a collaborative unit. The album, at times recalling the works of Fela Kuti, Charles Mingus, Miles Davis, Sly & The Family Stone, D’Angelo, and Robert Glasper, builds off Black Milk and Nat Turner’s incredible live show, honed over the course of years and more than 90 shows played worldwide in 2015 alone. Black Milk & Nat Turner will embark on The Rebellion Tour in Europe this May, performing select tunes from The Rebellion Sessions in addition to songs from Black Milk’s extensive catalog, before hitting the road in the States.