Hip Hop Vinyl 642 Items

SUPER SEAL BREAKS ist eine der beliebtesten Vinyl unter Battle Breaks / Scratch Tools. Seit der Veröffentlichung der Originalversion im Jahr 2000, produziert von DJ QBert, ist es ein klassisches Scratch-Tool, welches von vielen DJs erste Wahl ist. Diesmal erscheint sie in einer limitierten Pressung in neon-gelb. Die Klassiker wie "Ahhhh" und "Fresh" sind alle enthalten. Die verschieden 4 Beats auf der B-Seite werden häufig zum erstellen von Loops verwendet. Egal ob Anfänger oder Vollprofi, Super Seal gehört in jedes Repertoire zum Turntablism-Training.



Features

⦁ 1x 12“ Vinyl mit Scratch Tools

⦁ A-Seite: 12 Scratch Grooves, The classic scratch samples "Ahhhh" and "Fresh" mit vielen weiteren Samples.

⦁ B-Seite: enthält 4 aufgenommene Beats, die häufig zum Scratchen und Juggling verwendet werden.

⦁ Ultra dünn und leichter als herkömmliche US-gepresste Vinyl

⦁ Leicht zu erkennende Rillen

⦁ Reduzierte Springfunktion am Anfang beider Seiten durch eine modifizierte Einlaufrille

⦁ Streng limitierte Pressung in neon-gelb

Limited double vinyl LP pressing. Tha Last Meal is the fifth studio album by rapper Snoop Dogg. It was released on December 19, 2000. It was his third and final studio album released on No Limit Records and his first album on his newly founded label Doggystyle Records in the United States. The album was produced mostly by Master P and Dr. Dre along with Timbaland and Soopafly. The album included the singles "Snoop Dogg (What's My Name Pt. 2)","Hennesey n Buddah" featuring Kokane,"Lay Low" featuring Nate Dogg,"Loosen' Control" and "Wrong Idea" featuring Bad Azz. Tha Last Meal debuted at #9 on the US Billboard 200. The album topped the Top R&B/Hip-Hop Albums for four consecutive weeks.

On the West Coast, gangsta rap held sway in hip-hop as the 21st century began. The alternative and conscious rap music of the early-to-mid-90s had all but faded into the underground. The scene was set for a comeback, perhaps as a backlash to the perceived violence and misogyny of
gangsta rap's content. Leading the resurgence of alternative hip-hop were groups like Jurassic 5, and recent
signees to Capitol Records; a West coast trio that had been building steam underground since the early 90s called Dilated Peoples.

Anticipation was high for the release of the debut album from Evidence, Rakaa, and DJ Babu. (Of the influential turntablist collective Beat Junkies.) When The Platform arrived in May of 2000 it was met with critical and underground acclaim, as well as affording Dilated Peoples their first Billboard chartings. It featured a back-to-basics sound with a heavy debt to the old-school hip-hop ethos, the kind of sound that harkened back to the early days of legends like De La Soul & A Tribe Called Quest. Hits like
""No Retreat"" and ""The Platform"" were bolstered by Evidence & Rakaa's subtle, abstract wit, and swift, adroit wordplay, while DJ Babu provided production chops and dextrous scratches. On The Platform the trio were joined by the likes of B-Real, Tha Alkoholiks, Everlast, Planet
Asia, and many more providing guest vocals, while boasting guest production from The Alchemist & Kut Masta Kurt, among others.

Since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen
a vinyl reissue. With that, Get On Down-always on top of giving the greatest hip-hop albums their due-is proud to present this re-release of The Platform. The rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.

Dead Prez may have been slightly ahead of their time during their golden years, but that is definitely meant as a compliment. Sermonizing Black Nationalism, Pan-Africanism and the benefits of a healthy and just lifestyle during the height of the Bad Boy / Roc-A-Fella era of nihilistic excess in the late ‘90s, they also signed to a major label (Loud /
Columbia) despite leaning much more towards the burgeoning indie aesthetics of the day. But this was a good thing – using major label muscle to wake up righteous hip-hop fans who might have fallen asleep at the wheel.

The group itself – consisting of MCs stic.man and M-1, who produced or co-produced most of the duo’s music – was formed in Tallahassee, Florida in the
early 1990s (M-1 originally hailed from Brooklyn). By later that decade, the duo had started making significant waves, having their music heard on the soundtracks to “Soul In The Hole” and “Slam,” as well as appearing on albums by Big Pun and The Beatnuts.

By 1998, they released their first official single, the serious, stark “Police State,” on Loud, appropriately brought to the label by Lord Jamar of Brand Nubian.

After building a solid rep over the next two years with fiery live performances, in 2000 they unleashed their debut album, Let’s Get Free. The album was a welcome return to provocative and often radically political rhetoric that hearkened back to hip-hop forebears including The Coup, Public Enemy and KRS-One (as well as poetic descendants like the Last Poets and Watts Prophets).

Let’s Get Free was critically acclaimed and benefited from multiple singles, including the infectious, thick analog drive of “Hip-Hop” (which became the de facto theme song for “Chappelle’s Show”); “It’s Bigger Than Hip-Hop,” with a remix co-produced by a young Kanye West; “Mind Sex” (with Abiodun Oyewole of the
Last Poets); and the poignant “I’m An African.”

But the singles weren’t the only worthy songs, as just about every cut here has deeper meaning than most full albums by their early 2000s peers. Highlights:
the thought-provoking, anti-drug album opener “Wolves”; “We Want Freedom” (co-produced by frequent collaborator Hedrush); “They Schools” and “Propaganda”
(co-produced by Lord Jamar, one of five songs he assisted on).

All in all, this is one of the more underrated and possibly Top 5 fully-realized political hip-hop albums of all time. If you don’t agree with the previous sentence, give Let’s Get Free another listen… you might be surprised at how well it has held up over the years."

Mama's Gun is the second studio album by Neo Soul singer Erykah Badu, released in 2000. Covering themes of insecurity, social issues and personal relationships, Badu delivered a highly intimate and personal album that reached Platinum two months after its release.

180g vinyl.

“The Marshall Mathers LP” is the third studio album by American rapper Eminem. It was released in 2000, by Aftermath Entertainment, Interscope Records, and Eminem's newly founded label, Shady Records in the United States and by Polydor Records in the United Kingdom. The album was produced mostly by Dr. Dre and Eminem, along with The 45 King, the Bass Brothers, and Mel-Man. Released a year after Eminem's breakout album “The Slim Shady LP”, the record features more introspective lyricism including the rapper's response to his sudden rise to fame and controversy surrounding his lyrics.

The album sold more than 1.78 million copies in the US in its first week alone, becoming the fastest-selling studio album by any solo artist in American music history. In 2001, the album won the Grammy Award for Best Rap Album and was nominated for Album of the Year. Eminem lost the latter to jazz-rock duo Steely Dan and their album “Two Against Nature”. The album was certified Diamond by the Recording Industry Association of America in March 2011 for shipping 10 million copies in the United States. By December 2016, the album had sold over 11 million copies in the United States and more than 32 million copies worldwide. A sequel to the album, “The Marshall Mathers LP 2”, was released on November 2013.

Finally this epic masterpiece gets the reissue treatment!

Beat sampler with tracks by Waxolutionists, Texta, DJ DSL and others!

/ Mörderbraut Tropf remix

The one that started the whole Quas craze! Madlib beats at its best! 2021 repress

/ B-Boy The Real McCoy

Back in stock soon.

Includes the massive hit Ms. Jackson which opened the gates for Outkast's mainstream success!