Hip Hop Vinyl 648 Items

Available for the first time since originally released in 2006 via Stones Throw, Dudley Perkins & Madlib are pleased for the reissue of their sophomore collaborative LP, Expressions (2012 A.U.), their acclaimed follow-up to their 2003 debut effort, A Lil’ Light. And albeit the former can be accused of being excessively avant-garde, it’s Expressions where both Perkins and the Beat Konducta find a more fluid symmetry. In everything from his collaborations with MF Doom and the late Jay Dee to his more recent pairing with Freddie Gibbs, Madlib is easily one of hip-hop's golden revolutionaries. At times his production has been accused of being sparse, but that's not the case with Expressions. This time around, Madlib's production is hitting all the funky corners with layered grooves that evoke the attitudes and emotions of A Tribe Called Quest's The Low End Theory. Perkins's objective to keep the grooves flowing on Expressions is laid down with first lines of opener "Funky Dudley": "A little bit of funk and a dash of soul/ A little bit of George borrowed from my Ol' gran' pappy's stack of old school/ One nation under a groove." From there on the funk samples dance famously with Dudley's vocal style, which cross-pollinates the worlds of D'Angelo and Ol' Dirty Bastard. From "Get on Up" to the James Brown vocal sample in "Dolla Bill," Expressions uses Perkins's voice as if it were a sample itself, incorporating it in the production and the rhythms. Madlib's production works flawlessly, his semi-psychedelic influence on R&B, soul and hip-hop keeping Perkins's style fresh and original. All the parts seem to be in place on Expressions as producer and emcee work side-by-side to create a cohesive sound that not only represents the creativity of the underground but could also awaken the tired ears of the mainstream.

The CLASSIC LP from Pharoahe Monch "Internal Affairs." Featuring production from DJ Scratch, Diamond D, and The Alchemist with verses from Canibus, M.O.P., Busta Rhymes, Common, and Talib Kweli.

• Limited edition to 325 copies
• The album is pressed on a 2xLP with a gatefold sleeve.
• The album includes 2 bonus tracks (Knock On Wood Remix) (Gun Smoke Extended Version)

FEAR OF a BLACK PLANET was produced by the Bomb Squad and features the hit singles, 'Fight the Power,' 'Welcome to the Terrordome' and Flavor Flav's '911 Is a Joke.' FEAR OF a BLACK PLANET, which celebrates it's 25th anniversary in 2015, finished #300 on Rolling Stone's list of the '500 Greatest Albums of All Time' and was added to the Library of Congress' National Recording Registry in 2005. The album is certified platinum by the RIAA for more than one million shipped, peaking at #10 on the Billboard 200.

Tommy Boy Records celebrates 30 Years of House of Pain's debut album House of Pain (Fine Malt Lyrics) with this remastered edition. Everlast, DJ Lethal & Danny Boy formed House of Pain while attending high school and were signed to Tommy Boy Records after fashioning themselves as rowdy Irish-American hooligans, hitting the local rap and alternative music scene. House of Pain (Fine Malt Lyrics) went multi-platinum and the self titled debut album spawned the successful producer DJ Muggs, who produced the single "Jump Around". The song was also remixed twice by Pete Rock, one version featuring a verse from him and one without. "Jump Around" became a hit in 1992, reaching number 3 in the United States. The album also featured Cypress Hill member B-Real on the song "Put Your Head Out" and Funkdoobiest's Son Doobie on "House and the Rising Sun", both members of the musical collective known as Soul Assassins. This edition is colored.

Attention: This is not the 90's Tapes reissue, but a reissue run by Fat Beats in partnership with Space Invadaz. They are also pleased to release the 25 years anniversary edition reissue of Mood’s acclaimed 1997 debut LP, Doom. Originally released on September 23 of 1997, Doom was an important springboard for the careers of Talib Kweli, DJ Hi-Tek, Sunz of Man and Lone Catalysts. The 18 track LP is an artistically experimental album marked by stand out production and lyricism that remains on-point throughout.

Cincinnati rappers Main Flow and Donte kick apocalyptic rhymes that cite sacred scripture, ancient history, and politics. Both their rhyme schemes and chemistry are strong and prove to be equally compatible with DJ Hi-Tek, who made his production debut on this record, composing nine of the album’s 18 tracks, with newcomer Jahson handling the remaining production. Similar to the lyrical pairing, the production duo of Hi-Tek and Jahson are well matched, as they add a sense of darkness and mystery that shrouds the sonic backdrop throughout the album.

Doom is lyrically and sonically an outstanding body of work that stands out as one of the more noteworthy indie rap titles of ’97. In celebration of the 25 year anniversary milestone, this reissue comes equipped with remixes, including the J Dilla Remix for “Secrets of the Sand” which was never before featured on any previous album represses or reissues.

Classic black LP! While Edan's critically acclaimed debut, 'Primitive Plus', was a celebration of hip-hop's golden age and a true throwback, his sophomore album, 'Beauty And The Beat', is a vast musical collage that contains many different influences; hip-hop, rock, pop, dusty breaks, hazy loops, luxurious off-kilter samples and curveball tempo changes that are all crafted into one cohesive piece of art. In 2015, FACT placed it at number 30 on the "100 Best Indie Hip-Hop Records of All Time" list. In 2013 NME placed it at number 392 on the "500 Greatest Albums of All Time" list. // "A Psychedelic gem. It's like 'The Grey Album' in technicolour" - Vice // "This is a record that exults in the joy of musical creation. It should prove impossible not to love" - The Times // "Perhaps one of the greatest US hip-hop album you'll hear" - DJ // NME 8/10 // Pitchfork 8.8/10 // MOJO **** // Uncut **** // Stylus A- // HipHopDX 4.5/5 // Entertainment Weekly A- //

Limited to 200 copies exclusive to HHV customers. Known for his proudly bugged-out delivery and laid-back style, the immensely likeable Declaime, p/k/a Dudley Perkins is pleased to rerelease his debut solo LP, Illmindmuzik on vinyl for the first time since 1999.

Produced entirely by his longtime homie Madlib, the Oxnard-based duo concoct a seriouly funky listening experience that combines Declaime’s delightfully woozy verses centered around crate-digging and mind expanding, over the Beat Konducta’s blunted instrumentals.

Illmindmuzik is a must for fans of Cali underground hip-hop and boasts guest appearances from the likes of the Lootpack, Evidence and more, and includes the stand out singles, “Let It Be Known” and “Roll ‘Em Right.”

Ghostface Killah released his debut solo album 25 years ago on October 29, 1996. Produced by fellow Wu-Tang Clan member RZA, Ironman found inspiration in sources ranging from blaxploitation films to classic soul and charted a whole new direction for hip-hop in the process. The album features classic bangers like Daytona 500 featuring Raekwon and Cappadonna to soulful emotionally moving cuts like All That I Got Is You with Mary J Blige.

To commemorate the 25 year anniversary Get On Down is proud to present Ironman in a 2xLP set available on both ‘Blue & Cream’ and ‘Chicken & Broccoli’ half-n-half colored vinyl, each version housed in a deluxe gatefold jacket, packed inside a ‘shoebox’-style 2nd outer jacket embossed with the year 1996.

Another marvellous gem by Get On Down, made available to HHV customers in Europe. Limited to 1800 in total.

To commemorate the 30 year Anniversary of Cypress Hill’s debut album Get On Down is proud to present the complete album on 7 inch vinyl singles for the first time ever housed in a deluxe casebook.

Includes:

The debut album is presented as a set of six 7-Inch vinyl records presented in a Hardcover Casebook which holds all six records in built-in sleeves Full-color 80 page booklet with liner notes by journalist Chris Faraone, complete with photos and lyrics, and more Housed in a premium outer slipcase, debossed with the iconic Cypress Hill logo in metallic red foil.

When Cypress Hill came with their debut self-titled album 30 years ago, they made an immediate spark that captivated the Hip Hop audience, critics, and then the world. Led by B-Real with his nasal, singsong delivery, and Sen Dog to play the perfect hypeman, Cypress’ debut fueled tales of revenge, revolution, recreational drug use, gangbanging, and cultural pride. Like Public Enemy before them, the production was also a key factor in what made this debut so groundbreaking. DJ Muggs was able to craft a blueprint that would change Hip Hop production with his innovative stoned-out beats. Records like "How I Could Just Kill a Man", "Pigs", "Stoned is the Way of the Walk" and "Hand on the Pump" made this album an instant classic. Since its release, the album has won acclaim as one of Rolling Stone's Essential Recordings of the 90s and Top 100 Best Rap Albums by The Source Magazine.

Journalist and author Chris Faraone highlights the group's relationship in the reissue's liner notes saying, "[By the late 80s] the undisputed Cypress unit finally formed. B and Sen realized that their diametric styles - the latter's deep wrangle, the formers inimitable high notes - complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop's most formidable young producer, while straddling the bi-coastal gap."

Faraone was able to dive in deep with the band for the liner notes, hearing story after story, including the particularly interesting tale of their unlikely 91 radio hit, "How I Could Just Kill A Man". In the B Side wins again story, the group recalls receiving resistance from the label in regards to which single should hit radio first. Initially, the label thought "How I Could Just Kill A Man" was too risky, and even though the single initially "The Phuncky Feel One", one of the album's strongest cuts, as the A-Side, college and commercial mix-show radio couldn't resist the dusted, heavy groove of Kill A Man. The song – which included a catchy, LA drive-by-inspired chorus – ended up as an unlikely, but powerful double A-sided single that even topped the Billboard Rap charts. More singles would follow, including "Hand On The Pump"; "Pigs"; and "Latin Lingo". And by the fall of 1991, the album was a full-blown critics darling. If you are a Cypress Hill fan and 45 collector this limited edition 30 year Anniversary 7” boxset is a must have!

P-vine is thrilled to release 'Just A Friendly Game Of Baseball' and 'Vamos a Rapiar' from Main Source’s phenomenal debut album Breaking Atoms as a world-exclusive 7” single pairing. Lifted from the 1991 album, the social commentary of police violence on 'Just A Friendly Game Of Baseball' is biting sharp, and resonates thirty years on. 'Vamos a Rapiar' has previously featured as a B side on 1996’s Large Professor single, and was the only track on the album to feature co-production from Pete Rock. The record features a brand new jacket design, and is pressed on a limited edition picture disc.

Classic Stons Throw album, all productions by Madlib and artwork by the one and only Jeff Jank!

SUPER SEAL BREAKS ist eine der beliebtesten Vinyl unter Battle Breaks / Scratch Tools. Seit der Veröffentlichung der Originalversion im Jahr 2000, produziert von DJ QBert, ist es ein klassisches Scratch-Tool, welches von vielen DJs erste Wahl ist. Diesmal erscheint sie in einer limitierten Pressung in neon-gelb. Die Klassiker wie "Ahhhh" und "Fresh" sind alle enthalten. Die verschieden 4 Beats auf der B-Seite werden häufig zum erstellen von Loops verwendet. Egal ob Anfänger oder Vollprofi, Super Seal gehört in jedes Repertoire zum Turntablism-Training.



Features

⦁ 1x 12“ Vinyl mit Scratch Tools

⦁ A-Seite: 12 Scratch Grooves, The classic scratch samples "Ahhhh" and "Fresh" mit vielen weiteren Samples.

⦁ B-Seite: enthält 4 aufgenommene Beats, die häufig zum Scratchen und Juggling verwendet werden.

⦁ Ultra dünn und leichter als herkömmliche US-gepresste Vinyl

⦁ Leicht zu erkennende Rillen

⦁ Reduzierte Springfunktion am Anfang beider Seiten durch eine modifizierte Einlaufrille

⦁ Streng limitierte Pressung in neon-gelb