Hip Hop Vinyl 649 Items

Originally released in 1995, Brothas Doobie is the second album by the Los Angeles-based Latino rap group Funkdoobiest. The album contains all the original members Son Doobie (Jason Vasquez), DJ Ralph M (Ralph Medrano) and Tomahawk Funk (Tyrone Pacheco) and contains the famous and controversial track "Superhoes".

The item comes with a slight corner bump.

Limited to 1994 copies worldwide. US customers, please order with Get On Down. Pressed ON Blue AND Butter Cream Colored Vinyl

With Hand Numbered OBI Limited to 1994 Copies

Deluxe edition vinyl which includes the original album plus 3 Resurrection remixes with liner notes featuring interviews with Common and NO I.D all in a beautiful gatefold jacket.

Get On Down is proud to present, Commons sophomore album, Resurrection. While the album was originally neglected by the mainstream, it has since received a great deal of critical acclaim and is now on The Sources 100 Best Rap Albums. In comparison to his debut album, Commons musical style evolved lyrically by his expressing of himself rather than just describing street life. With its Jazz and Hip Hop flavors, Resurrection furthered the growth of both genres. Overall, the album is commonly perceived as an underrated Rap classic and now this legendary album is available in a much anticipated, 2xLP gatefold jacket edition.

Resurrection was produced almost entirely by No I.D., who has gone on to work with heavyweights like Usher, Alicia Keys and Rihanna, and he recently produced the first two singles for Jay-Zs new album The Blueprint 3. In addition, No I.D. is credited as the man who introduced Kan ye West to Hip Hop production, inviting him to his sessions with Common when West was only starting out.

The 2xLP features the original 15 album tracks (all cuts remastered from the original masters) and three remixes of Resurrection. Two of the remixes were produced by the one and only Large Professor of Main Source fame and the third is another track by No I.D. The gatefold jacket art features in-depth liner notes written by Brian Coleman with Common and No I.D.

2005 release from the hip hop great, Sean Price. Hip-Hop purists have long recognized and appreciated Sean's commanding delivery, powerful voice and clever verses (exemplified by Monkey Barz playful lead single 'Onion Head'). With Ayatollah, Agallah, 9th Wonder, Nottz, and Khrysis contributing beats as well as guest appearances from the Boot Camp Click's core members (Black Moon's Buckshot and 5FT, Smif N Wesson's Tek & Steele, O. G. C. 's Louieville Sluggah and Starang Wondah, Rustee Juxx and Sean's Heltah Skeltah cohort Rock makes two cameos) the BCC collective was fully in-tact and operational for Sean Price's 2005 solo-debut. Monkey Barz was named Independent Album of the Year by AllHipHop.

First release of the new season is a corker. Extremely hard to find 12" outta New Jersey by Ikee produced by the legendary Culture Freedom from Poor Righteous Teachers.

Heads will Know how hard this one is to find. Last one to go on Discogs went for 160gbp and it sounded like crap!! Lol. Heavy Heavy rarity here fellas. Straight reissue as there were no other joints available. Here's what Culture said to me:



"I met Ikee in the city of Trenton, New Jersey in 1984, where we both grew up and lived. He was the cousin of one of our first DJs [DJ Divine]. Over a decade later I bumped into him and he was a fully fledged MC so we decided to record. I helped Ikee and his good friend KJ start their own label, “Upshot Records” and produced the EP for them".





And btw, contrary to popular belief [see Discogs] this dropped in 1997 and not 1995.



Big shout out to Simon Pehlgrim for the request. Hope yr feelin better dude.



And we're back to the old Herring steez for a cycle or 2.

There are 225 copies on trad Black Vinyl.

No white labels this season.

TWe are finally set to reissue Blowout Comb, the 1994 second album by cult, Brooklyn-based hip hop trio Digable Planets.

The album is named for the combs used to maintain an Afro hairstyle, and that’s significant. The group’s Ishmael “Butterfly” Butler said it summed up what they wanted to do with it: "It means the utilization of the natural, a natural style,” he has said.

Like with 1993’s debut Reachin’ (A New Refutation of Time and Space), ‘utilizing the natural’ meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig ‘Doodlebug’ Irving and Mary Ann ‘Ladybug Mecca’ Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr’s Guru, Jeru the Damaja, and Jazzy Joyce.

Following the gold-selling commercial success of their debut, they here set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounded like party music. Its lyrics are dense with wit, social commentary and politics – and its original inner sleeve was modeled on the newspaper of the Black Panther movement.

Its instrumentation includes sax, vibraphone and flute. Its samples – gathered from global cratedigging trips while touring the first album around the world – included Grant Green, Eddie Harris, Shuggie Otis and jazz-funk pioneer Roy Ayers (whose “We Live in Brooklyn, Baby” became “Borough Check” here). And yet at the same time its beats are infectious and its spirit undeniable.

This is an album firmly rooted in Brooklyn. “Growing up hearing and cherishing this album, it created a textured soundscape of a mythical world of rhymes, jazz, breakbeats, culture, art and urban ambiance,” says DJ and fan Mick Boogie in the liner notes. “When I moved to Brooklyn years later, I found that the world I imagined while listening to this classic LP actually really existed…”

Though Digable Planets have reunited on occasion since – and though their influence endures in every top-shelf rap act with a jazzy sensibility – the trio parted ways after Blowout Comb, citing that old favorite "creative differences”. Sometimes, the most volatile combinations create the best art.

Known for his proudly bugged-out delivery and laid-back style, the immensely likeable Declaime, p/k/a Dudley Perkins is pleased to rerelease his debut solo LP, Illmindmuzik on vinyl for the first time since 1999.



Produced entirely by his longtime homie Madlib, the Oxnard-based duo concoct a seriouly funky listening experience that combines Declaime’s delightfully woozy verses centered around crate-digging and mind expanding, over the Beat Konducta’s blunted instrumentals.



Illmindmuzik is a must for fans of Cali underground hip-hop and boasts guest appearances from the likes of the Lootpack, Evidence and more, and includes the stand out singles, “Let It Be Known” and “Roll ‘Em Right.”

Only Built 4 Cuban Linx... (1995) is the solo debut of American rapper and Wu-Tang Clan member Raekwon. Produced by RZA and starring Ghostface Killah, it features appearances from every other member of the Wu-Tang Clan. It also features an acclaimed guest appearance from rapper Nas, which marked the first collaboration with a non-affiliated artist on a Wu-Tang related album.

First published in 2003, King Geedorah’s »Take Me To Your Leader« became an instant classic amongst fans. King Geedorah, named after the three-headed gold dragons from the Godzilla movies, is MF Doom's alias what he uses as part of the supergroup »Monsta Island Czars«. The album includes features by Jet Jaguar (MF Grimm) and some other »MIC« members.

2023 silver vinyl pressing.

Few hip-hop artists have achieved the same level of critical acclaim and praise that 90s veteran and Queens native Nasir "Nas" Jones has. Across his over 25-year career he has been ranked as one of the greatest rap performers and lyricists by MTV, The Source, and Complex, among other publications, all while selling over 30 million records worldwide, and releasing eight consecutive platinum albums. In particular, his 1994 debut Illmatic is hailed as a paragon of underground hip-hop, a turning point in East Coast rap's development, and one of the all-time greatest debut albums in general.
Though Nas' artistic legacy is without question, it was not always the case; if Nas had flourished during the mid-90s, he had stumbled clumsily while transitioning into the 00's. After achieving universal praise via Illmatic and commercial success with its' follow-up It Was Written, Nas' next few releases were considered inconsistent and lackluster compared to the critical one-two punch they followed. During this time period he had abandoned the socially-conscious and philosophical topics that made him a critical darling in favor of more commercially viable gangsta rap. Though he maintained a chart presence for much of the late-90s, review scores began to dwindle, and his status among the hip-hop community was thrown into question.
This would change in 2001 with the release of Nas' fifth studio full-length, which made the effort to re-establish him as a legitimate artist. Eschewing the pop-friendliness he'd found success with, Nas instead opted to return to the underground style he came up in, with tracks about American politics, ghetto life, and social upheaval. Perhaps sensing this need to return to his roots, he titled the album Stillmatic, a clear and present reference (and sequel of sorts) to Illmatic.
The ploy worked perfectly; Stillmatic was hailed by critics as a stunning comeback, and a brilliant return to form, earning rave reviews from rap outlets such as The Source and HipHopDX as well as from more mainstream publications as The Rolling Stone and The Village Voice. Praise was heaped upon the complexity and introspective nature of Nas' lyrical content, the top-tier production from veterans like Large Professor, DJ Premier, L.E.S., and Trackmasters, and hard-hitting guest appearances from AZ, Mary J. Blige, and Amerie.
Stillmatic would see release on December 18th of 2001, right as Nas was caught in the middle of a highly publicized feud with fellow New York rapper Jay-Z. As such, the record features one of the feud's most intense apexes in the form of its second track "Ether", a ruthless Ron Browz-produced diss track. A response to Jay-Z's own diss "Takeover", "Ether" savaged the Brooklyn-native, accusing him of brown-nosing to get ahead, of plagiarizing earlier rappers such as Notorious B.I.G. and KRS-One, and dismissing his street cred. To this day "Ether" is considered one of the best and most potent diss tracks ever recorded, a major turning point in the Nas/Jay-Z feud, a standout among the already critically acclaimed Stillmatic, and is even credited with boosting Jay-Z's career by proxy.

By the time his 2008 solo debut The Preface was released, Elzhi was already recognized as one of hip-hop's most gifted lyricists. The Detroit emcee was still a member of Slum Village at the time, having replaced hip-hop icon J Dilla in the legendary group earlier that decade. The Preface showcases Elzhi's undeniable talent and impressive creative flair, foreshadowing the exciting solo career that would follow. With a young Black Milk supplying pounding, drum-heavy production on 13 of the album's 16 tracks, Elzhi's dense verses electrify the mic, announcing the arrival of a truly special artist. Whether riffing on color-themed wordplay, playing a lyrical game of "fill in the blank", taking listeners on a dream logic adventure, telling his personal story, or simply showing off his scorching rhyme skills, Elzhi's flawless flows animate the highly conceptual collection. A thoroughly Detroit affair, The Preface features Motown rap gods like Royce Da 5'9", Danny Brown, Guilty Simpson, Phat Kat, T3 of Slum Village, and more. After years of scarcity, the album is finally receiving a vinyl reissue.

R.I.P. MF DOOM

Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After his first group KMD's sophomore album Black Bastards was shelved by Elektra in 1994, and his blood brother Subroc _ one half of the sibling rap duo _ passed away, surviving frontman Zev Love X slowly mutated into the supervillain MC known as MF DOOM, and the rap world is better for it. The 1999 release of Operation: Doomsday marked MF DOOM's official debut, reintroducing a mysterious figure who would soon become one of underground rap's greatest voices. Within its 19 tracks, Operation: Doomsday reveals the confluence of DOOM's tragic past, personal interests and daring creativity. His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched _ from cartoon theme songs, to `80s soul, to rap classics and more _ got reinterpreted into something brand new and surreal. Decades later, MF DOOM is still celebrated for all facets of his work and influence. In the face of tragedy, DOOM re-infiltrated the rap game on his own terms, and crafted an instant cult classic. Operation: Doomsday stands as a testament to the power of betting on yourself against all odds.

Backed up by the Da Beatminerz production crew, the debut album Dah Shinin’ by Brooklyn duo Smif-N-Wessun remains a cornerstone of the East Coast sound attached to classic hip-hop records of the 90s. With hints of reggae and jazz record samples in the mix, this was hardcore hip-hop slick with an underground edge as MCs Tek and Steele ripped through a charged set of sixteen tracks. Iconic tracks burnt into history like “Wrekonize” and “Bucktown” are all here, as well as guest slots from Black Moon and the birth of supergroup Boot Camp Clik. P-vine is delighted to be reissuing the record for the first time as a deluxe double picture disc edition, with two bonus tracks bringing the total package up to eighteen tracks.

DJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R&B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue. A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barb

The one that started the whole Quas craze! Madlib beats at its best! 2021 repress

Finally an all official reissue of THE french rap classic by almighty IAM sees the light of day. Essential pick!

Ill Communication is the fourth studio album by the Beastie Boys, released in 1994. The album is among the band's most varied releases, drawing from alternative hip hop, jazz-funk, hardcore punk and rap rock. Available on double 180g heavyweight vinyl.

feat. Jay-Z, Talib Kweli, Common, Twista, Mos Def, ...