Hip Hop Sale 23 Items

Limited to 3000 copies. The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Produced by Russell Simmons and Larry Smith – and bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages – Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g SuperVinyl 33RPM LP is the definitive-sounding version of this groundbreaking work.

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Beats, rhymes and cuts by Buck 65.

Limited to 500 copies.

A Cloak ReWork Orange is the remix album for A Cloak Work Orange.

This is a limited run of 2xLP, double gatefold with matte finish, and foil stamped numbered sleeves.

Raps by The Cloaks, Awol One and Gel Roc

Artwork by Awkward Logo by Propr Beer Tape Layout by Awol One credits released December 1, 2023

Intro by

Circus 2Mex Fat Jack Dante Ross Open Mike Eagle Charlie Tuna Fat Mike

The Cloaks, Awol One and Gel Roc

Guest Appearances by

Dose One and Mestizo as A7pha, Aceyalone, Megabusive, Quaesar, Brevi, Demrick, and Pawz 1

Remixes by

Controller 7 D-Styles Aceyalone Awol One Megabusive Paris Zax Fono Awkward Kenny Segal OG Calmer Factor Chandelier

Scratches by

Sir Beans D-Styles Roach The DJ

Sp-1200 Bangers Across Five 7" Records, From ONE OF THE Most Prolific Producer OF THE 90s - Previously Worked With Notorious B.I.G., Tupac Shakur, BIG Daddy Kane, LL Cool J, Busta Rhymes, AND Many More!

SOURCED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYL
1/2" / 30 IPS analogue master to DSD 256 to analogue console to lathe



Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way," the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles – not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME – and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet – the triple-platinum effort rocks the house.

Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent – and displayed just how big it could get – Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell.

As for the music, it ranks among the most influential, inventive, and invigorating ever released – rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D – who declared it his all-time favorite and "the first record that made me realize this was an album-oriented genre" – have testified on behalf of its brilliance. And never mind the presence of the Top 5 single "Walk This Way," whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade – and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe.

Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and "My Sharona"-meets-"Mickey" mixology of the boisterous "It's Tricky," the fat-but-minimized bass grooves and warped turntable wobble of the hysterical "You Be Illin'," chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic "Peter Piper," or voice-as-percussion attack of the funky "Is It Live." With Raising Hell, the answer to the question is always affirmative – a sensation bolstered by the fact the group always had something to say.

The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing "My Adidas"), work ethics ("Perfection"), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing "Proud to Be Black"). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever.

Copy close to NM

Limited to 1000 copies worldwide.

The most sought after HipHop Live-Album comes as a limited reissue upon HHV request.

The Roots Come Alive is a live album by the hip-hop group The Roots, released on November 2, 1999. This album captures the energy and musicianship of The Roots' live performances, showcasing their dynamic fusion of hip-hop, jazz, soul, and funk. It was recorded during various concerts in Europe and New York, giving listeners a front-row seat to one of the most revered live acts in hip-hop.

The Roots Come Alive is a live performance album that includes renditions of songs from their previous studio albums, as well as new improvisations and extended versions of tracks.
The Roots are known for their live instrumentation, a rarity in hip-hop at the time, and this album highlights their skills as a live band. Questlove (Ahmir Thompson) on drums and Black Thought (Tariq Trotter) as the lead MC, along with the rest of the band, exhibit a tight, cohesive sound with rich musical textures, showing their ability to translate their studio work into a live setting.

The album blends elements of hip-hop, jazz, funk, soul, and rock, reflecting The Roots' eclectic approach to music. It features live interpretations of their recorded tracks with a heavier emphasis on instrumental solos, improvised jams, and extended breakdowns that highlight the musicianship of the group. Unlike many hip-hop concerts that rely on pre-recorded tracks, The Roots perform with a full band, bringing a fresh and unique sound to each performance.

Key Tracks:
"Proceed" – A standout track, showcasing Black Thought’s lyrical dexterity with an extended instrumental jam.
"You Got Me" (featuring Erykah Badu and Jill Scott on the original studio version) – The live version is electrifying, with emotive vocals and powerful instrumentation that add extra depth to this already popular track.
"Essaywhuman?!!!??!" – A live favorite that features The Roots’ improvisational ability, blending live beatboxing, instrument solos, and crowd interaction.
"The Next Movement" – One of their hit singles, which gets a lively, expanded treatment in the concert setting, complete with additional grooves and audience interaction.
"Silent Treatment" – A jazzier, more relaxed live rendition of their classic from Do You Want More?!!!??!, with a focus on the band’s fluidity and Black Thought’s introspective lyrics.

The album does an excellent job of capturing the crowd interaction and the raw energy of The Roots' live shows. Audience cheers, call-and-response segments, and ad-libs contribute to the feel of being at a live concert. Questlove’s drumming, along with the band’s interplay, is a central feature throughout the performances, keeping the groove alive while allowing for spontaneous musical expression.

The album was well received by critics, who praised it for capturing the vitality of The Roots' live performances, which had earned them a reputation as one of the best live acts in hip-hop.
The Roots Come Alive was seen as a bold move, especially at a time when live albums were not common in the hip-hop genre. It reinforced The Roots' status as innovators, who brought an instrumental and performance-based approach to a genre dominated by turntablism and samples.

The album helped further The Roots’ reputation as a trailblazing group that could blend musicality with the raw essence of hip-hop, standing out among their contemporaries.
Their success with this live album also contributed to the growing appreciation of hip-hop as a form of live performance art, influencing other artists to explore live shows in more dynamic ways.
The Roots Come Alive is considered one of the most important live albums in the hip-hop genre, showing that the energy of a live band could be fused with the lyrical power of rap in a seamless, exciting way.

The album bridges the gap between studio precision and live improvisation, showcasing why The Roots were able to gain a wide-ranging fanbase across both hip-hop purists and lovers of live music. It stands as a testament to their creativity and musicianship.

Limited 2 x 140g 12" picture vinyl album. RSD 2023. 2LP picture disc version of ODB’s 1995 debut album Return to the 36 Chambers: The Dirty Version. Features the classic tracks “Shimmy Shimmy Ya”, “Brooklyn Zoo”, Hippa to da Hoppa”

Only 200 copies available!

This limited "Gumbo Trilogy Box" packaged in a high-quality paperboard slipcase contains:

- "Gumbo III – The Gorilla Diaries 2012 - 2016" vinyl, cover design by Cone The Weird
- "Gumbo II" vinyl with a brand-new, customized Pantone colorway by Cone The Weird
- "Gumbo I" double LP vinyl available in full length for the first time, cover artwork by Aro
- An exclusive photo book designed by Robert Winter and Jeremias Diekmann which lets you dive into the creation process of the Gumbo Trilogy. Includes rare photographs, cover sketches by Aro and Cone The Weird and essays by Brenk Sinatra and Stephan Kunze

Green translucent vinyl.

Clear vinyl edition!

Vinyl shows a few slight scuffs and hairlines. Cover has slight storage wear.
Original US pressing