HHV Records 158798 Items

DOOM Rugby Shirt

149,99 €*

Available Sizes: S, M, L

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The MF DOOM Rugby Shirt is equipped with the following features:
• color-blocked cut and sew construction
• contrast turn-down collar
• hidden button placket at upper chest
• stretch rib cuffs
• side notches at bottom hem
• tackle twill collegiate white “DOOM” lettering on front
• woven GasDrawls sewn tag on inside neck
• Herringbone Tape
• Rubber Buttons
• Appliqué
• Woven Trim
• regular fit
• 100% cotton
• CARE INSTRUCTIONS: DRY CLEAN ONLY

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DOOM Rugby Shirt

149,99 €*

2LP+LP | 2011 | UK | Original (Diggers With Gratitude)

Available Sizes: M, L, XL

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Phill Most Chill

All Cuts Recorded Raw

149,99 €*

LP | 1993 | UK | Original (Big Life)

Release: 2011 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue and purple vinyl version! Includes the test press EP, a signed photo and a poster! Bonus CD and 7" are missing!

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De La Soul

Buhlōōne Mind State

149,99 €* 199,99 € -25%

Portable BT Cassette Player

Release: 1993 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam wear, corner wear, slight bents and small sticker resdiue and tear on the back! Records with scuffs and slight scratches!

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We Are Rewind

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(Re)discover all the pleasure of analog sound with our modernized cassette players: Serge, Keith and Kurt.

Like the old-school cassette players, our players have fast forward/rewind buttons, a headphone output, a volume control and an audio input so you can create your own mixtapes.

But because you have to keep up with the times, we've added a few modern touches.

First, we've replaced the batteries with a rechargeable lithium battery that provides up to 12 hours of continuous playback. It's more practical and environmentally friendly. We also built in a Bluetooth 5.1 connection so you can connect the player to your headphones or wireless speaker in seconds. It may not sound like much, but it's a world first!

On the audio side, our engineers worked hard to optimize the mechanism to be as close as possible to the best of the time. And the result is there. Today, you won't find better on the new market!

Finally, we paid special attention to the design and materials used. As for the very first Sony Walkman, the TPS-l2, we avoided plastic and preferred an aluminum case for a "cool touch" and a real quality feeling. The result is a cassette player with a sober and elegant design, which will last in time. The kind of object that one would almost want to display on a shelf in the living room.

So, ready to rewind?

Available in 3 colors: Orange (SERGE), Blue (KURT) and Grey (KEITH).

Specifications:
• Compatible with compact audio cassettes, all Types I to IV
• 2-track stereo playback
• Frequency response: 30Hz - 12500Hz with Type I cassette
• Signal-to-noise ratio: 50dB
• Distortion: 0,3% typ.
• Wow & Flutter: 0,2% typ.
• Headphones output power: 2x2mW into 32 ohms
• Bluetooth 5.1 (headphones and speakers compatible)
• Not compatible with earbuds
• Stereo recording via 3,5mm RCA jack
• Input level 50mVrms to 200mVrms typ.
• Frequency response: 30Hz - 10000Hz with Type I cassette
• Signal-to-noise ratio: 45dB
• Distortion: 1% typ.
• Built-in Lithium-Ion rechargeable battery
• Nominal voltage 3,7V
• Nominal capacity 2000mAh
• Battery life: approx. 10 to 12 hours
• Dimensions: 140,8 x 88,8 x 33,5mm
• Weight: approx. 404g

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Audio-Technica

AT-LP60XUSB

Portable BT Cassette Player

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AT-LP60XUSB
Fully Automatic Belt-Drive Turntable (Analog & USB)

• Experience high-fidelity audio of vinyl & convert records to digital files
• Fully automatic belt-drive turntable with two speeds: 33-1/3, 45 RPM
• Built-in switchable phono pre-amplifier for phono- or line-level output
• Improved tracking and reduced resonance for smoother sound
• Integral Dual Magnet™ phono cartridge with replaceable diamond stylus
• Free download of the Mac & PC compatible Audacity recording software

Turntable
• Drive Method Belt-drive
• Type fully automatic
• Motor DC servo-controlled
• Speeds 33-1/3 RPM, 45 RPM
• Turntable Platter Aluminium
• Wow and Flutter Less than 0.25% (WTD) @ 3 kHz (JIS)
• Signal-to-Noise Ratio >50 dB (DIN-B)
• Output Level Pre-amp “PHONO”: 2.5 mV nominal at 1 kHz, 5 cm/sec Pre-amp “LINE”: 150 mV nominal at 1 kHz, 5 cm/sec
• Phono Pre-Amp Gain 36 dB nominal, RIAA equalized
• USB Function PC or Mac with an available USB port (USB1.1 or higher) Windows 7 or above, or Mac OS X or above
• Power Supply Requirements 115/230V AC, 60/50 Hz
• Power Consumption 3W
• Dimensions 359.5 mm x 97.5 mm x 373.3 mm
• Weight 2.6 kg
• Accessories Included 3.5 mm (1/8") mini-plug (male) to dual RCA (male) output cable 45 RPM adapter Removable hinged dust cover 1.9 m (6.2') USB cable

Cartridge & Stylus
• Replacement Stylus ATN3600L

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We Are Rewind

Portable BT Cassette Player

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We Are Rewind

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VNL Premounted x SH-4 Headshell Black

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Get ready to Plug’n Play

Designed to fit any standard DJ turntable. Features high quality tonearm terminal connections.

Ortofon VNL cartridge – a model tailored uniquely to the unrelenting demands of modern
turntablists and portablists.
The plug'n play solution has become an expected and necessary asset for the user, and
with the new VNL Premounted, it’s not getting easier!
The VNL has been paired with our popular black SH-4 Headshell, which securely frames
the VNL cartridge to deliver its absolute best. The VNL Premounted fits any standard DJ
turntable and tonearm and features high quality tonearm terminal connections. We've
created the perfect kit, where you'll have the high standard of the VNL matched with our
favorite headshell to deliver superb convenience and great value.

Just the stylus VNL II is product content!

Features:
• Mounted on Ortofon SH-4 Black headshell with universal mount.
• Extra resistance to hardcore scratching and back spinning
• High tracking performance for both DVS usage and real vinyl
• Optimal balance of output and of sound quality

Technological improvements have been applied for the benefits of all users:
- Ultrasonic welding of the components ensures high rigidity and freedom from resonances.
- Robotic assembly of stylus assembly offers high precision and uniformity of industrial production.

VNL II compliance, dynamic lateral 15 μm/m N - Rigid

DJs can easily identify which stylus type best suits their individual DJ style and enables their absolute best performance capability.

VNL technical data:
• Stylus Type: Sperical
• Tracking Force: 4,0 g
• Output Voltage: 6mV
• Frequency Range: 20-20.000 Hz
• Output voltage at 1000Hz, 5cm/sec. - 6 mV
• Channel separation at 1kHz - 20 dB
• Frequency response 20 Hz - 20 kHz -2/+4 dB

• Tracking ability at 315 Hz at recommmended tracking force:

VNL II 90 μm

VNL II 15 μm/m N

• Tracking force range - 3 - 5 g
• Tracking force recommended - 4 g
• Antiskating - for best backcueing performance use “0”
• Internal impedance, DC resistance - 750 Ohm
• Internal inductance - 450 mH
• Recommended load resistance - 47 kOhm
• Recommended load capacitance - 200-600 pF
• Cartridge weight - 6,5 g

Exclusive features
The VNL features a spherical stylus which is perfect for tough groove handling. Furthermore, it reduces record wear when scratching and back-cueing to an absolute minimum.

The broad stance of the VNL features solid and robust design elements characteristic to Ortofon, with colors meticulously selected to emphasize sturdiness and DJ aesthetics: the cartridge body has been designed to provide easy mounting and alignment on a variety of headshells.

The VNL provides excellent compatibility when used in an assortment of playback systems, ensuring it stays in the groove under the most demanding conditions.

VNL Userguide: https://www.ortofon.com/media/151234/5-800161-12_vnl_userguide_08_20_web.pdf

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Concorde MkII DIGITAL Single

Pick it PRO - Tonabnehmer

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Concorde DIGITAL is designed to extend the life of timecode vinyl and minimize errors in decoding
• At the same time DIGITAL provides optimal output voltage and sound quality for use with conventional vinyl.
• This optimized 10 mV output voltage maximizes the signal-to-noise ratio of the audio being fed to the software, which results in better interpretation of the timecode signal.
• Furthermore, a decrease in the reproduction of frequencies where vinyl wear & crackle occur helps to minimize errors in the interpretation of the timecode signal and helps timecoded vinyl records last longer.

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - DIGITAL

Video: https://youtu.be/nO6b2q2FqQA

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Pro-Ject

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Audiophile MM Cartridge

Lively & robust with a high dynamic range

Intensive research, development and listening tests have been necessary to gain the the desired sound from the new Pick it PRO.

THE DIFFERENCE IN SOUND
Cartridges are electromechanical transducers, where mechanical energy is transformed into an electrical signal. The real difference in sound happens here. The colour and life of the music come from the cartridge.
You cannot judge the cartridge by looking at just one specific part. Experience and the art of fine-tuning make a cartridge unique and special. The perfect combination of components is the key to achieve the great charismatic sound of the Pick it PRO.

Technical Specifications:
• Cartridge principle: MM (Moving-Magnet)
• Output voltage at 1 kHz: 4 mV
• Channel separation at 1 kHz: 22 dB
• Tracking ability at 315Hz: 70 μm
• Frequency response: 20 - 20 000 Hz +/- 2dB
• Stylus type: Elliptical
• Stylus tip radius: r/R 8/18 μm
• Tracking force, range: 1,8 - 2,2 g (mN)
• Tracking force, recommended: 2,0 g (mN)
• Tracking angle: 20°
• Internal impedance, DC resistance: 750 Ohm
• Internal inductance: 450mH
• Recommended load resistance: 47kOhm
• Recommended load capacitance: 150-300pF
• Cartriddge weight: 7,2 g

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Nagaoka

JTS-80LB - Stylus

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Replacement stylus Nagaoka JTS-80LB for the pickup JT-80LB.

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Jetpack

Slim

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Thorens

Stabilizer

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Audio-Technica

AT-VM95EN/H

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AT-VM95EN vormontiert auf Headshell AT-HS6BK
• Das Tonabnehmer-Set AT-VM95EN/H wird im Audio-Technica Werk in Fukui (Japan) vormontiert, getestet und verpackt.
Gesamtgewicht 15,5 g

Der AT-VM95EN besitzt eine nackte,
elliptische Diamantnadel mit Rundschaft,
die aus einem Stück geschliffen und
direkt in den Nadelträger eingesetzt
wird. Auf diese Weise lässt sich ein
leichteres, steiferes Übertragungssystem
realisieren als mit einer gefassten
Diamantnadel mit Titan-Rundschaft wie
beim AT-VM95E. Die nackte
Diamantnadel ist zwar um einiges
kostspieliger, bietet aber auch eine
hörbar bessere Audioqualität mit
besonders hoher Klangtreue bei der
Höhenwiedergabe und hervorragendem
Impulsverhalten.

Aluminium-Nadelträger
• Ausgangsspannung 3,5 mV
• Gehäuse kompatibel mit allen Abtastnadeln der Serie VM95
• Frequenzgang 20 bis 23.000 Hz

AT-VM95EN
VM95 SERIES ELLIPTICAL NUDE STEREO CARTRIDGE
The AT-VM95EN, features a Nude Elliptical Diamond. The construction of the stylus being a one piece diamond with a round shank inserted in the cantilever creates a lighter and more rigid transmission system than a diamond tip bonded on a round titanium shank such as in the AT-VM95E. Also the use of nude diamond implies a substantial difference in pricing, yet the quality of the reproduction will be immediately noticed, specifically in the fidelity of high frequencies and in the quality of the transient responses.

Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 23,000Hz frequency response

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

ELLIPTICAL NUDE STYLUS
Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95E cartridge is fitted onto the 9g aluminiumdie cast body headshell

Model AT-VM95EN
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 23,000 Hz
Kanaltrennung 22 dB (1 kHz)
Kanalbalance am Ausgang 2.0 dB (1 kHz)
Ausgangsleistung 3.5 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Elliptical
Nadelabmessungen 0.3 x 0.7 mil
Schaftform der Nadel Nude Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 20 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 7 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95EN
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers
Non-magnetic screwdriver

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Concorde MkII SCRATCH Single

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New levels of performance
The Concorde Scratch allows turntablist and scratching DJs to achieve new levels of performance with an unprecedented tracking ability and extra high output.
• The SCRATCH is intended especially for scratching and back-cueing. The SCRATCH uses spherical styli, as they preserve more of the groove over backcueing and scratching.
• For DJs that require increased tracking ability, the SCRATCH is up to the task. The Scratch has a supreme ability to trace the grooves of the records and it is tailored specifically for scratch.
• Due to its very high output 10 mV, it is perfect for scratch of all music with deep bass frequences. With solid bass reproduction and extended highs, the SCRATCH is great for any style, providing energetic sound. Maximum scratch performance guaranteed!

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 120 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - SCRATCH

Video: https://youtu.be/hPQNkhzZuBQ

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Stylus 2M Blue

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The 2M Series of cartridges is designed for precise and accurate retrieval of the information in the record groove. Our philosophy is to play the record sound as accurate as possible, without coloring the sound

The name 2M was selected from several ideas. We wanted a modern name that would be easy to pronounce and remember, and therefore an alphanumerical name was chosen. 2M means MM, which is the abbreviation for moving magnet.
The 2M series of cartridges features Ortofon’s trademark split pole pins, an invention that enables moving magnet cartridges to have a flat frequency response, as with a moving coil cartridge. Split pole pins were invented by Ortofon, and were originally presented in the 500 series and Super OM series.
We have optimized the design for ease of mounting the cartridge, and the weight and size to fit the most common turntables on the market today. The 2M Series provides excellent compatibility when used in an assortment of playback systems and with a wide variety of phono preamps.

The 2M Blue Series features:

an improved engine, which provides an increased output of 5.5mV
Nude Elliptical diamond and split pole pins with a copper wire

Technical data:
• Frequency range 20-25.000 Hz
• Frequency response 20-20.000 Hz + 2 / - 1 dB
• Tracking ability at 315Hz at recommended tracking force *) 80 µm
• Compliance, dynamic, lateral 20 µm/mN
• Stylus type Nude Elliptical
• Stylus tip radius r/R 8/18 µm
• Equivalent stylus tip mass 0,5 mg
• Tracking force range 1,6-2,0 g (16-20 mN)
• Tracking force, recommended 1,8 g (18 mN)
• Tracking angle 20°
• Stylus colour Blue

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Audio-Technica

ATH-M50x

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This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year. The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables. From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

Features:
• Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewers
• Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils
• Exceptional clarity throughout an extended frequency range, with deep, accurate bass response
• Circumaural design contours around the ears for excellent sound isolation in loud environments
• 90° swiveling earcups for easy, one-ear monitoring
• Professional-grade earpad and headband material delivers more durability and comfort
• Detachable cable (3 cables included)

Specifications:
• Type: Closed-back dynamic
• Driver Diameter: 45 mm
• Magnet: Neodymium
• Voice Coil: CCAW (Copper-clad aluminum wire)
• Frequency Response: 15 - 28,000 Hz
• Max Input Power: 1,600 mW @ 1KHz
• Sensitivity: 99 dB
• Impedance: 38 ohms
• Folding/collapsible: Yes
• Weight: 10 oz (284 g) without cable/connector
• Cable - Detachable: Yes
• Cable Includes: 1.2m-3m coiled, 3m straight, 1.2m straight cables
• Connector: Gold-plated stereo 1/8” (3.5 mm) connector with strain relief
• Accessories included: Screw-on 1/4” adapter, pouch

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Numark

M2 BLACK

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M2 is a two-channel DJ scratch mixer with all the essentials to hit the stage in Numark style.

FEATURES

Inputs: two phono/line switchable (RCA), two line (RCA), mic (1/4")
Outputs: Master (RCA), Record (RCA), Headphone (1/4" stereo)
Three-band EQ and gain on each channel
EQ and gain on mic channel
Replaceable crossfader with reverse and slope-controls
Crossfader-style cueing

Switchable phono/line inputs for turntables, CD players, and other line sources make M2 a superb choice for any DJ setting from weddings to clubs, parties to practice setups. A mic input with dedicated EQ and gain, and a headphone output with crossfader-style cueing complete the plentifully featured package.

Three-band EQ on each channel plus crossfader-reverse and slope controls give you all the tools you need to drive your audience from behind the wheels of steel. M2 is the perfect mixer for any scratch DJ.

Product Dimensions: 11.4" x 9.5" x 3.6"

Manual: http://www.numark.com/images/product_downloads/m2_quickstart_guide_v1_0.pdf

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Numark

M101 USB BLACK

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Get up and running quickly at any gig.

READY FOR DIGITAL OR ANALOG

DJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you’re using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.

MIX YOUR MUSIC YOUR WAY

Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.

TWEAKABLE TUNES

Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, ¼” mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark’s legendary industrial-grade durability.

GET CONNECTED

Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.

FEATURES

Two-channel rack-mountable mixer with USB
USB audio built in for playing from or recording to your computer
Two pairs of Phono/Line inputs
Built-in 2-band EQ for quick, easy sound tweaks
1/4-inch Mic input for voiceovers and announcements
Stereo Output for easy connection to amps, powered speakers or another mixer
Class Compliant: this product is immediately compatible with every current and future version of Mac OS X and iOS and with Windows (98SE and up) operating systems.
INCLUDES

M101USB Mixer
Power Supply
Quickstart Guide

Manual: http://www.numark.com/images/product_downloads/m101usb___quickstart_guide___v1.0.pdf

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Stylus Concorde Music Blue

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Introducing Concorde Music
Developed by music lovers, for music lovers, the Concorde Music cartridges blend premium performance with an iconic design.
Concorde Music, not just a cartridge, but a dedication to the profound impact music has on our lives, turning every listening session
into a captivating journey.

Possibly the world’s most iconic cartridge design
Building upon a rich legacy which began when we launched the original Concorde, the Concorde Music holds a storied history as
one of the most famous cartridges in the world of audio. Originally developed as a solution to the challenge of easy mounting on a
tonearm without screws or wires, the Concorde's unique design earned the Danish Industrial Design Award and became an icon in
the audio industry.

Features:
• Diamond: Each Concorde Music stylus features a diamond polished to the highest standards of the industry. Ranging from
a bonded Elliptical diamond on Concorde Music Red, to a Nude Shibata diamond on Concorde Music Black LVB 250.
• Cantilever: All Concorde Music models have a premium or high-end cantilever. The cantilever material is either aluminium
or boron for the best possible transmission of the vinyl record groove modulations picked up by the diamonds.
• Suspension: Exclusive Ortofon rubber compounds are used for the stylus suspensions, all carefully produced at the in_x0002_house own rubber production, and developed by the research and engineering team at Ortofon for brilliant performance.
• Coil system: Silver-pated oxygen free copper is chosen for the quad-coil system together with four Ortofon split pole pins
delivering a 6 mV output of dynamic, lifelike sound with an exceptional clarity and fidelity, capturing every detail.
• Upgradeability: All Concorde Music styli are compatible with all Concorde Music cartridges. An upgrade path is possible
through the entire series of Concorde Music cartridges, enabling upgrades from Concorde Music Red to Black LVB 250.
• Tool-free installation: Installing a Concorde Music cartridge on a turntable is easy and straightforward, no tools required
making it hassle free and convenient for all users.

It is all about the music
Concorde Music stands as an icon of design and musical dedication, inviting everyone to elevate their journey with the level of
accuracy in sound which has become characteristic for every Ortofon cartridge. Tailored for music lovers, incorporating a
straightforward installation, premium sound, and a timeless design. Concorde Music stands for a commitment to musicality.

Unique in-house rubber production a crucially important and vital part of a phono cartridge overall performance is the stylus
rubber suspension. Ortofon develops exclusive rubber compounds and produce the rubber suspensions and dampers in-house.

Ortofon quad-coil generating system with split pole pins in Concorde Music results in an exceptional channel balance and channel
separation, delivering a precise and dynamic sound image.

Ortofon, we love music!

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Concorde Music Red

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Technics

EAH-AZ40M2

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True Wireless Noise Cancelling Earphones with Multipoint Bluetooth®

Intuitive Smart Features and Elegant Design

Compact yet powerful 6mm drivers and a special acoustic structure with active noise cancellation deliver clear sound wirelessly — wherever your busy day takes you. Seamless device switching and crisp call clarity in a comfortable design – you won't miss a beat.

Elegant & All-Day Comfort Design
Built to last, with a pleasing and reassuring tactile quality for both earphones and charging case.
Low-profile design for comfort throughout the day, and balanced to stay put – even when you're on the go.

Multipoint Connection to 3 Devices
Seamless switching for up to 3 devices* (e.g. PC, smartphone & tablet).
*LDAC playback not possible with 3 devices.

Signature Technics Clear Sound
Clear and detailed sound delivered wirelessly through the unique acoustic chamber, harmoniser, and compact 6mm drivers. Compatible with LDAC™ high-res wireless audio.*
*Delivered in 96 kHz/24-bit LDAC, when connected by Bluetooth® to a compatible device.

Pure Sound Clarity
Enjoy pure sound. The Feed Forward Mic captures environmental sound and Digital Processing removes noise in addition to Passive Noise cancelling with the earplug effect.

Never miss a beat.

Intuitive Smart Features

Beamforming Technology
Clear calls using Beamforming Technology to capture and transmit your voice clearly despite surrounding noise.
*Performance may be affected by external factors.

Long Battery Life
Up to 5.5 hours* playback with ANC on, 18 hours back-up with the case. Quick charge for 15 minutes will give you 60 minutes of playback.
*After a full charge, subject to playback volume and other factors.

Control the Sound Around You
Natural Ambient Mode lets you select how much background sound to hear, while Attention Mode focusses on speech.

Convenient Single Earphone Use
Keep one ear open, or charge one earphone while using the other. Customise touch sensors through the Technics app.

Comfortable and Secure Fit
Low-profile ergonomic design, for a comfortable and secure fit. Ideal for long journeys.

100% Plastic-Free Packaging
Supplied in new compact packaging that dispenses with plastic and other hard-to-recycle finishes.

Technics Audio Connect App
Easy set-up, battery level check, select EQ sound modes, adjust noise cancelling levels and customise touch-sensors with this intuitive app*.
*Requires Android™ 6.0 or higher with Google Play,™ iOS12 or higher.

IPX4 Water Resistance
With IPX4* water resistance for the real-world – with no worries about rain or intensive workouts in the gym.
*IPX4 compatibility for earphones, not charging case.

Choose the best earphones for you
For high-quality listening, you need earphones that can keep up with your pace. Designed with your comfort in mind, Technics True Wireless earphones give you superior sound wherever you are, whatever you’re doing. Use smart features to switch seamlessly from listening to music to taking a call.

Specs:
• Clear rich sound from a unique acoustic chamber, harmonizer, and 6mm drivers.
• Pure Sound from Active Noise Cancelling with a Feed Forward Mic.
• Seamless switching for up to 3 devices (e.g. PC, smartphone & tablet).
• Clear calls using Beamforming Technology to capture and transmit your voice.

Technical Data:
GENERAL
• Driver Unit (mm): 6 mm (1/4 in)
• Frequency Response: 20 Hz - 40 kHz (LDAC 96 kHz/990 kbps)
• Mic: Monaural, MEMS Mic

• Playback Time with Battery (LDAC)
Earphones:
- Approx. 3.5 hours (NC ON)
- Approx. 4.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 12 hours (NC ON)
- Approx. 14 hours (NC OFF)

• Playback Time with Battery (AAC)
Earphones:
- Approx. 5.5 hours (NC ON)
- Approx. 7.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 18 hours (NC ON)
- Approx. 24 hours (NC OFF)

• Charging Time (25°C/ 77°F)
- Earphones: Approx. 2.0 hours
- Charging case / USB: Approx. 2.5 hours
- Charging case / Qi *With certified Qi charger: -
- Earphones with Charging case / USB: Approx. 3.0 hours
- Earphones with Charging case / Qi *With certified Qi charger: -

• Quick Charge (15 minutes, AAC)
Earphones:
- Approx. 60 minutes (NC ON)

• Standby Time
Earphones:
- Approx. 9.5 hours (NC ON),
- Approx. 20 hours (NC OFF, Auto power off does not work)

• Dimensions (W x H x D)
Earphones *with Earpiece M size:
- Approx. 22 mm x 26 mm x 24 mm
- Approx. 7/8 inch x 1 inch x 15/16 inch
Charging case:
- Approx. 68 mm x 33 mm x 28 mm
- Approx. 2-11/16 inch x 1-5/16 inch x 1-1/8 inch

• Weight
- Earphones (one side only: L and R are the same): Approx. 5 g (0.18 oz)
- Charging case: Approx. 35 g (1.2 oz)

• Supplied Accessory
- USB charging cord: Approx. 0.2 m (0.66 ft) (Input Plug : USB Type-C Shape, Output Plug : USB Type-C Shape)
- Earpieces set : XS, S, M, L (M attached)

Advanced Function
• Bluetooth® Wireless Technology
- Version: 5.3
- Supported Profiles: A2DP, AVRCP, HSP, HFP
- Codec: SBC, AAC, LDAC
- Operating Distance: Up to 10 m (33 ft)
- Multi-point: Yes(Connect up to 3 devices at a time.)
- Multi-pairing: Yes(Connect up to 10 devices.)
• Water Resistance: IPX4 Equivalent (Earphones only)
• Dual Hybrid Noise Cancelling: Yes(Feed-Forward only)

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Technics

EAH-AZ40M2

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Technics

EAH-AZ40M2

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Pro-Ject

Maintenance Set Premium

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2M 78

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The 2M 78 features an improved engine, which provides a high level of sonic accuracy. The stylus' tip is a Spherical diamond that is perfect for playback of 78 rpm shellac records, which require a larger stylus profile. The cartridge body is manufactured from Hopelex, which ensures high rigidity while eliminating unwanted resonances.

2M 78 uses a strapped output to deliver the same output signal from both sets of pole pins. This effectively eliminates the need for mono-specific equipment, making it possible to enjoy true mono reproduction on any stereo playback system.

The 2M Series provides excellent compatibility when used in an assortment of playback systems and with a wide variety of phono preamps.

2M 78 Technical data:
• Output voltage at 1000 Hz, 5cm/sec. - 4 mV
• Frequency response - 20-20.000 Hz + 3 / - 1 dB
• Tracking ability at 315Hz at recommended tracking force - 70 µm
• Compliance, dynamic, lateral - 18 µm/mN
• Stylus type - Spherical
• Stylus tip radius - R 65 µm
• Tracking force range - 1.6-2.0g (16-20 mN)
• Tracking force, recommended - 1.8 g (18 mN)
• Internal impedance, DC resistance - 700 Ohm
• Internal inductance - 350 mH
• Recommended load resistance - 47 kOhm
• Recommended load capacitance - 150-300 pF
• Tracking angle - 20°
• Cartridge colour, body/stylus - Black/Grey
• Cartridge weight without screws - 7.2 g
• Premounted cartridge weight - 16.7 g
• Replacement stylus unit - 2M 78 (interchangeable with 2M Mono)

Stylus lifetime: with proper care we find that up to 1000 hours is possible without degradation of performance.

2M Series styli interchangeability:
The 2M Series' engines, coils and magnets configurations are not identical: Red and Blue are identical, so are the Bronze and Black and so are the true mono variants 2M Mono and 2M 78. Likewise, 2M series styli are interchangeable within the below combinations:
- 2M Red, 2M Blue and 2M Silver
- 2M Bronze and 2M Black
- 2M Mono and 2M 78

Compatibility with Rega brand TT/TA:
REGA brand cartridges’ height from stylus tip to the top cartridge mounting surface is lower than standard. Therefore you would need spacers to ensure the correct set-up of the Ortofon cartridge.
Adjusting the height of your Rega tonearm is easy with Acoustic Signature's Spacer Set. It allows you to adjust the height from 0.5 mm to 3.5 mm in precise steps of 0.5 mm - without removing the tone arm. Simply loosen the screws, insert the AS-spacer, then lock the screws back down, and you're tonearm is ready to play.
3.2 - 4 mm spacers should be enough for 2M cartridge.

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Sumiko

Pearl MM-Tonabnehmer

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Box | 2023 | EU | Original (Virgin)

Peter Gabriel

I/O Limited Edition Box

Release: 2023 / EU – Original

Genre: Pop

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Box Set | 2023 | EU | Original (Mecanica)

Deutsch Nepal

Vol. 1

Robot Hive / Exodus (Heavy Metal Series) Black Friday Record Store Day 2022 Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Peter Andersson, aka Lina Baby Doll, is the man that sustain the heavy structure behind Deutsch Nepal. A legend in the scene of industrialism, avant-garde, music and art in general. He is capable to re-create and re-design old school industrial and electronica, taking elements from apparently dissimilar concepts such as Dadaism and Tribalism, or “contradictory” ideas such as Heathenry and Christianity and converge them into a typical cocktail blend that characterises a unique and now famous style. Manic rhythmic redundancies, strange indefinable samplers, metallic sounds, distorted guitar chords are common elements found in all his works. His main goal?. Mesmerize the listener to subjugate the mind and put the spirit into reverberation mode.

It is difficult to reduce his works to a simple description. All of them seem to be the evolution of an early idea, a baby that grows old, getting monstrous and divine while doing so. The music itself is a never ending universal paradox in where beats and rhythms have a primary role. Deutsch Nepal is surreal landscapes strongly conducted and cut through with the violent and precise pounding of the repetitive aspect of percussion. It’s a black and white obsession, changing shapes and tonality.

This boxset compiles the first five albums released by Deutsch Nepal throughout the 90’s (“Deflagration of Hell”, “Benevolence”, “Tolerance”, “¡Comprendido!… Time Stop! …And World Ending” and “Erosion”) plus an extra record (“Dystopian Selection”) with a selection of tracks taken from old compilations. Limited edition of 535 copies with six vinyl records on individual sleeves, three postcards set, numbered certificate and a sticker.

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Clutch

2LP+7" | 2022 | US | Original (Weathermaker Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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Singles: Volume One 1963-1966 Box Set

The Rolling Stones

18LP Box | 2022 | FR | Original (Universal)

Release: 2022 / FR – Original

Genre: Rock & Indie

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Stage Fright 50th Anniversary Limited Deluxe Boxset

The Band

5LP | 1970 | EU | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Box Set | 2020 | EU | Original (Vertigo)

Metallica

S&M2 Deluxe Vinyl Box

Let It Bleed 50th Anniversary Vinyl Box Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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This Deluxe Vinyl Box Edition comes with four exclusive hand-pressed color vinyl LPs, the BluRay and more.

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The Rolling Stones

2LP+2CD+7" | 2019 | EU | Original (Universal)

Release: 2019 / EU – Original

Genre: Rock & Indie

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4LP | 1983 | Reissue (Universal)

The Police

Synchronicity Box

Release: 1983 / Reissue

Genre: Rock & Indie

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Mingus Takes Manhattan - The Complete Birdland Dates

Charles Mingus

4LP | 2023 | EU | Original (New Land)

Release: 2023 / EU – Original

Genre: Organic Grooves

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4LP | 2023 | UK | Original (Rocket Girl)

A.R. Kane

A.R. Kive

147,99 €*

J50: The Evolution Of The Joker

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Steve Miller Band

3LP+7" | 2023 | EU | Original (Universal)

147,99 €*

Essential Recordings 1974-2018 5 Box

Release: 2023 / EU – Original

Genre: Rock & Indie

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Celebrate the 50th anniversary of The Joker. J50: The Evolution of The Joker, curated by Steve Miller, highlights 27 previously unreleased demos, live performances, studio outtakes and rehearsals from Miller's personal archive, including 8 never-before heard songs. Miller also provides narration guiding the "evolution" of the songs from The Joker.

The box set features a lenticular cover, 60-page book with liner notes from both Steve Miller & Anthony DeCurtis, a reproduction of a vintage Joker iron-on and a new Joker lithograph.

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Pavlov's Dog

Box | 2024 | EU | Original (Ruf)

Release: 2024 / EU – Original

Genre: Rock & Indie

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1000x 12" Record Outer Sleeves

Außenhüllen (0,10mm / Made in Germany)

Love For Sale Limited Numbered Lp Box Set

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Protective sleeves are among the indispensable basics of vinyl care. Our sleeves are Made in Germany and help to preserve the cover artwork permanently, as they significantly minimize the risk of ring wear. In addition, they protect against edge wear of the record sleeve and the vinyl itself from dust and dirt.
We recommend the transparent and robust films for any well-maintained record collection.
The vinyl LP protective sleeves are part of the Vinyl Care by HHV product range, which stands for best quality at an attractive price. In the development of our Vinyl Care products we directly incorporate the experiences of our customers at HHV.de and offer collectors and enthusiasts high-quality tools for cleaning, care and presentation of their vinyl treasures.

Record Outer Sleeve 12" Vinyl Schutzhülle - specific details:

• dimensions: 325 x 325 x 0.10 mm
• material: translucent polyethylene, 100µ
• selling unit: 1000 pieces
• Made in Germany

Free from plasticizers, solvents, bisphenol A and is REACH certified.
Does not contain PFAS and PFOA. Substances from the ECHA candidate list are not included.

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Tony Bennett & Lady Gaga

LP | 2021 | EU | Original (Universal)

Release: 2021 / EU – Original

Genre: Pop

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The Bootleg Series Vol. 4: Miles At Newport 1955 1

Miles Davis

Box | 2015 | EU | Reissue (Music On Vinyl)

Release: 2015 / EU – Reissue

Genre: Organic Grooves

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Gisbert Zu Knyphausen & Kai Schumacher

Lass Irre Hunde Heulen Limited Deluxe Box

Box | 2021 | Original (Neue Meister)

Release: 2021 / Original

Genre: Pop

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Box | 2023 | EU | Original (Mercury)

Rush

Signals Super Deluxe Box

Release: 2023 / EU – Original

Genre: Pop

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3LP | 2024 | US | Original (Friday Music)

Grateful Dead

Fillmore East 2-11-69

145,99 €*

2LP | 1971 | UK | Original (United Artists)

Release: 2024 / US – Original

Genre: Rock & Indie

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Exclusive 180-gram audiophile 3LP deluxe set of the Grateful Dead's Fillmore East 2-11-69. This amazing limited edition treasure trove features tunes from these historic concerts, both early and late shows. Filled with 17 stellar performances, The Grateful Dead's Jerry Garcia, Bob Weir, Phil Lesh, Mickey Hart, Bill Kruetzmann, Ron McKernana and Tom Constanten radiate with some of their finest playing and singing ever, making this a wonderful listen and highly collectible album for years to come.

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Can

Tago Mago

145,99 €*

Release: 1971 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Clearaudio

Twister Plattenklemme

145,00 €*

Box Set | 2022 | EU | Original (Onderstroom)

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Record clamp.
LP-clamping unit with resonance absorbing locking unit and stainless steel grip.
Weight: 190 g

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Aroma Di Amore

Zwarte Doos

2LP+Book | 2021 | EU | Original (Magazine)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Richard Ojijo

Mo_Ro_20

In Search Of Sunrise 6: Ibiza

Release: 2021 / EU – Original

Genre: Electronic & Dance

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20 Years OF Music FOR Marcel Odenbach

Richard Ojijo’s music for the films of german video artist Marcel Odenbach not only underscores and accentuates the imagery and motion, but also serves to propel the narrative too. The compositions are auditory distillations of the visual and create a synergy between music and image that draws the observer ever deeper.

With Odenbach’s and Ojijo’s collaboration now entering its 3rd decade, Ojijo was recently inspired to revisit and remix some of the themes contained within the extensive body of work.

Matt Karmil, Aug 2021

Die Musik von Richard Ojijo für die Videoarbeiten des Künstlers Marcel Odenbach sind eindrucksvolle Beispiele dafür, wie Klänge Filmbilder nicht nur untermalen oder deren Wirkung atmosphärisch verdichten können, sondern neben dem Visuellen ein gleichberechtigtes Eigenleben entwickeln, das auf das Gesamterlebnis des Films zurückwirkt: plötzlich auftauchende innere Bilder oder Assoziationen, die das Gesehene mit noch größerer Komplexität und Mehrdeutigkeit versorgen.

Wenn sich etwa in „Innerer Sicherheit“ oder „In stillen Teichen lauern Krokodile“ sphärische Flächen und Soundeffekte ausbreiten, erinnert dies zuweilen an elektronische Stimmungen der späten 90er Jahre, obwohl die Thematiken der Filme in gänzlich andere Richtungen weisen. Dabei wird nie der Spannungsbogen der filmischen Dramaturgie vernachlässigt. Vielmehr kommt es zum Wechselspiel von dienender und freier Funktion, in dem die Musik nicht nur ihre schöne, sondern – den Themen der Filme angemessene – beunruhigende Wirkung ausbreiten kann. So tauchen wie aus dem Nichts Stimmen auf oder Geräusche, etwa von Stiefeln in „Beweis zu nichts“, die parallele Narrationen auf die Audiospur legen, um die zum Teil bedrohliche Wirkung der Bilder zu verstärken und womöglich Bereiche des Unterbewussten zu berühren.

Die Zusammenarbeit von Ojijo und Odenbach dauert mittlerweile über 20 Jahre an. Ojijo hat nun seine Arbeiten für die Filme Odenbachs neu zusammengestellt und neu gemischt. Die Platte erscheint im Herbst 2021 aus Anlass der großen Odenbach-Retrospektive im Düsseldorfer K21-Museum. Dort werden auch sieben Videoarbeiten zu sehen sein, von denen fünf in Zusammenarbeit mit Richard Ojijo entstanden sind.

Michael Kerkmann, Aug 2021

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DJ Tiesto

2x12" | 2007 | NL | Original (Songbird)

Release: 2007 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2x12" | 2000 | US | Original (Brick)

MF Doom / MF Grimm

Release: 2000 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

John Harris And The Soul Sayers

Hangin' In / What Can I Do

7" | 2013 | DE | Reissue (Cree)

2LP+CD | 2017 | EU | Original (Bmg Rights)

Release: 2013 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with light scuffs and hairlines. Cover with a bent corner and light creasing. Copy n° 323 / 500

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Kontra K

Gute Nacht

LP | 1990 | EU | Original (Capitol)

Release: 2017 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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Skinny Puppy

Too Dark Park

CTRL Case DDJ-REV5/DDJ-REV7

Release: 1990 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs, close to VG+

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Magma

144,90 €*

Faber - Periodo Karim - The Singles Collection Record Store Day 2023 Edition

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The new CTRL Case DDJ-REV5 / DDJ-REV7 is a super lightweight and compact hard shell case, offering a safe and comfortable way to carry (incl. shoulder-strap) your Pioneer DDJ-REV5 / DDJ-REV7 controller. Made of lightweight and rigid Durashock molded EVA shell, the inside is equipped with high density EVA foam corners and egg-crate foam to protect the jog wheels, knobs and faders.

FITS:
• Pioneer DDJ-REV5
• Pioneer DDJ-REV7

BASICS:
• Crafted from 8 mm thick and rigid Durashock molded EVA foam and water rejecting polyester exterior shell
• Sturdy zipper
• Incl. removable egg-crate foam and high-density EVA foam corners for ultimate protection
• Comfortable, rivet reinforced carrying handles and shoulder strap
• Compatible with Decksaver® cover

SPECS:
• Outer measures: 83 x 46 x 14 cm
• Inner measures: 73 x 37 x 11 cm
• Weight: 3 kg

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Fabrizio De André

4x7" | 2023 | EU | Original (Philpot Lane)

Release: 2023 / EU – Original

Genre: Rock & Indie, Pop

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Nimrod 25th Anniversary Edition

Green Day

5LP | 1997 | EU | Reissue (Reprise)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Full Collapse 20th Anniversary Limited

Thursday

4LP | 2001 | US | Reissue (Craft)

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Centennial: King Oliver's Creole Jazz Band

V.A.

2LP+3CD | 2024 | US | Original (Archeophone)

Release: 2024 / US – Original

Genre: Organic Grooves

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Muswell Hillbillies Everybody's In Show-Biz Box

The Kinks

Box | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Rock & Indie

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La Bush 30 Years Volume 2

V.A.

10LP | 2024 | BE | Original (541)

142,99 €*

Release: 2024 / BE – Original

Genre: Electronic & Dance

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Celebrating 30th anniversary of La Bush with this 10 x 12" Vinyl Box Set. Volume 2 including tracks from Paul Kalkbrenner, Paul van Dyk, David Guetta, Tomcraft, Oliver Lieb, Matthew Herbert, and compiler Mr Sam.

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Marshall

Emberton Jubilee

142,99 €*

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Emberton is a compact portable speaker with the loud, lively sound for which Marshall is so known. Emberton uses True Stereophonic, a unique form of Marshall's multidirectional sounds. Experience absolute 360° sound that is optimal from every point of view. In addition, the IPX7 speaker is waterproof and offers over 20 hours of portable playing time: ideal for all your adventures.

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Lenco

L-30

142,49 €* 149,99 € -5%

2LP | 2017 | IE | Original (All City Dublin)

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Wooden turntable with MMC Cartridge and PC
Encoding

EN
• Wooden turntable
• Platter with a diameter of 300 mm
• USB Port for PC connection to convert vinyl
to digital format
• RCA line output
• 2 rated speed settings 33 and 45 RPM
• Moving Magnetic Cartridge (MMC)
• Auto stop
• Belt drive
• Removable plastic dust cover
• MDF cabinet

• Power source: AC100-240V
• Power consumption max : 2,4W
• Dim. unit : 410 x 320 x 120 mm (WxDxH)
• Net /Gross Weight: 3,1 kgs / TBC kgs
• Master carton quantity : 2 pc
• EAN-code: 87.11902.03755.2 (Black)
87.11902.03757.6 (Wood)
Container quantity :
20’ ft : 480pcs
40’ ft : 1000pcs
40’ ft HQ : 1150pcs

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Onra

Chinoiseries Pt.3

142,49 €* 189,99 € -25%

Wembley Empire Pool, London, England 4/8/72 (Live) Record Store Day 2022 Vinyl Edition

Release: 2017 / IE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with hype sticker

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Grateful Dead

5LP | 2011 | US | Reissue (Grateful Dead)

141,99 €*

Sgt.Pepper's Lonely Hearts Club Band Limited Super Deluxe CD Box

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Limited to 8000 copies.

Breakout of 2011' s Europe '72: The Complete Recordings. Celebrating the 50th anniversary of the legendary 1972 tour. Mastered by Dave Glasser at Airshow Mastering.

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The Beatles

Box | 2017 | EU (Universal)

141,99 €*

Release: 2017 / EU

Genre: Rock & Indie

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8LP | 1996 | EU | Reissue (Sony Music Catalog)

George Michael

Older

141,09 €* 165,99 € -15%

Release: 1996 / EU – Reissue

Genre: Pop

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Kind Of Blue UHQR Edition

Miles Davis

LP | 2021 | US | Original (Analogue Productions)

LP | 2015 | DE | Reissue (Taha)

Release: 2021 / US – Original

Genre: Organic Grooves

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Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' "Kind Of Blue". The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody. Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting "Kind Of Blue" where it belongs: the Ultra High Quality Record (uhqr) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record. The 200-gram records will feature the same flat profile that helped to make the original Uhqr so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every Uhqr will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. A minor audio complication with "Kind Of Blue" has been addressed with this Uhqr edition. The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue In Green", making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This Uhqr was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95. Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of "Kind Of Blue", free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our Uhqr series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of "Kind Of Blue" meets the highest audiophile standards and offers the truest sound for the most enjoyment.

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Conway

Reject 2

LP | 2019 | EU | Original (Polydor)

Release: 2015 / DE – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened. Golden vinyl Limited edition. 2022 reissue.

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Sam Fender

Hypersonic Missiles

3LP | 2021 | EU (Pegasus)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. tiny wear. Black & White vinyl. Limited edition.

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Duran Duran

Tokyo 2003

Box | 2024 | EU | Original (Parlophone)

Release: 2021 / EU

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl. With poster and lenticular photocard. Tiny wear.

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David Bowie

Rock 'N' Roll Star

140,24 €* 164,99 € -15%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rihanna

Phaidon

140,00 €*

OST Rambo: The Jerry Goldsmith Multicolored Vinyl Collection

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Rihanna invites you into her world with this stunning visual autobiography

"It's a piece of art that I am really proud of..." —Rihanna

From her Barbados childhood to her worldwide tours, from iconic fashion moments to private time with friends and family, the book showcases intimate photographs of her life as an artist, performer, designer, and entrepreneur. Many of these images have never before been published.

This large-format book is 504 pages with 1,050 color images on 3 paper stocks and 7 single- and double-page gatefolds, 9 bound-in booklets, 1 tip-in sheet, and a double-sided, removable poster.

Rihanna (b. 1988, Barbados) is a nine-time Grammy Award–winning recording artist, songwriter, actress, philanthropist, and entrepreneur. She has sold 60 million albums and 215 million digital tracks worldwide, making her the top-selling digital artist of all time. Rihanna launched her beauty line Fenty Beauty in 2017, her lingerie line Savage X Fenty in 2018, and most recently her luxury fashion line, Fenty in 2019.

Specifications:
Format: Hardback Size: 420 × 320 mm (16 1/2 × 12 5/8 in)
Pages: 504 pp
Illustrations: 1050 illustrations

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Jerry Goldsmith

5LP | 2023 | EU | Original (Quartet)

Knebworth 1996 Limited Edition Box Set

Release: 2023 / EU – Original

Genre: Soundtracks

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* Pressed on 5-lp 180 gm transparent color vinyl * Remastered from original master tapes * 12-page full color booklet * Exclusive hard box set * Limited edition of 1000 units

40th anniversary of the blockbuster First Blood with Rambo: THE Jerry Goldsmith Vinyl Collection, a mammoth 5-lp box set that includes Jerry Goldsmith’s powerful music for the original Rambo trilogy, presented for the first time in expanded form on vinyl!

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Oasis

Box | 2021 | UK | Original (Big Brother)

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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This year marks 25 years since Oasis’ two iconic record breaking live concerts at Knebworth Park in Hertfordshire on the 10th and 11th August 1996. The shows were both the pinnacle of the band’s success and a landmark gathering for a generation of young people. Released alongside the cinema debut of the feature length documentary film of the event, ‘Oasis Knebworth 1996’ is the definitive live recording featuring a setlist packed with stone cold classics album taken from across both nights of the concert, from the opening salvoes of ‘Columbia’ and ‘Acquiesce’, to ‘Champagne Supernova’, ‘Don’t Look Back In Anger’, ‘Live Forever’, an orchestra backed ‘I Am The Walrus’, and ‘Wonderwall’ the first song from the 1990’s to reach over one billion streams on Spotify and universally loved anthem. The DVD and Blu-ray formats feature ‘Oasis Knebworth 1996’ - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the ‘90’s possible, directed by Grammy Awardwinner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Both formats also include the full concerts from both nights edited by Dick Carruthers with audio mixed by Will Shapland in Dolby 5.1 surround sound.

This set contains: 3LP, 2CD, 2xMC / Cassette Tapes, 3DVD

Super Deluxe Box Set including Triple LP on Heavyweight Vinyl (Cat. No. RKIDLP98), Double CD (Cat. No. RKIDCD98), Yellow Cassette (Cat. No. RKIDMC98-1), Red Cassette (Cat. No. RKIDMC98-2), Triple DVD (Cat. No. RKIDDVD98) containing documentary plus Saturday and Sunday night concerts in full, replica of numbered concert ticket for Saturday 10th August at Knebworth, replica of AAA pass for Loch Lomond, Knebworth & Cork plus lanyard holder, replica of Knebworth concert info booklet, Knebworth Park site map art print and event binoculars gifted to VIP guests at the show. All housed in a black case with silver logos.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Throw Hoodie

Available Sizes: S, L, XL

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The MF Doom Throw Hoodie's features include:
• cut & sew custom dyed 12 oz brushed fleece construction
• drawstring-adjustable two-layer hood with interior tape, sturdy eyelets plus branded aglets at the draw cord
• DOOM felt appliqué with outline stitching on chest
• kangaroo pocket
• stretch rib cuffs and bottom band
• interior Gasdrawls woven flag label at upper rear
• regular fit
• 80% cotton, 20% polyester brush-back fleece, 420 g/m²

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Reloop

120 Trolley Record Case

The Road To Red 40th Anniversary Edition

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The 120 Trolley Record Case can be pulled anywhere easily, thus resting ones back. A comfortable telescope handle and a convenient pulling height offer maximum comfort. The show-stopper: the case can also be used without the removable trolley frame. Simply unlatch it via the easy-click system. Three manageable handles facilitate wearing transport.

FEATURES
• Classic record case with trolley frame
• Removable trolley frame
• Rolls on two wheels
• Telescope handle
• Fold-away carrying handles
• Robust construction made of coated wood
• 50/50 division
• Lockable low profile butterfly locks
• Foam padding
• Removable top
• Rotund angles
• Protective rubber feet mounted on top and bottom

TECHNICAL DATA
• Dimensions: 383 x 483 x 253 mm
• Weight: 6.4 kg
• Holds approximately 120 records

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King Crimson

Box Set | 2024 | UK | Original (Discipline Global Mobile)

4LP | 2024 | US | Original (Cuneiform)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Between April and July 1974 King Crimson embarked on a tour of Canada and America which has come to be recognised as one of the most powerful series of concerts performed not just by Fripp, Cross, Wetton and Bruford but by any band of the era. The band, who had been rarely off the road - except to record studio albums - chose to perform a selection of recent material from the then newly released Starless And Bible Black, older fan favourites, newly written/then unrecorded material & nightly improvisations at a level described by many eye-witnesses and observers as “the most intense” gigs they’d ever attended. A single live LP “usa” was issued in 1975, a year after the band split but failed to convey the full extent of how ferocious a beast King Crimson was in full-flight. No other band blended powerful rock with an ability to turn in epic improvisations of immense subtlety or strength. Many of the shows on this final tour had been recorded, either professionally to multi-track tape, or on the band’s stereo cassette feed from the mixing desk. These remained unheard until 1992 when selected highlights were released in 1992 on the 4 CD boxed set, The Great Deceiver. Now The Road To Red offers a comprehensive overview of this final tour and at last does justice to a group who were operating at the very height of their powers. Every soundboard quality recording known to exist is presented with audio fully restored, all released on CD for the first time. There are also five complete concerts, drawn from multi-track recordings, alongside the restored audio bootleg of the band’s final show from New York and a new stereo mix of “Red” by Robert Fripp and Steven Wilson undertaken in 2012. A total of 16 concerts are featured across 20 discs, with the studio “Red” as the 21st CD.

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Soft Machine

Hovikodden 1971

Release: 2024 / US – Original

Genre: Organic Grooves

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Throw Hoodie

Available Sizes: S, XL, 2XL, 3XL

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AIAIAI

TMA-2 DJ XE

6x12"+Box Set | 2011 | EU | Original (M_nus)

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Modular DJ headphones.

Features:
• Balanced sound
• High isolation PU leather earpads
• Clear sound at high volume levels
• High sound isolation on-ear cushions
• Weighing only 168g
• Modular headphone design

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Plastikman

Arkives 1993 - 2010

Release: 2011 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Deluxe custom box, poster included. Like new, records look unplayed.

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Decksaver

Arturia Polybrute

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Ultimate Pick Foam Flight Case Multi Format L

UDG

Ultimate Pick Foam Flight Case Multi Format L

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We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick &
pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They’re compact and lightweight yet tough enough to keep your gear safe.

FEATURES:
• Fits: NI S2 MK3, Pioneer DDJ-400/ RB/ SB3, Akai MPC X/ Renaissance,
Roland DJ-707M
• Lighter weight than traditional flight cases
• Black Diamond finishing surface
• Corrosion resistant aluminum profiles with strong rounded corners
• Fully-lined with high density foam protective padding
• Ergonomic & sturdy carry handle
• Pick & pluck foam with two separate layers
• Replacement pick & pluck foam is available to purchase
• Removable front access panel
• Fully lined interior egg-crate foam on lid
• Two side strong butterfly lock and solid metal hinges
• Rubber feet at the bottom for support in standing position
• Several rivets for more solid

DIMENSIONS:
(Width x Height x Depth)

Outer: 56 x 49 x 21 cm
Inner: 55 x 48 x 20

Weight:4,3 kg | 9,5 lbs

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UDG

LP | 1991 | EU | Original (DGC)

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Nirvana

Nevermind

2LP | 2011 | IE | Original (All City Dublin)

Release: 1991 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

First original EU pressing with inner sleeve misprinted, back side with monkey picture is upside down printed!
Cover has slight wear on the edges and light creasing. Vinyl with some light scuffs and hairlines. Original inner sleeve. Copy close to VG+

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Onra

Chinoiseries Pt 2

139,99 €* 174,99 € -20%

Release: 2011 / IE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP+CD | 2017 | EU | Original (Bmg Rights)

Kontra K

Gute Nacht

LP | 1996 | UK | Original (Polydor)

Release: 2017 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeves.
Records are close to VG+
Includes CD in NM condition.

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Shed Seven

A Maximum High

2LP | 2010 | US | Original (Vinyl Films)

Release: 1996 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with slightly bumped top left corner and hype sticker on the front. Small sticker on the back. With booklet in excellent condition. Beautiful copy!

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Sun Kil Moon

Admiral Fell Promises

The Final Sermon (Live In Japan 2019) Limited Edition

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. With original inner sleeves. Cover with slightly bumped corner. Beautiful copy, overall closer to NM.

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Metal Church

LP | 2024 | EU | Original (Reaper Entertainment)

Release: 2024 / EU – Original

Genre: Rock & Indie

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3LP | 2024 | JP | Original (Universal Music Japan)

Utada Hikaru

Science Fiction

Release: 2024 / JP – Original

Genre: Pop

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Since her debut with the single "Automatic / time will tell" released on December 9, 1998, Hikaru Utada has continued to create pop music that is both innovative and popular. The first all-time best album selected by the artist himself from all the works produced over the past 25 years. Of the 26 songs included, 3 have been newly recorded for this album, and 10 have new mixed versions. Also included are "Noshiro na na Hana" and "Electricity" released in 2024. It is an album that could not have been created without 25 years, expressing gratitude to the fans who have supported her 25-year career, and highlighting Hikaru Utada's artistry, which is constantly updating her creativity. In addition, the analog version is half-speed cut by Miles Showell of Abbey Road Studios in London, so you can enjoy a different sound image than the CD.

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myVolts

Step Up Explorer's Kit

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8x12" | 2011 | EU | Reissue (Sony Music)

Depeche Mode

Exciter The 12" Singles

Release: 2011 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Decksaver

Behringer Wing

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Throw Sweatpants

Sticky Fingers Limited Super Deluxe Boxset

Available Sizes: S, M, L, XL

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The MF Doom Throw Sweatpants's features include:
• cut & sew custom dyed construction
• elastic, drawstring-adjustable waistband with sturdy eyelets plus aglets including debossed Doom branding
• 2 side-entry front pockets
• welt pocket at wearer’s right rear
• drawstring-adjustable leg opening hemlines with sturdy eyelets
• MF Doom Mask logo embroidered at upper left leg
• brushed interior
• relaxed fit
• 80% cotton, 20% polyester fleece, 450 g/m²

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The Rolling Stones

Box | 2015 | EU (Universal)

Release: 2015 / EU

Genre: Rock & Indie

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Jesse Dean Stanton STX Carbon Fibre Tone Arm

Jesse Dean Designs