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HHV Records 158905 Items

HHV Records 158905 Vinyl, CD & Tape 154254 Used Vinyl 37533 Merchandise 1696 DJ Equipment 1826 Print & Design 1279
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Chris & Carla - Life Full Of Holes
Chris & Carla
Life Full Of Holes
LP | 1995 | EU | Reissue (Glitterhouse)
32,99 €*
Incl. VAT plus Shipping Costs
Release: 1995 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
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V.A. - Numero 95 Clear Vinyl Edition
V.A.
Numero 95 Clear Vinyl Edition
LP | 2021 | US | Original (Numero Group)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
As escapism from corporate banality turned the corner in the `90s, a new generation of vibrant, software generated soundscapes emerged. Communal access to the internet propagated the new hive mind of ideas online, giving way to smoother, stress-free textures. The PC revolution opened the gateway to ray-traced playgrounds of color and light, allowing for visions of utopic proportions to manifest themselves on screensavers far and wide. Boot up your machine, load the software on this floppy diskette, and drop out of a reality bounded by the physical laws of the universe. Numero 95 is the soundtrack to the screen saver fever dream we're all trying to climb back into. Eight droplets of proto-vaporwave, synthesized in vinyl (or digital) form, fresh from Numero's archive of forgotten sounds. Are you looking for that half way point between smooth jazz and new age? Mac and PC? Quantum Leap and the X-Files? This software is for you. Housed in a replica floppy diskette, Numero 95 explores an early computer music unbound by scene or region. Eight solo pioneers vibing out at home in their headphones, traveling as far as the sound card would allow. This is music that barely escaped the hard drive and yet percolates at the edges of the algorithm 30 years later. Welcome to Numero 95.
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Anne Imhof, Eliza Douglas, Billy Bultheel - Sex
Anne Imhof, Eliza Douglas, Billy Bultheel
Sex
LP | 2021 | UK | Original (Pan)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 2021 / UK – Original
Genre: Rock & Indie
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Sex Was Composed During The Formation Of Imhof's Art Show Of The Same Name, Previously Exhibited At Tate Modern, London, The Art Institute Of Chicago And Forthcoming At Castello Di Rivoli, Italy, This September. Imhof, Douglas And Bultheel, Reworked The Songs From How They Appeared In The Exhibition `Sex'. The Result Is A Compelling Record That Acts As An Imaginative Accompaniment To The `Sex' Performances, As Well As Standing Alone As A Progressive Collection Of Contemporary Compositions.Sex References Punk, Industrial And Grunge, And Boldly Juxtaposes These Forms With Music Of The Classical And Baroque Period. The Album Combines Classical Formals And Orchestration With Vocals That Are Rooted In Subcultural Traditions, Thus Beautifully Overdrawing And Overwriting These Forms With The Composer's Own. Harpsichord And Oboe Are Combined With Distorted Electric Guitar, Or Exuberant String Ensembles With Heavy Industrial Drums.The Amalgamation Of Genres Contained In The Album Was Also Integral To The Choreography Of Sex, Where Walzes And Tangos Were Contrasted With Stage Diving, Slam Dancing And Moshpits. What Resulted Was A Surreal Ballroom, Loaded With Desire And Aggression. In The Same Vein, The Record Fearlessly Shapeshifts, Blends Genres And Styles Evoking An Impressive Array Of Moods. Oscillating Between Fragility And Flamboyance, Imhof And Douglas' Versatile Voices Reinvent Themselves From One Song To The Next, While Singing Songs Of Love And Hate.The Last Song On Sex Is Ended By A Quote Of The Band Low, `All You Pretty People, You`Re All Gonna Die`. This Ambiguous Moment, A Prophecy Sung In Douglas' Vibrating Baritone Voice, Rattles The Listener Despite The Mundane Truth Of The Statement. This Complexity Is Reflected In The Album Itself, Allowing For An Unusual Multiplicity Of Emotions And Interpretations With Impressive Depth And Dynamism.The Album Is Mixed & Engineered By Ville Haimala And Mastered By Rashad Becker, Featuring Design By Zak Group And Photography By Nadine Fraczcowski. All Tr...
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P.J. Harvey - Dry
P.J. Harvey
Dry
LP | 2020 | EU | Original (Too Pure)
20,99 €*
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Release: 2020 / EU – Original
Genre: Rock & Indie
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Tropical Fuck Storm - Braindrops (Hot Magenta)
Tropical Fuck Storm
Braindrops (Hot Magenta)
LP | 2019 | EU | Original (Joyful Noise)
27,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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Tropical Fuck Storm were formed around 2017 in the city of Melbourne, Victoria along Australia's south-eastern coast. The band released their debut long-player A Laughing Death in Meatspace on Joyful Noise Recordings in 2018. Each of the band's four members bring considerable experience to the group. Liddiard and Fiona Kitschin were part of the long-running and critically-acclaimed act The Drones, while Erica Dunn and Lauren Hammel have performed in a variety of well-received projects. "Everything we do, we try to do it in a weird way. The whole album is full of weird beats, and just weird shit everywhere," Liddiard explains. He cites Doc at the Radar Station-era Captain Beefheart as a key sonic touchstone, and Braindrops certainly shares the Captain's penchant for pounding abstract grooves. Tropical Fuck Storm have achieved a uniquely off-kilter sound on Braindrops. Liddiard partly credits this to the group's use of unconventional equipment, "We use lots of techno gear to make rock and roll because rock and roll gear is boring, and all sounds like Led Zeppelin."
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V.A. - Studio One Freedom Sounds - Studio One In The 60s
V.A.
Studio One Freedom Sounds - Studio One In The 60s
2LP | 2018 | UK | Original (Soul Jazz)
28,99 €*
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Release: 2018 / UK – Original
Genre: Organic Grooves, Reggae & Dancehall
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Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.
During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.
Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.
Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.
Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.
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Cluster - Grosses Wasser
Cluster
Grosses Wasser
LP | 2009 | EU | Original (Bureau B)
23,99 €*
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Release: 2009 / EU – Original
Genre: Organic Grooves, Rock & Indie
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recorded 1979 in Berlin
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Byard Lancaster, Keno Speller - Exactement
Byard Lancaster, Keno Speller
Exactement
2CD | 2024 | EU | Original (Souffle Continu)
19,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa. Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.
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Byard Lancaster, Clint Jackson Iii - Mother Africa
Byard Lancaster, Clint Jackson Iii
Mother Africa
CD | 2024 | EU | Original (Souffle Continu)
15,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today.
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Byard Lancaster, Steve Mccall, Sylvin Marc - Us
Byard Lancaster, Steve Mccall, Sylvin Marc
Us
CD | 2024 | EU | Original (Souffle Continu)
15,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is great Black music.
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Goncalo F. Cardoso - Exotic Immensity
Goncalo F. Cardoso
Exotic Immensity
2LP | 2024 | UK | Original (Discrepant)
39,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you will -, Cardoso's approach here is more meticulously composed, with seamless transitions within his own personal soundworld giving way to this hallucinated landscape of field recordings, subtle electronic tweaks, cascading patterns, queasy ambiences and kösmiche-like synth harmonies.

Perfectly embodied in Evan Crankshaw's cut up poem, filled with occult and sci-fi references such as Agrippa's Book of the Occult, William Blake's Book of Urizen, Dr. Moreau or 50's pop-science books, the music on 'Exotic Immensity' transverses time and cartography in a deeply personal matter, from the cricket-like textures and reverse loops of 'Réplica(s)' until the closing moments with the touching chord progression and mangled voices of 'Pó Nuno'. In-between, the foghorn meets bass clarinet melody of 'Ossos' recalls the unassuming but essential harmonic patterns of Laurence Crane, surrounded by an almost percussive sheet of field recordings that drift into the gliding synth tones of 'Desumanização (I & Ii)' until tape orchestral swells carry us into the aether. 'Aquário Novo Mundo' brims in an undisplaced cartography, from electronic marimba stabs to synth choirs, the call of the loom to labyrinthine keyboard harmonies and underwater radiance. Are we still here? Somewhere? The muffled looped rhythmic sequence of 'Imagem/Miragem', cut by the glow of cascading synths doesn't offer a reply. Nor does it need to.

'Exotic Immensity' exists on the perpetual outside. Blessed be Cardoso for showing us a way in.
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Spirit Fest - Bear In Town
Spirit Fest
Bear In Town
LP | 2023 | EU | Original (Morr Music)
26,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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For their fourth album, »Bear In Town«, indie avant-pop supergroup Spirit Fest made a virtue of distance, with group members split across Europe, and recording sessions taking place after a brief 2021 tour of Europe. It’s an object lesson in perseverance and commitment, as the music here is some of Spirit Fest’s most moving yet. The six songs on this album illuminate different aspects of the transnational quintet’s character – lovely, heart-rending pop songs; melancholy chants; the joys of simple repetition – with the group’s guitar pop tended by gentle flourishes of piano and electronics.

Some of those flourishes were spirited onto »Bear In Town« across the waves, with Mat Fowler (Bons, Jam Money) contributing from Britain, while the body of the music was recorded in a small apartment studio in Munich by the other members of Spirit Fest: Saya and Ueno (Tenniscoats), Markus Acher (The Notwist) and Cico Beck (Joasinho, Aloa Input). »Bear In Town« is concise and powerful, the infectious joy of the spirit communicated, beautifully, by melodies that balance the heartfelt with the melancholy. Reflecting on those sessions, Acher says, »I think the album captures how well we played together at that time.« It’s all the more impressive given this material was put down live in the studio, with a few vocal overdubs. The depth of feeling at the core of Spirit Fest’s music is evident from the opening notes of »Bear In Town«.

»Kou-Kou Land«, the first song on the album, recalls several earlier Tenniscoats songs, like »Baibaba Bimba«, in the way the musicians weave gentle complexity around a simple, repeated chant; the stop-start structure of »Kou-Kou Land« builds anticipation, while Saya’s simple melody is lovely, delivered in an absent-minded hum that’s deeply affecting. »Lost & Found« revolves around a delightful descending chord change that breaks up the swaying, folksy verses, gorgeous electronic whirrs and purring winds floating through the song. The following »In Our House« possesses such sweet sadness, it’s one of Spirit Fest’s most moving songs yet.

»Like A Plane« repurposes a song that Markus Acher originally wrote and recorded for his solo EP of the same title, released on a 2022 10-inch single on Morr Music. The original was a gentle, introverted lament, but the version on »Bear In Town« has a widescreen tenderness, its melancholy framed by raindrop piano. The album concludes with two moments of playful splendour, the bossa-inflected »Hill Blo«, and the driving title track, both led by Saya, who is in stunning voice on this album; on »Bear In Town«, her awestruck wonder perfectly captures the sense of possibility in the song’s capacious chords. Like the rest of the album, it’s full of kindness, rich with psych-pop splendour… a balm for troubled times.
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Kreng - Works For Abattoir Ferme 2007 - 2011
Kreng
Works For Abattoir Ferme 2007 - 2011
4LP | 2012 | UK | Reissue (Miasmah)
73,99 €*
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Release: 2012 / UK – Reissue
Genre: Electronic & Dance
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10 year anniversary edition of Kreng's massive »Works for Abattoir Férme 2007 - 2011”« 4 LPs worth of slow, skin crawling cinematic ambience made for the Belgian theatre group Abattoir Fermé.

It could hardly be a better time to again dive deep into Kreng and Abattoir Fermé's disturbingly beautiful underground worlds. Through 8 full- length vinyl sides we are transported through the most terrifying, shadow- filled, down-right bizarre moments of the subconscious. What could be the sound of your darkest dreams or most surreal fantasies gradually unfolds throughout the three and a half hour duration. Exactly this is what Abattoir Fermé specialises in, and Pepijn Caudron's scores perfectly reflect and accompanies both this theatricality as well as our own fears and desires in a masterful way.

Each extended side is crafted from an arsenal of samples, disintegrating vinyl and corroded tape, and Pepijn Caudron manipulates these sounds in a way that belies the sources. Rather than allow the sounds to emerge, they stay trapped beneath swathes of noise, tape delay and oppressive bass giving us a compositions that emerge like a cross between William Basinski, Jerry Goldsmith (circa Alien) and Henryk Górecki.’ »Works for Abattoir Fermé« is not for the faint of heart, but for the rest of us it might be just what the Doctor ordered...
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Beispiel (Frank Bretschneider & Jan Jelinek) - Muster
Beispiel (Frank Bretschneider & Jan Jelinek)
Muster
LP | 2022 | EU | Original (Faitiche)
21,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Faitiche presents Beispiel (German for "example", also suggests playing together), a joint project by Frank Bretschneider and Jan Jelinek. »Muster« is their first album. Free electronic music, the result of spontaneous improvisations. “Meaning” is a concept that is overused in connection with music. Muster does not call for the same kind of air quotes. With its title, German for patterns/exemplars, Beispiel’s album frees itself from the ballast of teleological semantics. Muster is an exemplary work. Nine suggestions for what can be. Nine ideas for possibilities of listening.
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Absolute Body Control - Lost / Found
Absolute Body Control
Lost / Found
4LP | 2021 | EU | Original (Mecanica)
99,99 €*
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Release: 2021 / EU – Original
Genre: Pop
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Absolute Body Control was formed by Dirk Ivens in 1980 influenced by the sound produced by the likes of Suicide, D.A.F. and the UK electronic scene. Eric Van Wonterghem joined the project next year just after the release of the debut 7" "Is There An Exit?". They released together just some cassettes during its brief initial run, but this was enough to gain a following in and outside Belgium. A compilation of tracks entitled "Eat This" was eventually done in 1993 and a first edition of the collection "Lost / Found" was issued on CD in 2005.

Dirk and Eric took the project back on stage in 2006 and decided to re-activate it. They first re-recorded some of their classic songs for the album "Wind[Re]Wind" and then continued releasing new material and touring all Europe and beyond.

"Lost / Found" is the definitive collection of this minimal-synth-wave act and is now available for the first time on vinyl record with a total of 52 songs including 8 previously unreleased.

Limited edition of 1,000 copies with 4 records on individual sleeves, insert and numbered certificate.
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Byard Lancaster - Funny Funky Rib Crib
Byard Lancaster
Funny Funky Rib Crib
CD | 2024 | EU | Original (Souffle Continu)
15,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul.

If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib
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Hal Singer - Blues & News
Hal Singer
Blues & News
LP | 2023 | FR | Reissue (Souffle Continu)
26,99 €*
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Release: 2023 / FR – Reissue
Genre: Organic Grooves
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“I get something out of listening to Coltrane, Shepp and Coleman; I’m really pleased that young players are trying to change things. If they go back the roots and come up with something new, that’s fantastic.” This comment was made by saxophonist Hal Singer to Gérard Terronès for the magazine Jazz Hot in 1968. Two years later Terronès would issue Singer’s album Blues And News, on his label Futura Records.

Though born in 1919 Hal Singer claims, just like the precursors of free jazz, “to always be looking for something else”. When he started out he played in numerous swing bands, then worked in bop with Don Byas, Roy Eldridge or Red Allen, before joining Duke Ellington’s band. In 1948, he recorded a successful single, Cornbread under his own name, which allowed him to travel to the four corners of the earth with his own group.

Then, in 1965, Hal Singer came to live in France: in Paris, he played at clubs like the C’hat qui pêche’ or ‘Riverbop’; in the studio, he multiplied his experiments and experience. It was one such session that gave us Blues And News: joined by Jacques Bolognési (trombone), Jean-Claude André (guitar), Siegfried Kessler (keyboards and flute), Patrice Caratini (double bass), Art Taylor (drums) et Alain Charlery (percussion), the saxophonist himself goes “back to the roots”, to also “come up with something new”.

Things kick off with “It’s My Thing”, a soul jazz number reminiscent of Cannonball Adderley or Lou Donaldson. After the pretty balled “Lina”, comes “Malcolm X ”, a luminous homage which resists the storm whipped up by Kessler on piano. Getting back to swing, Singer makes music with his communicative ’joie de vivre’ (“Du Bois”, “Pour Stéphanie”) before signing off with a flamboyant blues dedicated to him by Kessler for the occasion: “Blues For Hal”. But was another title possible?... Blues For All!!!'

Carefully remastered from the master tapes by Gilles Laujol. Graphic design by Stefan Thanneur. Heavyweight 180 gr. LP. 425 gsm brownboard outer sleeve. Licensed from Futura records.
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Pauline Oliveros - Reverberations: Tape & Electronic Music From The 1960's
Pauline Oliveros
Reverberations: Tape & Electronic Music From The 1960's
11CD | 2022 | US | Original (Important)
79,99 €*
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Release: 2022 / US – Original
Genre: Electronic & Dance
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This dense 11 disc retrospective of Pauline Oliveros’ early and unreleased electronic work includes her very first piece made for tape in 1959. Organized chronologically, this set not only documents Pauline's earliest electronic music but it also functions as an early history of electronic music itself. Follow as she participates in the establishment of the legendary San Francisco Tape Music Center and then moves to University Of Toronto Electronic Music Studio, Mills Tape Music Center and University of California San Diego Electronic Music Center.

This 10th anniversary edition is packaged in a clamshell-style box containing all the tracks from the 2012 edition spread out over 11 CDs each housed in single pocket sleeves. A 36 page booklet includes extensive liner notes and essays from Pauline Oliveros, Alex Chechile, Ramon Sender, David Bernstein, Corey Arcangel.

Pauline Oliveros was a composer, performer, humanitarian and an important pioneer in American Music. Acclaimed internationally, she forged new ground for herself and others. Through improvisation, electronic music, sonic philosophy, teaching and meditation she created a body of work with such breadth of vision that it profoundly affects those who experience it and eludes many who try to write about it.

"On some level, music, sound consciousness and religion are all one, and she would seem to be very close to that level." John Rockwell

Pauline Oliveros built a loyal following through her concerts, recordings, publications and musical compositions written for soloists and ensembles in music, dance, theater and inter-arts companies. She provided leadership within the music community from her early years as the first Director of the Center for Contemporary Music (formerly the Tape Music Center at Mills), director of the Center for Music Experiment during her 14 year tenure as professor of music at the University of California at San Diego to acting in an advisory capacity for organizations such as The National Endowment for the Arts, The New York State Council for the Arts, and many private foundations. She served as Distinguished Research Professor of Music at Rensselaer Polytechnic Institute and Darius Milhaud Composer in Residence at Mills College. Oliveros was vocal about representing the needs of individual artists, about the need for diversity and experimentation in the arts, and promoting cooperation and good will among people.

She was honored with awards, grants and concerts internationally. Whether performing at the John F. Kennedy Center in Washington D.C., in an underground cavern, or in the studios of West German Radio, Oliveros' commitment to interaction with the moment went unchanged.

Oliveros passed away peacefully on November 24, 2016 but her sonic legacy and philosophy continues to grow and inspire.
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Vladislav Delay - Anima
Vladislav Delay
Anima
2LP | 2001 | EU | Reissue (Keplar)
24,99 €*
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Release: 2001 / EU – Reissue
Genre: Electronic & Dance
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2001’s »Anima« was the third album released by Sasu Ripatti under his Vladislav Delay moniker and marked a turning point in the stylistic development of the prolific producer. Clocking in at roughly 62 minutes, the single piece draws on dub aesthetics while working with Musique concrète-like methods through the liberal use of samples to create a dreamlike logic. Muffled voices, lush chords, subtle rhythms and indefinable sound events are not so much integrated into a composition with a predetermined outcome but rather engage with each other freely in a constant sonic flow, forming constellations in one moment before moving on to connect with other elements in the next one. »Anima« marked the first time Ripatti was using a DAW in his working process, creating a piece constantly in motion that subtly evolves over time. This vinyl reissue on the German Keplar label follows up on the 20th anniversary edition of 2000’s »Multila« and will be complemented by a ten-minute long version of the original piece, previously only available on the CD version released by the artist on his own Huume label in 2008.

After the release of his »Ele« and »Entain« albums in 1999 and 2000, respectively, Ripatti took the 1998 independent movie »Hurlyburly« as a conceptual starting point to experiment with different gear and production methods. »Until then I had worked with an old Msq-700 Midi sequencer and an Ensonic Eps16 sampler/sequencer that had one or two MB of sampling memory and mixed the music live on a Mackie, which was very limiting arrangement-wise,« says Ripatti. Loading a slightly shortened version of the film into his DAW however allowed him to play along to it with the DrumKAT Midi controller, triggering and playing all the sounds that can be heard on »Anima« while also contributing synths, bass and other sounds during repeated playthroughs before mixing a total of six stereo tracks together. »This way, after I had edited out most of the few parts that had music in them, I was in the movie; almost like an extra character playing music,« explains Ripatti. »This was certainly the most organic way in which I have ever made music, and I have never again approached another record like this.«

While »Anima« sounded like an unusual Vladislav Delay record at the time of its release, it also prefigured many of the developments Ripatti would go through in the course of his long career. Combining visceral immediacy with a sense of abstraction, it is far more than a mere missing link in his discography but rather a conceptually and musically outstanding piece of work that remains as engaging as it was 21 years ago.
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Caleb Dailey - Warm Evenings, Pale Mornings: Beside You Then
Caleb Dailey
Warm Evenings, Pale Mornings: Beside You Then
LP | 2022 | EU | Original (Alien Transistor)
27,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie
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Growing up in the Californian sprawl and the vast suburbs of Phoenix, Arizona, Caleb Dailey largely dismissed the country and western music that surrounded him. Instead, he was drawn to independent rock, experimental zones, and other genre-defying forms, which led him to create skewed rock music with Bear State and establish the “minimal art label” Moone Records with his brother Micah Dailey in 2013. But in the early half of the 2010s, Dailey began to hear things differently. Drawn into the left-of-center works of artists like Gram Parsons and Blaze Foley, a more idiosyncratic take on country, folk, and roots music began to swirl in his imagination.

Wandering into the form’s cowboy chords and lonesome scenes, Dailey found himself wondering what his own country album might sound like. The result is his debut solo album, a collection of covers called Warm Evenings, Pale Mornings; Beside You Then. Produced by John Dieterich of Deerhoof, Keiko Beers, and Dailey himself, it’s a melancholy charmer, rooted in traditional ideas but free roaming in its scope. Laced with synths, pedal steel, acoustic guitars, and commanded by Dailey’s full and woozy voice, it owes as much to the busted waltzes of Lambchop and the homespun lo-fi folk of Little Wings (whose Kyle Field appears on the album via a spoken intermission) as it does to the songwriters and performers who provide its source material, which include Parsons, Foley, Elvis Presley associate Chips Moman, steel guitarist Buddy Emmons, and others.

“The subversive nature of country music isn’t as much at the surface as some other genres,” Dailey says. “But the deeper down the ‘country hole’ I went, the more I wanted to be part of it. It is truly a strange world.”

The hands of Dailey and his collaborators, which includes a wide roster of DIY experimentalists like James Fella of art punks Soft Shoulder, Jay Hufman (Gene Tripp), Lonna Kelley of Giant Sand, Japanese DIY hero’s Koji Shibuya and Tori Kudo, Nicholas Krgovich, Markus Acher of The Notwist, and more, that strangeness is accentuated. Dailey doesn't aspire to retro Nashville fetishism or sanctioned notions of “realness” so much as a genuine outsider authenticity. Take his version of Gordon Lightfoot’s “If You Could Read My Mind” for example: a highlight of the record, it pairs familiar genre signifiers like pedal steel and guitar strums with warbled synths. Then there’s his read of “Dreaming My Dreams,” originally made famous by Waylon Jennings (who also did time in the Arizona desert), which morphs from a mournful ballad into a wash of far-off sonic noise.

The attention here is on the songcraft itself, with Dailey inhabiting these songs and turning them inside out to reveal unexpected tenderness and playfulness.

Recorded at home with an acoustic guitar and 4-track, Dailey began open correspondences with his collaborators, who fleshed out ideas and added touches, often working with skeletal frames before Dieterich and Dailey shaped it into a cohesive whole. “John is the reason this album exists,” Dailey says. “He sculpted all these parts together in such an otherworldly way. He is truly a magician.” Deeply allergic to insincerity, Dailey avoids any trace of irony. He’s created a cohesive gem out of disparate parts, uniting Americana songcraft with experimental disassemblage. From this bric-à-brac, he’s made something touching and beautifully strange.
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Fehler Kuti - Professional People
Fehler Kuti
Professional People
LP | 2021 | EU | Original (Alien Transistor)
23,99 €*
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Release: 2021 / EU – Original
Genre: Organic Grooves
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Pailhead - Trait
Pailhead
Trait
LP | 2019 | EU | Original (Mecanica)
21,99 €*
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Release: 2019 / EU – Original
Genre: Rock & Indie
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Pailhead was a collaboration of vocalist Ian MacKaye (Minor Threat, Fugazi), Ministry’s Al Jourgensen and Paul Barker, and drummer Eric Spicer (Naked Raygun). In 1986, MacKaye was just a few years away from his genre-defining work in Minor Threat and on the cusp of starting an even more influential band, Fugazi. Al Jourgensen was also undergoing a transition with his band Ministry after the release of “Twitch”. He wasn’t the guy who would release the game-changing “The Land Of Rape And Honey” a couple of years later, but he was well on his way. Alain met Ian when he was living in London. Both found common ground musically and politically and decided to collaborate on a project that would fuse elements of industrial music with hardcore punk. The result was a bunch of unique and unrepeatable hymns. Pailhead released one first single “I Will Refuse” / “No Bunny” in 1987 and next year the 4-song EP “Trait”, both on the legendary Wax Trax! Records. Limited edition of 500 copies on grey vinyl with deluxe sleeve with soft touch lamination and sticker with classic band logo.
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Renaldo & The Loaf - The Elbow Is Taboo / Elbonus
Renaldo & The Loaf
The Elbow Is Taboo / Elbonus
2LP | 2019 | EU | Original (Editions Mego)
24,99 €*
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Release: 2019 / EU – Original
Genre: Electronic & Dance
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The Elbow is Taboo was Renaldo & The Loaf's fourth and last album of their initial phase prior to their return in 2010. Released by Ralph in America and Some Bizzare in the UK in 1987 this work represents a development in the overall sound as they utilize an 8 track recorder along with early digital effects. A large arsenal of acoustic instrumentation gives the record an additional unsettling atmosphere. Recorded over a 3 year period this remains the definitive statement by the group in this early period.

As clarified by Brian from the band, the themes remain as obtuse and alluring as ever with each song containing it’s own story. “be it a child's desire to control (A Street Called Straight), the ridiculous purdah of an innocent part of the body (The Elbow is Taboo), a call for help in times of angst (Here's To the Oblong Boys), the rigours of a bread fetish (The Bread Song), the anger of a dance teacher to the terminally inept (Critical/Dance) or a ritual call to prayer, somewhere (Extracting the Re-re)”.

Disorientating and delightful this is a must for all fans of the Loaf and for those tickled by the more deranged spectrum of song.
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Fancy - Flames Of Love Colored Vinyl Edition
Fancy
Flames Of Love Colored Vinyl Edition
12" | 1988 | DE | Reissue (ZYX Music)
16,99 €*
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Release: 1988 / DE – Reissue
Genre: Electronic & Dance
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Jerry Ropero, Denis The Menace, Sabor - Coracao Black Vinyl Edition
Jerry Ropero, Denis The Menace, Sabor
Coracao Black Vinyl Edition
12" | 2024 | Original (Blanco Y Negro)
24,99 €*
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Release: 2024 / Original
Genre: Electronic & Dance
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Mauro Picotto - Pulsar
Mauro Picotto
Pulsar
12" | 2024 | DE | Original (ZYX Music)
16,99 €*
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Release: 2024 / DE – Original
Genre: Electronic & Dance
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Lou Reed - Live In New York 1972
Lou Reed
Live In New York 1972
LP | 2009 | EU | Original (ZYX)
17,99 €*
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Release: 2009 / EU – Original
Genre: Rock & Indie
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Mina - Best Of
Mina
Best Of
LP | 2016 | EU | Original (ZYX)
17,99 €*
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Release: 2016 / EU – Original
Genre: Pop
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Love Command0 - Integration
Love Command0
Integration
LP | 2024 | DE | Original (ZYX Music)
17,99 €*
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Release: 2024 / DE – Original
Genre: Electronic & Dance
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V.A. - The Dark Side Of Italo Disco 3
V.A.
The Dark Side Of Italo Disco 3
LP | 2023 | EU | Original (ZYX Music)
17,99 €*
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Release: 2023 / EU – Original
Genre: Electronic & Dance
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WDR Big Band Köln - Plays Duke Ellington
WDR Big Band Köln
Plays Duke Ellington
3LP | 2018 | EU | Original (BHM)
39,99 €*
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Release: 2018 / EU – Original
Genre: Organic Grooves
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V.A. - The Dark Side Of Italo Disco 2
V.A.
The Dark Side Of Italo Disco 2
LP | 2022 | EU | Original (ZYX)
17,99 €*
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Release: 2022 / EU – Original
Genre: Pop
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Savage - Love And Rain
Savage
Love And Rain
2LP | 2020 | EU | Original (ZYX)
21,99 €*
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Release: 2020 / EU – Original
Genre: Electronic & Dance, Pop
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Off - Electrica Salsa
Off
Electrica Salsa
12" | 1986 | EU | Reissue (ZYX)
14,99 €*
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Release: 1986 / EU – Reissue
Genre: Electronic & Dance
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Kel-Air & Band Band - Tuareg
Kel-Air & Band Band
Tuareg
12" | 2019 | EU | Original (ZYX)
14,99 €*
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Release: 2019 / EU – Original
Genre: Organic Grooves
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Re-issue of this Italo disco rarity from the year 1986. Side A contains the two rare original versions and as a highlight we present on side B two new and exclusive remixes by the Italo Disco legends Flemming Dalum and George Hysteric
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V.A. - 50s & 60s Country & Western Hits Vol. 1
V.A.
50s & 60s Country & Western Hits Vol. 1
LP | 2024 | DE | Original (ZYX Music)
17,99 €*
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Release: 2024 / DE – Original
Genre: Rock & Indie
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UK Subs - Reverse Engineering Yellow Black Splatter Vinyl Edition
UK Subs
Reverse Engineering Yellow Black Splatter Vinyl Edition
LP | 2024 | Original (Cleopatra)
29,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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North Americans - Going Steady
North Americans
Going Steady
LP | 2000 | EU | Original (Third Man)
21,99 €*
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Release: 2000 / EU – Original
Genre: Organic Grooves
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Matisyahu - Youth
Matisyahu
Youth
2LP | 2023 | EU | Original (Fallen Sparks)
33,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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Cobra Spell - 666 Red Vinyl Edition
Cobra Spell
666 Red Vinyl Edition
LP | 2023 | EU | Original (Napalm)
26,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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The Dangerous Summer - All That Is Left Of The Blue Sky
The Dangerous Summer
All That Is Left Of The Blue Sky
LP | 2023 | EU | Original (Rude)
29,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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The Dangerous Summer reimagined version of "Come Along" is the secod installment of a series of re-worked, remixed, alternate versions of the band's recent discography. Media support on Alternative Press, Rock Sound, Kerrang!, SiriusXM, BBC Radio 1, MTV & more. Cross platform digital marketing strategy to drive traffic to the track from social media, $3k overall budget. Marquee campaign starting on release week. 7,65M+ Listeners, 99,4M+ Streams, 78,8k+ Followers to date.
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Butcher Boy - You Had A Kind Face
Butcher Boy
You Had A Kind Face
2LP | 2022 | EU (Needle Mythology)
38,99 €*
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Release: 2022 / EU
Genre: Pop
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Parra For Cuva - Juno
Parra For Cuva
Juno
2LP | 2021 | EU | Original (Parradox Entertainment)
25,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Thinking of dreamy, melancholic electronic music with an organic approach Parra for Cuva is
one of the names which come to mind immediately.
After Nicolas Demuth´s previous highly acclaimed album, Paspatou, the busy producer from
Germany kicked off the journey to his new album Juno (out July 16th) with the single ‚Ordel‘
that already accumulated 2Mio+ streams and "Dream Reverb" showing off just how much
Nicolas is an explorer of sound who cherishes collaborations and a multi-cultural approach.
Her Entrance (Innellea Remix):
For a remix of “Her Entrance” Parra for Cuva teamed up with Innellea who was named best
newcomer by Groove Magazine in 2017 and took the scene by storm with releases on
Innervisions and a recent Cercle set at Jaisalmer Fort.
Innellea´s interpretation of "Her Entrance" was shaped by his desire for extensive and intense
club nights. He adapted the mysterious mood from the original and added dynamic hihats
and driving basslines to create a remix suitable for any dancefloor.
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Baroness - Blue Record
Baroness
Blue Record
2LP | 2009 | EU | Reissue (Relapse)
33,99 €*
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Release: 2009 / EU – Reissue
Genre: Rock & Indie
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V.A. - 20 Years Of Fabric Orange Vinyl Edition
V.A.
20 Years Of Fabric Orange Vinyl Edition
2LP | 2019 | UK | Original (Fabric)
33,99 €*
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Release: 2019 / UK – Original
Genre: Electronic & Dance
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Kurt Vile - God Is Saying This To You
Kurt Vile
God Is Saying This To You
LP | 2010 | US | Reissue (Mexican Summer)
21,99 €*
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Release: 2010 / US – Reissue
Genre: Rock & Indie
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The People's Workshop - Houston Talent Expo 82
The People's Workshop
Houston Talent Expo 82
LP | 2016 | EU | Original (BBE Music)
21,99 €*
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Release: 2016 / EU – Original
Genre: Organic Grooves
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We are both proud and excited to present this highly sought after early 80's gem, originally created as a showcase project for young artists and composers by a community music organisation in Texas.

Originally referred to as the 'Pop Music Lab', the Peoples' Workshop was formed in 1976 at Texas Southern University as a space for students to compose and perform, free from the constrains of Western classical music education.

Swiftly gathering momentum, in 1980 the organisation was granted non-profit status and in 1983, moved off the TSU campus. The Workshop has since grown in size and scope, becoming the first Black-founded organisation to present shows in major performance venues around the Greater Houston area.

Houston Talent Expo '82 features original compositions by members of The Peoples' Workshop, performed exclusively by musicians from Houston. The songs vary in style, but remain centered around gospel, funk and soul; music and lyrics with a powerful positive message. Many of the artists featured remain active today around the world, working with such acts as Alice Coltrane and The Charles Mingus Band among others.

Houston Talent Expo '82 comprises a truly special collection of songs born from the struggle, true to the spirit of togetherness that underpins The Peoples' Workshop, written and performed by astonishing young talents.
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Brockhoff - Sharks
Brockhoff
Sharks
10" | 2023 | EU | Original (Humming)
23,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Brad Stank - In The Midst Of You
Brad Stank
In The Midst Of You
LP | 2023 | EU | Original (Sunday Best)
15,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Liverpool’s acclaimed sensual existentialist Brad stank today announces the release of his resolutely romantic new album In The Midst of You on January 26th via his new label Sunday Best Recordings. He launches the album alongside the quintessentially Brad ‘Natty Wine’ and its accompanying video. The new single ‘Natty Wine’ neatly encapsulates the many charms that emerge throughout the album. With Brad backed by soulful female vocal harmonies, the song’s jazzy psychedelia possesses a touch of twanging Americana, its warm and vibrant live instrumentation making for a song as relaxed as a Sunday afternoon in the sun. It’s also notable for featuring Brad’s favourite percussive instrument deep in the mix: a wooden frog. He adds, “This is a tongue-in-cheek song I wrote after being gifted a bottle of natural wine by a friend. I’m a working class boy who would much rather drink shitty lager at a party, like Stella or Holsten Pils. I’ve got no right to be writing a song about natty wine but I was feeling bougie. It’s a love song in disguise, I liked the imagery of lyrics like, ‘Your sweet loving just keeps dripping from the vine.’” In The Midst of You finds Brad in late night lothario mode, his previous seductive style now taking a more resolutely romantic and perhaps surprisingly spiritual direction. The phrase “in the midst of you” comes from the Bible, Zephaniah 3:17, “the full quote is something along the lines of “God is in the midst of you” - basically meaning that you have to look inward for peace or enlightenment, etc. the album is about that in parts and also, as always, I tried to put a romantic twist on it so that the “in the midst of you” is about being in love with somebody. It’s kind of a juxtaposition but I’ve always enjoyed taking spiritual messages and giving them a double meaning, explains Brad. “Hopefully it’s a positive message of prostrating yourself to somebody, or to spirituality or something - but giving yourself fully to something , being in the midst…”
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Amen 81 - Musik Aus Der Bayerischen Staatskanzlei
Amen 81
Musik Aus Der Bayerischen Staatskanzlei
LP | 2023 | EU | Original (My Ruin)
19,99 €*
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Release: 2023 / EU – Original
Genre: Rock & Indie
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Ufo - Walk On Water Limited Edition
Ufo
Walk On Water Limited Edition
2LP+7" | 2023 | CA | Original (Cleopatra)
36,99 €*
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Release: 2023 / CA – Original
Genre: Rock & Indie
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Monster Magnet - Tab
Monster Magnet
Tab
LP | 1991 | EU | Reissue (Napalm)
25,99 €*
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Release: 1991 / EU – Reissue
Genre: Rock & Indie
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„Tab“ (a.k.a. Tab 25 or 25 Tab) is the title of Monster Magnet's second EP, released in Europe in 1991 and in the United States two years later. Originally released on Glitterhouse Records, it was recorded before the band's 1991 debut album „Spine of God“ but issued afterwards to capitalize on its success. Though long enough to qualify as a full-length album, it is referred to as an EP. It is generally viewed by critics as the band's most psychedelic release, with the first two tracks alone totaling 45 minutes.
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Robert Belfour - What's Wrong With You
Robert Belfour
What's Wrong With You
LP | 2016 | US | Original (Fat Possum)
30,99 €*
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Release: 2016 / US – Original
Genre: Organic Grooves
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Thelonious Monk - Thelonious Monk With John Coltrane
Thelonious Monk
Thelonious Monk With John Coltrane
LP | 1957 | US | Reissue (Analogue Productions)
46,99 €*
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Release: 1957 / US – Reissue
Genre: Organic Grooves
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Ann Peebles - Straight From The Heart
Ann Peebles
Straight From The Heart
LP | 2012 | EU | Original (Speakers Corner)
34,99 €*
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Release: 2012 / EU – Original
Genre: Pop
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Patti Smith - Horses
Patti Smith
Horses
LP | 2006 | EU | Original (Speakers Corner)
34,99 €*
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Release: 2006 / EU – Original
Genre: Rock & Indie
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Doug Macleod - Come To Find 45rpm, 200g Vinyl Edition
Doug Macleod
Come To Find 45rpm, 200g Vinyl Edition
2LP | 2020 | US | Original (Analogue Productions)
69,99 €*
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Release: 2020 / US – Original
Genre: Organic Grooves
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Spend any time around Doug MacLeod and the stories from his years of road time with the likes of Big Joe Turner and Pee Wee Crayton start to flow as easily as a brook tickled by a breeze. And you know you're getting to the good part, the climax if you will, when Doug's eyes start to twinkle, his grin grows broader and out of his mouth pop the words »Come to find ...«. MacLeod was a widely acknowledged electric blues guitarist for many years, and the leader of his own band, yielding a number of U.S. and European tours and several albums to his credit. Doug disbanded the group to focus all his energies on his first love, acoustic blues. "Come To Find" is the debut fruit of that effort. And now it's made even more remarkable, with this 45 RPM 200-gram reissue by Analogue Productions. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.The pressing sounds spectacular. You're holding a hefty 200-gram masterpiece from our own Quality Record Pressings, our state-of-the-art LP pressing plant. And the gatefold jacket is hard-core, old-school style — thick cardboard, tip-on, with additional photos and liner notes inside. Sweet. "Come To Find" is the sound of a consummate bluesman touching the core of his art in a program featuring ten originals by Doug. He is beautifully supported in this intimate setting by harmonica ace Charlie Musselwhite and the Mighty Flyer rhythm section, Jimi Bott and Bill Stuve. This is the album that deserves a place of honor in the music collections of even casual blues fans. And for those who love blues already, this is one of the best-sounding, most original works you'll ever hear.
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Archie Shepp Quartet - True Blue
Archie Shepp Quartet
True Blue
2LP | 2024 | KR | Original (Venus)
82,99 €*
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Release: 2024 / KR – Original
Genre: Organic Grooves
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Eddie Harris - The In Sound
Eddie Harris
The In Sound
LP | 1965 | UK | Reissue (Pure Pleasure)
34,99 €*
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Release: 1965 / UK – Reissue
Genre: Organic Grooves
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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd
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Herbie Mann - At The Village Gate
Herbie Mann
At The Village Gate
LP | 1962 | EU | Reissue (Speakers Corner)
34,99 €*
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Release: 1962 / EU – Reissue
Genre: Organic Grooves
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"Comin’ Home Baby" – that’s how the LP begins and that’s what catapulted it right into the charts. Not to one of the top places, but from this time on Herbie Mann was one of the superstars in Atlantic’s collection of jazz musicians. He was known as 'our man with the flute', and the critics in the early Sixties were full of praise for him. He became even more famous, and probably richer, through soundtracks and later on sometimes rather commercialised productions. Well, good for him. 'The Man' serves up jazz pure on this recording, made live at the legendary Village Gate club, which is no wonder considering the rhythm group that includes Ahmad Abdul-Malik and Rudy Collins. The composer of "Comin’ Home Baby", Ben Tucker, also makes an appearance as a guest soloist before the two Gershwin numbers from "Porgy And Bess" offer a wealth of rhythm pure. On the cover text of the LP, Willis Conover, who hosted the Newport Jazz Festival as a sideline (older jazz fans will know his baritone voice from AFN broadcasts), describes in detail the ethnic background of the musicians who come from all over the world – from Romania to Puerto Rico. The three numbers are by no means commonplace. Perhaps a tasty flute cocktail would be a good description. This true rarity from Atlantic’s treasure trove in the early Sixties has long been marked down on the wish list of many fans and at long last it’s available again.
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Descendants Of Mike And Phoebe, The - A Spirit Speaks
Descendants Of Mike And Phoebe, The
A Spirit Speaks
LP | 1974 | UK | Reissue (Pure Pleasure)
34,99 €*
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Release: 1974 / UK – Reissue
Genre: Organic Grooves
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One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.
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Herbie Hancock - Crossings
Herbie Hancock
Crossings
LP | 1972 | EU | Reissue (Speakers Corner)
34,99 €*
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Release: 1972 / EU – Reissue
Genre: Organic Grooves
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In the 1970s, Herbie Hancock’s "Crossings" was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity – although it was unclear where the crossing was going to take us …
Nevertheless, the excellent trumpeter Eddie Henderson – often underestimated as an improviser and composer, and Benny Maupin – who like Hancock had grown up under Miles Davis’s wing, present a wide range of sound-generating instruments – as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group – and even produce here melodic arches of sound! Whether Bennie Maupin’s "Quasar" launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.
This LP is a contemporary historical document, though it certainly doesn’t sound antiquated. That’s why younger listeners too will find pleasure in this experiment from the previous millennium.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason
Production: David Rubinson
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Dr. John - Dr. John's Gumbo 200g Vinyl Edition
Dr. John
Dr. John's Gumbo 200g Vinyl Edition
LP | 1972 | US | Reissue (Analogue Productions)
46,99 €*
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Release: 1972 / US – Reissue
Genre: Organic Grooves
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"Dr. John's Gumbo" is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.
"Dr John's Gumbo" was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown New Orleans. It features excellent interpretations of New Orleans traditionals ("Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee") and contemporary R&B written or played by the likes of Huey Piano Smith ("Blow Wind Blow" and "Huey Smith Medley") Earl King and Earl Gaines ("Big Chief", "Let The Good Times Roll" and "Lonely Lonely Nights").
Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.
This great album receives the full Analogue Productions reissue treatment here, starting with Kevin Gray's remaster from the original analogue tapes. Then we back that up with 200-gram plating and pressing on super-silent vinyl by our own Quality Record Pressings. Finally it's all housed in a tip-on gatefold jacket from Stoughton Printing. Deluxe all the way; you'll be estatic with the results!
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Gregg Allman - Laid Back 200g Vinyl Edition
Gregg Allman
Laid Back 200g Vinyl Edition
LP | 1973 | US | Reissue (Acoustic Sounds)
46,99 €*
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Release: 1973 / US – Reissue
Genre: Rock & Indie
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Gregg Allman's 1973 solo debut also became his biggest hit, a No. 13 LP featuring his Top 20 classic "Midnight Rider". Analogue Productions now brings forth a sparkling reissue of this classic disc, mastered from the original analog tapes by Ryan Smith at Sterling Sound. And presented as a 200-gram sonic superstar plated and pressed at our own Quality Record Pressings!
»By the end of 1973, the Allman Brothers Band seemed to have it all nailed down«, writes reviewer Rickey Wright. They'd proven their mettle with a fine synthesis of blues, jazz, folk, and country influences; expanded upon it with the definitive Fillmore East set; and moved forward after the separate losses of guitarist Duane Allman and bassist Berry Oakley. The group's myriad strengths, in fact, might've been the reason that one of their most obvious gifts — Gregg Allman's pained, growling voice — was sometimes overlooked.
"Laid Back", Greg Allman's first solo disc, seems in part an effort to gain a little more recognition. It worked, particularly given the strong radio response to its opening track, a loping remake of "Midnight Rider". Likewise, much of the album's remainder finds Allman tweaking the band's blues ("Queen Of Hearts") and country sides (a cover of Jackson Browne's "These Days"); horns and gospelish backing vocals add to the personal, often mournful feel. "Laid Back" is an often convincing version of the man's music.
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Milt Jackson - Sunflower
Milt Jackson
Sunflower
LP | 1973 | UK | Reissue (Pure Pleasure)
34,99 €*
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Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's "Sunflower" is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love", opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make The World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. Jackson's "SKJ" closes the set with an old-school, swinging hard bop blues with barely detectable embellishments by Sebesky. While "Sunflower" sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty.
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Duke Ellington - The Nutcracker Suite
Duke Ellington
The Nutcracker Suite
LP | UK | Reissue (Pure Pleasure)
34,99 €*
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Release: UK – Reissue
Genre: Organic Grooves
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Special hi-quality 180 gram limited edition. Audiophile mastering and pressing!
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V.A. - Jazz At The Pawnshop: Late Night New Unreleased Tapes
V.A.
Jazz At The Pawnshop: Late Night New Unreleased Tapes
2LP | 2024 | US | Original (2xhd)
91,99 €*
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Release: 2024 / US – Original
Genre: Organic Grooves
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Axel Fischbacher Trio & Sophie Oster - Live 2022
Axel Fischbacher Trio & Sophie Oster
Live 2022
LP | 2024 | EU | Original (Lehmann Audio)
38,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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Fleetwood Mac - The Pious Bird Of Good Omen
Fleetwood Mac
The Pious Bird Of Good Omen
LP | 2007 | EU | Original (Speakers Corner)
34,99 €*
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Release: 2007 / EU – Original
Genre: Rock & Indie
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Jocelyn B. Smith & Band - Honest Song
Jocelyn B. Smith & Band
Honest Song
LP | 2014 | EU | Original (Berliner Meister Schallplatten)
34,99 €*
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Release: 2014 / EU – Original
Genre: Organic Grooves
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Yara Asmar - Home Recordings 2018 - 2021 / Synth Waltzes & Accordion Laments (Remastered)
Yara Asmar
Home Recordings 2018 - 2021 / Synth Waltzes & Accordion Laments (Remastered)
2LP | 2024 | UK | Original (Hive Mind)
31,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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We are thrilled to be able to bring you Yara Asmar's first two cassette releases in a deluxe remastered double vinyl gatefold package featuring all new art and design from Yara herself.

Both albums were originally released on Hive Mind Records in 2022 and 2023 and received critical acclaim around the world': “Melancholic drifts sound through the overcast skies of synth waltzes and accordion laments, infusing ageless melodies with a sense of falling backward through time. History is stitched through gilded aural silhouettes and elegiac drones. Asmar’s music is visceral. While electronics beckon beyond the sunrise stretched through a metallic shimmer, synth waltzes and accordion laments sticks with us while we remain lost in the hazy doldrums, always crawling forward tethered to our past lives. Highest recommendation.” Brad Rose, Foxy Digitalis

"...these tracks are a cushion against reality. Asmar creates music that unfurls in evanescent bliss, an invitation to a safe space both isolated and welcoming." Daryl Worthington, The Quietus

"...a set that transmutes the instrument’s droning tones into a sweep of introspective, breath-catching moments of beauty" Eric Torres, Pitchfork Best Jazz & Experimental Albums of 2023

"The combination and contrast of highly familiar and highly alien elements give Asmar's music a quality not quite like anything else I can name. The way she channels found voices into her surreal mix of sounds is particularly striking." Byron Coley, The Wire
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Tara Clerkin Trio - Tara Clerkin Trio
Tara Clerkin Trio
Tara Clerkin Trio
LP | 2020 | UK | Reissue (Laura Lies)
19,99 €*
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Release: 2020 / UK – Reissue
Genre: Electronic & Dance
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Tara Clerkin Trio present their self titled debut LP on Laura Lies In. Similar to that directorial effect of filming at double speed and then slowing down for playback, the record ambles with assurance, expertly paced.

Opening with a jovial cacophony before the beatific ‘in the room’ confidently relieves, washing away any unease with an innately alien familiarity.

Coming to with the padded percussive patterns of 'Helenica', taking a moment to remember where you are in this temporal smudge. The serene contemplation of 'Any of these' signals we're homeward with a dependable afterglow, a friend you don’t need to thank for a good weekend.

A record existing disconnected from the daily getyadowns, a holiday from life, optimism as resistance against mundanity, something extraordinary amongst the ordinary, positively grey."

Check the review in this month's Wire.

***

"The trio comprises of Tara Clerkin, Sunny-Joe Paradisos and Patrick Benjamin who’ve been playing together and apart in various guises and forms in Bristol for around a decade.

Having solidified the workings of the group over the last year their debut self-titled has emerged alongside a strong live set. Drifting from dubby minimalism to smudged acid jazz, Tara’s stark and tuneful voice acts as the vehicle for her concise poetic lyricism. The group coalesce disparate influences into a cohesive sound, reflecting a romantic view of a familiar world.”
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Maalem Houssam Guinia - Dead Of Night
Maalem Houssam Guinia
Dead Of Night
LP | 2024 | UK | Original (Hive Mind)
21,99 €*
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Release: 2024 / UK – Original
Genre: Rock & Indie
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Maalem Houssam Guinia Dead of Night

Hmrlp035 LP £12 Allah Allah Daym Molana Jangari Jahwari Bouri Bouriama Ya Jowadi Samaoui Matinba Mosawiyin (Souiri)

"Raw, deep and spiritual Gnawa music from Morocco to carry you through the night...

Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, Dead of Night is the incredible new solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters.

The album was recorded live on the night of 3rd January 2022 in a relaxed session that lasted into the early hours of the next morning, and it captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant.

What you'll hear on Dead of Night is raw, deep Gnawa music in its purest form played by a young Maalem who has been immersed in the culture his whole life and is a master of his craft. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman."

Voice & Guimbri by Maalem Houssam Guinia. Recording & Production by Karl-Erik Enkelmann. Mastering by Julian Tardo. Photography by Bader Naggay. Design by Marc Teare.

With thanks to Hamza Guinia, Khalil Mounji, Karl-Erik Enkelmann & Karl Jonas Winqvist.
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Biluka Y Los Canibales - Leaf-Playing In Quito, 1960-1965
Biluka Y Los Canibales
Leaf-Playing In Quito, 1960-1965
2LP | 2022 | UK | Original (Honest Jon's)
27,99 €*
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Release: 2022 / UK – Original
Genre: Organic Grooves
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The out-of-this-world recordings of Dilson de Souza, leading a kind of tropical chamber jazz on leaves from a ficus tree.

Dilson was from Barra do Pirai, in the Brazilian countryside; moving to Rio as a young man, where he worked in construction. He recorded his first record in 1954, for RCA Victor. He travelled to Quito around 1957, soon hooking up with Benitez & Valencia, who introduced him to the Caife label.

Dilson played the leaf open, resting on his tongue, hands free, with his mouth as the resonator. Though a leaf can also be played rolled or folded in half, this method allowed for more precision, a tethered brilliance. A picked ficus leaf stays fresh, crisp and clean-toned for around ten hours. He could play eight compositions, four at each end, before it was spent.

Biluka plays trills and vibratos effortlessly, with utterly pure pitch, acrobatically sliding into notes and changing tone on the fly. In Manuco, he leads Los Caníbales into a mysterious landscape on a rope pulled from an Andean spaghetti western, and corrals and teases them into a dialogue. A leaf, a harp, a xylophone, and a rondador — joined in Bailando Me Despido (Dancing As I Say Goodbye) by a saucy organ, doing sloshed call-and-response. In Anacu de Mi Guambra, Biluka shows his full range of antics, hiccuping melodically over a set of magic tricks. His expressiveness was boundless.

The eucalyptus leaf is popular among Aboriginal Australians. In China, they’ve played leaves for 10,000 years. In Cambodia, people play the slek, a leaf plucked from either the sakrom or the khnoung tree. But ain’t nobody like Biluka, ever.

Astounding music.
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V.A. - A Heart In Splinters More From The Caife Label, Quito, 1960-68
V.A.
A Heart In Splinters More From The Caife Label, Quito, 1960-68
2LP | 2021 | UK | Original (Honest Jon's)
27,99 €*
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Release: 2021 / UK – Original
Genre: Organic Grooves
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Spirits Rejoice - African Spaces
Spirits Rejoice
African Spaces
LP | UK | Original (Matsuli)
23,99 €*
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Release: UK – Original
Genre: Organic Grooves
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Lee Perry - The Return Of Pipecock Jackxon
Lee Perry
The Return Of Pipecock Jackxon
LP | 1980 | UK | Reissue (Honest Jon's)
24,99 €*
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Release: 1980 / UK – Reissue
Genre: Reggae & Dancehall
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Originally released in 1980, this album is the final work to emerge from the Black Ark studio, before its permanent destruction. It concludes a series of such LP masterworks as Super Ape, War In A Babylon, Police And Thieves, and The Return Of The Super Ape. Enthrallingly, it crosses the soundworld of Roast Fish Collie Weed And Cornbread with new hybrids — like the irresistible elevenminute opener, rolling and delirious, a kind of reggae prophesy of Marvin Gaye’s Sexual Healing, but musically richer, and more glazed, randy and visionary.
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Company - 1981
Company
1981
2LP | 2019 | UK | Original (Honest Jon's)
27,99 €*
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Release: 2019 / UK – Original
Genre: Organic Grooves
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Previously unreleased recordings by various lineups drawn from Derek Bailey, Tristan Honsinger, Christine Jeffrey, Toshinori Kondo, Charlie Morrow, David Toop, Maarten Altena, Georgie Born, Lindsay Cooper, Steve Lacy, Radu Malfatti and Jamie Muir.

Journalists often make the brief history of Free Improvisation conform to the idea that the history of music is a nice straight line from past to present: Beethoven… Brahms… Boulez. Thus Derek Bailey, Evan Parker and John Stevens — together with Brötzmann and co across the Channel — were the trailblazing ‘first generation’, forging a wholly new language alongside contemporary avant-garde and free jazz. Figures like Toshinori Kondo and David Toop, willing as they were to incorporate snippets of all kinds of music, were the pesky ‘second generation’, happily cocking a snook at the ‘ideological purity’ of Bailey’s non-idiomatic improvisation.
‘Company 1981’ shows up the foolishness — the wrongness — of such storylines. Check the eclectic collection of guests Bailey invited to Company Weeks over the years. He had clear ideas about the music, but he was no ideological purist.

One of the founders of Fluxus, Charlie Morrow injects blasts of Cageian fun into half the recordings here, whether blurting military fanfares from his trumpet, or intoning far-flung scraps of speech. Cellist Tristan Honsinger and vocalist Christine Jeffrey join in the joyful glossolalia, while Bailey, Toop and Kondo contribute delicious, delicate, hooligan arabesques, by turns.
The remainder are performed by a different ensemble: Bailey, bassist Maarten Altena, former Henry Cow members Georgie Born and Lindsay Cooper on cello and bassoon, the insanely inventive Jamie Muir on percussion, and trombonist Radu Malfatti, showing his mastery of extended technique. Were that not enough, there’s the inimitable purity of Steve Lacy’s soprano ringing high and clear above the melee. Glorious!

There’s always been this idea that Free Improvisation is somehow Difficult Listening, but when the doors of perception are thrown open and prejudice cast aside, you realise that it’s not difficult at all. “Is it that easy?” chirps Morrow, at one point. Indeed it is.
Enjoy yourself.
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Derek Bailey & Han Bennink - Derek Bailey & Han Bennink
Derek Bailey & Han Bennink
Derek Bailey & Han Bennink
2LP | 2017 | UK | Original (Honest Jons)
27,99 €*
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Release: 2017 / UK – Original
Genre: Organic Grooves
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The tussling vegetables in Mal Dean’s cover-sketch somehow befit perfectly this extraordinary duo of Bailey and the great Dutch drummer Han Bennink. Recorded in London in 1972, Incus 9 was their second record (after an ICP in 1969), becoming a blueprint and inspiration for generations of free-improvisers. It is paired here with a brilliant session from the following year, with the same power and friendly combativeness, and oodles of creativity, technique and humour. It’s obvious how much they loved playing together.
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Moritz von Oswald & Ordo Sakhna - Moritz von Oswald & Ordo Sakhna
Moritz von Oswald & Ordo Sakhna
Moritz von Oswald & Ordo Sakhna
2x10" | 2017 | UK | Original (Honest Jons)
17,99 €*
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Release: 2017 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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A kind of intimate scrapbook of the startling collaboration between the techno maestro and this long-standing musical collective based in Bishkek, devoted to the roots music of Kyrgyzstan. Loose-leaved but balanced, lucid and intimate, it sets out from stunning a cappella and virtuosic komuz and kylak, mouth harp and traditional percussion: not field, but expert studio recordings, using marvellous vintage microphones, made over several days in Berlin. Further, a few of these are deftly treated by Moritz, using Reichian de-synced double-tracking, and discreet effects. Also two ten-minute dubs: a deadly, signature Berlin steppers, plus its version; and an echoing, mystical drum session, recorded live on stage in Bishkek. And a side-long, dream-like summation: the locomotive, oceanic, clangorous, dread Facets.

Ravishing, rooted, searching music; beautifully presented.
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Teac - W-1200
Teac
W-1200
419,00 €*
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The W-1200 is a double cassette deck featuring two, one-way cassette decks, mic mixing, a USB digital output and other versatile recording features. In recent times, cassette tapes have fascinated those whom have never used them, thanks to their warm, distinctly analogue sound, not to mention the ease of recording and the ability to create ‘mix-tapes’.

TEAC set out to create a cassette deck that combined an excellent level of performance with an interface that suits the digital audio era. Not only does the W-1200 offer sound that’s close to the original, it also has a wide range of versatile facilities that allow karaoke singing, the recording of conference minutes, and even the digital recording of analogue cassettes via a computer.

The two cassette decks support recording and playback on each as they have independent drive mechanisms, meaning owners can record on both decks simultaneously to make a pair of identical tapes at the same time. And mic input and mic mixing allow you to practice your Karaoke singing over a cassette tape or an external sound source (via LINE IN).

TEAC's decades of experience in making recording equipment are self-evident in the W-1200, particularly where the noise reduction system is concerned. It allows users to play back legacy cassette tapes originally recorded with Dolby B NR and hear them correctly. Moreover, the pitch control allows you to change playback speed to whatever’s considered appropriate while the level meters provided enable fine-tuning of recording levels. A timer REC/PLAY function is provided to allow use with a third-party audio timer.

Furthermore, the W-1200 can deliver digital audio at CD-quality (up to 48kHz/16-bit PCM) to a computer via a USB cable, allowing digital archiving of your cassette tape library. Once you’ve digitised them on a computer, you’re able to enjoy your old tape-based music library anytime anywhere via a network player, DAP, smartphone or even in your car.

Delivering a high standard of fidelity as a recording device, combined with advanced digital technologies, the W-1200 sets a new standard for double cassette decks in the modern age.

Dual cassette decks for REC/PLAY with independent mechanisms
Two simple and reliable one-way cassette mechanisms are employed. During playback (or recording) of TAPE1, users are able to change the cassette tape in TAPE2, preparing it to play (or record) next. Since both of the decks have independent drive sections for control, when one deck is playing (or recording) users are able to operate the other deck (changing tapes, fast forwarding or rewinding,) without affecting the operation of the first deck, ensuring continuity of playback or recording. Both decks support the playback of Normal (Type I), Chrome (Type II), and Metal (Type IV) tapes, while supporting recording on Normal and Chrome-type tapes.

Noise reduction system for playback of Dolby B tapes
The built-in noise reduction system suppresses the hiss noise that inherent in cassette tape playback. This allows cassette tapes that were recorded using Dolby B NR in the past to be played back with sound quality that is close to the original.

Pitch control and RTZ functions
TAPE1 is equipped with a pitch control that changes playback speed (in order to restore the playback sound on old tapes to the original key) by allowing the adjustment of tape speed by ±12%. Moreover, by combining the Pitch control and A-B Repeat play, users are able to make voices easier to understand at reduced tape speeds when transcribing recorded meetings and speeches. Furthermore, both TAPE1 and TAPE2 are equipped with Return-to-Zero (RTZ) functions that make returning to them to their "0000" counter positions easy with the press of a single button.

Parallel Recording for making identical tapes simultaneously
Parallel Recording makes a pair of identical tapes at the same time on TAPE1 and TAPE2. It is a convenient way to provide someone a copy of a tape right after making a recording.

Dual mode REC MUTE
The dual mode REC MUTE function allows users to erase unnecessary sections and to add spaces (silences) between tracks while recording. During recording or rec-standby, the W-1200 creates a 4- second ‘blank’ (which is a standard gap) between tracks simply by pressing the REC MUTE button once – press and hold it for more than 4 seconds and you can create a blank as long as you need.

Mic input and mic mixing for Karaoke and announcement applications
The mic input and mixing function allow users to mix mic sound and tape/aux sound, and to record mixed sound to a cassette tape. By adjusting the mic level, users are able to enjoy Karaoke performance, (useful for announcement-type applications) without an external mixer. Of course, recording the mic sound alone to a cassette tape is also supported. Combine that with the Parallel Recording facility and users can create a pair of identical tapes simultaneously, useful for making conference minutes, for example, one being the ‘master’ and another for distribution.

One-touch tape dubbing
With just the press of a button, users are able to duplicate cassette tapes, making a backup copy of the original tape. Users are also able to create silences between tracks by pressing the REC MUTE button during dubbing. This also serves as a simple editing system, by allowing the erasing of unwanted sections.

Fluorescent display with level meters
A fluorescent display with high contrast and high brightness is employed to show - in one place - all the information needed to operate the decks, including Left and Right level meters for full-fledged recording plus independent tape counters tor TAPE1 and TAPE2. The dimmer function allows users to adjust the brightness according to the environment.

USB digital out for digital recording on PC/Mac
The built-in A/D converter and a USB digital output on the rear panel allows users to digitally archive their cassette tape libraries, at 48kHz/16-bit CD-quality. The sampling frequency and bit depth are selectable from 8k to 48kHz and 8 or 16 bit, depending on recording quality of the original tape. Once a digital archive is created, users are able to listen to them anytime anywhere with a computer, DAP, smartphone, network player or even in a car.

Features at a glance
• Dual cassette decks for REC/PLAY on both decks with independent mechanism
• Noise reduction system suppresses hiss during playback (equivalent to Dolby B NR)
• Normal (Type I) and Chrome (Type II) tapes REC/PLAY (auto detect)
• Metal (Type IV) tape Play (auto detect)
• REC MUTE creates four second silences with one touch, or silences of other lengths as desired
• Mic input with mic mixing for karaoke and announcement applications
• One-touch dubbing for easy tape duplication
• Parallel (simultaneous) recording for recording to two tapes at the same time
• Timer REC/Play ready
• Four-digit digital tape counters
• RTZ (Return to Zero) function for one-touch return to the tape counter "0000" position
• Repeat play (playback stops after a maximum of 20 repetitions)
• ±12% pitch control
• Dimmable fluorescent display with level meters
• USB output for digital recording on PC/Mac *3
• RCA analogue input jacks
• 6.3mm (1/4") stereo headphone output jack
• Remote control included
• RoHS compliant

Included accessories
• Remote control
• AA batteris x2
• RCA audio cable x1
• Owner's Manual

Manual: https://www.teac-audio.eu/downloads/3/4/1/3/0/Manual_W-1200__EFS_.pdf
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Tommy Vicari Jnr - Francis Bacon Size Hangover EP
Tommy Vicari Jnr
Francis Bacon Size Hangover EP
12" | 2024 | EU | Original (Rhythm By Nature)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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After a duo of floor-stomping releases, Rhythm by Nature is back for its third release with one of the most prolific producers in the game — Tommy Vicari Jnr. The Sheffield-based musician went from being an enigmatic figure to becoming a true example of musical discipline, boasting a seemingly endless musical output under several aliases. With "Francis Bacon Size Hangover EP," Vicari presents a diverse four-track EP that showcases his ability to traverse various soundscapes without ever losing grip on rhythm.

'Francis Bacon Size Hangover' (a1) opens the EP in pure Vicari style, plunging atmospheric dub-infused pads, delayed drums and competently edited vocal breaks on a cosmos of shifting sound signatures. The result is an infectious dance floor weapon drenched in mind-boggling groove with funky, light-hearted undertones. 'B Doll' (a2) goes a bit jazzier, delivering an analogue-driven, breakbeat-tinted track with intricate percussion and deep, resonant synth work. B1: "Newdays" finds Vicari immersing himself in the essence of house music, powerfully rooted in Chicago's disco and proto-house aesthetics: punchy drums and propulsive basslines keep the track in constant motion while atmospheric textures forge an irresistible soundscape of skillfully layered, ingeniously sampled sounds. Originally crafted in 2004, 'Vommer' (b2) closes the EP by showcasing Vicari's longstanding dedication to his craft — a slow-burning, minimalistic dub track that's as beautifully understated as it is gracefully spaced out.

"Francis Bacon Size Hangover EP" is a testament to Tommy Vicari Jnr's enduring influence in the electronic music scene and proof that Rhythm by Nature is perfectly capable of continuing to build momentum.
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We Are Rewind - RACK-001 Cassette Tape Rack
We Are Rewind
RACK-001 Cassette Tape Rack
29,99 €*
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Have you started a cassette collection or dug out some old mixtapes from the attic?

Now you can store them in style! This acrylic cassette tape storage unit holds up to 10 cassettes. It can be wall-mounted or simply sit on a tabletop, vertically or horizontally. Ideal for adding a retro touch to your home.

Weight: approx. 404g
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Santos - Second Wave EP
Santos
Second Wave EP
12" | 2024 | EU | Original (Let Me Understand)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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After Lmurwax001 – the 'Half Past Century EP' – which featured a remix by tRicMast (Ricardo Villalobos & Tripmastaz), Santos returns with the second vinyl release on his label, Let Me Understand Records. The 'Second Wave EP' presents four tracks, each exploring different styles.

On Side A, the first track, 'Nziscira', delivers a fast-paced, minimalistic beat with floating chords and a poetic solo. 'Dumbeat' starts with a dark breakbeat, transitioning into a 4/4 kickdrum accompanied by a modulated pad and ethnic-inspired sounds, topped off with a subtle vocal that brings a funkier groove.

Side B opens with 'Venus Gala', a modern funk track rooted in 70s sounds, blending Moog, guitars, a Juno 60, and a Fender Rhodes jam. The EP wraps up with 'In Everywhere', an 80s-inspired electro-funk track featuring Korg Vc-10 vocoder vocals.
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We Are Rewind - Belt Clip
We Are Rewind
Belt Clip
29,99 €*
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Wear your Cassette Player with pride and in style with the We Are Rewind Belt Clip.

Keep your hands free for fast Cassette swaps, volume changes or skipping to your next favourite track on the album or mixtape.

A solid solution for situations without pockets or bags and an ideal opportunity to show your Cassette Player to the world as a brave fashion statement.

Weight: approx. 404g
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Display Your Records - Show And Listen Flip Frame (Pack of 4)
Display Your Records
Show And Listen Flip Frame (Pack of 4)
94,99 €*
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THE SHOW & LISTEN FLIP FRAME’S EASY OPENING MECHANISM ALLOWS THE CONTENTS TO BE CHANGED
WITHOUT REMOVING THE FRAME FROM THE WALL.
VINYL LP’S CAN BE DISPLAYED DUE TO THE “SPONGE FINGER” CUSHIONING BACKPLATE,
FROM 12” SINGLES, LP’S, DOUBLES AND EVEN TRIPLE ALBUMS.
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Ane Brun - It All Starts With One
Ane Brun
It All Starts With One
2LP | 2011 | EU | Reissue (Balloon Ranger)
23,99 €*
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Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Maria Chiara Argiro - Forest City
Maria Chiara Argiro
Forest City
LP | 2022 | US | Original (Innovative Leisure)
25,99 €*
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Release: 2022 / US – Original
Genre: Electronic & Dance
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Ane Brun - Spending Time With Morgan
Ane Brun
Spending Time With Morgan
LP | 2003 | UK | Reissue (Balloon Ranger)
20,99 €*
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Release: 2003 / UK – Reissue
Genre: Pop
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Pawz One & Robin Da Landlord - Sell Me A Dream: Flowstalgia
Pawz One & Robin Da Landlord
Sell Me A Dream: Flowstalgia
CD | 2018 | EU | Original (Below System)
10,99 €*
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Release: 2018 / EU – Original
Genre: Hip Hop
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Los Angeles emcee Pawz One teams up with Dutch producer Robin Da Landlord to release their new album “Sell Me A Dream: Flowstalgia”. With a collaborative mix of sharp rhymes schemes and gritty drums, Pawz One and Robin Da Landlord are here to counter the trends on "Sell Me A Dream".
After meeting on tour in Europe, Pawz One and Robin Da Landlord began working on their first single “It’s Like That”. Both the single and video were well received and the two went back to work on a full project. Their efforts blend creating a sound reminiscent of an era when style and substance were supreme.
The album is entirely produced by Robin Da Landlord and includes guest features by Prince Po of Organized Konfusion, MED and VegaMonster.
Pawz One worked with seasoned artists and producers such as Ras Kass, Termanology, Masta Ace, Domingo, DJ Rhettmatic, Madchild, Talib Kweli and more.
With a magnetic stage presence cultivated through hundreds of live performances, Pawz One has been able to tour nationally and overseas with Sean Price, Necro, El Da Sensei (Artifacts) & AG (D.I.T.C) as well various independent tours.
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Mike Midnight - Angel Hours
Mike Midnight
Angel Hours
12" | 2023 | EU | Original (Southern Exposure)
18,99 €*
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Release: 2023 / EU – Original
Genre: Electronic & Dance
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Southern Exposure is proud to present the debut solo EP from Mike Midnight. Angel Hours was originally self-released digitally but has been lovingly pressed on heavyweight vinyl for the first time with design from Jeffrey Annert.

Angel Hours current rise felt like it was imminent from the first listen, with contributions from Noa (Voice Actor/Stroom) and 3ndles5 (Low Life). Mike’s production across the release feels akin to 90’s artists like I:Cube, Thievery Corporation or certain Weatherall moments. The heavenly references are well deserved with multiple moments on the release feeling truly divine, whilst others take a low-lit and alluring feel. Mike Midnight feels singular in the Australian music landscape, like a mix between the best parts of Paul Mac, Single Gun Theory and Ian Eccles-Smith.

Angel Hours continues the lineage of Australian music breaking through to international recognition with the release becoming a mainstay on NTS Radio, breakfast show host Flo Dill dubbing it “music that when listened to at night makes you feel unstoppable.” Remastered by Corey Kikos (Sleep D/Butter Sessions), the balance of each track of downtempo bliss feels like you’re not only unstoppable but weightless.

Big thank you to Theodore, Mitch, Jeff, Mon, Noa, my friends, family and all the collaborators for their continued patience and support.
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Torch - Blauer Samt Re-Edition Black Vinyl Edition
Torch
Blauer Samt Re-Edition Black Vinyl Edition
2LP | 2011 | DE | Reissue (360 Grad)
39,99 €*
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Release: 2011 / DE – Reissue
Genre: Hip Hop
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Backstreet Boys - Millennium
Backstreet Boys
Millennium
LP (Sony Music Cmg)
35,99 €*
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Genre: Pop
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V.A. - Horror Sex And Violence Pink Vinyl Edition
V.A.
Horror Sex And Violence Pink Vinyl Edition
LP | 2024 | Original (Erostica / Topsy-Turvy)
37,99 €*
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Release: 2024 / Original
Genre: Rock & Indie
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Hiroyuku Sawano - OST Attack On Titan Season 3 Deluxe Edition
Hiroyuku Sawano
OST Attack On Titan Season 3 Deluxe Edition
4LP | 2022 | US | Original (Anime Limited)
153,99 €*
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Release: 2022 / US – Original
Genre: Soundtracks
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Anime Limited are proud to present the soundtrack from Hiroyuki Sawano (Promare, Kill la Kill and Eighty-Six) for the third season of Attack on Titan! On four 180 gram vinyl in collector’s packaging!
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Common & Pete Rock - The Auditorium Volume 1 Black Vinyl Edition
Common & Pete Rock
The Auditorium Volume 1 Black Vinyl Edition
2LP | 2024 | US | Original (Loma Vista)
36,99 €*
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Release: 2024 / US – Original
Genre: Hip Hop
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Legendary hip-hop figures Common and Pete Rock showcase their evolved prowess in their debut collaboration, "The Auditorium, Vol. 1." Despite years apart, their synergy is palpable. Pete's groundbreaking production, blending intricate harmonies, and Common's multifaceted artistry shine through.

Their meticulous process births 15 tracks that blend nostalgia with innovation. With cameos from Jennifer Hudson and De La Soul's Posdnuos, each element is carefully curated, resulting in a timeless masterpiece. This album not only celebrates their individual growth but also sets the stage for future volumes.
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V.A. - OST Rocky Horror Picture Show
V.A.
OST Rocky Horror Picture Show
LP | 2013 | US | Original (Ode Sounds & Visuals)
23,99 €*
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Release: 2013 / US – Original
Genre: Organic Grooves, Soundtracks
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Dizzee Rascal - Dirtee Cash
Dizzee Rascal
Dirtee Cash
12" | 2009 | UK | Original
7,99 €*
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Release: 2009 / UK – Original
Genre: Hip Hop, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
White labels
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Sounds Of Blackness - The Pressure Pt 1
Sounds Of Blackness
The Pressure Pt 1
12" | 1991 | EU | Original (Perspective)
4,99 €*
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Release: 1991 / EU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Stefan Goldmann - An Ardent Heart
Stefan Goldmann
An Ardent Heart
12"+CD | 2018 | DE | Original (Macro)
3,99 €*
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Release: 2018 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
With CD
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