HHV Records 166929 Items

Release: 2022 / EU – Reissue

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

التسجيلات الإلكترونية = The Electronic Tapes

Ahmed Malek & Flako

LP | 2017 | DE | Original (Habibi Funk)

Release: 2017 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2022 | CA | Original (Telephone Explosion)

Lee Paradise

Lee Paradise & Co

Alles Was Ich Noch Hab Sind Meine Kompetenzen

Release: 2022 / CA – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Toronto’s Dan Lee steps out of the spotlight and into the producer’s chair on the new collaborative Lee Paradise LP, Lee Paradise & Co., due October 28 2022 on Telephone Explosion. Lee Paradise & Co. follows 2020’s critically acclaimed The Fink LP, and finds Lee flipping the shadowy nihilism of the project’s previous releases upward into a sort of cybernetic universality. This is Dan Lee in producer mode, veering away from the pursuit of a singular musical direction rooted in personal vision, towards of a process rich in collaboration, emotional expansion and tonal exploration.

Starting off as a set of mood-focusedinstrumental sketches drafted by Dan on his own, the compositions began coloringthemselves in after he started sending the tracks out to collaborators, asking them to contribute without much in the way of direction or intention. With help from an ensemble cast of artists including Carlyn Bezic (Jane Inc.), Jonathan Pappo (Scott Hardware, No Frills, Ducks Ltd), Scott Hardware, Isla Craig, Victoria Cheong (New Chance), Jay Anderson, Charise Aragoza & Lukas Cheung (Mother Tongues) and Daniel Woodhead (Moon King), nearly every aspect of this album’s creation eventually became open to collaboration, from musical performances, lyric writing, and vocals all the way through to mixing and mastering.

Sonically, the record is still unmistakably Lee Paradise: a widescreen polyrhythmic psychedelia that melts, bubbles, whirrs and klanks; the sound of the human and the machine grooving in accordance towards new futures. The album’s sonic palette is at once synthetic, warm and extraterrestrial. Arpeggiated square wave melodies dance in lockstep with crunching hi-hats, digital bells and chimes fall like crystal rain in stereo above plush pads and gurgling bass figures. Used to finishing the records on his own, Lee mixed this album with Montreal’s Asher Gould-Murtagh and the results are spacious, dusty and dubbed out. “Carnival” sets the scene with it’s stuttering, busted funk groove and ribbons of aqueous vocal harmony from New Chance’s Victoria Cheong. “Raffles”(featuring one of Daniel’s two vocal performances on the record) radiates a mellow optimism in its solar-warped balearic bliss. The album’s final track, “Youngish” is a gliding, melancholic downtempo instrumental thumper saturated in a kaleidoscopic array of lysergic tones. As always, the record anchors itself to the dancefloor with the screwed-down electro of “Cement”, the swinging midnight afterglow of “Leaving” and “CS2X”’s fluttering rave arpeggios.

Lee Paradise & Co. is the sound of an expert producer and sound sculptor conceding to the elusive flows of inspiration, knocking genre conventions askew and hopscotching between a variety of styles, musical identities and sound worlds with absolute panache.

Go to Item

Pogendroblem

LP | 2022 | EU | Original (Audiolith)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2007 | US | Original (Clean Plate)

Daniel Striped Tiger

Capital Cities

Nin-Gen Etched Vinyl Edition

Release: 2007 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

Go to Item

Rashomon

LP | 2022 | EU | Original (Iron Lung)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Free Your Mind! Etched Vinyl Edition

Persona

LP | 2022 | EU | Original (Iron Lung)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It Ain't Like It Used To Be

Randolph Brown & Company

7" | EU (Shotgun)

Release: EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

24 Clear Nude Vinyl Edition

Minuit Machine

LP | 2022 | EU | Original (Synth Religion)

LP | 2022 | EU | Original (Synth Religion)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“24” is Minuit Machine’s 4th LP. Electronic masterpiece, subtle mix of dark wave, techno and electropop, “24” is both surprising and seductive. Authentic, emotional and powerful, “24” is a real immersion into Minuit machine’s dark, dystopian and futuristic world. Through this LP, Hélène and Amandine are facing all obstacles and disappointments life brings on their way. Each track is a self-affirmation, a rallying cry and an urge to live. The instrumental part is clearly marked and contributes to create the band’s unique sound. The strong beats are a call to dance while the synths, stabbing and emotional, will definitely move you. Finally, the deep basses give the tracks an “EBM” touch. Vocal lines are more pop, with less reverb. They are meant to obsess and stay in your head all day long. They were thought of as a 90's dance music chorus, but with feelings. As usual, the lyrics are very personal and describe several states of mind. Since their creation, Hélène and Amandine kept on reinventing themselves in order to translate their inner questioning and emotions into music. From this point of view, “24” could be Minuit Machine’s most accomplished work since each track sounds like a confession.

Go to Item

Minuit Machine

24 White Vinyl Edition

LP | 2022 | EU | Original (Capitol)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Backseat Lovers

Waiting To Spill

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heart Music (with Seamsplit)

Post Moves

LP | 2022 | EU | Original (Where To Now?)

LP | 2022 | EU | Original (1-10 Records)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A few copies arrived with a Seamsplit Cover. We're therefore selling it on a reduced price.

Sam Wenc is a composer and multi-instrumentalist working with sound, text, and objects. He utilises guitar, pedal steel guitar, vibraphone, electronics, field recordings, and found objects to compose both structured and formless pieces that attempt to blur concepts of what constitutes “folk music”. He has released music on labels such as Noumenal Loom, Obsolete Staircases, Moon Villain, and his own label, Lobby Art. Below are Wenc’s own thoughts on his work and approach, which frankly do a far better job of capturing the essence of his spiritual, minimal, and transcendent pieces than we could… “‘Heart Music’ was recorded over the course of 2019 and 2020. The initial intention was not necessarily to produce an album, but rather to explore composing from a percussive perspective and trying to avert relying heavily on the pedal steel guitar and guitar as primary modes of composing. The pedal steel guitar lends itself to such a soft sound palette so even in pieces that are highly structured (Always for Pleasure, Going Right to the Praying Mantis), I wanted to avoid the propensity to let the composition amble along, and rather create a brisk, biting percussive component. This can particularly be heard on "Del Mero Corazon", which pulses along with the droning bowing of the banjo and marimacho before drums kick in and later on the vibraphone. Thematically, much of the music (to me) takes on a somewhat ceremonial feeling and explores the trajectory of exploring intrapersonal contradictions and what it means to navigate a disharmonious public sphere. Films was also a major inspiration for songs and their titles: Wiilka & Phaxsi (named for the characters in the film Wiñaypacha), Always for Pleasure (named for the Les Blanks film) was an attempt at writing something akin to a processional march, "Going Right to the Praying Mantis" & "That's the Boss, Not Some Human!" was a quote of Milford Graves pulled from the film "Full Mantis". On that note, the title of the album, "Heart Music", is in recognition of Milford's exploration of the internal data, knowledge, and ultimately music that is present within our bodies. More so than on previous albums, I felt myself letting rhythm, intuition, and improvisation guide the work, often resulting in longer form pieces that allows myself (and hopefully the listener) to listen deeply, observing moments of tension and harmony tangled, dependent, and resolved by one another. One other noticeable addition is the introduction of poetry into "Madness is a Fully Instrumented Score" and "Evidence" (both spoken by Anna Jeters of the band Ancient Pools). This was touched on in my last album on the track "David's Death", but by bringing in the voice to create both parallel and perpendicular narratives, it creates another line to follow and bring the listener into a deeper state of listening. I like playing with blurred narratives, homespun ideas of conventional thoughts that are ever changing in a climate where fixed ways of relating to sound and composition can become something new and mangled in its own right.” If you dig the following then this is most certainly one for you… Susan Alcorn, Alice Coltrane, Phil Cohran, Bobby Hutcherson, Henry Flynt, Jon Gibson, Mind Over Mirrors, Natural Information Society, Johnny Coley, Oren Ambarchi, Tortoise, Yasuaki Shimizu, Califone.

Go to Item

Michael Fiedler

One_Ten

Tape | 2022 | EU | Original (Saturate!)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Michael Fiedler is better known under his pseudonym Jah Schulz. This time he delivers an album full of experimental electronics, future bass and ambient. Check!

Go to Item

Dead End

Kino Volume 1

Welcome To The Show Pink Blend Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Samples, movies and beats. That's the essence of Dead End's brand new LP titled Kino Vol.1. The Portuguese producer takes the chair and delivers a masterful performance that combines music and cinema. Kino Vol.1 is a multidisciplinary album built around samples picked from some of his most loved blockbusters and inspired by iconic movie clips. For the occasion, Saturate's Instagram profile has turned into a video gallery, featuring footage from cult movies and series such as The Office, Sicario, A Fistful Of Dollars, perfectly synched with Dead End's productions. The album experience itself resembles that of a mini-series like Netflix's Love Death Robot or Oat Studios, where every episode is a story on its own, written and shot in a different way. The fourteen tracks, or episodes as I like to call them, range from heavy club to hip hop and halftime. Some are more colorful and atmospheric like the ending tripled composed by 'Cocoon,' 'Voyage' (feat Dj Ride) and 'Flowers Bloom'. These cuts seem to come off reflective and introspective movies. Others are way heavier, as they were made straight for fighting and chase scenes. In this group, you can count 'Melee Attack,' 'Though Break,' 'Stealth', 'Thin Ice'. My favorite instead are those which set up an ambiguous and sinister mood. 'Bullit Drift,' 'The Fog,' 'Shindeiru,' 'The Road,' all these episodes could fit very well in both mental thrillers (a la Nolan) and unconventional psycho/horror movies. They build a palpable tension that successfully keeps me on my toes as I expect a jump scare or a sudden plot twist to come in at every second given. In conclusion, Dead Ends' Kino Vol.1 has the virtue of creating a listening experience that, thanks to its references to the world of cinema, becomes interactive and involves the listener in first person. It's impossible not to try to figure out from which films the samples are taken or to try to imagine which scene would be perfect for a specific track."

Go to Item

Classless Act

LP | 2022 | EU | Original (Better Noise)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2022 | EU | Original (EMI UK)

Loyle Carner

Hugo

Skullactic Visions Transparent Violet Marble Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In hugo, there’s a central question that Loyle Carner keeps coming back to: “I’m young, Black, successful and have a platform - but where do I go next?” The answer is explored in this epic scream of a third album. With urgent delivery and gloriously widescreen production, Carner confronts both the deeply personal (“You can’t hate the roots of a tree, and not hate the tree. So how can I hate my father without hating me?) and the highly political (“I told the black man he didn’t understand I reached the white man he wouldn’t take my hand”). Cinematic in scale and scope, hugo is both a rallying war cry for a generation forged in fire and a study of the personal internal conflict that drives the rest of the album - as a mixed-race Black man, as an artist, as a father and as a son. With Mercury and Brits nominations, NME Awards and appearances in global brand campaigns (Nike, YSL, Timberland), Carner has undoubtedly had a meteoric rise to the top, culminating with his second album Not Waving, But Drowning charting at number 3 in the UK albums chart in 2019. However, hugo sees Carner taking a sharp detour from his previous work, putting it down to lockdown and the “hedonistic side of career being stripped away. There were no shows, no backstage, no festivals, no photoshoots”. By continuing to write in these tumultuous times with a renewed clarity and sense of artistic freedom, Carner reached deeper beneath the surface than he ever had before. The result is his most cathartic and ambitious record yet, a coruscating journey into the heart of what it means to be alive in these tumultuous times, and one which looks set to neatly cement his position as one of the most potent and vital young talents around today. Working alongside renowned producer kwes. (Solange, Kelela, Nao), Carner leaves no stone unturned on this album, in both its sound and its stories. In a 10-track album that moves from gorgeous neo-soul moments to thundering hip hop, with immediate, infectious bangers and sampled interludes from non musicians (mixed-race Guyanese poet John Agard and youth activist and politician Athian Akec) Carner shifts seamlessly from micro to macro, confronting everything from strained relationships with family to the societal tears caused by class stratification. It also lays bare bruises in his personal life that he has never revealed before – often in painful, deeply uncomfortable ways, focusing on Carner's experience of becoming a father in the context of growing up without contact with his biological father. With the song “Polyfilla”, against the backdrop of a warm melodic beat, Carner explores his desire to “break the chains in the cycle” of dysfunctional Black fatherhood, commenting on the narrative of fatherhood in the genre, and saying a key part of the process was realising that his father “grew up in a world where nobody showed him how to love or nurture”. The follow up track “A Lasting Place” is an exploration of the MC’s failure and inability to be perfect in this mission. The album closer is a powerful statement of love and forgiveness; with his signature lyrical dexterity, Carner declares his relentless commitment to his son and sees forgiving his father as a key part of this. The song closes with an emotional ending of Carner telling his dad “still I’m lucky yo that we talk”. There’s a striking duality of hugo’s bold, multilayered tracks and its often starkly intimate and tender lyricism, and that dichotomy is deliberate - it is a message for young Black men, but really, anyone, who is listening. Cognizant of the immense pain and fear and confusion that we are faced with everyday, Carner has thrown down the gauntlet, defying us not to rise above the fray, wake up each day and be ambitious. Ambitious in building strong personal relationships. Ambitious in our pursuit of our goals. Ambitious in never refusing to back down against injustice. Rejecting the title of leader, Loyle Carner sees himself “as holding up a mirror”, and that clearly translates into the album's universal messages.

Go to Item

Lagoon

LP | 2020 | EU | Original (Interstellar Smoke)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Songs For The Weary Black Vinyl Edition

Grieving

LP | 2021 | EU | Original (Interstellar Smoke)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Voodoo Heartbeat Turquoise / Naturel Vinyl Edition

Anthony Gaglia

LP | 2021 | EU | Original (Interstellar Smoke)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Recognition)

Jacek Sienkiewicz

Pristine

LP | 2022 | EU | Original (Arjunamusic)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The sun, kissing the forehead through half-closed blinds; the night, coming uninvited through a windowpane like a damp, sticky shroud. Light and darkness, solid foundations and elusive glimpses of parallel realities. Armies of digital insects - taken aback by warmth of one brave heart, 90s chillout rooms updated for todays vast and desolated space full of fragile souls desperate in their look for any kind of communion; “artificial intelligence” after three decades of wandering, trying to finally find a helping hand, solace and peace. Shimmer and shine. Welcome to “Pristine”, a new recording from the mind of Jacek Sienkiewicz. For the past years Jacek has been escaping his image of relentless producer and performer of driving, multi-layered club music. His most recent works include deep ambient records, abstract electro-acoustic experiments, and super smart, stripped-down yet incredibly complex contemporary electronica. The last few records, mostly on his own label Recognition include albums with Max Loderbauer and Atom™, reinterpretations of works by Bogdan Mazurek of the legendary Polish Radio Experimental Studio, scores for radio plays and last year’s massively overlooked “Krasz”, music for theatrical performance of Ballard’s/Cronenberg’s “Crash”. “Pristine”, a labour of love, is at times abstract and atonal, at times breathtakingly beautiful and tender.

8 tracks written and performed in Jacek’s unmistakable, singular style, and covering many grounds - abstract, electronic forms, neo-classical wonders, super tight compositions and freeform, jazz-like improvisations and stripped-down rhythms. Different moods, machine-translated and reverseengineered in a variety of recording locations, make up this exceptional record. Shimmer and shine, immerse and enjoy.

Go to Item

Samuel Rohrer

Hungry Ghosts

LP | 2022 | EU | Original (Challenge)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A download code is included. With his Arjunamusic label and a growing catalog of category-defying releases, Samuel Rohrer continues to quietly, yet confidently, make a name for himself as a genuinely unique figure within the European electronic music realm. Over the past decade he has assembled a repertoire of music that fills a sadly neglected gap in the modern musical landscape. That is to say, he has made a number of “electronically”-aided works that never seem to make “electronic-ism” the main selling point or raison d'être. Rohrer understands that we inhabit a networked media landscape that no longer sees a novelty value in every synthetic or technological sound, and by realizing this, he makes a music that fully engages with the present without completely disregarding the exciting speculative sensibility that has allowed electronic music to solidify into a tradition. His latest solo album, Hungry Ghosts, again shows the high quality of sonic design that can be achieved by conceptualizing musical passages as living, breathing entities rather than as signposts to some still distant reality. Maybe more so than any of Rohrer’s solo records to date, Hungry Ghosts is the one that most unambiguously displays the artist as a kind of inspired sound “cultivator” or landscaper rather than just a straightforward “producer”. The emphasis here seems to be biological growth processes rendered in musical form, and in fact some track titles namechecking the biodiversity of the external world (“Slow Fox”, “Ctenophora”) and neurochemistry (“Serotonin”) lend some additional credence to this interpretation. As with previous outings, Rohrer starts with his skills as a genre-resistant percussionist and builds from there, with dense clusters of drum hits and icy cymbal exclamations leading the way into a wide-open atmosphere full of fragmented phrases, marked with strange reversals or compressions of time. The percussive portions and other ambiences merge together in such a way that the latter seems like a kind of shifting, holographic camouflage for the former; an effect which makes for a greater than usual number of shifts in mood. Rohrer’s already established ambiguity and mystery are the moods that permeate throughout, to be sure, but there are also surprising moments of humorous whimsy (the flourishes of cartoon mischief and teasing silences on the tracks “Human Regression” and “Bodylanguage”), reverence (the optimistic organ swells d steady sequencer guiding “Ceremonism”), and meditative focus (the slow-motion spectral waltz of “Treehouse”). Also notable here are very brief etudes, such as “Window Pain,” whose dark, lush ebb and flow actually seem tailored to repeated or looped listening. It’s particularly remarkable that almost all of this material is recorded solo and in a “live / no overdubs” mode, given how much it feels like well-rehearsed ensemble playing, and given the impeccable timing involved in continually exchanging the sounds at the very forefront of the mix. And here we come full circle to the idea of “electronic music” mentioned at the beginning here: instead of making us feel that we are in the presence of some fully-realized form brought back from “the future,” Rohrer invites us instead to witness fascinating processes of transition and mutation, and to value them for what they are now as much as for where they are headed.

Go to Item

Juraj Stanik Trio

Deep

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2023 | EU | Original (Sultan Günther Music)

Deichkind

Neues Vom Dauerzustand

Release: 2023 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Bam Balam)

Heldon

Antelast

LP | 2022 | EU | Original (Astrofever)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Another fantastic and explosive album by Heldon.

Richard Pinhas, the founder of 70s legends "Heldon", is one of France's best known experimental musicians and is a key figure in the development of rock music fused with electronic music. The perfect symbiosis between the musicians allows them to create an amazing sound full of power and energy....

For fans of Krautrock.

Go to Item

Polyswitch

Praise The Sun

Taurhiphanie / Voyage Absolu Des Unari Vers Andromède / Gendy 3 / S.709

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From his humble beginnings in 2011, North African, Casablanca-born and based producer has been continuously shaping his sound signature in the sphere of electronic music, resulting in a cross-genres blend appealing to both DJs and music fans from all across the spectrum. After a small run of exalted singles and EPs, Polyswitch gravitates towards the full-length format with “praise THE Sun“ a 12-track sonic testimonial committed to the tradition of his previously released material, showcasing his distinct sense of substantially blending a vibrant profusion of musical currents. Emanating from an expression of delight and adoration, “praise THE Sun" can be used as a universal answer to questions like ‘What to do?’ when there are no other solutions left. Reflecting the times, recorded during periods of duress and uncertainty, “pts“ is a body of work conveying feelings of harmony, hope, love, and unity throughout sublime musical works. Within, the artist introspectively addresses perseverance and resilience using instrumentation as the prime expression vessel.

Go to Item

Iannis Xenakis - Electroacoustic Works Part 5

Iannis Xenakis - Electroacoustic Works Part 4

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This album is disc V "Late Works" of the 5 LP / 5 CD box set "Electroacoustic Works" that celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics.

„Electroacoustic Works“ celebrates the 100th anniversary of Iannis Xenakis (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest and mastered by Rashad Becker and finally reveal their full sonic range and dynamics. Booklet with English / German liner notes by Reinhold Friedl (zeitkratzer) and rare photos from the Xenakis archive.

Iannis Xenakis (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.

After he arrived in Paris in 1947, Xenakis not only studied composition with Messiaen and later became a member of the famous GRM (Groupe de recherches musicales), he also worked as assistant to the famous architect LE Corbusier and realized a.o. the Philips Pavilion for the World Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian). Although Xenakis also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when computers were easier accessible, his so-called "stochastic synthesis" (Gendy 3, S.709 > Disc V, Late Works). Xenakis’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as Michel Chion put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.

His so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous composition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz- Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.

The most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.

For the first time, the complete electroacoustic works of Xenakis are now available on record the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director Reinhold Friedl, in collaboration with sound engineer Martin Wurmnest, made these critically reflected stereo mixes possible, which were appropriately mastered by Rashad Becker and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.

To quote The Wire’s review from May 2018:
“This is the definitive Persepolis“

Go to Item

La Légende d'Eer

Iannis Xenakis - Electroacoustic Works Part 3

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This album is disc IV "Les Polytopes III" of the 5 LP / 5 CD box set "Electroacoustic Works" that celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics.

„Electroacoustic Works“ celebrates the 100th anniversary of Iannis Xenakis (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest and mastered by Rashad Becker and finally reveal their full sonic range and dynamics. Booklet with English / German liner notes by Reinhold Friedl (zeitkratzer) and rare photos from the Xenakis archive.

Iannis Xenakis (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.

After he arrived in Paris in 1947, Xenakis not only studied composition with Messiaen and later became a member of the famous GRM (Groupe de recherches musicales), he also worked as assistant to the famous architect LE Corbusier and realized a.o. the Philips Pavilion for the World Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian). Although Xenakis also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when computers were easier accessible, his so-called "stochastic synthesis" (Gendy 3, S.709 > Disc V, Late Works). Xenakis’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as Michel Chion put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.

His so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous composition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz- Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.

The most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.

For the first time, the complete electroacoustic works of Xenakis are now available on record the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director Reinhold Friedl, in collaboration with sound engineer Martin Wurmnest, made these critically reflected stereo mixes possible, which were appropriately mastered by Rashad Becker and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.

To quote The Wire’s review from May 2018:
“This is the definitive Persepolis“

Go to Item

Persepolis

Diamorphoses / Concret PH / Orient Occident / Bohor

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This album is disc III "Les Polytopes II" of the 5 LP / 5 CD box set "Electroacoustic Works" that celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics.

„Electroacoustic Works“ celebrates the 100th anniversary of Iannis Xenakis (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest and mastered by Rashad Becker and finally reveal their full sonic range and dynamics. Booklet with English / German liner notes by Reinhold Friedl (zeitkratzer) and rare photos from the Xenakis archive.

Iannis Xenakis (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.

After he arrived in Paris in 1947, Xenakis not only studied composition with Messiaen and later became a member of the famous GRM (Groupe de recherches musicales), he also worked as assistant to the famous architect LE Corbusier and realized a.o. the Philips Pavilion for the World Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian). Although Xenakis also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when computers were easier accessible, his so-called "stochastic synthesis" (Gendy 3, S.709 > Disc V, Late Works). Xenakis’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as Michel Chion put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.

His so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous composition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz- Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.

The most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.

For the first time, the complete electroacoustic works of Xenakis are now available on record the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director Reinhold Friedl, in collaboration with sound engineer Martin Wurmnest, made these critically reflected stereo mixes possible, which were appropriately mastered by Rashad Becker and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.

To quote The Wire’s review from May 2018:
“This is the definitive Persepolis“

Go to Item

Iannis Xenakis - Electroacoustic Works Part 1

Out Of The Ashes Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This album is disc I "Early Works" of the 5 LP / 5 CD box set "Electroacoustic Works" that celebrates the 100th anniversary of IANNIS XENAKIS (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by RASHAD BECKER and finally reveal their full sonic range and dynamics.

„Electroacoustic Works“ celebrates the 100th anniversary of Iannis Xenakis (on May 29th, 2022), one of the most influential 20th century avantgarde composers. All tracks have been newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest and mastered by Rashad Becker and finally reveal their full sonic range and dynamics. Booklet with English / German liner notes by Reinhold Friedl (zeitkratzer) and rare photos from the Xenakis archive.

Iannis Xenakis (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.

After he arrived in Paris in 1947, Xenakis not only studied composition with Messiaen and later became a member of the famous GRM (Groupe de recherches musicales), he also worked as assistant to the famous architect LE Corbusier and realized a.o. the Philips Pavilion for the World Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian). Although Xenakis also composed for orchestra (his most famous works are “Metastasis“, “Pithoprakta” and “Terretektorh”), electronic music became his way for exploring new ideas and concepts and to develop new techniques like a graphic interface for sound synthesis or later, when computers were easier accessible, his so-called "stochastic synthesis" (Gendy 3, S.709 > Disc V, Late Works). Xenakis’ first electroacoustic pieces (Disc I) like “Diamorphoses” or “Bohor” turned out groundbreaking works while the latter even caused, as Michel Chion put it, the “greatest scandal of electroacoustic music” on the occasion of its performance 1968 at the GRM in Paris.

His so-called „Polytopes“ (Discs II - IV) were overwhelming multimedia performances with especially designed architectures, laser and light shows etc. where sometimes up to several hundred loudspeakers were used to move the sounds in space. For example his most famous composition “Persepolis”, commissioned by the Persian Shah, premiered in 1971 in Shiraz- Persepolis (Iran) as a performance including light-tracks, laser beams, groups of children walking around with torches and 59 loudspeakers to project the music in an open-air situation.

The most radical aspects of sound can be found in Xenakis' late work and its merciless reduction to harsh, almost ruthless sound synthesis. In the early nineties, he devoted himself to the concept of a composing machine: a machine that designs everything independently and calculates the finished piece, the algorithm is the work.

For the first time, the complete electroacoustic works of Xenakis are now available on record the truly overdue testimony and legacy of a restless investigator and explorer of sound. Years of source studies and comparative research by zeitkratzer director Reinhold Friedl, in collaboration with sound engineer Martin Wurmnest, made these critically reflected stereo mixes possible, which were appropriately mastered by Rashad Becker and which, in addition to the aspect of fidelity to the source, put the listener in the center. Xenakis' adventurous music can now finally be enjoyed in its full sonic range and dynamic.

To quote The Wire’s review from May 2018:
“This is the definitive Persepolis“

Go to Item

Fire Horse

LP | 2022 | EU | Original (Suburban)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Pure Noise)

Early November

Twenty

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sounds Light Drums Guitar T-Shirt

AC/DC

2x12" | 2022 | EU | Original (Chapelle XIV)

Available Sizes: S, M, L, XL, 2XL

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The AC/DC Sounds Light Drums Guitar T-Shirt's features include:
• rib crew neck
• Sounds Light Drums Guitar artwork printed on front and back
• regular fit
• 100% cotton single jersey

Go to Item

Chris Korda

More Than Four

2LP | 1979 | EU | Original (CBS)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chris Korda’s upcoming release “More Than Four” is flagrant rhythmic heresy: electronic dance music that’s not only in odd time, but also in complex polymeter. Each of the album’s tracks uses at least four time signatures at once, typically including 3, 4, 5, and 7. The title isa pun on the 1966 Miles Davis album “Four & More.” The gatefold double LP has eleven tracks and features Korda’s artwork, and the digital version adds three bonus tracks.

Go to Item

Bob Dylan

Bob Dylan At Budokan

LP | 2022 | EU | Original (Dugnad)

Release: 1979 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: G+

Slightly damaged cover with hype sticker. Sunburst label stickers.

Go to Item

Wow Sailor

Happy Fear

Mama's Gun Japan Import Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ranging from sanguine emotional clarity to distortion and unrest, Wow Sailor voyages through sunlight and storms in this mindful and explorative album. Happy Fear is an intricate tapestry of emotional experience, where fear and joy clash heads in the pursuit of self-understanding. Scattered field recordings of literature, ambiance and chance encounters provide atmospheric depth to enrich a resonant and meditative soundscape.

This tale begins with fond yet powerful nostalgia, before segueing into a range of hybrid instrumental explorations in which guitar, voice, violin, and trumpet blossom alongside refined electronic foundations. The album closes off with indulgent melancholia reminiscent of the opening, providing lifelike circularity to the album.

All songs remain connected; one leading into another without pause or silence. This urges the listener to digest the work in a single sitting as elements of the story seem intrinsically connected.

Go to Item

Erykah Badu

CD | JP | Reissue (Psp)

Release: JP – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black And Gold Black Vinyl Edition

Thundermother

LP | 2022 | EU | Original (AFM)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black And Gold Gold Vinyl Edition

Thundermother

LP | 2022 | EU | Original (Afm)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Francesco Bianconi & Clio

Ciao

7" | 2022 | EU | Original (Ponderosa)

Release: 2022 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | EU | Reissue (Flatfish)

Flook

Ancora

Release: 2019 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | CA | Original (Telephone Explosion)

Quilting

LP | 2021 | EU | Reissue (Plasterer)

Release: 2022 / CA – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The mesmerizing debut LP by Nova Scotia’s Quilting on October 7, 2022. The album is a quietly stunning collection of pastoral ambience dotted with moments of tension that reflects the maritime environment in which it was created, inadvertently paying homage to the light and darkness of rural life.

Co-founded by Holy Fuck’s Brian Borcherdt, the quartet is comprised of a diverse and accomplished collection of musicians who came together when he moved back to his home province in 2019 after a lengthy stay in Toronto.

The shock of settling into a town of 600 people was softened almost immediately by a care package left on Borcherdt’s front porch. It included the curious juxtaposition of homemade preserves and a circuit-bent keyboard. His interest was piqued. As luck would have it, his new neighbour happened to be renowned folk guitarist Kim Barlow.

“Kim was in the process of organizing an improvisation series featuring over a dozen Nova Scotia-based musicians. The series struggled under lockdown restrictions, and on the second attempt only the four of us showed up.” Borcherdt recalls. “We didn't really know each other that well, were a bit shy and played very quietly. However, we really enjoyed how spacious our jam was.”

One week after their initial jam, Borcherdt was invited to perform a solo set at a Halifax-based experimental festival called Open Waters. He instead volunteered the same lineup: himself, Barlow, distinguished Isle Of Skye harpist (and Berklee professor) Mairi Chaimbeul, and Sahara Nasr, a noted songwriter and player of the rare Indian Sarangi. It wasn’t long before they began recording and soon realized a name was necessary to make the project official.

“When we get together to play music, it's our 'poker night'. That led us to think of other community or 'grown-up' gatherings, similar or antiquated... like barnraising bees, quilting bees.” Explains Borcherdt. “We were sort of quilting: four corners of fabric, texture, sewing threads, telling a story, all making one complete piece while drinking a few beers. We could've also called it ‘Therapy’.”

While providing a necessary distraction from early-COVID life, Quilting also offered a chance to improvise within a uniquely ambient soundspace. This was a welcome change for some of the members, including Borcherdt, who was used to creating music with decidedly more volume.

“Space is welcome. Writing in Quilting is a spontaneous and thoughtful process, very synesthetic and, of course, collaborative. I've only really gotten to explore space and silence with solo music.” He reflects. “With my other bands, even when spontaneous and improvised, the result is dense and cathartic, expressive through pulse and rhythm and volume. With Quilting we get to drift, no beats, no safety net. Every note counts. Yet rather than being stressed or scrutinized under a microscope we all have fun and daydream a bit.”

Sonics aside, Quilting has also given all four members the chance to experiment with the boundaries created by headquartering in a remote area not commonly associated with the avant-garde music community.

“Nova Scotia, unlike other provinces, has basically one city, one place where musicians congregate, play shows and hang out. Anything happening outside of Halifax can be considered an experiment, a test to see anything can get off the ground.” Borcherdt explains. “ In Toronto there's already an infrastructure, whether you play the same venues or build your own new thing- there's an audience, there are friends and like-minded individuals. It's healthier. Here we have to take what we get. But the good news is that it's kind of a blank slate.”

The LP, which features hand-calligraphed cover art from Upstate New York-based artist and musician Sarah Le Puerta, features five songs all recorded live off-the-floor in a single live performance. Moods range from reflective to unsettled, and even at its loudest parts a sense of intimacy persists.

“This album feels like a complete picture, a snapshot of one fun night.” He states. “That seems to me to be a perfect introduction. The listener gets to “attend” the concert, which is an amazing way to discover new music.”

Go to Item

Wonk Unit

Uncle Daddy UK Version

Release: 2021 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Cadiz Music)

Nik Turner & Youth

Interstellar Energy

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Gaz's Rockin')

The Trojans

Top Hits

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2005 | EU | Reissue (Keplar)

Marsen Jules

Herbstlaub

La Bete Noire / Paris N'Existe Pas

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

»Herbstlaub,« the third album by Marsen Jules, was both introspective and visionary, modest and ground-breaking. Blending elements of classical music with electronic textures, the German artist created six pieces that draw on the power of repetition, yet are full of internal tensions and sweeping dynamics. Now, Keplar makes it available again on vinyl for the first time since its original release in 2005. This version, remastered by Stephan Mathieu and with a new artwork by Umor Rex’s Daniel Castrejón, shines a new light on a record that paved the way not only for the artist’s later work, but also further developments in electronic and ambient music more broadly.

»The noughties were a special time,« says Marsen Jules today. »It felt like there was a new tool made available practically every day that allowed you to create new musical worlds on your computer.« Hence, this prolific phase saw the emergence of a plentitude of genres and styles that can be traced back to individual records—»precious gems that opened up new possibilities and anticipated a lot of what later would be picked up on,« as he describes them. »Herbstlaub« surely falls into this category, having paved the way for a distinct approach to combining elements from classical and electronic music.

While Wolfgang Voigt was focusing on the marriage of romanticism and techno with his Gas project at the same time, the six pieces on »Herbstlaub« follow a very different concept. Through repetition and reduction, Marsen Jules threw any sense of time out of joint while also inserting an emotional component into the music. »What would remain if you abstract musical contents to this degree, how much of your personality would still resonate in it,« he sums up the questions that shaped his approach. »When will reduction result in monotony, and how could unique, magical moments created through repetition?«

More than one and a half decades later, »Herbstlaub« seems both melancholic and brimming with excitement. This is the sound of an artist experimenting freely with the sounds and structures of two supposedly irreconcilable musical traditions with new and exciting tools, creating something previously unheard of in the process.

All tracks composed and recorded by Martin Juhls. Originally released on CCO in 2005. Remaster by Stephan Mathieu. Vinyl cut by Lupo. Cover art by Daniel Castrejón based on the original by Alphazebra. Text by Kristoffer Cornils.

Go to Item

Jean-Claude Vannier

LP | 2022 | UK | Original (Finders Keepers)

LP | 2022 | EU | Original (Soda Gong)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With a discography held in such high esteem amongst fans of conceptual French pop and soundtrack composition, the likelihood of finding an unturned stone amongst maestro Jean-Claude Vannier’s fertile psychedelic rockery falls somewhere between slim and skeletal. Even the most intrepid explorers of the most fearless and fastidious nature should naturally expect to encounter one or two shadowy characters when braving the oblique corners of the Vannier vault, but few lost souls cast a darker silhouette than the cinematic obscurity known only as »La Bête Noire« (The Black Beast).

Go to Item

Mark Gomez

Alphane Moods

LP | 2022 | UK | Original (Fire)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Australia-based musician Mark Gomes presents the debut full length under his own name for Soda Gong. “Alphane Moods” finds Gomes employing strategies that will be familiar to listeners of his work as Blue Chemise – elegiac, loop-based modes of composition and a predilection for concise etude forms – that manifest here with a strikingly different scope and intent, shifting from expressive abstraction into more conceptual terrain. Over the course of fourteen widescreen tracks, he navigates the gap between nostalgic and futurist sensibilities, concocting elusive, romantic, and sanguine settings that feel both plucked from the past and beamed in from a time still to come. Gomes describes his approach on the record as a “practice of ‘constructed ambience’, deploying sounds and track titles with pop-psychological associations of escape.” The result is a vivid, cinematic album that splits the difference between the worldbuilding retrofuturism of the best vaporwave music and the shadowy, homespun tape vignettes for which Gomes has become well known.

Go to Item

Air Waves

The Dance

Drift Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heady with hooks and unforgettable melodies, gliding on deeply danceable grooves, always with Air Waves' innate compassion, concision and uncanny pop sense shining throughout. A masterpiece that's beautifully simple, instantly accessible and entirely addictive. Featuring Cass Mccombs, Skyler Skjelset (Fleet Foxes, Beach House), Luke Temple, Brian Betancourt (Hospitality, Sam Evian), Rina Mushonga, Frankie Cosmos, Lispector, David Christian, Ethan Sass, and Ben Florencio.'The Dance' has waited three years to see the light of day and it comes to us now, blinking, smiling in the widening light of 2022 feeling more needed and necessary but also more joyous than ever before. It's both a snapshot of these songs as they were recorded but crucially, in the intervening time those songs have had additional arrangements crafted by Nicole, created remotely and virtually, with a few like-minded collaborators. The result is simultaneously Air Waves freshest, most spontaneous yet finessed album yet.Nicole Schneit released their first independent album in 2009 under the Air Waves moniker, a name inspired by a Guided By Voices song - subsequent albums like 2010's 'Dungeon Dots' (which featured a guest vocal from fellow Brooklynite Sharon Van Etten), 2015's 'Parting Glances' and 2017's stunning 'Warrior' crystallised Schneit's vision of loose-but-focused, convivial but startling pop. 'The Dance' continues that trajectory but finds Schneit opening up their music to a more fluid sense of space and movement, while keeping their lyrical eye between the personal and the political, from the specific to the universal with a haiku-like directness and suggestion.You won't find a better soundtrack for the solidarity, strength, romance and movement we all need right now than 'The Dance' - Air Waves' best album yet."There is a rawness, both musical and emotional, proving that the simplest ways to communicate feelings are sometimes the most effective" Pitchfork "More varied and ambitious than ever" Stereogum.Classic...

Go to Item

Pianos Become The Teeth

LP | 2022 | EU | Original (Epitaph Europe)

In Person, Friday Night At The Blackhawk, San Francisco, Volume 1

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Drift, their fifth studio album sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres. For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day's recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date. Per front man Kyle Durfey, "Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records." The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten's help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.

Go to Item

Miles Davis

LP | 1961 | US | Reissue (Columbia)

12" | 2022 | EU | Original (Oraculo)

Release: 1961 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

US reissue. Vinyl is Close to VG+. With insert.

Go to Item

Reakton

Data EP

12" | 2022 | EU | Original (Oraculo)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Blue vinyl. All tracks have been specially remastered for Long CUT vinyl by Daniel Hallhuber at Young and Cold Studios (Germany)

Go to Item

Oliver

Neither Wise Nor Gods EP

Controlled, Altered, Deleted, Restarted

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. All tracks have been specially remastered for Long CUT vinyl by Daniel Hallhuber at Young and Cold Studios (Germany)

Go to Item

Conformco

LP | 2022 | EU | Original (Oraculo)

Solemn Lament Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Solemn Lament

LP | 2022 | EU | Original (Svart)

Chocolate Mountain (Henry Stone Records)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Solemn Lament present a limited edition of their debut recording. 4 tracks of somber yet heavy, crushing and melodic doom metal.

Solemn Lament ‘s doom metal is rooted in tradition, influenced by both the UK and American canon of doom metal. With Phil Swanson (Hour of 13, Seamount etc) on vocals, Justin DeTore (Dream Unending, Magic Circle) on drums, Drew Wardlaw (Blind Dead) on bass plus Adam Jacino (Blind Dead) and Eric Wenstrom on guitars.

Go to Item

Wilson Pickett

LP | 1976 | EU | Reissue (Wagram)

Soul Syndrom (Henry Stone Records)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wilson Pickett was quite simply one of THE great soul singers. Pickett's phenomenal gospel-honed voice and involvement in his best songs marked him down as a major soul performer and even as late as the mid-70's, a producer as astute as Brad Shapiro was not likely to take too many musical liberties when 'updating' Wicked Pickett. This 1976 album, recorded at Sound Shops Studio in Nashville, featurees the two R&B single hits : "The Best Part of A Man" and "Love Will Keep Us Together" This success prompted this 10-track "Chocolate Mountain" album.Shapiro chose a musical 'sound' to tie in with the more funky demands of the mid-70's but Pickett's voice and approach to a lyric never really changed. Swampy and bluesy with plenty of 'rap' from Pickett or more gospel oriented funcky tracks, Pickett works the lyrics like the soul veteran he already was by 1976 and the quality of these excellent songs for all to enjoy.

Go to Item

James Brown

LP | 1980 | EU | Reissue (Wagram)

LP | 1975 | EU | Reissue (Henry Stone)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

By 1980 James Brown did one album for Henry Stone's T.K. While this doesn't have Brown bubbling over with innovation, he still provided a more substantial alternative to disco. On this album, we have a sublime sped-up version of "The Payback," which rocks like nobody's business. Or on the remake of "Mashed Potatoes", Brown is reuniting with Bobby Byrd. Shortly afterward they both go through a travelogue of cities and states like it's "Night Train" all over again. Soul Syndrome has Brown still full of ideas. The inane "Funky Men" has a killer reggae/funk guitar riff and a fantastic Latin horn arrangement...In the end, it makes it a nice album that counts in the rich carrer of the master of Funk !

Go to Item

Milton Wright

Friends & Buddies

CD | 2022 | EU | Original (Aftermath)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of the most unique albums to ever come out of the Miami soul scene of the 70s. Milton Wright has a really jazzy groove to his music - and he mixes his own acoustic guitar lines with warm keyboards and a bit of synth or moog. Milton's vocals have the chops to live up to the heady batch of soul artists. This record feels like nothing else you've ever heard, but which you can't live without once you've heard it!

Go to Item

Eminem

Curtain Call 2

Release: 2022 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | CA | Original (Telephone Explosion)

Badge Epoque Ensemble

Clouds Of Joy

LP | 2022 | EU | Original (Melting Pot Music)

Release: 2022 / CA – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Badge Époque Ensemble return to Telephone Explosion Records with a new LP, Clouds of Joy. Featuring three vocal-led compositions, three instrumentals and three choral arrangements, this new album presents the Ensemble’s most ambitious, mature and engaging material to date. Clouds represents a shift from the group’s previous sonic excursions into the worlds of vintage soundtrack grooves and early electric jazz towards a more era-ambiguous, complex and all-encompassing approach to arrangement & production.

Undergoing a major shift of consciousness upon learning that he was expecting twins, BÉE leader Maximilian ‘Twig’ Turnbull found the spark to initiate the album within his reflections upon the nature of human joy. This shift in mindset also helped shape the record from an operational standpoint: Turnbull stepped away from his fixture on keys, leaving all of the musical performance on this record to his cast of collaborators. With Max assuming a more “directorial” approach to production and arrangement à la Barry White, David Axelrod, or Fagen & Becker, this album finds the Badge Époque Ensemble in its most collaborative mode to date. Vocalists Dorothea Paas, James Bailey and guitarist Chris Bezant all have co-writing credits here with Bezant contributing significantly to three compositions, including the album’s title track. The album was mixed collaboratively as well, as another joint effort between Turnbull, Steve Chahley and Tony Price, a trio who have teamed up behind the mixing desk for all previous BÉE albums, as well as U.S. Girls’ Heavy Light LP.

For the most part, the Ensemble on this record is made up of names familiar to anyone following the Badge cosmology: drummer Jay Anderson, bassist Gio Rosati, flautist Alia O’Brien, saxophonist Karen Ng, percussionist Ed Squires and guitarist Chris Bezant, with the new addition of young jazz pianist Edwin De Goeij, a perfect surrogate for Turnbull’s ideas on keys. (This in-demand collection of musicians represent a scattering of key cogs from a clutch of other premium Canadian exports; The Weather Station, Andy Shauf, U.S. Girls & Marker Starling). Clouds’ emphasis on the sound of the human voice finds its perfect outlet in vocal arrangements by labelmate Dorothea Paas and a return from lead vocalist James Baley. Their contributions find compliment by a choir composed of session vocalists, (including singers from Bernice and Bonjay) who come together to provide a series of show-stopping harmonic acrobatics.

Familiar Badge motifs are present through this album’s nine tracks: extended sections of dusty drum & conga breaks, swirling saxophone and flute flourishes, fleet-fingered guitar excursions, hazy Rhodes chords and lashing Clavinet stabs, but where Clouds excels is in its ability to weave tremendous vocal performances and choral arrangements into its dense tapestry of sound. The lilting melodies and multidimensional harmonies on tracks “Conspiring With Nature” and “All Same 2 Each, Each Same 2 All” bear the hallmarks of late sixties baroque AM-radio pop, while James Baley’s ecstatic, Stevie-esque lead vocal performance on “Zodiac” could light up the midnight sky, turning a nearly eight minute jazz-funk instrumental odyssey into a sure-shot dancefloor hit. Lyrically, Turnbull’s interest in an aphoristic spiritual mysticism condenses reflections on the complexity of human emotion into bold, succinct phrases, a quality most clearly communicated on the album’s three choral pieces, “The Greatest Joy”, “Let Breath Be The Sum”, and “Joy Flows” (upon first hearing these works Turnbull’s partner Meg Remy remarked that they sounded like “radio hits on the planet Dune”).

Clouds of Joy comes serendipitously as catalog number Ter0100 - the hundredth release for Telephone Explosion, the rapidly burgeoning Toronto label. It is the group’s third proper full length of five total releases for the imprint in only 4 years. It represents the Ensemble’s most fully realized presentation of a founding vision to create music as human, organic and alive as it is synthesized, produced and designed; music that transcends the notion of linear time, pulling in influences and ideas from the past and taking them far into the future.

Go to Item

LESKY & Waywell

Mesame

Release: 2022 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jabar Ligla

B_Baller T-Shirt

21,99 €* 39,99 € -45%

LP | 2022 | EU | Original (Parapente)

Available Sizes: S, M

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Jabar Ligla B_Baller Tee is equipped with the following features:
• rib crew neck with interior tape
• Pasteelo Logo embroidered at left chest
• B_Baller artwork printed on back
• relaxed fit (loose fit)
• 100% cotton single jersey

Go to Item

S8jfou

Op Echo

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | UK | Original (Howard Stevens Music)

Dnh

A Hydra World

LP | 2022 | US | Original (Empire)

Release: 2022 / UK – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

DARYL HELMS AKA SPACE & HOWARD STEVENS OFFER THEIR NEW GROUP EFFORT.
DNH A HYDRA WORLD.
THE LP SEES THE NATURE SOUNDS RECORDING ARTIST DROPPING HIS ABSTRACT
NEW YORK LYRICISM OVER HYPNOTIC PRODUCTIONS BY THE LONDON BASED PRODUCER.
THE LP SHOWCASES DNH’S FUNK PUNK REGGAE & SOUL INFLUENCES & STANDS PROUD IN THEIR
REVOLUTIONARY THOUGHT & MULTICULTURALISM.
DNH FIRST RECORDED TOGETHER ON THE FIRST WEATHERMEN PROJECT “PARANOID ANDROID”
WITH CAGE & MASAI BEY.
SPACE WOULD GO ON TO FEATURE ON LP’S WITH CAGE, VAST AIRE, CAMUTAO,
CANNIBAL OX….
HOWARD STEVENS WOULD PRODUCE FOR THE LIKES OF MF DOOM, MF GRIMM,
LEWIS PARKER ETC….
THE LP WAS MIXED & MASTERED BY JUICE, ALSO PRODUCING “HYDRA WORLD TRANSMISSION”.
IT ALSO FEATURES A CO-PRODUCTION WITH HIS GREEDY FINGERS BRETHREN SMIMOOZ ON
“MADE IN AMERICA”
THE ALBUM IS AVAILABLE AS SHRINK WRAPPED LP VINYL & DIGITALLY.
THE SINGLE “ANGELS OF GOD” IS AVAILABLE TO DOWNLOAD & THE VIDEO BY TRYPTA MEDIA
THERE WILL ALSO BE A SUPPORTING VIDEO AFTER RELEASE FOR “ROUND THE WORLD”

Go to Item

Pat Green

Miles And Miles Of You

12" | 2022 | EU | Original (Quiet Love)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Marked by resilience, maturity, and the optimistic joy of a creative resurgence, Pat Green’s Miles and Miles of You is the work of an icon reclaiming ground only he himself could have ceded. Ten fresh tracks feel like the spiritual exhale of a celebrated troubadour, taking fans on a journey to the other side of turmoil… and to a place where the old ways feel new again.

Credited as one of Texas country’s modern-era founding fathers, Green has traveled many roads in the 25 years since his debut album, Dancehall Dreamer. A Grammy nominated singer-songwriter with a restless creative spirit, his career has gone beyond the bounds of a “country star” to include the work of a painter, sculptor, philanthropist, family man and more. But one constant has remained – his vision.

Green’s 14th album overall, Miles and Miles of You is also his first in nearly seven years – since his inspiration-first writing style means he won’t force a song into existence. But that philosophy also makes it possible for a whole album to arrive in a dam-burst of expression, and Green now calls Miles and Miles of You an “effortless” project.

“It was just so smooth and natural,” he says. “I write the song when it comes, and it was like ‘Man, we’re on a roll.’”

Recorded outside Austin with producer Dwight Baker (Bob Schneider, Josh Abbott Band), more of that story is revealed with each track, as Green and his band mirrored the loose vibe of the songwriting with country balladry, dancehall energy, soul-baring reflection and at times, a swampy blues strut. “The older you get, you just have more to think about,” he says. “So that’s

what this record is – a guy with more to think about, coming through a hard time and into something as fun and beautiful as creation. I’m just gonna take the ball and run with it.”

Go to Item

Rosa Anschütz

Rigid

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jewel Case 2CD | 2023 | EU | Original (90's Tapes)

Alps Cru

The Classic Collection

Learing The Hard Way...Not To Fuck With The Spades

Release: 2023 / EU – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition of 300 copies on double CD in jewel case.

Founded in 1992 during the golden era of Hip Hop, the trio from St. Louis, Missouri, consists of Shorty Live, P Da Wicked and DJ Alejan. In the mid-90's the crew recorded and self-released a few 12" titles full of quality that still keep diggers worldwide being on the lookout. "The Classic Collection" includes 14 tracks from that era plus 11 instrumental versions.

Available in a limited run on black vinyl 3LP, 2CD in jewel case, double cassette plus digitally on all major platforms.

Go to Item

Spades

LP | 2022 | EU | Original (Suburban)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rage Against The Machine

Anger Gift T-Shirt

LP | 2019 | US | Original (Spinning Goblin)

Available Sizes: S, M, 2XL

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Rage Against The Machine Anger Gift Tee is equipped with the following features:
• rib crew neck with interior tape
• Anger Gift artwork printed on front and back
• regular fit
• 100% cotton single jersey

Go to Item

Knasterbart

Perlen Vor Die Säue

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Nocut)

Sleeping Romance

We All Are Shadows

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Prism / 246 (Susumu Yokota)

Remix EP

12" | 2022 | UK | Original (Cosmic Soup)

CD | 1998 | EU | Reissue (Most Wanted)

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Remastered rarities by the late Susumu Yokota under his 246 and Prism monikers. Go Up was originally a defective release which has since been corrected and remastered and Vol 3 - 02 was not released. It also features a megamix of Ambient Love and Squeeze Up (which feature on Cosmic Soup 005) by Gene On Earth and a remix of Flare's Grip - Prism Remix by Matthew Herbert titled "Herbert's Make It Right Dub". Three legends on this EP. Superbly remastered and cut by Mike Grinser at Manmade in Berlin. Artwork by John Williams.

Go to Item

Eastside

The Battlefield

Release: 1998 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Undasett

G's Perspective

Release: 1995 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Ronnie Raw

Ghetto Bastard

Release: 1995 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Architects Entertainment

The Foundation Vol. 1

Release: 1997 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Architects Entertainment - The Foundation Vol. 1 was originally released in 1997 on tape in a very limited quantity.

24 years later, this classic has been remastered and released on CD!

Go to Item

L.O.G.

Camouflaged Down

Release: 1997 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For our second collaboration with Untouchable Records we have decided to reissue this classic (Feat Fila Phil, Lokee, Ms Tee...)!

Go to Item

G-Lo

The Funky Overthrow

Release: 1997 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Darkside

CD | 1999 | EU | Reissue (Most Wanted)

Release: 1996 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Darkside was a gangsta rap group from Sacramento, California, made up of rappers Waynee Wayne and Dubl-M.

They recorded this classic in 1996 with Coast To Coast Entertainment. In 1999, they recorded their 2nd album "Phunk Planet" in collaboration with DJ Quik, Suga Free, AMG, Raphael Saadiq etc.

Go to Item

5 Ela

5-E Pt. 3

Release: 1999 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

5 Ela (also known as 5 Elementz) is a Detroit-based rap group consisting of Proof, Thyme and Mudd.

"5-e Pt. 3" was originally released in 1999 on tape in a very limited quantity (500 copies) 21 years later, this classic has been remastered and released on CD!

Go to Item

Bound By Brothers

Okc Funk

CD | 1994 | EU | Reissue (Most Wanted)

Release: 1997 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Seagram

Reality Check

Release: 1994 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

R.O.A.

G 4 Life

Release: 1996 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Rodney D

A Moment Of Silence

CD | 1993 | EU | Reissue (Most Wanted)

Release: 1995 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Bound By Brothers

1995

Release: 1993 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Legend Man

Pressure & Pain

Release: 1997 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

D.O.A.

Tha Recipe

Release: 1997 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

D.O.A.

Feva In Tha Funk House

Mr. Low Kash N Da Shady Bunch

Release: 1996 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Forever Raw

Release: 1996 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

Kazy D & Da 1.8.7. Klick

A Letter From Tha Grave

Phat Flava From The Funky Flatz City

Release: 1995 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

V.A.

LP | 2022 | EU | Original (Wagram)

Release: 1995 / EU – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Officially reissued and distributed by MWR!

Go to Item

V.A.

Soul Diggin'

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Wagram)

V.A.

Disco Diggin'

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2022 | EU | Original (Hakuna Kulala)

Mbulelo

Kalibre EP

LP | 2020 | UK | Reissue (Lovemonk)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Twenty-six year old South African producer Mbulelo Mehlomakhulu grew up with a passion for house music. He began releasing music early at only 18, working with Blaque Core's Profound Nation and issuing a slew of records under the Xerophytic Soul moniker. Achieving local and global success with tracks like 'Ancient Cultures', he began to pioneer a more experimental sound - a cross between Durban's dark, propulsive gqom sound and vintage Detroit techno. This forward-thinking composite didn't go unnoticed, and Mehlomakhulu was tapped by Derrick May to release "The Robotics People" EP on Transmat in 2018.Now Mehlomakhulu returns with four stargazing hybrid compositions that again dance in the shared sonic space between Detroit and Durban. Gqom's slow, sensual pulse carries 'Play the Beat' with chants and echoing cowbell smacks swallowed into a wormhole of squashed analog bass and reverberating Underground Resistance stabs. Title track 'Kalibre' is less florid, but commands the dancefloor with clattering South African drums, ballroom slams and the ticking urgency of Chicago's DJ Sneak.'Uranus' and 'God's Groove' lift the dancefloor to a higher plain, spiritually connecting with Carl Craig's historic early run and layering synthetic neon pads and cinematic shimmering effects. Mbulelo's sound is smart and poignant, and completely his own. By linking contemporary South African dance music to Detroit's pioneering 1980s techno vision, he makes a connection that's never felt more current.

Go to Item

Chip Wickham

Blue To Red

12" | 2022 | US | Original (Star Creature)

Release: 2020 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Chip Wickham made a splash in the UK scene with 2016's La Sombra and 2018's Shamal Wind, garnering attention from all the right people in the jazz scene. Chip's back for more, partnering with Lovemonk once again to enchant and heal with his cosmic, spiritual jazz.

Go to Item

Giovanni Damico

The Power EP

Boycott Stabb Complete Session Pink Vinyl Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Giovanni just seems to get it while expanding & innovating. That perfect blend of tracky Italo early drum machine bang the box type of proto house electro soul. This next EP will probably cement that legacy & reputation. *Bonus - Also includes the hit "out OF Control" for the first time on 12".

Go to Item

Government Issue

LP | 1983 | US | Reissue (Dischord)

Release: 1983 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2017 | Original (Peaceville)

Mayhem

Live In Sarpsborg

LP | 2022 | EU | Original (Chapter Two)

Release: 2017 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Come with booklet. Record looks unplayed.

Go to Item

Ken Boothe

Inna De Yard

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Yapa)

Simon Chenet

Le Jour Des Vermeilles

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Piknik Kasteel Groeneveld Baarn 1970

Sly & The Family Stone

LP | 2022 | EU | Original (Whp)