HHV Records 4544 Items

33,99 €*

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Audio-Technica

AT-VM95C

34,00 €*

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The AT-VM95C, the new Audio-Technica entry model Conical cartridge will replace the legendary AT90 Series models such as AT91, AT91R and CN5625AL

Also the AT-VM95C is a “budget” cartridge featuring a conical stylus, the compatibility in the range will allow to upgrade with any of the 4 other LP styli of the Series such as Elliptical, Elliptical Nude, Microlinear and Shibata.

Aluminium cantilever
4.0mV output voltage
Compatible body with all VM95 Series stylus assemblies
Replacement for AT91, AT91R and CN5625AL

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

CONICAL BONDED STYLUS
The benefit of conical styli, even if the cartridge is "lean", is the ball surface of the stylus touches the groove of vinyl records precisely.

Model AT-VM95C
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 20,000 Hz
Kanaltrennung 18 dB (1 kHz)
Kanalbalance am Ausgang 2.5 dB (1 kHz)
Ausgangsleistung 4.0 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Conical
Nadelabmessungen 0.6 mil
Schaftform der Nadel Bonded Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 17 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 6.5 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95C
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers

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Audio-Technica

AT617A

34,90 €*

2LP | 2018 | EU | Original (Nervous / HHV Records)

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AT617A - CARTRIDGE STYLUS CLEANER
- Specially formulated polyurethane gel removes dirt particles from stylus
- Gel remains tacky for years
- Surface is washable for repeated use

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Smif-N-Wessun

Dah Shinin'

LP | 2018 | EU | Reissue (Erased Tapes)

Release: 2018 / EU – Original

Genre: Hip Hop

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Another milestone of Hip Hop's Golden Era gets an all official vinyl re-release through HHV. Smif-N-Wessun's debut album "Dah' Shinin" is an early Boot Camp Clikk release with features by Black Moon, Heltah Skeltah and the Originoo Gunn Clappaz and entirely produced by Da Beatminerz. Essential pick!

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Nils Frahm

All Melody

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2018 | EU | Original (Caroline)

Tamino

Amir

Release: 2018 / EU – Original

Genre: Pop

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2LP | 2018 | EU | Original (Warner)

Damien Rice

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Reissue (Big Brother)

Oasis

Dig Out Your Soul

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Atlantic Singles Collection 1967-1970

Aretha Franklin

2LP | 2018 | EU | Original (Atlantic)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | UK | Reissue (World Of Echo)

Naoki Zushi

ATW Bone & Orchid Marble Blue & Orchid Marble Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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All Them Witches

2LP | 2018 | US | Reissue (New West)

LP | 2018 | EU | Reissue (Invada)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

By most bands' fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of to-formula execution of what's worked in the past. Fair enough. All Them Witches go a harder route.

In 2017, the Nashville four-piece offered what might've otherwise become their own template in their fourth album, Sleeping Through the War. Also their second for New West Records behind 2015 mellow-vibing Dying Surfer Meets His Maker, it brought a larger production value to dug-in heavy psych blues jamming, with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson).

After exploring new ground through their early work on 2013's Lightning at the Door and 2012's Our Mother Electricity as well as Dying Surfer, the band had arrived at something new, sprawling, and grander-feeling than anything before it.

So naturally in a year they've thrown that all to the Appalachian wind, turned the process completely on its head and gone the absolute other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation.

The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of who they are as a band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, All Them Witches' All Them Witche

It's the band confirming and continuing to develop their approach, in the shuffle of Fishbelly 86 Onions, the organ-laced groove of Half-Tongue, the tense build of HJTC and the fluid jam in closer Rob's Dream.

Its a reaction to being a bigger band. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks vocals to McLeod's commanding slide in Workhorse and drifting melancholy at the outset

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Beak>

>>>

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Bureau B)

Die Wilde Jagd

Uhrwald Orange

Release: 2018 / EU – Reissue

Genre: Pop

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2LP | 2018 | US | Original (17 North Parade)

Johnny Clarke

Creation Rebel

2LP | 2018 | EU | Original (Skylax Mellah)

Release: 2018 / US – Original

Genre: Reggae & Dancehall

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A great collection of classic roots recordings from the mid-70's for the singer who came close in challenging Bob Marley & Dennis Brown for reggae's crown. All re-mastered recordings available as 30-Track 2CD-Deluxe Digipak and 23-Track 2LP-set in a gatefold sleeve, both with in-depth sleeve notes by Noel Hawkes. The release is supported by several summer festival appearances.

Only Johnny Clarke would come close to challenging Bob Marley & Dennis Brown for reggae's crown, his unequaled run of hit songs, powered by Bunny Lee and King Tubby's aggravating versions, continued without a pause during the mid-70's leading Johnny to twice being named Jamaica's Artist Of The Year (and the signing of a two album recording deal with Virgin's Frontline label). Many of Johnny Clarke's classic roots recordings gathered here were first given wider international exposure in 1998 with the release of Blood & Fire's excellent 13-Track "Dreader Dread - 1976-1978" compilation, which has disappeared from the market for several years. Now re-mastered and drastically expanded, with a new artwork and entitled "Creation Rebel" the release captures the very essence of what is now regarded as the golden age of roots music!

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Mellah

X-Tra Wicked - Reggae Anthology

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Arabic house for Bar Mitsvah, weddings, Aid Al Kabir & other memorable moments in life.

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Bobby "Digital" Dixon

2LP | 2018 | US | Original (VP)

LP | 2018 | US | Reissue (Lower Your Head)

Release: 2018 / US – Original

Genre: Reggae & Dancehall

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The studio and label Digital B of producer Bobby "Digital" Dixon became the ruling production house in the musical revolution that swept through Jamaica from the mid-80's onwards with a lethal selection of dancehall weapons and chartbusting reggae hits. "X-Tra Wicked" gathers many of his bestever productions from those heady times when specialist stores were awash with 7-Inch singles, freshly arrived from Jamaica, and reggae music was once more on the rise. This great double 2LP-set presents 24 selected tracks in a double wide vinyl jacket, with just the top hits from the two Bobby Digital Reggae Anthology releases.

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Hell

Release: 2018 / US – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Reissue (Wewantsounds)

Don Cherry

Home Boy Sister Out

2LP | 2018 | EU | Original (Vendetta)

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Don Cherry"s downtown Paris funk masterwork produced in 1985 by Ramuntcho Matta and originally released by Barclay in France only, finally gets a worldwide release on Wewantsounds. Featuring French post-punk muse Elli Medeiros, avant garde poet Brion Gysin and cult Senegalese drummer Abdoulaye Prosper Niang (Xalam), this is a unique soundbite of Paris in the early 80s at its coolest when funk, jazz and new wave were mingling with sounds from Africa, Jamaica and Latin America. Newly Remastered, the album is augmented by a second LP worth of bonus tracks and a deluxe gatefold sleeve with a new essay by French journalist Jacques Denis (Liberation).

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Ultha

Converging Sins

Release: 2018 / EU – Original

Genre: Rock & Indie

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Philipp Hochmair & Die Elektrohand Gottes

Jedermann Reloaded

2LP | 2018 | EU | Original (Elektrohand Gottes)

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Reissue (Rhino)

Whitesnake

Unzipped

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Reissue (BMG Rights Management)

Mike Love

Unleash The Love

Release: 2018 / EU – Reissue

Genre: Pop

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OST It's The Great Pumpkin, Charlie Brown

Vince Guaraldi

LP | 2018 | US | Reissue (Craft)

Release: 2018 / US – Reissue

Genre: Soundtracks

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Les McCann & Eddie Harris

Swiss Movement

LP | 2018 | EU | Original (Speakers Corner)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Essence Translucent Orange Vinyl Edition

Lucinda Williams

2LP | 2018 | EU | Original (Universal)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | EU | Original (ECM)

Marcin Wasilewski Trio

Live

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | DE | Original (ECM)

Nik Bärtsch's Ronin

Awase

Release: 2018 / DE – Original

Genre: Organic Grooves

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Terry Burrows

Mute - A Visual Document

Thames & Hudson

LP | 2018 | US | Original (Death Waltz)

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Daniel Miller created Mute Records to release his debut single (‘Warm Leatherette’/’T.V.O.D’), a pioneering electronic sound with a defiantly DIY attitude. Mute quickly established a reputation for releasing cutting-edge, chart-topping music and through the music of its community of artists – ranging from Fad Gadget, Moby, Can, Nick Cave and The Bad Seeds and Einstürzende Neubauten to Depeche Mode, Yazoo, Erasure, Laibach, Goldfrapp, Liars and Ben Frost – it has had an incalculable impact on popular music for four decades.

Mute: A Visual Document is packed with stunning artwork and photography – much of it previously unseen – from the Mute Archives and Daniel Miller’s personal archives, including photography and video stills from legendary photographers, conceptual artworks, rare ephemera and equipment.

Comprehensive discographies, a family tree of Mute artists, an extensive introduction and commentary by Daniel Miller, who has curated the materials for the book, plus anecdotal and photographic contributions from key figures in the label’s story, including Moby, Alison Goldfrapp, Anton Corbijn, Bleddyn Butcher, Brian Griffin, Jon Spencer, Barry Adamson, Ivan Novak, Angus Andrew, Adrian Shaughnessy, Tom Hingston, make this book the definitive chronicle of the label.

'The Book of the Year has arrived. Quite the treat … If there’s one book you need on the old Christmas list this year, make it this one'
Electronic Sound

'A beautifully crafted celebration of “the accidental label”'
Uncut

'Packed with artwork and photography – much of it previously unseen'
M magazine

'Visually stunning'
Buzz magazine

'Beautifully bound, this book is as iconic and dynamic as Mute’s musical past'
Rough Trade

'Highlights the unsung heroes – the artists, designers and photographers whose talent is often overlooked – and places them firmly in the spotlight'
Classic Pop

'Packed full of great imagery'
Sonicstate.com

About the Author:
Terry Burrows is an author, musician and producer. Best known as a cult performer under the alias Yukio Yung, Burrows has recorded with The Chrysanthemums, Asmus Tietchens and the duo Push-Button Pleasure. He is also a prolific author of more than 80 books relating to music history, tuition and technology, popular psychology and history.

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Marco Beltrami

OST A Quiet Place

Bach Cello Suites - Complete Suites For Unaccompanied Cello

Release: 2018 / US – Original

Genre: Soundtracks

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PRESSED ON 180G BLACK VINYL. HOUSE INSIDE A SPOT VARNISHED 425GSM GATEFOLD JACKET WITH INSERT. Artwork By Matt Ryan Tobin

We are thrilled to be releasing the score to A Quiet Place in conjunction with our friends over at Milan Records. The film has been one of the breakout hits of 2018. This is only the second directorial feature for John Krasinski and is an absolutely incredibly tense monster movie, that is as original as it is scary.

The score by Marco Beltrami is an absolute tour de force, it's basically another character in the film, it can be forceful and bludgeoning one minute and quiet and reflective the next. His players twist their instruments to generate tones and textures not usually associated with them, the layers of sound and percussion on display are incredible, the opening track 'It Hears You' reminds me of a classic Planet Of The Apes cue it's disquieting and slightly wonky but has an incredible hook that immediately lets you know you are in horror territory whereas say 'A Quiet Family' is a beautiful piano track that reminds you of the life the family lived before a world of monsters took over. Pianos are detuned, Electronics are layered over traditional instruments to create something truly unsettling

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Quirine Viersen

3LP | 2018 | EU | Original (Music On Vinyl)

Got Berriis Revisited Electric Blue & Transparent Vinyl Edition

Release: 2018 / EU – Original

Genre: Classical Music

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Quirine Viersen returns to the cello suites of Johann Sebastian Bach.
She decided she wants to share with you the development she has gone
through after deep inner work. Just as the cello suites were a new journey
for Bach, they signify now the same for her. “Bach gave me, time and again,
life energy. Through his purity he brought me back to my own purity and
closer to the answer on my questions.” Due to the enormous development
in length and size of the structure, Viersen suspects that they have been
an experiment for Bach himself, possibly even study material. “The further
you get into the suites, the larger the intervals and bigger the technical
challenges. It demonstrates that Bach was becoming more and more aware
of the enormous possibilities.
Being awarded the Credit Suisse Young Artist Award, Quirine performed
with the Vienna Philharmonic under Zubin Mehta at the Lucerne Festival
in 2000. Since then, Quirine has played the cello concerto repertoire
with the Royal Concertgebouw Orchestra under Herbert Blomstedt, Ingo
Metzmacher and Bernard Haitink, St. Petersburg Philharmonic Orchestra/
Valery Gergiev, Tokyo Metropolitan Symphony Orchestra/Jean Fournet and
many others. After working and recording extensively with Silke Avenhaus
for almost twenty years, Quirine has sought out new duo collaborations.
Recitals with pianist Enrico Pace kicked off with great success at the
Concertgebouw, Amsterdam in 2017.
Bach Cello Suites is available as a limited edition of 500 individually
numbered copies on black vinyl.

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AG & Ray West

LP+7" | 2018 | EU | Original (Tuff Kong)

4LP | 2018 | EU | Original (Atomnation)

Release: 2018 / EU – Original

Genre: Hip Hop

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Throughout several years of collaborations and projects together, DITC immortal AG and Red Apples 45 producer and main man Ray West have a developed a chemistry that has no equals. Back in 2011 they dropped a collection of songs online entitled "Got Berries" which, to this day, has been unreleased in the physical form. The two always bring their top game when working together and the result is this collection of songs featuring guest appearances by the late Party Arty, Roc Marciano and Priest Da Beast. Tuff Kong teamed up with the two and Red Apples 45 to bring you this hidden gem on vinyl as a limited edition of 500 handnumbered copies on LP including a bonus 7", with the first 200 pressed on electric/ blue + transparent green vinyl, and the remaining 300 on black vinyl.

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Tunnelvisions

The Celestial Ritual

LP | 2018 | US | Original (Mexican Summer)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Another huge release from one of dance music’s most exciting acts, Tunnelvisions, who yet again highlight their forward thinking and organic productions as some of the best in the industry. On their second full-length album for Atomnation, ‘The Celestial Ritual’, the Dutch duo deliver 11 unique club tracks that are bundled on a beautiful 4-vinyl box-set designed by visual artist Merijn Hos.

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Paint

Live At The Fillmore East

Release: 2018 / US – Original

Genre: Rock & Indie

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Think of it this way: Paint’s first album isn’t clean, but it’s very very clear. Sometimes the mess is the message.

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Ten Years After

3LP | 2018 | US | Original (Chrysalis)

Release: 2018 / US – Original

Genre: Rock & Indie

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The Love You Save American Soul Music 1955 1972

2LP | 2018 | US | Original (Cairo)

Release: 2018 / US – Original

Genre: Organic Grooves

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Lauren Wilford & Ryan Stevenson

The Wes Anderson Collection: Isle Of Dogs

Abrams

"(after)" : Singing And Guitar At Jacobikerk, Utrecht, Netherlands, Nov. 10th, 2017 At Le Guess Who? Festival

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The Wes Anderson Collection: Isle Of Dogs takes readers behind the scenes of the beloved auteur’s newest animated film. Set in Japan and centered on a young boy’s search for his missing dog, Isle Of Dogs features the voices of Anderson regulars Bill Murray, Frances McDormand, Jeff Goldblum, F. Murray Abraham, Tilda Swinton, Kunichi Nomura, Bob Balaban, Harvey Keitel, and Edward Norton. Also lending their voices to this star-studded production are Bryan Cranston, Liev Schreiber, Scarlett Johansson, Yoko Ono, Greta Gerwig, and Courtney B. Vance. In the newest addition to the Wes Anderson Collection,
the story of Isle Of Dogs’S conception and production unfolds over the course of several in-depth interviews with Wes Anderson, all conducted by film critic Lauren Wilford . Wes reveals entertaining anecdotes about
the making of the film, his sources of inspiration, his relationships with his actors, the ins and outs of stop-motion animation, and many other insights into his moviemaking process. In keeping with Anderson’s signature aesthetic vision, The Wes Anderson Collection: Isle Of Dogs is meticulously designed and rife with colourful behind-the-scenes images, photographs, concept artwork, and ephemera.

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Mount Eerie

2LP | 2018 | US | Original (P.W. Elverum & Sun)

LP | 2018 | EU | Original (Poolside)

Release: 2018 / US – Original

Genre: Rock & Indie

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This is a live album of songs from “A Crow Looked At Me” and “Now Only”, eleven songs recorded in a huge church on spare acoustic guitar and singing.

The jackets are the usual high-standard heavy gatefold beautiful ones, with copper foil stamping and multiple paper textures, great printing. This is an object worth owning, a concept which becomes more absurd in the context of the words of these songs.

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Poolside

Heat

LP | 2018 | CA | Original (Secret City)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Poolside began as a recording project in a converted Los Angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. Surfacing first in the form of a YouTube video for the catchy track “Do You Believe?” Poolside were soon gaining local and national attention, with DJs like James Murphy of LCD Soundsystem, techno legend Derrick May, and disco don Todd Terje spinning these tracks at events and a growing online following. Throughout 2011 Poolside continued making waves with a sound called “daytime disco” through tracks like their cover of Neil Young’s “Harvest Moon” and original tunes. In 2012 Poolside worked on a remix for longtime disco punks The Rapture and held fans over with a new single and video for a song called “Slow Down” as they prepared to release their debut album. That album, Pacific Standard Time, was self-released in July of 2012. After the album’s release, remixes for artists like Matthew Dear, Little Dragon and Fool’s Gold soon followed, as well as rehearsing and touring with a live band and doing DJ sets around the world. As thoughts turned to a second album, Poolside went on ice for a year to regroup, beginning to work in earnest on another album in the Fall of 2016. While still revolving around the sunny, laid-back disco sound of PST, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. Poolside surprise released their second album Heat in 2017. Poolside have over 1.5 million monthly listeners on Spotify and have fans all over the world. They are currently on tour as a live band.

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Alexandra Streliski

Pianoscope

Release: 2018 / CA – Original

Genre: Classical Music

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Peace Black Vinyl Edition

Graveyard

LP | 2018 | EU | Original (Nuclear Blast)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Tank Crimes)

Spazz

Sweatin' To The Oldies

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Republic)

Snow Patrol

Wildness

Release: 2018 / US – Original

Genre: Rock & Indie

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Electroconvulsive Therapy Volume 4 - The Art Of Survival Records

LP | 2018 | US | Original (Medical)

Release: 2018 / US – Original

Genre: Pop

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Limited edition for Record Store Day 2018!

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Bear McCreary

God Of War

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Radio Cramps The Purple Knife Show

2LP | 2018 | EU | Original (Munster)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Gestalten & Paul d'Orléans

The Current: New Wheels For The Post-Petrol Age

Gestalten

35,00 €*

2LP | 2018 | UK | Original (Warner)

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Instant acceleration, no noise, no grease and no pollution. The Current features the most radical vehicles and pioneers of the electric revolution.

Fast. Silent. Radical. And wildly fun. The future of vehicles is looking bright. Cutting edge design, vigorous acceleration and post fossil energy are a green utopia within reach. The new wave of electric motorcycles, bicycles, and hybrids drives our way into sustainability while enhancing all the fun. The Current: New Wheels for the Post-Petrol Age explores this shift towards eco-friendly riding by profiling the pioneers in the field. Engineering and custom design, classic brands, and new projects, two or three wheelers but also cars: this book is the roadmap to driving now and driving differently. The future of mobility is electric – it could be our most thrilling ride yet!

Format: 21 × 26 cm Features: Full color, hardcover, stitch bound, 208 pages Isbn: 978-3-89955-956-9

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Neil Young

Songs For Judy

35,24 €* 46,99 € -25%

Curtains (Expanded Edition)

Release: 2018 / UK – Original

Genre: Rock & Indie

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Songs For Judy is the debut release on Shakey Pictures Records, Young’s own imprint distributed by Reprise Records. Songs For Judy is thoroughly engaging collection of live acoustic performances culled from Neil's November 1976 solo tour and features twenty-two songs recorded at various cities along the tour. This song cycle of live recordings is particularly powerful and unique. Young had spent much of the year traveling around the world on tour with Crazy Horse. When touring on his own, he recharged and focused on songs that would not surface in recorded form for several years. Of the albums many treasures, "No One Seems To Know" would not see the light of day until now and it remains unreleased in any other iteration.

The raw versions of the tracks found on Songs For Judy reflect an artist completely unvarnished and unafraid to allow the songs to breath and to find their own shape when performed in a solo setting. Songs written in that era would come into focus and then seemingly disappear only to re-enter Young's orbit somewhere down the road. "White Line" and "Give Me Strength" are such examples of finding the light in 1990 and 2017 respectively. It's also fascinating to hear Young revisit early gems such as Springfield's "Mr. Soul" ('67), "Here We Are In The Years" ('68), and "The Losing End" ('69) from some of his earliest solo recordings which remain as timeless as ever.

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Tindersticks

2LP | 2018 | EU | Original (Music On Vinyl)

Turn On The Music Machine

Release: 2018 / EU – Original

Genre: Rock & Indie

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Tindersticks are an English alternative rock band led by the
singer Stuart A. Staples. They recorded several albums which
became popular years after their release. One of them is the
slightly bright but still dark coloured Curtains. The songs on
the album develops themselves into intimidate and destructive
pearls. Stuart and Co created some melancholic melodies
questioning on privacy issues and the feelings of lost. The
warmer tones can be found in the vocal parts and putting away
some of the depressive moods from their first albums.
Tindersticks recorded eleven albums to date and recorded
songs for which Stuart A. Staples wrote lyrics based on his own
life and that of people surrounding him.
This expanded edition contains the 15 original album songs
plus 9 bonus tracks with, among others, “Paco’s Theme”, “A
Marriage Made In Heaven” (duet with Isabella Rossellini) and
“Rented Rooms”.

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Music Machine,The

LP | 2018 | EU | Original (Craft)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Music On Vinyl)

Cracker

Kerosene Hat

Release: 2018 / EU – Original

Genre: Rock & Indie

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Lynyrd Skynyrd

LP | 2018 | EU | Original (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Year Of The Snitch Black Vinyl Edition

Death Grips

LP | 2018 | CZ | Original (Harvest)

Release: 2018 / CZ – Original

Genre: Hip Hop

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Kool & The Gang

2LP | 2018 | EU | Original (Music On Vinyl)

LP | 2018 | US | Original (Def Jam)

Release: 2018 / EU – Original

Genre: Organic Grooves

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In a career spanning over 50 years the American band Kool & the Gang recorded an
impressive list of hit songs and hidden gems, now bundled on our exclusive Collected
record. Kool & the Gang Collected covers the music from their funk, soul, rock, jazz and
disco period. 27 songs in which you’ll hear their musical diversity and the energetic and
positive sounds they brought to a worldwide public.
After recording three albums Kool & the Gang had commercial success with the singles
“Jungle Boogie” and “Hollywood Swinging”. It meant the start of a fantastic career, in
which they reached their highlights at the end of the ‘70s and beginning of the ‘80s.
Hit singles like “Ladies Night”, “Celebration”, “Get Down On It”, “Joanna” and “Fresh”
are among their most famous songs and are all included on this double LP. With their
fantastic set of bulletproof funk and jazzy arrangements they influenced the music of three
generations. They continuously performed during the pas 45 years and remains one of the
most active touring bands, performing hundreds of shows every year.
Kool & the Gang Collected includes liner notes and the Gatefold sleeve has an embossed
“Kool & The Gang” logo. The release is available as a limited first pressing of 2.500
individually numbered copies on purple vinyl.

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Kanye West

Release: 2018 / US – Original

Genre: Hip Hop

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3LP | 2018 | EU | Reissue (Audioplatter)

Battalion Of Saints

Complete Discography

Live Over Europe White Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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We say "Complete Discography" and we mean it! This 3xLP set features every Battalion Of Saints studio recording since their inception including all the singles, albums, rare unreleased demo tracks, alternate versions, compilation appearances, and even 2 new tracks. Several albums were remastered and sound better than ever. The gatefold sleeve includes lyrics to every track & personnel list for each recording. This is your one-stop-shop to own everything the band has done in one concise, organized place. Battalion Of Saints were the early pioneers of hardcore punk in America. Bringing a raw, aggressive tone and speed to the west coast punk movement. More in line with UK punk above all else, BOS replicated the ferocity of bands like Discharge and Broken Bones in the USA. Leading on to influence countless bands in the punk and metal genres. Since its 1980 inception, many line up changes have not halted the band from continuing unto present day. Riyl: Discharge, G.B.H., The Exploited, Negative Approach, Dead Kennedys, Agnostic Front, Circle Jerks, Angry Samoans.

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Fates Warning

3LP | 2018 | UK | Reissue (Back On Black)

Roine Stolt's The Flower King

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Progressive Metal pioneers Fates Warning’s "Live Over Europe" was recorded at various European locations during the band's January 2018 headlining tour for the "Theories Of Flight" album (FW’s most successful studio release to date). The live-album features the stellar line-up of Ray Alder (Vocals), Jim Matheos (Guitars), Joey Vera (Bass and vocals), Bobby Jarzombek (Drums) plus Mike Abdow (Guitars and vocals) and was mixed by Jens Bogren (Opeth, Haken).

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Manifesto Of An Alchemist Solid Red & Black Vinyl Edition

2LP | 2018 | UK | Reissue (Construction)

2LP | 2018 | US | Original (Sony)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Roine Stolt (The Flower Kings (tfk), Transatlantic, Agents of Mercy and Kaipa is a Swedish guitarist, singer and composer and is an important figure in Swedish rock history. He led two of his country's most successful progressive rock bands: Kaipa in the 1970s and The Flower Kings in the 1990s to the present. Called Roine Stolt's The Flower King, "Manifesto Of An Alchemist" offers ten songs and nearly seventy minutes of playing time in the style Stolt is best known for: progressive rock, lavishly orchestrated with all the trademark elements of four decades of prog. ‘The circle is round; where the adventure started in 1994 with “The Flower King” there is now finally a worthy successor, albeit almost twenty-five years later and many personnel changes later. On this new album, as the name suggests, he is the undisputed, sovereign ruler: there is only one real Flower King. It had to be that way.’(Progwereld)

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Luke Combs

This One's For You Too

Release: 2018 / US – Original

Genre: Rock & Indie

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Fantasy Empire Clear with Hi-Melt Yellow And Pink Vinyl Edition

Lightning Bolt

2LP | 2018 | US | Original (Thrill Jockey)

Release: 2018 / US – Original

Genre: Rock & Indie

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Status Quo

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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2LP | 2018 | US | Original (Concord)

Switchfoot

Native Tongue

Release: 2018 / US – Original

Genre: Rock & Indie

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Orchestral Manoeuvres In The Dark aka OMD

Orchestral Manoeuvres In The Dark Half Speed Mastered Vinyl Edition

LP | 2018 | EU | Reissue (Virgin)

Release: 2018 / EU – Reissue

Genre: Pop

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LP | 2018 | US | Original (Victory)

Reverend Horton Heat

Whole New Life

Release: 2018 / US – Original

Genre: Rock & Indie

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More Blood More Tracks: The Bootleg Series Volume 14

Bob Dylan

2LP | 2018 | EU | Original (Sony Legacy)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Thank You For Today Black Vinyl Edition

Death Cab For Cutie

LP | 2018 | CZ | Original (Barsuk)

Beak> (Geoff Barrow of Portishead, Billy Fuller & Matt Williams)

Release: 2018 / CZ – Original

Genre: Rock & Indie

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Thank You For Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015.

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2LP | 2018 | US | Original (Temporary Residence)

Release: 2018 / US – Original

Genre: Rock & Indie

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Speak Out: Recorded Live At Newport Folk

LP | 2018 | US | Original (Self Released)

Free To Be ... You and Me

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Marlo Thomas And Friends

LP | 2018 | US | Original (Brookvale)

Release: 2018 / US – Original

Genre: Soundtracks

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Limited edition for Record Store Day 2018!

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Groundation

Each One Dub One

2LP | 2018 | EU (Baco)

Release: 2018 / EU

Genre: Reggae & Dancehall

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LP | 2018 | US | Original (Lakeshore)

Randy Newman

OST Meyerowitz Stories

Release: 2018 / US – Original

Genre: Soundtracks

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2LP | 2018 | EU | Reissue (Century Media Catalog)

Imperial Triumphant

Vile Luxury Redux 1924

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Louis Armstrong

2LP | 2018 | EU | Original (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Jason And The 400 Unit Isbell

Live From The Ryman

2LP | 2018 | EU | Original (Southeastern)

35,99 €* 39,99 € -10%

Release: 2018 / EU – Original

Genre: Rock & Indie

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Apollo Brown & Joell Ortiz

Mona Lisa 5th Anniversary Color-In-Color Black & Red Vinyl Edition

LP | 2018 | US | Reissue (Mello Music Group)

Farmer's Almanac Black Vinyl Edition

Release: 2018 / US – Reissue

Genre: Hip Hop

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Detroit producer Apollo Brown has made a name for himself as one of Hip-Hop’s most legendary new producers, while maintaining a golden era sound. His production credits are a who’s who of Hip-hop greats, from Danny Brown to Ghostface Killah, Ras Kass to Westside Gunn. Even Chance the Rapper used a pair of Apollo beats on his debut mixtapes. Known for bringing the best out of musicians, Apollo has a knack for making timeless classics. Brooklyn’s Joell Ortiz started on none other than Dr. Dre’s Aftermath label and built a huge buzz in the industry. He’s worked with legends like Just Blaze, among others. He then signed to Shady Records as ¼ of the supergroup Slaughterhouse. He’s worked with Hip-Hop titans Eminem, Busta Rhymes, Jadakiss, Akon, and Big Daddy Kane. Now the pair of Hip-hop luminaries are celebrating the 5-year anniversary of their first collaborative album on Mello Music Group with a deluxe edition including 2 new songs. It’s nothing short of a masterpiece: Mona Lisa.

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Brother Dege

LP | 2018 | UK | Reissue (Prophecy)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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2LP | 2018 | EU | Reissue (Svart)

Bleed From Within

Era Clear Vinyl Edtion

Ghostface Killah & Big Ghost Ltd

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Svart Records proudly presents the reissue of Bleed From Within's 2018 album Era!

Bleed From Within is a heavy metal band formed in 2005 at Glasgow, Scotland. Era, originally released in 2018 by Century Media, is the band's fourth studio album. This is the first reissue of it on vinyl and features the two bonus tracks that were originally only available on the first CD pressing.

"Bleed From Within have breathed life into a kind of metal that has long become stagnant and they have done this on their own terms. No backing down and no comprising can be found within Era, they have shown here just what can be done if you really believe in the music you’re writing. One of the standout releases of the year." -Ghost Cult Magazine

"If you are a fan of riffs then Era is definitely going to be an album for you. Every song is packed several great riffs. The influence of bands like Lamb OF GOD and Pantera can certainly be heard but things never sound completely derivative." -Distorted Sound Magazine

Era is available on Svart exclusive pitch black vinyl, natural clear vinyl and transparent yellow vinyl.

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The Lost Tapes 5th Anniversary Edition

2LP | 2018 | US | Reissue (Coalmine)

Release: 2018 / US – Reissue

Genre: Hip Hop

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In celebration of the five year anniversary of Ghostface Killah’s widely acclaimed 2018 LP, The Lost Tapes — produced entirely by Big Ghost LTD — Coalmine Records is pleased to announce their partnership with Holy Toledo Productions for a deluxe edition reissue that includes both the main and instrumental passes. Despite what the title may suggest, The Lost Tapes is not a collection of rare or unreleased tracks, but rather an album recorded with the intention of summoning an incarnation of an early Tony Starks, akin to Only Built 4 Cuban Linx, Ironman, and Supreme Clientele. And this is achieved largely by the production value that Big Ghost LTD brings to the table, whose rise to fame first came by way of Twitter with his spot-on Pretty Toney parody. Armed with a cache of raw beats, Big Ghost tastefully weaves soulful samples to create a satisfying cocktail of distinctively up-to-date boom bap. This especially holds true on tracks like “Majestic Accolades” and “Watch Em’ Holla.” The former of which is among the album’s highlights, as Starky Love raps one of the more memorable hooks, talking about his experiences with girls, hustling, and life in general. Narrated by Michael Rapaport, the ’90s hip-hop aficionado, actor and comedian helps keep the pace for Ghost Deini’s 10th solo LP by reminding us that we’re in the presence of greatness. But it’s the chemistry of emcee and producer that elevates The Lost Tapes to one of the more stand-out solo releases in Wu-Tang’s discography of recent memory. Entrenched in the classic Wu sound, the 12 track LP slaps like a ‘90s record without sounding like a strained attempt to recapture lightning in a bottle. To boot, The Lost Tapes are also abound with features from hip-hop luminaries such as Snoop Dogg, Raekwon, E-40, Killah Priest, Kxng Crooked, Cappadonna, Big Daddy Kane, Ras Kass and more. All in all, The Lost Tapes is a victory lap, and one who’s purpose is to not only to create nostalgia, but to formulate a group of songs that represent who Ghostface was as a person back then, and where he stands now as one of the most exemplary emcees of all time.

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OST Call Me By Your Name

Release: 2018 / EU – Reissue

Genre: Pop

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3LP | 2018 | EU | Original (Analog Africa)

Dur-Dur Band

Dur Dur of Somalia

August Greene (Common / Robert Glasper / K.Riggins)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Analog Africa are proud to present the 27th release of their Analog Africa Series. A fantastic, hypnotic and funky compilation from the Dur-Dur Band of Somalia that comes out on a Triple LP.

When Analog Africa founder Samy Ben Redjeb arrived in Mogadishu in November of 2016, he was informed by his host that he would have to be accompanied at all times by an armed escort while in the country. The next morning, a neighbour and former security guard put on a military uniform, borrowed an AK-47 from somewhere and escorted him to Via Roma, an historical street in the heart of Hamar-Weyne, the city’s oldest district. Although previous Analog Africa releases have demonstrated a willingness to go more than the extra air-mile to track down the stories behind the music, the trip to Mogadishu was a musical journey of a different kind. It was the culmination of an odyssey that had started many years earlier.

In 2007 John Beadle, a Milwaukee-based musicologist and owner of the much loved Likembe blog, uploaded a cassette he had been handed twenty years earlier by a Somalian student. The post was titled ‘Mystery Somali Funk’ and it was, in Samy’s own words, “some of the deepest funk ever recorded.” The cassette seemed to credit these dense, sonorous tunes to the legendary Iftin Band. But initial contact with Iftin’s lead singer suggested that the ‘mystery funk’ may have actually been the work of their chief rival, Dur-Dur, a young band from the 80s.

Back then, Mogadishu had been a very different place. On the bustling Via Roma, people from all corners of society would gather at the Bar Novecento and Cafe Cappucino, watch movies at the famous Supercinema, and eat at the numerous pasta hang-outs or the traditional restaurants that served Bariis Maraq, a somali Beef Stew mixed with delicious spiced rice. The same street was also home to Iftinphone and Shankarphone, two of the city’s best known music shop. Located opposite each other, they were the centre of Somalia’s burgeoning cassette distribution network. Both shops, run by members of the legendary Iftin Band, would become first-hand witnesses to the meteoric rise of Dur- Dur, a rise that climaxed in April of 1987 with the release of Volume 2, their second album.

The first single ‘Diinleya’ had taken Somalian airwaves by storm in a way rarely seen before or since. The next single, ‘Dab,’ had an even greater impact, and the two hits had turned them into the hottest band in town. In addition to their main gig as house band at the legendary Jubba Hotel, Dur-Dur had also been asked to perform the music for the play “Jascyl Laba Ruux Mid Ha Too Rido” (May one of us fall in love) at Mogadishu’s national theatre. The play was so successful that the management had been forced to extend the run by a month, throwing the theatre’s already packed schedule into complete disarray, and each night, as soon as the play had finished, Dur-Dur had to pack their instruments into a Volkswagen T1 tour bus that would shuttle them across town in time for their hotel performance.

The secrets to Dur-Dur’s rapid success is inextricably linked to the vision of Isse Dahir, founder and keyboard player of the band. Isse´s plan was to locate some of the most forward-thinking musicians of Mogadishu´s buzzing scene and lure them into Dur-Dur. Ujeeri, the band’s mercurial bass player was recruited from Somali Jazz and drummer extraordinaire Handal previously played in Bakaka Band. These two formed the backbone of Dur-Dur and would become one of Somalia’s most extraordinary rhythm sections.

Isse also added his two younger brothers to the line-up: Abukar Dahir Qassin was brought in to play lead guitar, and Ahmed Dahir Qassin was hired as a permanent sound engineer, a first in Somalia and one of the reasons that Dur-Dur became known as the best-sounding band in the country.

On their first two albums, Volume 1 and Volume 2, three different singers traded lead-vocal duties back and forth. Shimaali, formerly of Bakaka Band, handled the Daantho songs, a Somalian rhythm from the northern part of the country that bears a striking resemblance to reggae, Sahra Dawo, a young female singer, had been recruited from Somalia’s national orchestra, the Waaberi Band. Their third singer, the legendary Baastow, whose nickname came from the italian word ‘pasta’ due to the spaghetti-like shape of his body, had also been a vocalist with the Waaberi Band, and had been brought into Dur-Dur due to his deep knowledge of traditional Somali music, particularly Saar, a type of music intended to summon the spirits during religious rituals. These traditional elements of Dur-Dur’s repertoire sometimes put them at odds with the manager of the Jubba Hotel who once told Baastow “I am not going to risk having Italian tourists possessed by Somali spirits. Stick to disco and reggae.”

Yet from the very beginning, Dur-Dur’s doctrine was the fusion of traditional Somali music with whatever rhythms would make people dance: Funk, Reggae, Soul, Disco and New Wave were mixed effortlessly with Banaadiri beats, Daantho and spiritual Saar music. The concoction was explosive and when they stormed the Mogadishu music scene in 1986 with their very first hit single, ‘Yabaal,’ featuring vocals from Sahra Dawo, it was clear that a new meteorite had crash-landed in Somalia. As Abdulahi Ahmed, author of Somali Folk Dances explains: “Yabaal is a traditional song, but the way it was played and recorded was like nothing else we had heard before, it was new to us.” ‘Yabaal’ was one of the songs that resurfaced on the Likembe blog, and it became the symbolic starting point of this project.

It initially seemed that Dur-Dur’s music had only been preserved as a series of murky tape dubs and YouTube videos, but after Samy arrived in Mogadishu he eventually got to the heart of Mogadishu’s tape-copying network – an analogue forerunner of the internet file-sharing that helped to keep the flame of this music alive through the darkest days of Somalia’s civil strife – and ended up finding some of the band’s fabled master tapes, long thought to have disappeared.

This triple LP / double CD reissue of the band’s first two albums – the first installment in a three-part series dedicated to Dur-Dur Band – represents the first fruit of Analog Africa’s long labours to bring this extraordinary music to the wider world. Remastered from the best available audio sources, these songs have never sounded better. Some thirty years after they first made such a splash in the Mogadishu scene, they have been freed from the wobble and tape-hiss of second and third generation cassette dubs, to reveal a glorious mix of polychromatic organs, nightclub-ready rhythms and hauntingly soulful vocals.

In addition to two previously unreleased tracks, the music is accompanied by extensive liner notes, featuring interviews with original band members, documenting a forgotten chapter of Somalia’s cultural history. Before the upheaval in the 1990s that turned Somalia into a war-zone, Mogadishu, the white pearl of the Indian Ocean, had been one of the jewels of eastern Africa, a modern paradise of culture and commerce. In the music of the Dur-Dur band – now widely available outside of Somalia – we can still catch a fleeting glimpse of that golden age.
Listen & Enjoy!

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August Greene 20 Years HHV Colored Vinyl Edition

2LP | 2018 | US | Reissue (August Greene LLC)

2LP | 2018 | EU | Original (Fuled By Ramen)

Release: 2018 / US – Reissue

Genre: Hip Hop

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Limited edition of 300 copies, only available at HHV! Only 2 per customer!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

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Twenty One Pilots

Trench

Release: 2018 / EU – Original

Genre: Rock & Indie

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(I've Got) Trouble In Mind 7" & Rare Stuff 2009/2014

The Liminanas

2LP+CD | 2018 | EU | Original (Because Music)

2LP | 2018 | EU | Original (Bad Boy)

Release: 2018 / EU – Original

Genre: Rock & Indie

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This Reissue has never before been releases as 2LP+CD and Poster. The Liminanas are a couple and a band. They have produced records in their own garage in Cabestany located in the south of France for about ten years. They played in Australia, the US and toured Europe regularly. United Kingdom included. The first opus of the now series “I have trouble in mind” was released on the initiative of Bill and Lisa Roe (iconic label “trouble in mind") in the US in 2014. It combines all the 45t , unreleased songs recorded by the couple for “Mojo magazine", tribute to Beach Boys, fanzines, micro labels. All the titles which were difficult to find and that fans were looking for. And now, here it is: I ve got trouble in mind vol 2.

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Janelle Monae

Dirty Computer

Release: 2018 / EU – Original

Genre: Pop

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LP | 2018 | CZ | Original (Arts & Crafts)

Traveling Wilburys

Traveling Wilburys 1

Release: 2018 / CZ – Original

Genre: Rock & Indie

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2LP | 2018 | EU | Original (Late Night Tales)

Agnes Obel

Late Night Tales

Release: 2018 / EU – Original

Genre: Pop

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Funhouse Colored Vinyl Edition

Pink

2LP | 2018 | US | Original (RCA)

Release: 2018 / US – Original

Genre: Pop

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As It Ever Was, So It Will Be Again Black Vinyl Edition

The Decemberists

2LP | 2018 | Reissue (Yabb - Thirty Tigers)

Release: 2018 / Reissue

Genre: Rock & Indie

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Isolation Blue Vinyl Edition

Kali Uchis

LP | 2018 | Reissue (Interscope)

Release: 2018 / Reissue

Genre: Pop

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Zone Of Swans/Lucid Actual + 1/2 Dativa

Daszu

2LP | 2018 | US | Reissue (Lion Productions)

LP | 2018 | EU | Original (Fresh Sound New Talent)

Release: 2018 / US – Reissue

Genre: Electronic & Dance

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Excavation of astounding underground post-punk recorded from 1979-1988
Style: minimal, semantic, intense. There is poetic subtlety and musical freshness not confined to one historical period
8-page insert booklet contains the Daszu manifesto, poetics for most tracks, a measure of band history, and Part 1 and 2 of Mark Rudolph's poetry from the Daszu era
Vinyl edition comes in a heavy-duty tip-on jacket
First time on vinyl for all tracks
Contains two additional tracks not on the CD edition

If there's one thing we've learned from doing reissues for twenty years, it's that there is often a lack of justice in the arts. All too often, the intensely talented are shunted aside, or not able to access the means to a greater hearing, or marginalized (or eradicated) by larger societal (commercial) (racial) (political) forces, to name just three potential prongs of an art-crushing pitchfork. The less an artist's work can be categorized, the greater the odds of being an eternal outsider. The more pure those artistic efforts are, the greater the chance they cannot be categorized. Such is the case with the music of Daszu. They were three, and minimal. Bass, synthesizer and drums.

I'd like to tell you that the music of Daszu reminds me of This Heat. I'd like to tell you that the music of Daszu reminds me of the Pop Group... or A Certain Ratio… or as some have suggested, early Devo. It does, in purity of intent—in the great expansive reach of the attempt, and the self-assurance of the resulting music. This intensity of intention is evident in the dark, burbling and buzzing electronics; in the propulsive drumming; in the insistent bass-lines; in the emotional vocals; and in the evocative and poetic lyrics.

An impediment to achieving a place in the post-punk pantheon — Daszu was based in Milwaukee, not in the UK. Except for cassette distributions in Helsinki and Dublin, and a few scattered performances, they lived, practiced and performed near home. In 1979, Mark Rudolph (now an interactive 3D artist, musician, software developer, mathematician and the director of i3Dmedia LLC) talked in his kitchen to David Wolf about an idea he had for a new music: how music could be 'popular' without rock guitars and a big wall sound such as large amps and organs. 'I said we could do a minimal three-piece music based on new melodic lines and poetry and synthesis. I thought that we could remake reality. It was possibly ambitious, but I didn't think so. We decided to do it.' They did it. Not with a big polyphonic keyboard, but with a mini-moog sound generator.

The 1/2 Dativa material included on our Lion survey of Daszu's musical innovations was the work of Rudolph and his Australian friend and musician, Greg O'Connor (Boom Crash Opera). Rudolph had been studying mathematics and computer music in Australia, and a mix of Daszu, his computer generated music and O'Connor's great genius with electronic parts is evident in these intense, propulsive recordings made on a pair of DX-7 synthesizers one feverish day in 1983.

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Robert Glasper

Mood

Lynyrd's Innyrds (Their Greatest Hits)

Release: 2018 / EU – Original

Genre: Organic Grooves

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“In Passing” began as an elegy for Glasper’s Houston friend, Scooby, who died in 1999. “I never could finish the tune, but I started working on it again when Aliyah died,” Glasper says. “Not too long after that, 9/11 happened. That made me finish the song. It’s about how your time on earth is passing.” Glasper ends the program with the incendiary “L N K Blues,” setting up a John Ellis-Marcus Strickland tenor battle that implicitly affirms his connection to and extensions of the idiom that defined the sound of jazz in Houston from the ‘40s through the ‘60s. —Ted Panken, Downbeat, Jazziz, WKCR, 2003 The trio embarks on their own voyage with Glasper’s “Lil’ Tipsy,” using compression-expansion techniques to explore in painstaking detail a disjunctive dance of inebriation. Glasper uses the concluding vamp as a spur-of-the-moment opportunity to segue directly into “Alone Together.” There ensues an avid triologue, Hurst holding down the bottom as Glasper and Reid, with nonchalant confidence, weave through of an obstacle course of rhythmic signatures. On “Mood,” a quintet track, Moreno and Ellis offer beautiful contrapuntal section playing and pungent solos, capturing the composer’s intent to resolve from a melancholy opening to an impassioned feelgood vamp. Bilal ratchets the intensity on “Don’t Close Your Eyes,” a bluesy jazz ballad to which Glasper wrote the melody and the lyric. Glasper says: “I have a certain feel, a certain way of thinking and imagining of and hearing harmony, and it all descends from coming up in and playing music in the church.” Glasper returns to ebullience on a creative and virtuosic treatment of Irving Berlin’s “Blue Skies.” There was a detergent commercial that used it during my first year in school,” he relates, “and I was singing all the time. Then someone told me it was a jazz tune. I arranged it for a concert at school. A year later, I came up with this arrangement. “‘Interlude’ happened because we kept playing after I faded out from the drum solo, and when I listened to the tape I thought the hip-hop part was hot. Hip-hop is a part of me, too, and I wanted to have that influence on the album.”

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Lynyrd Skynyrd

LP | 2018 | EU | Original (Geffen)

Release: 2018 / EU – Original

Genre: Rock & Indie

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OST True Stories, A Film By David Byrne: The Complete Soundtrack

David Byrne

2LP | 2018 | UK | Original (Parlophone)