HHV Records 166441 Items

LP | 2020 | EU | Original (Digit Movies)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Victor le Masne is a composer, producer, arranger and multi-instrumentalist. Half of the duo Housse de Racket founded in 2005, he pursues a solo career by producing the albums and by providing musical direction for tours by several artists (Philippe Zdar, Juliette Armanet, Moodoïd, Philippe Katerine) as well as composing film music.

Today he presents his first solo album "Victor Le Masne" in tribute to Philippe Zdar. (Cassius), with many guests such as Juliette Armanet, Joseph Mount (Metronomy), Chilly Gonzales, Basile Di Maski or Simon Arcan (Paradise).

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Berto Pisano

OST La Svergognata

36,99 €*

Release: 2020 / EU – Original

Genre: Soundtracks

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Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual / erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in Bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film.

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12" | 2020 | EU | Original (Turbo Guidance Ent.)

Versatile Dub Gems #1

LP | 2020 | EU | Original (Roche Musique)

Release: 2020 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Brand new release from Turbo Guidance Entertainment! We deliver a compilation with 4 versatile dubs cooked by our wizards ! Pablo Bozzi (half of Imperial Black Unit and half of Infravision) signed "Sangria Sound System N°1", a slow burner italo-disco track. Perfect to close a cosmic set in the afternoon drinking pepper-mint lemonades! Cowbells everywhere and powerful arpeggiator. Watch out the guy, this year is going to his year! In the second position we have a reggae-disco remix from the man Androo; part of NS Kroo and also well known on the label Music From Memory. He totally switched the original dub techno track of Babe Roots into something sweet and bouncy. Lobster for you ears. You can even ear autotune on the vocal! Awesome! Coming at the third place, here come Komodo from Indonesia! "Funky Buzz" is a perfect blend of tribal and dub rhythms with a repetitive bassline. Big delays and full effects to rock iguanas. Komodo is a rising star of South Asia, look at the sky to see him shining like a Telsa soon ! And last but not least, we serve you a sweet downtempo riddim from Mali-I aka Z Lovecraft (Rhythm Section). He built a hip-hop influenced track with aerial chords. Perfect music if you want to take the mic and try to toast like a real badboy. Only 400 copies for the world. Sleeve visual is gently printed in risography 3 colors at Shift Studio (Tunisia) - DIY each and everytime.

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Dune & Crayon

Hundred Fifty Roses

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The Dixie Dead Red Vinyl Edition

Wednesday13

LP | 2013 | EU | Reissue (Napalm)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Trost)

Brom

Dance With An Idiot

Artificial Dancers - Waves Of Synth

Release: 2020 / EU – Original

Genre: Organic Grooves

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Anton Ponomarev - alto saxDmitry Lapshin - bass guitarFelix Mikensky - guitar, electronicsYaroslav Kurilo - drumsA fresh new studio album by the powerful Russian Free jazz band, now with a fourth player (guitar and electronics)Press about their last album (Sunstroke, Trost):Jazzandbluesblogspot: It is a reverent and thoughtful performance, with powerhouse electric bass at its core, leading to a fast and furious conclusion.Jazzwise: Moscow based power jazz trio BROM are a group that push against musical boundaries and allow suchdiverse genres as rock, noise, free jazz and improvisation to leak into their ever evolving sound.Jazzword: The antithesis of polite Chamber Jazz, this fiery Sunstroke should provide pleasure for those who prefer theirJazz (Rock) blistering without succor, no matter the temperature.TracklistingA1 DemonsA2 A Simple StoryA3 Dance With An IdiotA4 Goodbye, White Rhino!B1 Iron HairB2 The Saltiest PeanutsB3 PanaceaB4 This Is A Good Club Though Bad Music Is Played Here

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Interstellar Funk

CD | 2020 | EU | Original (Rush Hour)

7" | 1987 | US | Reissue (Jah Life / Digikiller)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Birthed at the turn of the ‘80s, synth and wave music has remained a constant force over the last four decades, with a recent spike in interest in the sound offering further proof of its’ timeless, out-of-this-world quality. It’s against this backdrop that Dutch DJ Interstellar Funk presents his celebration of the style, “Artificial Dancers – Waves of Synth”.
A bumper compilation bristling with obscure and hard-to-find gems, the set sees the Artificial Dance label founder joining the dots between synthesizer and drum machine-driven tracks in a variety of subtly different styles. It’s the result of hundreds of hours spent digging through dusty old records, tapes, and the Bandcamp accounts of DIY musicians who have been active since the sound’s first boom in the early 1980s.
The 11-track set draws on tracks made and released at different times over the last 40 years, with the earliest cut committed to tape in 1978 and the most recent in 2018. While the tracks date from the ‘80s, ‘90s, noughties and 2010s, the showcased cuts are united by a primitive but futuristic quality that makes dating them difficult. In many cases, it’s hard to tell which tracks were made in the early 1980s and which were conjured up in 21st century studios.
As you’d expect, highlights are plentiful with a number of the most unknown or sought-after cuts appearing on vinyl for the first time. In this category you’ll find the Human League’s odd but inspired early number “4JG”, a near mythical 1982 live version of Liasons Dangereuses’ “Dias Cortas” (previously only available on a VHS video) and Chris and Cosey’s “Hybrid C”, a brilliant mid-’90s cut plucked from their CD-only album “Skimble Skamble”. You’ll also find a rare demo version of Clan of Xymox’s Dutch darkwave classic “Stranger”, which became a club smash across Europe in 1983.
Interstellar Funk has also chosen to showcase tracks by a range of DIY producers and lesser-known artists. These include Californian band Batang Frisco, who self-released a sole private press album in 1986 (their contribution, “Sewing Machine”, is dedicated to founder member Bill DiMichele, who passed away this year), Matthias Schuster’s Im Namen Des Volkes project – which contributes the previously unreleased 2014 track “Alles Ist Gewinn” – and Zahgurim, a short-lived early ‘80s act who reunited in 2018 to record their first new material since 1983.
If that wasn’t enough to set pulses racing, the compilation also showcases a solo track by sadly departed Psyche member Stephen Huss. Nobody is quite sure when Huss recorded “Infinity Sign”, but we can confirm this is the first time that one of his solo productions has ever appeared on vinyl.

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King Kong

Come Down / Version

Dreamer - 10 Years Anniversary

Release: 1987 / US – Reissue

Genre: Reggae & Dancehall

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We bring you one of the best unreleased tunes we have had the pleasure of uncovering. "Come Down" was made in the same sessions as Kong's massive "He Was a Friend" (reissued by DKR back in 2010), and never released until now. Pure uptempo digital fire.
*Update - Sept. 2024: Some may remember that the mixdown of the version side of this tune had the bass drop out early on and never come back. This was odd and maybe even a mistake in the mix? But none the less, due to a puritanical impulse, we didn't trouble it. For this second time around for this 45, thru the miracles of modern science, the bassline has been added back to ride thru the verison side.

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Sula Bassana

LP | 2012 | DE | Reissue (Sulatron-records)

Release: 2012 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Dennis Brown / Ranking Joe

Slave Driver

12" | 1979 | UK | Reissue (Ranking Joe)

Release: 1979 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2020 | EU | Original (The Sleepers Recordz)

Paradise Phantoms

Mirage

Yosky Wosky Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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When one thinks about a "Mirage," the first thought that likely comes to mind is the illusion of a well-hydrated paradise in the middle of a hot, arid desert. If you could spin that illusion into a full-on fantasy, a 32-bit utopia with a neon soundtrack, you would have the Mirage presented to you by Marcos Miranda & Ivan Redondo, collectively known as Paradise Phantoms.
In musical form, Mirage is deceptively eclectic - A collection of pulsating dance cuts with a pastel glow, rooted in retro funk, but cleverly spiked with rock and streamlined with pop. The result is a project with equal appeal for classic boogie funk fiends and contemporary dance music enthusiasts alike - Mirage could hit hard in Ibiza, yet sounds like it was purified in the waters of Lake Minnetonka. Indeed, one of the album's standout cuts declares with no uncertainty that "Prince Was Right." Uptempo drum machine hits collide with icy FM synths and slick bass grooves as if the year was 1988. Yet, the dynamic arrangements and modern production values remind us that this is brand new music - The type that sounds as if its creators never forgot a childhood spent playing Sega Genesis in a room lined with NPG & Max Headroom posters.
Mirage is also available in a vinyl LP package perfectly suited to the aural treats within - A limited edition picture disc.

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Dela

7" | 2020 | EU | Original (Drink Water Music)

11,99 €*

LP | 1981 | EU (Survival Research)

Release: 2020 / EU – Original

Genre: Hip Hop

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After a long hiatus, Tokyo-based french producer Dela comes back with Électrique, a new project paying tribute to hip-hop legends André 3000 and Big Boi, known together as OutKast. This new 7inch record includes three tracks of Électrique : Yosky Wosky Pisky Wisky, Dimanche Matin, and the bonus track Cergy. Known for his laid-back, jazz influenced, dreamy rap instrumentals, Dela introduced his music to the world with his Atmosphere Airlines mixtapes and his albums Changes Of Atmosphere (2008) and
Translation Lost (2011). A student of Q-Tip, Pete Rock and J-Dilla amongst others, Dela’s work foreshadowed today’s increasively popular lofi hip-hop / chillhop movement. Side A features Yosky Wosky Pisky Wisky, a remix of Stankonia’s classic Humble Mumble,
featuring Eykah Badu. Dela changes the mood of the original track, mixing samples and live instrumentation together to turn a salsa-breakbeat groove into a melody infused otherworldly superfunk. On side B, Dela remixes Sole Sunday, a Goodie Mob featuring Outkast track, edited to feature only the two ATLiens and renamed Dimanche Matin. The beat is reminiscent of his early work, layering boom bap drums over a haunting saxophone melody. Also on side B, the bonus cut Cergy turns a Brazilian MPB sample into an ode to Dela’s hometown with the help of live drums, bass, electric keyboards and a few of his friends singing.

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Sunshuke Kikuchi

OST Hurricane Polymar

LP | 1972 | EU (Survival Research)

Release: 1981 / EU

Genre: Soundtracks

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Shunsuke Kikuchi is one of the best-known composers of background music for Japanese television and film soundtracks. Born in 1931 in Hirosaki, located in the far north of the main Japanese island of Honshu, Kikuchi enjoyed a long and illustrious career that began in the early 1960s, having presided over dozens of popular soundtracks into the new millennium, including those for the Dragon Ball series as well as various Gamera monster films. A graduate of the Nihon University College of Fine Arts and Music, Kikuchi is largely associated with anime and effects-laden tokusatsu films, along with action dramas, and jidaigeki period films. Whether crafting up-tempo action themes or slow background pieces for long-running television series, establishing the reputation that any television show featuring his music was bound to hit. One of his songs, “Urami Bushi,” from the Female Convict Scorpion series, ended up in the soundtrack of Kill Bill. He is the recipient of various awards, including a lifetime achievement award, granted in 2015 at the Japan Record Awards. The Hurricane Polymar series of action anime was initiated in 1974, the plot concerning a crime fighter with a special suit that allows him to change shape while wearing it. This soundtrack album is drawn from the original 1974 TV series, with all manner of tense music for fight scenes, heroic fanfares saluting our here and other semi-electronic incidental interludes, highlighting the irresistible allure of Kikuchi’s atmospheric compositions

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Howl The Good

LP | 1978 | US | Original (Atlantic)

Release: 1972 / EU

Genre: Rock & Indie

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During the early 1970s, Detroit rock band Howl The Good signed to Motown’s prog-rock offshoot, Rare Earth. Travelling to London to record their self-titled debut album at Olympic Studios, they were fortunate to work with engineer Chris Kimsey (best known for his later work with Peter Frampton and The Rolling Stones), with ex-Spooky Tooth keyboardist Gary Wright in the producer’s chair; Wright was a highly-rated session player that worked with George Harrison, Elton John, Joe Cocker and Steve Winwood, and he also enjoyed a successful solo career. The resultant album is a competent slice of semi-commercial prog rock with an undercurrent of blues and the odd pastoral number; despite the obviously American feel of the material, Billboard assumed the group was British, due to the location of the album’s recording. Despite the strength of “Just Pretend It’s Another Day” and “Long Way From Home,” both co-written by Wright, and a one-off rendition of Cat Stevens’ “The Joke,” the album flopped on release on both sides of the Atlantic, leading the band to remain in obscurity and ultimately break up.

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Herbie Mann

Sunbelt

6,99 €*

LP | 2020 | EU | Original (Roadrunner)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo sticker and stamp on front cover.

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Trivium

What The Dead Men Say

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU (Radio Broadcast)

Prince

The Purple Era

20,99 €*

12" | 2020 | EU | Original (Nyami Nyam)

Release: 2020 / EU

Genre: Pop

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Radio Broadcast is a brand new label specialized in soundboard recordings done for TV and Radio broadcast. All vinyl 140 gr. Limited to 300 copies.

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Forward Kwenda

Chawapiwa Deluxe Edition

47,99 €*

Destroying The Track Feat. Sadat X & El Da Sensei

Release: 2020 / EU – Original

Genre: Organic Grooves

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Forward Kwenda was born in the Buhera area of Manicaland, Zimbabwe. This area is known for its fierce resistance to colonial rulers and respect for Shona tradition. Forward Kwenda has always played Mbira, for the spirits, the ancestors, the land of Zimbabwe and the world around it. An undisputed master of this eminently spiritual instrument, he has developed a complex and unique melodic technique that has led him to perform and teach in the United States, Europe and Japan.
The EP Chawapiwa is the result of a collaboration with two of his students: Yann Dubois and Shiho Manabe.
The B-Side of this 12” is a remix and a loving tribute to Zimbabwe by Dj Oil, a french producer and dj, and a true veteran of the underground music and party scene in his native Marseille, Lionel Corsini, aka DJ Oil released his well-received solo debut as recently as 2012 (Black Notes for French label Discograph) but is probably better known as one part of The Troublemakers, who had the (probably unique?) distinction of being signed to both the legendary ‘90s house label Guidance and the most famous of all jazz labels, Blue Note.
The cover artwork is taken from Georgina Maxim's work: "Letters I wasn't supposed to read". Presented as textile sculptures like a diary made from second-hand clothes, the pieces bear the history and memory of the ghost corps that once wore them. Georgina Maxim lives and works in Zimbabwe where she founded the artistic collective, Village Unhu.
The visual adaptation and screen-printing was done by Vivien Le Jeune Durhin from PPP studio, Paris. This is a screenprinted limited edition release of 100 copies.

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Moar

7" | 2020 | EU | Original (Trad Vibe)

2LP | 2020 | EU | Original (Chapter Two)

Release: 2020 / EU – Original

Genre: Hip Hop

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Tasty Boombap 7inch produced by French beatmaker MOAR (The Vibe Drops) featuring 2 legends MC from the indy Rap scene, SADAT X (Brand Nubian) & EL DA SENSEI (Artifacts), on a limited pressing.
From the forthcoming MOAR's LP.

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Zoufris Maracas

Blue De Lune

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (X-Ray)

Asian Dub Foundation

Access Denied

LP | 2020 | EU | Original (Stroom)

Release: 2020 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 1998 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band are set to release their 9th album “Access Denied” which finds them as uncompromising as ever. The album showcases ADF in full spectrum mode from the tough Jungle Punk sound of “Stealing The Future” and “Mind-lock” through to the orchestral meditation of “Realignment” and the reggae lament of the title track. With guestspots from Greta Thunberg, incendiary Palestinian shamstep warriors 47 Soul, Chilean revolt’s rap main figure Ana Tijoux and radical UK comedian Stewart Lee, Asian Dub Foundation continue their sonic opposition to the powers that be and “Access Denied” kicks harder and higher than ever.

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Ben Bertrand

Manes

Release: 2020 / EU – Original

Genre: Electronic & Dance

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There is an endless abundance of variations that the clarinet can use in changing the colour of a single note. Ben creates a web of sounds that are hard to pin down but easy to absorb as a whole. A sense and perception of continued growth too illuminated and overwhelming to resist.

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2LP | 2019 | EU | Original (Demon)

P&P Soul & Funk

Dumi Right (Zimbabwe Legit)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Peter Brown is one of the ultimate in Harlem underground music business entrepreneurs. From the 70s, all through the 80s he had a stream of releases on a plethora of labels, but ultimately under the P&P banner. From soul, to disco to the birth of hip hop, he covered all the street sounds of New York and in a series of comps Demon are exploring his legacy. P&P soul and funk covers the 1970s with a number of rare, sought after masterpieces and some equally essential obscurities. From the former category we have the magnificent ESP by Four Below Zero, Dennis Mobley's Rare Groove instrumental version of Superstition and Florence Miller's soul floor filler 'The Groove I'm In' Super rare funk is present from Wild Honey, Smokey Brooks and Flame & The Sons. The roots of disco is well represented with Magnetic Touch's original version of Ain't No Big Thing and Ella Hamilton's I'm Gonna Fool You. Released on double 180g vinyl, if you bought the originals they would cost you many thousands of pounds.

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Opposite Day / Nightfall

7" | 2020 | EU | Original (Trad Vibe)

Price Of Love / It's Hard To Live In This Old World

Release: 2020 / EU – Original

Genre: Hip Hop

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Dumi Right and the late Cadence of Raw Produce were frequent collaborators who connected after becoming label mates on the fledgling Domination Records. This led to a number of incredible creative works including a project called Alternate Reality. While much of their work has since seen the light of day, this song remained, unheard and locked in the vault until now. Produced by Cadence, “Opposite Day” features each MC hilariously playing the role of a rapper rhyming about things totally contrary to what they would do in reality. The song highlights all too common contradictions inherent in much of the commercial rap that is popular today.
The “Nightfall” is another dope track by Dumi Right that features Mr. Lif in a cautionary tale about working to not get caught up in negative cycles. Nightfall serves as a metaphor for falling victim to the darkness and self destructive activities that would lead one down a dead end path.

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Rev. Harvey Gates

7" | 1978 | UK | Reissue (Salvation Rock)

LP | 2020 | US | Original (Ba Da Bing)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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With its killer drum break and sweet piano arrangement courtesy of Zelpha Wells, "Price Of Love" stands as a manifesto of Harvey Gates' musical vision, the song, written in 1978, gives a glimpse of what was to come in the following decades. This record retains a large crossover appeal, and will fit well into the most diverse music lovers' collections.

Salvation Rock is proud to announce the first and only official repress on original format, beautifully presented in a thick cardboard company sleeve and full label original artwork

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youbet

Compare & Despair

Dill Smith / Super 8 Corporation / Stranger Cole

Release: 2020 / US – Original

Genre: Rock & Indie

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The thirteen songs on youbet’s debut hit like relentless bursts of color. Musically adventurous and lyrically intimate, writer Nick Llobet’s vocals lilt, hiss and command attention. His vision is fully formed on Compare & Despair, driven by equal parts humor and melancholy. Its bright, shocking cover art depicts a cast of psychotropic cartoon characters, each representing a different song.

Raised in Davie, Florida, by his Cuban immigrant father and first-generation Italian American mother who divorced, Llobet sensed chaos lurking around every corner. youbet’s sound captures that disorder, a backwards world where the adults act like children and kids are on their own to maintain any semblance of order. Compare & Despair sounds like returning to your hometown to rewrite the narrative of your youth with attitude and a confetti cannon.

Recently arriving in New York, Llobet discovered music as a creative and therapeutic outlet. He began writing obsessively. “It’s my way of getting lost,” says Llobet. Depositing what he made on a Bandcamp page, the result was an assortment of disparate ingredients: the sound of his laugh tape-sped to surreality, a birthday song about carnitas for his step mother, fuzzed-out rockers that snuff out before they seem to begin. And then there were these beautiful, complete compositions that recalled the ingenious simplicity of Big Star or Elliott Smith.

His page caught the attention of Ava Luna drummer and engineer Julian Fader (Frankie Cosmos, Mr. Twin Sister), who shared it with collaborator Katie Von Schleicher. Katie contacted Llobet, offering to help him produce and release a full-length album. A core group was formed of Llobet, Von Schleicher, Fader and Adam Brisbin (Sam Evian, Molly Sarlé), all of whom contributed over the next year to Compare & Despair.

youbet makes the music of idealized youth and time-bombed mirth. With a pure aim of freedom, but forever hindered by encroaching adult reality, Compare & Despair thrives in creative conflict. A stunning debut of intent, youbet sets loose a hyperactive imagination that rides the rainbow into a black hole.

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Set Me Free / Version / Freedom, Justice & Equality / Version

12" | 2019 | UK | Reissue (Half Moon)

On Broadway San Francisco1981

Release: 2019 / UK – Reissue

Genre: Reggae & Dancehall

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12" reissue of killer cuts from the Canadian label, Oswald Creary's Half Moon.

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Gun Club

LP | 2019 | EU (Mind Control)

Shawn Lee's Ping Pong Orchestra / Betty Wright

Release: 2019 / EU

Genre: Rock & Indie

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A Gun Club live recording from the On Broadway, supporting their groundbreaking debut 'Fire Of Love', but also anticipating it's follow-up 'Miami' from 1982 ('Watermelon Man', or the revisitation of CCR's classic 'Run Through The Jungle').

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Psychedelic Sambai / Man Of Mine

7" | 2006 | EU | Original (Record Kicks)

10,99 €*

Release: 2006 / EU – Original

Genre: Hip Hop, Organic Grooves

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LP | 1978 | US | Original (Alston)

Betty Wright

Betty Wright Live

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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2LP | 2019 | EU | Original (Demon)

P & P Disco

Live On Green Vinyyyyyll Live Italy 93 Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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12 track vinyl compilation featuring the roots of modern dance music, on 180g heavyweight double LP. P&P was producer and Harlem hustler Peter Brown’s production company. He created some of the greatest moments in underground African American dance music, across a handful of labels in the 70s and 80s.

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Green Day

LP | 2019 | EU (Trident Fuckin)

Release: 2019 / EU

Genre: Rock & Indie

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Mechanical Fantasy Box - The Homoerotic Journal Of Patrick Cowley With Illustrations By Gwenael Rattke

Patrick Cowley

Dark Entries

31,99 €*

Without Fear Colored Vinyl Edition

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Mechanical Fantasy Box is Cowley’s homoerotic journal, or as he called it, “graphic accounts of one man’s sex life.” The journal begins in 1974 and ends in 1980 on his 30th birthday. It chronicles his slow rise to fame from lighting technician at The City Disco to crafting a ground-breaking 16-minute remix of Donna Summer’s “I Feel Love” to performing with Sylvester at the SF Opera House. Vivid descriptions are told of cruising in ‘70s SoMA sex venues to primal highs in Buena Vista Park and composing pornophonics in his Castro apartment. The entries are introspective and show a very out-front, alive person going through the throes of gay liberation post-Stonewall.

French-born artist and Berlin resident Gwenaël Rattke works in collage, silkscreen, photography and Xerox graphics. Rattke's collage works borrow from the visual codes of the 60s and 70s. Intricate, ornamental and excessive, they present "an imagined past fired with beauty and sexual freedom." For this book Rattke created 25 original illustrations inspired by selected entries, 3 street maps documenting locations mentioned herein and 4 collages of photos, ephemera and notes Patrick stuffed inside the journal. We’ve included Patrick’s doodles too, as well as introductory essays by Josh Cheon, Theresa McGinley and Jorge Socarrás.

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Dermot Kenney

LP | 2019 | EU | Original (Island)

22,99 €*

Release: 2019 / EU – Original

Genre: Pop

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LP | 1978 | EU | Reissue (Otoroku)

Louis Moholo Octet

Spririts Rejoice

Jim Sullivan Black Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Otoroku is extremely proud to present the first vinyl reissue of one of the most legendary free jazz records ever produced. Originally released in 1978 on Ogun recordings, Louis Moholo Octet’s Spirits Rejoice! is a high achievement in the movement of the era as it soars beyond oppression with a raucous and spiritually uplifting surge of movement and melody

Featuring Harry Miller, Johnny Dyani, Keith Tippett, Evan Parker, Nick Evans, Radu Malfatti and Kenny Wheeler, this is former Blue Note artist Louis Moholo’s first album under his own name and is a classic example of the cross-pollination between South African and British players. Mongezi Feza’s ‘You Ain’t Gonna Know Me ‘Cos You Think You Know Me’ alone is enough to make your life a better place.

From Matthew Wright’s new liner notes:

The South African melodies, now so familiar, were wholeheartedly taken on board by the individual musicians, their unity of purpose mirroring the belief in the strength of the collective. Stunning solos, often close to the edge, feature throughout – Evan Parker and Keith Tippett on “Shine Wherever You Are”; the contrasting trombone styles of Nick Evans and Radu Malfatti on “You Ain’t Gonna Know Me...”; the octet sounding like a full big band; and behind them, the relentlessly rhythmic urgency of the piano, bass and drums. Add to this Kenny Wheeler’s moving and all-encompassing trumpet on the elegiac “Amaxesha Osizi” and the joyous flamboyancy of “Wedding Hymn” with Parker’s relatively straight-ahead tenor and Tippett’s dextrous piano solo over a bed of riffing horns, fast walking bass lines and a supreme sense of swing. Louis’ early hero, Big Sid Catlett, would have loved it!

This 2019 re-issue has been made with permission and in association with Ogun records. Features an exact reproduction of the original artwork and liner notes along with new liner notes from Matthew Wright. Remastered by Giuseppe IIelasi and packaged in a high gloss sleeve this is the definitive release of one of the absolute free jazz classics of the 20th Century.

Edition of 1000 copies.

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Jim Sullivan

LP | 1972 | US | Reissue (Light In The Attic)

Toshio Matsuura Presents HEX

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Mastered from the original analog tapes
Deluxe Stoughton “tip-on” jacket with debossing
Vinyl pressed at RTI
All tracks previously unreleased
Booklet with liner notes and rare archive photos

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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Hello To The Wind EP

12" | 2019 | FR | Original (Menace)

20,99 €*

12" | 2019 | EU | Original (Favorite)

Release: 2019 / FR – Original

Genre: Organic Grooves

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Menace presents this limited 2LP vinyl edition of this future jazz classic from Japan recorded in 2013. Toshio Matsuura presents HEX was only available as a CD version from Blue Note Records. This run comes with silkscreen front jacket and limited to 500 copies worldwide.

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Esnard Boisdur

Mizik Bel

12" | 2019 | EU | Original (Echovolt)

Release: 2019 / EU – Original

Genre: Organic Grooves

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“You don’t need to be a fan of Gwoka or even Antillean music in general to fall in love with the deep, expressive voices of the singers of the genre. Artists like COSACK, ANZALA and ESNARD BOISDUR have fascinated music lovers around the globe for decades. It’s not only the drumming style accompanied by their beautiful melodic intonation, but also the revolutionary spirit of these songs that make them a unique and powerful document of the culture and the history of the Antilles and the Caribbean.
I remember the first time I listened to this type of drumming and signing, live at the re-enactment of the slave riots, and being completely emotionally overwhelmed by it. Some of my record collector/DJ colleagues and friends – first and foremost Hugo Mendez and Émile Omar – shared the same fascination for the genre and kept inspiring me, and countless others, by their DJ sets at Tropical Discoteq in Paris, where I have had the pleasure to be one of the residents for five years and counting. At one of those nights, I met my friend Pascal Rioux from Favorite Recordings and told him about an amazing unreleased track I received months before, on a home-burned CD, from ESNARD BOISDUR. Among other beautiful songs, it contained one outstanding track, a mix of modern Gwoka and Zouk called “MIZIK BEL”.
When I started playing that track out, there were fierce reactions on both ends. The crowds loved it and after a while you could hear people cheer when they heard the first notes. Many DJs and labels wanted it, demanded it, and would even go as far as to block or unfriend me if I refused to comply. It became clear to me that the track had to be released on vinyl for the first time and made accessible to people who wanted to play it, while giving the original artist full credit. At the same time, I knew a remix version of the track that would pay respect to the original could only be created by getting the original stems, and not by editing the main track and pressing it into an “electronic dance corset.” Pascal agreed to the idea and started the licensing work and the search for the stems, which resulted in an ongoing three-year quest that was crowned by the finding of the ADAT containing the original tracks.
As AFRICAINE 808, Dirk Leyers and I spent considerable time trying to re-create the composition of the original, respectfully slicing and re-arranging it, adding new instrumentation, and recording additional percussion and talking drum with our percussionist ERIC OWUSU (Pat Thomas/Ebo Taylor). We stretched it, adding a krauty synth part without losing the focus of Esnard’s beautiful voice and lyrics, describing Caribbean music in all its diversity and beauty.
With this in mind, I hope you can now enjoy the beauty of “MIZIK BEL” as much as we have so far.” – (DJ NOMAD, June 2019).

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Castel

Estrel

LP | DE | Original (Slowboy)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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In late 1997, unsigned Melbourne producer Castel won a competition at a local club. The prize was certainly sought-after: a CD single release on leading local label DanceNet. That EP, “Estrel”, subsequently appeared in stores in 1998, but within two years Castel had packed away his Atari-ST, sold off his hardware and quit music for good.
Thanks to Echovolt Records, Castel’s story now has a happier ending. 22 years after it was recorded, the unfeasibly gorgeous “Estrel” is finally appearing on vinyl alongside original bonus cut “Me & You” and a trio of similarly impressive unreleased productions from the period.
“Estrel” is positivity personified – a melodious, morning-fresh blast of deep electro bliss rich in bustling drums, tuneful IDM style lead lines and darting, psychedelic electronics. It’s joined on side A by “Me & You”, a pitched-down chunk of hazy ‘90s electronica that wouldn’t have sounded out of place on one of Warp Records’ legendary Artificial Intelligence compilations.
On side B, Castel opens up his archive of unreleased recordings for the very first time. The rush-inducing, bass-heavy swirl of “Safer Somewhere” – one of the last tracks he ever recorded and reminiscent of some B12 recordings from the period – is followed by the intergalactic ambient brilliance of “Latch” and the lilting, sun-bright bliss of breakbeat-driven shuffler “16/11/1998”, whose combination of weighty bottom-end and layered electronics neatly sums up the unheralded qualities of Castel’s previously forgotten work.

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EA80

Reise

69,99 €*

The Dreams Clear Vinyl Edition

Release: DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White wax!

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Delia Derbyshire

LP | 2016 | EU | Reissue (Fantome Phonographique)

Luc Pestang & Pierre Henry

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Delia Derbyshire is one of the most innovative electronic musicians of the 20th Century. She is best known for her pioneering work for the BBC Radiophonic Workshop, and for composing the classic theme song for the original Doctor Who, believed to be the earliest "electronic" theme song in television history. A brilliant composer and one of the few women operating in the early era of electronic music, In the early '60s she collaborated with the British artist and playwright Barry Bermange for the BBC's Third Programme to produce four Inventions for Radio, a collage of people describing their dreams, set to a background of electronic sound. This is the first, simply titled Dreams, an attempt to represent, in sound, the sensation of dreaming. Derbyshire's electronic and musique concrete soundbed is the perfect underscore to the narration, simultaneously jarring, dissonant, and terrifying. An amazing piece of work from one of the legendary pioneers of electronic music.

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Saint-Exupery

LP | 1959 | EU | Reissue (Fantome Phonographique)

LP | 2019 | EU | Original (Digitmovies)

Release: 1959 / EU – Reissue

Genre: Soundtracks

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During his long and illustrious career the French composer and musique concrète pioneer Pierre Henry created a lare amount of incidental music to accompany literary texts, both on record and for the stage, from Jules Verne to Victor Hugo, from Lautréamont to Antonin Artaud. This incredibly rare LP from 1959 is a radio play about the life of French pilot and writer Antoine de Saint Exupéry, based on the 1956 book by Luc Estang on the subject. The interpreters are a small theater troupe including French actor Paul Meurisse (1912-1979), famous for popular films and as a member of national theater company, La Comédie Française. Underlying key scenes, Pierre Henry’s contribution to the play consists of electronic and musique concrète sounds, adding a contemporary dimension to the text. A beautiful piece from one of the mid-20th century's truly brilliant sonic explorers.

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Ennio Morricone

OST Ruba Al Prossimo Tuo

32,99 €*

LP | 1975 | EU | Reissue (Right Track)

Release: 2019 / EU – Original

Genre: Soundtracks

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Ennio Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with Lounge flavour, vocalised by I Cantori Moderni di Alessandroni. Introduced first in “Titoli di Testa” and reprised with several variations throughout the score: a Classic style version with harpsichord, organ and mandolin, a slow and dreamy one with the voice of Edda and also including the choir I Cantori, a samba version, a beat-flavoured mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Ennio Morricone strongly recognizable in a second theme, very romantic and lounge, featuring a keyboard used by the author, frequently also in other scores like “Giu la testa”. A classic-style minuet with the opera vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by the type machine and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni. Our LP also contains three superb “shake” dancefloor music themes that bring us the unforgettable Beat atmospheres of those days’ discoteques.

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Omar Khorshid

Tribute To Oum Kalthoum

29,99 €*

LP | 2019 | EU | Original (New Info)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Omar Khorshid was the guitarist of Oum Koulsoum. He pays homage to him in this album that mixes modern and traditional influences. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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Ot To, Not To

It Loved To Happen

LP | 1987 | EU | Reissue (Secousse)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ot to not to is the experimental RnB recording project of Virginia natives Ian Mugerwa and Noah Smith In 2016, Mugerwa released the first Ot to Not to LP Goshen through Nicolas Jaar’s OTHER PEOPLE imprint after being discovered by Jaar in 2015 while recording.
Goshen was a very deliberate effort to create an RnB concept album that explored aesthetics and recording methods usually more associated with European experimental electronic music. More specifically, it was an effort to subvert tropes in pop RnB, whether those be the stereotypical, sterile cleanliness of radio RnB or the safe themes and song structures. While Goshen was undertaken primarily as a solo effort while Ian was casually homeless in Richmond, Virginia, the contributions Noah did make (namely the last track) served as the basis for the aesthetic shift seen in their most recent 2nd LP It Loved to Happen.
After releasing Goshen in 2016, Mugerwa did a series of informal experiments in laptop recording that resulted in his These Movements I & II double EP. The EPs, released through European ambient label ACR, served as an outlet for Mugerwa to explore genres like ambient, modern classical, IDM, and lo-fi R'n'B without the added pressure of being bound to a strict concept or narrative. Furthermore, these EPs afforded Mugerwa some familiarity with the styles and techniques he would explore with Smith on the next Ot to not to LP.
In late 2016, Ian joined Noah at his family’s cabin in the Virginia Appalachian mountains to record a follow-up to Goshen. Prior to this, both artists had been suffering the isolating effects of untreated mental illness, and retreating to mountains to record seemed to offer a desperately needed cathartic outlet. This sylvan setting inspired a shift from the more cold, abstract, electronics of Goshen to the more naturalistic, analog-focused, and guitar-driven aesthetic of the new LP. Artists like Talk Talk, Baden Powell, Nick Drake, Vashti Bunyan and Phil Elverum were playing constantly in the cabin when the duo weren’t actively tracking, influencing the sound of the LP. Just as on Goshen, tape processing was heavily utilized as a way to collage and manipulate samples.
All instruments - even the orchestral parts - were performed by Ian and Noah. Subtle, but detailed sample-based sound design was utilized throughout the album for texture and, unlike their debut, no synths were used. Instead there was an emphasis on manipulating samples the duo would amass from hours of field recording. Throughout the recording session the duo adopted a religious reverence for the woods and mountains that surrounded them, and as a result the album took on themes of spiritual yearning and exploration that flowed under allegorical lyrics about isolation and lost love. Additionally, elements of ambient electronic music were explored on It Loved to Happen, with some tracks abandoning any song structure in favour of raw sound exploration.

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Sammy Massamba

Propriete Privee

Delmar Colored Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Propriété Privée is the pinnacle of Congolese musician Sammy Massamba’s style: a successful fusion of African and American music heritage, halfway between Franco and Otis Redding, Fela and Wilson Picket, King Sunny Ade and Aretha Franklin.
Home made in Paris, self-released in 1987, with only 1000 copies hand distributed, the 4 tracks EP features the nastiest funk, boogie, soukous, rumba and electro pop soundclash the Eighties could offer.
Carefully restored, remastered and repackaged in total respect with its original release. The vinyl lacquer reissue was even made by its original author, the legendary André ‘Dédé’ Perriat. Sammy Massamba’s life story is printed together with photos and liner notes on the inner sleeve of the 12". He still lives in France and is available for interviews, showcases, live shows and any sign of the gratitude he deserves.

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Los Natas

LP | 1998 | EU | Reissue (Argonauta)

LP | 2019 | EU | Original (ECM)

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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LOS NATAS is a trio formed during 1994 in Buenos Aires/Argentina. Their musical influences are numerous and varied, having the base of the raw and psychedelic sound of 1970s bands such as The Doors, Black Sabbath, The Who, Pink Floyd and Hawkwind, among others. Los Natas propose a journey made of basic elements: valvular equipment and vintage instruments, they incorporate the use of the senses and perception of the listener as a part of a sonic trip. They make music that changes constantly, supported by long jams that give them a different meaning every time they execute them having that way a sense of freedom in the way of interpreting the sounds, making this experience extremely related to the sensations that both the musicians and the audience receive every time a show begins. This is the essence of what people knows today as Stoner Rock.

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Larry Grenadier

The Gleaners

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | EU | Original (Brave Wave)

Neo Sound Orchestra

OST Art Of Fighting II

38,99 €*

Release: 2018 / EU – Original

Genre: Soundtracks

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The soundtrack for the sequel to SNK's classic fighting franchise, ART OF FIGHTING 2, is now available on vinyl! Featuring 34 breathtaking NEO GEO tracks across 2-LPs, take the soundtrack of ART OF FIGHTING 2' for a spin and relive the classic days of SNK music.

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Audio-Technica

AT-VM95ML/H

199,00 €*

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Der AT-VM95ML ist mit einem nackten
Microlinear-Diamanten ausgestattet, der
durch seinen speziellen Schliff und die für
Line-Contact-Nadeln typischen
geringeren Verzerrungen am Plattenende
(innere Rillen) eine doppelt so hohe
Lebensdauer gewährleistet und sich
zugleich durch einen erweiterten
Frequenzgang und eine bessere
Auflösung der mittleren und hohen
Frequenzen auszeichnet.

AT-VM95C/H
VM95 SERIES MICROLINEAR STEREO CARTRIDGE ON AT-HS6 HEADSHELL
AT-VM95ML mounted on AT-HS6BK headshell
The total set weight is 15.5g
Assembled and tested in the Audio-Technica Factory in Fukui-Japan

AT-VM95ML
VM95 SERIES MICROLINEAR STEREO CARTRIDGE
The AT-VM95ML, features a Nude Microlinear diamond, not only the Microlinear stylus will permit to double the duration of your stylus. The performance of a line contact stylus, will minimize the “inner groove distortion” as well as providing extended frequency response and maximize resolution in the medium and high frequencies of the audio program material.

material. Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 25,000Hz frequency response

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

MICROLINEAR STYLUS
Microlinear profile diamond stylus offers high frequency response with less wear and distortion than elliptical or conventional linear contact styli.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95C cartridge is fitted onto the 9g aluminium die cast body headshell

Model AT-VM95ML
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 25,000 Hz
Kanaltrennung 23 dB (1 kHz)
Kanalbalance am Ausgang 1.5 dB (1 kHz)
Ausgangsleistung 3.5 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Microlinear
Nadelabmessungen 2.2 x 0.12 mil
Schaftform der Nadel Nude Square Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 20 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 10 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95ML
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers
Non-magnetic screwdriver

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Audio-Technica

AT-VM95C

34,00 €*

Kukangendai & Ryuichi Sakamoto

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The AT-VM95C, the new Audio-Technica entry model Conical cartridge will replace the legendary AT90 Series models such as AT91, AT91R and CN5625AL

Also the AT-VM95C is a “budget” cartridge featuring a conical stylus, the compatibility in the range will allow to upgrade with any of the 4 other LP styli of the Series such as Elliptical, Elliptical Nude, Microlinear and Shibata.

Aluminium cantilever
4.0mV output voltage
Compatible body with all VM95 Series stylus assemblies
Replacement for AT91, AT91R and CN5625AL

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

CONICAL BONDED STYLUS
The benefit of conical styli, even if the cartridge is "lean", is the ball surface of the stylus touches the groove of vinyl records precisely.

Model AT-VM95C
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 20,000 Hz
Kanaltrennung 18 dB (1 kHz)
Kanalbalance am Ausgang 2.5 dB (1 kHz)
Ausgangsleistung 4.0 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Conical
Nadelabmessungen 0.6 mil
Schaftform der Nadel Bonded Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 17 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 6.5 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95C
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers

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Zureru

12" | 2018 | JP | Original (Kukangendai)

Sly & Robbie & The Taxi Gang With Leba Hibbert

Release: 2018 / JP – Original

Genre: Rock & Indie

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New Ryuichi Sakamoto collaboration, with Tokyo experimental rockers Kukangendai.
On limited Japanese import 12"

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Natty Dread

12" | 2018 | EU | Original (Taxi)

Original Methods Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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A one-off limited pressing from her forthcoming album. Sensational singer, Leba, daughter of reggae pioneer Toots Hibbert, highlights her vocal prowess & charm, on her first release for 2018 - a cover version of the Bob Marley classic.

Backed by the Taxi Gang Band, recorded and mixed at Channel One Recording Studios, Kingston Jamaica. Produced and arranged by Sly Dunbar & Robbie Shakespeare.

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Crabbman

LP | 2018 | EU | Original (Spared)

Release: 2018 / EU – Original

Genre: Hip Hop

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2LP | 2018 | EU | Original (Roof Music)

Helge Schneider

Es Gibt Reis, Baby

Release: 2018 / EU – Original

Genre: Organic Grooves

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Best Of R.E.M. At The BBC

R.E.M.

2LP | 2018 | EU | Original (Craft)

33,99 €*

Release: 2018 / EU – Original

Genre: Pop

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LP | 2018 | EU | Original (Warner)

Muse

Simulation Theory

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (Fantome Phonographique)

Pierre Henry

Orphée Ballet

Epitaph Für Aikichi Kuboyama / Sechs Studien

Release: 1960 / EU – Reissue

Genre: Electronic & Dance

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Scored for Maurice Béjart's choreography to the 'Orphée Ballet', based on the Greek god Orpheus, this is one of Pierre Henry's finest works of musique concrète, the genre in which Henry was an early innovator and to which he devoted his career. After years working for the French national radio (RTF) and honing his studio chops on radio spots and editing/composition, Henry formed his own studio in 1958 and began working on modern dance and ballet and soundtrack work. Incorporating percussion, industrial soundscapes, nature sounds, spoken French narrative, and synthesized tones, 'Orphée Ballet' is a beautiful piece that, while less known than what is perhaps his most famous work, also for Béjart's ballet production, 1967's 'Les Jerks Électroniques De La Messe Pour Le Temps Présent Et Musiques Concrètes Pour Maurice Béjart', is equally compelling and groundbreaking. Following his passing in 2017 at age 89, Henry's work has found renewed interest, and this is a welcome reissue of one of his rarest and finest works. Truly brilliant.

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Herbert Eimert

LP | 1966 | EU | Reissue (Fantome Phonographique)

Devon Irons / The Talent Crew

Release: 1966 / EU – Reissue

Genre: Electronic & Dance

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Herbert Eimert was a German music renaissance man, with his expertise ranging from theory to composition, editing, radio production, and criticism. He wrote numerous books on music theory, worked for years at the British occupational forces run Nordwestdeutscher Rundfunk. It was there in 1951 that he established a studio for electronic music that he ran until 1961, which hosted recordings from Stockhausen, Xenakis, and Cardew, among others. This brilliant work begins on side A with 'Epitaph Für Aikichi Kuboyama', a brilliant piece of voice and electronics dedicated to a Japanese fishing boat radioman, who lost his life from complications related to radiation poisoning in 1954, after the ship he worked on was contaminated from fallout after the USA's nuclear testing at Bikini atoll. In addition to being a brilliant piece of electronic musique concrete, it is a damning indictment of nuclear warfare, as prescient now as it was during The Cold War. Side B is made up of six studies in electronic music, showcasing Eimert's talents which are as impressive as his more famous contemporaries. Essential early electronic music.

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Jerusalem / Version

7" | 2005 | EU | Reissue (Pressure Sounds)

10,99 €*

VSK (Verbales Style Kollektiv)

Release: 2005 / EU – Reissue

Genre: Reggae & Dancehall

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The original cut of the Althea and Donna ‘Gone to Negril’ track. Released by Pressure Sounds in 2005 and then deleted. Back by popular demand. Presented now with original Talent 77 label in a hand stamped bag. Produced by Tommy Cowan and more on the roots tip than the playful Althea and Donna cut.

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Wo Die Wilden Kerle Flowen

CD | 2018 | DE | Original (Beat The Rich!)

Release: 2018 / DE – Original

Genre: Hip Hop

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Heartattack And Vine Remastered Black Vinyl Edition

Tom Waits

LP | 1980 | EU | Reissue (Anti)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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12" | 2006 | DE | Original (Soloaction)

Shed

Shot Selection

Release: 2006 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

En Route To Thailand Repress Edition

Sound Voyage

12" | 2018 | EU | Original (Free Soul Inc.)

Crossroads Of Love / One More Time

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Stunning LP fusing far-eastern field-recordings with modern electronic production techniques - a true Sound Voyage! This time as repressed basic editon without the golden bagde!

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The Faithful Brothers

7" | 2018 | US | Original (Record Kicks)

9,99 €*

Okovi: Additions Colored Vinyl Edition

Release: 2018 / US – Original

Genre: Organic Grooves

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Record Kicks is extremely proud to present you a new outfit that will take the Soul scene by storm: The Faithful Brothers. Coming straight from the brainchild of Tel Aviv Soul Club, The Faithful Brothers is Man Of North Country's (Acid Jazz Records) side -project and its leaded by singer soul boy Yashiv Cohen. MONC teamed up with record diggers the Neeman brothers to form this new eight-piece deep soul combo.
On the A side Crossroads Of Love is a Northern soul / R&B stormer that will set all the dancefloor on fire. On the flip side the stunning crossover soul single One More Time penned to be an instant classic on all rare soul dancefloors across the world.
Don't sleep though, this 45 will be limited to 500 copies, so first come first served…watch out!

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Zola Jesus

LP | 2018 | EU | Original (Sacred Bones)

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2018 | EU | Original (Atangana)

Fedia Laguerre

Divizion

20,99 €*

LP | 2018 | EU | Original (Underdog)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Founded in 2018 by DJ and producer Deni-Shain – the man behind acclaimed compilations Space Echo and Pop Makossa -, Atangana Records is the logical follow-up to more than 20 years of travels, constantly on the lookout for new artists and music around the world. As a “tropicalist globetrotter”, in this new project Deni-Shain, in partnership with Thomas Vicente, co-owner of the French restaurant “Le Verre Volé”, aims to dig, reproduce & transmit cross-cultural music, usually unreachable and/or less known by the public.
The goal is simple: share the love of music and to rediscover the pleasure of voicings, percussions and sadly forgotten harmonies, whether you find yourself in a jam packed club or the intimacy of your home.
Atangana’s first releases will be looking at the Caribbean’s Islands, especially into Haiti with the reissue – highly expected by various diggers – of the acclaimed single « Divizion » by singer Fedia Laguerre. Originally released in 1981, this first 12" comes with a remix by Voilaaa and an instrumental cut exclusively based on the additional work by the French afro-collective.

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Otis Stacks

Fashion Drunk

7" | 2018 | US | Original (R=A)

Release: 2018 / EU – Original

Genre: Pop

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Otis Stacks, three syllables. A name and a first name that recall a mythical singer as much as the Memphis music label that got him to it’s days of glory. A name that evokes him in particular and soul music in general.
Behind a name that sounds familiar are Elias Wallace and Justmike, two men united to become one: Otis Stacks. In truth, the optimized version of a work started long ago, when Justmike was producing the Danish hip-hop sound of Dafuniks and decided to get in touch with Elias after hearing his voice on a friend’s tune. He first wanted him to lay his voice on a chorus, then a verse, and ended letting him take over the lyrics of “All I Want”, the song that would later bring Dafuniks on air and around Europe. After traveling miles and miles across the ocean and the seas separating California from Denmark, Elias undeniably became a member of the group.
As gigs went on, stages after stages, Justmike got inspired by Elias’s voice and presence. Thus, the idea of a duo collaboration between the two men geminated and grew in his mind. As the evidence of their getting along, “Fashion Drunk” became the first tune to infiltrate Nova and FIP radio playlists, as its music video reached 8 million views. This now obvious complicity as extended in the form of an album, also called Fashion Drunk, released by Underdogs Records. With this French stopover, the line between California and Denmark is now completed. The result is an artistic fusion in which Justmike has plugged his instruments to the machines he uses to compose, letting Elias in charge of the lyrics and singing. Here, the soul music is printed as a guideline in an organic and digital composite matter. In an ethereal and aerial production that perches its arrangements in the air of the mix or buries them in its bases, letting electro music spread on a groove punched with black and white keys. Each element intervenes with discretion to let Elias stories be related with elegance. Frustrated, disappointed or aborted love stories.

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R.B. / Tbz

Coozie / Mad Sick

10,99 €*

Lodger (2017 Remastered Version)

Release: 2018 / US – Original

Genre: Electronic & Dance

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dangerous voltage in the hot tub …

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David Bowie

LP | 1979 | EU | Reissue (Parlophone)

29,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Tomorrow's Modern Boxes White Vinyl Edition

Thom Yorke

LP | 2014 | EU | Reissue (XL)

30,99 €*

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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LP | 2017 | EU | Original (Underdog)

Flox

Taste Of Grey

Duke Ellington & John Coltrane

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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This journey started for Flox on the Reunion island, in the lost heights of the Mafate cirque. It is in this area cut of from the world, only accessible by foot, that the English multi-instrumentalist found himself face to face with the thrilling and endless feeling of being lost and in danger once again. A sensation that had faded away through time, weakening the flickering flame of inspiration.
Listening only to his instincts, leaving aside past experiences and moving forward freely are the main ingredients of this sixth album Taste Of Grey. An album conditioned by inspiration, each song catching the feeling of the moment and releasing unblemished emotions. At ease with the different lines of artistic creation, the multi-talented craftsman once again composed, arranged, played, and recorded Taste Of Grey; a complex mix of organic and digital music balanced between deep Jamaican rhythms and loose funky beats. Breaking down styles to build his own, spending hours reinventing a personal electro vibe that moves back and forth from rap to singing and from darker to lighter landscapes.
Rather than the simple choice of black or white, Flox has chosen a path with more subtle shades of grey. A step into the unknown, writing love songs when political issues had mainly been a major theme. Writing about feelings, unclenching fists to come up with an album that tells a full story. You could listen to the album Taste Of Grey in random but this would also change the story line…

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Duke Ellington & John Coltrane Gatefold Sleeve Edition

LP | 2017 | EU | Original (Dol)

Release: 2017 / EU – Original

Genre: Organic Grooves

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James Blood Ulmer & The Thing

Baby Talk

LP | 2017 | EU | Original (The Thing)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Africa Must Be Free By 1983

Hugh Mundell

LP | 1978 | UK | Reissue (Greensleeves)

Forced Witness Black Vinyl Edition

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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Wiederveröffentlichung eines gefeierten und gesuchten Klassikers des Roots Reggae von 1978, produziert von Augustus Pablo und Hugh Mundell, re-mastered von Kevin Metcalfe! Die Musik wurde eingespielt von Basil "Benbow" Creary, Carlton "Santa" Davis, Wycliffe "Steely" Johnson, Jacob Miller & Leroy "Horse Mouth" Wallace (Drums), Robbie Shakespeare & Leroy Sibbles (Bass), Earl "Chinna" Smith, Geoffrey Chung & Clayton Downie (Guitar), Paul "Pablove Black" Dixon & Augustus Pablo (Organ, Piano, Melodica) und aufgenommen im Channel One Studio (Engineer: Ernest Hookim), Harry J Studio (Engineer: Sylvan Morris), Joe Gibbs Studio (Engineer: Errol "Errol T" Thompson), King Tubby's Studio (Engineer: Phillip "Prince Phillip" Smart), The Black Ark (Engineer: Lee "Scratch" Perry).

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Alex Cameron

LP | 2017 | US | Original (Secretly Canadian)

Release: 2017 / US – Original

Genre: Rock & Indie

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Songs From Satan's Jukebox Volume 1 - Country, Rockabilly, Hillbilly & Gospel For Satan's Sake

10" | 2017 | EU | Original (Stag-O-Lee)

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (Wagram)

Joan Baez

Donna Donna

Release: 1960 / EU – Reissue

Genre: Pop

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LP | 1975 | EU | Reissue (ECM)

Ralph Towner

Solstice

LP | 2014 | DE | Original (City Slang)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Featuring a lineup of musicians who would go on to weave ECM’s significance into the fabric of time, Solstice is a tour de force of musicianship, writing, arrangement, and recording.

Each track is brimming with life and features the sensitive application of a variety of instrumental combinations and studio savvy. “Oceanus” showcases Garbarek in his prime, soaring with an unbridled emotional register. As always, Towner’s 12-string speaks in 360 degrees. Superb drumming from Christensen complements lush melodic lines from Weber, who stretches a melodic cello into infinity while his bass arises like the conical aftereffect of a water droplet. “Visitation” clouds this ardor in a nocturnal vision filled with laughing spirits. “Drifting Petals” is a slow progression, a timid look out onto a dusty plain where the promise of freedom looms larger than the possibility of danger. But then an elder’s advice rings in our ears and pushes us onward. Feet move of their volition and pull us into the ever-receding horizon as the first drops of a squall streak across our foreheads. Towner proves again that his piano musings are not to be taken lightly, as they make for one of the most evocative tracks on the album. A transcendental 12-string solo (with gentle dimensional support from Weber) opens “Nimbus,” soon blossoming into a flourish of flutes, drums, and a bowed bass that cries with the grating fluidity of a sarangi. Garbarek’s sax joins in the fray and lets loose its harmonious fire. The deftly overdubbed flutes return, spreading their wings for a few moments before fluttering off into the distance. “Winter Solstice,” “Piscean Dance,” and “Red and Black” comprise a triptych of duets: the first for classical guitar and sax, the second a prime jam for 12-string and drums, and the third for 12-string and bass. “Sand” ends our cosmic journey with one of Garbarek’s deepest meditations for sax set to the strangely compelling ululations of Christensen’s flexatone lolling about in the background.

Melodically robust while structurally yielding, this is an album to be treasured and is a must-listen for anyone desiring to know what ECM is all about. An astounding meeting of musical minds if there ever was one.

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Sylvan Esso

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 2017 | EU | Original (Jakarta)

Ill Camille

Heirloom

Stars / Time / Bubbles / Love

Release: 2017 / EU – Original

Genre: Hip Hop

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Ill Camille, LA hip hop's female perspective.

Ill Camille has been a vital member of the LA music scene for some years. Kendrick Lamar used her vocals prominently for the “good kid, m.A.A.d city” track “Sing about me”, she has been working with other TDE artists occasionally and spend a lot of time writing for different projects Terrance Martin was involved with.

At the same time Camille was developing her own material with her fellow peers such as MNDSGN, Iman Omari, DJ Battlecat, Like (Pac Div) Georgia Anne Muldrow & SIR who are all featured on her album “Heirloom” just like TDE co-president Punch. “Heirloom” productions range from smooth, g-funk esque west coast beats to live & organic soulful beats, working as the perfect backdrop for Camille's powerful, intelligent and thought thru lyrics

The album is deeply personal revolving around the issues that mater in her life from friends and family, her role as a woman and the heirloom of her and her surrounding: “I feel like everyone are heirlooms of our mothers and fathers. An heirloom is just something that’s passed down through a family. We get heirlooms in the form of game, encouragement or wise words. I know everyone has an aunt or uncle that’s given them some bars about life in general. I have a village around me that have given me heirlooms in the form of conversations”.

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The Free Design

LP | 1970 | US | Reissue (Project 3)

Release: 1970 / US – Reissue

Genre: Pop

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12" | 2017 | EU | Original (Hi & Fly)

Trevor & Lisa

L.A. Nights

11,99 €*

LP | 1989 | EU | Reissue (Rhino)

Release: 2017 / EU – Original

Genre: Organic Grooves

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L.A. Nights, their new EP on Hi & Fly is a new milestone in the band discography, setting it to a next level. The title track is a cover of the famous Yasuko Agawa’s track (itself based on Light of the world’s “London Town”) inspired by strong Zapp and West-Coast influences. Fat basslines, tight horn riffs and funky talkbox parts galore!
“Break Droppin’” and “The Battle” are infectious medleys played by the band with an extended line-up including extra brass, strings and percussions. In “Breaks Droppin’”, you’ll find a carefully selected mix of cuts, ranging from the Hawaiian Hal Bradbury’s “You win, I Lose”, to Julius Brockington’s “This Feeling (Freedom)”, passing through CTI and other sampler friendly tracks.
“The Battle” is a b-boy style up-tempo selection, mixing Latin influences with some classic battle cuts and evolving to a Disco finish, with a cover of the great Brothers’ break “Under the Skin”. It is 10’ long, the beats & percussions are heavy and the extended band is in top condition. It won’t let some rest to your feet for sure!
Last but not least, it's also the comeback of Hi & Fly, a French diggers' reference since 2000. So, one reason more to have a listen… Enjoy!

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Chicago

Greatest Hits 1982-1989

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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12" | 2016 | UK | Original (Domino)

The Last Shadow Puppets

The Dream Synopsis EP

Release: 2016 / UK – Original

Genre: Rock & Indie

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Grotesque (After The Gramme)

The Fall

LP | 2016 | US | Original (Superior Viaduct)

32,99 €*

We Fucked A Flame Into Being

Release: 2016 / US – Original

Genre: Rock & Indie

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Bursting into the 1980s on a new label (the then-upstart, now-legendary Rough Trade) and with an augmented, audibly panicked lineup, The Fall’s Grotesque is the true purebred Fall release from the Marc Riley era. Released in the immediate wake of The Fall’s most beloved single (Totally Wired), the album carries over that righteously famed teethchattering, bolstered in no small part by the drumming of new addition Paul Hanley, brother of bassist Steve Hanley and aged only 15 at the time of recording.

“Pay Your Rates” negates the notion of easing into things, opening the album with pure jitter, guided by hornet-buzz guitars and Mark E. Smith’s commanding shout, allowing for breath only during the brief, lumbering waltzes that appear at unexpected intervals. “New Face In Hell” is an entirely alien take on dancehall post-punk – a kazoo-driven rave-up that holds an unshakable position in the band’s canon.

Many significant firsts surround Grotesque, including The Fall’s inaugural production partnership with Mayo Thompson and the debut of Suzanne Smith’s wonderful artwork, both of which would play key roles in the band’s following phase. Superior Viaduct’s edition is the first time that Grotesque has been available on vinyl domestically since its initial release in 1980. Liner notes by Brian Turner.

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Warhaus

LP | 2016 | EU | Original (Pias)

22,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 1980 | US | Original (Kirshner)

Sarah Dash

Oo-La-La Sarah Dash

5,99 €*

Light Upon The Lake Black Vinyl Edition

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US promo copy.
Promo stamp on back cover. Cover with sticker

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Whitney

LP | 2016 | US | Original (Secretly Canadian)

Release: 2016 / US – Original

Genre: Rock & Indie

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From The Muddy Banks Of The Wishkah

Nirvana

2LP | 1996 | EU | Reissue (Geffen)

29,99 €*

LP | 2015 | EU | Original (Rotorelief)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Krist Novoselic compiled this album to commemorate Kurt Cobain.

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Sand

His First Steps

35,99 €*

12" | 1983 | US | Reissue (Dark Entries)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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1972. His First Steps is a forerunner of Golem, the legendary 1974 album from the cosmic and psychedelic genius that is Sand. After the split of P.O.T., the early Sand submerged as a threesome in the basement of Claudiusstrasse and built up an alchemical assembling shop, where they resurrected the archetypical Golem. Sand considered themselves as an exile community in a fascinating area - full of distinctly bizarre energy.
Cover painting by Babs Santini, 2009.

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Some Bizarre

Don't be Afraid

Release: 1983 / US – Reissue

Genre: Pop

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The Reconstruction Of Na Mele A Ka Haku

Compuma Meets Haku

LP | 2015 | JP | Reissue (EM)

Release: 2015 / JP – Reissue

Genre: Rock & Indie, Electronic & Dance

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Compuma, a.k.a. Koichi Matsunaga, reaches back through time to 1970s Hawaii to perform a mind meld, his old-school Roland drum machines and present-era compumagic vulcanizing and reshaping Haku's original home-grown analog synth madness. Not merely a remix, this a synergistic reconstruction, a transformation at the molecular level in which Haku's source-code DNA is reborn in 2015.

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Brazilian Disco Boogie Sounds Volume 2

CD | 2015 | EU | Original (Favorite)