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Cold Cave - Passion Depression
Cold Cave
Passion Depression
LP | 2024 | US | Original (Heartworm Press)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Cold Cave present the darkly luminous new album Passion Depression. Icy Synth-pop for the hot blooded. Eight songs featuring the singles "She Reigns Down," "Shadow Dance," "Blackberries," and "Hourglass."
Baba Zula - Istanbul Sokaklari
Baba Zula
Istanbul Sokaklari
LP | 2024 | EU | Original (Glitterbeat)
27,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Preorder shipping from 2024-11-08
Ok Eg - Heatwave
Ok Eg
Heatwave
12" | 2024 | EU | Original (Midgar)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Shipping out on or around October 15, 2024 edition of 100
Laiz & The New Love Experience - Ela Partiu
Laiz & The New Love Experience
Ela Partiu
2LP | 2024 | EU | Original (Agogo)
30,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop, Rock & Indie
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Brazilian Hip Hop, with a golden-era glint and a 20-strong cast is given fresh impetus on Ela Partiu, 24 year old rapper Laiz"s breakout recording on Agogo Records.Glowing with Pan-African collaborations, and rooted in Laiz"s love and appreciation of magical realism, tropicália and Brazilian music old and new - think Tom Zé and Marcelo D2 - Ela Partiu features Sudanese trap-rapper Zeyo Mann, Ghanian percussionist and singer Eric Owusu (Jembaa Groove, Pat Thomas) and produced by young.vishnu & Pachakuti, from the up and coming crew, and Laiz"s label mates, The New Love Experience.
James Tenney - Postal Pieces
James Tenney
Postal Pieces
LP | 2024 | EU | Original (Blume Editions)
30,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Since its founding back in 2014, Blume has carved a unique place in cultural landscape, issuing free-standing works, spanning the historical and contemporary, that represent singular gestures of creativity within the field of experimental sound. Joining their broad efforts in building networks of context and understanding that already includes the works by Werner Durand, Sarah Hennies, Bruce Nauman, John Butcher, Jocy de Oliveira, Mary Jane Leach, Valentina Magaletti, Alvin Curran, Julius Eastman, Alvin Lucier, and others, Blume return with the first ever vinyl release to attend to James Tenney’s legendary “Postal Pieces”, Marking the first ever appearance of five of the suite’s works - “Maximusic, for Max Neuhaus” (1965), “Having Never Written a Note for Percussion, for John Bergamo” (1971), “FFor Percussion Perhaps, or... [Night], for Harold Budd” (1971), “Cellogram, for Joel Krosnick” (1971), and “Beast, for Buell Neidlinger” (1971) - on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson. Among the most important and highly regarded efforts in Tenney’s canon of compositions, as well as within the history of 20th Century music, these five pieces represent a crucial bridge between Fluxus-oriented conceptualism, minimalism, and the microtonal complexities that would emerge in their wakes. Issued in a highly limited vinyl edition of 300 copies, it includes exact replicas of the original postcard graphic scores, and features newly commissioned liner notes by Bradford Bailey, Blume’s brand new edition takes great steps to centring Tenney at the eye the storm during some of experimental music’s most important years.
Chinese American Bear - Wah!!! Strawberry Pink Vinyl Editoin
Chinese American Bear
Wah!!! Strawberry Pink Vinyl Editoin
LP | 2024 | UK | Original (Moshi Moshi)
26,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Strawberry Pink Vinyl.Chinese American Bear is a C-pop duo,currently based in Seattle, who create eclecticbilingual (English/Chinese) ear candy.Composed of married couple Bryce Barsten andAnne Tong, the pair make music that blendsChinese mando-pop and the Western indie popcanon, writing songs that flit between Englishand Mandarin, capturing a spirit of cross-culturaljoy and longing, that is often poignant whilenever losing its sense of fun.They've been described as if The Flaming Lips,Dusty Springfield, and The Beach Boys had ababy with Care Bear. The album is full ofcomedy, groove, quirk, and cuteness withmelodically rich instrumentation, bits ofpsychedelia, doses of funk, and a lot of lyricsabout filling up your belly with food. The duoexplain: "Wah!!! isn't really about anything inparticular. We like that. We like to write whatmakes us smile on any particular day."
The Body - The Crying Out Of Things Coke Bottle Clear Vinyl Edition
The Body
The Crying Out Of Things Coke Bottle Clear Vinyl Edition
LP | 2024 | US | Original (Thrill Jockey)
34,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Known for the monolithic force of their music and their inventive production techniques, The Body"s albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo"s benchmark albums have, over the past 2 decades, changed the perceptions and directions of heavy music. The Crying Out of Things" embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. "I think for us the key to the way we use noise is, it"s not the only element," says Buford. "You"ve gotta really listen if you"re into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We"re trying to cover it ALL." The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo"s voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body"s place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact.
The Body - The Crying Out Of Things Black Vinyl Edition
The Body
The Crying Out Of Things Black Vinyl Edition
LP | 2024 | US | Original (Thrill Jockey)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-11-08
Known for the monolithic force of their music and their inventive production techniques, The Body"s albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo"s benchmark albums have, over the past 2 decades, changed the perceptions and directions of heavy music. The Crying Out of Things" embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. "I think for us the key to the way we use noise is, it"s not the only element," says Buford. "You"ve gotta really listen if you"re into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We"re trying to cover it ALL." The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo"s voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body"s place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact.
V.A. - Like Someone I Know: A Celebration Of Margo Guryan Red Vinyl Edition
V.A.
Like Someone I Know: A Celebration Of Margo Guryan Red Vinyl Edition
LP | 2024 | EU | Original (Sub Pop)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Kool Customer - At Your Service
Kool Customer
At Your Service
LP | 2024 | UK | Original (Bastard Jazz)
23,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves
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Kool Customer is a collaborative project from B. Bravo and Bay area singer Rojai that brings together the sounds of future funk, 80s boogie, and a little bit of strip club sleaze.

B.Bravo is a 2010 graduate of Red Bull Music Academy with releases on Brownswood, Frite Nite and Ernest Endeavors.

Support from the likes of Benji B (bbc Radio 1), Gilles Peterson, DaM Funk, Sweater Funk Collective .

B. Bravo's shared the stage with artists like Chromeo, Dam-Funk, Flying Lotus and serenaded crowds across the world with his bass heavy outer space boogie and dirty grinding synth grooves at festivals like Sxsw, Detroit Electronic Music Festival, and Sonar in Barcelona.

Rojai (pronounced "row-juh") is a San Francisco born singer emerging as a leading voice in the modern funk scene with a vocal range from a raspy, percussive island vibe, to silky r&b.

As a frontman for Kool Customer and Latin-funk outfit Bayonics, Rojai has proven himself adept at crooning on any groove in his soulful timbre.

Being legally blind hasn't slowed down Rojai's ability to write, record and perform. He has channeled his life experience into songwriting and singing, creating music with a spirit and soul that inspires.

Extensive sync history include Awkwafina Is Nora From Queens, Netflix's Fatherhood, as well as 3 unique songs featured on Tyler Perry's Sistas and more
V.A. - New Music For Electronic And Recorded Media
V.A.
New Music For Electronic And Recorded Media
LP | 2024 | EU | Original (Blume Editions)
30,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Marking its first decade of activity, Blume returns with the first ever vinyl reissue of the seminal “New Music for Electronic and Recorded Media”, from 1977, the third and final instalment in a suite of releases that includes James Tenney’s “Postal Pieces” and Ben Vida’s “Vocal Trio”. Unquestionably among the most important collections of experimental music to emerge during the 20th Century, “New Music for Electronic and Recorded Media” is the original feminist presentation in its context, releasing the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Roberts, Ruth Anderson, and Laurie Anderson under its collective banner. Includes newly commissioned liner notes by Jennifer Lucy Allen and Bradford Bailey.
Buffalo Tom - Big Red Letter Day
Buffalo Tom
Big Red Letter Day
LP | 1993 | UK | Reissue (Beggars Banquet)
27,99 €*
Release: 1993 / UK – Reissue
Genre: Rock & Indie
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Blue Öyster Cult - Spectres
Blue Öyster Cult
Spectres
LP | 1977 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1977 / EU – Reissue
Genre: Rock & Indie
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Primitive Art Group - 1981-1986
Primitive Art Group
1981-1986
2LP | 2024 | US | Original (Amish)
44,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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This gatefold 2xLP is a combination of the group’s only two albums, consisting of one LP of Five Tread cuts plus “Cecil Likes to Dance” a never-before-released live recording from Thistle Hall (1984) and the full 1985 LP Future Jaw-Clap. This material that has been unavailable since mid-1980s. It is well documented that in the early ‘80’s New Zealand was awash with adventurous new music. Though sharing the kind of happy isolation and the DIY ethic with contemporaneous outfits like Flying Nun, South Indies and Xpressway, one band cut a decidedly different path. The Primitive Art Group, formed in Wellington, devoted itself to collective improvisation coming out of a jazz tradition. With the line-up of Anthony Donaldson (drums), David Donaldson (bass), Neil Duncan (saxes), Stuart Porter (saxes), David Watson (guitar), and originally with Pam Grey (on cello), the group’s relatively brief existence left a lasting impression on the New Zealand’s free music scene. Musically, there was no precedent in New Zealand for their combination of noise, collective playing and compositional freedom. Gary Steel from the local music rag TOM, wrote “The first time I saw the Primitive Art Group they blew my tiny mind… Great sheets of architectural noise coming at you from the stage. Where else would you see free music in New Zealand in the early 80s? You just didn't.” The band’s five-year lifespan was non-stop activity: rehearsing, touring, the creation of Braille Records (their own record label which released ten LPs), dance and theater work, appearances at music festivals, and hosting two hugely influential national festivals of improvisation at Thistle Hall, Wellington. In 1984, Primitive Art Group spent a week making their first recording, an ambitious double LP, Five Tread (Braille 001) which had only a single pressing and sold-out locally. One year later they were back in the studio making their second album, Future Jaw-Clap (Braille 002). This outing contained tighter pieces, as the band widened its repertoire with nods to broader influences and antecedents. In 1986, The Primitive Art Group gave their last concert at the Wellington Town Hall, just a half mile from Rawa House and the legendary Thistle Hall where their first shows had taken place. The band’s Braille Records’ recordings have never been released outside of New Zealand, nor have ever been available digitally. As Thurston Moore writes, “these are magic time capsule, lost-n-found recordings, previously shared only by deep-diving record collector aesthetes”. The group’s brief tenure has continued to inspire new generations of improvisers, but nothing has ever quite matched the visceral blast of the Primitive Art Group’s arrival on the scene. Every member of the group has carried on doing creative work at the highest levels: scoring films, making art, mentoring, organizing, touring and always playing.

· Gatefold 2xlp of improv / free jazz from legendary Wellington, NZ group Primitive Art Group originally released between 1981-1986 · Available on LP for the first time since 1985 · Includes one never-before released live song · Features guitar playing of NY-based David Watson who has worked with artists such as Phil Niblock, Lee Ranaldo, Marc Ribot, Christain Marclay + · Album liner notes by Thurston Moore (Sonic Youth) and Bruce Russell (Dead C)
Thee Alcoholics - Bear Bites Horse Sessions
Thee Alcoholics
Bear Bites Horse Sessions
LP | 2024 | UK | Original (Rocket)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Kelsea Ballerini - Patterns
Kelsea Ballerini
Patterns
2LP | 2024 | Original (Black River Entertainment)
32,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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V.A. - Spirit Of Christmas
V.A.
Spirit Of Christmas
LP | 2024 | EU | Original (Wagram)
15,99 €*
Release: 2024 / EU – Original
Genre: Pop, Christmas
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C-Rock - Funky Dope Trakk Remixes
C-Rock
Funky Dope Trakk Remixes
12" | 2013 | EU | Reissue (All That Jelly)
14,99 €*
Release: 2013 / EU – Reissue
Genre: Electronic & Dance
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Christian Rinderman aka C-Rock has been a main fixture of the House Music scene in Frankfurt / Germany since the 1990s. No matter what the current trends were, he always kept it deep and funky. His first release in 1995 contained a crazy club banger that became a favourite of many local and international Djs - „Funky Dope Trakk.“ Ricardo Villalobos is just one example who couldn't stop playing it over decades. In 2012/13 the original tune got remixed and reissued on C-Rock's own imprint, „Lo-Fi Stereo.“ Both versions of the tune are long out of print and have become very Rare. So „All That Jelly“ will now reissue those four versions, carefully remastered and re-cut from the original DATs for maximum club performance and enjoyment during the next 30 years!
The Ladybug Transistor - The Albemarle Sound
The Ladybug Transistor
The Albemarle Sound
LP | 1999 | US | Reissue (Happy Happy Burthay To Me)
28,99 €*
Release: 1999 / US – Reissue
Genre: Rock & Indie
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Originally released in 1999 on Merge Records, The Albemarle Sound, the third full-length LP by Brooklyn, New York’s The Ladybug Transistor, exists just outside its fixed point in time and space. Perhaps the last great pop album of the 20th century, The Albemarle Sound is like few records from the turn of the millennium, its attention turned to the intricate arrangements of late 1960s pop and the strange and familiar environs of home. The notion of home is important to The Albemarle Sound, not just lyrically and thematically, but in the fact that the album was recorded, mixed and produced in a Victorian house in Flatbush named Marlborough Farms. The Ladybug Transistor was formed in 1995 as the home recording project of singer and trumpeter Gary Olson, and by 1999 the group had swelled to include siblings Jeff Baron (guitar) and Jennifer Baron (bass), Sasha Bell (keyboards and flute), San Fadyl (drums), and Julia Rydholm (violin), who lived together at Marlborough Farms, a home filled with instruments, recording equipment and a piano room where the group made demos. For the 25th anniversary of The Albemarle Sound, the record has been lovingly reissued on silver vinyl by Happy Happy Birthday to Me Records. The CD includes 12 bonus tracks which break open the year-long recording process with the inclusion of rare B-sides, four-track demos, instrumentals and alternate mixes, further highlighting the band’s mastery of songcraft while teasing out the intricate worlds those songs contain, making a case, as fans of The Ladybug Transistor have known for decades now, that The Albemarle Sound is as infinitely rewarding to return to as it is to visit for the first time.
Wenzel - Strandgut Der Zeiten
Wenzel
Strandgut Der Zeiten
LP | 2024 | Original (Matrosenblau)
24,99 €*
Release: 2024 / Original
Genre: Pop
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Bluey - Rug Island Orange Vinyl Edition
Bluey
Rug Island Orange Vinyl Edition
LP | 2024 | UK | Original (Demon)
31,99 €*
Release: 2024 / UK – Original
Genre: Soundtracks
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Why Bother - Hey, At Least You're Not Me
Why Bother
Hey, At Least You're Not Me
LP | 2024 | US | Original (Feel It)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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"Greetings from the Northern plains of the hopeless heartland. We are now entering the time when the leaves hiss and the dark corners of reality are not so brightly lit....And hidden within these long shadows reside the band WHY Bother? where they have recorded and will be releasing yet another album to close the punk rock door on 2024. ...This record we call 'hey, AT Least You're NOT ME' was going to be released in 2025 , but we decided that the sooner the better is the way to go so we can focus and work on more material for the future. (Until then, this is our self-proclaimed masterpiece to date) So what do you think?... Is there even a future to talk about?.... Well, the ALL seeing eye says YES. But will you be there to embellish it is the Real question. If so, we will be there waiting for you. Sincerely, WHY Bother?"
Cosey Müller - Soft Core
Cosey Müller
Soft Core
LP | 2024 | EU | Original (Static Age Musik)
22,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Christmas Crooners
V.A.
Christmas Crooners
LP | 2024 | EU | Original (Wagram)
21,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Christmas
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Elvis, Franck Sinatra, Dean Martin... They are all there, the greatest crooners ever singing the most popular Christmas songs.16 timeless songs on a nice picture disc vinyl for the best Christmas atmosphere you could dream of
The Groundhogs - Blues Obituary Golden Vinyl Edition
The Groundhogs
Blues Obituary Golden Vinyl Edition
LP | 1969 | UK | Reissue (Fire)
25,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Robyn Hitchcock - 1967 - Vacations In The Past
Robyn Hitchcock
1967 - Vacations In The Past
LP | 2024 | UK | Original (Tiny Ghost)
26,99 €*
Release: 2024 / UK – Original
Genre: Pop
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Eddie Capone's Treatment - Only You Know What I Like
Eddie Capone's Treatment
Only You Know What I Like
12" | 2024 | UK | Original (Freestyle)
18,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves, Electronic & Dance
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Freestyle Records drop another UK boogie 12" rarity from Eddie Capone's Treatment, this time the previously white label-only "Only You Know What I Like" from 1985. Limited to 300 copies worldwide.
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A mainstay of the UK's reggae, soul, funk & rock circuits since the early 1970s, Eddie Capone has played with a diverse and revered collection of acts; Chairmen of the Board, The Foundations, Black Velvet, The Elgins, Arthur Brown's Kingdom Come, Arthur Lee's Love, Billy Preston and Edwin Starr to name but a few. Eddie was also part of short-lived group Casablanca, with David Costa & Barry Clarke of early 70's folk-rockers Trees, signed to Elton John's Rocket Record Company.
Eddie founded the Treatment band in the early 1980s bringing in a revolving cast of singers and players, and created the Treatment Records imprint out of his own Black Rock studio in South East London in 1982. Releasing a string of singles - with efforts from Eddie Capone's Treatment, a side-project with singer Beryl Marsden as Salt & Pepper, and a single from Norwegian group Wave - Treatment Records then followed this up in 1985 with the 12" release of "I Won't Give You Up" with Diane Jones brought in on vocal duties. This received solid support amongst DJs and radio at the time, and was quickly followed with this solid slice of white label-only UK boogie-funk that has since become a favoured deep cut on the selectors circuit.
Treatment Records continued through the 1980s through to early 1990s releasing Eddie's music, both as a solo artist and as part of collaborative side-projects, and Eddie has continued to write, perform and produce music from his home studio right through to the present day. As a committed community figure & activist in South East London, Eddie has since 2014 re-started Treatment Records under the name of 3G Treatment - bringing together three generations of people from the local area to ensure young artists & musicians have access to the expertise and experience of their elders for support and encourage successful careers in the industry.
Blaly - Nystalgi
Blaly
Nystalgi
LP | 2024 | EU | Original (April)
26,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Led by pianist/composer Barbara Fiig, the ensemble is made up of three creative communicators self described as blue sheep " of the jazz world. First stumbling into each other at the music education program at Classical Music Conservatory DKDM, their sound is rooted in collaboration and community, drawing on elements of musical poetry, jazz, folk, Nordic and Classical traditions. Regarding the name Blåly , the trio explains that it is a made up word open to interpretation. Derived from the wordly "", meaning shelter " in Danish, it is reflective of the shared feelings of safety and introspection the trio find in their music making and that they hope to impart onto their audience. Exploring themes of motherhood, new beginnings, mental health, identity, andthe cathartic potential of music, the record is built around Fiigs personal approach to the piano. Combining gentle lyrical melodies and colorful melancholic harmony, Blåly perform and interpret each piece with a mature, spacious and textural sound palette, ebbing and flowing between the composed and the improvised in a collective exchange of ideas and energy. Driving drum grooves, hypnotic piano patterns and ethereal timbres from bowed double bass craft a stripped back sound world that is simple, immersive, honest,
Soul Of Hex - Computer Jazz
Soul Of Hex
Computer Jazz
12" | 2024 | EU | Original (KM 4.5)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Virtuoso producers, DJ's, multi-instrumentalists and brothers Emanuel and Gerardo Cedillo, aka Soul Of Hex, present a sumptuous EP of essential house cuts on the lauded Mexican imprint Kilometro 4.5 featuring A-list appearances from Kuniyuki and "Mad" Mike Banks. This four-track record swells with life, soul and ideas; encompassing a heady mix of jazz, electro, soul, gospel and funk all channeled through a classic house lens.
Michael Mayer - The Floor Is Lava
Michael Mayer
The Floor Is Lava
CD | 2024 | EU | Original (Kompakt)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

It’s followed by “Vagus”, a slinky, sensual minimal house number that Mayer describes as his “musical catnip”. The flow of these two opening cuts defines the dynamic of The Floor Is Lava, defining the dialectical drive at its core: thesis and antithesis leads to synthesis, but with a welcome prickliness that means you’re always excited, always engaged. It’s also productive in the way it derives energy from rubbing genres and sounds against each other, in unexpected ways, for maximum musical frisson. There’s psychedelic techno on “Feuerstuhl”, more minimal techno with “Ardor” (Mayer mentions ‘Immer 1’ era 90s minimal as inspiration), slippery, Shepard-tone breakbeat through “Sycophant”, a lovely, lush vocal turn on the poppy “The Solution”.

The album closes with the melancholy “Süßer Schlaf”, where Mayer sets a poem by Goethe to one of his most haunted, moving pieces of music yet, in an abstract tribute to a lost friend. It’s one of the most affecting moments on The Floor Is Lava. There’s also an update on 2020’s wild Brainwave Technology EP, with the surrealist glitter-stomp of “Brainwave 2.0” (check out those handclaps!),where Mayer’s thinking about the socio-political precipice of the now: “I’m reading with great interest about this whole complex of how humanity is about to cross so many lines and the implications that the resulting financial and educational inequality will bring.”

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”
Fixate - Conundrum
Fixate
Conundrum
LP | 2024 | EU | Original (Exit)
23,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Patricia Kaas - Scene De Vie
Patricia Kaas
Scene De Vie
LP | 2024 | EU | Original (Music On Vinyl)
28,99 €*
Release: 2024 / EU – Original
Genre: Pop
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Tim Bernardes - Recomecar
Tim Bernardes
Recomecar
LP | 2024 | US | Original (Psychic Hotline)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Tim Bernardes is a two-time Latin Grammy nominatedsinger, songwriter, musician, composer, and producer,who emerged as one of Brazil's most profound musicaltalents of his generation as well as a global phenomenon.A contemporary artist with deep roots in Brazil's verdantmusical heritage, Bernardes has collaborated with the likesof Caetano Veloso, Maria Bethânia and the late great GalCosta, as he blazes the trail for the new Brazilian scene,capturing the hearts of a worldwide audience.Many discovered Tim Bernardes's show-stopping voiceand metaphysical lyrics through his breakout 2022 album,Mil Coisas Invisíveis, but it was on his standout debut,Recomeçar, that Bernardes welcomed listeners to hissingular world of sound: warm, intimate, emotionallyresonant, healing. The album was primarily written whiletouring with his acclaimed tropicalia-tinged indie rockgroup, O Terno and r...
Emma Anderson - Pearlies White Vinyl Edition
Emma Anderson
Pearlies White Vinyl Edition
LP | 2023 | UK | Reissue (Sonic Cathedral)
27,99 €*
Release: 2023 / UK – Reissue
Genre: Rock & Indie
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Following the news that all three Lush albums are going to be reissued, Emma Anderson, the band’s co-founder, has announced her debut solo album, Pearlies, which will be released by Sonic Cathedral on October 20, 2023.One of the most underrated British songwriters to emerge from the era that encompassed shoegaze and Britpop, she has teamed up with producer James Chapman (aka Maps) for this collection that combines effervescent electronic pop with psych and folk textures with lyrics covering themes such as confronting your fears, embracing independence and moving on in life. It arrives fully formed with a burnished beauty (aided by the mastering skills of Heba Kadry) that belies its somewhat protracted creation, which began with Emma feeling disillusioned after Lush’s 2016 reunion came to an abrupt end. Left with songs and bits of music originally intended for the band, she began working with cellist and string arranger Audrey Riley and Robin Guthrie, formerly of the Cocteau Twins, both of whom encouraged her to sing her own songs. Covid put a temporary halt on proceedings, but the decision had been made. When Sonic Cathedral introduced her to James Chapman at the start of 2022, Pearlies quickly took shape and blossomed into a masterpiece, the perfect mix of Emma’s incredible, idiosyncratic songwriting and James’ electronic production nous. Plus, a little extra guitar magic on four tracks courtesy of Richard Oakes from Suede. The finished album has somehow written its own narrative. By her own admission, Emma tends to write words and “see what comes out”, but Pearlies seems to tell the story of her decision to go it alone, with opener ‘I Was Miles Away’ posing the question: “See if I make it on my own”. The rest of the album provides the answer as it takes in everything from the unexpectedly funky first single ‘Bend The Round’, to folky finger-picking and film theme references, via psych leaning electronic pop reminiscent of Goldfrapp or Melody’s Echo Chamber. It concludes with ‘Clusters’, a stunning, Stereolab-style groove which begins with the line “and now the party’s over, the music’s at the end”. Thankfully, that is not the case. This incredible album is just the start of Emma’s long-awaited solo journey.
Able Noise - High Tide
Able Noise
High Tide
LP | 2024 | UK | Original (World Of Echo)
25,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Able Noise are a cross-continent duo based between The Hague (nl) and Athens (gr), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock anti-formalism, emerged in low-key fashion in 2020 as a cassette through Glasgow’s famed Glarc label. Numerous European wide tours and left-of-centre festival appearances led the pair back to the studio for the recording of debut LP, High Tide, to be released via World of Echo on 1st November.

The shift to a studio environment was a significant one, since Able Noise was primarily conceived as a live band, thinking of and writing for the live concert experience specifically. Consider their practice an Active Performance of sorts, one that seeks to challenge understandings of the medium of the live arena, how its properties and limitations can be addressed creatively, and the dialogical relationship between performer and the audience. Those who have caught them live will have witnessed very physical yet malleable performances, shaped each time by the context at hand, be that the time of day, the acoustic properties of the space, and the shared energy of the assembled patrons.

True to this approach, the pair have embarked upon the recording of their debut album with a similar exploratory impetus. In a studio without a physical audience to confront, the questions are suddenly quite different: how does one create a definitive recorded music initially rooted in improvisation, how is that recording then listened to and understood, and, without the spectacle of performance, how is it possible to work with the sense of hearing alone. Unsurprisingly, the music of High Tide is significantly different to that of an Able Noise live set. Minimalism has been traded for a detail-oriented approach, the limitations of two sets of hands suddenly lifted by the possibilities of multi-tracked thinking, post-production and various processing techniques. Real-time gives way to fragmentation, distortion and dilation, and the shift is notable - High Tide is a woozy and often disorientating listen that plays quick and easy with conventional notions of structure, at once both centreless and impressionistic, yet somehow guided by an imagined formless space.

Reliant much less on their own capabilities - and limitations! - as musicians, Knegtel and Andropoulos heartily invited the contributions of friends from both their local Athenian music community and those made while playing the UK, with the important disclaimer given that anything played during the recording session will not sound the same once on record. The result is duos, trios, quartets and sextets playing in different experiences of time, and on dynamic scales vastly different from one another, brought to equal footing.

Critically, the wholesomeness of their creative communion belies the darker theme of inertia that the pair acknowledge runs throughout the album, a sense of bodies of very different weights and momentums existing alongside each other, either adapting to or clashing with one another. In short, the outside world can’t help but seep in, even as you create within your own hermetic universe - the feeling of hopelessness amidst endless political and social strife, obsolescence in the face of technological development, time’s inexorable march. These are things we’ve all felt, and while High Tide, like much before it, doesn’t provide any definitive resolution for these challenges, it does present its own set of unique possibilities written in the shared language of its creators.
Spoon - They Want My Soul 10th Anniversary Edition
Spoon
They Want My Soul 10th Anniversary Edition
2LP | 2014 | EU | Reissue (Matador/Beggars Group)
33,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Exactly 10 years after its original release, Matador Records is reissuing Spoon"s beloved eighth album, "They Want My Soul".Along with the album"s original 10 tracks - including all-time Spoon classics "Inside Out," "Do You," and "Rent I Pay" the 10th Anniversary Edition includes 11 demos and alternate versions, almost all of them previous-ly unreleased. The reissue underlines the album"s vaunted place amid one of rock"s most bullet- proof catalogs and offers a glimpse at the creative process behind a pivotal moment in the ongoing Spoon story.
Pawcut - Maverick
Pawcut
Maverick
LP | 2015 | DE | Original (HHV Records)
13,99 €*
Release: 2015 / DE – Original
Genre: Hip Hop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Retrogott - Instrumental Issues
Retrogott
Instrumental Issues
LP | 2019 | DE | Original (Groove Attack Record Store)
19,99 €*
Release: 2019 / DE – Original
Genre: Hip Hop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Limited edition of 1000 copies.
Rødhåd - Kinder Der Ringwelt EP
Rødhåd
Kinder Der Ringwelt EP
12" | 2015 | DE | Original (Dystopian)
3,99 €*
Release: 2015 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: G+, Cover: VG
Cover with seam split
The Nonce - Haiku Busho Sach San / The Only
The Nonce
Haiku Busho Sach San / The Only
7" | 2006 | DE | Original (HHV Records)
4,99 €*
Release: 2006 / DE – Original
Genre: Hip Hop
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Used Vinyl
Medium: VG+, Cover: Generic
Limited edition promo copy.
Surya Botofasina - Ashram Sun
Surya Botofasina
Ashram Sun
CD | 2024 | Original (Spiritmuse)
16,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Fievel Is Glauque - Rong Weicknes
Fievel Is Glauque
Rong Weicknes
CD | 2024 | US | Original (Fat Possum)
16,99 €*
Release: 2024 / US – Original
Genre: Pop
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Alvilda - C'est L'heure
Alvilda
C'est L'heure
LP | 2024 | Original (Static Shock)
22,99 €*
Release: 2024 / Original
Genre: Classical Music
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Mac DeMarco - Old Dog Demos
Mac DeMarco
Old Dog Demos
Tape | 2018 | US | Reissue (Captured Tracks)
16,99 €*
Release: 2018 / US – Reissue
Genre: Rock & Indie
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Demos of Critically-Acclaimed Album, 'This Old Dog'.Captured Tracks brings listeners a selection of demos - one of which was previously left on the cutting room floor - and instrumentals from Mac DeMarco's latest LP, This Old Dog, as a limited Record Store Day Release.Over the past few years we have watched Mac develop from a cult artist to a standout figure amongst the realm of the indie mainstream. From bedroom sessions to a string of critical accolades, high sales, and sold out tours all over the world, Mac stands as an inspiration for the young musician tinkering with their 4-track tape recorder in a suburban bedroom - a sincere example of humble beginnings and honest hard-earned acclaim.These recordings give an intimate view into the world of Mac DeMarco, taking listeners back to the roots of Mac's writing and recording straight from his own bedroom izz-Jazz' studios. Old Dog Demos, a 15-song LP that is divided into Demos on Side A and Instrumentals on Side B, is sure to have both dedicated and casual Mac collectors alike lining up outside of their local record stores to pick up this truly special release.
Mac DeMarco - This Old Dog
Mac DeMarco
This Old Dog
Tape | 2017 | US | Reissue (Captured Tracks)
16,99 €*
Release: 2017 / US – Reissue
Genre: Rock & Indie
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Before you ancients out there turn your heads and scoff at the premise of a twenty-something rock-and-roll goofball calling himself an old-anything, consider this: Mac DeMarco has spent the better part of his time thus far writing, recording, and releasing an album of his own music pretty much every calendar flip. This Old Dog makes for his fifth in just over half a decade_bringing the total to 3 LPs and 2 EPs. According to the DMV, DeMarco is 26. But in working-dog years, ol' Mac here could easily qualify for social security. To stay gold, turns out all he needed was some new tricks.It was a little space_in time, location, and method_that inspired DeMarco while making the record. Moving from his isolated Queens home to a house in Los Angeles helped give the somewhat transient Canada-native a base, and a few more months on his calendar to create did their job as well. Arriving in California with a grip of demos he'd written in New York, he realized after a few months of setting up his new shop_complete with a few new toys_that the gap was giving him perspective (insert tooth joke here).Right off the bat, from the pops and clicks of the CR-78 drum machine and acoustic strums on the album-opening "My Old Man," the synth-drenched beauty of the second track, "This Old Dog," it's clear that DeMarco's bag is filled with new tricks indeed. This Old Dog is rooted more in a synth-base than any of his previous releases, but he is careful not to let that tactic overshadow the other instruments and overall "unplugged" mood of the work: "This is my acoustic album, but it's not really an acoustic album at all. That's just what it feels like, mostly," says DeMarco.Despite the changes considered during the creation of This Old Dog, Mac DeMarco's mid-twenties masterpiece, it's clear that the engine that motors him is in no danger of slowing down.
Michael Mayer - The Floor Is Lava
Michael Mayer
The Floor Is Lava
2LP | 2024 | EU | Original (Kompakt)
27,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

It’s followed by “Vagus”, a slinky, sensual minimal house number that Mayer describes as his “musical catnip”. The flow of these two opening cuts defines the dynamic of The Floor Is Lava, defining the dialectical drive at its core: thesis and antithesis leads to synthesis, but with a welcome prickliness that means you’re always excited, always engaged. It’s also productive in the way it derives energy from rubbing genres and sounds against each other, in unexpected ways, for maximum musical frisson. There’s psychedelic techno on “Feuerstuhl”, more minimal techno with “Ardor” (Mayer mentions ‘Immer 1’ era 90s minimal as inspiration), slippery, Shepard-tone breakbeat through “Sycophant”, a lovely, lush vocal turn on the poppy “The Solution”.

The album closes with the melancholy “Süßer Schlaf”, where Mayer sets a poem by Goethe to one of his most haunted, moving pieces of music yet, in an abstract tribute to a lost friend. It’s one of the most affecting moments on The Floor Is Lava. There’s also an update on 2020’s wild Brainwave Technology EP, with the surrealist glitter-stomp of “Brainwave 2.0” (check out those handclaps!),where Mayer’s thinking about the socio-political precipice of the now: “I’m reading with great interest about this whole complex of how humanity is about to cross so many lines and the implications that the resulting financial and educational inequality will bring.”

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”
Twit One - Steppingstones
Twit One
Steppingstones
LP | 2011 | DE | Original (Melting Pot Music)
22,99 €*
Release: 2011 / DE – Original
Genre: Hip Hop, Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Still sealed.
Eat-Girls - Area Silenzio Transparent Vinyl Edition
Eat-Girls
Area Silenzio Transparent Vinyl Edition
LP | 2024 | EU | Original (Bureau B)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Area Silenzio is eat-girls" debut record and it is both haunted and haunting. For the past four years, the French trio have been crafting their songs into little self-contained worlds with the patience of entomologists, taking them out all over the country and Europe to confront them with the wilderness of a live audience. The ten resulting tracks are a collection of electronic madrigals, groove-driven songs played on a mischievous multi-speed Victrola, ranging from languid dub drips to full-on drum machine cavalcades.Their live performances have that same ghostly, ephemeral quality. There is something other-worldy about the three of them, a suggestion of telepathy, their three voices blending together or going their separate ways like a flock of starlings. They secured opening slots with artists as different as Thalia Zedek, Exek and The Young Gods, just to name a few. It is the elusive essence of their music that allows them to feel at ease pretty much anywhere they find themselves: part no-wave disco rhythms, part post-punk throbbing basses, folk tunes and synthesizers in equal measures, with a perpetual attention to hooks and melodies.The album was self-recorded, a necessary measure to protect the delicate nature of the inner landscapes painted by the band. In this case "delicate" does not mean "soft" by any means: the industrial disco inferno of "A Kin", the ritualistic kraut stampede of "Para Los Pies Cansados" and the bubbly post-funk rhythms of "Trauschaft" will leave you gasping for air once you come out on the other side. "On a Crooked Swing", the opener, is all arpeggiated bass and stumbling kicks. "Unison" will dip you into a hallucinatory river where nothing is what it seems to be and rescue you at the very last second. "Canine", the first single off the record, will gently but firmly reach for your jugular with its vulpine Farfisa and deceptively nonchalant drum beat. The vocal polyphonies on "3 Omens" sound like a field recording of traditional music from a tiny country that has y...
Gabor Lazar - Reflex
Gabor Lazar
Reflex
LP | 2024 | EU | Original (Raster)
31,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Reflex” is Gábor Lázár’s debut album on raster. His new record is a collection of seven tracks, featuring an extended sound palette of percussions and synthesizers drawing our attention towards the essential soundscapes of techno while maintaining his distinct, uncompromising and meticulously detailed style. While the tracks do not follow traditional narratives, the album has an evolution: it gently builds up from challenging, unpredictable, and organically composed structures to linear yet playful forms of techno-infused tracks, taking us on a journey from home listening environments to club contexts.

Our senses are stimulated by micro-variations of textures and patterns, leading us to the feeling of here and now, allowing us to observe our own reactions and thoughts evoked by the listening experience. Gábor’s consistent production techniques and intuitive compositional approach work together coherently, addressing the listener’s cognition from different angles simultaneously, offering a variety of ways for the listener to get immersed.
J Spaceman & John Coxon - Music For William Eggleston's Stranded In Canton Colored Vinyl Edition
J Spaceman & John Coxon
Music For William Eggleston's Stranded In Canton Colored Vinyl Edition
LP | 2024 | US | Original (Fat Possum)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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In 2015, J Spaceman, John Coxon, and friends performed a new original score for William Eggleston's Stranded in Canton live at a special film screening at the Barbican Gallery in London. The recording sat on a shelf for 10 years, and is finally unveiled through this release. Housed in gatefold jackets with matte varnish and UV spot outer printing. Includes an 8-page booklet. Limited white vinyl edition features alternate artwork. Spaceman and Coxon will perform the work in London, New York, Los Angeles, and Eggleston’s hometown of Memphis, on the invitation of the photographer’s son Winston Eggleston.
200 Degrees - Love Bugs
200 Degrees
Love Bugs
12" | 1998 | DE | Original (Mighty)
3,99 €*
Release: 1998 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Chris Burns & His Growing Concerns - Kablooey!
Chris Burns & His Growing Concerns
Kablooey!
LP | 2024 | US | Original (Celluloid Lunch)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Montreal-based musician Chris Burns played his first gig when he was 15 years old, back in 1982. Today, aged 57, he is more active than ever. Primarily a guitarist, he is also a composer, improviser, singer and songwriter. His distinctive style can be heard in a vast and varied catalogue of records and soundtracks spanning over 40 years and some 50 releases by artists such as Terminal Sunglasses, American Devices, Nutsak, Crackpot, The Ratchet Orchestra and, most recently, Tha Retail Simps. Chris Burns & His Going Concerns is the culmination of everything he has experienced, learned, unlearned, toiled over, honed and forgotten throughout his musical adventures. Herein: passionate, committed and energetic performances featuring strong musicianship mixed with a healthy dose of cathartic abandon. Edition of 150 copies.
Fastmusic - I Want To Love And I Love
Fastmusic
I Want To Love And I Love
LP | 2024 | EU | Original (Fun In The Church)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Formal Sppeedwear - Formal Sppeedwear EP
Formal Sppeedwear
Formal Sppeedwear EP
12" | 2024 | UK | Original (Melodic)
16,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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From the furnaces of Stoke-On-Trent comes the super-limited debut EP from Formal Sppeedwear, a wonky new wave teacup ready to be sipped.

Taking creative cues from Brian Eno’s Oblique Strategies and Conny Plank’s experimental recording techniques to flesh out synthpop-oriented melodies, the EP stomps along with Scary Monsters-era Bowie guitar lines, early 80s Numan basslines and surreal lyrics - “Ready, set on my mark: Tesco Extra, Marks and Sparks” cries Clewlow on 6 Lofty Ash. There’s a versatility to the tracks; with the jolting staccato of The Line counter punched by EP closer and highlight Dismount’s soaring synth slow burn.

Defying the seas of young musicians moving to London and Manchester to find their path, Beck Clewlow (Bass, Vocals, Synthesisers) Charlie Ball (Guitar, synthesisers), and Connor Wells (Drums, Guitar, Synthesisers) stuck it out in Stoke, using the city as a blank canvas - devoting their spare time to writing and experimenting, building their own studio out of charity shop finds and cash-converter synths and recording equipment.

Out in the creative wilderness of Staffordshire there’s a healthy DIY scene brewing with bands waiting to make their mark; fly posting their own shows, making one-off merch for each gig, sharing lineups with one another. “There is no sense of geographical confinement here, there’s a wealth of talent who act indifferently to their surroundings. It’s particularly nice that some of our friends from here are starting to receive attention from elsewhere” say the band. As fellow locals University and Christian Music start to garner attention from the rest of the UK, it’s time for Formal Sppeedwear to follow suit.

Stoke-on-Trent might not be the first place you’d look to find your favourite new band - The Bootleg Beatles are one of its finest exports if you ask Google - but Formal Sppeedwear are here to show you the kilns are alright.
Trashcan Sinatras - Wild Pendulum
Trashcan Sinatras
Wild Pendulum
LP | 2023 | EU | Original (BFD)
30,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Nothing - Guilty Of Everything
Nothing
Guilty Of Everything
LP | 2014 | EU | Reissue (Relapse)
24,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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=Zh= - Night Runner EP
=Zh=
Night Runner EP
12" | 2024 | EU | Original (Signals From Outer Space)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Dark forests, moonlit landscapes, winding roads - this is the realm of =zh=, a new electro side project by Christian Gleinser. Embark on a nocturnal journey...
The Black Dog - Sleep Deprivation
The Black Dog
Sleep Deprivation
CD | 2024 | EU | Original (Dust Science)
12,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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“Sleep Deprivation” began in 2006, during a time when our sleep patterns were drastically altered by constant travel and late-night gigs. This relentless cycle of broken sleep became a persistent part of our lives, and over time, we noticed something remarkable: our music became more emotional, raw, and vulnerable. Sleep, or the lack of it, affects every aspect of life, and its influence on our creative process was undeniable. For this album, we chose to embrace that emotional intensity, allowing it to take centre stage over traditional arrangements. Sleep deprivation blurs the lines of logic, and the part of the brain that usually handles structure and order begins to falter. In that haze, deeper feelings rise to the surface, unfiltered and honest. With this album, we surrendered to that experience, letting the emotional chaos shape the music, and the result is an exploration of what happens when you’re pushed to your limits, both physically and creatively.
Gnod + Mc Sissi - Inner Fucking Peace
Gnod + Mc Sissi
Inner Fucking Peace
LP | 2024 | UK | Original (Rocket)
23,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Less than six months after Gnod rewired their sound for the umpteenth time, with the release of deliciously detailed deep listener Spot Land, they’re back with another album and a whole new approach. Inner Fucking Peace comprises eight tracks for voice and electronics – varied in style but connected in feeling and recorded as a trio. Chris Haslam and Paddy Shine, the two ever-present members in the Gnod lineup since their first stirrings in mid-2000s Salford, are completed by Portuguese vocalist MC Sissi. Inner Fucking Peace is the first time MC Sissi, or Cecilia de Fatima dos Santos, a very well known name in Portuguese experimental circles has recorded with Gnod. From the minimalist tuned percussion of ‘Stop’, to the shuffling beats and spaced-out synth on ‘Perde-Te Onde Quiseres’, to ‘Get Out’ and its ominous electronics and crashing industrial drums (combined with Sissi’s irate-sounding vocal, here Gnod are on a tip that compares to great Bristolian duo and recent touring partners Harrga), to the supremely chopped & screwed woodwind that’s central to ‘Flute Theme’, to ‘Reprise’s hypnotic hand drum workout, to ‘Tea & Eggs’ – ten minutes of reggaeton-goneminimal-synth – to ‘Olivia’, named after Sissi’s niece and the track’s guest vocalist, to ‘Cannela Crematoria’ closing us out and hitting a zenith of gloominess with some more industrial battery folded in…this is a full on Gnod vibe shift that also makes total sense in their infamously extensive discography. With this band enjoying hard-won freedom from release schedule tyranny, they – just like us – don’t know what’s next on the recording agenda, or if there’ll be more Gnod & MC Sissi collab albums, but this is an engrossing introduction to the partnership. In the short term, the trio will be playing some European shows in the autumn, including a slot at Utrecht festival Le Guess Who? in November
Slower - Rage And Ruin Neon Orange Vinyl Edition
Slower
Rage And Ruin Neon Orange Vinyl Edition
LP | 2024 | EU | Original (Heavy Psych Sounds)
28,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Neon orange vinyl, limited to 300 copies.Bob Balch from FU MANCHU here. The idea for the SLOWER project started around four years ago. I was teaching a student how to play "South Of Heaven" by SLAYER but she was a beginner so we slowed it down. I thought that sounded cool so I tuned down to B standard and tried it. I added some drums and thought "someone in the doom community should do this and name it SLOWER."A few years later I befriended Steven "Thee Slayer Hippy" Hanford, best known for his work as the drummer in the influential Oregon punk band Poison Idea. He was backstage at a FU MANCHU show. Oddly enough I was wearing a POISON IDEA shirt and he told me that my shirt sucks. I asked who he was and why he was in our backstage. He told me and I felt stupid. We started drinking whiskey and talking about music. We stayed in touch over the next year or so and during Covid I told him about my SLOWER idea. He asked me to send him tracks. I waited too long because the day I sent the tracks he passed away. Totally tragic. I'm glad I got to know him even for a few years. He was a monster musician with a giant heart.He will be greatly missed.I shelved the project for a while after that. One day Esben from MONOLORD posted about musical collaborations. I love MONOLORD so I thought what the hell. I sent him some tracks and he killed it on drums. So I sent more. Then more. Shortly after that we started reaching out other musicians to get them involved. That's how we ended up with this lineup. Everyone that contributed completely knocked it out of the park and I can't thank them enough.This project has been a long time coming and I'm beyond stoked on how it turned out. Without all of the players involved, Steven Hanford and my baritone Reverend guitar it wouldn't have happened. Thanks to everyone involved and I hope you dig it! I'm a giant SLAYER fan so it's been a treat to dig into these classic songs. Hopefully we can do another record in the near future. Look out for shows because they will happen!
Danny Parton, Mike Parton - JOLENE 01
Danny Parton, Mike Parton
JOLENE 01
12" | 2024 | EU | Original (Jolene)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Danny & Mike Parton display their passion of innovative sampling techniques. They transform their musical influences into 4 tracks of modern 90's House/ Frenchtouch.
Picture
Coming Soon
V.A.
Now - Yearbook 1980
3LP | 2024 | UK | Original (Now)
38,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Il Bosco - The Darkroom EP
Il Bosco
The Darkroom EP
12" | 2024 | UK | Original (Red Laser)
18,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Red Laser gets on a kinky tip, where poppers are currency and salacious activities mandatory as label chief Il Bosco grabs us by the nethers and heads for 'The Darkroom EP'.

Inspired by amyl-soaked tales of Euro basement sex club debauchery, and steadily edging its way to a never-ending climax, the EP is a highly charged exercise in x-rated synth-jizz and erotic Manctalo that'll have you quickly believing you're surrounded by massive pulsating dicks on a cocktail of GHB and Mkat.
Maintaining a persistent throb throughout, the EP has us reaching blindly through clouds of pink saturated club smoke, unsure of what our sweat-soaked hands will grasp on to.

Two remixes alongside three originals. Fabrizio Mammarella has the blood rushing to our head quicker than a whiff of Rush Black Label* on his mix of 'Notio Botherdini'. Adding extra acid for a trippier sexperience and urging willing participants to "close your eyes" as he achieves maximum thrust.

Meanwhile local Stretford poppers enthusiast** Bob Swans also has a fumble in the shadows, remixing 'Dark Room' with late late late on in the session in mind - a time of carnal lucidity and primal urges that'd make even Michael Barrymore's peculiar desires look vanilla. It's a sparse and special redux, fluffing us with that latexy bassline and never-ended sfx trails until we're quite literally cumming in your ears.
Apologies, that probably was a bit graphic.

*Poppers brand highly endorsed by Red Laser contributor Count Van Delicious

**Red Laser only hypothesizes to said producer's poppers usage.
Mac DeMarco - Salad Days
Mac DeMarco
Salad Days
Tape | 2014 | US | Reissue (Captured Tracks)
16,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie
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"As I'm getting older, chip up on my shoulder..." is the opening line from Mac DeMarco'ssecond full-length LP `Salad Days,' the follow up to 2012's lauded `Mac DeMarco 2.'Amongst that familiar croon and lilting guitar, that initial line from the title track sets the tonefor an LP of a maturing singer/songwriter/producer. Someone strangely self-aware of thepositives and negatives of their current situation at the ripe old age of 23.Written and recorded around a relentless tour schedule (which picked up all over again assoon as the LP was done), `Salad Days' gives the listener a very personal insight into whatit's all about to be Mac amidst the craziness of a rising career in a very public format. Thelead single, "Passing Out Pieces," set to huge overdriven organ chords, contains lines like"...never been reluctant to share, passing out pieces of me..." Clearly, this isn't the samerecord that breezily gave us "Dreamin," and "Ode to Viceroy" but the result of what comesfrom their success. "Chamber of Reflection," a track featuring icy synth stabs and soulfulcrooning, wouldn't be out of place on a fantasy Shuggie Otis and Prince collaboration.Standout tracks like these show Mac's widening sound, whether insights into futuredirections or even just welcome one-off forays into new territory.Still, this is musically, lyrically and melodically good old Mac DeMarco, through and through.The same crisp John Lennon / Phil Spector era homegrown lush production that could havewalked out of Geoff Emerick's mixing board in 1972, but with that peculiar Mac touch that'scompletely of right now. "Brother," a complete future classic, is Mac at his most soulful andeasygoing but with that distinct weirdness and bite that can only come from Mr. DeMarco."Treat Her Better" is rife with "Mac-isms," heavily chorused slinky lead guitar, swooningvocal melodies, effortless chords that come along only after years of effort, and the otherelements seriously lacking in independent music: sentiment and h...
Goshawk - Loyalty EP
Goshawk
Loyalty EP
12" | 2024 | Original (Lumberjacks In Hell)
16,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Lumberjacks in Hell proudly presents its next 12" from the English producer Goshawk, marking his much-anticipated debut on the label. Goshawk brings a solid repertoire of productions characterised by a soulful disco vibe, already showcased in his collaborations with Erik Rico on Atjazz Record Company and Situatism, not to mention his stellar remix for Groovement Inc. - Love and Affection.
Buffalo Tom - Let Me Come Over
Buffalo Tom
Let Me Come Over
LP | 1992 | UK | Reissue (Beggars Banquet)
27,99 €*
Release: 1992 / UK – Reissue
Genre: Rock & Indie
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Matthias Schildger - Radiation Dance
Matthias Schildger
Radiation Dance
12" | 2024 | EU | Original (Mainrecords)
12,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Mainrecords is back with the long awaited "Radiation Dance EP" by co-labelowner Matthias Schildger.
Zoo Brazil - Stand Alone EP
Zoo Brazil
Stand Alone EP
12" | 2024 | EU | Original (Housewax)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Rawax proudly welcomes Zoo Brazic to the artist Family! We are very happy to have such a heavy weight of music with us now! The first strike will be the outstanding release on Housewax called "Stand Alone EP". It's expected early September. stay tuned for more!
Slower - Rage And Ruin Black Vinyl Edition
Slower
Rage And Ruin Black Vinyl Edition
LP | 2024 | EU | Original (Heavy Psych Sounds)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Bob Balch from FU MANCHU here. The idea for the SLOWER project started around four years ago. I was teaching a student how to play "South Of Heaven" by SLAYER but she was a beginner so we slowed it down. I thought that sounded cool so I tuned down to B standard and tried it. I added some drums and thought "someone in the doom community should do this and name it SLOWER."A few years later I befriended Steven "Thee Slayer Hippy" Hanford, best known for his work as the drummer in the influential Oregon punk band Poison Idea. He was backstage at a FU MANCHU show. Oddly enough I was wearing a POISON IDEA shirt and he told me that my shirt sucks. I asked who he was and why he was in our backstage. He told me and I felt stupid. We started drinking whiskey and talking about music. We stayed in touch over the next year or so and during Covid I told him about my SLOWER idea. He asked me to send him tracks. I waited too long because the day I sent the tracks he passed away. Totally tragic. I'm glad I got to know him even for a few years. He was a monster musician with a giant heart.He will be greatly missed.I shelved the project for a while after that. One day Esben from MONOLORD posted about musical collaborations. I love MONOLORD so I thought what the hell. I sent him some tracks and he killed it on drums. So I sent more. Then more. Shortly after that we started reaching out other musicians to get them involved. That's how we ended up with this lineup. Everyone that contributed completely knocked it out of the park and I can't thank them enough.This project has been a long time coming and I'm beyond stoked on how it turned out. Without all of the players involved, Steven Hanford and my baritone Reverend guitar it wouldn't have happened. Thanks to everyone involved and I hope you dig it! I'm a giant SLAYER fan so it's been a treat to dig into these classic songs. Hopefully we can do another record in the near future. Look out for shows because they will happen!
The Smashing Times - Mrs. Ladyship And The Cleanerhouse Boys
The Smashing Times
Mrs. Ladyship And The Cleanerhouse Boys
LP | 2024 | US | Original (K)
26,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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The Bug Club - Rare Birds
The Bug Club
Rare Birds
2LP | 2024 | UK | Original (Bingo)
29,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Alex Font, Crihan, Paul K - Mis Hermanos Rumanos Part 3 EP
Alex Font, Crihan, Paul K
Mis Hermanos Rumanos Part 3 EP
12" | 2024 | EU | Original (Acme Music)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Its been 7 years since I introduced the first part of this series >Mis Hermanos Rumanos< with Sepp and later (Part 2) with Faster and Nu Zau. Seven years later the saga of Romanian brothers grows and continues, it is a pleasure to be able to bring together two good friends and talented artists from the great and already proliferating minimal scene of this country. In this third part we can find a darker and percussive sound, acoustic string instruments and at the same time maintaining the minimalist essence that characterizes Acme. I hope you enjoy this third installment, we really appreciate your support with the purchase of this record, it is very important for us to be able to continue investing in this quality format. I hope to see you somewhere soon, With love, Alex Font.
Haunt - Windows Of Your Heart Colored Vinyl Edition 2
Haunt
Windows Of Your Heart Colored Vinyl Edition 2
LP | 2022 | EU | Original (Iron Grip)
22,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Buffalo Springfield - Last Time Around
Buffalo Springfield
Last Time Around
LP | 1969 | US | Reissue (ATCO Records)
14,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Beginner (Absolute Beginner) - Bambule Boombule - The Remixed Album
Beginner (Absolute Beginner)
Bambule Boombule - The Remixed Album
Flexi-disc | 2000 | DE | Original (Motor)
9,99 €*
Release: 2000 / DE – Original
Genre: Hip Hop
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Used Vinyl
Medium: VG+, Cover: Generic
flexi disc promo copy
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Sessa
Grandeza
LP | 2019 | US | Reissue (Mexican Summer)
28,99 €*
Release: 2019 / US – Reissue
Genre: Rock & Indie
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Dee C Lee
Extended Versions
12" | 2024 | Original (Acid Jazz Uk)
16,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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V.A.
Now - Yearbook 1981
3LP | 2024 | UK | Original (Now)
38,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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V.A.
Now - Yearbook 1979
3LP | 2024 | UK | Original (Now)
38,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Felix Fleer - Premise EP
Felix Fleer
Premise EP
12" | 2024 | EU | Original (Serial Sound)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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With his Premise EP, Felix Fleer unites long-held ideas into a cohesive and deeply personal collection, offering a unique blend of intricate textures and fragile harmonies that reward attentive listeners with its meticulous attention to detail. The title track “Premise“ opens the A- side with an infectious garage groove and Fleer’s signature brand of detuned vintage polysynths, building up to a bright crescendo that reveals a rhythmically captivating vocal hook. “Know U” features a piercing drum groove, occasionally interrupted by abstract Buchla glitches and a reduced RnB vocal chop paired with ethereal, almost organ-like layers of pads to culminate in a stripped-down moment for the bass line to take center stage. The main theme of “Thinkage” is a classic break paired with a layered pattern of abstract, percussive vocal chops. This rhythmic pulse is accompanied by a wild harmony of constantly warping and evolving pads and drawn-out bass sounds. Opening the B-side, “Real Love” is the darkest tune on the EP. Its unstable chords and intricate, unpredictable textures induce a constant sense of unease, held together by a subtle techno groove. “Rush” contrasts this with a euphoric chord progression reminiscent of early post-dubstep anthems. The EP closes with “Drift,” a final climax that revisits previous themes, offering a powerful and uplifting resolution.
Limpe Fuchs / Mark Fell - Dessogia / Queetch / Fauch
Limpe Fuchs / Mark Fell
Dessogia / Queetch / Fauch
3LP | 2024 | EU | Original (Black Truffle)
42,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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The 2015 edition of Winnipeg’s send + receive festival, focussed on rhythm, turned out to be a generative meeting of minds. There, Mark Fell encountered the music of Will Guthrie, a meeting that was eventually to result in the frenetic acoustic drumkit and digital synthesis pairing heard on Infoldings and Diffractions (2020). At the same festival, Limpe Fuchs first heard and appreciated the music of Mark Fell, planting the seed of a collaboration that came to fruition when Fell (along with his son Rian Treanor) visited Fuchs at her home in Peterskirchen, Germany in September 2022. Black Truffle is pleased to announce the release of the results of this extensive session in the audacious form of a triple LP, housing over two hours of music across its six sides. The collaboration might appear unlikely: what common ground could exist between Fuchs, classically trained pianist, legend of improvised music, instrument builder and sound sculptor active since the 1960s, whose group Anima Sound connected the dots between free jazz, krautrock and ritual, and Fell, proponent of radical computer music, known for his bracingly austere productions that twist remnants of club music into algorithmic stutters? For all their seeming disparity in technology, approach and background, the music on Dessogia/Queetch/Fauch makes it immediately evident the pair share a great deal in their essentially percussive approach and ability to, in Fuch’s phrase, ‘establish silence’. Recording at her home studio, Fuchs had the use of her entire array of instruments, found, invented, and traditional, and treats the listener to some that don’t often make their way to concerts, including extensive passages performed (with Gundis Stalleicher) on pieces of wooden parquetry. Alongside metallic, wooden and skin percussion of all kinds, sounded and struck in every conceivable way, we also hear bamboo flute, viola, and Fuchs’ distinctive free-form vocalisations. Fell also stretched himself, with his contributions ranging from characteristically fizzing pitched percussive pops to swarms of sliding tones and abstract digital noise. Showing both remarkable restraint and improvisational freedom, much of the music consists of duets between a single percussion instrument and a distinctive mode of digital sound, often lingering in one timbral-rhythmic space for minutes at a time. Improvisational forward momentum coexists with a free-floating, wandering quality. On opener ‘Dessogia I’, the shimmering almost-gilssandi tones of Fuchs’ enormous set of microtonally tuned metal tubes ripples across Fell’s rubbery pulse, which moves up the frequency spectrum as Fuchs becomes more animated and switches to horn. At some points, as on the metallic chiming tones that open ‘Fauch I’, only the unexpected dynamic behaviour of Fell’s sounds distinguish them from Fuchs’ acoustic instruments. At others, like on ‘Queetch Iii’, the waves of sliding tones and noise textures are bracingly synthetic, joined by piercing squeaks and scrapes from Fuchs’ metal objects. Epic in scope, immersing the listener in an entirely distinctive world of sounds, and thrillingly bold in its melding of the most ancient musical procedures with cutting edge technologies, Dessogia/Queetch/Fauch is an unexpected major statement from two of the great mavericks of contemporary music.
Glok/Timothy Clerkin - Alliance White Vinyl Edition
Glok/Timothy Clerkin
Alliance White Vinyl Edition
LP | 2024 | EU | Original (Bytes)
26,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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RIDE"s Andy Bell, recording under his electronic alter ego GLOK, and the producer and Insult to Injury label boss Timothy Clerkin have joined forces for Alliance, a brand new seven-track album released by Bytes.
Sweatson Klank / Kondi Band - Money Face EP
Sweatson Klank / Kondi Band
Money Face EP
12" | 2024 | US | Original (Friends Of Friends)
19,99 €*
Release: 2024 / US – Original
Genre: Electronic & Dance
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Renowned producer Sweatson Klank and the critically acclaimed Kondi Band join forces on a compelling new single, "Money Face". This deep mid-tempo afro house track features the legendary Sorie Kondi from Kondi Band, delivering a poignant narrative about how the Sierra Leonean government used the image of his face on their newly printed currency without his consent, leaving him uncompensated and left to face the daily struggles of life in Freetown. It"s a modern protest anthem rooted in Afro Beat and World Music influences driven by the pulse of a dance floor friendly Disco track.
Eat-Girls - Area Silenzio Black Vinyl Edition
Eat-Girls
Area Silenzio Black Vinyl Edition
LP | 2024 | EU | Original (Bureau B)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Royal Trux - Untitled (Remastered) White Vinyl Edition
Royal Trux
Untitled (Remastered) White Vinyl Edition
LP | 1992 | US | Reissue (Fire)
25,99 €*
Release: 1992 / US – Reissue
Genre: Rock & Indie
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1992’s ‘Untitled’ brought the band’s third album that re-cemented the duo once again as the progenitors of the “lo-fi” genre. This breakthrough set transitioned "The Trux" into a never ending all-inclusive rotating cast of musicians. Continuing Fire Records’ series of classic remastered albums from Royal Trux, ‘Untitled’ is released on white vinyl and features updated monochrome and silver artwork.

As unpredictable as ever, Neil Hagerty and Jennifer Herrema shook off the next level layering and noise of ’Twin Infinitives’ to embrace the history of rock ‘n’ roll in all its deformed grandeur. Utilizing their ever present mind set of macro-inclusivity, they allowed the subconscious "radio stations" of their lives to infiltrate, lead, and dictate. Culling from their collective minds and memories twisted tunes that touched them. After the blood rush of their much-hailed avant-garde masterpiece ‘Twin Infinitives’ (1988), this eight-song opus added to the lo-fi genre that originated on ‘Twin Infinitives’.

On ‘Untitled’ Hagerty uses his 5-string blues roots and hails rock’s twisted potential, while Herrema slurs and snarls in ecstasy. They sound like they’re locked in a fourth-floor boudoir at the Chelsea Hotel; bottles clink, an album clicks on its run-out groove, the band plays on. In the mix are the characters and casualties of the 90s, a roll call of swaggering misfits. These aren’t superficial sketches, the Trux cut much deeper than that…

“‘Junkie Nurse' isn't just about addiction; it's about the twisted hope that even the most broken people can somehow mend others, even when they're falling apart themselves." Jennifer Herrema, Royal Trux.

With ‘Untitled’ Royal Trux justifiably increased their coterie of convicted followers, becoming the cult heroes for a transgressive generation, and the Rosetta Stone for male/female duos (ie:The White Stripes, The Kills etc... ) over the years inspiring everyone from The Silver Jews (David Berman) & Sonic Youth through to melodic blue-eyed soulsters like Hot Chip - “I urge and encourage you to enter the harmolodic multiverse of their music.” Alexis Taylor, Hot Chip

“Royal Trux were nothing if not fearless.” Pitchfork
Blaudzun - Latter Days
Blaudzun
Latter Days
LP | 2024 | Original (Popup-)
23,99 €*
Release: 2024 / Original
Genre: Pop
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Dec Hickey - From Heaven To Heaven - New Order Live (1981-1984)
Dec Hickey
From Heaven To Heaven - New Order Live (1981-1984)
Damaged Goods Books
47,99 €*
 
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Out of print since its initial 2012 very limited first edition run. Contains exclusive 7" featuring previously unreleased 1983 interview with Barney Sumner conducted by the author. Over 400 unique-to-this-publication photos of the band and 200 plus images of rare memorabilia.Forewords by Peter Hook and Stephen Morris. Introductions by Moby and Paul Morley.Hardback: 198 full colour pages - 252mm(H) x 305mm(w), landscape, art book-style format in slipcase. No one has ever documented the early live career of a truly iconic band in such detail. Dec Hickey saw every New Order UK gig between Feb '81 and June '84 - some fifty plus nights!"Up until about 10 minutes ago I thought that the depths of my Joy Division/New Order obsession were untouched/unmatched. Then I looked through this book. Ah boy, I'm beaten. And in awe_ " - Moby"I can very much understand someone having an obsession with New Order... It was inevitable that a fan, a loyal, attentive follower, of such a group on such a meticulous label releasing records packaged with such scrupulous suggestive care would themselves be particularly obsessive... The fan(atic) symbolises the idea that without obsession, life is nothing... For the fan, New Order are an ideal object of desire, the perfect pop group - in the form of a perfect puzzle, an actual sign of fluid intelligence - to obsess over, to collect, analyse, interpret, treasure and ultimately possess." - Paul Morley (Tiny extract from his Introduction to the book)"The epic book... one amazing tome... a cultural history and an essential addition to any New Order fan's life... a much-treasured item..." - John Kennedy (X-posure/Radio x) Rough Trade, London - "Lavish and stunning book" Damaged Goods Books, DAMBOOK5. ISBN: 9781916232730
Interlaker - Interlaker Apricot Vinyl Edition
Interlaker
Interlaker Apricot Vinyl Edition
LP | 2024 | EU | Original (Hassle)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Long Knife
Curb Stomp Earth
LP | 2023 | Original (Sabotage)
22,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Chris Potter - Sunrise Reprise
Chris Potter
Sunrise Reprise
LP | 2021 | EU | Original (Edition)
26,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Roy Woods
Waking At Dawn Expanded
LP | 2023 | UK | Original (Ovo Sound)
24,99 €*
Release: 2023 / UK – Original
Genre: Organic Grooves
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Tony Valentino - Dirty Water Revisited
Tony Valentino
Dirty Water Revisited
LP | 2023 | EU | Original (Big Stir)
21,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Morse / Portnoy / George
Cov3r To Cov3r
3LP | 2020 | EU | Original (Inside Outmusic)
29,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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You & I - Suitcase Stories Lost Desert Remix
You & I
Suitcase Stories Lost Desert Remix
12" | 2024 | Original (La Musique Du Beau Monde)
23,99 €*
Release: 2024 / Original
Genre: Electronic & Dance
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(Lost Desert remix) Lost Desert, one of the biggest names in the organic house/ downtempo scene is back to vinyl with an amazing remix of Suitcase Stories, a track build around the iconic synthriff from Duran Duran’s classic “Save a Prayer”.The original extended version (B1) released in 2019, was played by Fatboy Slim, Paul Oakenfold, Tiësto, Armin, R3had, Hardwell, amongst others.
Rone - Spanish Breakfast - 15 Years Anniversary Edition Neon Pink edition
Rone
Spanish Breakfast - 15 Years Anniversary Edition Neon Pink edition
LP | 2009 | Original (Infine)
30,99 €*
Release: 2009 / Original
Genre: Electronic & Dance
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15 Years Anniversary Edition of the debut full length from French producer/DJ Rone. Printed on Neon Pink Transparent bio-vinyl.

In 2009, Rone released Spanish Breakfast, an album that marked the first step of an extraordinary musical journey. Today, as we celebrate its 15th anniversary, we’re thrilled to announce a special edition reissue — sustainably crafted on vibrant neon pink vinyl, created as a tribute to the album that started it all. This limited release isn’t just a record; it’s a piece of history and a celebration of where it all began.

A record of simmering techno bubbles and gentle wells and releases swimming elegantly over its duration. A playful and woozy effort, Rone fills up the stereo field with widescreen synthscapes and dreamy bleeps popping from every audio crevice. In Spanish Breakfast the young Frenchman has crafted a player that is primed for hazy Spring afternoons bathed in sunshine. bleep like this alot...
Bryan Ferry - These Foolish Things
Bryan Ferry
These Foolish Things
LP | 1977 | DE | Reissue (Polydor)
8,99 €*
Release: 1977 / DE – Reissue
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Bryan Ferry - Another Time, Another Place
Bryan Ferry
Another Time, Another Place
LP | 1974 | CA | Original (Atlantic)
6,99 €*
Release: 1974 / CA – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Cover has slight ring wear.
Bryan Ferry - Let's Stick Together
Bryan Ferry
Let's Stick Together
LP | 1977 | DE | Reissue (Polydor)
8,99 €*
Release: 1977 / DE – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Bryan Ferry - The Bride Stripped Bare
Bryan Ferry
The Bride Stripped Bare
LP | 1978 | DE | Original (Polydor)
8,99 €*
Release: 1978 / DE – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Joni Mitchell - Mingus
Joni Mitchell
Mingus
LP | 1979 | US | Original (Asylum Records)
16,99 €*
Release: 1979 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
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