HHV Records 102 Items

• Crafted from high quality materials and components
• Pre-mounted Ortofon OM5E Cartridge
• Pre-mounted Bluetooth 5.0 Module

Timeless Design
The Transparent Turntable is a reinvention of a classic vinyl record player, designed for a modern home and an ever evolving technology. The Transparent Turntable is meticulously crafted out of aluminium and tempered glass. It is a belt driven system with a built in phono stage, and a pre-mounted cartridge from Danish Ortofon.

• Cartridge: Ortofon OM5E (MM)
• Stylus: Elliptical Diamond

Modular
Just like all Transparent products the TT has a completely modular design. With the future in mind, it is made for flexibility, upgradability and repairability.

• Cartridge Mount: Standard ½ in
• Headshell Mount: Standard SME

Transparent Sound
The Transparent Turntable plays music to any sound system, but works best with a Transparent Speaker. It plays with effortless clarity and precision, and offers playback either through cable or Bluetooth.

• Wireless Module: Bluetooth 5.0
• Phono Stage: Built in (with on/off switch)

Technical Specifications:
• Nominal speeds: 33 ⅓ and 45 RPM
• Speed variance: 33: ±0.70% 45: ±0.60%
• Wow and flutter: 33: ±0.25% 45: ±0.25%
• Signal to noise: ≥ 70dB at 1kHz, 0dB A-weighted
• Frequency range: 20-25.000Hz +3 / -3
• Stylus tip radius: r/R 8/18 µm
• Tracking force range: 1.5-2.0 g (15-20 mN)
• Tracking force, recommended: 1.75 g (17.5 mN)
• Tracking angle: 20°
• Replacement stylus unit: Ortofon Stylus 5E
• Effective tonearm mass: 13.5g
• Effective tonearm length: 220mm / 8.7in
• Overhang: 19.5mm / 0.77in
• Max power consumption: 15W
• Dimensions (W x H x D): 410 x 125 x 320 mm / 16 x 5 x 13 in
• Weight: 6,5kg / 14lb
• Dimensions packaging (W x H x D): 580 x 240 x 460 mm / 23 x 10 x 19 in
• Weight incl. packaging: 7,0kg / 15lb
• Rated input voltage: 100~240Vac, @ 50/60Hz.
• Bluetooth version: 5.0
• Normal or True Wireless (stereo) pairing
• 3.5 mm port for digital optical and analogue signals
• µUSB port for 5V power
• RX and TX mode (switch)
• Chip: Qualcomm CSR8670C
• Codec: aptX LL / SBC / MP3 / AAC
• Low Latency: <40ms
• Gold-plated contacts for perfect signal transmission

UDG Ultimate Flight Case Portable Z-Style DJ Table provides a clean professional appearance and is conveniently easy to set up or tear down. A quality piece of furniture for venues, clubs and rental companies, built with industrial-strength materials. Constructed from sturdy 9mm thick plywood, the outer sides are laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern. It features edge roller wheels for convenient transport and heavy-duty spring-loaded handles for secure lifting and loading.

• Weight: 36,50 kg / 80.3 lbs
• EAN: 8718969213257
• Outer Dimensions (W x H x D): Folded: 119.5 x 61.0 x 23.7 cm | 47.0 x 24.0 x 9.3 inch
• Outer Dimensions (W x H x D): Opened: 119.5 x 91.3 x 71.1 cm | 47.0 x 36.0 x 28.0 inch
• Material: Heavy duty construction of 9 mm thick plywood

Protection:
• Powder coated anodized hardware
• Heavy duty construction of 9 mm vinyl laminated plywood
• Laminated in a black finish with honeycomb/hexagonal "Stage Grip" pattern
• Solid aluminum profiles
• Dual anchor rivets with included washer

Extra's:
• UDG heavy-duty spring-loaded handles
• Roller wheels with high quality in-line skate bearings for convenient transport
• Utility shelf for storage
• High grade aluminum UDG logo plate
• Secure stacking due to stackable ball corners

Fits:
• Holds a Maximum Weight of 45 kg/ 100 lbs. Evenly Distributed

UDG Ultimate Flight Case Portable Z-Style DJ Table provides a clean professional appearance and is conveniently easy to set up or tear down. A quality piece of furniture for venues, clubs and rental companies, built with industrial-strength materials. Constructed from sturdy 9mm thick plywood, the outer sides are laminated in a black finish with a honeycomb/hexagonal "Stage Grip" pattern. It features edge roller wheels for convenient transport and heavy-duty spring-loaded handles for secure lifting and loading.

• Weight: 36,50 kg / 80.3 lbs
• EAN: 8718969213998
• Outer Dimensions (W x H x D): Folded: 119.5 x 61.0 x 23.7 cm | 47.0 x 24.0 x 9.3 inch
• Outer Dimensions (W x H x D): Opened: 119.5 x 91.3 x 71.1 cm | 47.0 x 36.0 x 28.0 inch
• Material: Heavy duty construction of 9 mm thick plywood

Protection:
• Powder coated anodized hardware
• Heavy duty construction of 9 mm vinyl laminated plywood
• Laminated in a black finish with honeycomb/hexagonal "Stage Grip" pattern
• Solid aluminum profiles
• Dual anchor rivets with included washer

Extra's:
• UDG heavy-duty spring-loaded handles
• Roller wheels with high quality in-line skate bearings for convenient transport
• Utility shelf for storage
• High grade aluminum UDG logo plate
• Secure stacking due to stackable ball corners

Fits:
• Holds a Maximum Weight of 45 kg/ 100 lbs. Evenly Distributed

Hochwertige Box mit 20LPs.
"Downtown Records will be releasing For The Birds: The Birdsong Project on Dec. 9, 2022. It will be a 20 LP box set. It will be an art-filled, 20lp box set with more than 200 tracks of original music and bird-related poetry. Proceeds from the sale of this collection and supporting events will be dedicated to the protection of birds and the habitats they need, today, tomorrow, and for all our futures. Specifically it will go to the National Audubon Society. The Birdsong Project is a community dedicated to the protection of bird life, and to the celebration of the joy and mysteries of birdsong. Members believe that birds — no matter feather or flock — are precious and inspiring and fundamental to our world. That a world without birds would be a world without freedom and flight and song. Thus, the movement intends to inspire bird converstation through art." - Downtown Records

Featured Artists: Nick Cave & Warren Ellis, Beck, Alaska Reid & A. G. Cook, Danielle Haim, Karen Elson, Michael Rother & Vittoria Maccabruni, Jim James, Josh Kaufman feat. Annie Nero, Mike Campbell, Wally Wolodarsky, Alex Somers, Mark Ronson feat. Damon Albarn & Wale, Unkle, Emily Cross, Jelani Cobb, Beach House, Natalie Bergman, Uwade, Spring Summer, El Búho feat. Emilie Basez, Darius Christian & Reginald Chapman, Blake Mills, Richard Reed Parry, Tennessee Thomas, Kaoru Watanabe, Terry Riley, Tawiah, Elliot Bergman, Ray Young Bear, Jack Kornfeld, Hatis Noit, Tyondai Braxton, Lee Ranaldo, Kurt Vile, Jarvis Cocker, Haden Triplets, Donald Ray Pollock, Karen O, Molly Lewis, Tilda Swinton, Rudresh Mahanthappa, James McAlister, Nick Rhodes & Wendy Bevan, Adam Green, Suzzy Roche

Includes : 6 Vinyls (Three albums, one 7" and onde 10") + 17 Magazines + Poster

About "A Message From The Tribe"

Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique.

A MESSAGE FROM THE TRIBE 1st version (LP + 7")

The inaugural release from Tribe is getting its first ever analog reissue. The Tribe collective was focused primarily on live performances, and as an extension often included theatre and poetry. This first edition features a recording of one of their first performances, a musical entitled An Evening With The Devil, performed at the Detroit Institute of Arts. Highlights include original takes of “Where Am I”, a tune that morphs from fiery free jazz to breezy jazz fusion, and “What We Need”, a politically conscious jazz-funk number. The bonus 7-inch includes “Where Am I” and “How Do We End All Of This”, available only on this release.

A MESSAGE FROM THE TRIBE 2nd version (LP + 10")

Perhaps the best known version of this album, the second edition is adorned with an illustration of the Earth. Despite a track list overlapping with the first edition, each take is different from the prior edition, with a level of sophistication that was lacking from the previous disc. The A-side features music by Phil Ranelin, with precise grooves and a tight band making these renditions particularly funky. B-side features music by Wendell Harrison, offering forward more groove-forward tracks that are simultaneously thought and dance provoking. The second edition is smoother, groovier, and more modern than its predecessor but no less political. The attached 10-inch includes never before heard
instrumental versions, available only on the attached 10-inch disc. Highlighting the immense talent of the musicians that played on these recordings, the expansive horn section playing on these instrumental tracks makes for an almost big band-esque jazz funk sound. This is an important part of jazz history that you must listen to for yourself.

A MESSAGE FROM THE TRIBE 3rd version (45rpm Double LP)

The final edition is remixed and remastered, with special care taken during the mastering and cutting processes to ensure that the audio would be of the highest quality. Featuring a colorful illustration of Harrison, Ranelin, and vocalist Jeamel Lee on the front cover, the third edition sounds like a whole new record. Take “What We Need”, where the louder bass and kick drum has turned the funkiness up to 11, a mix that would be right at home at any club. Some of the grooves are almost hip-hop-esque, like the repetitive bassline and fender Rhodes on “How Do We End All Of This Madness” or the hi-hats and snares of the Harrison-penned jazz-funk “Beneficent”. We took special care to ensure that the audio quality would remain as originally intended, cutting the record as a double LP on 45rpm, heavyweight vinyl.

Includes : 6 Vinyls (Three albums, one 7" and onde 10") + 18 Magazines + Poster

About "A Message From The Tribe"

Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique.

A MESSAGE FROM THE TRIBE 1st version (LP + 7")

The inaugural release from Tribe is getting its first ever analog reissue. The Tribe collective was focused primarily on live performances, and as an extension often included theatre and poetry. This first edition features a recording of one of their first performances, a musical entitled An Evening With The Devil, performed at the Detroit Institute of Arts. Highlights include original takes of “Where Am I”, a tune that morphs from fiery free jazz to breezy jazz fusion, and “What We Need”, a politically conscious jazz-funk number. The bonus 7-inch includes “Where Am I” and “How Do We End All Of This”, available only on this release.

A MESSAGE FROM THE TRIBE 2nd version (LP + 10")

Perhaps the best known version of this album, the second edition is adorned with an illustration of the Earth. Despite a track list overlapping with the first edition, each take is different from the prior edition, with a level of sophistication that was lacking from the previous disc. The A-side features music by Phil Ranelin, with precise grooves and a tight band making these renditions particularly funky. B-side features music by Wendell Harrison, offering forward more groove-forward tracks that are simultaneously thought and dance provoking. The second edition is smoother, groovier, and more modern than its predecessor but no less political. The attached 10-inch includes never before heard
instrumental versions, available only on the attached 10-inch disc. Highlighting the immense talent of the musicians that played on these recordings, the expansive horn section playing on these instrumental tracks makes for an almost big band-esque jazz funk sound. This is an important part of jazz history that you must listen to for yourself.

A MESSAGE FROM THE TRIBE 3rd version (45rpm Double LP)

The final edition is remixed and remastered, with special care taken during the mastering and cutting processes to ensure that the audio would be of the highest quality. Featuring a colorful illustration of Harrison, Ranelin, and vocalist Jeamel Lee on the front cover, the third edition sounds like a whole new record. Take “What We Need”, where the louder bass and kick drum has turned the funkiness up to 11, a mix that would be right at home at any club. Some of the grooves are almost hip-hop-esque, like the repetitive bassline and fender Rhodes on “How Do We End All Of This Madness” or the hi-hats and snares of the Harrison-penned jazz-funk “Beneficent”. We took special care to ensure that the audio quality would remain as originally intended, cutting the record as a double LP on 45rpm, heavyweight vinyl.