HHV Records 166333 Items

LP | 2017 | US | Original (International Anthem)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Most of the musicians who gathered to record this fantastic spiritual jazz record for the Strata-East label on May 24th, 1974 had crossed each other's paths in various musical pairings over the preceding few years. Husband and wife team Dee Dee Bridgewater (vocals) and Cecil Bridgewater (trumpet) had been working together on albums like Frank Foster's "Loud Minority", and Roy Ayers' "Coffy" and "Virgo Red". Ten weeks before the "Freedom Of Speech" session, the couple had been joined in Tokyo by Cecil's brother Ronald Bridgewater (tenor saxaphone) to record Dee Dee's debut album, the beautiful "Afro Blue". Also in the studio on May 24th, 1974 was Donald Smith, (piano, vocals), fresh from recording on his older brother Lonnie Liston Smith's "Cosmic Funk" - on which Ronald Bridgewater had also played percussion. Cecil McBee (bass) was also there - just two weeks before, he'd completed his own Strata East date "Mutima", and in February he'd played on Mtume's "Rebirth Cycle" - with both albums also featuring Dee Dee Bridgewater on vocals. He'd also played on Lonnie Liston Smith's "Astral Travelling".
So 1974 was a huge year for all five of these people. Donald Smith and Cecil McBee were six months away from recording on Lonnie Liston Smith's massive "Expansions", with McBee fitting in a few Pharoah Sanders albums in between.
AND THEN, THE MYSTERY ... So with all this fervent activity, the question has to be asked ...Who was Billy Earl Parker Jr (drums), the leader of this session?
Billy Parker remains unlisted as a musician on all major jazz sites. His only other recording appears to be as a percussionist on Charles Tolliver's "Impact" in 1975.

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Makaya McCraven

Highly Rare

Collected Black Vinyl Edition

Release: 2017 / US – Original

Genre: Organic Grooves

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Highly Rare is a new mixtape produced and arranged by Makaya McCraven, featuring Junius Paul (bass), Nick Mazzarella (alto saxophone), and Ben Lamar Gay (cornet, diddley bow, voice). Recorded live to Tascam 424MKIII cassette four-track at the legendary Danny's Tavern in Chicago, Illinois.

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The Velvet Underground

2LP | 2017 | EU | Original (Music On Vinyl)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Collected Banana Peel Vinyl Edition

The Velvet Underground

2LP | 2017 | EU | Original (Music On Vinyl)

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (ECM)

Vijay Iyer Sextet

Far From Over

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Speakers Corner)

Miles Davis

Miles In Berlin

LP | 1956 | EU | Reissue (Speakers Corner)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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It's 1964 and the first Berlin Jazz Festival is about to reach its absolute peak: the final concert on the night of Friday, 25th September by Miles Davis. And the European subsidiary of Columbia Records, CBS, couldn’t wait to release this legendary event on LP.
The new quintet, for the first time with Wayne Shorter on the tenor sax (and not yet as composer), thrilled and roused the audience in the Philharmonie from the first minute to the very end. The classics "Miles(tones)", "So What" and "Walkin’" were performed at an astonishingly fast pace, the ballads were tender and dreamy. Such a magical atmosphere was rarely evoked at later concerts, which was probably due to the excellent acoustics of the large concert hall. The audience were also seated behind the stage, so Miles couldn't turn his back provokingly on people; sometimes he just squatted on the stage. However, this didn’t prevent him from performing his solos lyrically and tenderly, most of them finely nuanced, soft and gentle, yet audible right into the furthest corner. The rhythmic structure created by the young drummer Anthony Williams provided the necessary excitement.
Miles at the top of his form, an enthusiastic audience, impressive acoustics and, to top it all, excellent recording technology and a fantastic pressing on virgin vinyl - what more does a jazz fan want? Now’s the time to dig out your credit card!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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The Modern Jazz Quartet

Fontessa

2LP | 2017 | EU | Original (Sounds Of Subterrania)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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The famous critic and jazz expert Ralph J. Gleason quite rightly mentioned two highly distinctive men in his liner notes – John Donne and Pablo Picasso. Almost four hundred years and a great deal of seawater separate the two exceptional artists from England and Spain. Nevertheless the four black US-Americans who make up the Modern Jazz Quartet bridge the gap between time and continents effortlessly.
And what’s more, blues is also to be heard – and bebop! And evergreens from the Broadway shows of the Thirties too!
In contrast to some of the other rather more dawdling and laid-back MJQ LPs, "Fontessa" offers diversified and intense music. Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson’s blues influence inspired John Lewis perceptibly to forget all about discipline. All seven numbers are true gems. But if you want a special hint, just listen to "Bluesology". Well, perhaps the present author is too much of a Milt Jackson fan. Be that as it may, the music magazine "Rolling Stone" gave this LP a five-star rating!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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Lubomyr Melnyk

Illirion

Release: 2017 / EU – Original

Genre: Electronic & Dance, Classical Music

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LP | 1995 | US | Reissue (Thrill Jockey)

Sea And Cake, The

The Biz

Release: 1995 / US – Reissue

Genre: Rock & Indie

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2LP | 1979 | EU | Reissue (Reprise)

Neil Young & Crazy Horse

Live Rust

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Issue No. 1 - Benga Music (A Signature Genre From Kenya)

FLEE

LP | 2017 | EU | Original (FLEE)

LP | 1985 | US | Reissue (Epic)

Release: 2017 / EU – Original

Genre: Organic Grooves

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6 rare and almost forgotten benga tracks from Kenya including edits by Nik Weston, Jaakko Eino Kalevi and Africaine 808!

Inculding a 16 page printed silkscreen magazine!

FLEE is a collective of dedicated afro-diggers, driven by the enthusiasm to find and preserve semi-forgotten genres. For their first release they focused on an old Kenyan music genre called “Benga”. The record will be completed by a printed silkscreen magazine retracing the history of the genre, which will feature original archive pictures, great authors from the region, such as Emmanuel Mwenda, as well as the writer and singer of the eclectic Kenyan Band, Yellow Light Machine, Ondiso Madete. This vinyl compiles six rare and for some unreleased benga tracks, edited by contemporary artists (Nik Weston aka Mukat, Jaakko Eino Kalevi and Africaine 808), with the aim of approaching this genre with an innovative perspective, transcending simple nostalgia.

Only 200 copies of this first issue!

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AC/DC

Fly on the wall

Disco Music (BTO Spider 45 Edit) / I Wanna Be Near You

Release: 1985 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Sir Ted Ford

7" | 2017 | EU | Original (Record Shack)

LP | 1963 | UK | Reissue (Pure Pleasure)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Limited whitelabel 7-inch deejay press of 50 copies only!

Rare UK only modern soul/boogie release recorded 1979 in Los Angeles with Fred Wesley providing the horn section perfectly de-guitarized by BTO Spider b/w in demand sensational smooth '77 modern/crossover groover!

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Thelonious Monk

Criss-Cross

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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Duke Ellington & His Orchestra

Masterpieces

LP | 1951 | UK | Reissue (Pure Pleasure)

LP | 1966 | UK | Reissue (Pure Pleasure)

Release: 1951 / UK – Reissue

Genre: Organic Grooves

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When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between its late-1940's configuration (the 5-man trumpet section) and its mid-1950's personnel. The sax section had settled into the form it would have for most of the ensuing two decades (old-timers Hodges and Carney and newcomers Procope, Hamilton and Gonsalves); the trombone section had long-timer Lawrence Brown as well as Tyree Glenn and newcomer Quentin Jackson; and the drummer was still Sonny Greer, who had anchored the rhythm section since the beginning.
The arrangements and orchestrations all bear the hallmarks of Ellington's collaboration with Billy Strayhorn in the late 1940's: they are lush, symphonic, impressionistic, and densely (and adventurously) harmonic. "Mood Indigo", in particular, is a 15-minute tone-poem with shifting colors and key relationships as Ellington and Strayhorn bring the melody through a wide variety of guises, from Glenn's wah-wah trombone solo to Shorty Baker's lyrical waltz to orchestral and piano passages which do homage to the influence which Ravel and Stravinsky had on both of them.
"The Tattooed Bride" is the only new piece from the original "Masterpieces by Ellington" LP, and it is a beauty. The others of the original tracks -- "Sophistocated Lady" and "Solitude" -- are not laid out as inventively in their harmonics or structure. Of the group, "Solitude" is perhaps the weakest, but this is a relative term. Ellington would go on to pen many more extended, symphonic works, but none would have quite the multicolored, impressionistic tone-pallate that these do. And Strayhorn's presence would not be as pronounced in those future works as it is here: the orchestration and harmonies in particular bear his mark. These are masterpieces indeed: great works of art by two of our greatest composers/orchestrators, and played by one of the greatest orchestras in Afro-American music. Andrew R. Weiss

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Charles Lloyd

Dream Weaver

2LP | 1972 | EU | Reissue (ECM)

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it's easy to overlook the recordings, but to do so would be a mistake. "Dream Weaver" is a fully realized project by a band -- a real band -- in which each member has a unique part of the whole to contribute. Jarrett's unusual piano style fits musically with Lloyd's lyricism in a way that it shouldn't. Jarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to "Autumn Sequence", where his solos and his backing harmonics are equally strident and inventive as Lloyd's Eastern explorations of mood and mode.) And then there's the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the "Dream Weaver" suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on "Sombrero Sam", with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966.

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Circle

Paris Concert

3LP | 2017 | EU | Original (Strut)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Circle was a band on fire with creativity. Corea and Holland had just left Miles Davis' band, keen to explore all parameters of new music in an improvised context. Braxton, equally inspired by Stockhausen and Coltrane, brought in new directions from the AACM. Altschul's resume included extensive work with Paul Bley. Together they were, for a while, matchless.

The short-lived Chick Corea outfit outdoes itself in this 1971 live recording. A delicate piano intro primes us for an extended rendition of Wayne Shorter’s “Nefertitti” to start. Once Braxton throws himself on top of incoming bass and drums, however, what began as contemplative awakening quickly turns into a spastic jaunt into more upbeat territory. The gnarled unity of the quartet paints in bold strokes, all the while flirting with total breakdown. Braxton’s perpetual motion and uncompromising tone make a superb tune out of a great one. “Song For The Newborn” gives Holland a moment in the spotlight. Swaddled in all the innocence of its title and bound by a mature sense of structure, this is an engaging interlude to the Braxton/Corea duet that follows. Corea’s frenetic style in the latter works its way through a host of rhythmic options before settling into a row of block chords. Braxton’s heady phrasing tears a page from the book of Coltrane, while his solitary diversions crackle with the urgency of a broken mirror, as yet unframed by the bastion of mundanity. Altschul delights in “Lookout Farm,” in which he dives headfirst into his percussive arsenal. The tinkling of icicles and cowbells in an open field give way to an extended solo, thus providing ample segue into “73 degrees Kelvin,” a beautifully convoluted organism that could only come from the mind of Braxton. Below its cacophonous surface pulsates a vast network of instrumental veins, through which flows the passionate immediacy that is Circle’s lifeblood, and from which Holland’s rapture sings with detail and imagination. “Toy Room Q&A” (Holland) boasts Corea in notably fine form, leaving plenty of elbowroom for Braxton to flex his reeds. The freer aesthetic crashes in on itself by the end, leaving us craving a familiar foothold. This, we get in the standard “No Greater Love,” capping things off with notable turns from all.

Corea busts out with some of his most captivating fingerwork, proving himself finely attuned to the mechanisms of his caravan at every rest stop along the way; Braxton’s “Pharaonic” sound titillates the ear; and one could hardly ask for a tighter rhythm section at one’s side. As a collective unit, Circle doesn’t so much make music out of as inhabit its raw melodic materials. This recording is a lasting testament to a vibrant formative period for ECM. The audience’s enthusiastic reactions give the listener the feeling of being present in the making of history.

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Sun Ra

Singles Volume 2

LP | 1974 | EU | Reissue (Parlophone)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Following 2016’s definitive collection of singles released by Sun Ra from across his illustrious career, Strut present the second volume of the vinyl edition on 3LP format which focus on Ra’s later 1962-1991 period.
Released sporadically during the three decades and primarily on the Saturn label, the 45s offer one-off missives from Ra’s prolific cosmic journey, tracing the development of his forward-thinking “Space-Bop” and his unique take on jazz and blues traditions which remains unlike anything else from the period. As with the first volume vinyl editions, the collection is hugely varied, ranging from Ra’s spoken word recitations and some of his R&B recordings to alternative versions of Arkestra staples like ‘Love In Outer Space’, ‘Enlightenment’ and ‘Rocket No. 9’. The singles are also unpredictable vehicles for Ra’s music, combining different tracks from different sessions and occasionally making available music which was recorded many years beforehand.
As Francis Gooding describes them, “they are answers to questions that albums won’t answer, and questions that can’t be asked or answered elsewhere.”
As with Ra’s LPs, most 45s were only pressed in small runs and have since become extremely rare and sought after. On the volume 2 vinyl editions, we feature tracks that have only ever been seen via a small handful of copies including ‘Love In Outer Space’ b/w ‘Mayan Temple’ and ‘The Blue One’ b/w ‘Orbitration In Blue’; some were planned and pencilled but allegedly never made it to vinyl and some appeared as limited one-off magazine singles including Ra’s very last single release, the reflective ‘I Am The Instrument’.
Sleeve note writers Chris Trent and Paul Griffiths brilliantly illustrate the role of the single within Ra’s career and break down each release with detailed track by track notes. Working with Sun Ra LLC and Sun Ra archivist Michael D. Anderson, Strut has also assembled the best possible master sources for each track.
‘Singles’ Vol. 2 features fully remastered tracks, rare photos, original 45 artwork,
Chris Trent sleeve notes and detailed track by track and session notes by Paul Griffiths.

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David Bowie

Diamond Dogs

Release: 1974 / EU – Reissue

Genre: Pop

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LP | 1994 | UK | Reissue (Peaceville)

Morta Skuld

As Humanity Fades

Release: 1994 / UK – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Original (New West)

Steve Earle

Live From Austin, TX

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 1957 | EU | Reissue (Speakers Corner)

Charles Mingus

The Clown

The Wonderful World Of Jazz

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Who hasn't got an ancient, worn-out copy of "The Clown" on his shelf, with a tatty cover and torn inner sleeve? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. "The Clown" was, and still is, an absolute must-have for every jazz collector. The small ensemble, only five musicians, came into the New York Atlantic Records studio in March 1957 to record music exclusively composed by the double bassist. Over the next 15 years, three of them were to be heard in numerous concerts with other ensembles. But the original recordings on this LP were the most deeply concentrated, the most versatile, and quite simply the best of all. The more so because the label attached great importance to optimal studio conditions and allowed the instrumentalists plenty of time to make the recordings.
In the present new release, "The Clown" can be enjoyed to the full from the very first note of "Haitian Fight Song" up until the words »William Morris Sends Regrets« in the title work.

Recording: Februay and March 1957 in New York City by Tom Dowd and Larry Hiller in mono
Production: Nesuhi Ertegün

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John Lewis

LP | 1960 | UK | Reissue (Pure Pleasure)

Singles Volume 1: Definite 45s Collection 1952-1961

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body And Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
S.C.Berry
Whether you're an old-time jazz afficionado or new to the genre, this album is essential. In my opinion, Lewis' lovely solo on "Body & Soul" makes his version virtually definitive - 15 minutes of bliss. The rest of the album, particularly "Afternoon In Paris", is at the same level. "Wonderful" is the perfect title for this record.
E Barrios

Recording: July and September 1960
Production: Nesuhi Ertegun & Tom Dowd

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Sun Ra

3LP | 2016 | EU | Original (Strut)

LP | 2016 | UK | Original (Peaceville)

Release: 2016 / EU – Original

Genre: Organic Grooves

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The immense output of Sun Ra and his many backing bands, coupled with the limited production of many of his releases has long defied dedicated collectors. Parallel to a vast list of LP releases, Sun Ra released numerous 45 RPM singles; one-off meteorites from his prolific cosmic journey. Working closely with Sun Ra LLC and Art Yard Records, it is with great pride that Strut presents a definitive collection of the rare singles released by Sun Ra across his illustrious career, spanning 1952 to 1991.

Released prolifically during the 1950s and more sporadically thereafter, primarily on the Saturn label, the 45s trace the development of Sun Ra’s forward-thinking “Space-Bop” and his unique take on jazz and blues traditions which remains unlike anything else from the period. As with his LPs, most 45s were only pressed in small runs and have since become extremely rare and sought after. Some have only been discovered in physical form in recent years; some were planned and penciled but allegedly never made it to vinyl and some appeared as one-off magazine singles and posthumous releases.

‘Singles: The Definitive 45 Collection’ will be released in two volumes on vinyl across two release dates. All formats feature fully remastered tracks, rare photos, poster artwork, extensive sleeve notes by Francis Gooding, an interview with Saturn Records founder Alton Abraham by John Corbett and detailed track by track and session notes by Paul Griffiths.

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Darkthrone

Arctic Thunder

Release: 2016 / UK – Original

Genre: Rock & Indie

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2LP | 2016 | UK | Original (Chopped Herring)

Jay Glaze

Operation Clam Dust

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 2016 / UK – Original

Genre: Hip Hop

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This is a limited run of 350 copies!
"Operation Clam Dust", an unheard masterpiece, was created between late 2005 & early 2008 - following-on from the much-loved 2004 "Three Sinister Syllables" mix. It is a next level exploration into digging, sampling and audio animation. All manner of world breaks, private press LP's, obscure soundtracks, Bolivian polka jawns are up in that piece. Eight years after it was made, there has been nothing that even comes close to the complexity of this project - just check it - This Is Nobel Prize Winning Breaks Shit, For Reel!!!

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Aretha Franklin

Yeah!

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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LP | 2006 | EU | Reissue (Geffen)

Sonic Youth

Rather Ripped

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Parlophone)

Deep Purple

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 2000 | US | Original (Fat Wreck Chords)

AVAIL

One Wrench

12" | 2011 | UK | Original (Dread)

Release: 2000 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. Vinyl close to NM!

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Bladerunner

Feel For You / Time Trap

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1967 | EU | Reissue (Speakers Corner)

Charles Lloyd

Forest Flower

The Dave Brubeck Trio & Gerry Mulligan

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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It was a clever move by George Avakian, producer at Atlantic Records, to record live the Charles Lloyd Quartet during their appearance in Monterey, and to release the LP under the title "Forest Flower". Although the hippy flower-power movement tended towards a rather different musical genre at the end of the Sixties, they were blown away by this music. The four artists attracted masses of people and ensured that every seat was taken and all standing room filled at jazz festivals such as Newport, Molde (Norway), Antibes (France) and the Fillmore East and West. The super group also appeared in Monterey, 120 Km south of San Francisco, the centre of the hippy movement, on 18 September 1966.
On the LP we have the almost 18-minute-long title piece and the standard work "East Of The Sun", which were recorded at the festival. The disc is complemented by a Keith Jarrett composition and one by Cecil McBee, both of which were recorded in the studio ten days before the festival.
Of particular note is the rich interplay, the energy that is palpable throughout, the perfect harmony in each and every change of mood, and the intensity. Even 50 years later, it is quite clear that Charles Lloyd managed to break down the barriers between pop and jazz.
Charles Lloyd is committed to this objective to this very day! All four musicians are still active, although they no longer appear together as a group. Such a special treat for the ears is offered by this newly mastered disc only.

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Blues Roots

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Junjo Presents: Heavyweight Dub...

Henry JunjoLawes

2LP | 2016 | UK | Original (Greensleeves)

Release: 2016 / UK – Original

Genre: Reggae & Dancehall

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Junjo Presents: Big Showdown

Henry Junjo Lawes

2LP | 2016 | UK | Original (Greensleeves)

Release: 2016 / UK – Original

Genre: Reggae & Dancehall

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2LP | 2016 | US | Original (17 North Parade)

John Holt

Memories By The Score

Release: 2016 / US – Original

Genre: Reggae & Dancehall

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2LP | 2016 | EU | Original (At The Movies)

Yo-Yo Ma

Plays Ennio Morricone

2LP | 2016 | EU | Original (At The Movies)

Release: 2016 / EU – Original

Genre: Soundtracks

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Yo-Yo Ma Plays Ennio Morricone is a 2004 album of recordings from Morricone's various film scores by brilliant cellist Yo-Yo Ma and Ennio Morricone. The album was recorded with the Roma Sinfonietta Orchestra and Gilda Buttà on piano. Morricone functioned as orchestrator, conductor and producer. The album stayed 105 weeks on the Billboard Top Classical Albums.

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John Williams

OST Memoirs Of A Geisha

2LP | 2016 | EU | Original (ECM)

Release: 2016 / EU – Original

Genre: Soundtracks

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Memoirs Of A Geisha (2005) is the award winning drama film adaptation of the novel of the same name. The original score and songs were composed and conducted by John Williams. The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.

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Nik Bärtsch's Mobile

Continuum

2LP | 1976 | EU | Reissue (Caroline)

Release: 2016 / EU – Original

Genre: Organic Grooves

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This swiss jazz combo is back with a new album.

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Toots & The Maytals

Reggae Got Soul

Gustavsen / Tander / Vespestad

Release: 1976 / EU – Reissue

Genre: Reggae & Dancehall

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After exploding onto the Jamaican music scene in the early ‘60s, the trio of Frederick ‘Toots’ Hibbert, Nathaniel ‘Gerry’ McCarthy and Henry ‘Raleigh’ Gordon - collectively known as the Maytals - establish themselves as one of the island’s leading acts with a series of ska hits for a number of local record producers. Now, 40 years after the group cut the tracks in Jamaica, the seminal LP finally receives the deluxe treatment it has long since deserved. Featured along with the original 10 tracks are an equal number of bonus tracks, comprising rare contemporary material, much of which has until now never seen issue.

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What Was Said

2LP | 2016 | EU | Original (ECM)

Release: 2016 / EU – Original

Genre: Organic Grooves

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2LP | 2016 | US | Original (Captured Tracks)

DIIV

Is The Is Are

2LP | 2008 | DK | Original (Jenka Music)

Release: 2016 / US – Original

Genre: Rock & Indie

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Highly anticipated sophomore LP from this Brooklyn-based band. A 17 song double album statement intended to resonate with its audience much in the same way that Bad Moon Rising or Tago Mago has for frontman Zachary Cole Smith himself.

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Analogik

Klunserbeats Live

12" | 2014 | DE | Original (Keinemusik)

Release: 2008 / DK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Corner wear, otherwise NM cover. Records are in great condition.

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&ME

After Dark

2LP | 2015 | EU | Original (EastWest)

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs

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Marina & The Diamonds

Electra Heart

Release: 2015 / EU – Original

Genre: Pop

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YMO USA & Yellow Magic Orchestra Black Vinyl Edition

Yellow Magic Orchestra

2LP | 1979 | EU | Reissue (Music On Vinyl)

2LP | 2015 | UK | Original (Expansion)

Release: 1979 / EU – Reissue

Genre: Pop

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This first YMO album was released in 1978 in Japan ('79 in Europe) and set a precedent in the music industry like never before. By releasing this daring album, YMO shook the world with their 'Synthpop', at the time a revelation as well as a revolution. Featuring the hit "Firecracker", an infectious and exotic Martin Denny cover, which became a staple in the early Hip Hop scene in New York.

180g vinyl.

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V.A.

Soul Togetherness 2015

Release: 2015 / UK – Original

Genre: Organic Grooves

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3LP | 2015 | EU | Original (Editions Mego)

Thighpaulsandra

Golden Communion

LP | 2015 | US | Original (What's Your Rupture)

Release: 2015 / EU – Original

Genre: Rock & Indie

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September 2015 will see the release of Thighpaulsandra's 7th full length album "The Golden Communion", his first since 2006's "The Lepore Extrusion". Well over a decade in the making, this is his debut for Editions Mego. It comprises 10 new songs, running well over two hours with individual pieces clocking in between 4 and 28 minutes. Featured musicians on the album include regular collaborators Martin Schellard and Sion Orgon, plus the odd guest/ghost from bands Thighpaulsandra has worked with in the past.

If you have heard any of Thighpaulsandra's previous albums, you will know that you'd best approach this record with no fixed set of expectations, because once again he changes genres and defies easy classification, sometimes more than once within one song. Drawing on his long-time background as a key member in such diverse groups as Coil, Spiritualized and Julian Cope's band (in each case arguably at the height of their creative prowess) and his work as producer and sound engineer for an even larger variety of customers, you'll find classical passages next to hard rock riffing, krauty experimental work-outs turning into super catchy, almost radio-friendly songs and more.

Many adjectives have been used to describe Thighpaulsandra’s work: epic, challenging, timeless, idiosyncratic, but certainly never predictable or boring.

Possibly his most rewarding album yet and a welcome and unusual entry, in the Mego catalogue, which will entertain and astonish listeners who are fond of having their mind severely altered by sound.

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Royal Headache

High

Release: 2015 / US – Original

Genre: Rock & Indie

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Chris Potter Underground Orchestra

Imaginary Cities

2LP | 2015 | EU | Original (ECM)

2LP | 2015 | UK | Original (Rise Above)

Release: 2015 / EU – Original

Genre: Organic Grooves

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A fascinating album by American sax player Chris Potter and his Underground Orchestra.

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Cathedral

In Memoriam

Mutilator Defeated At Last

Release: 2015 / UK – Original

Genre: Rock & Indie

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As with a choice few truly great bands, the first self-financed cassette recording by Cathedral - made available in October 1990 - was a pioneering underground masterpiece in its own right; the sound of a young band exploring its newfound chemistry, finding confident variations on a flawless list of influences and cultivating a sound and style that would prove hugely inspirational throughout the 1990s and beyond, being a major influence on everyone from Electric Wizard through to Reverend Bizarre.
Where most demos are little more than a dry run for the first album, "In Memoriam" still has its own distinct and important identity in the Cathedral canon. The debut LP that followed, "Forest Of Equilibrium", has a sombre, devout, melodic and mystical grandeur all of its own - but 'In Memoriam' has a far murkier, earthier, more deathly intent. Creepy, cryptic and bowel-looseningly heavy, it represents the first time that the doom metal stylings of Trouble, Saint Vitus, Pentagram and Witchfinder General had been rendered in a new, more extreme metallic form. At the beginning of the new decade, it was really only Cathedral who were proud to assert the influence of true doom metal - a perennially unfashionable genre, but especially in a turn-of-the-decade metal scene so obsessed with speed, technicality, brutality and modernity.

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Thee Oh Sees

LP | 2015 | US | Original (Castle Face)

LP | 1992 | US | Reissue (Teenbeat)

Release: 2015 / US – Original

Genre: Rock & Indie

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Here we have a new batch from Thee Oh Sees for your absorption—nine muscular tunes primed to pummel. Last year’s Drop was more schizophrenic, ranging from heavy to whimsical and back; Mutilator Defeated at Last has more in common with the monolithic hugeness of Floating Coffin. With only two brief reprieves from its onslaught, this record is made to be played loudly and demands bodily sacrifice. Despite the plutonium heavy feel, Thee Oh Sees continue to be omnivorous. Synths and acoustic guitars wind throughout the album like veins of gold through granite. Any and all that stands in its way will be devoured and assimilated. This is the sound of a band doing what they do best.

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Unrest

Imperial f.f.r.r.

LP | 1984 | UK | Reissue (Pure Pleasure)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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"Imperial f.f.r.r." was Unrest's breakthrough album in 1992. It has withstood the test of time & is now considered an indie-rock classic & one of the best albums of the 1990s. They helped invent the genre along with Pavement & Sebadoh. "Imperial" marked the arrival of original Velocity Girl vocalist Bridget Cross joining drummer Phil Krauth & singer/ guitarist Mark Robinson. It was recorded by Wharton Tiers (SONIC YOUTH). After the release, the band released singles for Sub Pop & K & soon thereafter signed to legendary UK indie 4AD, releasing their final album "Perfect Teeth" in 1993.

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Melvin Taylor

Plays The Blues For You

Wes Anderson Collection - The Grand Budapest Hotel

Release: 1984 / UK – Reissue

Genre: Organic Grooves

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Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine-track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines.

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Matt Zoller Seitz

Abrams

LP | 1980 | UK | Reissue (Pure Pleasure)

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Wes Anderson’s eighth feature film, The Grand Budapest Hotel, is the fullest expression to date of Anderson’s varied thematic and stylistic idiosyncrasies and influences—a meticulously crafted, visually resplendent matryoshka-doll caper set primarily in an alternate-history version of 1930s Europe. This supplementary, one-volume companion to The Wes Anderson Collection (Abrams 2013) is the only book to take readers behind the scenes of The Grand Budapest Hotel, with in-depth interviews between Anderson and cultural critic and New York Times bestselling author Matt Zoller Seitz. Anderson shares the story behind the film’s conception, the wide variety of sources that inspired it—from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes from turn-of-the-century Middle Europe—personal anecdotes about the making of the film, and other reflections on his filmmaking process. These interviews are accompanied by behind-the-scenes photos, ephemera, and artwork, as well as exclusive critical essays by Ali Arikan, Steven Boone, David Bordwell, Olivia Collette, and Christopher Laverty; interviews with costume designer Milena Canonero, composer Alexandre Desplat, lead actor Ralph Fiennes, production designer Adam Stockhausen, and cinematographer Robert Yeoman; and an introduction by playwright Anne Washburn.

23,8 cm x 28,6cm, 256 pages, hardcover.

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George Benson

Give Me The Night

LP | 2015 | US | Original (Epic)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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This is the peak of George Benson's courtship of the mass market -- a superbly crafted and performed pop album with a large supporting cast -- and wouldn't you know that Quincy Jones, the master catalyst, is the producer. Q's regular team, including the prolific songwriter Rod Temperton and the brilliant engineer Bruce Swedien, is in control, and Benson's voice, caught beautifully in the rich, floating sound, had never before been put to such versatile use. On "Moody's Mood", Benson really exercises his vocalese chops and proves that he is technically as fluid as just about any jazz vocalist, and he become a credible rival to Al Jarreau on the joyous title track. Benson's guitar now plays a subsidiary role -- only two of the ten tracks are instrumentals -- but Q has him play terrific fills behind the vocals and in the gaps, and the engineering gives his tone a variety of striking, new, full-sounding timbres. The instrumentals themselves are marvelous: "Off Broadway" is driving and danceable, and Ivan Lins' "Dinorah, Dinorah" grows increasingly seductive with each play. Benson should have worked with Jones from this point on, but this would be their only album together.

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Meghan Trainor

Title

Release: 2015 / US – Original

Genre: Pop

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Keith Jarrett & Charlie Haden

Last Dance

2LP | 2014 | EU | Original (Edition Of Contemporary Music)

Release: 2014 / EU – Original

Genre: Organic Grooves

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7" | 2014 | US | Original (Threshold)

Dr. Octagon

Droppin' Bagels

LP | 2014 | EU | Original (Angel Y del Diablo)

Release: 2014 / US – Original

Genre: Hip Hop

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Unreleased track from 1994 pressed on yellow vinyl, yeah!

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Astor Piazzolla

Tangos Del

Release: 2014 / EU – Original

Genre: Organic Grooves, Classical Music

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LP | 2013 | UK | Reissue (Hoop Music)

Satellites

Satellites 02

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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LP | 2014 | US | Original (Merge)

Teenage Fanclub

Shadows

LP | 2014 | US | Original (Merge)

Release: 2014 / US – Original

Genre: Rock & Indie

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1st time pressed to vinyl. Originally released in 2010, this picks up on the introspective, world-weary quality of Man-Made but also delivers a bit of the classic bright pop the band is known for.

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Teenage Fanclub

Man-Made

LP | 2014 | US | Original (Mexican Summer)

Release: 2014 / US – Original

Genre: Rock & Indie

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1st time pressed to vinyl. Originally released in 2005, this is a classic Fanclub record in tone & arrangement, & handsomely demonstrates the "less is more" maxim -- it is both airier & more light of touch than it's immediate predecessors.

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La Hell Gang

Thru Me Again

Animal Ambition: An Untamed Desire To Win

Release: 2014 / US – Original

Genre: Rock & Indie

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Thru Me Again is the secondrelease from Chilean trio La Hell Gang and their first with Mexican Summer. Hailing from Santiago, which plays host to an ever growing psychedelic scene (Holydrug Couple, Follakzoid, La Banda, etc), the band create a remote and wild brand of rock ‘n' roll. The eight tracks across Thru Me Again weave seamlessly, channeling heat, light and endless desert dunes. Despite the heavy context, there's a real clarity in the production, making the blistering guitar solos and mirage-like vocals all the more potent. Tracks like "Inside My Fall" and "Last Hit" recall bands like The Black Angels and BRMC, but some of the more lucid moments ("Sweet Dear", "So High") feel like a grittier Brightblack Morning Light. The soundtrack for your heat swept summer.

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50 Cent

2LP | 2014 | EU | Original (Caroline)

2LP | 2014 | US | Original (Drag City)

Release: 2014 / EU – Original

Genre: Hip Hop

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Fifty is back in building, with features by Dr.Dre, Jadakiss & Styles P and others.

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Ambarchi, O'Malley, Dunn

Shade Themes From Kairos

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 1995 | US | Reissue (Sony)

AC/DC

Ballbreaker

Release: 1995 / US – Reissue

Genre: Rock & Indie

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LP | 2000 | FR | Reissue (Sony)

AC/DC

Stiff Upper Lip

Release: 2000 / FR – Reissue

Genre: Rock & Indie

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Paul Desmond & Gerry Mulligan

Two Of A Mind

LP | 1962 | EU | Reissue (Speakers Corner)

LP | 1994 | US | Reissue (Merge)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Although the beautiful sound, mutual understanding and harmonic balance mostly predominate, the music of alto saxophonist Paul Desmond performing together with baritone saxophonist Gerry Mulligan is far from what one calls 'easy listening'. For many, it is even difficult to identify the melody of evergreens such as "Stardust" and "The Way You Look Tonight". (And what theme is tucked away in "Two Of A Mind"????)
The recording in the RCA Victor Studio took place over several days in 1962, and this is why different bass players and percussionists are heard – Wendell Marshall, Joe Benjamin and John Beal each take their turn on the bass, while Connie Kay and Mel Lewis change places behind the drum set. These musicians form a brilliant team, and that there is no piano is both deliberate and inevitable for Gerry Mulligan recordings of the day. By the way, the second saxophonist in "The Way You Look Tonight" is Paul Desmond – by means of over-dubbing in the middle of the stereo recording!
The present LP could certainly take a rightful place in a 'Best Of' collection alongside the other recordings by Gerry Mulligan with Ben Webster and Stan Getz.

Pressed to 180g audiophile vinyl.

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Richard Buckner

Bloomed

Release: 1994 / US – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Speakers Corner)

Aretha Franklin

Live At Fillmore West

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 2013 | EU | Original (Peaceville)

Candlemass

Tales Of Creation

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 1982 | US | Reissue (Sony)

The Clash

Combat Rock

Release: 1982 / US – Reissue

Genre: Rock & Indie

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12" | 1995 | DE | Original (Traktor)

Traktor

34,99 €* 69,99 € -50%

Live At The Crescent Ballroom

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Record was in DJ use but is still playable. Comes in generic sleeve, limited to 250 copies in 1995 by legendary Hardwax store, rarity

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Andrew Jackson Jihad

2LP | 2013 | US | Original (Asian Man)

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2013 | US | Original (Hardly Art)

La Luz

It's Alive

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 2013 / US – Original

Genre: Rock & Indie

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In Spanish, La Luz means “light” and that’s the perfect thing to evoke when your songs give the illusion of veering in the opposite direction. But lift out most any lyric—which is a good excuse to give a closer listen to the delicate, four-part harmonies that are fast becoming the band’s signature—and you’ll find that the aches and pains of love and loss, of living in a world where no foothold is ever a promise—all this is delivered with a nuanced dose of perfectly timed exhilaration, like the whole thing might just be worth it in the end. It's Alive is the debut LP from Seattle's La Luz. For fans of 60s surf, soul und psych pop sounds highly recommended!

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Canned Heat

Boogie With Canned Heat

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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LP | 2012 | EU | Original (Berliner Meister Schallplatten)

Bolivar Soloists

Musica De Astor Piazolla

That's The Way Of The World

Release: 2012 / EU – Original

Genre: Organic Grooves, Classical Music

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Unique Direct-To-Disc Recordings

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Earth, Wind & Fire

LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Someday My Prince Will Come

Miles Davis

LP | 2013 | US | Original (Legacy)

2LP | 2013 | EU | Original (Bureau B)

Release: 2013 / US – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2013!

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Palais Schaumburg

Release: 2013 / EU – Original

Genre: Rock & Indie

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LP | 1975 | JP | Original (CTI)

Jim Hall

Concierto

LP | 2012 | UK | Original (Pure Pleasure)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Dirty Dozen Brass Band

What's Going On

Release: 2012 / UK – Original

Genre: Organic Grooves

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2LP | 2012 | UK | Original (Warner)

The Doors

Live At The Bowl ‘68

Release: 2012 / UK – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Glassnote)

Mumford & Sons

Babel

Thad Jones & Mel Lewis Orchestra

Release: 2012 / US – Original

Genre: Rock & Indie

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Follow-up to "Sigh No More"!

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Consummation

LP | 1970 | UK | Reissue (Pure Pleasure)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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GG Allin & Murder Junkies

Terror In America Live

LP | 2012 | US | Original (Alive)

Release: 2012 / US – Original

Genre: Rock & Indie

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10th Anniversary Box Compilation HHV Bundle

Project: Mooncircle

LP | 2012 | EU | Original (Project: Mooncircle)