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HHV Records 14409 Items

HHV Records 14409 Vinyl, CD & Tape 13870 Used Vinyl 2072 Merchandise 276 DJ Equipment 136 Print & Design 127
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Biffy Clyro - Errors In The History Of God / Unknown Male 01
Biffy Clyro
Errors In The History Of God / Unknown Male 01
10" | 2021 | EU | Original (Warner Music International)
16,19 €* 17,99 € -10%
Release: 2021 / EU – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Big D And The Kids Table - Do Your Art
Big D And The Kids Table
Do Your Art
LP | 2021 | US | Original (Side One Dummy)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"
Big Daddy Kane - Half Steppin' T-Shirt
Big Daddy Kane
Half Steppin' T-Shirt
19,99 €*
Available Sizes: S, M, XL, 2XL
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The Big Daddy Kane Half Steppin' Tee is equipped with the following features:
• rib crew neck with interior tape
• Half Steppin' artwork printed on front
• regular fit
• 100% cotton single jersey
Big Daddy Kane - Ropes T-Shirt
Big Daddy Kane
Ropes T-Shirt
19,99 €*
Available Sizes: S, M, L, XL, 2XL
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The Big Daddy Kane Ropes Tee is equipped with the following features:
• rib crew neck with interior tape
• Ropes artwork printed on front
• regular fit
• 100% cotton single jersey
Big Ever - Otto
Big Ever
Otto
12" | 2021 | US | Original (Incienso)
19,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
Big Hands - Lakamha
Big Hands
Lakamha
12" | 2021 | EU | Original (Oscilla Sound)
16,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Baroque Sunburst Co-Founder And Honest Jon's Team Member, Big Hands Displays His Potent Production Prowess On The Next Oscilla Sound Release With Three Tracks Touching On Organic Soundscapes, Illbience And Muddy Bass Oddities. In The Old City Of Lakamha Ancient Tombs Stand Tall And Ruined, Woven With Moss. Birds As Old As Time Beat Their Wings Over Tropical Forests; Their Cries Bouncing Off Wet Rock Lassoed With Carvings Of Mayan Symbols. '1346' Begins With Stirring Synths And Dub-Echoing, Low Frequencies Encompassing Both Spatiality And Aberration Before The Heads-Down Atmospheric Roller 'Calix's Head' Lays Down Sharp, Acid Flutters And Ghostly Ripples. 'Louis H Theme' Is An Ode To The Radical Minimalist Composer Moondog (Louis Thomas Hardin), Whose Experiments With Polyrhythms Continue To Influence Numerous Generations Of Musicians. The Track Features Swampy Bass That Balances Weightlessly With The Hypnotic Sonics And Breezy Rhythms.
Big K.R.I.T. - Style Not Quite Free
Big K.R.I.T.
Style Not Quite Free
2LP | 2021 | US | Reissue (BMG Rights Management)
37,99 €*
Release: 2021 / US – Reissue
Genre: Hip Hop
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Double vinyl LP pressing of this 2021 mixtape from the hip-hop artist and producer.
Big Paul Ferguson - Virtual Control Red Vinyl Edition
Big Paul Ferguson
Virtual Control Red Vinyl Edition
LP | 2021 | US | Original (Cleopatra)
23,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Big Red Machine - How Long Do You Think It´S Gonna Last?
Big Red Machine
How Long Do You Think It´S Gonna Last?
Tape | 2021 | US | Original (Jagjaguwar)
16,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Red Machine - How Long Do You Think It´S Gonna Last? Black Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Black Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
26,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Red Machine - How Long Do You Think It´S Gonna Last? Red Vinyl Edition
Big Red Machine
How Long Do You Think It´S Gonna Last? Red Vinyl Edition
2LP | 2021 | US | Original (Jagjaguwar)
27,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."
Big Scary - Not Art
Big Scary
Not Art
LP | 2014 | US | Original (Barsuk)
27,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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The story of Big Scary begins in Melbourne, Australia, where duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Syme’s parents’ house, gradually working up to a bolder, more expansive sound by incorporating electric guitars, drums, synths and piano. What began as a few rainy day acoustic ballads in their first incarnation soon grew, and before long, the newly named Big Scary were writing anything they pleased – fuzzed-out garage rock; piano-led pop; intricate, pastoral instrumentals – each imbued with an effortless pop sensibility and lightness of touch that would quickly see the duo attract a strong following in their home country. Following a series of early self-released singles and EPs, Big Scary released the intimately crafted debut album Vacation in 2011 via the band’s own label Pieater. The album brought the pair widespread acclaim, and earned the duo a large Australian audience with nominations for ‘Album Of The Year’ from Triple J and ‘Breakthrough Artist Of The Year’ from AIR (Australian Independent Record Labels Association), plus a small but growing cult following overseas. 2012 saw Big Scary take its first small steps onto the world stage – earning further underground acclaim via a self-funded North American tour that saw Tom and Jo play SXSW, CMW, and CMJ, impressing whatever audiences happened upon the versatility, lovable magnetism, intelligent songwriting and dynamic live performances that make up the band’s riveting shows.On the heels of their adventures abroad, an invigorated Tom and Jo returned home and began recording their second full length album. Grappling with the pressures and perceived responsibilities of their Australian success, the daunting goal of bringing their music to wider audiences, and their own expectations of themselves as writers and creators, the band eventually settled into making an album that would be, paradoxically, hotly anticipated at home while acting simultaneously as a first introduction to almost all audiences elsewhere: Not Art.The Melbourne-based duo has become a household name in Australian indie-pop circles and has a growing cult following overseas. Barsuk Records is thrilled to be the U.S. home for the band’s forthcoming album Not Art, a slow-burning stunner produced and engineered by Iansek and mixed by Tom Elmhirst (Amy Winehouse, The Kills, Arcade Fire, Adele) that distills influences of indie rock song structure, pop and hip-hop production, and experimental ambient music.
Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (G.O.O.D. Music)
52,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Big Sean - Detroit 2
Big Sean
Detroit 2
2LP | 2021 | US | Original (Def Jam)
52,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Big Turks - Big Turks Redux
Big Turks
Big Turks Redux
CD | 2021 | US | Original (Air Vinyl)
17,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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BIG Turks is Rome Streets, Jamal Gasol, Lord Juco, Ro Data, Jordan Commandeur, and Jonny Botsch. The group's self-titled concept album dropped almost exactly a year ago and was praised as Album of the Year by many. "big Turks Redux" collects remixes that were exclusive to the CD release of "big Turks" and the "Director's Cut" vinyl, as well as new remixes by Mr. Green, Hobgoblin, Observe Since 98, and MichaelAngelo. To reinforce the Turkish theme, the group invited Turk producer Smek to remix "Leave It To The Turks," while Oberseve Since 98 and Halal Cool J (aka Don Leisure) both used Turkish samples for their respective remixes.
Big Twins - Hood Stories
Big Twins
Hood Stories
CD | 2021 | EU | Original (Tuff Kong)
19,99 €*
Release: 2021 / EU – Original
Genre: Hip Hop
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Infamous Mobb representative Big Twins, one of the most representatives names from the streets of Queensbridge is back with his brand new album "Hood Stories". Gritty and grimy street rap as his trademark, he delivers 8 new joints featuring productions by Cuns and EL Rojo and guest appearances by Beanz and Blaq Poet.
Big Twins - Hood Stories Brown Vinyl Edition
Big Twins
Hood Stories Brown Vinyl Edition
LP | 2021 | EU | Original (Tuff Kong)
30,59 €* 33,99 € -10%
Release: 2021 / EU – Original
Genre: Hip Hop
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Big Water - I'm Here To Drink Nattys And Fuck Shit Up, And I'mm All Out Of Shit To Fuck Up Colored Vinyl Edition Big Willie Smith - Wearing Make Up / Keep It Real
Big Willie Smith
Wearing Make Up / Keep It Real
7" | 2014 | US | Reissue (Funky Ass)
26,24 €* 34,99 € -25%
Release: 2014 / US – Reissue
Genre: Hip Hop
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Big Yawn - No! Remixes
Big Yawn
No! Remixes
12" | 2021 | UK | Original (Research)
12,99 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
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Electronic four-piece Big Yawn invites five revered artists to reconstruct their debut album No!, originally released in March 2020 through Research Records.

The remixes convey a unique combination of darker textures and brooding sounds, clearly indebted to their source material.

The release features interpretations from Sleep D, Jay Glass Dubs, Maria Moles, Bullant and Raymond Scottwalker.

Rhythm merchants Sleep D (Butter Sessions) up the tempo and weave their signature expansive production in their fearless take on 'Reflex'.
Prolific producer Jay Glass Dubs (Bokeh Versions) flavours the 'Body Double' refix with looping clattering drums and glitchy murk, creating a compelling arrangement.
Like a drift into a warm gorge, percussionist Maria Moles (Nice Music) inserts gentle sustained synth work into 'Doodle Damage'.
Bullant (Flightless Records) pulls the listener out abruptly with a rework of 'Skinrat', a house-streaked churner.
Raymond Scottwalker (Fallopian Tunes) wraps up the record with another rework of 'Reflex', creating a mind-bending, aggressive industrial rejig.

Big Yawn's remix EP is a dynamic pairing to No!, entrusting an exceptional group of musicians to adhere to the spirit of the record, yet take it in a totally re-imagined direction
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2CD | 2021 | EU | Original (Inzec)
18,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2LP | 2021 | EU | Original (Inzec)
30,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Bigfire - Deathcotheque The Album
Bigfire
Deathcotheque The Album
12" | 2021 | JP | Original (Bigfire)
11,99 €*
Release: 2021 / JP – Original
Genre: Electronic & Dance
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Bigger Better Sun - Adjust To Wellness
Bigger Better Sun
Adjust To Wellness
LP | 2021 | UK | Original (Counter)
16,89 €* 25,99 € -35%
Release: 2021 / UK – Original
Genre: Rock & Indie
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Bigwig - Stay Asleep Yellow Black Splatter Vinyl Edition
Bigwig
Stay Asleep Yellow Black Splatter Vinyl Edition
LP | 2014 | EU | Reissue (Kung Fu)
29,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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Bikini Death Race - Refrigerator
Bikini Death Race
Refrigerator
LP | 2021 | EU | Original (Negative Gain Productions)
21,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Vinyl is close to NM.
Bikini Death Race - Refrigerator
Bikini Death Race
Refrigerator
LP | 2021 | EU | Original (Negative Gain)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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A Mix Of Punk, Synth-Pop And Electronica, Neon Lights, Distorted Bass And Liberating Screams.The Ironic, Dadaist And Nonsense Approach Of The First Album Is Well Preserved But With Refrigerator, The Band Have Taken A Deep Dive Into Experimentation With Analog Synthesizers And Drum Machines - Modelling A More Defined Sound By Uniting The Punk Soul Of Their Past With More Varied And Articulated Songwriting.For Fans Of New Wavefor Fans Of Synth Punkfor Fans Of Electroclash
Bikini Kill - Yeah, Yeah, Yeah, Yeah EP
Bikini Kill
Yeah, Yeah, Yeah, Yeah EP
12" | 2014 | US | Original (Bikini Kill)
19,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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Received an 8.6 Best New Reissue rating from Pitchfork.

Yeah Yeah Yeah Yeah was recorded in 1992 with Tim Green (Nation of Ulysses) at The Embassy - a group-house in Washington, D.C. -
and was the first Bikini Kill release to feature the band’s song, “Rebel Girl.” Originally a split EP with the Brighton, UK-based band,
Huggy Bear, the b-side now features seven previously unreleased Bikini Kill songs drawn from era-appropriate live shows and practice
tapes. The artwork has also been updated to include archival photos and liner notes from the Bratmobile’s Erin Smith, Comet Gain’s
David Feck, and the members of Bikini Kill.
Bill Brown And The Soul Injection - Bill Brown And The Soul Injection
Bill Brown And The Soul Injection
Bill Brown And The Soul Injection
LP | 2021 | JP | Original (P-Vine)
31,99 €*
Release: 2021 / JP – Original
Genre: Organic Grooves
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Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2LP | 2021 | US | Original (Drag City)
42,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Callahan & Bonnie Prince Billy - Blind Date Party
Bill Callahan & Bonnie Prince Billy
Blind Date Party
2Tape | 2021 | US | Original (Drag City)
21,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Blind Date Party hosted by Bill Callahan and Bonnie ‘Prince’ Billy and featuring Azita, Matt Sweeney, Alasdair Roberts, Matt Kinsey, Sean O’Hagan, Bill MacKay, George Xylouris, Dead Rider, David Pajo, Mick Turner, Meg Baird, Ty Segall, Emmett Kelly, Cory Hanson, Six Organs of Admittance, David Grubbs, Cassie Berman, Cooper Crain and Sir Richard Bishop happened online in the fall and winter of ’20–’21 — but the party planning dated back to the spring of 2020. Stuck at home, with no gigs in the foreseeable future, Bill, Bonnie and Drag City needed an outreach program to keep themselves busy, not to mention sane. In the absence of any company or anything on the calendar, playing songs they loved was an idea; playing with people they loved, the desire. And making it fun — so pairing someone with someone else having no say in the matter, the essence of the blind date, was the plan. Favorite songs were chose; players from around the Drag City galaxy were messaged. Pretty soon, songs were flying back and forth — music in the air! And thus, they were entertained throughout the summer of 2020, when so much else in the world seemed so completely wrong. By the fall, the songs started to appear online: Bill and Bonnie singing a song by someone they loved and admired; each song cut by another another artist they loved and admired, then sent to Bill and Bonny to provide the finishing touches. The spotlight pointed in every direction each week: toward the singers and writers who’d originally played the songs (Yusuf Islam, Hank Williams Jr., Dave Rich, The Other Years, Billie Eilish, Steely Dan, Lou Reed, Bill Callahan, Jerry Jeff Walker, Robert Wyatt, Lowell George, Johnnie Frierson, Air Supply, Will Oldham, Leonard Cohen, David Berman, Iggy Pop and John Prine), toward their featured collaborators, the artists whose artwork adorned each digital single and videos made by still more collaborators. And you, the listener. Like the best parties, it turned out to be everything and more than they’d even hoped for. So many more people were involved in the process that we can get on the page here. Suffice to say, making records over the years has required a broad sense of community and an always-surprising mix of independence and unity, inspiration and utility. Some of our best memories are those where as many of our folks as possible were together in one place at one time. In those moments, it was just a great thing just to be there. And with others looking in . . . this was a joy one could only be infinitely lucky to feel and to take for granted, as well. The Blind Date Party was one of these, maybe the most improbable one yet. It’s for everyone who’s here and it’s in the name of everyone who’s gone but will never go and will always live with us here. This album will too. And thus, we are entertained.
Bill Callahan - Have Fun With God
Bill Callahan
Have Fun With God
LP | 2014 | US | Original (Drag City)
27,99 €*
Release: 2014 / US – Original
Genre: Electronic & Dance
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Dub is a spiritual, abstract, visceral, mystical thing. Finite and Infinite at the same time. Deeply rooted in the earth and embracing outer space. Don't be fooled by names, Dub has come and gone. Dub is a ghost, a duppy. A duppy of a childhood guppy. Flushed and thriving in the sewers and the swamps. Here you will find versions of the Dream River songs that have been killed and resurrected, spilling tales of the other side of life in a language conceivable only if you let yourself be taken there.
Bill Evans & Philly Joe Jones - Green Dolphin Street
Bill Evans & Philly Joe Jones
Green Dolphin Street
LP | 2014 | EU | Original (Waxtime)
16,99 €*
Release: 2014 / EU – Original
Genre: Organic Grooves
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Bill Fox - Shelter From The Smoke
Bill Fox
Shelter From The Smoke
2LP | 2021 | US | Original (Scat)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl. Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music. Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to "be on the internet" has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.
Bill Fox - Transit Byzantium
Bill Fox
Transit Byzantium
2LP | 2021 | US | Original (Scat)
29,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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These newly remastered editions of Bill Fox’s second album are the first since its 1998 release, including the first-ever vinyl pressing. Listeners will hear a wider soundstage, more detail, and improved listenability. Recorded on 4-track cassette, the fidelity belies the sophistication and nuance of the songwriting, This adept remaster by John Golden Sr helps bring definition to the intimate, at-home feel of the album. It sparkles. Very similar in feel and quality to Fox’s debut album, much of Transit Byzantium draws from the same group of recordings. It has the same feel of musical inevitability, that the songs exist beyond time itself, their eventual manifestation guaranteed by Apollo. He could’ve given them to the Everly Brothers, or the Byrds, or the Who, but instead they were channeled through an everyman from Cleveland with an aversion to the limelight. And while a traditional folk influence colors several songs, even those possess the indelible stamp of Fox’s charismatic voice and personality. Although nearly entirely acoustic and with minimal percussion, these eighteen songs cycle through a remarkable variety of textures and moods. While much has quite rightly been written about the god-tier songwriting here (“Song of a Drunken Nightingale,” “My Baby Crying,” “I’ll Give It Away” for starters), it should also be noted that this is a guitar player’s record, though more in terms of conception than flash. Lines of harmony and counterpoint wander between parts, sublime in their invention though sometimes crudely documented.
Bill Frisell - Guitar In The Space Age!
Bill Frisell
Guitar In The Space Age!
LP | 2014 | EU | Original (Music On Vinyl)
28,99 €*
Release: 2014 / EU – Original
Genre: Rock & Indie
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On this brand new album, guitarist and composer Bill Frisell mines the catalog of the guitar-based music from the 1950s and 1960s that first inspired him to pick up the instrument. This performance promises a rare look into Bill Frisell's formative influences, from a time when the electric guitar was in its infancy and creating a startlingly new sound, pushing popular music into the future.

180g vinyl.
Bill Gage & Cheater Slicks - Piano Tunnels
Bill Gage & Cheater Slicks
Piano Tunnels
LP | 2021 | US | Original (In The Red)
24,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Gage is a quasi-famous singer with a raw, rock ’n’ roll voice. Cheater Slicks are an infamous, raw, rock ’n’ roll band. Put the two together and the resulting album is a stream-of-conscious stew of wild, fuzz-drenched rock ’n’ roll! Some history: both Cheater Slicks and Bill Gage’s band Bill began in Boston in 1987, and it was sometime around then that Gage first sang with Tom and David Shannon playing guitars, in Gage’s bedroom in Laconia, New Hampshire. It was an intense and primal sound that was not forgotten by those involved. Gage’s singing has been compared to Captain Beefheart, David Thomas, Damo Suzuki, and Yoko Ono. However, Gage clearly has his own sound, which includes guttural yells, sweet crooning, and bluesy meanderings—all seemingly told from a tarpaper shack porch under the oceans of Mars. Cheater Slicks have from the start been a brain-melting rock ‘n’ roll dream / nightmare of a band. Steeped in the wild guitar interplay and pounding drums of classic noisy underground rock groups (Cramps, Scientists, Velvet Underground), they have created their own unique and ever-evolving style that has only gotten deeper and sharper over the years. In spring 2018, when Cheater Slicks were presented with the idea of a collaborative record with Gage, they wasted no time, and began writing and arranging new songs for the project. Gage traveled to Columbus to record at the legendary Musicol studios in November of that year. It was a great session and came together as if it were always meant to be. After thirty years of performing, is the world finally ready for Bill Gage—accompanied by the seismic Cheater Slicks? All profits from this record will benefit the Arts Resources programs of the National Association for Down Syndrome.
Bill Mackay And Nathan Bowles - Keys
Bill Mackay And Nathan Bowles
Keys
LP | 2021 | US | Original (Drag City)
19,19 €* 31,99 € -40%
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Stone - Stone
Bill Stone
Stone
LP | 2021 | US | Original (Drag City)
34,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Bill Thompson - Black Earth Tongue
Bill Thompson
Black Earth Tongue
Tape | 2021 | EU | Original (The Tapeworm)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attention to each moment. He applies this same strategy within his compositions which often include sustained tones, densely layered textures and indeterminate or improvised structures.
Although trained as a guitarist, Thompson has worked primarily with live electronics for 20 years. In 2016, he returned to guitar (by Moog) combined with miscellaneous tabletop devices, found objects, flashing lights and the occasional vibrator.
His work has been released on Ash International, Burning Harpsichord Records, Mikroton Records, State Sanctioned Records, and/Oar, Autumn Leaves, Phonography and several compilations. Notable recent performances and installations include the Venice Biennal (2020/21), Pauline Oliveros Tribute (Café Oto 2018), Intraspect Concert 2018, Edinburgh Fringe (2016-2018), Nawr 2017, Sonic Atlas 2017, Organ Reframed 2016 (Installation), What Remains Festival 2016, Sound Festival 2016.
"Black Earth Tongue" is based on material composed when working on the project Mushroom! with the contemporary dance group In the Making for the Edinburgh Fringe Festival 2016. Track titles are taken from (mis)translations of Japanese or Latin names for various fungi.
Bill Wyman - Stuff Can't Get Enough
Bill Wyman
Stuff Can't Get Enough
7" | 2014 | Original (Castle)
9,99 €*
Release: 2014 / Original
Genre: Rock & Indie
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Billie Eilish - Hands Face T-Shirt
Billie Eilish
Hands Face T-Shirt
17,99 €* 19,99 € -10%
Available Sizes: S, M, 2XL
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The Billie Eilish Hands Face Tee is equipped with the following features:
• rib crew neck with interior tape
• Hands Face artwork printed on front
• regular fit
• 100% cotton single jersey
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
2LP | 2021 | EU | Original (Darkroom / Interscope)
29,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
CD | 2021 | EU | Original (Darkroom / Interscope)
17,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Billie Eilish has revealed details on her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July, 30 Continuing the tradition on from her multi-Grammy Award, record-breaking debut album When WE ALL GO TO Sleep, Where DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother Finneas who produced the album in Los Angeles.

Billie Eilish has also teased her forthcoming single is coming this Thursday, April 29 at 9AM PT.

Billie Eilish has fast become one of the biggest stars to emerge since the release of her debut single “ocean eyes,” and continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout in 2015, Billie’s album When WE ALL Fall ASleep, Where DO WE GO? debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release, and was the most streamed album of 2019. When WE ALL Fall ASleep, Where DO WE GO? was written, produced and recorded entirely by Billie Eilish and brother Finneas in their childhood home of Los Angeles. Billie Eilish went on to make history as the youngest artist to receive nominations and win in all the major categories, at the 62nd Grammy® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album. Billie Eilish is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die.’ Most recently, Billie Eilish was nominated for four additional awards at the 63rd Annual Grammy Awards in 2021, and took home both Record of the Year for 'everything i wanted,' and Best Song Written For Visual Media for 'No Time To Die.'
Billie Eilish - Happier Than Ever
Billie Eilish
Happier Than Ever
2LP | 2021 | EU | Original (Darkroom / Interscope)
24,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Records with just a few paper scuffs are close to VG+.
Includes original inner sleeves.
Billie Eilish - Press Photo T-Shirt
Billie Eilish
Press Photo T-Shirt
14,99 €* 19,99 € -25%
Available Sizes: M, L, XL, 2XL
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The Billie Eilish Press Photo Tee is equipped with the following features:
• rib crew neck with interior tape
• Press Photo artwork printed on front
• regular fit
• 100% cotton single jersey
Billie Holiday - At Jazz At The Philharmonic
Billie Holiday
At Jazz At The Philharmonic
LP | 2014 | EU | Original (Waxtime)
19,99 €*
Release: 2014 / EU – Original
Genre: Organic Grooves
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Includes four bonus tracks.
Billie Holiday/ Buddy Defranco Quartet - Live In Cologne 1954
Billie Holiday/ Buddy Defranco Quartet
Live In Cologne 1954
LP | 2014 | EU | Original (Jazzline)
21,99 €*
Release: 2014 / EU – Original
Genre: Organic Grooves
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Billie Holiday - Velvet Mood
Billie Holiday
Velvet Mood
LP | 2014 | EU | Original (Jazz Wax)
16,99 €*
Release: 2014 / EU – Original
Genre: Organic Grooves
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Billie Marten - Flora Fauna
Billie Marten
Flora Fauna
LP | 2021 | EU | Original (Caroline)
26,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy Bragg - A Million Things That Never Happened Black Vinyl Edition
Billy Bragg
A Million Things That Never Happened Black Vinyl Edition
LP | 2021 | UK | Original (Cooking Vinyl)
24,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.
Billy Bragg - A Million Things That Never Happened Blue Vinyl Edition
Billy Bragg
A Million Things That Never Happened Blue Vinyl Edition
LP | 2021 | UK | Original (Cooking Vinyl)
26,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Bragg will release 'The Million Things That Never Happened', his tenth studio album, on the Cooking Vinyl label. The album, the first pandemic blues album of our times but also a heartfelt paean to human resilience, features 12 soulful country rock gems. The record was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne. All songs are written by Billy Bragg apart from the final song (Ten Mysterious Photos That Can't Be Explained), which is co-written by Billy's son Jack Valero.
Billy Bragg - The Million Things That Never Happened
Billy Bragg
The Million Things That Never Happened
LP | 2021 | UK | Original (Cooking Vinyl)
18,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Still in shrink, but opened, with hype sticker
Billy Cobham - Interactive Feat. Novecento Louie Vega Remixes
Billy Cobham
Interactive Feat. Novecento Louie Vega Remixes
12" | 2021 | EU | Original (Rebirth)
13,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Since the release of the first volume in 2019, we knew we couldn't stop there. In 2021 we are even more excited to present the 'Drum'n Voice Remixed 2' album by the legend Billy Cobham in collaboration with Italian producers and composers Nicolosi / Novecento. As a taster to the album we are very happy to be releasing an EP containing remixes of ‘Interactive’ from the legend Louie Vega. Acclaimed as jazz-rock fusion's greatest drummer, Billy Cobham has dedicated his whole life to musical exploration and creative expression. Born in Panama, he has been surrounded by music. His father was a pianist, his mother was a singer and Billy started playing drums at four years old. Throughout his career he has collaborated with artists like Miles Davis, Horace Silver, Airto Moreira, George Benson and appeared on over 300 recordings, including icons like Peter Gabriel, Quincy Jones, Jack Bruce, Bob Weir, and James Brown, and to date, has produced and released more than forty albums as a leader. The first album ‘Spectrum’ is a masterpiece and still considered a reference album today. Billy and Nicolosi composed so many songs of the highest quality and class that we immediately wanted to get to work preparing a second volume of remixes. We are really happy to present the Louie Vega remixes of ‘Interactive’ in the run up to ‘Drum’N Voice Remixed 2’ collection that's set for a release later in the year. ‘Little’ Louie Vega does not need any introduction. One half of the Masters At Work (that are back now after a long time with their new single), he is one of the most important House Music duo of the last 30 years, even receiving a nomination in the last Grammy Awards. With the collaboration of Josh Milan (aka Honeycomb and former one half of Blaze) at the keyboards, these incredible remixes of 'Interactive' make track shine thanks to a powerful blend of funky cosmic disco and a perfect killer groove that makes us dance on Brian Auger's magnificent Hammond improvisation.
Billy F Gibbons - Hardware
Billy F Gibbons
Hardware
LP | 2021 | EU | Original (Concord)
23,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Lemonade Colored Vinyl Edition
Billy F Gibbons
Hardware Lemonade Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Limited Picture Disc Edition
Billy F Gibbons
Hardware Limited Picture Disc Edition
LP | 2021 | US | Reissue (Concord)
26,99 €*
Release: 2021 / US – Reissue
Genre: Rock & Indie
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Billy F Gibbons - Hardware Orange Crush Colored Vinyl Edition
Billy F Gibbons
Hardware Orange Crush Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Orchid Colored Vinyl Edition
Billy F Gibbons
Hardware Orchid Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy F Gibbons - Hardware Tangerine Colored Vinyl Edition
Billy F Gibbons
Hardware Tangerine Colored Vinyl Edition
LP | 2021 | EU | Original (Concord)
25,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy Harper - Black Saint
Billy Harper
Black Saint
LP | 2021 | EU | Original (Our Swimmer)
29,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Billy Harper is one of the great tenor saxophonists in the post-Coltrane mold. Originally from Houston, TX and with a degree from the venerable University of North Texas College of Music, Harper emerged on the New York City jazz scene in the late 1960s performing with Art Blakey, Max Roach, Lee Morgan and others. Known for his soulful and propulsive tone, Harper was already a highly regarded and prolific session man before the release of his debut album as a leader on the cult favorite Strata-East label in 1973. Recorded in 1975, Black Saint was the second album for Billy Harper as bandleader and is the most acclaimed and fully realized of his long career. The inaugural release of the Italian label Black Saint – to which the album lent its name – is comprised entirely of Harper compositions; the peaceful and subdued opener “Dance, Eternal Spirits, Dance!,” the swinging and fiery “Croquet Ballet” and the side-long epic “Call Of The Wild And Peaceful Heart.” Harper’s group features trumpeter Virgil Jones - a graduate of Roland Kirk’s mid-60s groups and session player for McCoy Tyner, Charles Tolliver and others - along with Joe Bonner on piano, David Friesen on bass and Malcom Pinson on drums. Black Saint is too melodic and swinging to be free jazz but too forward-thinking to be described as modal post-bop; Harper’s advanced compositional sense and galvanic tenor work make this an album of pure fire music. This is a beautiful album back into print on its original format for the first time in over 40 years.
Billy Harper Quintet - Antibes '75
Billy Harper Quintet
Antibes '75
LP | 2021 | EU | Original (Sam)
32,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though "Black Saint" is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, "Antibes ’75" shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer. We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.
Billy Harper Quintet - Antibes '75
Billy Harper Quintet
Antibes '75
LP | 2021 | EU | Reissue (Sam)
31,99 €*
Release: 2021 / EU – Reissue
Genre: Organic Grooves
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Produced by François Lê Xuan and Fred Thomas for Sam Records/Saga. Mastered from the original stereo master tapes. Limited edition 2000 copies. Cut by SST (Schallplaten Schneid Technik). 180g vinyl LP pressed by Pallas in Germany. 6-page booklet . Each record has been visually checked to prevent defects.

Sam Records and Saga present:

A never-before released Billy Harper 1975 live recordings.

First official release with the full permission and cooperation of the Billy Harper & INA (Institut National de l’Audiovisuel).

Billy Harper Quintet – Antibes ‘75

Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.

That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer.

We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

Virgil Jones (Trumpet) Billy Harper (Tenor saxophone) Joe Bonner (Piano, arranger) David Friesen (Double Bass) Malcolm Pinson (Drums)
Billy Nomates - Emergency Telephone Colored Vinyl Edition
Billy Nomates
Emergency Telephone Colored Vinyl Edition
12" | 2021 | UK | Original (Invada)
21,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Billy Paul - The Best Of Billy Paul
Billy Paul
The Best Of Billy Paul
LP | 2021 | EU | Original (Sony Music Catalog)
26,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Billy Paul - The Best Of Billy Paul
Billy Paul
The Best Of Billy Paul
LP | 2021 | EU | Original (Sony Music Catalog)
18,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Billy Strings - Renewal
Billy Strings
Renewal
2LP | 2021 | EU | Original (Concord)
38,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Billy Talent - Hits Black Vinyl Edition
Billy Talent
Hits Black Vinyl Edition
2LP | 2021 | EU | Original (Music On Vinyl)
30,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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After four highly successful albums and two live albums, it was time for Canadian punk rockers Billy Talent to release their first greatest hits compilation in 2014, simply called »Hits«. The album contains 12 of the band’s most popular singles, including »Try Honesty«, »Red Flag«, »Fallen Leaves«, »Devil on My Shoulder« and »Viking Death March«. The album also includes two new songs, »Kingdom of Zod« and »Chasing the Sun«. It charted well in both the band’s native Canada as well as Germany and Switzerland.

Whether you’re a punk rocker looking to get to know Billy Talent in 14 incredible songs, or you’re a longtime fan of the band who already knows all their songs by heart, this compilation is an absolute must have. It comes in a UV matte finished gatefold sleeve and contains a 4-page booklet as well as an art print by Ken Taylor.
Binary Digit & Victor Ziegler - From Berriat To Pitteurs
Binary Digit & Victor Ziegler
From Berriat To Pitteurs
12" | 2021 | EU | Original (Postal Code)
12,79 €* 15,99 € -20%
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Binary Operator - Machine Processed Rhythms EP
Binary Operator
Machine Processed Rhythms EP
12" | 2021 | EU | Original (Central Electronics)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Binary Operator is back with his 2nd EP for Central Electronics. Again he delivered a mixture of electro and broken beats for dancers and digital dreamers.
Bing & Ruth - Tomorrow Was The Golden Age
Bing & Ruth
Tomorrow Was The Golden Age
2LP | 2014 | US | Original (Rvng Intl.)
30,99 €*
Release: 2014 / US – Original
Genre: Electronic & Dance
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Tomorrow Was the Golden Age is an album length composition by minimalist ensemble Bing & Ruth. Written and conducted by pianist David Moore, Tomorrow Was the Golden Age is a halcyonic journey to a neverending place, where music waxes, wanes and drifts imperceptibly from silence to grand, glowing sound.
Binker And Moses - Escape The Flames
Binker And Moses
Escape The Flames
2LP | 2021 | EU | Original (Gearbox)
26,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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Biodive - Limpets Minds Priori Remix
Biodive
Limpets Minds Priori Remix
12" | 2021 | EU | Original (Pistol)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Welcome to Pistol! The inaugural release of p.istol is introduced by Biodive, who sets the tone with his four track “Limpet Minds’ EP, written in the depths of lockdown from the producer's studio in Cape Town. Naff label head Priori contributes a no-nonsense remix of the title track - just in time as the world escapes the monotony of pandemic life.
Biome - Joker EP
Biome
Joker EP
12" | 2021 | EU | Original (Deep, Dark & Dangerous)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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In The Joker EP, Biome shows why he is right at the very top of the game. 4 incredibly made pieces of Dubstep mastery, beautifully put together into the first Deep, Dark & Dangerous release of 2021. Creepy intros, crunchy midbass, crisp and slick drumwork, quirky hooks and crushing sub all categorise this release. Each sample and sound meticulously positioned for maximum effect. Biome has always been the king of making sure everything is in it's right place, less is more, every piece of the puzzle has it's purpose and the whole release is a masterclass in this aesthetic. We know you are going to love it as much as we do.
Biosphere - Angel's Flight
Biosphere
Angel's Flight
CD | 2021 | EU | Original (Ad 93)
15,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Angel’s Flight is the new album from the highly acclaimed producer and composer Biosphere, due for release January 2021. It features twelve tracks that traverse the peripheries of classical and electronic composition, all based on Beethoven’s String Quartet No. 14. Much of the music was initially composed for ’Uncoordinated Dog’, a dance production by the Ingun Bjørnsgaard Prosjekt in 2019 that explores the personal, the ambiguous, exposure and beauty.
Bipolar State - Immersive
Bipolar State
Immersive
12" | 2021 | EU | Original (BSR)
11,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Bird Peterson - Drankenstein: The Greatest Drips Volume 1 Picture Disc Edition
Bird Peterson
Drankenstein: The Greatest Drips Volume 1 Picture Disc Edition
LP | 2021 | US | Original (Cream Dream)
28,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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Bird Peterson’s reign of audio terror is still alive and well, friends. From making records and remixes for major and indie labels (Sony, Atlantic, Ed Banger, Mad Decent, Interscope, etc), to collaborating with a wide array of artists (Diplo, Tiesto, Method Man, Mstrkrft, Astronautalis, etc), to sharing the stage with everyone from T.I. to Lil Wayne to Death From Above 1979. His critically acclaimed Holiday Spectacular has seen multiple live shows and finally a double vinyl release as well. But all of these pale in comparison to Bird’s greatest assault on the world: DRANKENSTEIN. A remix hybrid of Dirty South rap and MainStage Trance, Bird hits his 11 year anniversary of this project with the release of Drankenstein’s Greatest Drips Volume One on Cream Dream records. This glorious limited edition picture disc, designed by Bird, features a mega mix of 16 of his favorite Drank tunes and is sure to wow anyone with ears. Prepare THYSELF.
Birdengine - SOMNAM
Birdengine
SOMNAM
LP | 2021 | US | Original (Eyeless)
9,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
blue vinyl and cover are close to NM. Original inner sleeve
Birds Of Maya - Valdez
Birds Of Maya
Valdez
LP | 2021 | US | Original (Drag City)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Birds Of Passage - This Kindly Slumber
Birds Of Passage
This Kindly Slumber
LP | 2014 | DE | Original (Denovali)
26,99 €*
Release: 2014 / DE – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Clear vinyl. Still in shrink but opened with hype sticker. Limited edition. Original inner sleeve. tiny wear
Birds On A Wire & Rosemary Standley - Mascarade
Birds On A Wire & Rosemary Standley
Mascarade
10" | 2021 | EU | Original ([Pias] Le Label)
15,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Birdsmakingmachine - Birdsmakingmachine 004
Birdsmakingmachine
Birdsmakingmachine 004
12" | 2014 | DE | Original (Birdsmakingmachine)
5,99 €*
Release: 2014 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
Birdy - Young Heart
Birdy
Young Heart
2LP | 2021 | EU | Original (Warner)
29,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Birdy - Young Heart
Birdy
Young Heart
2LP | 2021 | EU | Original (Warner)
25,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Used Vinyl
Medium: Sealed, Cover: Near Mint
Birth Control - Here And Now
Birth Control
Here And Now
2LP | 2021 | EU | Original (Look At Me)
24,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Birth Of Frequency - Bad Tempered EP
Birth Of Frequency
Bad Tempered EP
12" | 2014 | FR | Original (Construct Re-Form)
14,24 €* 14,99 € -5%
Release: 2014 / FR – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Generic
White vinyl
Birthday Ass - Head Of The Household
Birthday Ass
Head Of The Household
LP | 2021 | EU | Original (Ramp Local)
22,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Bishop - Bishop
Bishop
Bishop
LP | 2021 | EU | Original (Specific)
19,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Bishops Green - Pressure Gold Vinyl Edition
Bishops Green
Pressure Gold Vinyl Edition
LP | 2014 | EU | Reissue (Pirates Press)
21,99 €*
Release: 2014 / EU – Reissue
Genre: Rock & Indie
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The Vancouver-based street punk band Bishops Green's 'Pressure' - Pressed on Gold Nugget vinyl to celebrate the band’s 10th anniversary!

Following a very impressive and critically acclaimed debut 12”, this 2014 full-length album picked up right where that left off. At the core, the songs on Pressure are similar but with a noticeable growth and maturation to them. Their lyrics continued to be bold and ask questions of our society, while extolling the traditions and pride of punk rock culture and accountability to each other through unity... This album was another milestone in the genre of streetpunk and oi! music!

Bishops Green’s music is raw and energetic with a style firmly embedded in the historic roots of Streetpunk and Oi! All of the members of Bishops Green have been playing in bands together since the ‘90s and this history combined with the group’s ability to draw from different punk genres, enables the creation of a catchy sing- along sound that makes sure that any audience feels like they are part of the show!
Bit Folder - Nogbad The Bad EP
Bit Folder
Nogbad The Bad EP
12" | 2021 | EU | Original (Analogical Force)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Mike Golding marks his first appearance on Analogical Force with an EP full of emotive and acidic electronics. A dreamy journey towards fragility and the ephemeral. Simply sublime from a true master.
Bitch Queens - Custom Dystopia
Bitch Queens
Custom Dystopia
LP | 2021 | EU | Original (Lux Noise)
19,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Bitchin Bajas - Switched On Ra
Bitchin Bajas
Switched On Ra
Tape | 2021 | US | Original (Drag City)
14,99 €*
Release: 2021 / US – Original
Genre: Organic Grooves, Rock & Indie
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It's almost four years since their last opus - two years since the most-recent run of live shows! Now, Bitchin Bajas return from whatever kind of rare ether they occupy when they're at home, bearing the riches of the whole cosmos in their hands. And strictly OG as well - on cassette only! Switched On Ra is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they've done with Bitchitronics and their participation in the annual Chicago performance of "In C" over the years). It's a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they're playing with the inspirations twined, as they can only come from within. For Switched On Ra, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra's loose grooves? The trick was to get that sense of rhythm to translate across the spectrum from Ra to Bajas, in a way that worked for them both. Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra's music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, Switched on Bach was visionary, bringing analog synths from the outside all the way into the mainstream in the late 60s - and this take on Ra is meant to take him to new ears everywhere. Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he'd done so, he took his writing in directions inspired by the electricity, places no one had thought to go before then. Doing what he did on the keys was a stand for individuality that became the background radiation of his journey through the cosmos; the search for a place beyond earthly dominance, for all the people who desperately wanted the fuck OUT. Bitchin Bajas have been content to dominate in a microtonal world, usually without a single chord to be found anywhere. But here, they step up righteously, their vibe triangulated as they bring Ra's music forward with some Wendy C style, making an unexpected space for all to thrive. There's a real feeling of joy as these collected signals bounce off the tape and through the speakers into your space. To get this unique colloid exactly right, Bitchin Bajas used nineteen different keyboards. They abstained from deploying their arsenal of reed and woodwind instruments: everything had to be on the keys. This meant Yamahas, Rolands, Korgs, Casios, a MicroMoog and of course their trusty Ace Tone organ. They even broke out the Crumar Ds-2, to have some of Ra's chosen tone in the mix. Then Jayve Montgomery added an EWI as a solo voice on a few tunes, just to get some air-blown signal (and a natural shout out to EWI master Marshall Allen) in there, after all. It felt like somewhere in the universe, Ra was decreeing it. Switched On Ra is an effervescent celebration of music throughout time and space.
Bitter End - The First Narcissus / Jealous Groove
Bitter End
The First Narcissus / Jealous Groove
12" | 2021 | EU | Original (Bitter End)
11,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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It's only fair - in terms of universal balance - that stratospheric pop success should be countered with some gutter realism. When you live round the Bitter Ends, a year of enforced curfew is the least of your worries. That said, it speaks volumes that even the folder marked 'Alternative versions' is light years ahead of most of what passes for dance music in 2021.
Biz E - Method EP
Biz E
Method EP
12" | 2014 | AU | Original (Cliq)
4,79 €* 7,99 € -40%
Release: 2014 / AU – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
After a hiatus of over a decade Sydney underground label Cliq is back with a vinyl release to remind us of how lethal Australian techno can be.
Björk X Hamrahlid Choir - Cosmogony
Björk X Hamrahlid Choir
Cosmogony
12" | 2021 | US | Original (One Little Independent)
29,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance, Pop, Classical Music
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Picture disc!
Bjorn Berge - Heavy Gauge
Bjorn Berge
Heavy Gauge
LP | 2021 | NO | Original (Blue Mood)
14,99 €* 19,99 € -25%
Release: 2021 / NO – Original
Genre: Rock & Indie
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