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HHV Records 166877 Items

HHV Records 166877 Vinyl, CD & Tape 162035 Used Vinyl 37512 Merchandise 1769 DJ Equipment 1900 Print & Design 1323
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Esa's Afro-Synth Band - Vem Comigo
Esa's Afro-Synth Band
Vem Comigo
7" | 2022 | EU | Original (Aweh)
16,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Esa's Aweh label is back with its second release, this time Esa’s Afro-Synth Band share their Brazilian boogie influences on “Vem Comigo”, which some of you may have been lucky enough to catch live over the summer at some festivals including Lente Kabinet in Amsterdam, or The Jazz Cafe in London. This is a special collaboration with singer/ songwriter Diego Moraes from São Paulo, and Forest Law who’s part of the Afro-Synth Band. Vem Comigo features in The Invisible Hand Podcast project, and Aweh continues the storytelling of these important topics.
Zolex Vs. Woktrax - Clitorium
Zolex Vs. Woktrax
Clitorium
12" | 2022 | EU | Original (Dark Distorted Signals)
13,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Clitorium is the newest inbreed of Zolex and Woktrax! We're not sure if this song is about flowers or defloration. It's definitely about machines and techno. The track has a special scratchy sound that rolls over. Pounding and stomping without stopping.

We gave the track to 3 techno producers. They gave us their interpretation. And so this release became a beast. An all black vinyl, with black sleeve, black innersleeve and black labels. On the innersleeve, you can find a download sticker with all 4 tracks included, and 2 extra tracks, all mastered for digital use in a high end club-inviroment. This will fit any techno set and any techno venue. Play it and play it Loud!
Gazpacho - Bravo
Gazpacho
Bravo
LP | 2016 | EU | Reissue (Kscope)
30,99 €*
Release: 2016 / EU – Reissue
Genre: Rock & Indie
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Half-Speed Master
Clem Clempson - In The Public Interest
Clem Clempson
In The Public Interest
LP | 2020 | EU | Original (Repertoire)
26,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Metoronori - Evenings
Metoronori
Evenings
LP | 2022 | EU | Original (Glossy Mistakes)
24,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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"Dreams are painful experiences; they are not real, but they are true," says Metoronori, whose very own ‘Evenings’ will finally see the day of light on vinyl thanks to Spanish reissue label Glossy Mistakes.

The label’s first release of 2022, by Japanese musician Metoronori, whose electronic sounds have previously appeared on Orange Milk Records and Virgin Babylon Records, will mark the start of a busy year for Glossy Mistakes. After appearing for the second year in a row on the prestigious ‘Best reissues of the year’ list for The Vinyl Factory, the label continues its own discovery path with what is meant to be one of its most cherished releases to date.

‘Evenings’ is a unique and nocturnal collection of songs. The 13-track record came from an unstable few years for the artist, during which she found solace in the night-time atmosphere of the various Tokyo wards that became her home. A voiced ode to dreams.

With her musical alias as a fun play on words meaning 'metro rider', ‘Evenings’ is a seamless and insular night-time journey from Metoronori, real name Hikari Okuyama. The journey though isn't charting train tunnels and rail tracks, but various dreamscapes, as underpinned by electronics and hints of free jazz.

While musical influences are too broad to pin down for such a singular sound, ‘Evenings’ comes with visual inspiration from esteemed directors such as Michelangelo Antonioni, Kiyoshi Kurosawa and Fritz Lang. Surrealism and noir bleed through the sounds, making for the visual texture of an out-of-context movie scene, much like part of a dream.

Dream pop sounds merge with ambient pads, soft vocals and oniric instrumentals throughout the whole piece, on a rollercoaster of emotions and feelings. An album to enjoy from start to finish, paying attention to detail as every sound on the records sums up to the overall meaning of the concept.
Savatage - Fight For The Rock
Savatage
Fight For The Rock
LP | 1986 | EU | Reissue (Earmusic)
28,99 €*
Release: 1986 / EU – Reissue
Genre: Rock & Indie
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Savatage - Power Of The Night
Savatage
Power Of The Night
LP | 2021 | EU | Original (Earmusic)
28,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Gatefold cover.
V.A. - We Are Acid Family Part 1
V.A.
We Are Acid Family Part 1
12" | 2021 | EU | Original (Suf Vs Flatlife)
12,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Kenny Dahl & R/D/V - Elementi Grey Marbled Vinyl Edition
Kenny Dahl & R/D/V
Elementi Grey Marbled Vinyl Edition
12" | 2021 | EU | Original (Eclectic Limited)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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The nineteenth Eclectic Limited's release results from a collaboration between Kenny Dahl & R/d/v . The record translates into a journey where natural elements represent the primary source of inspiration, from the outset till its culminations.
Manni Dee - A Low Level Love
Manni Dee
A Low Level Love
2x12" | 2021 | EU | Original (Perc Trax)
23,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Manni Dee returns to Perc Trax for the release of 'A Low Level Love', his second full album following on from 'The Residue' released in 2018 by Berlin techno institution Tresor. Manni opened his Perc Trax account back in 2017 with his 'Throbs Of Discontent' 12" which featured his breakout hit 'London Isn't England' and since then he's become Perc Trax regular releasing his recent 'Everyone's Replaceable Now' 12" plus his 'Gulabi Gang' contribution to first of the 'Forever' various artists series. During this time Manni has gone from a cult UK favourite to being internationally recognised, performing all around the world. On 'A Low Level Love' Manni expands on both his previous album and his recent run of Perc Trax releases, mixing his trademark club techno rhythms with broken beat and non-dance floor outings. 'No More Heroes' and 'You Don't Always Get What You Want' see Manni at his most melodic and introspective, whilst the storm of kick drums on 'Closer' shows a new intensity and aggression to Manni's music even when compared to the heaviest of his previous releases. Guest slots and collaborations can often detract from the artistic vision of an album, but Manni chooses his co-conspirators well, with vocalist Sylph adding a human element to album opener 'Persist & Change' and London acid techno legend Chris Liberator providing both vocals and some of the inspiration for club hit in waiting 'London In My System'. 'A Low Level Love' will be released by Perc Trax on 17th June on 2 x 12" vinyl, CD and digital. The album was mastered by Matt Colton at Metropolis, London. The front cover photography was taken by Bruna Kazinoti and design was handled by Adult Art Club.
The Plant Worker - Sigma EP Colored Vinyl Edition
The Plant Worker
Sigma EP Colored Vinyl Edition
12" | 2021 | EU | Original (Eclectic Limited)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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The charismatic producer "The Plant Worker" landed on Eclectic Limited with 3 intensive and deep techno tracks alongside the fantastic remix of the fast-rising techno pioneer Oliver Rosemann. Groove and energy are the foundations of this powerful EP!
Gazpacho - Fireworker
Gazpacho
Fireworker
2LP | 2020 | EU | Original (Kscope)
37,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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McKinley Mitchell - I Won't Be Back For More
McKinley Mitchell
I Won't Be Back For More
LP | 1984 | US | Original (Retta's)
5,24 €* 14,99 € -65%
Release: 1984 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
US original.
Sleeve has water damage and storage wear.
The Butterfield Blues Band - Live At Woodstock
The Butterfield Blues Band
Live At Woodstock
2LP | 2020 | US | Original (Run Out Groove Vinyl)
45,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolf’s touring band), the new group secured a highly successful club engagement at Big John’s Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the band’s third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfield’s highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, “Love March,” was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgur’s Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: Woodstock–Back to the Garden: The Definitive 50th Anniversary Archive which included Butterfield’s complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!
Asura / Anenon - Silver Trees / Damiel
Asura / Anenon
Silver Trees / Damiel
12" | 2010 | US | Original (Non Projects)
4,19 €* 11,99 € -65%
Release: 2010 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: VG+
Clear wax.
Nick Cave & Warren Ellis - OST The Proposition 2018 Remastered Edition
Nick Cave & Warren Ellis
OST The Proposition 2018 Remastered Edition
2LP | 2018 | EU | Original (Mute)
28,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie, Soundtracks
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The Zephyr Bones - Secret Place
The Zephyr Bones
Secret Place
LP | 2017 | EU | Original (La Castanya)
22,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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The Zephyr Bones’ hazy, melodic, psychedelic rock flickers with memories that span the distance between their native Chile and their current home of Barcelona. “Secret Place” synthesizes their guitar oriented dream pop into their own unique brand of beach wave.
Serena Butler - Konstrukt 007
Serena Butler
Konstrukt 007
12" | 2017 | EU | Original (Konstrukt)
11,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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Konstrukt. Hear the heart pulsating. Konstrukt 007 w/ Serena Butler.
Deepspace (Aquarium) - Welcome To Nakanotroit
Deepspace (Aquarium)
Welcome To Nakanotroit
12" | 2017 | EU | Original (Natural Sciences)
11,99 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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For the second instalment, 外神田Deepspace takes us down from the neon skyline to the hum of surface drones and tesla waves seeping through the circuit boards of the megacity. It’s the slogan for our new robot overlords as we punch into cellular devices. The gradual seeping of billboard acid frequencies into the bloodstream as mutants whistle out from ventilation shafts. A hazy bygone recollection of biological matter as we sink into concrete, junk and mechanical S&M.
V.A. - Pacific Breeze Volume 3 Japanese City Pop, AOR & Boogie 1975-1987 HHV Exclusive Tropical Love Trip Vinyl Edition
V.A.
Pacific Breeze Volume 3 Japanese City Pop, AOR & Boogie 1975-1987 HHV Exclusive Tropical Love Trip Vinyl Edition
2LP | 2023 | EU | Original (Light In The Attic)
57,99 €*
Release: 2023 / EU – Original
Genre: Pop
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Limited to 500 copies, worldwide, exclusively available at HHV. The latest chapter in the acclaimed Pacific Breeze series!

Artwork by renowned illustrator Hiroshi Nagai

Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab)

Newly remastered audio

2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI

Extensive artist bios by Yosuke Kitazawa

Digital mockups are not an exact representation of colors

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering, with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto, while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.
Mr. Fingers - Amnesia
Mr. Fingers
Amnesia
3LP | 1989 | EU | Reissue (Alleviated)
32,99 €*
Release: 1989 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2024-11-08
Re-issue of seminal Mr. Fingers album 'Amnesia', available officially for the first time in 32 years on Larry Heard's own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.
Slowcoaches - 54
Slowcoaches
54
7" | 2016 | UK | Original (Leisure & District)
6,79 €* 7,99 € -15%
Release: 2016 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Bad Sounds - Wages
Bad Sounds
Wages
7" | 2016 | UK | Original (Not On Label)
5,69 €* 18,99 € -70%
Release: 2016 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Yellow vinyl.
Stuðmenn - Sumar Á Sýrlandi
Stuðmenn
Sumar Á Sýrlandi
LP | 2015 | IC | Reissue (Sena)
13,49 €* 44,99 € -70%
Release: 2015 / IC – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Still sealed. Cover has tiny corner wear. 2015 reissue.
Riffz & Dub-Liner - Gold Label Reserve
Riffz & Dub-Liner
Gold Label Reserve
12" | 2023 | EU | Original (Jungle Cat)
18,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Snotty Nose Rez Kids - I'm Good Hbu
Snotty Nose Rez Kids
I'm Good Hbu
LP | 2023 | US | Original (Fontana North)
31,99 €*
Release: 2023 / US – Original
Genre: Hip Hop
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Steven Page - Excelsior
Steven Page
Excelsior
2LP | 2023 | EU | Original (Idla)
26,99 €*
Release: 2023 / EU – Original
Genre: Pop
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H.C. Mcentire - Every Acre Orange Vinyl Edition
H.C. Mcentire
Every Acre Orange Vinyl Edition
LP | 2023 | US | Original (Merge)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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If naming is a form of claiming, of being claimed, how is one tethered to both the physical landscape that surrounds us, as well as our own internal emotional landscape_at times calm, at times turbulent, and ever changing? H.C. McEntire's new album Every Acre grapples with those themes_themes that encompass grief, loss, and links to land and loved ones. And naming_claiming land, claiming self, being claimed by ancestry and heritage_permeates the hauntingly beautiful landscape that is this poignant collection of songs. The songs straddle the line between music and poetry. In "New View," McEntire cites poets "Day, Ada, and Laux, Berry, and Olds"_fixtures in the world of writing, whose works are beacons of light over bleak horizons. The beginning of the song is backed by soft guitar plucks that fall on the downbeat and spangle like stars, and, throughout, guitar, bass, and drums swell together gently, mimicking ebbing and flowing tides under the moon. McEntire's voice (at once tender and fierce) intones the truth of both giving and taking, releasing and claiming: "Bend me, break me, split me right in two. Mend me, make me_I'll take more of you." Permeated by heartbeat-like drums, "Shadows" develops quiet ruminations on surrender and loss_reminiscing, moving on. This ponderous, dreamlike song asks the question of how "to make room." How does one make room, for self and for renewal and surrender, when it is so difficult to leave what you know behind? Playing with slivers of descending chromatics, along with the occasional downward-stepping bass, here McEntire yearns for home, and for nesting. Perhaps one of the more grief-stricken songs, "Rows of Clover" is a lamentation, one that touches on the loss of a "steadfast hound." The lone piano in the beginning of the song is rhythmically hymn-like. The stark verse arrangement gradually leads to a chorus that reads like a moody exhale, swollen with lush guitar strums and a Bill Withers-esque understated soul groove. But what stands out the most is an image of being "down on your knees, clawing at the garden"_the only explicit mention of a person in the song. "It ain't the easy kind of healing," sings McEntire, seemingly from further and further away as her voice echoes; and healing ta;kes time, time takes time_truths that linger painfully. "Dovetail" is a song that tells of various women. The song moves back and forth between solo piano and the addition of bass and drums under vocals. McEntire's gentle, trembling vibrato_harmonized in thirds in a celebratory manner_calls to mind a rejoicing psalm and shines through these images, leaving the listener cuttingly fraught with emotions_such as wonder, sadness, nostalgia_that can only arise with these juxtapositions. Gracious (and graceful) with its lilting melodies and lush harmonies, Every Acre ex - plores the acres of our physical and emotional homes. These songs are reaching for the kind of home that we all seek: one where we can rest and lay down (or tuck away) our burdens of loss. And maybe, moving through every acre of a world that often tries to tear our sense of identity and heritage down, McEntire sheds light on what it is to be human in this life_both stingy and gracious, both hurtful and kind.
Orbital - Optical Delusion White Vinyl Edition
Orbital
Optical Delusion White Vinyl Edition
2LP | 2023 | EU | Original (London)
38,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”

You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.

“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.

“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”

Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.

Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.

And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”

Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.

“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”

?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.

The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”

But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.

In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.

There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
Ron Sexsmith - The Vivian Line
Ron Sexsmith
The Vivian Line
LP | 2023 | UK | Original (Cooking Vinyl)
25,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Ron Sexsmith is one of Canada"s most accomplished singer-songwriters. Born and bred in St Catherine"s near Niagara Falls and currently resident in Stratford, Ontario, he has released 16 albums to date. He has collaborated with the likes of Daniel Lanois, Mitchell Froom, Ane Brun, Tchad Blake, and Bob Rock. His songwriting appears on albums from Rod Stewart, Michael Bublé, k.d. lang, Emmylou Harris and Feist. Film-maker Doug Arrowsmith made an acclaimed documentary about Ron in 2010 called "Love Shines". In 2017 Ron published his first book, a fairy tale entitled "Deer Life". With one exception, these new songs all flowed from Sexsmith"s fertile musical and lyrical imagination in a short period of 2021 during covid. "The songs came out of nowhere," Ron explains. "I wasn"t really writing after the [2020] release of my previous album, Hermitage. The older I get, the more I think "maybe this is it," but then I found myself with new ideas again and got excited."
Dennis Alcapone & The Ethiopians / Mighty Sould Rebels - Solid As A Rock / Judgement Day Is Near
Dennis Alcapone & The Ethiopians / Mighty Sould Rebels
Solid As A Rock / Judgement Day Is Near
7" | UK | Reissue (Archive)
12,99 €*
Release: UK – Reissue
Genre: Reggae & Dancehall
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The Communards - Red 35th Anniversary Edition Colored Vinyl Edition
The Communards
Red 35th Anniversary Edition Colored Vinyl Edition
2LP | 2022 | EU | Original (London)
47,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance, Pop
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The Communards’ sophomore album ‘Red’ consolidated the genius of the musical partnership between Bronski Beat singer Jimmy Somerville and pianist Richard Coles. Fusing synths and hi-NRG production with lush string and horn arrangements, The Communards straddled pop and the political, the album’s themes set against the political unrest and moral panic of late 80s Britain. A global smash upon its release, this remastered and expanded 35Th Anniversary Edition features an extensive array of B-sides, live tracks, demo versions and remixes, including classic mixes by legendary 80s club doyens Shep Pettibone, Clivilles & Cole (better known as C&C Music Factory) and a euphoric new 2022 remix of ‘Never Can Say Goodbye’ by UK outfit The 2 Bears (Hot Chip’s Joe Goddard and DJ Raf Rundell). Available on Deluxe Double CD , Collector White & Red Double Vinyl , Black Vinyl. All editions remastered , with new sleeve notes.
H Music De Perception - Minami Kaze A Wave
H Music De Perception
Minami Kaze A Wave
7" | 2022 | JP | Original (EM)
13,99 €*
Release: 2022 / JP – Original
Genre: Electronic & Dance
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Samadhi - Samadhi Clear Vinyl Edition
Samadhi
Samadhi Clear Vinyl Edition
LP | 1974 | EU | Reissue (Vinyl Magic)
28,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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Infumiai Kumiai - Jangal
Infumiai Kumiai
Jangal
LP | 2022 | JP | Original (P-Vine)
39,99 €*
Release: 2022 / JP – Original
Genre: Hip Hop
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Formed in Osaka’s American-village, hip-hop supergroup, Infumiaikumiai is comprised of members from Chief Rokka (satussy, Erone, DJ Kan), Headbangerz (hidaddy, ?? (Yugi), DJ Kitada KEN, Mentol), Notable MC (ohya (from daruma-san), Akira (from Evisbeats), and ILL Mint’s very own Mint. Their debut album, Critical 11, gained them a cult following and recognition within the scene. Their second album, Jangal, saw them polishing their skills even more, and saw them gain mainstream success, with many music magazines calling it a landmark album for Japanese hip-hop. This pair of iconic albums is being remastered and reissued on vinyl for the first time ever, exclusively from P-vine Records.
Infumiai Kumiai - Critical 11
Infumiai Kumiai
Critical 11
LP | 2022 | JP | Original (P-Vine)
39,99 €*
Release: 2022 / JP – Original
Genre: Hip Hop
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Formed in Osaka’s American-village, hip-hop supergroup, Infumiaikumiai is comprised of members from Chief Rokka (satussy, Erone, DJ Kan), Headbangerz (hidaddy, ?? (Yugi), DJ Kitada KEN, Mentol), Notable MC (ohya (from daruma-san), Akira (from Evisbeats), and ILL Mint’s very own Mint. Their debut album, Critical 11, gained them a cult following and recognition within the scene. Their second album, Jangal, saw them polishing their skills even more, and saw them gain mainstream success, with many music magazines calling it a landmark album for Japanese hip-hop. This pair of iconic albums is being remastered and reissued on vinyl for the first time ever, exclusively from P-vine Records.
Slap Happy Humphrey - Slap Happy Humphrey
Slap Happy Humphrey
Slap Happy Humphrey
LP | 1994 | JP | Reissue (Alchemy)
36,99 €*
Release: 1994 / JP – Reissue
Genre: Rock & Indie
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Jojo Hiroshige is probably best known as the main driving force behind Japanese noise band Hijokaidan and its numerous transformations. His group Slap Happy Humphrey - formed with fellow Alchemy Records noise maker and Angel’in Heavy Syrup singer Mineko Itakura - was in some ways a departure from Hiroshige’s typical noise undertakings. On their first and only LP, the self-titled record is immersed in opposites and contrasts that work in tandem - of folk and noise, of calm and rupture. P-vine is delighted to present the first ever vinyl reissue of the 1994 album with an iconic Japanese obi strip attached.

As a revival of Doji Morita’s hauntingly bleak folk swept across Japan in the early 90s, so too did Hiroshige wish to step into Morita’s dark fantastical world armed with his guitar. With cover songs selected from Morita’s first four albums, Itakura’s vocals bring out the ethereal charm of Morita's writing across these tracks with third member and Subvert Blaze frontman, Hiroaki Fujiwara, backing her on acoustic guitar and violin. Against this backdrop of the duo’s acid folk harmonies, Hiroshige finds opportune moments to thrust his most volatile concoctions of noise and blissful distortion.
Mass-Hole - Ze Belle
Mass-Hole
Ze Belle
LP | 2022 | JP | Original (P-Vine)
38,99 €*
Release: 2022 / JP – Original
Genre: Hip Hop
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Superchunk - Wild Loneliness Green & Yellowghostly Effect Vinyl Edition
Superchunk
Wild Loneliness Green & Yellowghostly Effect Vinyl Edition
LP | 2022 | US | Original (Merge)
24,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Like every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It's a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me Up, Here's to Shutting Up, and Majesty Shredding. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we've lost in these harrowing times and more about what we have to be thankful for. (I know something about gratitude. I've been a huge Superchunk fan since the 1990s, around the same time I first found my way to poetry, so the fact that I'm writing these words feels like a minor miracle.) On Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem_the "secret ingredient"_is surprise. Perhaps the same is true of songs. Like when the sax comes in on the title track, played by Wye Oak's Andy Stack, adding a completely new texture to the song. Or when Owen Pallett's strings come in on "This Night." But my favorite surprise on Wild Loneliness is when the harmonies of Norman Blake and Raymond McGinley of Teenage Fanclub kick in on "Endless Summer." It's as perfect a pop song as you'll ever hear _ sweet, bright, flat-out gorgeous_and yet it grapples with the depressing reality of climate change: "Is this the year the leaves don't lose their color / and hummingbirds, they don't come back to hover / I don't mean to be a giant bummer but / I'm not ready / for an endless summer, no / I'm not ready for an endless summer." I love how the music acts as a kind of counterweight to the lyrics. Because of Covid, Mac, Laura, Jim, and Jon each recorded separately, but a silver lining is that this method made other long-distance contributions possible, from R.E.M.'s Mike Mills, Sharon Van Etten, Franklin Bruno, and Tracyanne Campbell of Camera Obscura, among others. Some of the songs for the record were written before the pandemic hit, but others, like "Wild Loneliness," were written from and about isolation. I've been thinking of songs as memory machines. Every time we play a record, we remember when we heard it before, and where we were, and who we were. Music crystallizes memories so well: listening to "Detroit Has a Skyline," suddenly I'm shoutsinging along with it at a show in Detroit twenty years ago; listening to "Overflows," I'm transported back to whisper-singing a slowed-down version of it to my young son, that year it was his most-requested lullaby. Wild Loneliness is becoming part of my life, part of my memories, too. And it will be part of yours. I can picture people in 20, 50, or 100 years listening to this record and marveling at what these artists created together_beauty, possibility, surprise_during this alarming (and alarmingly isolated) time. But why wait? Let's marvel now. - Maggie Smith
Tomasz Sroczynski - Symphony N°2 / Highlander
Tomasz Sroczynski
Symphony N°2 / Highlander
LP | 2021 | EU | Original (Ici D'Ailleurs)
20,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Mind Travel serie's newcomer, Tomasz Sroczynski, a young Polish composer and violinist, offers us an exhilarating and profoundly audacious work. Born on 25 December 1987 in Radomsko, and now dwelling by the Polish mountains near Babia Góra, his work, based on improvisation, oscillates between contemporary and electronic music. Still little known in France, he has already collaborated with many talented Polish artists: clarinettist Jerzy Mazzoll, with whom Tomasz Sroczynski worked on an improvised version of Stravinsky's "Rite of Spring". Saxophonist Marek Pospieszalski, with whom he recorded the album "Bareness". And above all Jacek Sienkiewicz, a key figure in Polish electronic music, who is also the founder of Recognition Records, a label that has also produced two albums by Tomasz Sroczynski.Symphony No. 2 / Highlander is a dazzling work, music that shatters our daily lives with a bang and inevitably intrudes upon us. From the very first movement, 'Adagio Pastorale', the violin's vibrations, through their repetitions and amplifications, draw us irresistibly into the heart of a whirlwind from which it will be difficult to escape. We immediately perceive the spontaneity and sincerity of this promising artist.Using a sampler and a harmoniser, Tomasz Sroczynski creates numerous loops that he organises and superimposes, making his work unexpected and innovative: a consummate art of improvisation that makes his creation unique and original. Like nature, alternately peaceful and impetuous, Tomasz Sroczynski passionately alternates phases of serenity and agitation.Tomasz Sroczynski is a symphony in his own right. Far from the traditional methods of composition, his album surprises by its vitality and authenticity.His influences are multiple, one naturally thinks of the great Polish composers of the 20th century: Szymanowski, Lutoslawski, Penderecki, Górecki, Kilar. But Tomasz Sroczynski also seems to worship the Estonian composer Arvo Pärt and also evokes finding his inspiration in techno, th...
Schneider - Mitternacht
Schneider
Mitternacht
7" | 2021 | EU | Original (Reach Another System)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance, Pop
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Schneider is a Freiburg based duo that tells those everyday stories everyone has already experienced. Stories of desire and lost love, a confrontation with short-lived and powerful encounters. Their debut release Mitternacht is a two-track 7“. The name-giving A-side is about the desperate search for some love, accompanied by a distorted bassline, melancholic synths and echo-ringing church bells. The Bside culminates in howls of emotion. The perfect soundtrack for lonesome walks in restless morning hours.
Devon Scott - Ghetto Cry / Version
Devon Scott
Ghetto Cry / Version
7" | UK | Reissue (Green Farm)
14,99 €*
Release: UK – Reissue
Genre: Reggae & Dancehall
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1991 Alphanso Henclewood (King Shark) production
Lisa Decker & Nautilus - Serendipity Transparent Red Vinyl Edition
Lisa Decker & Nautilus
Serendipity Transparent Red Vinyl Edition
LP | 2021 | EU | Original (Oonops Drops)
18,99 €*
Release: 2021 / EU – Original
Genre: Organic Grooves
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"This very first release on »Oonops Drops« has its very own story behind it. I planned to found my own label for more than half a year when my wife Lisa worked on her songs and when the idea came to me how this would sound if Japanese Jazz trio Nautilus would arrange some of them. I have known Toshi for six years now, met him personally here in Hanover and he's such a magnificent musician, so the idea became reality and they started working on the first two tracks until a total amount of nine songs was created. I'm so proud to share this very personal project with you (which was finally produced and mastery simultaneous to the foundation of my label by accident) and I hope you like it as much as we do. For the first single release of the album I directly had the uplifting track »Everytime« in my mind and a remix which should transport the good vibes in a different direction. Pat Van Dyke, a longtime known producer and multi-instrumentalist from New Jersey took his hands on it and created a horns-loaden feel good version of it including a little guest appearance by Brooklyn based lyricist John Robinson. You can get this release on LP, 7", CD or digital or get the reduced bundle of the LP including the 7". Yours truly, Oonops."
Fulbert - Rawthentic City EP
Fulbert
Rawthentic City EP
12" | 2012 | ES | Original (Soul Notes)
7,99 €*
Release: 2012 / ES – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Record has large hairlines.
Sons Of Alpha Centauri - Push
Sons Of Alpha Centauri
Push
LP+CD | 2021 | EU | Original (Exile On Mainstream)
19,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Sons Of Alpha Centauri Are The Uk's Original Instrumental Stalwarts. Formed In 2001 They Released Their Atmospheric And Progressive Debut To Acclaim In 2007 And Since Then Proceeded To Develop Their Instrumental Approach Having Been Accepted And Adopted By Instrumental Luminaries Karma To Burn And Yawning Man. Soac Have Released Multiple Split Records, Undertaken Several Collaborations And Toured Extensively With Karma To Burn Since 2009 And Have Also Formed Yawning Sons With Members Of Yawning Man. The Collaboration Heralded Involvement From Scott Reeder (Kyuss), Wendy Rae Fowler (Queens Of The Stone Age) Releasing Several Albums To Critical Acclaim In 2009 And 2021 Both Widely Referred To As Cult Classics.Soac Returned In 2017 With Their Sophomore Continuum Produced And Engineered B...
Aburadako - Aburadako (Fune Ban)
Aburadako
Aburadako (Fune Ban)
LP | 2021 | JP | Original (P-Vine)
31,99 €*
Release: 2021 / JP – Original
Genre: Rock & Indie
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Abradako was formed in 1983 by Hirotomo Hasegawa. In the punk / hardcore scene of the time, it has attracted attention as a completely different personality compared with other bands and gained cult popularity. In 1985, released the 1st album "Aburadako". Since then, he has released seven albums by the time he stopped their activity in 2009. All album titles are "Aburadako". P-vine presents parts of their discography as LP for the first time. All titles come with OBI-strip. Their last album and one of the masterpieces "Abradako (Fune Ban)" was originally released from P-vine in 2008.
Aburadako - Aburadako (Ana Ban)
Aburadako
Aburadako (Ana Ban)
2LP | 2021 | JP | Original (P-Vine)
44,99 €*
Release: 2021 / JP – Original
Genre: Rock & Indie
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Abradako was formed in 1983 by Hirotomo Hasegawa. In the punk / hardcore scene of the time, it has attracted attention as a completely different personality compared with other bands and gained cult popularity. In 1985, released the 1st album "Aburadako". Since then, he has released seven albums by the time he stopped their activity in 2009. All album titles are "Aburadako". P-vine presents parts of their discography as LP for the first time. All titles come with OBI-strip. This album is their 6th album released in 2004, commonly called "Ana Ban", including 10 songs, 60min of mysterious psychedelic world.
Hammer - Vox Cycle EP
Hammer
Vox Cycle EP
12" | 2021 | EU | Original (Unknown To The Unknown)
13,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Hammer returns to the Uttu Omnisphere after last years incredible debut on Soft Computing - here Hammer kicks off 2021 with a 3 tracker of emo-electronix, deep-euro-houz & IDM-esque-beach-tronica.
Saele Valese - Ivic
Saele Valese
Ivic
2LP | 2021 | EU | Original (Noton)
23,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Noton signs Italian-born, Bern-based sound-artist and producer Saele Valese. In ‘ivic’, his debut LP, Saele Valese, distills hauntological noise, droning tonal experiments and minimalist rhythms into a series of electro-acoustic-wave ventures written over five years in Berlin, Saas-Fee and Thun. Drawing influences from the psychoacoustic properties of the live album format, IVIC’s 11 tracks were mixed and recorded live on DAT cassettes and through DAW experimentation, without the possibility to revise the final recordings. Valese adopted this approach to conceptually propose reconciliations between the irreversibility of the past, and acceptance of its residuals in the present.
Molly Burch - The Molly Burch Christmas Album Limited Candy Colored Vinyl Edition
Molly Burch
The Molly Burch Christmas Album Limited Candy Colored Vinyl Edition
LP | 2019 | EU | Reissue (Captured Tracks)
26,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie, Christmas
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Cash Money - Logo T-Shirt
Cash Money
Logo T-Shirt
12,49 €* 24,99 € -50%
Available Sizes: S
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The Cash Money Logo Tee is equipped with the following features:
• rib crew neck with interior tape
• Cash Money Logo artwork printed on front
• relaxed fit
• 100% cotton single jersey
No Maddz / Sly & Robbie - Romance
No Maddz / Sly & Robbie
Romance
7" | 2014 | UK | Reissue (Taxi)
15,99 €*
Release: 2014 / UK – Reissue
Genre: Reggae & Dancehall
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Wiki of Ratking - Oofie
Wiki of Ratking
Oofie
CD | 2020 | US | Original (Wikset Ltd)
17,99 €*
Release: 2020 / US – Original
Genre: Hip Hop
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Franco Falsini - Cold Nose (Naso freddo) White vinyl Edition
Franco Falsini
Cold Nose (Naso freddo) White vinyl Edition
LP | 2020 | US | Original (Vinyl Magic)
28,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Faithful reproduction of the original edition with inner envelope, on white vinyl

lFranco Falsini is a musician and composer who, already in the mid-'60s, was full-time involved in music
activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after
having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations' Fix and signed a contract with Polydor for the release of six records in five years.

In addition to the composition and release of the Sensations' Fix LP's, Falsini was able to record a solo
album in 1975, 'Cold Nose (Naso freddo)', the soundtrack of the eponymous short film directed by Filippo Milani, which Falsini himself says it's the description of 'a day in the life of a Freudian cocaine addict. There were only three actors, two of whom represented the paranoia of the main and only character, Miguel, a Spaniard who lived as a photomodel companion. [...] There was no action at all in the film, which was basically made of moving photographs, with many close-ups [...]. This, with the absence of dialogues, made the soundtrack fundamental. The slowness of the images had to be reflected in music, and synchronizing everything wasn't easy. [...] Everything was analogic and the tape cuts were handmade'.

Sonically speaking, 'Cold Nose' is a space/psychedelic trip played by Falsini in complete autonomy, with
only bass, guitar, keyboards/synthesizers and sporadic vocalizations at the end of the third and last part of the opera, a long 20-minute composition that fills the entire B-side of the record. Sounds and atmospheres are still fresh totay, and it wouldn't have been wrong to define them 'avant-garde' back in those days!

Faithful reproduction of the original edition with inner envelope, in white vinyl.
Humble Lion - Pirates On Shore / Version
Humble Lion
Pirates On Shore / Version
7" | 1988 | UK | Reissue (Classic Sounds)
13,99 €*
Release: 1988 / UK – Reissue
Genre: Reggae & Dancehall
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Reissue from 1988 originally,
top digital Oswald Creary production
Songhoy Blues - Meet Me In The City
Songhoy Blues
Meet Me In The City
LP | 2019 | US | Original (Fat Possum)
30,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Rico Puestel - Exhibition 1
Rico Puestel
Exhibition 1
12" | 2019 | EU | Original (Exhibition)
11,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Welcome to the exhibition! After his renowned tour de force on Cocoon Recordings, Rico Puestel continues with his dedicated streaks of unique and progressively driven Techno on his brand-new imprint Exhibition.
LQ - Dub Runners EP Ishan Sound Remix
LQ
Dub Runners EP Ishan Sound Remix
12" | 2018 | EU | Original (Echo Chamber Sound)
12,99 €*
Release: 2018 / EU – Original
Genre: Electronic & Dance
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Infoline & Audioguide - Infoline Global
Infoline & Audioguide
Infoline Global
12" | 2018 | EU | Original (Infoline)
10,99 €*
Release: 2018 / EU – Original
Genre: Electronic & Dance
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Poster & blotter art by Marc Jauslin. Infoline indicates new content components via an intuitive union of several media forms. We see the medium record/cover as a placeholder that does not contain enough information or limits itself only to the audio (music). The goal is to break open that standard by collaborating with designers, artists and musicians to find the improbable (formula) within the limit (format). The label Infoline is built on that collaboration because via that connection the network of possibilities grows and the intensification becomes more complex.
Travis Barker & Yelawolf - Psycho White EP
Travis Barker & Yelawolf
Psycho White EP
CD | 2012 | US | Original (Lasalle)
10,99 €*
Release: 2012 / US – Original
Genre: Hip Hop
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Deceased - As The Weird Travel On
Deceased
As The Weird Travel On
LP | 2006 | EU | Reissue (Hells Headbangers)
30,99 €*
Release: 2006 / EU – Reissue
Genre: Rock & Indie
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Hells Headbangers is proud to present DECEASED’s classic fifth album, As the Weird Travel On, back on vinyl LP format.
Art Fine - Dark Silence
Art Fine
Dark Silence
12" | 1985 | US | Reissue (Dark Entries)
12,59 €* 20,99 € -40%
Release: 1985 / US – Reissue
Genre: Pop
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Art Fine was the duo of Fabrice Bellini (electronics, vocals) and Rush Blakemann (guitar, synthesizer) from Tuin, Italy. They met in art school and became friends, inspired by New Wave, dance and electronic music. They recorded their only single “Dark Silence” in November of 1984, which was released by Discomagic in 1985. It is now remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl is housed in the original jacket featuring a photo of the duo and that Art Fine logo in puzzle pieces. Each copy includes a double sided postcard insert with lyrics and liner notes by Fabrice Bellini.
V.A. - Untitled
V.A.
Untitled
12" | 2004 | DE | Original (Acido)
11,99 €* 39,99 € -70%
Release: 2004 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
V.A. - Hudd Influence Volume 1
V.A.
Hudd Influence Volume 1
12" | 2023 | UK | Original (Hudd Traxx)
16,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Sunroof - Electronic Music Improvisations Volume 2
Sunroof
Electronic Music Improvisations Volume 2
LP | 2023 | EU | Original (Mute)
32,29 €* 33,99 € -5%
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Mai Mao - Ricshari
Mai Mao
Ricshari
LP | 2022 | UK | Reissue (An'archives)
31,99 €*
Release: 2022 / UK – Reissue
Genre: Organic Grooves
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An’archives are thrilled to announce the release of Ricshari, the first LP from Japanese free improvising duo MAI MAO. Consisting of Shizuo Uchida of Hasegawa-Shizuo, Albedo Gravitas, Archeus, Kito Muzukumi Rouber, Terror Shit, UH, etc. on bass, and Kyosuke Terada, of HUH (who have their own release due on An’archives soon), Terror Shit, Bay City Rolaz, Praymate, The Obey Unit, etc. on guitar, they’ve previously released two wild cassettes, Curvature Improvement Plan (Haang Niap, 2020) and Folk Dope Rally (2021), both documenting one-take improvisations from live gigs. Ricshari was recorded by Nobuki Nishiyama in January 2021, and is proof, if any was needed, that this duo is one of the most fiercely unique, out-there units currently extant – in Japan, or anywhere, for that matter.

The music of MAI MAO seems to proceed by opposites and juxtaposition, shifting from frantic, hectic runs of splattering note spray to moments of granular stasis, where Uchida and Terada coax their instruments into and out of deep wells of silence, or rest, temporarily, in a lagoon of fermenting fuzz. Spiralling kinetics are largely the order of the day, though – the opener, “Chew a flying flash prayer”, skitters here and there, guitar and bass jumping over one another in games of leapfrog and Twister, finding new ways to perplex and puzzle the listener, and perhaps each other in the process, Uchida and Terada fully committed to the short-circuiting spirit of the moment.

The energy here is hyperactive, but it also speaks of a curious and committed attention to improvisatory responsiveness, one that’s just as likely to fork off into different directions in a split second – it’s real edge-of-the-seat stuff, as though the hands are moving too fast for the mind to follow. That’s all the better, then, to let the gush of genuinely free-thinking, devoted duo improvisation to fly at its most playful and intelligent. File next to the likes of Davey Williams & LaDonna Smith and their TransMuseq companions, or the wickedly perplexing bass-synth/trombone duets of Dave Dove Paul Duo, and you’ve some idea of what’s going on here, provisionally at least, ‘cos this one’s an enthralling, yet welcoming, head-scratcher of the highest calibre.
Omochi - Interior 1
Omochi
Interior 1
LP | 2022 | UK | Original (Ethbo)
23,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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Søs Gunver Ryberg - Spine
Søs Gunver Ryberg
Spine
2LP | 2023 | EU | Original (Arterial)
31,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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On "Spine", Danish composer SØS Gunver Ryberg considers a sustainable alternative, buoyed by interconnectedness, empowerment, and understanding. Channeling her dextrous sound design into advanced, time-bending music that fluctuates through techno, experimental ambient, and soundsystem-vibrating bass music, she maps out an artistic landscape that's futuristic and complex, but never oppressive. "Spine" is the inaugural release on Ryberg's own label Arterial, and stands as a thematically dense statement of intent.
Les Rats - Zarma & Craoued
Les Rats
Zarma & Craoued
LP | 2016 | Original (Koowood)
15,99 €*
Release: 2016 / Original
Genre: Rock & Indie
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V.A. - DFA Compilation #2 Box Set
V.A.
DFA Compilation #2 Box Set
4LP Box | 2022 | UK | Original (Dfa Records)
110,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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“What could have been a mere anthology of the label's uniformly excellent 2004 output is, additionally, a meticulously assembled personal narrative. This is a label that balances its musical and commercial aspirations with an earthy, no-bullshit disposition and-- let's say it-- the world's best fucking handclaps.” - Nick Sylvester, Pitchfork, in the heady days of 2004.

Behold, Compilation #2. A compendium what are arguably the best prime-era DFA cuts, mostly all recorded and/or remixed at the old DFA Studios on W. 13th Street (with some notable exceptions), released as 12-inches and then compiled onto a 3xCD set for convenience because, at the time, people actually bought CDs more than vinyl.

Now, in the spirit of time not really being much of a linear thing anymore, and for our own selfish desire to have this version of Liquid Liquid’s “Bellhead,” produced by the DFA, finally committed to wax, we have reverse engineered this thing back onto vinyl and presented it as a four-record boxed set.

We went back and found the master tapes or files for each song - a not insignificant effort given our habit of disorganization. We then rather painstakingly resequenced and remastered it with the guy we trust with such things: Bob Weston at Chicago Mastering Service. The lacquers Bob cut were plated and pressed at what we believe to be one of the best pressing plants in the country: QRP in Salina, Kansas.

We tell you all of this to say: we took this shit pretty seriously. Because we felt like it was important and because we felt like some folks would really appreciate it. It sounds remarkable. It looks great. (Rob Carmichael re-did the original packaging, adding a new photo from DFA OG Tim Saccenti from one of the original parties at W. 13th St.) Of course, we somehow can’t stop ourselves from making labeling errors - Pixeltan’s “That’s the Way I Like It” somehow escaped the center labels on the fourth record. It’s kind of the DFA curse. Has to be!
Maserati - The Language Of Cities Anniversary Colored Vinyl Edition
Maserati
The Language Of Cities Anniversary Colored Vinyl Edition
LP | 2002 | US | Reissue (Temporary Residence)
34,99 €*
Release: 2002 / US – Reissue
Genre: Rock & Indie
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Crystal Clear w/ Red & Yellow Vinyl.Originally released in 2002, The Language Of Cities was Maserati's second album - and their last before Jerry Fuchs joined the band. Out-of-print and unavailable for over a decade, The Language Of Cities finally gets reissued on all formats to commemorate the band's 20th anniversary. Remastered from the original master tapes by Josh Bonati, The Language Of Cities featured Maserati's original lineup of Coley Dennis, Matt Cherry, Steve Scarborough, and Phil Horan, and remains the most sprawling and contemplative album of the band's decades-long career.
Dead End - Forever Is Not Eternal Gold Marbled Vinyl Edition
Dead End
Forever Is Not Eternal Gold Marbled Vinyl Edition
LP | 2022 | EU | Original (Doc)
25,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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El Ten Eleven - It's Still Like A Secret Clear Vinyl Edition
El Ten Eleven
It's Still Like A Secret Clear Vinyl Edition
LP | 2010 | US | Reissue (Joyful Noise)
27,99 €*
Release: 2010 / US – Reissue
Genre: Rock & Indie
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A poetic riff on Built to Spill's album Keep It Like A Secret, and a tongue-in-cheek reference to the band's "underground" status, instrumental duo El Ten Eleven's fourth album is a brash and bold 12-track post-rock odyssey. It's Still Like A Secret is back in print on Clear Vinyl.
El Ten Eleven - Every Direction Is North Green Glass Vinyl Edition
El Ten Eleven
Every Direction Is North Green Glass Vinyl Edition
LP | 2007 | US | Reissue (Joyful Noise)
27,99 €*
Release: 2007 / US – Reissue
Genre: Rock & Indie
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"El Ten Eleven have cemented their place in the annals ofinstrumental music." - OC WeeklyEl Ten Eleven's 2007 album Every Direction is North is back inprint on Green Glass Vinyl.
Park Jiha & Roy Claire Potter - To Call Out Into The Night
Park Jiha & Roy Claire Potter
To Call Out Into The Night
LP | 2022 | UK | Original (Otoroku)
26,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
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"Full recording of one of the most engaging and beguiling Late Junction live sessions we’ve ever heard - the one off first meeting between Korean multi-instrumentalist Park Jiha and writer and performer Roy Claire Potter. It’s an unlikely pairing which works from the first breath. Park Jiha plays the saenghwang, a Korean mouth organ which she blows in long multiphonics to set pace for Potter’s words. They unfurl a scene slowly in front of you, rich and focused, shifting your field of vision and drawing you in, elsewhere. It’s impossible not to follow, not to look for where they point. When the piri sounds for a flooded town on the B side, the water flows between your own feet; Potter’s words a sometimes frightening hörspiel in scouse.

Though the details are fine, the space each artist gives one another and their instruments, their language, is given to the listener in turn. A careful melody picks out a route for words with no fixed meaning, a body with no fixed direction, and we are invited to listen and see a kind of music made visible in its inference. A truly very special record we are very proud to share. — Influenced by linguistics and performance theory, Roy Claire Potter makes performance, text, drawing, installation and film, and oen collaborates with musicians and sound artists to make audio for music festivals and radio. Across the wide range of their practice, Roy tells stories built from fragmented, intense images that depict moving bodies or domestic scenes and architectural settings. Roy’s interest in subtext and narrative sequencing is felt in the way they use fast-paced talking or reading speeds, and restricted or partial views of space. Complicated social or group dynamics, and the aftermath of violent events are common themes in Roy’s work and are usually treated with a dark, sometimes wilful humour.

Park Jiha creates exploratory music rooted in traditional Korean instrumental performance. To this session she brings three instruments: a Korean hammered dulcimer called a yanggeum, a saenghwang which is an instrument made of 24 slender bamboo pipes attached to a bowl and played like a harmonica and a double-reed bamboo flute called a piri, which sounds similar to an oboe. — Recorded and mixed on: 30 January 2020 by Rob Winter, Pete Smith and Andy Rushton at Maida Vale Studios, London for “Late Junction - Roy Claire Potter and Park Jiha in session”. Produced by Rebecca Gaskell, Katie Callin and Alannah Chance at Reduced Listening for BBC Radio 3."
Gu-N (Hidenobu Kaneda, Fumio Kosakai, Ryuichi Nagakubo, Morihide Sawada & Ikuro Takahashi) - 90s Free-Sound
Gu-N (Hidenobu Kaneda, Fumio Kosakai, Ryuichi Nagakubo, Morihide Sawada & Ikuro Takahashi)
90s Free-Sound
LP | 2022 | UK | Original (An'archives)
29,99 €*
Release: 2022 / UK – Original
Genre: Electronic & Dance
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On their latest release, An’archives dives into the past, disinterring a revelatory collection of recordings from Japanese free-sound quintet Gu-N. Formed in 1994 by Fumio Kosakai (Incapacitants, Hijokaidan, C.C.C.C.) and Hidenobu Kaneda (Yuragi), alongside Ikuro Takahashi (Fushitsusha, Kousokuya, LSD March), Ryuichi Nagakubo (C.C.C.C., Yuragi), and Morihide Sawada (Yura Yura Teikoku, Marble Sheep), Gu-N played regularly at Plan-B in Tokyo, but released little during their relatively short time together. Hazy and hypnotic, their laminar improvisations, four of which appear on this untitled album, are compelling, oneiric visions for the ear.

In his liner notes for the album, Michel Henritzi writes that these Gu-N recordings situate the group within a broader trajectory of free improvisation and collective sound within Japan – Taj Mahal Travellers, East Bionic Symphonia, Marginal Consort, each of whom sprung, in many ways, from the radical vision and creativity of Takehisa Kosugi. But there’s a unique spirit here that aligns Gu-N with these predecessors, while also marking out singular territory.

Kosakai’s background in noise, via his participation in Hijokaidan and Incapacitants, can be heard in the unrelenting oscillations and heavyweight drones that purr throughout each of these four tracks. Both Kosakai and Nagakubo were members of C.C.C.C., perhaps the clearest precursors to Gu-N in their psychedelic density, though Gu-N trade in C.C.C.C.’s volcanic energy for a more tempered, sensuous exploration of tone and time. There’s also a brutish element to Gu-N’s improvisations – see the saturated spectrum, rumbling and phasing throughout the album, and the crushing, almost Amon Düül-esque drum tattoos that Takahashi pounds out on the second track (recorded in 1998), punctuating the music from deep inside its hallucinatory murk. Elsewhere, as on the third track (one of three recorded in 1994), Kosakai’s cello scrapes out armfuls of buzz-tone as Sawada’s bouzouki trills out, elastic and vibrant, across spindrift electronics and lung-spun winds.

What’s most impressive here, though, is the way each player, formidable musicians in their own right, defers to the might of the communal and the collective. The quintet broke up in 1998, leaving behind scant recorded evidence – just one, self-titled CD, on Pataphysique, released in 1995. This LP is a most welcome addition to the small but blissful body of recorded work made public by this mysterious quintet of spirit channelers.
Patrick Sweany - Ancient Noise
Patrick Sweany
Ancient Noise
LP (Nine Mile)
22,99 €*
Genre: Organic Grooves
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Het Zweet - Het Zweet
Het Zweet
Het Zweet
2LP | 1983 | EU | Reissue (Staalplaat)
33,99 €*
Release: 1983 / EU – Reissue
Genre: Electronic & Dance
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Remastered reissue of Het Zweet's 1987 self-titled LP + a bonus LP, consisting of previously unreleased material.

Marien Van Oers work under the name Het Zweet (“The Sweat” in English) originally came out in the 1980s (specifically 1983-1988), but listening to the new reissue of this self-titled album from 1987 can feel like one is listening to something that’s both much more current and also much, much older than that. Van Oers, who passed away in 2013, made music that tended to get classed as “industrial”, and tracks here like the steady, clanging churn of “From the Lowland” or “On Earth” show why, but he was as or more inspired by tribal music intended to produce trance-like effects via rhythm and (percussive and vocal) repetition. Using instruments made by himself out of anything from shopping carts to cardboard tubes, the music of Het Zweet locks into grooves that somehow feel more elemental and physical than many of his contemporaries. It never quite feels like Van Oers is emulating or echoing the music of any particular region or tradition so much as trying to synthesize all the ones he’s heard into some sort of ur-pulse, an overtone so powerful as to compel the “Massive Trance” the title of the last song on the record evokes.

While the 1987 Het Zweet has four track titles per side, and on listening you can discern some segues and places where it feels like new movements do shift into place, it’s fitting to have this record on vinyl where the listener is encouraged to experience each side as one uninterrupted piece. The bonus material included on this reissue expands Het Zweet from one LP to two, the second LP consisting entirely of previously unreleased material. This bonus LP is sequenced similarly, with three untitled tracks and two live excerpts presented as side-long experiences that belie their disparate origins with a unity of sound and purpose. Van Oers’ percussive nous and distantly yelled chants certainly sound capable of working up a sweat in both the performer and any movement- minded listeners, but maybe the most striking thing about Het Zweet is how vital it still sounds, despite its age and relative obscurity.
Rob Burger - Marching With Feathers
Rob Burger
Marching With Feathers
LP | 2022 | US | Original (Western Vinyl)
26,99 €*
Release: 2022 / US – Original
Genre: Classical Music
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Rob Burger's keyboard work can be heard in everything from Guggenheim showcases to the blockbuster film Ocean's 8 -- in addition to albums by John Zorn, Laurie Anderson, and Iron & Wine -- but the moonlit compositions he spins up on his own may be his most compelling work. His newest solo venture, Marching With Feathers, departs from the controlled exotica and kosmische of 2019's The Grid towards a genreless seesaw of electrified apprehension and capacious piano rumination. Piano-based tracks like "Figurine" and "Still" draw the listener into a realm of quiet contemplation, while arid psyche vignettes like "Library Science" and "Hotel For Saints" imbue the collection with a vital groove, conjuring images of a searing, high desert plain. At the core of the album is a central dichotomy between strength and gentleness, power and vulnerability. By uniting these seemingly opposing concepts, Burger catches you off guard by carving trails that turn from mirage to starkreality at every bend. As the album draws to a close, the listener feels as though they're waking from a dream, pensive yet determined to rise, like a lost hikerreaching a vista - or a clenched fist full of feathers.
Dennis Farnon - Cavendish Series Volume 4
Dennis Farnon
Cavendish Series Volume 4
7" | 2022 | UK | Original (KingUnderground)
8,54 €* 8,99 € -5%
Release: 2022 / UK – Original
Genre: Organic Grooves
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KU to release a collection of 8, 45’s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners.
Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.
This was often a musician's first opportunity to become a composer, or what most would commonly know now as producer of music. These composers would work with a stable of musicians to record 100’s of tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, ect.
Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45RPM. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

There’s a boldness to Library music. It's in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. It’s music beamed in from a different galaxy!
Gregory Isaacs - Showcase
Gregory Isaacs
Showcase
CD | 1980 | UK | Reissue (Taxi)
16,99 €*
Release: 1980 / UK – Reissue
Genre: Reggae & Dancehall
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Another stone cold classic from the vaults of Taxi Records. The Cool Ruler, aka singer songwriter Gregory Isaacs. Perfectly crafted songs and precise rhythm construction by the Taxi Gang at Channel One Studio. Each song drifts seamlessly into percussive dubs with subtle sonic landscapes sculpted by the engineers Maxie & Ernest Hookim at the mixing board
Futoshi Moriyama - Yütai-Ridatsu
Futoshi Moriyama
Yütai-Ridatsu
LP | 2021 | JP | Original (EM)
19,99 €* 24,99 € -20%
Release: 2021 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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"Yūtai-ridatsu ±", an album from Osaka-based electronic music producer Futoshi Moriyama. Initially released in 2015 as a cassette on the Birdfriend label run by Koshiro Hino (aka Ypy), augmented by four unreleased/new tracks which replace other tracks. Beautifully weird home-recorded orchestral music!
Mats Eilertsen - Solitude Central (Live)
Mats Eilertsen
Solitude Central (Live)
LP | 2022 | EU | Original (Tiger Diger)
21,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Solitude Central is a live-recording from Oslo in March 2020, just after the pandemic lockdown. I was lucky and was challenged and got the opportunity to do several solo performances in that time, of course mainly all alone in front of an non-existing-live audience, via video streaming.

This record is in a different way, mode and mood than f.ex my previous acoustic solo-release “Short Stories” from 2007.

This releases is build upon the work I did with my “Reveries and Revelations”-album from 2019, but this time performed live, without edits, processing and additions by fellow musicians. In 2020 Mats Eilertsen also received Spellemannprisen (Norwegian Grammy) for Best Jazz Album “And then Comes The Night” Mats Eilertsen Trio (ecm 2019)

Mats is a highly in-demand musician and plays in a number of different bands and constellations in Norway and internationally.

He composes for various ensembles and projects and has released several albums in his own name, among the latest ones are Mats Eilertsen Trio `And Then Comes The Night´ ECM in 2019 and «Reveries and Revelations» (Hubro 2019).

Mats is one of the finest and most distinct bass players on the Norwegian jazz scene of today. He has a special warm and lyrical way of treating the bass, being steady and experimental at the same time, bringing it all together and yet showing openness, willingness, and constantly searching for new sounds. He has participated on 100 recordings with a wide range of artists, Bendik Hofseth, Håkon Kornstad, Nils Økland, Trygve Seim for ECM, Hubro
Mats Eilertsen - Hymn For Hope
Mats Eilertsen
Hymn For Hope
2LP | 2022 | EU | Original (Tiger Diger)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Mats Eilertsen is back with a new album consisting of 13 songs of hope recorded in Oslo December 2020.

The music is written by Mats Eilertsen (as well as some improvisations,) and consist of an almost full 80 minutes of music representing a wide span of lyrical, thoughtful, melancholic, fierce, driving, swinging, playful music.

Veteran Tore Brunborg contributes with amazing and really inspired playing on the saxophone, Thomas Dahl is intensely present wrapping his wear of guitar around the other instruments and delivering some amazing solos as well. Drummer Hans Hulbækmo is driving the whole thing forward with his inventive distinct, sparkling, and light, flying drumming.

Mats Eilertsen affirming the bottom end binding it together but delivering a thoughtful indian inspired introduction to «Sunday» as well as a melodic gem of a solo over the last song «X».
Marcus Schmickler - Sky Dice / Mapping The Studio
Marcus Schmickler
Sky Dice / Mapping The Studio
LP | 2021 | EU | Original (Editions Mego)
21,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Marcus Schmickler's music is designed for multi-channel sound projections and references German electronic music tradition, spectral music, experimentalism as well as 1990s club music. His artistic practice explores avant-garde trajectories in electronic music composition, formal systems, sonification and psychoacoustics. Emego 296 features two new major works from this audacious sound explorer.
Juu4e - Crazy World
Juu4e
Crazy World
LP | 2021 | JP | Original (EM)
19,99 €*
Release: 2021 / JP – Original
Genre: Hip Hop
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Rising out of the bong haze, Thai master Juu4e is back with his second solo album for EM Records. Fusing hip hop and trap with a pan-Asian blend of influences and samples from the traditional and pop musics of his native country, as well as the musics of Japan, Malaysia, Taiwan and other regions across the continent, “Crazy World (Baka Sekai in Japanese)” is an ambitious and sonically adventurous album alive with unexpected juxtapositions, deft production, irresistible grooves and a joyous heart. A true solo album, all the tracks here are performed/arranged/produced by Juu4e, with the final mix provided by Young-G of stillichimiya/OMK. With a versatile and playful vocal style, Juu4e delivers thoughtful, positive lyrics and intriguing imagery, dealing with issues both local and global, old and new, with themes of celebration as well as social criticism. Featuring a cover of a Taiwan pop classic by Teresa Teng, “Crazy World” is available on Cd/lp, and comes with informative liner notes and English translations of the lyrics. Cover art: Shinsuke Takagi (Soi48/OMK).

Liner notes by Takehiko Sato (Riyo Mountains) + English text & lyrics
V.A. - Stars On Parade: The First Album From Coxsone Dodd / Studio One
V.A.
Stars On Parade: The First Album From Coxsone Dodd / Studio One
LP | 2020 | UK | Reissue (Rockashacka)
35,99 €*
Release: 2020 / UK – Reissue
Genre: Electronic & Dance
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"Many collectors had thought Coxsone’s first LP was “All Star Top Hits” , but this “Stars On Parade” is the true owner of that honour. The original pressing was a small run and all copies have long gone.

You can enjoy the big shot of Clancy Eccles “Freedom” and other shuffle boogie tunes from the earliest Ska era."

The first Jamaican sound systems played American RnB, jive, and New Orleans hits, picked up by DJs fresh off the boat from States. As Jamaica gradually produced its own army of musicians, the earliest Jamaican records were mostly covers and reworkings of American songs. Eventually, the offbeat of RnB became the "ska" that changed everything.

An important work, as the origin of not only Studio One, but all time Jamaican music from ska, rocksteady, reggae to dancehall. The liner notes by Brian Keyo include first-hand information from the artists which reveals the background of Jamaican music scene at that time.
Kiyoaki Iwamoto - Sougi +
Kiyoaki Iwamoto
Sougi +
10" | 1983 | JP | Reissue (EM)
18,99 €*
Release: 1983 / JP – Reissue
Genre: Rock & Indie
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Forty years ago this summer, Joy Division released what became their only chart hit, Love Will Tear Us Apart.

December 1982, Tokyo. Kiyoaki Iwamoto has a guitar, a simple rhythm box, a friend with a bass guitar, and some stripped-down songs, brazen in their post-punk simplicity, irritation and controlled aggression, yet full of sadness and resignation. Five songs, including a rearranged version of “Love Will Tear Us Apart” are recorded and released on a now extremely rare 7” record. This release, available on 10” vinyl or CD, features those five songs, along with a previously unreleased 1980 live performance by his duo Birei, as well as a 2020 reworking of “Love ...” , by the Japanese duo Chisato and Junta. Iwamoto was an enigma, active in the post-punk scene in Japan in the late 70s and early 80s, a member of Birei and founding member of Guys & Dolls with Tori Kudo (Maher Shalal Hash Baz); in the mid-80s he cut contact with his friends, disavowing his name and later performing under a different moniker. Liner notes written by Koki Emura, with English text & lyrics.
Yximalloo - The West Of Yximalloo 3
Yximalloo
The West Of Yximalloo 3
LP | 2020 | JP | Original (Sakura Wrechords)
28,99 €*
Release: 2020 / JP – Original
Genre: Electronic & Dance
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The world as we knew it may have unraveled before our eyes, but one thing remains constant, Yximalloo's singular, twisted musical visions keep coming. Here we all are, counting off The End Of Days with the one consolation, that his third volume is here. No, not The Book Of Revelations, but Yximalloo's self compiled bumper-car / helter skelter ride through his voluminous tape and CDr archive, realised over the last 40 years.

Yximalloo, pronounced Ishimaru, has produced over 70 CDrs & tapes since the early 80s, occasionally working with Sympathy Nervous (Vanity) and Jad Fair (Half Japanese), but mostly within his own universe.

An unknown track of his was released in 2013 by Kompakt, as "Wanted". An unknown artist - they had lost the details of the CD he'd sent them but were compelled to release it anyway. It was the only vinyl release of Yximalloo until "Best Of".

Expect more irreverant dialogue between Yximalloo and his musical menagerie, to ricochet the listener from diy rock to Residents-style ditties, to cranked techno, frenetic lost tribe drum workouts, and all the rest.

No herd immunity here, go West young non-binary, for the West is yet to come...
Parson Jones - Clear As Day
Parson Jones
Clear As Day
LP | 2019 | EU | Original (Underdog)
19,99 €*
Release: 2019 / EU – Original
Genre: Pop
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Parson Jones is a tree. No joke: in the American duo, neither member is named Parson or Jones. One, singer, is Joshua Hollenstein. The other, multi-instrumentalist and producer, is Kerry Fogarty. So Parson Jones is a tree. "A giant redwood that we spotted near us at Armstrong Woods in northern California.” He has the right to his own plaque. And to his name. Parson Jones is 1,300 years old. He deserved this special treatment. "Sometimes people call us Parson & Jones, they want to know who Parson is, who Jones is," Kerry laughs.
Kizaki Ondo Preservation Society / Clark Naito - Kizaki Ondo
Kizaki Ondo Preservation Society / Clark Naito
Kizaki Ondo
LP | 2018 | UK | Original (EM)
20,99 €*
Release: 2018 / UK – Original
Genre: Rock & Indie, Reggae & Dancehall
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“Kizaki Ondo” is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental version, both by the Kizaki Ondo Preservation Society. The other two tracks are extensions of tradition, with Tokyo-based producer Clark Naito’s 2018 revisions of “Kizaki Ondo”, providing trap-inspired interpretations, with a vocal version using the original lyrics, along with a sweet instrumental take. This release, the third edition of the EM Records Japanese folklore series, directed by Riyo Mountains, is available on LP & CD, with English lyrics and notes, and rare photos. Evocative cover art by Shinsuke Takagi (Soi48).
Workshop - DJ Enrique & Subtle Tease On Workshop's Meiguiweisheng Xiang
Workshop
DJ Enrique & Subtle Tease On Workshop's Meiguiweisheng Xiang
12" | 1997 | DE | Original (Ladomat 2000)
5,49 €* 9,99 € -45%
Release: 1997 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
label sleeve
The Invisible - Patience Remixes
The Invisible
Patience Remixes
12" | 2017 | UK | Original (Ninja Tune)
12,99 €*
Release: 2017 / UK – Original
Genre: Electronic & Dance
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The Black Seeds - Fabric
The Black Seeds
Fabric
2LP | 2017 | UK | Original (Proville)
22,99 €*
Release: 2017 / UK – Original
Genre: Reggae & Dancehall
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Long established as one of New Zealand’s finest acts, South Pacific reggae-soul legends The Black Seeds return with their long awaited 6th studio album ‘Fabric’.

While firmly based in the island grooves that inspired the birth of the band nearly two decades ago, The Black Seeds’ sound casts a wide net, layering funk, soul, Afrobeat, and other eclectic elements over their dub/reggae foundations. It’s “contemporary groove music with influences from soul and funk and reggae rhythms – and even rock...” explains guitarist/vocalist Barnaby Weir.

Lead track “Better Days” is a Black Seeds classic and an exciting taster of what is to come from the new record. Rich with chugging guitars and soothing vocals, the track is warm with a positive message: “Better Days are calling, lonely nights are leaving. I see better Days, are just around the corner. No it wont be long till something good happens for ya.”

Described by Clash Magazine as “one of the best live reggae acts on the planet,” The Black Seeds legendary eight-piece live show infuses raw en¬ergy and good vibes wherever they go, fueling multi-platinum sales and a growing worldwide following. With countless sold out tours behind them and performances at many of the world’s leading festivals, The Black Seeds will be bringing touring the new record around the world this summer.
The Cure - Pornography Demos 1981-1982
The Cure
Pornography Demos 1981-1982
LP | 2023 | EU (Tristezzza)
22,99 €*
Release: 2023 / EU
Genre: Rock & Indie
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Ben Pritchard - Up In Air
Ben Pritchard
Up In Air
2x10" | 2021 | UK | Original (Okraïna)
13,19 €* 21,99 € -40%
Release: 2021 / UK – Original
Genre: Electronic & Dance
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After a near decade of solo and collaborative projects, Up in Air is Ben Pritchard's most confident foray into songwriting yet, nestling lopsided experimentation into a bed of lowslung blues and reflective folk.

Up in Air is sewn from threads of everyday life: trails of thought, small stories and conversations with his daughter. Collecting, layering and condensing the world around him, his musings spill out in a palimpsest that renders both the material and metaphysical world. From describing a time where he inadvertently found himself on a hunting trip, recalling stories from doing role play and drawing together with his daughter, or scribing observations on the strange dedications people make in their lives, he explores the banal and the fantastical; the whimsical and the serious; the light and dark. Each line, aphorism or vignette carries with it weight that is looking to free itself, to embrace the impossibility of life distilled into simpler parameters.

Ben's music acts as a motor for his words, weaving wistful melodic mantras and creaking guitar lines in and out as each song finds its feet. Although the album finds a rich array of influences dancing in an awkward balance, the emotive register of the music drinks from the fountain of the US rock continuum, with Supreme Dicks' uneasy indie, Low's slow unfurling grace and Neil Youngs' heart-worn drawl lifting each song to new heights. Expanding on this soundworld are collaborators Sholto Dobie (self-built organs) and bassist Otto Willberg, who provide drones, dissonant jolts and detuned paths for the music to open itself, but also curl into its own. Sounds are folded into one another, birthing new shapes, layers and sonic possibilities.

Ben describes the album as "permeated by the sense that came from being around this sort of connection to the world where everything is immediate and fundamental." The album is representative of this shift inwards: on his own, socially, as a parent. But with that it also represents a confidence to deal with everything. The album is an excavation, both finding strange joy in simple findings and an unburdening himself of everything else, letting every thought and feeling whisks itself away up in the air.'

Fielding Hope (curator, Cafe Oto, London)
V.A. - Forwards Now E.P.
V.A.
Forwards Now E.P.
12" | 2007 | DE | Original (Audiofusion)
2,39 €* 7,99 € -70%
Release: 2007 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
Oog Bogo - The Beat Sessions
Oog Bogo
The Beat Sessions
Tape | 2022 | Original (Shout)
15,99 €*
Release: 2022 / Original
Genre: Rock & Indie
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Gen Pop - The Beat Sessions
Gen Pop
The Beat Sessions
Tape | 2022 | Original (Shout)
15,99 €*
Release: 2022 / Original
Genre: Rock & Indie
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Glitter Symphony - In Green Furs
Glitter Symphony
In Green Furs
LP | 2020 | Original (Meat House Productions)
23,99 €*
Release: 2020 / Original
Genre: Rock & Indie
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