HHV Records 165876 Items

Stay Tuned White Clear Vinyl Edition

Release: 2023 / EU – Original

Genre: Pop

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As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio."

'Eno Piano,' is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno’s ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans-Joachim Roedelius, Dieter Moebius or Jon Hopkins.

In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper.

Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond.

In 'Eno Piano', the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box — a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes.

The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.

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Bruce Broughton

2LP | 2011 | US | Reissue (Enjoy The Ride)

44,99 €*

Release: 2011 / US – Reissue

Genre: Pop

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OST Young Sherlock Holmes

Bruce Broughton

2LP | 1985 | EU | Reissue (Quartet)

38,99 €*

OST Young Sherlock Holmes

Release: 1985 / EU – Reissue

Genre: Soundtracks

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2-LP set
180g Black Vinyl
Mastered by Chris Malone
Tip-on gatefold jacket
Limited edition of 750 units

Premiere complete vinyl release of Steven Spielberg’s delightful fantasy-adventure classic YOUNG SHERLOCK HOLMES (1985)!

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Bruce Broughton

2LP | 2022 | ES | Original (Quartet)

Release: 2022 / ES – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1986 | US | Original (Shining Star Productions)

Bruce BecVar

Take It To Heart

8,99 €*

Girls All Over / Burn Dem

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

US original.

Sticker on cover.

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Bruce Barron / Mighty V.

7" | DE | Original (Naturalmystic Musikverlag)

On Earth (Highspeed Poet Remix) / Diva

Release: DE – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Transparent green vinyl

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Brubaker vs. Mad Vibes

12" | 2000 | DE | Original (Gyration)

Release: 2000 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2020 | Original (Backseat)

High Times For Loners

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Backseat)

Brother

Release: 2024 / EU – Original

Genre: Rock & Indie

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10" | 2022 | EU (Backseat)

Be Alright

17,99 €*

Release: 2022 / EU

Genre: Rock & Indie

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A Different Kind Of Light

LP | 2018 | EU | Original (Backseat)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Friday Music)

Brownsville Station

Yeah Red Vinyl Edition

44,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Yeah Featuring Smokin' In The Boys Room Colored Vinyl Edition

Brownsville Station

LP | 1973 | US | Reissue (Friday Music)

44,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Acrobat)

Browns

Scarlet Ribbons

23,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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You Don't Have To Fall / Super Bright Gold Vinyl Edition

Brownout

7" | 2017 | US | Original (Fat Beats)

Brownout presents Brown Sabbath

Release: 2017 / US – Original

Genre: Organic Grooves

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An 8-piece outfit formed ten years ago by members of Grammy Awardwinning Latin revival orchestra Grupo Fantasma, Brownout has evolved into a musical force all its own. After garnering their third Austin Music Award last year, the band has continued to produce music that is unflinchingly progressive, while evoking the classic influences of artists such asWAR, Cymande and Funkadelic. They’ve performed at events including Bonnaroo, High Sierra Music Festival, Pickathon, FFFFest, Bear Creek Music Festival, Utopia Festival and Pachanga Fest, while regularly touring the U.S. Brownout’s also served as a highly in-demand backing band for artists including Prince, Daniel Johnston, GZA and Bernie Worrell.

This 45 features two cuts from their latest release, Over The Covers, on limited edition gold vinyl

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Brown Sabbath Volume 2

CD | 2016 | US | Original (Ubiquity)

16,99 €*

LP | 2018 | US | Reissue (Fat Beats)

Release: 2016 / US – Original

Genre: Organic Grooves

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Austin’s Brownout unleashed the “Brown Sabbath Vol. I” project garnering acclaim from outlets such as NPR (50 Best Albums of 2014), Pitchfork, hardcore Black Sabbath fans and most important of all Ozzy Osbourne himself, while staying true to their Latin Funk roots. Brown Sabbath Vol. II cranks up the level, rocking harder than the original with a brew of ballistic horns, pummeling guitar-riffs underscored by a funky, driving rhyhm section. Ghostland Observatory‘s Aaron Behrens makes a guest appearance sharing vocal duties with Brown Sabbath lead vocalist Alex Marrero.
Hitting harder than its predecessor and keeping closely in line with the original Sabbath material, “Brown Sabbath Vol. II” crosses over more to hard rock territory. Brownout’s powerful, signature full horn section, dual-guitar attack, funked-up drums and latin percussion return with a vengeance, adding even more weight and texture to create a dark hybrid sound that resonates with groove-laden intensity unique to their interpretation of Black Sabbath’s tome.
An 8-piece outfit formed ten years ago by members of Grammy Award-winning Latin revival orchestra Grupo Fantasma, Brownout has evolved into a musical force all its own. With a succesful tour of “Brown Sabbath” under their belt including Bonnaroo and Austin Psych Fest while earning their third Austin Music Award, the band has continued to produce music that is unflinchingly progressive, while evoking the classic influences of artists such as WAR, Cymande and Funkadelic. Brownout now has four albums under their belt including “Brown Sabbath Vol. I” (Ubiquity 2014), “Homenaje” (Freestyle Records 2008), “Aguilas & Cobras” (Six Degrees 2009) and “Oozy” (Nat Geo 2012).

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Brownout

Fear Of A Brown Planet

29,99 €*

LP | 2020 | US | Original (Fat Beats)

Release: 2018 / US – Reissue

Genre: Hip Hop, Organic Grooves

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Preorder shipping from 2024-11-15

Twenty-eight years ago, pissed-off twelve-year-olds around the universe discovered a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even in the border town of Laredo, Texas, home of the future founders of the Latin-Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album (out May 25th) Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s music and revolutionary spirit.

Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the seeds for countless Public Enemy sleeper cells, one that would emerge nearly three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” is built on James Brown samples, while a teenaged Beto Martinez (guitar) alternated between metal and hip-hop in his walk-man, and Adrian Quesada (guitar/keys) remembers falling in love with Public Enemy’s sound at an early age. “When I got into Hip hop, I was looking for this aggressive outlet . . . and I didn’t even understand what they were pissed off about, because I was twelve and lived in Laredo . . . but I loved it and I felt angry along with them.”

Joseph Abajian (Fat Beats’ owner) must have sensed the deep hip-hop well lying beneath the versatile band’s Latin-Funk veneer. “I thought their sound would work covering Public Enemy songs,” Abajian says, and, “it was good to know they were P.E. fans . . . We came up with a track listing and they went to work.” Despite the band’s eagerness to work on new original material (an album of original songs is slated for next year), they couldn’t pass up the opportunity to pay homage to this iconic and influential posse.

Translating sample-based music to a live band turned out to be more of a challenge than they anticipated. Adrian tried to get inside the Bomb Squad’s [Public Enemy’s producers/beat-making team] head in order to find the inspiration to reinterpret P.E.’s songs: “imagine the Bomb Squad going back in time and getting the J.B.s [James Brown’s funky backing band] in the studio and setting up a couple analog synths and then playing those songs.” While some songs closely follow the original musical blueprint, others use the source breakbeats as jumping-off points later sweetened by Trombonist Mark “Speedy” Gonzales’ horn arrangements, synth wizardry courtesy of friend-of-the-band Peter Stopschinski, and DJ Trackstar’s turntable scratches. But don’t listen expecting to hear paint-by-numbers recreations of classic Public Enemy jams. “Our approach is never in the tribute sense,” Adrian explains. “We’ve always taken it and made it our own, whether it’s the Brown Sabbath thing or this Public Enemy thing.”

Coming off numerous tours as Brown Sabbath and even a stint backing the late legend Prince, Brownout is arguably the tightest and funkiest band on the road today and they’re psyched to bring this revolutionary music to the people. For a band without an overt political agenda, they collectively couldn’t resist the opportunity to play this music live, especially now. “If there’s any way that we can use the already political and protest nature [of P.E.’s music], we would like to try,” Beto says. “The album’s title, Fear of Brown Planet is definitely a relevant idea today and we’re not afraid to put it out there, because we want to speak out.” By reinterpreting these hip hop classics in their unique style and channeling the spirit of Public Enemy that first echoed around the world and captured their imaginations all those years ago, Brownout is doing exactly that.

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Brownout

Berlin Sessions

26,99 €*

Bang, You're Dead! Splatter Vinyl Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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Brownout’s legendary status as a “Funk Powerhouse” (Stereogum) is a reputation well deserved. The band of musicians have an impressive resume performing with Prince (RIP), GZA of the Wu-Tang Clan, Bernie Worrell (RIP), and accolades from Ozzy Osbourne for their Brownout Presents: Brown Sabbath project. The latter helped grab the attention of Fat Beats Records, who worked with the band to release the critically acclaimed Public Enemy instrumentals project Fear of A Brown Planet in 2018. The Austin 9-piece is back with their first full length album of original music in over 8 years. The album, aptly titled, Berlin Sessions (out March 6, 2020 on Fat Beats) was produced by Steve Berlin of Los Lobos and is the first with lead singer Alex Marrero, whom they originally collaborated with on their wildly successful Brown Sabbath records. Berlin Sessions finds the group merging a multitude of styles, from rock to psych and of course the Latin Funk and Breakbeat on which they have built their sixteen-year career and reputation as Austin's premier party-starters. NPR recently featured the band on their heralded “Tiny Desk Concert” series, performing songs off the new album. NPR described the diversity of the band, stating, “One of the things you need to know about this band is that they can change traditions or genres almost on a dime. The core members dip into soul, Latin funk, a form of Peruvian cumbia called chicha, and funk covers of both Black Sabbath and Public Enemy. What each configuration has in common is the almost telepathic bond the band has developed after 15 years of working stages across the country. As you can see on the video, it's so infectious that Prince once used them for a while as a back-up band.”

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Brownlucci & Stu Bangas

LP | 2023 | US | Original (1332)

32,29 €* 33,99 € -5%

Release: 2023 / US – Original

Genre: Hip Hop

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Bang, You're Dead! Silver Vinyl Edition

Brownlucci & Stu Bangas

LP | 2023 | US | Original (1332)

27,19 €* 33,99 € -20%

Release: 2023 / US – Original

Genre: Hip Hop

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Bang, You're Dead! Black Vinyl Edition

Brownlucci & Stu Bangas

LP | 2023 | US | Original (1332)

29,44 €* 30,99 € -5%

Release: 2023 / US – Original

Genre: Hip Hop

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LP | 2024 | EU | Original (Fixt)

Browning

Omni

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

7" | 2012 | US | Original (Cowabunga)

Luvly

4,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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I'm In Love With A Dreadlocks

12" | 2022 | UK | Original (Soul Jazz)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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LP | 1973 | EU | Reissue (Demon)

Featuring Clydie King

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Brown Sugar Sings Of Birds And Racism

LP | 2011 | US | Original (Feeble Minds)

50,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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12" | 2022 | UK | Original (Soul Jazz)

Black Pride

LP | 2023 | UK | Original (Soul Jazz)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Black Pride' is the seminal Lovers Rock tune from Brown Sugar pressed loud for the first ever time on this new one-off press limited-edition (just 1,000 copies worldwide) 12" on Soul Jazz Records! Brown Sugar formed in London in 1976 made up of teenagers Pauline Catlin, Caron Wheeler and Carol Simms. After Brown Sugar Caron Wheeler became known worldwide as the vocalist in Soul II Soul and Carol Simms launched a successful solo career under the name 'Kofi'. "Black Pride" was originally released on the Lovers Rock label, a fledgling reggae label formed by musicians Dennis Bovell and John Kpiaye and producer Dennis Harris. Brown Sugar were unique - not only were they one of the most important of the first wave of lovers rock groups, they were the only group who managed to successfully blend together a reggae roots consciousness with a lovers rock sensibility. The classic 'Black Pride' perfectly reflects this unique sound.

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Brown Spirits

Solitary Transmisisons

LP | 2025 | UK | Original (Soul Jazz)

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Sounds like Can meets Hawkwind! Unbelievably killer and super, super heavy brand new Psyche/Krautrock album coming out of nowhere from Brown Spirits, new on Soul Jazz Records! Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-i-y attitude and punk/post-punk intensity, giving them a unique hi-octane sound. Like their labelmates Trees Speak, Brown Spirits have a love all things Krautrock - mixed with an overwhelmingly powerful lo-fi psyche and punk attitude. The album features super heavy and raw drums, tough basslines, heavy fuzzed-out wah and psyche guitar and analog moog synthesizers, all recorded on analogue ü inch tape. In short - they rock! With a range of influences that range from Neu! to Soft Machine, Gang of Four, Miles Davis, Hendrix, Argent, Lonnie Liston Smith, King Crimson and beyond, their powerfully progressive hard and hypnotic sound is truly unforgettable.

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Brown Spirits

Cosmic Seeds

12" | 2019 | EU | Original (Motion Ward)

Release: 2025 / UK – Original

Genre: Rock & Indie

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Unbelievably killer and super, super heavy brand-new Psyche/Krautrock album coming out of nowhere from Brown Spirits, new on Soul Jazz Records!Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-I-Y attitude and punk/post-punk intensity, giving them a unique hi-octane sound. Sounds like Can meets Hawkwind!

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Brown Irvin

Run Me That Soul

12,99 €*

LP | 2024 | EU | Original (Loose Music)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After inaugurating the label with a tape in 2015, our local friend Richard Brown (AKA Brown Irvin) returns to Motion Ward with an oblique two-track 12" entitled "Run Me That Soul". "Locution" flexes a wobbly equilibrium of dubbed dancefloor energy and amorphous acid while "Overcast" coats the B Side in a smeared gradient of ambient wash and shape-shifting stasis. A persuasive pair of parallel worlds for winding up and winding down.

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Brown Horse

Reservoir

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2023 | Original (Nunorthern Soul)

Brown Fang x Torn Sail

Exit & Endless

15,99 €*

Release: 2023 / Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Nunorthern Soul)

Brown Fang

Sherwood Pines

Brown Bombers & Soul Partners

Release: 2022 / EU – Original

Genre: Electronic & Dance

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To a degree, all musicians are a product of their environment, the places they record and the venues they play. For proof, check out the alumni of the n-wave era CBGBs venue in New York, Cabaret Voltaire’s Western Works studio in Sheffield or more recently London’s Total Refreshment Centre. We can now add to that list the Constellations Workshop in Colwick, Nottingham, a project that provides employment through making studio furniture, for out-of-work musicians. It was here, after-hours, that the music on Brown Fang’s impressive and ear-catching debut album took shape. Both members of Brown Fang, bassist John Thompson and guitarist Henry Scott AKA Henry Claude, have a long association with the Constellations Workshop. Though their musical projects are manifold – Thompson having toured with the likes of The Nectarine No9 and The Selecter, with Scott being both a mainstay of Nottingham jazz circuit and recording ambient music as Fang Jr – the work provided by the community-minded project has kept their heads above water and allowed them a space to record in when the shutters go down and the bandsaws get switched off. Yet the music showcased on Sherwood Pines is more morning-fresh and sun-kissed than industrial and sawdust-sprinkled. Combining the pair’s brilliant musicianship – think languid bass guitars and Pat Martino-esque jazz guitar licks – with saucer-eyed electronics, occasional downtempo drum machine rhythms and plenty of glistening special effects, the set’s eight tracks are as blissful and becalmed as an early morning saunter through Sherwood Forest on a misty autumn morning. For proof, check epic opener ‘Tracing Paper’, a slow-build ambient soundscape in which bubbly electronic lead lines and colourful chords sashay around Scott’s sparkling, laidback guitars, and the beguiling ‘That’s All You Can Think’, a subtle tribute to Steve Reich masterpiece ‘Electric Counterpoint’ in which slow-burn, stretched out synthesizer sounds wave in and out of a gradually evolving cycle of delay-laden electric guitar motifs. The band’s love of classic American minimalism – as well as a shared love of the Duratti Column and Robert Fripp – comes to the fore on ‘hdmi I Love You’, which boasts a deliciously dubby bassline, Tangerine Dream style synths and the deepest of ambient chords, while ‘I Nearly Married a Human’ and ‘Fridgewords’ balance bespoke electronics – languid, dewy eyed and comforting – with Scott’s gorgeously laidback, slow-release guitars. Every great album needs a triumphant conclusion, and Sherwood Pines is no different. You can hear everything that makes Brown Fang great on ‘Goodbye Donkey Jacket’, from the pin sharp, effects laden jazziness of Scott’s guitars and the fluid dexterity of Thompson’s bass, to the pleasingly spacey pulse of the synths and the gentle rhythms of the soft-focus machine drums. It’s a confident, ear-catching conclusion to a debut album that’s been years in the making.

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Wait For Me

7" | 2013 | US | Reissue (Numero Group)

Release: 2013 / US – Reissue

Genre: Organic Grooves

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7" | 2021 | CA | Original (Kingfisher Bluez)

Brown Belt

Fucking Melt

6,99 €*

Release: 2021 / CA – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2021 | US | Original (Dig)

Brower

Live And Contagious

LP | 2024 | US | Original (Dig!)

Release: 2021 / US – Original

Genre: Rock & Indie

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All you need to know about BROWER’s new live album, Live And Contagious, is that it’s the last live album ever recorded from the last live concert held––ever. What else there is to know while we’re at it: Live And Contagious is a proper-recorded, full band-represented, career-spanning glam-punk rockathon from the before times; emceed by WFMU’s Todd-o-phonic Todd in front of an unsuspecting, captivated and sold-out crowd back in March of 2020. Opening with the previously unreleased, live staple, and lead single “Heart Is Real,” the stage is set and souped-up for an evening of Brower-brand revelry with the accompaniment of Josephine (Josephine Network) on lead guitar, Hershguy (Dirty Fences) behind the kit and the “Dr.” Josh Hahn (Relic Room Studios)

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Brower

Flour

LP | 2024 | EU | Original (Amplified Media Services)

Release: 2024 / US – Original

Genre: Rock & Indie

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Flour is the long-awaited, much-anticipated, full-course follow-up to Buzzsaws—Brower’s debut album from 2018. Sure, there’s been tasty snacks and treats to sustain folks along the way: several singles worth, and a totally authentic “Live” album. But this is the fresh new long-player platter you’ve hungered for.

Again, recorded entirely by Nat, at home and in the practice space (that is, various different practice spaces, due to unruly landlords) in Brooklyn. The recording project spanned several years due to touring, gigging, and rehearsing with the myriad of bands that form the Brower Cinematic Universe (including the live band, Brower; plus Josephine Network, Nancy, Metalleg, and The Wand-ers), not to mention working the many day-jobs it requires to barley sustain life in NYC.

Flour is benefited by this kind of “slow” practice, where time lends itself to exploration. One gets a sense of Brower’s freedom to stretch out and try new things, new instrumentation, and take a deeper dive into the songwriting always brewing between his ears.

In Brower’s kitchen, his recipe for Flour was created, tasted, tested, reworked, revisited, and rebuilt—from scratch—to the delight of the most choosy of rock ‘n’ roll gourmands and punk rock bon vivants. As they say, good food takes time. Now, once again, Brower is served.

Recommended IF YOU DIG! Lennon, Nilsson, Beach Boys, Sweet, or Elton Motello.

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Browbeats

Wither Wing (Red Vinyl)

50,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Youz)

Broussai

Solidaires

19,19 €* 23,99 € -20%

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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LP | 2012 | DE | Original (Vinyl Digital)

Un Momento En El Tiempo

37,99 €*

Release: 2012 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

close to NM. Limited edition. hand numbered copy

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LP | 2012 | DE | Original (Vinyl Digital)

Un Momento En El Tiempo

Release: 2012 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines. Copy n° 151/300

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More In My Mind Than In My Pockets

7" | 2023 | EU | Original (Besser-Samstag)

Release: 2023 / EU – Original

Genre: Hip Hop

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Limitierte Soli Scheibe. 100% des Erlöses gehen an Brous One.
Die Platte soll die Kosten für seinen Gerichtsprozess decken, die er davon getragen hat, als er sich aus seinem Verlagsvertrag rausklagen musste. Das Cover ist eine wunderschöne Photographie von Christoph Ratter.

5 Beats zwischen Melancholie & Hoffnung, gepaart mit dem sehr eigenen Sound des Chilenen.

Brous One sagt selbst:

"In 2020 I found myself in a legal battle with my ex Label and Publisher. After some bad experiences, I tried to separate ways amicably without effort. It was an upsetting situation, especially considering we released most of my catalog together.

My goal was to be free as an artist and regain my musical rights back. Rights that I gave away in a very questionable contract that I naively signed based on the feeling of trust and friendship.

Long story short: the conflict was unpleasant, it gave me hard times mentally and financially but also resulted in a 7” where I put all my efforts to process the emotions of betrayal, friendship loss, and deception while regaining my creative freedom compassionately.

Check the whole story in my post about it. Appreciate your interest, time, and support."

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LP | 2020 | EU | Original (Beat Jazz International)

Juslikedat

Brous One & Felipe Gordon

Release: 2020 / EU – Original

Genre: Hip Hop

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The vinyl edition is limited to 300 copies and comes in a sealed heavy old-fashioned cardboard sleeve. A free download code plus a BJINT logo sticker round up the packaging.

We are super excited to welcome Brous One with his new album "Juslikedat" to the BJINT roster. Expect nothing but mellow vibes here like the introduction on the title track says: "Juslikedat now chill". Feature guests include Retrogott, Hulk Hodn & Greco Murillo and the photography on front shows Brous' deep love Vero. Enjoy!

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Nod Your Head Limited Colored Vinyl Edition

LP | 2023 | EU | Original (55 Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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“Nod Ya Head“ is not only the name of the new EP by the two talented artist Brous One & Felipe Gordon but it’s also what the tracks wants you to do. So nod your head to some experimental acid house vibes and let the atmosphere of this tune take control of you. You will get some mellow but also funky acid jazz vibes that will get you in the right relaxing mood.

This records has the right mix between house tracks that will make you start dancing and jazzy & laid-back tracks which were produces with lots of love for details.

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Consequences Instrumentals

10" | 2016 | DE | Original (Vinyl Digital)

9,99 €*

Release: 2016 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

10" | 2017 | DE | Original (Vinyl Digital)

Cinta De Ritmos Vol. 3

16,99 €*

Release: 2017 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Brötzmann / Van Hove / Bennink

Outspan No.2

LP | 2023 | EU | Original (Cien Fuegos)

Brötzmann / Van Hove / Bennink & Mangelsdorff

Release: 2023 / EU – Original

Genre: Organic Grooves

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Peter Brötzmann - alto & tenor saxophone, clarinetFred Van Hove - pianoHan Bennink - drums, clarinet, homemade junk, everything, anything - Recorded live by Jost Gebers on May 4th,1974 at the Ost-West-Festival in Nürnberg.Artwork and design by Peter Brötzmann.This album was originaly released on FMP(0200), 1975. remastered by Martin Siewert, 2022.

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Outspan No.1

LP | 2023 | EU | Original (Cien Fuegos)

Brötzmann / Van Hove / Bennink

Release: 2023 / EU – Original

Genre: Organic Grooves

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Peter Brötzmann - alto & baritone saxophone, clarinetAlbert Mangelsdorff - tromboneFred Van Hove - pianoHan Bennink - drums, selfmade clarinet, homemade junk, voiceThis album was originally released on FMP(0180), 1975remastered by Martin Siewert, 2022Recording:live by Jürgen Lindenau on April 14th & 15th, 1974 during the Workshop Freie Musik at the Akademie der Künste in Berlin.Production:Jost GebersArtwork:Peter Brötzmann[ENG]

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Jazz In Der Kammer Nr.71

LP | 2022 | EU | Original (Trost)

Brötzmann / Schlippenbach / Bennink

Release: 2022 / EU – Original

Genre: Organic Grooves

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Peter Brötzmann - alto/ tenor saxophon -Fred van Hove - piano - Han Bennink - drums - The first concert of Brötzmann / Van Hove / Bennink in East Germany - 4.11.1974,Deutsches Theater, Berlin recorded by the Radio for the series "Jazz in der Kammer" Nr 71.recorded by Radio GDR, Berlinproduced by Brötzmannmastering 2021 by Martin Siewertartwork/design by Brötzmann/UntietLinernotes by Bert Noglik, Translation by Jep Bishop.

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Fifty Years After...Live At Lila Eule 2018

LP | 2019 | EU | Original (Trost)

LP | 2024 | EU | Original (Trost)

Release: 2019 / EU – Original

Genre: Organic Grooves

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For the celebration of the 50th anniversary of the legendary Machine Gun recordings at the Lila Eule in Bremen, Peter Brötzmann put together a trio with the Berlin pianist, composer Alexander von Schlippenbach and the percussionist Han Bennink, who already sat on the drums 50 years ago. They were so pleased with the music ,that they decided to release it and continue to play gigs as the trio.Recorded live at Lila Eule, Bremen on 26.5.2018, the venue celebrates his 60th anniversary that year and was the place the original legendary Machine Gun sessions were recorded!Peter Brötzmann - tenor saxophone, b-flat clarinet, tarogato Alexander von Schlippenbach - pianoHan Bennink - drums ps: Machine Gun was originally recorded in May 1968 by an octet consisting of influential musicians of new jazz and improvised music. The original album was repressed on Cien Fuegos in 2018.

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Brötzmann / Nilssen-Love

Chicken Shit Bingo

29,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2008 | US | Original (Jersey Underground)

Brothers' Vibe

The Unreleased Trax #1

11,99 €*

12" | 2008 | US | Original (Jersey Underground)

Release: 2008 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Green translucent vinyl.

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Brothers' Vibe

The Unreleased Trax #1

5,99 €*

Release: 2008 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Feelin' House (Berli-Rican Rmx)

Brothers' Vibe

12" | 2008 | US | Original (Mixx)

5,99 €*

LP | 2022 | EU | Original (Dead Serious)

Release: 2008 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Lilac marbled vinyl is close to NM.

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Brothers Till We Die

Reincarnation

28,99 €*

Brothers Of The Same Mind

Release: 2022 / EU – Original

Genre: Rock & Indie

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Clear purple/black marble vinyl. Limited to 300 copies.Spain's extreme metal kings, Brothers Till We Die are back with a new album. A lot has happened in the last 3 years, BTWD have been busy and locked themselves in the studio to dedicate themselves to their latest masterpiece. "REINCARNATION" is the title of their new record. Reborn with a new even more brutal sound and many new influences, "REINCARNATION" delivers outstanding breakdowns, sick gang vocals and killer moshing riffs that are second to none. BTWD deliver a distinctive sound, fresh vocals and catchy melodies with electronic influences.

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Gotta Have Style

LP | 2022 | EU | Original (Hip Hop Enterprise)

39,99 €*

Brothers Of The Same Mind

Release: 2022 / EU – Original

Genre: Hip Hop

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In celebration of its 30th Anniversary, Dust & Dope Recordings in collaboration with Hip-Hop Enterprise present Gotta Have Style, the previously unreleased album by one of Seattle's best kept secrets. Featured in one of the very first Unsigned Hype columns, this five-man crew released one 12" single and an extremely rare cassette EP in 1991, however their full length album was permanently shelved... until now. After Dust & Dope gave this banger the CD treatment it was time to take care of the vinyl headz as well! This 2xLP release features unheard, alternate recordings of the cuts from their EP, plus nine more completely unreleased, never before leaked, full-length songs. All tracks originally recorded 1989-1991, restored from their original DAT masters and expertly remastered by the legendary Earle Holder at Hdqrtz Mastering Studio.

Brothers of the Same Mind are: M.C. Class, DJ Swift, B-Max, Sin-Q & Mellow Touch.

Limited to only 300 copies on black vinyl!

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Gotta Have Style

CD | 2021 | CA | Original (Dust & Dope)

20,99 €*

I Need Your Love / Can't Nobody

Release: 2021 / CA – Original

Genre: Hip Hop

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Brothers of the Same Mind are: M.C. Class, DJ Swift, B-Max, Sin-Q & Mellow Touch.

In celebration of its 30th Anniversary, Dust & Dope Recordings presents Gotta Have Style, the previously unreleased album by one of Seattle's best kept secrets. Featured in one of the very first Unsigned Hype columns, this five-man crew released one 12" single and an extremely rare cassette EP in 1991, however their full length album was permanently shelved... until now. This CD release features unheard, alternate recordings of the cuts from their EP, plus nine more completely unreleased, never before leaked, full-length songs. All tracks originally recorded 1989-1991, restored from their original DAT masters and expertly remastered by the legendary Earl Holder at Hdqrtz Mastering Studio.

- Limited edition run of 300 professionally pressed CDs in jewel case packaging

- 12-page booklet containing 10-page interview by Werner Von Wallenrod

- Bonus fold-out poster featuring cover artwork by Spek The Architek

- Mastered by Earl Holder at Hdqrtz Mastering Studio

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Brothers Of Soul

7" | 2022 | UK | Original (Kent)

11,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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Bridges, Knight & Eaton are revered names in rare soul scenes as diverse as Lowrider, Northern and Modern; their work crosses over to most soul genres. We are therefore very proud to present two previously unheard (apart from on their Kent CDs) tracks from their 1969 Galaxy recording sessions, when they were known as the Brothers Of Soul. ‘I Need Your Love’ is an exquisite midtempo dance track and ‘Can’t Nobody’ has been a success on the latest Lowrider Soul CD.

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Prophecy Of Ragnarök Black Vinyl Edition

LP | 2018 | EU | Original (Afm)

27,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Fimbulvinter Transparent Sunyellow Vinyl Edition

2LP | 2024 | EU | Original (Afm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Swedish power metal heavyweights BROTHERS OF METAL are back with their new album ‘Fimbulvinter’! 4 years have passed since the release of ‘Emblas Saga’ and now the wait is finally over, as their latest work ‘Fimbulvinter’ will be released on 01.11.2024 via AFM Records and unstoppably continues the steep rise of the BROTHERS OF METAL. This juggernaut of an album is packed with fiery & multi-faceted new hits. The 13 brand new songs blend epic power metal anthems with gritty guitar riffs, thunderous drum sounds & fantastic vocals that can be heard in Valhalla. Since their debut album ‘Prophecy of Ragnarök’, BROTHERS OF METAL have developed from an insider tip to a permanent fixture. This unique power metal saga is now set to continue with ‘Fimbulvinter’ and will be duly celebrated on the release tour in winter 2024. 1. Sowilo2. Flight of the Ravens3. Giantslayer4. Heart of Stone5. Rivers of Gold6. Blood Red Sky7. Ratatosk8. Chasing Light9. Heavy Metal Viking10. The Other Son of Odin11. Berserkir12. Nanna's Fate13. Fimbulvinter

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Fimbulvinter Crystal Clear Vinyl Edition

2LP | 2024 | EU | Original (AFM)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fimbulvinter Black Vinyl Edition

2LP | 2024 | EU | Original (Afm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Emblas Saga Clear Green Vinyl Edition

LP | 2022 | EU | Original (Afm)

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Brothers Of A Feather

Live At The Roxy

2LP (Silver Arrow)

Genre: Rock & Indie

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12" | 1992 | UK | Original (Stress)

Brothers Love Dubs

The Mighty Ming!

6,99 €*

Release: 1992 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1984 | JP | Original (A&M)

You Keep Me Coming Back

6,29 €* 6,99 € -10%

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl close to VG+. With OBI and insert. Cover close to NM

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LP | 1981 | US | Original (A&M)

7,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US pressing. Y labels. Original inner sleeve.

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LP | 1981 | JP | Original (A&M)

12,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Includes OBI.
Includes original insert.

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LP | 1981 | JP | Original (A&M)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert. close to NM.

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LP | 1981 | EU | Original (A&M)

7,99 €*

Release: 1981 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12" | 1981 | UK | Original (A&M)

The Real Thing

Release: 1981 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1977 | JP | Original (A&M)

Right On Time

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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LP | 1977 | US | Original (A&M)

Right On Time

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

With insert

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LP | 1977 | US | Original (A&M)

Right On Time

5,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1984 | US | Original (A&M)

Out Of Control

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | JP | Original (A&M)

Out Of Control

15,29 €* 16,99 € -10%

Release: 1984 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with OBI is close to NM. With insert. Original Japanese pressing.

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LP | 1984 | EU | Original (A&M)

Out Of Control

7,99 €*

Release: 1984 / EU – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Look Out For #1

LP | US | Original (A&M)

Release: US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1980 | US | Original (A&M)

Release: 1980 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

LP | 1980 | US | Original (A&M)

Release: 1980 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Original US pressing.

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LP | 1980 | JP | Original (A&M)

26,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1980 | US | Original (A&M)

4,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Medium: G+, Cover: VG

LP | 1988 | US | Original (A&M)

Kickin'

9,99 €*

Brothers Johnson / Howard Johnson / Tony Camillo's Bazuka

Release: 1988 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

US original.

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Stomp / Get The Funk Out Ma Face / So Fine / Dynomite

12" | 1991 | UK | Reissue (Old Gold)

6,99 €*

Release: 1991 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1991 reissue. close to NM

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LP | 1978 | JP | Original (A&M)

Blam!!

Brothers In Rhythm Present Charvoni

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI!

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Forever And A Day (The Remixes)

12" | 1994 | UK | Original (Stress)

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Medium: VG, Cover: VG

12" | 1997 | NL | Original (Pegasus)

Brothers In Charge

Let Me Do My Thing

Release: 1997 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Brothers G.R.Y.M. (Too Poetic, Brainstorm & E#)

Ghetto Repaired Young Minds EP (1989-1992)

LP | 2017 | UK | Original (Chopped Herring)

LP | 2020 | EU | Original (Whirlwind)

Release: 2017 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Prince Paul hit Chopped Herring up to release this dope early 90's project!!

The first incarnation of the group was formed around 1989 in Amityville, Long Island, New York, although the family grew up in Long Island. The family of four brothers (Anthony, Richard, Joel, and Edward) and one sister (Dawne), of which Anthony (Poetic) was the eldest, were born to Trinidadian parents who moved from Trinidad and Tobago in 1971, making their first residence in Queens, New York for a short time, then moving to Long Island. John Berkeley (a pastor and a local businessman) and Ela Berkeley (a homemaker, cook-nutritionist, and teacher) were both singers and artistic in general, and they encouraged artistic expression in their five children. The family was well-rounded musically, singing gospel and R&B up to their early teens all around New York, other states, and Canada as "The Berkeley Singers". Anthony (Poetic), Dawne, and Joel (Brainstorm) sang, accompanied by Richard on the drums and Eddie (E-Sharp) on the piano or keyboard.

Poetic began rhyming in his early teens in Wyandanch, and was known by many names and building a name for himself as a lyrical battle MC. He changed his name to Poetic around 1985, and in 1986 he formed the crew known as Too Poetic, who in 1988-89 released a modestly popular single called: “God Made Me Funky/Poetical Terror”, under the DNA/Tommy Boy Music imprint. The group’s relationship with Tommy Boy Records eventually panned out for various reasons, scrapping the album and making Poetic very displeased, an early casualty of the politics of the music business.

While Poetic was just beginning his formal hip hop career in 1987–89, Brainstorm was attending college at the State University of New York at Farmingdale, Long Island, where he was the roommate of Brooklyn’s own Super DJ Richie Rich (who had been in Third Base, Clark Kent’s Supermen, and the movie Juice). The university was host to many hip hop artists as visitors for parties and to do shows like Rakim, EPMD, Producer-Super DJ Clark Kent, and Biz Markie.

After Brainstorm finished his college run in 1989, he took time to learn many aspects of the music business, but in 1989 he and Poetic mutually decided to pair up with a hardcore lyrical edge, original word play, and acute metaphors, after many collaborations between them since 1985. Thus, Da Bruthas G.R.Y.M. was born shortly after Too Poetic’s deal with DNA/Tommy Boy had soured. The energy and high chemistry between these true by-blood brothers at the time was, simply put, natural.

In the first Bruthas G.R.Y.M. era (c. 1989–1992), the brothers Poetic (Brother One) and Brainstorm (Brother Two) garnered much respect on the underground hip hop scene of New York Their first official demo featured the underground bangers like “Bruthas G.R.Y.M.”, “Circle-Circle-Dot-Dot”, the politically charged “Popcorn” and “Livin’ In Hell (Had To Survive)”. The demo featured production mastering by Nate "NATO" Tinsley, their in-house producer Semi-Automatic (Pedro Sims, Mr. Semi, Gravediggaz), and the brothers themselves. After blazing underground radio and live shows around New York City, they were listed in The Source magazine as the best unsigned rap group of 1989. The crew was then managed by longtime friend Jack Pope (Jack Sprat, Starving Artists Entertainment), who later became the road manager of the Gravediggaz.

These cassette tape “dubs” floated around the New York streets in the late 1980s and early 1990s, and their demo eventually made their way to the seasoned musical ear of fellow Amityvillain Prince Paul (Stetsasonic, De La Soul, Gravediggaz) from his association with the local Long Island artists who had met the brothers and saw their raw talent. In 1990 Prince Paul decided to fund and executive produce further demos, finding various other known and up-and-coming producers for the unnamed project, as well as being the tentative DJ for the group.

Then the unfortunate happened – being disenfranchised by the politics and games of the music business and life in general, Brainstorm just quit altogether for “personal enlightenment”, before any formal deal could solidify. Poetic understood about Brainstorm’s personal path at that stage in his life, but was silently devastated because they were so close to sealing a major record deal that would have propelled them further into Hip Hop history.

Their original demo, even today, is still one of Prince Paul’s favorites. It was not until 1992 that Poetic, after Brainstorm quit in 1991, that it is said that Poetic “fell on hard times”, including a short period of homelessness.

Brainstorm would continue to write for leisure and therapeutic reasoning, but never to seriously pursue a music career, moving to Brooklyn New York and later down south to various states; in fact, Brainstorm was so “finished with Hip Hop” that he gave Poetic all of his original rhyme books to use at his own discretion – some lyrics ending up on Gravediggaz projects.

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Brotherly

Analects - Best Of

35,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Fox Town Music)

Brotherkenzie

Nathan

18,89 €* 26,99 € -30%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Reissue (Southern Lord)

Brotherhood

Till Death

20,99 €*

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Brotherhood Of Sonic Love

Satellite Heart

LP | 2019 | EU | Original (Bosl)

14,69 €* 20,99 € -30%

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Riding Easy)

Brotherhood Of Peace

Cuttin' Loose

29,99 €*

12" | 1992 | DE | Original (ZYX Music)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Brotherhood Of Peace (aka B.O.P.) brought the world some of the best breezy power pop, Southern rock and heavy boogie all packed into one brilliant album in 1976, the fittingly titled Cuttin’ Loose. The album is a free-flowing nine song collection of genre blending would-be hits suited for both ’70s AM gold and FM album rock that never received its proper due, until now.

The album flows somewhat similar to the way Big Star combined heavy riffs with airy pop sweetness, but B.O.P. brought more of a blues rock groove to the proceedings, resulting in heavier undercurrents to songs with glowing three-part harmonies and impeccable power trio musicianship.

By the mid-’70s, rock ’n’ roll was truly anything goes. Experimentation, excess and inventing new genres was all the rage, and the trio of spritely young men—guitarist / vocalist Dennis Tolbert, bassist / vocalist Mike Arrington and drummer / vocalist Ronnie Smith—gamely tackled whatever sound they pleased. Fortunately, the band captured it all on their lone album, released on the small independent label Avanti Records in March 1976.

The Mount Airy, North Carolina trio got its start as teens in 1969 as the backing band to a large 20-50 person traveling church choir called the New Americans. By 1970, the band was ready to move on to performing on their own. First as a sextet, the band soon trimmed down to a three-piece, working the local club circuit like madmen, sometimes playing three shows a day. At the height of their live tightness, B.O.P. recorded the album with local musicians Don Dixon and Robert Kirkland of the band Arrogance who worked at Charlotte recording studio Reflection Sound in October 1975.

The band laid out the highlights of their live set in the studio, which ran the range of influences from The Raspberries to Deep Purple, Doobie Brothers to Nazareth, Lynyrd Skynyrd and Grand Funk. The initial pressing of 1000 copies was released in March 1976, but without major label machinery for retail distribution, radio and press, the album never took off. The band mostly sold them at live shows, via consignment at local stores and in limited distribution in the Southeastern region. However, to date, the record still occasionally pops up for sale online worldwide at exorbitant collectors’ prices. Until now, finally getting a proper reissue via Riding Easy Records.

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Brotherhood Creed

Helluva (Remix)

Release: 1992 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Leather Pants / Nicci's Theme

Brotherhood Band

7" | 2022 | UK | Original (Athens Of The North)

13,99 €*

7" | 1977 | US | Original (Turbo)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Red hot Modern Soul 45 recorded in Memphis, Tennessee in 1985. Big thanks to Robert Garcia @mrbighappy & Daniel Mathis @quartzwatches for the research and words on this one!!

Brotherhood Band was started by Ernest Coleman(EC) and Clint Hyson, who met thorough a US Navy band called "Mid-South", which was the US Navy's premier musical organization operating out of Millington, Tennessee (20 min outside of Memphis). The group initially played as an instrumental jazz band. In keeping up with the times, they shifted gears towards a more contemporary sound. Shortly after, they decided to cut a single. Enter "Nicci's Theme", which is the B-side here and it's a beautiful jazz tune EC wrote for a girl he fell in love with. This song was supposed to be his door way in, but he actually never opened the door with her.

A few weeks later Clint called EC and played this syncopated bass line for him over the phone. And then EC being the ladies man that he was wrote the lyrics to "Leather Pants" to it. Part of the lyrics read "The pants they stretch, but they don't bust. Enough to make a blind man cuss", but it originally read as, "The pants they stretch, but they don't bust. Enough to make a Preacher cuss". The song was ready, but they needed to find a singer. That's when member Richard Owens mentioned that he had a young cat back in Atlanta named Taji. In a gamble Taji drove up to Memphis for the Sunrise recording studio session to record the track. According to EC when Taji laid the vocals down he took the song to the next level. In fact it was so impactful that EC, who is now a Grammy producer, still references Taji's sessions when working with new artist.

After the single dropped the group played at Memphis hot spots, Bills Twilight Lounge and Club No Name. EC even had an idea to host a local leather pants contest as a way to promote the song. This lead to a frenzy of women seeking to be "Miss Leather Pants".

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Brother To Brother

Leavin' Me / Phattenin'

4,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2019 | EU | Original (Cree)

Brother Resistance

Tonite Is De Night

15,99 €*

LP | 1986 | AU | Reissue (Left Ear)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Out of the social unrest and revolutionary times of the early 1970s a new musical art form emerged on the streets of Port of Spain, Trinidad & Tobago. A group of young guys started to combine poetry with drumming and created the musical art form that is known today as Rapso.
Poets known as much for their fiery verses as they were for leading protests were at the vanguard of the 1970s Black Power revolution. There was a new consciousness building in the Trinidad and Tobago arts scene. The two most influential characters were Cheryl Byron and Lancelot Layne.
Lutalo ‘Brother Resistance’ Masimba and others would play basketball during the day and come back out at night, ‘liming’ and playing drums. Other people from the block would join with instruments and Brother Resistance would perform his poetry on the rhythms. The prestigious boys school that Resistance attended refused to acknowledge his attempts at creating verses that reflected the rhythm of the Trinidad and Tobago creole. ''They said it wasn't poetry. They didn't want to put it in the school magazine.''
Resistance and his friends toyed with other words to describe their style. They came up with 'rapsody' but one night during a show in Santa Cruz somebody in the audience shouted out ''How you could rap so!'' And the rest is history.
They recorded their first album ‘Bustin Out’ in 1980. More albums followed and they started to work as producers. In 1986 the band performed at ‘Caribbean Focus’ festival in London and toured the U.K. which helped to lift their reputation internationally. The same year Brother Resistance decided to produce his first solo album and went to England to record ‘Rapso Take Over’. This album contains the highly acclaimed tracks Ring De Bell, Dancing Shoes Rapso and Star Wars Rapso. An unreleased take of Wars In Rapso is featured on this Cree Records 12''.
The band wasn’t too impressed with the ‘English’ production and they decided to record a new version of the song. Junior Wharwood recorded the guitar tracks. Resistance came up with the idea of Tonight Is De Night. The more or less improvised song became a big carnival hit in Trinidad and he went to perform it live with bands like Sound Revolution, Shandileer and Charlie’s Roots.
At the time, these tracks received little airplay in Trinidad and Tobago, but they're undeniable hits that continue to be in demand dancefloor bangers. For this 12'' we have selected four of Brother Resistance's most in demand tracks. Long live Kaiso – Rapso take over!

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Brother Resistance

Rapso Takeover