HHV Records 153345 Items

Portrait In Jazz Green Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

20,99 €*

Bill Evans Trio / Scott Lafaro & Paul Motian

Release: 2018 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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The Most Influential Piano Trio In Moden Jazz

4LP | 2024 | EU | Original (Waxtime)

61,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Bill Evans Trio / Scott Lafaro

LP | 2023 | US | Original (Craft)

43,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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LP | 2013 | EU | Reissue (Waxtime)

18,99 €*

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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LP+7" | 1961 | EU | Reissue (Glamourama)

22,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-07-26

LP | 2013 | Reissue (Not Now)

29,99 €*

Release: 2013 / Reissue

Genre: Organic Grooves

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Sunday At The Village Vanguard Green Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

20,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sunday At The Village Vanguard / Waltz For Debby

2LP | 2014 | EU | Original (Vinyl Passion)

25,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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LP | 2013 | EU | Reissue (Waxtime)

Waltz For Debby

19,99 €*

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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limited 180 gram Vinyl LP !

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Waltz For Debby Craft Ojc Series

LP | 2023 | US | Original (Craft)

44,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Waltz For Debby Gatefold Sleeve Edition

LP | 2017 | EU | Original (Dol)

15,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Waltz For Debby Opaque Baby Pink Vinyl Editin

LP | 1962 | EU | Reissue (Dol)

15,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Waltz For Debby -Transparent Blue Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

25,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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Vinyl Story Par Luigu Di Giammarino

Bill Evans

Book+LP | 2022 | EU | Original (Diggers Factory)

35,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Bill Evans, W. Haffner, E. Mbappé & WDR Big Band

The East End

2LP | 2019 | EU | Original (Jazzline)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Genre: Rock & Indie

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Genre: Organic Grooves

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Waltz For Debby 1 Track Limited Edition

Bill Evans

LP | 2024 | Original (Number One Essentials)

19,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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You Must Believe In Spring

Bill Evans

2LP | 2022 | US | Original (Craft)

48,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Dead Oceans)

Countless Branches

23,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Countless Branches Deluxe Edition

2LP | 2020 | US | Original (Dead Oceans)

26,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Tomorrow Tomorrow And Tomorrow

Bill Fay Group

LP | 2005 | US | Reissue (Dead Oceans)

37,99 €*

Release: 2005 / US – Reissue

Genre: Rock & Indie

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The temptation to mythologize Bill Fay can be overwhelming; Fay was, fordecades, as prolific as he was under-appreciated. Fay's unsung-hero status has changedslowly, steadily, on the order of almost twenty-five years. With each new album comesnew hosannas and evangelizers _ Jeff Tweedy, Kevin...

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Bill Fay / Julia Jacklin

Just To Be A Part

11,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay / Kevin Morby

I Hear You Calling

Bill Fay / Mary Lattimore

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Love Is The Tune

11,99 €*

Bill Fay / Mary Lattimore

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.

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Love Is The Tune

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Bill Fay / Steve Gunn

Dust Filled Room

Release: 2022 / US – Original

Genre: Rock & Indie

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"Bill Fay's music was a revelation to me when I first discovered it: the commanding power of his words; the modest, universal language of his sorrow. And listening to his music still makes me feel as if an old friend had been lingering in the shadows, emerging at just the right time. It was a real honor to record one of my favorites of his, "Dust Filled Room". - Steve Gunn, Brooklyn, NY Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 1' is released 14th Jan, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. The first two (one a cover of `Dust Filled Room' by Steve Gunn and the second, Kevin Morby's version of `I Hear You Calling') will also be released 14th Jan, 2022.

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Bill Fay / Steve Gunn

Dust Filled Room

12,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2CD | 2010 | CA | Original (Jnana)

Still Some Light

23,99 €*

Release: 2010 / CA – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2022 | US | Original (Dead Oceans)

Still Some Light Part 1

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Fay has always sung about attempting to understand the most universal questions: those of nature, spirituality, humanity. His songs are "calming hymns for another chaotic time", he says. His influence can be traced through many artist's work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93), Still Some Light was released as a double CD, made up of 70's album demos (Disc One) and 2009 home recordings (Disc Two). This year, for the first time, this collection of recordings will be pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and Mary Lattimore. Bill Fay's words and melodies remain unaffected by the passing of time and changing trends; and here alongside the original recordings, these reinvented versions still calmly guide us through another moment of chaos. Bill Fay's Still Some Light was originally released on compact disc as a two CD collection in 2010. Reimagined with new artwork and available for the first time ever on vinyl, Dead Oceans is pleased to present Still Some Light Pt. 1, collecting Fay's archival recordings from 1970 and 1971. Many of the songs are intimate sketches which were eventually re-recorded for Fay's self-titled debut and for his landmark album, Time of the Last Persecution. This double LP set includes heart wrenching versions of some of his timeless works, such as "I Hear You Calling" and "Pictures of Adolf Again", and features equally powerful songs like "Arnold is a Simple Man" and "Love is the Tune," which only appear in this collection.

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2LP | 2022 | US | Original (Dead Oceans)

Still Some Light Part 1

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | US | Original (Dead Oceans)

Still Some Light: Part 2

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Dead Oceans)

Still Some Light: Part 2

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2021 | US | Original (Scat)

Bill Fox

Shelter From The Smoke

2LP | 2021 | US | Original (Scat)

Release: 2021 / US – Original

Genre: Rock & Indie

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Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl. Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music. Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to "be on the internet" has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.

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Bill Fox

Transit Byzantium

29,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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These newly remastered editions of Bill Fox’s second album are the first since its 1998 release, including the first-ever vinyl pressing. Listeners will hear a wider soundstage, more detail, and improved listenability. Recorded on 4-track cassette, the fidelity belies the sophistication and nuance of the songwriting, This adept remaster by John Golden Sr helps bring definition to the intimate, at-home feel of the album. It sparkles. Very similar in feel and quality to Fox’s debut album, much of Transit Byzantium draws from the same group of recordings. It has the same feel of musical inevitability, that the songs exist beyond time itself, their eventual manifestation guaranteed by Apollo. He could’ve given them to the Everly Brothers, or the Byrds, or the Who, but instead they were channeled through an everyman from Cleveland with an aversion to the limelight. And while a traditional folk influence colors several songs, even those possess the indelible stamp of Fox’s charismatic voice and personality. Although nearly entirely acoustic and with minimal percussion, these eighteen songs cycle through a remarkable variety of textures and moods. While much has quite rightly been written about the god-tier songwriting here (“Song of a Drunken Nightingale,” “My Baby Crying,” “I’ll Give It Away” for starters), it should also be noted that this is a guitar player’s record, though more in terms of conception than flash. Lines of harmony and counterpoint wander between parts, sublime in their invention though sometimes crudely documented.

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2LP | 2022 | EU | Original (Blue Note)

Four

Release: 2022 / EU – Original

Genre: Organic Grooves

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Two years after his critically acclaimed trio album „Valentine“, GRAMMY-winning guitarist Bill Frisell returns with “Four”, an intense meditation on loss, renewal and friendship. His third album for Blue Note consists of reinterpretations of previously recorded originals as well as nine new compositions. The session unites him with Blue Note colleagues Gerald Clayton on piano and Johnathan Blake on drums, as well as his longtime musical partner Greg Tardy on saxophone, clarinet and bass clarinet.

2-lp, 180g, gatefold, padded inner sleeves.

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Four Limited Gold Vinyl Edition

2LP | 2022 | EU | Original (Blue Note)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2014 | EU | Original (Music On Vinyl)

Guitar In The Space Age!

Release: 2014 / EU – Original

Genre: Rock & Indie

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On this brand new album, guitarist and composer Bill Frisell mines the catalog of the guitar-based music from the 1950s and 1960s that first inspired him to pick up the instrument. This performance promises a rare look into Bill Frisell's formative influences, from a time when the electric guitar was in its infancy and creating a startlingly new sound, pushing popular music into the future.

180g vinyl.

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2LP | 2024 | EU | Reissue (Blue Note)

Orchestras

39,99 €*

Release: 2024 / EU – Reissue

Genre: Organic Grooves

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Bill Frisell’s expansive double album "Orchestras" documents two inspired concert-hall engagements arranged by Michael Gibbs for the guitarist’s trio with bassist Thomas Morgan and drummer Rudy Royston: one featuring the nearly 60-piece Brussels Philharmonic, conducted by Alexander Hanson; and one with the 11-piece Umbria Jazz Orchestra, under the musical direction of Manuele Morbidini. Sweeping orchestration evoking landmark film scores and Gil Evans alike move nimbly within and around the trio’s telepathic rapport, and Frisell’s shimmering trademark tone melds gorgeously with symphonic strings and brass.

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Valentine Limited Edition

2LP | 2020 | EU | Original (Blue Note)

38,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Bill Gage & Cheater Slicks

Piano Tunnels

LP | 2021 | US | Original (In The Red)

The Eclipse Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Bill Gage is a quasi-famous singer with a raw, rock ’n’ roll voice. Cheater Slicks are an infamous, raw, rock ’n’ roll band. Put the two together and the resulting album is a stream-of-conscious stew of wild, fuzz-drenched rock ’n’ roll! Some history: both Cheater Slicks and Bill Gage’s band Bill began in Boston in 1987, and it was sometime around then that Gage first sang with Tom and David Shannon playing guitars, in Gage’s bedroom in Laconia, New Hampshire. It was an intense and primal sound that was not forgotten by those involved. Gage’s singing has been compared to Captain Beefheart, David Thomas, Damo Suzuki, and Yoko Ono. However, Gage clearly has his own sound, which includes guttural yells, sweet crooning, and bluesy meanderings—all seemingly told from a tarpaper shack porch under the oceans of Mars. Cheater Slicks have from the start been a brain-melting rock ‘n’ roll dream / nightmare of a band. Steeped in the wild guitar interplay and pounding drums of classic noisy underground rock groups (Cramps, Scientists, Velvet Underground), they have created their own unique and ever-evolving style that has only gotten deeper and sharper over the years. In spring 2018, when Cheater Slicks were presented with the idea of a collaborative record with Gage, they wasted no time, and began writing and arranging new songs for the project. Gage traveled to Columbus to record at the legendary Musicol studios in November of that year. It was a great session and came together as if it were always meant to be. After thirty years of performing, is the world finally ready for Bill Gage—accompanied by the seismic Cheater Slicks? All profits from this record will benefit the Arts Resources programs of the National Association for Down Syndrome.

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Bill Gould / Jared Blum

LP | 2023 | EU | Original (Sub Ost)

24,69 €* 25,99 € -5%

The Eclipse Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Working on their project Talking Book, Bill Gould and Jared Blum have always preoccupied themselves with textures of sounds rather than just melodies. Uniting exploratory sound-work, dramatism and their innate curiosity, the members of Talking Book have approached every release of theirs with this intention. Sonically different from Bill’s most-widely known project, Faith No More, Gould’s work composing the soundtrack for ‘The Eclipse’ brought him to the whole different mental space. “I had known Nataša Urban for over a decade already, and was already familiar with her previous work.” – explains Bill Gould: “During this time, I had also sent her our two Talking Book releases, which paired well with her visual aesthetic. On top of that, Faith No More was a big soundtrack to her teen years, and as the film is quite personal about her coming to terms growing up in Serbia, it seemed to make sense for us to collaborate together on this film”. The duo's artistic journey requires a profound exploration of sound textures, a departure from the familiar tunes of Bill's renowned venture. 'The Eclipse' is a poignant cinematic ode to the scars of Yugoslavia's tumultuous history. The process of synchronizing their music with the film's essence became an exercise in shedding conventional creative approaches, embracing instead the art of building new sonic pathways. “The film itself was made on several film stocks including handmade ones so for us employing timbres that are both grand and decaying at the same time accompanied the visuals very well.” – explains Jared Blum. While fragmentary nature of the shooting helped represent the presence of different people in the picture, it was also learning experience for the duo in terms of of contiguity. “So much of it is about letting go of familiar methods of working; rather than finding a way to express an idea I already have.” – says Bill Gould describing the process: “It is about having the patience to go into something without a specific idea and just employ a process of discovery.” Gould continues: “Our music always has a certain amount of drama of some sort, so we didn't literally have to write according to the story line. But it meant that we had to look at was happening in the flim intuitively, and make creative decisions based on that. We could have totally missed the mark, but as it turns out, it really resonated with Nataša.” Bill and Jared's creative synergy is manifested in their ability to conjure a cascade of imagery passing through a rich spectrum of emotions, in tune with nuances of Yugoslavia's fractured history. From the delicate subtlety of background whispers to the vast expanses of sonic palettes, the duo has orchestrated a symphony that transcends the boundaries of conventional melodies as natural and emotive as a total eclipse.

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Bill Gould / Jared Blum

LP | 2023 | EU | Original (Sub Ost)

25,19 €* 35,99 € -30%

Chances Go Round / Lonely Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bill Grace

7" | 1979 | UK | Reissue (Asp)

LP | 1987 | SE | Original (Neon Fire Records)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Incredible synthesized disco nuggets from a real mover and shaker on the disco era local scene, Bill Grace. His first and only solo single hit the shelves in 1979, and now commands cripplingly expensive price tags of close to £600 and that’s if you can actually locate a copy of this US gem.

A name that may not be familiar to most, the recordings from this release led to a contract with West End the following year and saw him rubbing shoulders in the booth with disco legend & Paradise Garage head DJ Larry Levan. Pink label version original black sleeve.

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Bill Green

Texas Greats

Bill Haley And His Comets, Herb Ellen, Toni Tornado, The Shot-Guns

Release: 1987 / SE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Rock 'N' Soul

LP | 1970 | DE | Original (Europa)

5,99 €*

Release: 1970 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Bill Haley And His Comets

LP | JP | Original (Decca)

Release: JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Bill Haley And His Comets

LP | DE | Reissue (Midi)

3,99 €*

Bill Haley And His Comets

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Small light scuff on side 2.
Sticker on cover.

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LP | 1976 | JP | Original (MCA)

7,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI. Vinyl slightly warped but still enjoyable

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Bill Haley

LP | 2023 | EU | Original (Wagram)

17,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Rock Around The Clock Greatest Hits

Bill Haley

LP | 2023 | EU | Original (ZYX)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bill Haley & The Comets

LP | 2017 | EU | Original (Vinyl Lovers)

19,99 €*

Bill Harris, Terry Gibbs, Lou Levy, Red Mitchell, Stan Levey

Release: 2017 / EU – Original

Genre: Rock & Indie

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Includes two bonus tracks.

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The Bill Harris Memorial Album

LP | 1983 | US | Reissue (Xanadu)

LP | 1961 | US | Original (Vee Jay)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

1983 reissue.

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Bill Henderson

10,44 €* 10,99 € -5%

When My Dreamboat Comes Home

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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Bill Henderson

LP | 1965 | US | Original (Verve)

Bill Holman / Mel Lewis Quintet

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Stereo pressing.

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Jive For Five

LP | 1959 | US | Original (Andex)

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1979 | DE | Original (Antagon)

Bill Keith, Jim Collier

Bill Keith & Jim Collier

Release: 1979 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | EU | Original (Last Music Company)

Bill Kirchen

Waxworks

23,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Reissue (Sub Rosa)

Bill Laswell

City Of Light

20,99 €*

Bill Laurance & Michael League

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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City Of Light is the sixth solo album by American composer Bill Laswell, released on July 29, 1997. While it may appear an anachronism in his catalog, fans of Bill Laswell will find City Of Light an extension of ideas he has explored throughout his career. His strong interest in Eastern music and religion resulted in this 1997 collaboration with Janet Rienstra. Part sacred, spoken word, part meditative soundscape, City Of Light takes as its inspiration the holy region of Banaras, India. Said to belong to Shiva, Banaras also contains the Ganges river: a place sought by Hindus for their cremation. Surrounding the texts is some of the most compelling music this genre has produced featuring Trilok Gurtu on tablas, Coil (Peter Christopherson & John Balance) on electronics, sound collages by Tetsu Inoue and vocals provided by Lori Carson.

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Where You Wish You Were

LP | 2023 | EU | Original (Act Music)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bill Laurance & The Untold Orchestra

Bloom Black Vinyl Edition

LP | 2024 | EU | Original (Act Music)

Release: 2024 / EU – Original

Genre: Organic Grooves

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7" | 2022 | EU | Original (El Toro)

Bill Mack

It's Saturday Night! EP

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bill Mackay And Nathan Bowles

Keys

LP | 2021 | US | Original (Drag City)

25,59 €* 31,99 € -20%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Drag City)

Bill MacKay

Esker

Release: 2017 / US – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Drag City)

Bill MacKay

Locust Land

Bill Monroe's Greatest Hits

Release: 2024 / US – Original

Genre: Rock & Indie

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Bill MacKay and Drag City are delirious with pride to announce the discovery of a new territory: Locust Land, a record which seeks to reflect the nerve-shredding consciousness run amok in our world today - and somehow allay it with sound. Bill"s music is a visceral crackling where it meets the air, and Locust Land can"t help but reflect its era more than any other in his discography.It"s been five years since the release of Fountain Fire - but in the interim, Bill has barely stopped moving, collaborating with artists across the spectrum, including cellist Katinka Kleijn, banjo player Nathan Bowles and keyboardist Cooper Crain. He"s also contributed to recordings by Steve Gunn, Ryley Walker, Bill Callahan & Bonnie Prince Billy (Blind Date Party), and Black Duck (on their self-titled record featuring Douglas McCombs and Charles Rumback). Forget five years - how"d he even get Locust Land squeezed out of his temporal lobes?Bill"s sense of music as art is constantly modulating - lifting off from where it is found and naturally migrating to some other place. Sometimes, that"s elsewhere - others, it"s simply to be found deeper inside the starting point. And so, the action of moving on informs the landscape of Locust Land. This manifests in several different ways.A restless energy and urgency is repeatedly felt - in the driving momentum of "Keeping in Time," "Glow Drift," and "When I Was Here" - while a dogged persistence radiates from the tone colors and percussion of "Oh, Pearl." Mating a dirge-like desolation with sparkling guitars, "Radiator" adds darkness and depth. The sense of searching, displacement and longing in vocal tracks "Keeping in Time," "Half of You," and "When I Was Here" speak literally to the tumult of current vibrations. Within the arrangements, there"s also departure from previous norms - in addition to the brilliant guitar work for which he is known, Bill plays a variety of keyboards, from piano to organ to synth, extending his music with the available voicings, while enri...

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Bill Monroe

LP | 1971 | JP | Original (CBS/Sony)

Bill Monroe & His Blue Grass Boys

Release: 1971 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With insert

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Bluegrass Instrumentals

LP | JP | Reissue (MCA Coral)

Release: JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

LP | 2020 | US | Original (Drag City)

Bill Nace

Both

36,99 €*

LP | 2022 | US | Original (Drag City)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Free guitar for the new age: improv with intention, construction and destruction, all with the grain and air of performance captured and telescoped in a sonic particle collider. Makes sense, and not just because of the chaotic times. With Both, terminal collaborator Bill Nace (Body/Head, Thurston Moore) has found a stimulating, chiaroscuro-stubbled path back to the electric guitar's anarchic promise, drawn through eight colorful pieces that are equal parts sound, noise and music.

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Bill Nace

Through A Room

33,99 €*

LP | 1977 | JP | Original (P-Vine Special)

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Nace"s Through a Room represents a seismic progression from Both, his startling 2020 debut solo LP for Drag City. Nace"s career has been defined by a relentless probing of ways to frame the complex menu of human emotions, and that the guitar has been his primary tool for exploring this terrain is of little consequence. On this new release, he also employs tapes, hurdy gurdy, doughnut pipe, quelle est belle, as well as his latest instrument of choice, taishogoto. This is also, ultimately, insignificant. What matters is the discerning spirit which animates his work. The tracks are carefully built from loops and phrases that talk to each other, subsume one another, overlapping and crashing and diving and expanding and emerging into unimagined vistas. On the whole, the record offers a fascinating and engrossing chronicle - a sequence of interrelated stories told by a temporally dislodged narrator. You think you"re here, then you"re there, and then you go through trapdoors and along tunnels, into cellars and secret rooms, and you find that actually you"re back where you started. But it"s not hard to follow. Trust me. Nothing this enticing can be hard to follow.The record was recorded and edited in Philadelphia during the uncertain summer of 2021 with engineer and co-producer Cooper Crain. Where Both was a chiseling down of spontaneous live performance, Through a Room, while obviously the work of the same artist, treats its sounds as building blocks, combining them to mesmerizing effect. What"s striking is the poise, the degree of authorial intensity. The false dichotomy of composition and improvisation is thoroughly and rightfully abolished. Bill"s interests range from post-punk to post-industrial to hip-hop to free jazz to avant-garde composition, and every area between such unhelpful labels. From the inscrutable, evocative track titles to the enticingly baffling cover art by his longtime compatriot Daniel Higgs, Nace is guided by an ineffable, internal muse, a persistently personal stormcloud of ide...

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Bill-O-Men

LP | 2023 | US | Original (Palilalia)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. stained cover

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Bill Orcutt

Jump On It

LP | 2022 | US | Original (Palilalia)

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar—and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt's rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt's electric records, which chart a course from Quine's choppiness to Thompson-ian/ Verlaine-ian flow, it should be no surprise that the ten-year gap between acoustic records should expose a similar underlying journey. But what's maybe more surprising is that Jump On It , with its living-room aesthetics and big reverb, packs a disarming intimacy absent from the formal starkness of Orcutt's earlier acoustic outings. Although you might sense the looming human in the audible breath whispering intermittently between chords (a physical flourish reminiscent of the late Jack Rose), such documentarian signposts are the exception rather than the rule. Not quite refuting (yet not quite embracing) the polish of revered watershed records by Bert Jansch, John Renbourn, or Bola Sete, Jump On It treads a path between the raw and the refined, exemplified in tracks such as 'The Life of Jesus' and 'In a Column of Air' that alternate swaying chords with Orcutt's trademark angular quicksilver runs (cut brickwall short). While you won't mistake Jump On It for incidental music, at least not if taken at full strength, stray passages radiate a conversational beauty that would please the most dissonance-adverse listener. Strangely, some of the melted lockstep grooves found in Jump On It evoke nothing other than Music for Four Guitars. While many of the linear runs are clearly improvised, and the phrasing distinctly slurred, intuitive and non-mechanical, the strummed chords hint at a cellular construction similar to Jump On It 's electric predecessor. (Orcutt states that he prefers to keep his strategies obscure—but that implies there is in fact a strategy). Whatever the case, I also hear Satie in Music for Four Guitars, and I hear him here too, hidden within Jump On It 's lilting repetition, which I easily imagine stretching to an infinitely-distant horizon. Like each of Satie's three Gymnopedies, each facet of Jump On It is a tiny miniature bound in a slim volume, an earworm you might savor again and again upon awakening or before drifting off. Each track is a key to a memory, a building block in a shining anamnesis leading to the recollection that hey, we're all humans in a shared cosmos, and music is one way we might make that universe go down easy. And who wouldn't jump on that?"—Tom Carter. Recorded Spring/Summer 2022 at the Living Room, San Francisco. Mixed and mastered by Chuck Johnson.

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Bill Orcutt

Music For Four Guitars

35,99 €*

LP | 2019 | US | Reissue (Palilalia)

Release: 2022 / US – Original

Genre: Rock & Indie

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In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked—or, as Orcutt puts it, 'a bridge pickup rather than a neck pickup record'—it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the second time around). Although it's a true left-field listen, Music for Four Guitars is bizarrely meditative, a Bill Orcutt Buddha Machine, a glimpse of the world of icy beauty haunting the latitudes high above the Delta (down where the climate suits your clothes)..."—Tom Carter

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Bill Orcutt

Odds Aginst Tomorrow

30,99 €*

Sings Poems By Patrick Woodcock

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After two LPs and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest LP, Odds Against Tomorrow. Taking its title from Robert Wise 's 1959 film noir, Odds Against Tomorrow retrofits familiar folk/blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion of the territory charted by Bill Orcutt, his eponymous 2017 studio electric debut, although it's certainly that. With its nods to existing musics, half-step fluctuations, and near-songwriter-ly manipulations of tension/release, Odds Against Tomorrow is a rock record—almost. Clearly and simply recorded through a clattering Fender Twin in Orcutt's living room and lovingly mixed by Bay Area neighbor and pedal-steel savant Chuck Johnson, no one would mistake it for any era's radio fodder, yet the precision of its technique and the swaying Child-ballad logic of its gentler improvisations comfortably seats it between John Mayall and Richard Thompson in your Ikea Kallax... Odds Against Tomorrow challenges contemporary solo guitar practice in a way that simultaneously nullifies hazy dreams of folk purity and establishes a new high-water mark for blues-rock reconstruction."—Tom Carter

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Bill Pritchard

LP | 2023 | EU | Original (Tapete)

Release: 2023 / EU – Original

Genre: Pop

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Three Months Three Weeks & Two Days

Bill Pritchard

LP | 1989 | EU | Reissue ([Pias] Le Label)

26,99 €*

Release: 1989 / EU – Reissue

Genre: Pop

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LP | 1977 | JP | Original (RCA)

Bill Quateman

Shot In The Dark

22,99 €*

Wake Up / In At The Deep End

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Bill Riley

12" | 1996 | UK | Original (Protocol)

A Bad Wind Blows In My Heart

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl is Close to VG+.

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Bill Ryder-Jones

2LP | 2013 | UK | Original (Domino)

Release: 2013 / UK – Original

Genre: Rock & Indie

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Iechyd Da Black Vinyl Edition

Bill Ryder-Jones

LP | 2024 | UK | Original (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Bill Seaman / Tim Diagram / Stephen Spera

The World Was Burning Before

LP | 2023 | EU | Original (Laaps)

22,39 €* 27,99 € -20%

LP | 2021 | US | Original (Drag City)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Bill Seaman is a musician, media artist and media researcher int the field of interactive and generative music. He has been working on a series of works that combine elements of ambient, noise, experimental, new classical and more. Tim Diagram has released over 35 albums as Maps and Diagrams. Stephen Spera is a New York based artist working in sound, photography, and plastic arts.

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Bill Stone

Stone

34,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 1981 | US | Original (MCA)

Call It What You Want

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl plays with constant background noises, no skips. OIS included.

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LP | 1981 | US | Original (MCA)

Call It What You Want

6,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1983 | US | Original (MCA)

London Style

Release: 1983 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1983 | US | Original (MCA)

London Style

6,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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LP | 1979 | US | Original (Prestige)

On Sunshine

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Seam wear. Sticker on cover.

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LP | 1982 | US | Original (MCA)

Seventeen

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

slightly damaged corners

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12" | 1978 | UK | Original (Prestige)

Straight To The Bank

6,99 €*

Tape | 2021 | EU | Original (The Tapeworm)

Release: 1978 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl close to VG. Generic label cover

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Bill Thompson

Black Earth Tongue

12,99 €*