HHV Records 30793 Items

LP | 2024 | EU | Original (Samizdat)

Postcard Volume 4

LP | 2024 | UK | Original (Upset The Rhythm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Post-punk (originally called new musick) is a broad musical genre that emerged in 1977 in the wake of punk rock. Post-punk musicians moved away from punk's traditional elements and raw simplicity, adopting instead a broader, more experimental approach that included a variety of avant-garde sensibilities and non-rock influences.

Here we go again with two other enthralling volume in the series. The Postcards saga continues, discovering lesser known - but no less significant - names from the post-punk, new wave and d.i.y. scenes around the UK and the US. Groups whose recording career was minimal and stopped, in 90% of cases, at the first and only 45 rpm (which is the cream of the crop here). Number 4 brings together five seven-inches, here presented in their entirety, released between 1979 and 1981 by cultish british bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Volume 5 is deliberately an anglo-american issue. It covers the period comprised between 1980 and 1983 and features three american and two english bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Two more fundamental pieces of the movement history.

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The Green Child

Looks Familiar

LP | 2024 | EU | Original (Crunchy Frog)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Limited black bio-vinyl (600 copies worldwide) with obi-strip and download card.
THE GREEN CHILD has grown into four people. Originally the recording project of Raven Mahon (furniture maker and member of Grass Widow, Rocky) and Mikey Young (recording engineer and band member of Total Control, Eddy Current Suppression Ring, Shutdown 66), The Green Child now boasts Shaun Gionis (of Boomgates) on drums and Alex Macfarlane (who runs the excellent label Hobbies Galore) on guitar and synths.

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Ki!

Yong-Gwanglo Part Two

Release: 2024 / EU – Original

Genre: Organic Grooves

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Scootering On! / Marseille Soreil

Blue Beat Players

7" | 2024 | JP | Original (Green Union)

12" | 2024 | JP | Original (Rawmen / Reach The Beach)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Blue Beat Players' latest music release is now available! “Scootering on!”, a power ska tune that starts with the exhaust note of “Lambretta” (The NUMBERS!) and features Masayuki “Marc” Hayashi's vocal and chorus interplay, is included on the A-side. The B-side is “Marseile Soreil”, an authentic lovers' rock full of love dedicated to Yumi, a member of the band who passed away earlier this year.

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Yuima Enya

Malaka Remixes

Toki Wo Koete Yukou Feat. Matsurika United

Release: 2024 / JP – Original

Genre: Electronic & Dance

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First 12" remix EP by Yuima Enya, lead singer of Super Cats, with remixes by Altz, Ramza, Calpiss & DJ Moras, and DJ snuc. The first 12-inch remix work "malaka Remixes" by Yuima, who creates jazz and world music into modern beats, will be released on September 12. Four of Japan's best beatmakers/DJs, Altz, Ramza, Calpiss & DJ Moras, and DJ snuc, boldly reworked the title track "malaka" from Yuima Enya's first album to create an extremely rare record that lets you enjoy the cutting edge of the club music scene!

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Pancho & Mr Hero

LP | 2024 | JP | Original (Boso Vinyl Aikoukai)

Live At The Roxy Club White Vinyl Edition

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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The first 7" by "Boso Vinyl Aikoukai," formed by record-loving members in Kamogawa, Boso, Chiba Prefecture, is now available! The recording features Pancho from K-zion, active in Kamogawa, Boso, and guest performers MR Hero and Matsurika united, who is well-known for her work on "the Entertainer" produced by Naniwaman. The song "Toki Wo Koete Yukou" (Let's Go Beyond the Time) is a wonderful song filled with positive messages like 90s Japanese reggae. Limited Pressings!!

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X-Ray Spex

LP | 2024 | EU (Radiation Reissues)

LP | 2024 | EU (Trading Places)

Release: 2024 / EU

Genre: Rock & Indie

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Recorded live at London’s legendary Roxy Club on April 2, 1977 just five short months before the release of their iconic debut single, call to liberation, prototypic “Oh Bondage, Up Yours!”. Remastered audio & reimagined artwork plus exclusive sleeve notes from original pioneering saxophonist Lora Logic. Limited edition “Spittle White” vinyl.

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Weather Report

Live In London

I Live By The River: The Singles 1979-1981

Release: 2024 / EU

Genre: Organic Grooves

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Weather Report’s long and illustrious career had many twists, turns and revelations. Live In London draws on the best moments of performances delivered at the Hammersmith Odeon in June 1983, with former Chic percussionist Jose Rossy, plus a take of ‘Corner Pocket’ as played at the Dominion Theatre one year later with Mino Cinelu. Mainstay Joe Zawinul mans the ship alongside saxophonist Wayne Shorter, this edition of WR driven by the frantic beats of Omar Hakim and the bass of Victor Bailey, less showy than Jaco yet just as engaging. Initially cut for radio broadcast, fans of late-era Weather Report will love every moment.

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The Clash

LP | 2024 | EU (Zero Thoughts)

Release: 2024 / EU

Genre: Rock & Indie

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LP | 2014 | EU | Original (City Slang)

Caribou

Our Love

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | EU | Original (Gudu)

Brain De Palma

Rhythmption

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Apostasy)

Night In Gales

Shadowreaper

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lorelle Meets The Obsolete

Remezcla

12" | 2024 | UK | Original (Sonic Cathedral)

LP | 2024 | UK | Original (Drowned By Locals)

Release: 2024 / UK – Original

Genre: Rock & Indie

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A year after its original release, Mexican duo Lorelle Meets The Obsolete are putting out a limited edition vinyl version of their Remezcla EP, expanded with two extra tracks. Pressed on neon green vinyl and limited to 250 copies, the EP features reworkings of six tracks from 2023’s hugely acclaimed album Datura by Suuns, Dälek, Memorials, Invisible Dog (aka LA-based musician Adam Payne) and Immersion (aka Colin Newman of Wire and Malka Spigel of Minimal Compact). Ranging from indie-dance and avant-garde hip-hop to drone and celestial indie-pop, it’s the perfect companion piece to the album. “The whole EP is kind of a ‘pinch me’ moment,” says Lmto guitarist Alberto González. “The fascinating thing with remixes is that you never really know what to expect when you invite someone to collaborate. You sign up for the unknown. We are truly grateful for how everyone shapeshifted these songs. “Now it’s coming out on vinyl, it’s like the EP is finally getting justice in every sense. I guess there’s something about physical media that you can’t beat. Daniel Castrejon’s artwork is much more powerful once printed. All this work is all meant to be released physically. “It’s truly special and it also feels like a nice transition to what's coming next. All the period around Datura has been highly educational and transformative for us, so this is a nice way to wrap it up and embrace the next phase.”

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Hulubalang

Bunyi Bunyi Tumbal

Tremulant Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In Kasimyn's own words, the phrase "bunyi Bunyi Tumbal" signifies a "Synthetic Feeling for Anonymous Sacrifice," encompassing the emotions born out of a deep dive into the Indonesian war archives. These archives include a trove of photographs documenting the era of Dutch rule, captured through the lens of the colonizers themselves. It is from this point of departure that the project Hulubalang was born.

Hulubalang's gaze is drawn to the peripheral figures populating these historical records. These secondary characters, devoid of individual significance, bear no names, receive no recognition, and serve as props in the broader narrative of history. Simultaneously, they become indispensable instruments in acquiring "lessons learned" from the perspectives of both the victors and the vanquished. Within this framework, the notion of Tumbal, the non-belligerent "sacrifice," assumes a weight surpassing its translation. Tumbal neither acts as a victim nor martyrs itself for its cause. It hauntingly reminds us of the systemic curse perpetually engendering disillusionment.

Bunyi Bunyi Tumbal is a personal act of catharsis stemming from a long lineage of anger. It stands as a tribute to a village whose ritualistic dance, one night, was disrupted by external forces, causing the tune to shatter and leaving the dance caught in a space between innocence and pain.

╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳╳

Artist Bio

Aditya Surya Taruna (aka Kasimyn) is one half of the Indonesian electronic duo Gabbar Modus Operandi known for their acclaimed records Puxxximaxxx and Hoxxxya (out via Yes No Wave and Svbkvlt, respectively) and overwhelming, hyper-active and unprecedented live experiences which have made them a popular act on several festivals of experimental music. In 2022, Kasimyn contributed with beats on Björk's latest album, Fossora, featured on three tracks: "Atopos", "Trölla-Gabba", and "Fossora", joined Björk on stage in Tokyo, Japan in March 2023 as part of her live tour Cornucopia, and appears on two of her album's music videos Atopos and Fossara. After joining Björk on her Cornucopia tour in Japan, Kasimyn is announcing his solo album on Drowned by Locals under his new project Hulubalang.

Text for Album by Riar Rizaldi (translated from Indonesian)

Kusnah walked slowly on the edge of a sand dune, across the coastline. It's safer here, she thought. On the horizon she saw a mirage, a fata morgana. In her mind, thinking of fata morgana as a destination is a better objective than the fact that she has to stay and live in the village: her body is needed for offerings, perhaps for the gods who are thirsty for the anatomy of human body or for the cults of development that is built by blood and the construction of fractured human bones. Perhaps as a political sacrifice too. For her, in a landscape where politics is intertwined with zoē, that's where the world really is at work.

While gazing at the piles of oysters on the beach, in her head she heard a peculiar party music with dank beats and messy strings. An umwelt. This was a victory song that she often plays loud in her mind when she feels defeated—however, not losing, but giving in. In her life, she spent more time giving in. She looked at the pile of oysters. Why do humans see oysters as lowly creatures compared to more advanced species like them? Oh more precisely, she remembered Plato's comparison of a hedonist man with an oyster. Live only in the moment of the here and now.

But Kusnah felt she was a hedonist. She lives for the here and now. She lives not for progress. To hell with the progress and development. She lives to experience time. She lives for jouissance. So for her, Plato had a point. As she looked at the oyster again very carefully, the weird music in her head transmitted louder and louder. She asked herself: as hedonist animals who just stay quiet and experience the waves, do these oysters also have music that revolves around their bodies and makes them feel victorious amidst an ocean of defeats?

Kusnah's gaze grew intense. From behind, came the sound of human footsteps running in a crowd. One, two, three, four the familiar sound of boots stomping. Five, six, seven, the clapping of ugly flip-flops. The fata morgana on the sand dune was instantly broken up by a bloodthirsty mob. As time went on, she heard faint screams. "That's her!" sounds vague but firm. The steps became louder. The music in Kusnah's head played louder. It didn't take long for her to start dancing. Like a possessed ghost, many people say. She wasn't in a trance, she was just enjoying the music playing in her head. Tens of people started to look in high-definition when Kusnah opened her eyelids.

"We will offer you to the gods of progress!" shouted the men with machetes and cleavers in their hands. Kusnah dances like she is out-of-body possessed. "Come on! Take her!" the men rushed to Kusnah, carrying ropes to tie her up. Kusnah smiled widely, while unable to control her dancing body.

"Take my body, but I will never share the hulubalang that roars in my mind!"

Kusnah's head separated from her body, right after she shouted those words.

Riar Rizaldi
Written while listening to Hulubalang's first album

Original Text:

Kusnah berjalan lamban di tepi gumuk pasir, di sebrang pesisir pantai. Di sini lebih aman pikirnya. Di garis horizon dia melihat hamparan fata morgana. Di pikirannya fata morgana jauh lebih baik sebagai tujuan ketimbang dia harus diam dan menetap di desa: tubuhnya diperlukan untuk persembahan, mungkin buat para dewa-dewa yang haus akan anatomi dan spirit dari human being atau buat pembangunan yang dibangun oleh darah dan konstruksi tulang-tulang. Mungkin juga sebagai tumbal politik. Pikirnya, di tempat dimana politik berkelindan dengan nyawa, disitu dunia betul-betul sedang bekerja.

Sambil menatap nanar tumpukan tiram di pesisir pantai, di kepalanya terdengar musik-musik pesta dengan dentuman nakal dan dawai berantakan. Sebuah umwelt. Lagu-lagu kemenangan yang sering ia putar keras-keras dipikirannya ketika ia merasa kalah. Bukan kalah, tapi mengalah. Dalam hidupnya, terlalu banyak waktu dia bagi untuk mengalah. Dia melihat tumpukan tiram dengan miris. Dia berpikir keras mengapa manusia melihat tiram sebagai makhluk rendahan dibandingkan species lebih advance seperti manusia, oh lebih tepatnya, dia mengingat perkataan Plato bahwa manusia hedonist sama saja dengan seekor tiram. Hidup hanya dalam momen hari ini dan saat ini.

Tapi Kusnah merasa ia adalah manusia hedonist. Dia hidup untuk hari ini dan saat ini. Dia hidup bukan untuk progress. Persetan dengan progress dan pembangunan pikirnya. Dia hidup untuk menikmati waktu. Dia hidup untuk bersenang-senang. Jadi baginya, Plato ada benarnya. Sambil melihat lagi si tiram dengan sangat teliti, lagu-lagu di kepalanya terdengar semakin nyaring. Dia bertanya pada dirinya sendiri: sebagai hewan hedonist yang hanya diam dan menikmati deburan ombak, apakah para tiram ini juga memiliki musik yang berputar dalam tubuhnya dan membuat merasa menang diantara lautan kekalahan?

Tatapan Kusnah semakin intense. Dari belakang terdengar bunyi suara langkah manusia-manusia berlari bergerombolan. Satu, dua, tiga, empat bunyi familiar sepatu lars. Lima, enam, tujuh bunyi derap sendal jepit. Fata morgana di gumuk pasir buyar seketika diterobos gerombolan haus darah. Semakin lama semakin ia dengar samar-samar suara teriakan. "Itu dia orangnya!" terdengar sayup-sayup tapi mengeras. Langkah-langkah itu semakin kencang. Musik di kepala Kusnah pun semakin kencang terdengar. Tak butuh waktu lama hingga ia mulai menari. Seperti orang kesurupan kalau kata banyak orang. Tapi dia tidak kesurupan, dia hanya menikmati musik yang berputar dikepalanya. Berpuluh-puluh orang mulai terlihat secara high-definition ketika Kusnah membuka kelopak matanya.

"Akan kami persembahkan kamu kepada para dewa pembangunan!" teriak para lelaki dengan parang dan golok ditangannya. Kusnah menari seperti kerasukan. "Ayo! Tangkap dia" para lelaki itu bergegas mendatangi Kusnah, membawa tali tambang untuk mengikat dirinya. Kusnah tersenyum lebar, sambil tidak bisa berhenti menari.

"Ambil tubuhku, tapi aku tidak akan pernah membagikan hulubalang yang mengaum di dipikiranku!"

Kepala Kusnah terpisah dari badannya, persis setelah dia meneriakkan kalimat tersebut.

Riar Rizaldi

Ditulis ketika mendengarkan album pertama dari Hulubalang.

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The Mars Volta

12" | 2024 | EU | Original (Clouds Hill)

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2024 | JP | Original (Universal Music Japan)

Asako Toki

A Night In New York

Release: 2024 / JP – Original

Genre: Rock & Indie

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Taifu13Gou / Tsumetaionna

Fumio Nunoya

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Präsens Editionen)

Red On

Phantom Easy

Here Come The Now White Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Where does pop start and experimental music end? Instead of drawing lines, Red On keeps on exploring the spaces in between these supposed poles with his latest album Phantom Easy, a record that offers moments of pure beauty as well as unpredictable, uncontrollable wilderness.

The spaces Red On moves in aren’t per se terra incognita, but have been explored in recent years by like-minded musicians such as How To Dress Well, Fever Ray, or Dawuna, as well as artists that are affiliated with Präsenes Editionen, where Red On’s album is published, such as Martina Lussi, Belia Winnewisser, or Magda Drozd. Yet, Phantom Easy is an exploration of its own: The melancholic album, which is informed by pop, electroacoustic music, rhythm-focused jazz, and krautrock, is carried by Red On's voice, which appears in ever-changing stages of alienation. The wistful tone of the twelve tracks is reinforced by single phrases sung by Red On that, through their repetition, develop an urgency that can hardly be escaped. The result is pop music that is brave enough to embrace the adventure; or experimental music that doesn’t shy away from offering catchy hooks and grand melodies.

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Now

LP | 2024 | EU (Radiation Reissues)

LP | 2024 | EU | Original (Terra Atomika)

Release: 2024 / EU

Genre: Rock & Indie

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The first punk band from Peterborough, northwest of Cambridge, the Now spun off from the Faderz, with singer Mike McGuire, guitarist Steve Rools, drummer Joe MacColl and bassist Paul Wicks, later replaced by Faz Farrow. Debut 45 ‘Development Corporation’ charted, but the band split after ‘Into The 80s’; in 2002, German label Last Year’s Youth re-released the 45s, which led to Here Come The Now, where vintage songs share space with the re-formed band’s new takes of earlier work, a best-of-both-worlds approach that puts everything together in one place. A must for all fans of the Now and lovers of intelligent British punk!

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Alberta Balsam

One Way Trip To Gaia

Release: 2024 / EU – Original

Genre: Electronic & Dance

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One Way Trip to Gaia, Alberta Balsam's debut album, propels listeners into uncharted territory, delivering a futuristic fairytale--a utopian world that serves as a sonic refuge from reality. Building on the electro-IDM foundations of her earlier releases, this record evolves into an odyssey of bass-driven beats, breakbeat rhythms, and dub-infused atmospheres. As her most vocal project to date, the album showcases her ability to merge pop sensibility with otherworldly sound design, all while maintaining that club-ready energy. Limited edition: pressed on a black and silver marbled vinyl. Sleeve design by Timaeus.

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H Jungle With T

Going Going Home

Release: 2024 / JP – Original

Genre: Electronic & Dance, Pop

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H Jungle With t's mega-hit track "going Going HOME," one of Japan's earliest jungle music releases and a chart-topping sensation, will be available on a 7-inch vinyl!

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Feel Like Dance / Sweet Pain

Globe

Release: 2024 / JP – Original

Genre: Pop

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The second wave of Avex's "avex Hits on ViNYL" series is here! globe's hit tracks "Feel Like dance" and "sweet Pain" are coming as a double A-side 7-inch vinyl.

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Hitomi

Candy Girl / By Myself

Release: 2024 / JP – Original

Genre: Pop

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The second wave of Avex's "avex Hits on ViNYL" series is here! hitomi's smash hits "candy Girl" and "by myself" will be released as a double A-side 7-inch vinyl.

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Boy Meets Girl / Overnight Sensation

Trf

LP | 2014 | UK | Original (Mr Bongo)

Release: 2024 / JP – Original

Genre: Pop

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The second wave of Avex's "avex Hits on ViNYL" series is here! TRF's iconic tracks "boy Meets Girl" and "Overnight Sensation" will be available as a double A-side 7-inch vinyl.

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Hollie Cook

Twice

Release: 2014 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cross Purposes 2024 Remaster

Black Sabbath

CD | 2024 | EU | Original (BMG Rights Management)

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | Original (Cherry Red)

Rosalie Cunningham

To Shoot Another Day

Release: 2024 / Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Columbia International)

Halsey

The Great Impersonator

Release: 2024 / EU – Original

Genre: Pop

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CD | 2024 | US | Original (Tommy Boy)

House Of Pain

Same As It Ever Was

Release: 2024 / US – Original

Genre: Electronic & Dance

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Moving Fast!!! Selected Recordings 77/79

The Accelerators

LP | 2024 | EU | Original (Beat Generation)

2LP | 2024 | EU | Original (Boysnoize)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The only EP (and more studio recordings!) by one of the first 77 punkrock bands from Liverpool.Released in 1979 and long out of print, The Accelerators S/T EP was the only vinyl output released by this pioneering Liverpool punkrockin' band. A soulful, prime example of from pubrocl originating first wave punk that sounds as fresh and powerful today as the day it was recorded and is presented here in its totality with a B side consisting of juicy demos and alternative mixes. A mandatory gem for fans of garage rock, punk, pub rock and hi-energy rock 'n' roll in general!

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Pilo

G.L.A.M.

12" | 2024 | UK | Original (Bakk Heia)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Boysnoize Records catalogue contains more than a decade of milestones in the life of Angeleno DJ and producer PILO. His signatures—a focus on sound design, and a digital crunch evocative of hardware rather than software—are present from the very beginning, but the evolution of Pilo’s skill and sophistication is clear as he stretches from electro to experimental to techno and back again in a slowly oscillating gradient. Yet despite his dozen or so releases in just as many years, G.L.A.M. (dropping November 8th, 2024 from BNR) is Pilo’s first proper album. That the record embraces the cyclical nature of time is apropos; the artist’s journey towards self-actualized mastery always ends with a new beginning.

Over the eight tracks of G.L.A.M., Pilo reaches deep into the dream that first ignited the passion that has driven him since. For a chosen few internet-connected American teens in the aughts, the sounds of European electro (and electroclash) trickled down their ethernet cables and instilled a fantasy of exotic, sartorial, sexually-fluid hedonism that felt a world away from the hard-edged masculinity of the hip-hop and skate cultures dominant at home. Pilo opens G.L.A.M. expressing this idealized fantasy with the track “Superstar DJ,” channeling the tongue-in-cheek self-celebritizing of Miss Kitten and The Hacker’s seminal work. “I’m a superstar, come meet me at the bar,” hiss Pilo’s heavily effected vocals, over a bassline of chopped mentasm synths driven by a swift, club-ready rhythm. The fingerprint of 2000’s electro a la International Deejay Gigolo Records is recognizably present, yet Pilo is too adept, too confident in his studio abilities to let his tracks rely on the retro. A great joy of this album is the future-facing richness of its production, always nodding to its spiritual guide of the past, while constantly breaking new sonic ground.

G.L.A.M. continues with “Girls Rule The World,” its vicious, droning bassline and sticky, titular hook making it the perfect electroclash soundtrack for a revenge plot on an ex-boyfriend. “What you Want” offers an instrumental exercise in “synthesizers are the new guitars,” and Pilo’s FX chops really shine as he warps and distorts his sounds into an undiscovered dimension existing somewhere between both. “Loverboy” enters the more melodic, Legowelt-inspired realm of electro, pushing above and beyond the foundation of analogue minimalism with flourishes of impressive sound design to construct something both climactic and cathartic. Scopa lends her perfect coldwave sprechgesang to titular track “G.L.A.M.,” with Pilo’s vocal processing offering surprises throughout and his FX chains wielded as instruments unto themselves.

On the track “A Slow Thinning Halo,” Pilo might be conjuring the haunting vocal chops and chiptune simplicity of early Crystal Castles, but the whiplash snap of his drums and sizzling production are all his own. “Spend the Night” is G.L.A.M.’s least nostalgic—and most unashamedly pop—offering, with the mic being passed between Sana and DEEVIOUS (previously featured on Pilo and Boys Noize’s 2023 track “Pvssy.”) DEEVIOUS’ sultry singing rides atop the bassline as it hypnotically struts across the floor, while Pilo’s skillful arrangement, deft rhythm programming, and atmospheric control elevate the songcraft into full-spectrum worldbuilding.

As the penultimate track, the contemporaneity of “Spend the Night” serves as transition away from the album’s previous, past-leaning exercises, allowing Pilo to step fully into the future with “One Last Embrace.” The closing track still references aughts sounds, but it borrows so widely and prolifically that Pilo’s reassemblage can only be described as singular. Here, Pilo pushes his engineering into psychoacoustic territory, as the eerie, beautiful melancholy of “One Last Embrace” explodes into a thrashing bassline that warbles like a drowning memory, struggling against the sinking weight of time. Pilo allows it to survive for 16 electrifying, gut-wrenching bars before letting go. In G.L.A.M., as in Pilo’s career, as in life, every ending can only be a new beginning.

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Jorg Kuning

BH007

David Borden, James Ferraro, Sam Godin, Laurel Halo, Daniel Lopatin

Release: 2024 / UK – Original

Genre: Electronic & Dance

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“Things derive their being and nature by mutual dependance and are nothing in themselves.”

It seems to us that Jorg gives birth to music like the process of amphibian metamorphosis. When the eggs that he so painstakingly delivers are ready to hatch, they morph into fully realised life forms. The hatchlings breathe the sweet air and begin to expand into the universal whole, their tendrils burying deep into the immaterial realm; fulfilling their role in the never ending cosmic dance.

Our dance begins with ‘Klarneto’. A joyous moss sprung bassline flings us readily on our ride down rainbow road, the benign cloud creatures that line its path encourage us humorously along with gentle slaps of their glittering percussive tails. Just as we begin to settle into our trip, the kaleidoscopic tiles beneath us give way, but fear not! Jorg’s interdimensional Klarinet swoops out of the clouds beneath us, catching us gracefully on its tail.

‘Rodeo Romeo’ plucks us out of the clouds into Jorg’s boggy pastures below. A flock of low flying digi-gulls glisten in the sheen of the moon, casting shadows above the writhing grass. Until some unruly marsh-dweller gleefully lifts the lid on the Robo-Drip machine, unleashing a chaotic staccato liquid which bubbles happily out, before Jorg calmly guides it back into its box for another night.

Over to ‘Robotomy’. Here Jorg enlists the services of some of his friendly trans-dimensional machine elves, who revel in the opportunity to play a vocal call and response with Jorg’s rhythm section. The dance climaxes with the riser from heaven, dragging us backwards through the pond portal and spitting us out the other side shrieking with joy. We’re not entirely sure what has just happened, but it felt so good.

Finally then to ‘Quirl’. A thigh burning exercise in sub-aquatic dance meditation, urged forward by Jorg’s tentacle laced chords. All encompassing, deeply hypnotic swirls of colourful keys dance across the vista, occasionally breaking out of their melodic confines to make friends with a twisting serpentine resonance. Ultimately our eyes open too soon, but we take comfort that all the phases of continual being will disseminate infinitely.

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FRKWYS 7

LP | 2011 | US | Original (Rvng Intl.)

Release: 2011 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM

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12" | 2024 | EU | Original (Wigs)

Wigs 001

7" | 2024 | JP | Original (Blue-Very Label X Advan Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Repress, generic sleeve with inner circle artwork only. Imogen announces the launch of her Wigs label with the inaugural release Wigs001, boasting collaborations with DJ Stingray 313, Ben Pest, DJ Plant Texture and Jerome Hill. Wigs001 EP takes off with a strong pairing, Imogen and DJ Stingray 313 join forces to mark their first production collaboration with ?A New Earth?. It is a hefty track blending electro and techno in an elegant and energetic fashion. ?Synthesised Heart? teams up Imogen and a long time favourite Bristolian Ben Pest to offer a hypnotic mixture of grainy and noisy electro textures laced with acid basslines. Second half of the release is where DJ Plant Texture and Jerome Hill come to play. ?What Should I Do Next? from DJ Plant Texture proves there?s no time to waste. Sophisticated percussion and chopped up broken vocals persisting throughout form a propelling dancefloor driving force. Lastly, Jerome Hill?s ?Hoods Up? loops a catchy sample, twisting the four to the floor approach into a layered acid jacking frenzy that builds up with vigour and patience.

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Foreign Correspondent

Sonnets For A Serviette

CD | 2024 | US | Original (Mob Shop Ent)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Foreign Correspondent is dropping their second single, "Sonnets for a Serviette", on December 7th, marking their first release in two years. Their debut single "The First One", released in December 2020 under the blue-very label, became a long-standing favorite among mellow indie-pop fans, particularly those fond of Prefab Sprout's sound.

This second single builds on that success with an even smoother, more refined sound, deepening the mellow atmosphere and exuding an urban sophistication reminiscent of their peers, like Mr. & Mrs. Muffins. "Tea With Sugar" features Noah Wilson from Muffins in the arrangement, adding a rich layer to the track. On B1 "Pacific Detailers", Japanese artist Yuko Iizumi from microstar lends her backing vocals, connecting the single to the legacy of city pop with its modern twist.

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Ap.9 Of The Mob Figaz

Wild Child Vol. 1

LP | 2024 | EU | Reissue (Subject To Restriction Discs)

Release: 2024 / US – Original

Genre: Hip Hop

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AP.9, renowned member of the MOBFIGAZ, delivers a Bay Area classic with "Wild Child Vol. 1". This album showcases AP.9's legendary status in the scene, offering track after track of undeniable heat. From radio-ready hits to street anthems, every song stands strong - no skips necessary. "Wild Child Vol. 1" captures the essence of the Bay's signature sound, blending AP.9's raw talent with top-tier production. Whether you're a long-time fan or new to the game, this album is a must-have for any hip-hop collection. Don't miss out on this essential release from one of the Bay's finest. "Wild Child Vol. 1" promises to be a worthy addition to your music library, delivering the authentic Bay Area experience from start to finish.

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Yantra

Gateway

Undying Spectral Resonance

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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Collapsing new rhythms and industrial visions meet restless melodic vocals on Gateway, the debut album from San Francisco duo YANTRA on Swiss label Subject To Restrictions Discs. This isn’t dance music, but you will dance to it. It isn’t ritual music, but it will channel spirits.
The dreamer is still asleep. She awakens to heed the call. Curious downtempo drums, spartan and potent, animate the body. Running through the city, shadows dance on walls, and alluring voices, whispered, sung, and soaring, possess the mind. At the end of the path, gazing at the mirror’s edge, she finds the source of the voice—and realizes it’s her own.
YANTRA are artist-producer Yaniv de Ridder, also known by the alias YNV, and lyricist-vocalist-instrumentalist Janina Angel Bath. The pair have worked together for some time, beginning with YNV’s 2021 LP Golden Hour Ritual. On Western Paradox, a YNV EP released last year on Subject To Restrictions Discs, Bath contributed vocals—and so YANTRA, the project and the concept, was born. Working together, the pair craft new forms of transcendent sound, timeless and familiar all at once.

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Mammoth Grinder

LP | 2024 | Original (Relapse)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Coop Gotland)

The Plan

Whatever Happens

Release: 2024 / EU – Original

Genre: Pop

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Torao Hikariyama X Tengaku Dub

Torao No Tairyo Sen Tairyo Remix / Tempura Dub

7" | 2024 | JP | Original (Mahalo Unltd.)

As You Are / Butterfly Monarch

Release: 2024 / JP – Original

Genre: Pop

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Hawaiian enka singer Torao Hikariyama, who gained fame by winning a foreign talent singing competition on TV and is well-loved in Hawaii as a key performer at Bon dance festivals, has his hit song "Torao no Tairyo sen" boldly remixed and dubbed by Tengaku DUB! This release comes in a UK-style center-cut double-sider 7" vinyl, making its long-awaited debut.

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Chris Del Camino X Beek

7" | 2024 | JP | Original (Mahalo Unltd.)

Princess Be Ambitious! / Cha Ka Pon

Release: 2024 / JP – Original

Genre: Pop

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Chris Del Camino, known for his work under Hirie, his solo projects, and his chiptune project Beek, is dropping a 7" EP featuring tracks from both his solo and Beek aliases, in a UK-style center-cut double-sider format!

Based in the Bay Area on the U.S. West Coast, Chris Del Camino is a genre-defying indie artist who has steadily been releasing singles at his own pace since launching his solo career. He is also deeply involved in the production and touring for Hirie, a prominent reggae/rock artist in the U.S. With Mexican-American roots, Chris draws from a wide range of musical influences across cultures—from America to the Middle East, the Caribbean, and Latin regions—blending genres and sonic elements to reflect his unique experiences and voice. As a multi-instrumentalist skilled in saxophone, guitar, and flute, he fuses these elements into his music.

In addition to his solo work, Chris has released two experimental chiptune full albums under the Beek name, with cassette double packs (tim007/008-cs) from Mahalo Unlimited. He’s also known for the remix of Hirie’s reggae hit "sensi BOY," titled "8-bit Boy" (tim016-ep), which was also released as a 7" EP via Mahalo. His distinct style as a music producer sets him apart within the California rock-reggae scene.

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Sakura

7" | 2024 | JP | Original (Honeysuckle)

LP | 2024 | EU | Original (Rookie)

Release: 2024 / JP – Original

Genre: Pop

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The world's youngest city pop singer SAKUra's second vinyl produced by Etsuko Yamakawa! Side A, "Princess Be Ambitious!" is full of bouncy pop and cute charm, and side B, "cha KA Pon" has a unique, laid-back sound that is addictive. The world of Etsuko Yamakawa, who is constantly evolving with a variety of colors, and the cute and charming singer SAKUra, have come together to create a neo-city pop sound!

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SAFI

Groteske

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Nettwerk)

Wild Rivers

Eighty-Eight

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

LP | 2024 | UK | Original (Reducer / Bkv)

The Human Aerial

Antenna

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

LP | 2014 | US | Reissue (Asian Man)

MU330

Ultra Panic

Slaves Of The Burning Pentagram Black Vinyl Edition

Release: 2014 / US – Reissue

Genre: Reggae & Dancehall

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MU330’s Ultra Panic has been out of print for years. This pressing is 1,000 on half/half random color and includes a 2 sided insert and new label art.

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Hellish Crossfire

LP | 2015 | EU | Reissue (High Roller)

LP | 2015 | EU | Reissue (Audiolith)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2022, black vinyl, ltd 500, printed inner sleeve

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Feine Sahne Fischfilet

Bleiben Oder Gehen

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | DE | Reissue (Private)

Zenamon

Agonie Silver Vinyl Edition

Release: 2015 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

2015 Yellow Vinyl edition! Includes poster,

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Der Weg Einer Freiheit

LP | 2011 | EU | Reissue (Viva Hate)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Dead Broke)

Timeshares

Bearable

10" | 2015 | EU | Original (! A N G R R !)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Re-release of New York indie/punk bands' debut album. With help from our friends at Kiss Of Death & Kind Of Like Records (who originally released this album in 2011)... we present a brand new 4th pressing of this quintessential New York DIY punk record, now on Dead Broke Rekerds. Timeshares have recently released their second album. "Already Dead" on SideOneDummy Records, and we're proud to make "Bearable" available once again. If you don't know this record by now, get on it.

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Senyawa / Melt-Banana

Split-Serie

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2011 | Reissue (Sounds Of Subterrania)

Chain And The Gang

Music's Not For Everyone

Release: 2011 / Reissue

Genre: Rock & Indie

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LP+CD | 2015 | EU | Reissue (Gentle Threat)

Chilly Gonzales

Chambers Deluxe Edition

Release: 2015 / EU – Reissue

Genre: Pop

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The Unspeakable Chilly Gonzales

Chilly Gonzales

LP | 2011 | EU | Reissue (Gentle Threat)

Release: 2011 / EU – Reissue

Genre: Pop

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LP | 2014 | EU | Reissue (Naive)

Avishai Cohen Trio

From Darkness

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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LP | 2015 | EU | Reissue (Oh Boy)

John Prine

September 78

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2011 | US | Original (Sub Pop)

J Mascis

Several Shades Of Why

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2x12" | 2014 | DE | Original (!K7)

Will Saul

DJ-Kicks

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2015 | EU | Reissue (The Sign)

Wheel In The Sky

Heading For The Night

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | US | Original (Ubiquity)

Evan Geesman

Coils

LP | 2015 | UK | Original (Styles Upon Styles)

Release: 2015 / US – Original

Genre: Electronic & Dance

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Coils is the latest offering from Santa Ana, CA native Evan Geesman. Fresh from the success of his previous digital-only release Lengua, with co-signs from Bandcamp’s Head Curator Andrew Jervis and Osunlade, his new work finds him delving deeper into his production palette interspersed with his songwriter‘s aesthetic, resulting in a decidedly denser sonic soundscape than its predecessor.

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Certain Creatures

Vipassana

20,99 €* 34,99 € -40%

Release: 2015 / UK – Original

Genre: Electronic & Dance

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2x10"+CD | 2015 | DE | Original (Kompakt)

Coma

This Side Of Paradise

LP+CD | 2015 | UK | Original (Leaf)

Release: 2015 / DE – Original

Genre: Electronic & Dance

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Our favorite Boyband with 8 new diamonds!

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Julia Kent

Asperities

Release: 2015 / UK – Original

Genre: Pop

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Olafur Arnalds & Nils Frahm

Loon

LP | 2015 | EU | Original (Erased Tapes)

LP | 2015 | US | Original (In The Red)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Both Nils Frahm and Ólafur Arnalds create ambient environments with a large instrumental palette and give distinct nods to Brian Eno, but they do so from different vantage points. On Frahm’s albums, the individual tracks tend to inhabit different scenery, characters, and textures, yet are bound together with a shared focus and love of keyboards. Arnalds’ impressionistic pieces work together cohesively within the framework of an album and usually employ a fuller orchestra. Even though Frahm is from Germany and Arnalds is native to Iceland, it almost seems like the two composers could be long lost brothers. “Wide Open” is a taken from their third collaborative project so far, an upcoming EP titled LOON, and it adds a new layer to their growing stack of collaborations. It’s a soothing, crackly, slow-gliding track with chilly electronics.

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The Intelligence

Vintage Future

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Fat Wreck Chords)

Night Birds

Mutiny At Muscle Beach

LP | 2015 | EU | Original (Wah Wah)

Release: 2015 / US – Original

Genre: Rock & Indie

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In 2009 Night Birds resuscitated the surf-inspired 80s hardcore sound and have been cranking it to a new level ever since. Mutiny at Muscle Beach, the band’s third full-length and first on Fat Wreck Chords, is an unrepentantly raw blast of punk rock that evokes the spirit of Adolescents, Dead Kennedys, Germs, D.I., and Circle Jerks. The 12 tracks are further developed with Night Birds' integration of modern influences, a referential aesthetic, and a healthy dose of passionate innovation. From “(I’m) Wired” to “In the Red/In the Black” to the title track, Mutiny at Muscle Beach brims with an epileptic energy that defies the listener to sit still. Just like Night Birds live show, this album is an unbridled onslaught of throwback-meets-modern hardcore that never stops to take a breath.

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Via Lactea

Release: 2015 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Mexican rock had a strong renaissance in the eighties, when most bands, majorly coming from the prog scene, turned to Spanish language again. One of the big acts from that era was Jorge Reyes' led Chac Mool. Chac Mool counted on its ranks with Carlos Alvarado, who was an accomplished musician on its own and who would record one of the most interesting electronic prog albums of the era, on which Reyes also collaborated. Originally released on mexican private label Momia in 1980. Carlos Alvarado's Via Lactea (Milky Way) is now reissued on vinyl 35 years later. Eurock was especially interested in electronic Cosmic Music exploring both the inner and outer spaces of sound and consciousness. Of all the great music I had heard from Germany’s Klaus Schulze to Tangerine Dream & Spain’s own Neuronium, the album by Carlos stood apart from the rest. The Wah Wah reissue, made under license from and with the help of Carlos Alvarado himself, comes with remastered sound and will include one bonus track not on the original LP. Like the original, it will be housed on a flapped envelope style cover, this time in luxury silk screened metallic copper cardboard. Features are a colour insert with photos and notes, plus a bonus Momia sticker based on the one given on the original release. This is a limited edition, only 500 copies pressed.

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I'm Starting To Feel Ok Volume 6: 10 Years Edition Part 2

2LP | 2015 | EU | Original (Mule Musiq)

LP | 2015 | US | Original (Dualtone)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Eddie C, Lauer, Konstantin Sibold, Naum Gabo and many more can be found on the 2nd part of "I'm starting..."

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Langhorne Slim & The Law

Spirit Moves

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Birth)

Drinks

Hermits On Holiday

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Waxtime)

Elvis Presley

Elvis Is Back

LP | 2011 | US | Reissue (Agitated)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Include four bonus tracks.

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Mugstar

Lime

LP+CD | 2015 | EU | Original (Schema)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Long overdue vinyl reissue of the last album from Mugstar. Mugstar are an instrumental rock band from Liverpool, England influenced by krautrock, 'saucerful...' era Pink Floyd, Neu!, Sonic Youth and Oneida. They have released a number of 7" records including a recent split with Mudhoney and were one of the last bands to have recorded a 'Peel Session' for John Peel. Mugstar maintain a power and heaviness and extending their musical manoeuvres and textures into new territories, the mantra-like effect driven with restraint, atmospheric shifts and verges on enlightenment and dark uneasiness. Mugstar are a total sonic assault on the senses, live shows are filled with black and white images flashed over the stages they play. Mugstar are to release a soundtrack album to the film 'Ad Marginem' and have a number of other releases confirmed through the label mid-late 2011. Cut and pressed in Germany onto high quality Audiophile 150-gram vinyl in an edition of 1,000 copies.

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Lesiman

Here & Now Volume 2

LP | 2015 | US | Original (NNA Tapes)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Funky and abstract atmospheres, dark and dramatic moments, exotic solutions and soul
drifts - everything contributes to create a unique music soundscape - 70s library music by
the Italian soundtrack composer Paolo Renosto, who released his library music
compositions under the alias "Lesiman".

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Drainolith

Hysteria

BBNG (BadBadNotGood) & Ghostface Killah

Release: 2015 / US – Original

Genre: Rock & Indie

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NNA is very proud to present our second release from Canadian hero Alexander Moskos’ Drainolith project. Following up 2012’s “Fighting!” full length LP (Spectrum Spools), “Hysteria” reaches new levels in the Draino sound world, resulting in his most fully realized record to date. Moskos has spent years marinating solo in the cold Northern underground, cutting his chops as lead axegrinder with Montreal-based noise punks AIDS Wolf, and most recently rolling with North American all-star clan Dan’l Boone. “Hysteria” is the result of nearly two years spent in various studios with producers and fellow ‘Boone brothers Nate Young (Wolf Eyes) and Neil Hagerty (Royal Trux), working diligently together to take a few steps beyond Trip Metal and extract the skeleton out of “rock”, inserting it into a newer, much weirder, humanoid skin. The epicenter of this sound rests humbly on the foundation of guitar and voice, two facets of sound that Moskos has carefully cultivated through years of experimentation and digestion from a wide array of musical influences. The relaxed, loose, and energetically electric technique of guitar playing is reinforced by Drainolith’s unrivaled tone, which has morphed throughout the years but now stands alone atop a mountain of shredders. It is ripe with Bluesy fuzziness and the humanity of Americana, while punctuated by the gritty stab of 80’s death metal, and further rounded out with a sprinkling of EVH-esque chorus zones and free jazz adventurousness. The result is a sound that pre-dates the internet in a fabulous way. Each note seems to leave behind a glistening impression like a spot of grease on a pizza box. A tone as unique as this is only bolstered by the vocal delivery, the literal voice of the Mind of Moskos. This beautifully cold, dripping baritone is unmistakable, it’s fried-yet-poetic articulation recalling a halfway point between a melting Dylan and a blazed Robert Ashley. Over-tired, over-wired, and over it. Moskos lets every word kerplunk into a mesmerizing puddle of observation, giving something as mundane as staring out the window or a Vancouver hotel foyer the poignancy of a published work. With guitar and voice at the core, the additional instrumentation on “Hysteria” is the bizarre glue that binds it all together, using the palette of electronics, keys, and haphazardly triggered beats and percussion in an intensely layered fashion to ensure maximum disorientation. The compositions are fully stacked, allowing little room for sparseness or tender moments. Tracks like “Qix” stagger forward in a deranged manner, it’s elastic percussion hearkening back to purple Nike foot-pounding of 2011’s “Where Are Ye Col. Leslie Groves?” cassette and the “one man band” era, for those of us fortunate enough to witness Drainolith’s live experience. Other tracks like “Joy Road” burn on patiently, disintegrating piece by piece into the ether of time amid a bed of Fender Rhodes eeriness... almost like a rare Canadian B-side to the Lizard King’s “An American Prayer”. Blues notions are confronted by Beastie-esque guitar stabs, smeared together with repetitive, angular riff rotations and flailing synth filigree, creating a densely-layered intensity that feels like the anxiety of standing in a rat’s nest of instrument cables and leaky pipe water in a moist basement. Pleasant melody is of little interest here, instead thriving on dissonance and reminding us of the OGs of post-punk, when rock met experimentation and abstraction head on, shoving a properlygreased square peg into a circular hole. While thematically cryptic, “Hysteria” drops rough clues to the heart of it’s content, filled withtales of Quebec biker wars, sinking into couches, Detroit street hassles, sneaker worship, sidewalk slush, sexual desire and seasonal affect disorder. At it’s heart, “Hysteria” is the product of a musician who has much love for the past, but also little interest in recreating it. It is a song cycle that reflects the complexities of our day to day world through the psyche of the modern jammer, fueled by the quintessentially Moskosian diet of caffeine and nicotine. Someone who isn’t content sitting stagnant in a crowd of tradition, and who acknowledges that radical ideas are necessary to propel things into the future.

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Sour Soul Instrumentals

LP | 2015 | UK | Original (Lex)

3CD | 2015 | UK | Original (Brainfeeder)

Release: 2015 / UK – Original

Genre: Hip Hop

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Limited Edition of 3000!

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Kamasi Washington

The Epic

LP | 2015 | US | Original (Stones Throw)

Release: 2015 / UK – Original

Genre: Organic Grooves

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The Epic is a 172-minute, three-volume set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score written by Washington.

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James Pants

Savage

2LP | 2015 | EU | Original (Mighty Music)

Release: 2015 / US – Original

Genre: Electronic & Dance

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Here’s what this record is all about. James says it’s “inspired by Martin Denny flourishes, royalty free breakbeats, Gary Wilson and Hamburg’s infamous Golden Pudel club.”

The record was composed solely via MIDI and a Yamaha Portasound PSS-480 and is an oblique homage to the Residents’ Commercial Album – a 14-track record made up of sonic vignettes that sounds as good on a stereo set-up in the Amazonian jungle as it does coming through laptop speakers.

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Hercules Propaganda

Scream For Action

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Castle Face)

Coachwhips

Bangers Vs. Fuckers

Volume II Colored Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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Feeling listless? Falling asleep behind the wheel? Need a soundtrack for your backyard Fight Club (with the lucky possibility of a muddy mid-fight kiss)? We have just the thing: a fully re-spruced version of the Coachwhips’ classic LP, Bangers Vs. Fuckers. If you’re unfamiliar, this record may be the loudest thing ever put to tape. Weasel Walter’s mastering job is more of an act of terrorism than anything else but it perfectly captures the intensity of seeing them live in, say, your bathroom. This record right here is Coachwhips at their bloody-nosed best, way past in the red, shoving white-hot heart-attack anthems like “You Gonna Get It,” “Evil Son” and “Thee Alarm” straight through your reptilian brain and into the sweaty crowd behind you. Essential listening for anyone with a pulse and a chip on their shoulder. Remastered and recut at 45 RPM for maximum blunt force. We found the artwork all beat up but we nursed it back to health. It’s never been louder, clearer or more fun than this, and it’s out on Castle Face Records on Record Store Day 2015.

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Spelljammer

LP | 2015 | US | Original (Riding Easy)

Quarta Pagina (Poliziesco) Deluxe Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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Stockholm's Spelljammer Volume II is like a herd of bison running off a cliff. Not for the faint of heart, this is one of the best doom albums of the last 10 years. If you like your music heavy and slow, there is nothing that quite satisfies the itch the way that Spelljammer does. Out previously on a very limited run of vinyl that has fetched $100 and more, this record is now made available to the masses via RidingEasy Records on LP and CD (for the first time ever). For fans of Monolord, Conan, Sleep & Electric Wizard.

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The Braen's Machine

LP+CD | 2015 | EU | Original (Schema)

2LP | 2015 | EU | Original (Disko B)

Release: 2015 / EU – Original

Genre: Rock & Indie

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Quarta Pagina (Poliziesco) is an unique obscure recording by The Braen's Machine Now available for all music library lovers." - Despite a long series of reissues and rediscoveries that are throwing the ultimate light on one of the most fascinating and enigmatic periods of Italian music history - that of sonifications - the project that goes by the name Braen's Machine continues to evade categorization, and positive information. If you are among the many who got their hands on the beautiful "Underground", republished by Schema a few months ago, you will already know of the involvement of, among others, Piero Umiliani, Alessandro Alessandroni - the name Braen seems to be his alias - and Oronzo (Rino) De Filippi, real name of the other credited author, the mysterious Gisleri. For this new chapter from Braen's Machine, the beautiful and hard to come by "Quarta Pagina (Poliziesco)", published apparently in 300 copies, there are few available pieces of information, pointing to an involvement of Giuliano Sorgini, hidden under the name of Raskovich, and author of five out of the eleven tracks on the release.

The lack of reliable information and the enigmatic flavor surrounding the project Braen's Machine, as opposed to the ease with which the music allows us instant identification, are among the secrets that make their records unique. Unlike "Underground", "Quarta pagina" portrays with great skill some possible - who knows if they ever have been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the psych funk rides that have always characterized many of the projects related to the Italian cinematic genre. All this without excluding, however, avant-garde attitudes and atonal passages that makes "Quarta pagina (Poliziesco)" comparable to the best pages of the Gruppo d'Improvvisazione Nuova Consonanza.

The track titles, fascinating as usual, tell of "Fraud", "Shadowing", "Remorse", "Soliciting", and emphasize decisive moments as in the case of "The Victim", "On the Run" or "In Prison", while the indications that accompany the pieces will be a treat for fanatical collectors of sonifications. It's not that hard to imagine situations of "exotic full moon, preparation for a violent action, spiritualism, facing fear, sexual freedom, preparation for a revolt" while listening to these precious eleven tracks, which alternate between "slow and animated". And, believe it, you don't even need a dose of LSD (as per the advice of "The Den") in order to travel back to 1971, the year of the album's first release. A page 4 ("Quarta pagina") crime story perhaps, but a legacy of sound that largely deserves a nine-column headline on the front page ...

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Pollyester

City Of O.

Release: 2015 / EU – Original

Genre: Pop

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LP | 2014 | US | Original (Peoples Potential Unlimited)

Robbie M

Friend LP

LP | 2015 | US | Original (Castle Face)

Release: 2014 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Going even further into the tape archives of Robbie M we find ourselves with "Friend". This time it's going to be a late night affair, as Robbie smothers you with those smooth vocals as only he can. Rock Island's RAM music direct to you from the Midwest.

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Ex-Cult

Cigarette Machine

Boerum Palace Black Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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On the tail of their breakout second LP Midnight Passenger, Memphis-based punk cyclone Ex-Cult delivers a brand new batch of bruisers. Chris Shaw lends a sneering, spitting toughness to the proceedings while the band flays riffs in loose, hairy, mosh-inducing menace behind him, touching on post-punk, psych sprawl and early-’80s hardcore while remaining beholden to none. They have the power to convert even the most jaded and bored concertgoer into a sweaty mess in the pit. Punks, skate rats, scenesters, skinheads, hardcore kids, druggies—so many disparate groups dig this band it’s like an MRR cartoon waiting to happen. The adrenal-enhancers on Cigarette Machine are road warriors already, having been honed on the band’s recent tour that no doubt laid waste to a town nearby. The only problem with this sterling batch of sluggers is that it’s over too quick.

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Steve Gunn

LP | 2014 | US | Original (Three Lobed)

Release: 2014 / US – Original

Genre: Rock & Indie

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Warsaw Afrobeat Orchestra

Wendelu

2LP | 2014 | US | Original (Ubiquity)

LP | 2014 | US | Original (Zoo Music)

Release: 2014 / US – Original

Genre: Organic Grooves

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Following up on their well-received single “Only Now” featuring a remix with label mate Bosq, Warsaw Afrobeat Orchestra deliver a knockout debut album full of heavy Afro and island-inspired tunes.

The album title Wëndelu means “Wanderer” in the native African Wolof language and is a fitting name for the album which explores the wide-range of sounds from the African diaspora and infused with their own traditional Polish folk, jazz and rock sensibilities. Tracks such as “No Such Thing”,“Let It Flow” and “Usurpation” reflect an obvious Reggae and Dub influence while the uptempo numbers on the album “Close To Far” and “Which Direction” veer towards Afro-Disco and Funk.

Formed in 2012, the 10-piece band consists of musicians that have worked and collaborated with each other in different projects ranging from rock, jazz, folk, reggae and funk in the ever-evolving and musically diverse underground music scene in Poland. Inspired by the masters of Afrobeat, world music, as well as African tribal music which is evident in their lyrics and choruses that repeat and weave in and out of deep, hypnotic grooves infusing it with a transcendental quality.

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Dirty Beaches

Stateless

LP | 2014 | US | Original (Lefse)

Release: 2014 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Received a 7.6 rating from Pitchfork.

Stateless is the sixth full-length release from Dirty Beaches, the artistic identity of 33-year-old Taiwanese-Canadian artist Alex Zhang Hungtai.

On the four-song album, Zhang Hungtai further explores the instrumental side of his identity that has been present since his first release in 2007 on Montreal label Fixture Records. Of course, since then the artist crafted 2011’s breakout record, Badlands, and its critically lauded followup double-LP, Drifters / Love Is The Devil. He has also found the time to compose film scores for Evan Prosofsky’s eerie Waterpark short and Jeremy Lynch’s The Hippo.

Stateless is a reflection on Zhang Hungtai’s upbringing in various locales (Taipei / Honolulu / Montreal) and the past two years of living and drifting in Europe. The title reflects several years of reflection on associated ideas like Diaspora, borders and hybridism. A somber meditation on memories from an exiled man on a never-ending search for an imaginary homeland, Stateless puts the finishing touches on a chapter of artistic activity that began when the Badlands LP captured the imaginations of listeners the world over.

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French For Rabbits

Spirits

Stockholm Live At The 229 Club London, England 2014

Release: 2014 / US – Original

Genre: Rock & Indie

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Haunting dream-pop duo from New Zealand.

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Chrissie Hynde

10" | 2014 | EU | Original (Chrissie Hynde)

12" | 2014 | UK | Original (Warp)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Limited edition for Black Friday RSD 2014!

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Hudson Mohawke

Chimes

LP | 2014 | US | Original (Lefse)

Release: 2014 / UK – Original

Genre: Hip Hop

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Known from this year's MacBook Pro add!

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Sea Oleena

Shallow

Release: 2014 / US – Original

Genre: Rock & Indie

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Received a 7.1 rating from Pitchfork.

Charlotte Oleena's tactful use of textures & instrumentation make for a blissful, cinematic listen that's centered on what matters most: her
captivating voice.

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Nashville Outlaws - A Tribute To Motley Crue

LP | 2014 | US | Original (Big Machine)

Release: 2014 / US – Original

Genre: Rock & Indie

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2LP | 2014 | EU | Original (Music Is Love)

Lovebox 2

LP | 2014 | US | Original (Stones Throw)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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More House grooviness from the Music Is Love crew!

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Lions, The Meet Dub Club

This Generation In Dub

Release: 2014 / US – Original

Genre: Reggae & Dancehall

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Download code is included!

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LP | 2014 | UK | Original (Jerome)

Go Devil! Go!