HHV Records 1828 Items

LP | 1968 | UK | Reissue (Speakers Corner)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.

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Yusef Lateef

The Blue Yusef Lateef

34,99 €*

LP | 1967 | EU | Reissue (Survival Research)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

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Yusef Lateef

Jazz Mood

24,99 €*

Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his Quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on 'Metaphor' and a rabat and finger cymbals on 'Morning' point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track 'Passion,' from the equally excellent Before Dawn. Rich, deep, and varied, this is required listening for all serious jazz heads.

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Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

Londra Sokaklarında Ağlar Gezerim / Zindan Oldu Sensiz Geçen Günlerim

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Yüksel Özkasap

7" | 1969 | TR | Original (Türküola)

15,99 €*

Release: 1969 / TR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1967 | US | Original (Brunswick)

Young Holt Unlimited

On Stage

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Atlantic)

Yes

Yes Cobalt Vinyl Edition

36,99 €*

LP | 1968 | EU | Reissue (Lion / Groovie)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Yes - Yes is the band's acclaimed 1969 debut. Includes "Sweetness" and a cover of The Beatles' song "Every Little Thing"

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Yays & Nays

22,99 €*

Five Live Yardbirds Record Store Day 2024 Red Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Yardbirds

LP | 1964 | US | Reissue (Culture Factory)

39,99 €*

LP | 1964 | US | Reissue (Vee Jay)

Release: 1964 / US – Reissue

Genre: Rock & Indie

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Five Live Yardbirds – 1964, their first live album contains some of Eric Clapton's earliest recordings. It was recorded at the legendary Marquee club in London. This lineup features Eric Clapton/lead guitar, Keith Relf/ lead vocals & harmonica, Chris Dreja/ rhythm guitar, Paul Samwell-Smith/bass and Jim McCarty/drums. This deluxe package includes color vinyl, an OBI side spine and printed inner sleeve.

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Wynton Kelly

Kelly Great

23,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1967 | EU | Reissue (Wah Wah)

Wynder K. Frog

Sunshine Super Frog

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wynder K. Frog

Out Of The Frying Pan

The Sound Of Wilson Pickett

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wilson Pickett

LP | 1967 | US | Original (Atlantic)

3,59 €* 5,99 € -40%

Hey Jude Vinyl Me, Please Edition

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with many scuffs and hairlines

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Wilson Pickett

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Best Of Wilson Pickett Volume Two

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.

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Wilson Pickett

LP | 1967 | US | Reissue (Friday Music)

43,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Please Don't Go / My Heart Remembers Record Store Day 2023 Edition

Willie Tee

7" | 1967 | UK | Reissue (Nola)

First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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First official reissue of this essential and insanely rare Willie Tee double sider. New Orleans gold from the Nola vaults, the A side ‘Please Don’t Go’ is a certified Northern Soul classic with the flip a fantastic smokey, low slung soulful number that’s become a real collector’s favourite. With original copies having traded hands for £1800 in the past, it’s high time this was made available to a new generation of listeners. Red label version original black sleeve.

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Willie Tee

7" | 1969 | UK | Reissue (Gatur)

LP | 1968 | US | Original (Hi)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.

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Willie Mitchell

On Top

LP | 1968 | US | Reissue (Craft)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Cover has tape residue on front cover.

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Willie Colón

Hustler

35,99 €*

7" | 1967 | EU | Reissue (Guerssen)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.

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William Penn Fyve

Swami / Blow My Mind

LP | 1969 | US | Original (Raw)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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First ever band-sanctioned reissue of this legendary ‘Pebbles’ garage-psych 45 from 1967. William Penn Fyve aka William Penn & His Pals were a regular presence on the early Bay Area scene, opening for the likes of Jefferson Airplane, Paul Revere & the Raiders and Them. Their line–up included lead singer / organist Gregg Rolie, later of Santana / Journey. In 1966 they recorded their lone single, "Swami" / “Blow My Mind”, for the Thunderbird label. The A-side (written by guitar player Mike Shapiro and famous for being included on “Pebbles-The Acid Gallery”) is early acid-punk with fuzzed-out raga guitars and hilarious lyrics about a guru. The flipside is an energetic garage-punk number with swirling Vox organ and a fuzz rave up á la Yardbirds.

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Wildman Steve

My Man! Wild Man!

3,95 €*

Release: 1969 / US – Original

Genre: Comics

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Used Vinyl

Medium: VG, Cover: VG

Hard N' Horny Turquoise Vinyl Edition

Wigwam

LP | 1969 | EU | Original (Svart)

Hard N' Horny Black Vinyl Edition

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Due to high demand, Svart Records will release represses of Wigwam's early works on vinyl once again. The Finnish legends in Wigwam are no strangers to fans of Progressive Rock around the world. Their debut album Hard N’ Horny from 1969 and the following Tombstone Valentine from 1970 are a couple of cornerstones among many in their impeccable discography. The previous Svart editions of these absolute classics by the pioneers of early progressive rock date back to 2019, so it was about time to bring back these must-haves to the market.

Hard N’ Horny started the legacy of Wigwam. Album’s A-side is jazzy, early prog-rock by the keyboardist Jukka Gustavson, with an exception on the first track written by the original bass player Mats Huldén. Lots of heavy organ, jazzy piano, and some vocal parts by Gustavson. The B-side is ‘60s psychedelia written by the British-born vocalist Jim Pembroke. It consists of songs about a man called Henry, together forming a mini Rock opera.

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Wigwam

LP | 1969 | EU | Original (Svart)

LP | 1969 | EU | Reissue (Proper)

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

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White Noise

An Electric Storm

33,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Island)

White Noise

An Electric Storm

30,99 €*

LP | 1969 | EU | Reissue (Soulgramma)

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Whispers

Planets Of Life

West Coast Pop Art Experimental Band

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Formed in 1964 in Watts, California, U.S. and based in Los Angeles, the original members were the texan twin brothers Wallace Scott and Walter Scott plus Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Gordy Harmon injured his larynx in a driving accident and was replaced by Leaveil Degree. Planets Of Life was the result of the incoming change, a vocal soul-funk masterpiece from a renewed harmony group. Often compared to the Isley Brothers, due to Scotty Scott vocal similarities to Ronald Isley, the band was an excellent r&b combo, turning lately into an electric funk vibe with a clear Temptations twist.

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Volume 2 Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

32,99 €*

West Coast Pop Art Experimental Band

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Released in 1967 on Reprise Records as a follow-up to 'Part One', 'Vol. 2' (the band's third LP!) takes the band into more ambitious and psychedelic territory than the '66 debut on Fifo Records and the first Reprise full-length, 'Vol. 2' maintains their unique pop sound mixed with ominous fuzz guitar, jumping from graceful folk-rock to wailing guitar freakouts, to multilayered avant-garde compositions at a moment's notice. This legendary LP sees its first ever reissue in mono, with sound taken from the original master tapes.

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Part One Mono Edition

LP | 1967 | US | Reissue (Jackpot)

West Coast Pop Art Experimental Band

Release: 1967 / US – Reissue

Genre: Pop

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Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band was considered by many to be Calfornia's answer to the Velvet Underground. The group created psych/rock music that was both fragile and dreamy. 'Part One' (the band's second LP!) was originally released in 1967 on Frank Sinatra's Reprise Records. Though band leader Bob Markley and his companions didn't achieve the fame or notoriety of other bands from the area, they have nonetheless achieved cult status among collectors. For the first time, this legendary records gets reissued in MONO, with sound from the original master tapes.

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Part One Mono Edition Colored Vinyl Edition

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Pop

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The Best Of Wes Montgomery

LP | 1968 | US | Original (Riverside)

10,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. storage and seam wear

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LP | 1961 | EU | Reissue (Jazz Wax)

So Much Guitar!

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | JP | Original (A&M)

Road Song

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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LP | 1964 | US | Original (Verve)

Movin' Wes

15,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Seam split. Original US mono pressing.

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LP | 1964 | US | Original (Verve)

Movin' Wes

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1964 | US | Original (Verve)

Movin' Wes

19,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US pressing.

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LP | 1967 | EU | Reissue (Elemental)

California Dreaming

30,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Released in 1967, California Dreaming was Wes Montgomery's last album for Verve (other than an exciting collaboration with Jimmy Smith). It’s an extraordinary orchestral date featuring arrangements by Don Sebesky that showcases soloists such as pianist Herbie Hancock and percussionist Ray Barretto. The songs (which include "Sunny" and the title tune "California Dreaming") are in this case mostly pop material of the era, from which the great performer extracts magic sounds. The album reached No. 1 on the Billboard jazz album chart and No. 4 on the R&B chart, and was one of the last great works by Montgomery, whose later guitar style influenced jazz fusion and smooth jazz. At the peak of his popularity, the guitarist unexpectedly died of a heart attack on June 15, 1968, at the age of 45.

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LP | 1967 | US | Original (Verve)

California Dreaming

19,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+

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LP | 1967 | EU | Reissue (Elemental)

A Day In The Life

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.

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LP | 1967 | JP | Reissue (A&M)

A Day In The Life

16,99 €*

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+ and the record is close to VG!

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LP | 1967 | US | Original (A&M)

A Day In The Life

Genesis HHV Exclusive Green Vinyl Edition

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

26,99 €*

Genesis Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

25,99 €*

Speak No Evil Blue Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wayne Shorter

LP | 1964 | EU | Reissue (Blue Note)

LP | 1964 | Reissue (Blue Note)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

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Wayne Shorter

Juju

Release: 1964 / Reissue

Genre: Organic Grooves

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Wayne Shorter Featuring Lee Morgan, Reginald Workman And Elvin Jones

Night Dreamer

LP | 1964 | EU (Blue Note)

With A Little Help From My Friends

Release: 1964 / EU

Genre: Organic Grooves

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Wayne Shorter stepped out as a Blue Note artist on his masterful 1964 label debut Night Dreamer, a sublime set that signalled the arrival of one of the most important saxophonists and composers in jazz history. Timeless Shorter compositions are given transcendent performances by a quintet with Lee Morgan, McCoy Tyner, Reggie Workman, and Elvin Jones.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

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Volker Kriegel

LP | 1968 | EU | Reissue (Cinedelic)

23,99 €*

Oh, Good Grief! - 50th Anniversary Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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Vince Guaraldi

LP | 1968 | US | Reissue (Omnivore)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Love Me With All Your Heart

Victor Feldman

LP | 1964 | US | Original (Vee Jay)

Release: 1964 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Velvett Fogg Green & White Marbled Vinyl Edition

Velvett Fogg

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Pop

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180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL

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Velvett Fogg

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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White light / white heat Purple Vinyl Edition

LP | 1967 | EU | Reissue (Vinyl Lovers)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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140 gram clear purple vinyl reissue!

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LP | 1967 | EU | Reissue (Vinyl Lovers)

White light / white heat

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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reissue on 180g vinyl with three bonus tracks

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2LP | 1967 | US | Reissue (Polydor)

White Light / White Heat

48,99 €*

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The Velvet Underground & Nico

LP | 1967 | EU | Reissue (Vinyl Lovers)

Astral Weeks Limited Olive-Green Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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... one of the greatest albums of all time! ... 180 gram vinyl with bonus track 'chelsea girls'

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Van Morrison

LP | 1968 | EU | Reissue (Warner)

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Astral Weeks Limited Olive-Green Vinyl Edition w/ Obi

Van Morrison

LP | 1968 | EU | Reissue (Warner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

Van Morrison

Astral Weeks

24,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Original (Atlantic)

The Super Hits Vol. 2

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG, Cover: VG+

LP | 1967 | US | Reissue (Atlantic)

The Super Hits

7,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split on bottom spine. Vinyl with scuffs and hairlines

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LP | 1961 | US | Original (Riverside)

The Soul Of Jazz - 1961

Release: 1961 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

Cover has splits in seams.

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The Famous European Screen Themes

2LP | 1969 | JP | Original (Victor)

22,99 €*

Release: 1969 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

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Tamla Motown Is Hot, Hot, Hot!

LP | 1969 | DE | Original (Tamla Motown)

Release: 1969 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG+

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Stereo Demonstration Record

7" | 1964 | JP | Original (Victor)

Release: 1964 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Cover slightly yellowed.

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Special Pink Mood Deluxe = スペシャル・ピンク・ムード・デラックス

2LP | 1968 | JP | Original (Victor)

33,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Medium: VG+, Cover: VG

Japanese pressing without OBI!

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LP | 1969 | US | Original (Longines Symphonette Society)

Soul Supreme Vol. 2

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Yellowed cover.

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LP | 1968 | JP | Original (Atlantic)

Solid Gold Soul Vol. 4

Release: 1968 / JP – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

LP | 1969 | DE | Original (Multitrack)

Schaut Auf Diese Stadt

5,99 €*

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Rural Blues Vol 1: Goin' Up The Country

LP | 1968 | US | Original (Imperial)

Release: 1968 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Riot On Sunset Strip

LP | 1967 | EU (Sparton)

17,99 €*

Release: 1967 / EU

Genre: Rock & Indie, Soundtracks

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Rhythm 'N' Blues Volume 1: The End Of An Era

LP | 1968 | US | Original (Imperial)

Release: 1968 / US – Original

Genre: Organic Grooves

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Presenting...The James Brown Show

LP | 1967 | US | Original (Smash)

10,99 €*

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl with many scuffs and hairlines. Cover with long open seam splits

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LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

58,19 €* 96,99 € -40%

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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OST West Side Story Gold Vinyl Edition

2LP | 1961 | EU | Reissue (Music On Vinyl)

39,99 €*

Release: 1961 / EU – Reissue

Genre: Soundtracks

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180 gram audiophile vinyl / Gatefold sleeve.
West Side Story is the soundtrack to the 1961 film by the same name. All music is composed by Leonard Bernstein and lyrics written by Stephen Sondheim. When released, the soundtrack spent 54 weeks at No.1 on Billboard’s album charts, giving it the longest run at No.1 of any album in history. Perhaps Michael Jackson’s Thriller comes close, on the grounds that West Side Story was listed on a chart for stereo albums only at a time when many albums were recorded in mono. During the Grammy Awards of 1962, it won Best Sound Track Album - Original Cast and Best Large Ensemble Jazz Album for Johnny Richards’ orchestrations of the movie score. These successes bolstered the popularity of the movie and soundtrack even further. In the United States, it was the best-selling album of the 1960s, certifying three times Platinum in over two decades. West Side Story includes 4 bonus tracks, “Overture”, “Intermission Music”, “Finale (Somewhere)” and “End Credits”. This 2LP-set is available as a limited edition on gold coloured vinyl, housed in a gatefold sleeve.

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OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG+, Cover: VG+

OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG+, Cover: VG

Seam split.

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LP | 1969 | US | Reissue (Real Gone Music)

OST Russ Meyer's Vixen

Release: 1969 / US – Reissue

Genre: Soundtracks

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OST How The West Was Won = 西部開拓史

LP | 1962 | JP | Original (MGM)

19,99 €*

Release: 1962 / JP – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG+

Includes original insert.

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LP | 1969 | JP | Original (20th Century Fox)

OST Hello Dolly!

22,49 €* 24,99 € -10%

Release: 1969 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Record is slightly warped but close to VG+
Back cover shows minor foxing.

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LP | 1968 | US | Original (Original Sound)

Oldies But Goodies Vol 9

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

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LP | 1969 | CS | Original (Supraphon)

Night Club 68

16,99 €*

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG+, Cover: VG

LP | 1964 | US | Original (Vanguard)

Newport Broadside

Release: 1964 / US – Original

Genre: Rock & Indie

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Medium: VG, Cover: VG

LP | 1969 | DE | Original (Schwann AMS Studio)

Neue Geistliche Lieder

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Cover with tear on the front. Vinyl close to VG+

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LP | 1969 | GDR | Original (AMIGA)

Musical Erfolge

3,99 €*

Release: 1969 / GDR – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG

LP | 1969 | DE | Original (Constanze)

Music For Wild Angels

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG

Motown Winners' Circle No. 1 Hits Vol. 3

LP | 1969 | US | Original (Gordy)

3,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

Cover has a cut corner.

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LP | 1969 | US | Original (Motown)

Motortown Revue Live

3,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: G+, Cover: G+

LP | 1964 | GDR | Original (AMIGA)

Modern Jazz Studio Nr. 1

Release: 1964 / GDR – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Vinyl close to VG+

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2LP | 1961 | JP | Original (Top Rank International)

Modern Jazz Gallery

49,99 €*

Release: 1961 / JP – Original

Genre: Organic Grooves

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Medium: G+, Cover: G+

LP | 1969 | US | Original (Atlantic)

Jazz Super Hits

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Vinyl close to VG+. Cover with punch hole

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LP | 1964 | US | Original (Limelight)

I/We Had A Ball

12,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Gatefold cover has a taped top spine. Stereo pressing.

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History Of Rhythm & Blues Volume 1: The Roots 1947-52

LP | 1968 | US | Original (Atlantic)

5,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

Cover with long open seam splits

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Giant Instrumental Rhythm & Blues Hits

LP | 1964 | US | Original (Imperial)

12,79 €* 15,99 € -20%

Release: 1964 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

tear in top spine. Mono Research Craft Press.

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Georgie Woods Is Back !!!

LP | 1967 | US | Reissue (Lost Nite)

32,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record has some marks and hairlines.

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Fantasie In Schwarz-Weiss

LP | 1968 | GDR | Original (AMIGA)

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

El Niño Gogo - Aguinaldo Navideño

LP | 1969 | US | Original (Velvet)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G

Cover with taped edges.

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Easy Rider (Songs As Performed In The Motion Picture)

LP | 1969 | DE | Original (Columbia)

Release: 1969 / DE – Original

Genre: Rock & Indie, Soundtracks

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Medium: VG, Cover: VG

Cover splits on top seam. Sticker on cover.

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Die Rose War Rot: Schlagerchansons Unserer Tage

LP | 1969 | GDR | Reissue (AMIGA)

Release: 1969 / GDR – Reissue

Genre: Pop

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Medium: VG, Cover: VG

Vinyl close to VG+

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Cancionero Folklórico De Las Islas Canarias

LP | 1961 | ES | Original (Hispavox)

Release: 1961 / ES – Original

Genre: Rock & Indie

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Medium: VG, Cover: VG

Vinyl close to VG+

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LP | 1969 | DE | Original (Chess)

Blues News

Release: 1969 / DE – Original

Genre: Rock & Indie

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Medium: VG+, Cover: VG

White vinyl

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Blues At Newport (Recorded Live At The Newport Folk Festival 1963)

LP | 1964 | US | Original (Vanguard)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG