HHV Records 1452 Items

Release: 1965 / GR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Yuya Uchida & The Flowers

Challenge!

LP | 1969 | EU | Reissue (Cosmic Rock)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.

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The Centaur And The Phoenix

LP | 1960 | EU | Reissue (Jazz Workshop)

23,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | UK | Reissue (Speakers Corner)

The Blue Yusef Lateef

34,99 €*

Yusef Lateef & Doug Watkins

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

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Imagination! Clear Vinyl Edition

LP | 1960 | EU | Reissue (Sowing)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Another legendary Lateef session cut in 1960 for the New Jazz imprint. The co-leader - bassist Doug Watkins - died tragically in a car accident in 1962 at the age of 27. However, prior to his early demise, he recorded dozens of wonderful sessions with some of the greatest jazzmen of his time, among them Sonny Rollins, Art Blakey’s Jazz Messengers and the Horace Silver Quintet. Imagination ! marked his second and final album as a leader, and features Watkins on cello instead of bass. The use of cello - and oboe on some numbers - makes the date stand out a bit from the usual hard bop sessions of the period and straight-ahead jazz fans will want to get this.

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Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Cry! - Tender Clear Vinyl Edtion

LP | 1960 | EU | Reissue (Sowing)

Londra Sokaklarında Ağlar Gezerim / Zindan Oldu Sensiz Geçen Günlerim

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! In 1959, at the time of this recording session, Yusef Lateef was already approaching a new and more open form of Jazz. A sophisticated, spiritual yet urban music form informed by non western languages and cultures. Cry Tender! is a deeply inventive, mostly contemplative album inspired by an original cosmopolitan vision of Jazz and based on masterful playing from a bunch of solid Jazz musicians including among others: Wilbur Harden – flugelhorn, Hugh Lawson – piano, Herman Wright – bass and Oliver Jackson – drums, percussion, all under the direction of master of ceremonies Yusef Lateef on tenor sax, flute and oboe.

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Yüksel Özkasap

7" | 1969 | TR | Original (Türküola)

15,99 €*

Release: 1969 / TR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1969 | EU | Reissue (Atlantic)

Yes

Yes Cobalt Vinyl Edition

36,99 €*

LP | 1968 | EU | Reissue (Lion / Groovie)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Yes - Yes is the band's acclaimed 1969 debut. Includes "Sweetness" and a cover of The Beatles' song "Every Little Thing"

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Yays & Nays

22,99 €*

LP | 1965 | UK | Reissue (Gomelsky)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Yardbirds

For Your Love

27,99 €*

Release: 1965 / UK – Reissue

Genre: Pop

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LP | 1965 | EU | Reissue (Elemental)

Wynton Kelly

Smokin' At The Half Note

LP | 1960 | US | Reissue (Vee Jay)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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An American jazz critic once said that Wes Montgomery was the "best thing that could happen to a guitar." Grand words, one might say quickly racking one's brains to come up with other great names. But after only a few minutes of listening to this live recording made in 1965 at the Half Note in New York, you will forget your brain-storming and concentrate on the unfused performance of this brilliant guitarist and the superb Wynton Kelly Trio. The music which gets down to the nitty-gritty, is always cool and straight with no fuss or frills getting in the way; the message comes over clearly--and it makes the blood surge through one's veins! This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.

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Wynton Kelly

Kelly Great

19,99 €*

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1960 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1964 US reissue.

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Wynder K. Frog

Out Of The Frying Pan

20,99 €*

LP | 1965 | DE | Reissue (Fontana)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wolfgang Neuss

Das Jüngste Gerücht

Release: 1965 / DE – Reissue

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Hey Jude Vinyl Me, Please Edition

Wilson Pickett

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.

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Willie Tee

7" | 1969 | UK | Reissue (Gatur)

13,99 €*

LP | 1968 | US | Original (Hi)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.

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Willie Mitchell

On Top

LP | 1968 | US | Reissue (Craft)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Cover has tape residue on front cover.

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Willie Colón

Hustler

35,99 €*

LP | 1969 | US | Original (Raw)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.

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Wildman Steve

My Man! Wild Man!

3,95 €*

Release: 1969 / US – Original

Genre: Comics

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Used Vinyl

Medium: VG, Cover: VG

Hard N' Horny Turquoise Vinyl Edition

Wigwam

LP | 1969 | EU | Original (Svart)

Hard N' Horny Black Vinyl Edition

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Due to high demand, Svart Records will release represses of Wigwam's early works on vinyl once again. The Finnish legends in Wigwam are no strangers to fans of Progressive Rock around the world. Their debut album Hard N’ Horny from 1969 and the following Tombstone Valentine from 1970 are a couple of cornerstones among many in their impeccable discography. The previous Svart editions of these absolute classics by the pioneers of early progressive rock date back to 2019, so it was about time to bring back these must-haves to the market.

Hard N’ Horny started the legacy of Wigwam. Album’s A-side is jazzy, early prog-rock by the keyboardist Jukka Gustavson, with an exception on the first track written by the original bass player Mats Huldén. Lots of heavy organ, jazzy piano, and some vocal parts by Gustavson. The B-side is ‘60s psychedelia written by the British-born vocalist Jim Pembroke. It consists of songs about a man called Henry, together forming a mini Rock opera.

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Wigwam

LP | 1969 | EU | Original (Svart)

29,99 €*

LP | 1969 | UK | Reissue (Island)

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

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White Noise

An Electric Storm

LP | 1969 | EU | Reissue (Proper)

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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White Noise

An Electric Storm

33,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Soulgramma)

Whispers

Planets Of Life

20,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Formed in 1964 in Watts, California, U.S. and based in Los Angeles, the original members were the texan twin brothers Wallace Scott and Walter Scott plus Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Gordy Harmon injured his larynx in a driving accident and was replaced by Leaveil Degree. Planets Of Life was the result of the incoming change, a vocal soul-funk masterpiece from a renewed harmony group. Often compared to the Isley Brothers, due to Scotty Scott vocal similarities to Ronald Isley, the band was an excellent r&b combo, turning lately into an electric funk vibe with a clear Temptations twist.

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The Best Of Wes Montgomery

LP | 1968 | US | Original (Riverside)

10,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. storage and seam wear

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LP | 1969 | JP | Original (A&M)

Road Song

Release: 1969 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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LP | 1960 | EU | Reissue (Jazz Wax)

Montgomeryland

16,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (20th Century Masterworks)

Incredible Jazz Guitar

18,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Verve)

Bumpin'

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Genesis HHV Exclusive Green Vinyl Edition

Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

26,99 €*

Genesis Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

25,99 €*

LP | 1965 | US | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wayne Shorter

The Soothsayer

29,99 €*

Release: 1965 / US – Reissue

Genre: Organic Grooves

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LP | 1960 | Reissue (Culture Factory)

Walter Davis Jr.

Davis Cup

Release: 1960 / Reissue

Genre: Organic Grooves

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With A Little Help From My Friends

Volker Kriegel

LP | 1968 | EU | Reissue (Cinedelic)

23,99 €*

A Charlie Brown Christmas Deluxe Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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Vince Guaraldi Trio

2LP | 1965 | EU | Reissue (Craft)

43,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves, Christmas

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Oh, Good Grief! - 50th Anniversary Vinyl Edition

Vince Guaraldi

LP | 1968 | US | Reissue (Omnivore)

29,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Velvett Fogg Green & White Marbled Vinyl Edition

Velvett Fogg

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Pop

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180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL

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Velvett Fogg

36,99 €*

Conversation With The Blues (A Documentary Of Field Recordings)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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Various, Paul Oliver

LP | 1965 | UK | Original (Decca)

21,59 €* 26,99 € -20%

Release: 1965 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Astral Weeks Limited Olive-Green Vinyl Edition w/ Obi

Van Morrison

LP | 1968 | EU | Reissue (Warner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Astral Weeks Limited Olive-Green Vinyl Edition

Van Morrison

LP | 1968 | EU | Reissue (Warner)

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

Van Morrison

Astral Weeks

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Original (Atlantic)

The Super Hits Vol. 2

9,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1965 | US | Original (Impulse!)

The New Wave In Jazz

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is Close to VG

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The Famous European Screen Themes

2LP | 1969 | JP | Original (Victor)

22,99 €*

Release: 1969 / JP – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with scuffs, hairlines and a couple of deeper marks. Cover with spine damage

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Tamla Motown Is Hot, Hot, Hot!

LP | 1969 | DE | Original (Tamla Motown)

Release: 1969 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG+

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LP | 1965 | DE | Original (HÖR ZU)

Stereo Extrem

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Special Pink Mood Deluxe = スペシャル・ピンク・ムード・デラックス

2LP | 1968 | JP | Original (Victor)

33,99 €*

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Medium: VG+, Cover: VG

Japanese pressing without OBI!

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LP | 1969 | US | Original (Longines Symphonette Society)

Soul Supreme Vol. 2

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Yellowed cover.

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LP | 1968 | JP | Original (Atlantic)

Solid Gold Soul Vol. 4

Release: 1968 / JP – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

LP | 1969 | DE | Original (Multitrack)

Schaut Auf Diese Stadt

5,99 €*

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Rural Blues Vol 1: Goin' Up The Country

LP | 1968 | US | Original (Imperial)

14,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Rhythm 'N' Blues Volume 1: The End Of An Era

LP | 1968 | US | Original (Imperial)

14,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1962 | EU | Reissue (Dialogo)

Passaporto Per L'italia

58,19 €* 96,99 € -40%

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG+, Cover: VG+

OST The Original Hits Of Right Now Plus Some Heavies "Easy Rider"

LP | 1969 | US | Original (Dunhill)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG+, Cover: VG

Seam split.

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LP | 1969 | US | Reissue (Real Gone Music)

OST Russ Meyer's Vixen

Release: 1969 / US – Reissue

Genre: Soundtracks

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LP | 1965 | JP | Original (Disneyland)

OST Mary Poppins

Release: 1965 / JP – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG

No Obi, with insert.

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OST How The West Was Won = 西部開拓史

LP | 1962 | JP | Original (MGM)

19,99 €*

Release: 1962 / JP – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG+

Includes original insert.

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LP | 1969 | JP | Original (20th Century Fox)

OST Hello Dolly!

22,49 €* 24,99 € -10%

Release: 1969 / JP – Original

Genre: Soundtracks

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Medium: VG, Cover: VG+

Record is slightly warped but close to VG+
Back cover shows minor foxing.

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LP | 1968 | US | Original (Original Sound)

Oldies But Goodies Vol 9

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Medium: VG, Cover: VG

Sticker on label.
Record is close to VG+.
Cover with faint ring wear and seam split.

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LP | 1969 | CS | Original (Supraphon)

Night Club 68

16,99 €*

Release: 1969 / CS – Original

Genre: Organic Grooves, Rock & Indie

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LP | 1969 | DE | Original (Schwann AMS Studio)

Neue Geistliche Lieder

Release: 1969 / DE – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Cover with tear on the front. Vinyl close to VG+

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LP | 1969 | GDR | Original (AMIGA)

Musical Erfolge

Release: 1969 / GDR – Original

Genre: Soundtracks

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Medium: VG+, Cover: VG

LP | 1969 | DE | Original (Constanze)

Music For Wild Angels

4,99 €*

Release: 1969 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Motown Winners' Circle No. 1 Hits Vol. 3

LP | 1969 | US | Original (Gordy)

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

Cover has a cut corner.

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LP | 1969 | US | Original (Motown)

Motortown Revue Live

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: G+, Cover: G+

LP | 1969 | US | Original (Atlantic)

Jazz Super Hits

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Vinyl close to VG+. Cover with punch hole

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History Of Rhythm & Blues Volume 1: The Roots 1947-52

LP | 1968 | US | Original (Atlantic)

5,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G+

Cover with long open seam splits

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Fantasie In Schwarz-Weiss

LP | 1968 | GDR | Original (AMIGA)

9,99 €*

Release: 1968 / GDR – Original

Genre: Organic Grooves

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El Niño Gogo - Aguinaldo Navideño

LP | 1969 | US | Original (Velvet)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Medium: G+, Cover: G

Cover with taped edges.

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Easy Rider (Songs As Performed In The Motion Picture)

LP | 1969 | DE | Original (Columbia)

4,99 €*

Release: 1969 / DE – Original

Genre: Rock & Indie, Soundtracks

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Medium: VG, Cover: VG

Cover splits on top seam. Sticker on cover.

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Die Rose War Rot: Schlagerchansons Unserer Tage

LP | 1969 | GDR | Reissue (AMIGA)

4,99 €*

Release: 1969 / GDR – Reissue

Genre: Pop

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Medium: VG, Cover: VG

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Country Guitar Hall Of Fame

LP | 1965 | US | Original (Starday)

Release: 1965 / US – Original

Genre: Rock & Indie

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Medium: VG, Cover: VG

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LP | 1969 | DE | Original (Chess)

Blues News

Release: 1969 / DE – Original

Genre: Rock & Indie

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Medium: VG+, Cover: VG

White vinyl

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LP | 1965 | GDR | Original (AMIGA)

Big Beat II

39,99 €*

Release: 1965 / GDR – Original

Genre: Rock & Indie, Pop

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Medium: VG, Cover: VG

Vinyl with a couple of scuffs and hairlines. Cover with creasing

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LP | 1965 | GDR | Original (AMIGA)

Big Beat II

26,99 €*

Release: 1965 / GDR – Original

Genre: Rock & Indie

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Bbc Radiophonic Music Pink Splattered Vinyl Edition

LP | 1968 | UK | Reissue (Silva Screen)

Release: 1968 / UK – Reissue

Genre: Soundtracks

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An Anthology Of British Blues

LP | 1968 | US | Original (Immediate)

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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American Folk Blues Festival 66 - 1

LP | 1968 | GDR | Original (AMIGA)

12,99 €*

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

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V.A. - A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

LP | 1962 | US | Original (Decca)

18,99 €*

Release: 1962 / US – Original

Genre: Rock & Indie, Christmas

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Medium: VG, Cover: Generic

Cover is missing.

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3/27/65 Charlie Parker 10th Memorial Concert

LP | 1965 | US | Original (Limelight)

7,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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21 Super Soul Souvenirs Vol. 2

LP | 1969 | US | Original (KSOL)

16,99 €*

My People Were Fair And Had Sky In Their Hair ...

Release: 1969 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

Yellow Splashed vinyl. Cover has seam split.

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Tyrannosaurus Rex

LP | 1968 | EU (Vinyl Lovers)

Release: 1968 / EU

Genre: Rock & Indie, Pop

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LP | 1965 | ES | Reissue (Wah Wah)

Twinkle

Golden Lights

19,99 €*

LP | 1968 | EU | Reissue (Bonfire)

Release: 1965 / ES – Reissue

Genre: Pop

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The teen girl falling in love with greasy biker melodrama that set The Shangri-Las on the scene was beaten to the core when English high society child Lynn Ripley -better known as Twinkle- took it to the next level on her own composition "Terry". Penned at the tender age of sixteen, Twinkle's lyrics were found so twisted and bad tasty that the song got the honour of being banned at the BBC thirteen years before the Sex Pistols ran the same luck with "God Save The Queen." A ban that, as you would have guessed, instead of hiding the song from the era's teenage record hunters made it even more coveted. Thus "Terry", Twinkle's first 45 issued on Decca in October 1964, became an instant top 5 hit in the UK and was released successfully worldwide as well as covered by many bands (like Claude François French version or Los Extraños cover sung in Spanish).

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Twentieth Century Zoo

Thunder On A Clear Day

LP+CD | 1969 | EU | Reissue (Lilith)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Strictly limited vinyl reissue of the Arizona rock band's only album, originally released on Vault Records in 1968. A relatively obscure masterpiece, combining psych rock with distinctive elements of acid blues and jazz. Wild jams sensibly influenced by the West Coast sound and much closer to the Nuggets manifesto. Rising from the ashes of the folk-rock outfit The Bittersweets in 1967, the Phoenix musicians were born to take you on an endless journey. Drifting from acid rock to melancholic blues, this fuzzed out gem from the earliest days of the Phoenix Valley rock and roll scene stands as one of the rarest and purest slices of mid-'60s psychedelia around.

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Tropicalia

Ou Panis Et Circencis

26,99 €*

LP | 1968 | GDR | Original (AMIGA)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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180 Gram vinyl!

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Trocadero Sextett

Musik Für Sie

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG

LP | 1969 | GR | Original (Regal)

Trio Bel Canto

Τρίο Μπελκάντο

14,99 €*

Release: 1969 / GR – Original

Genre: Rock & Indie

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Medium: VG+, Cover: VG+

LP | 1968 | UK | Reissue (Island)

Traffic

25,99 €*

No Face, No Name And No Number / Berkshire Poppies

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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The second offering from Traffic, October 1968 would be their self titled Album, achieving a strong balance between Dave Mason’s simple and straightforward folk-rock songs and Steve Winwood’s complex and often haunting rock jams would see the album peak in the UK charts at No’9 and No’16 in the US Billboard Chart. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Traffic

7" | 1968 | FR | Original (Fontana)

5,99 €*

For The Sake Of The Song Vinyl Me, Please Edition

Release: 1968 / FR – Original

Genre: Rock & Indie

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Medium: G+, Cover: Generic

Record has hairlines and a few superficial scratches.

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Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 1969 | EU | Reissue (Long Hair)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Touch

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Toots & The Maytals / Roland Alphonso

Hold On / On The Move

7" | 1969 | JM | Reissue (Pyramid)

12,99 €*

Release: 1969 / JM – Reissue

Genre: Reggae & Dancehall

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7" | 1969 | JM | Reissue (Pyramid)

Toots & The Maytals

Pee Pee Cluck Cluck

12,99 €*

Release: 1969 / JM – Reissue

Genre: Reggae & Dancehall

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LP | 1969 | UK | Reissue (Beverley's)

Toots And The Maytals

Sweet And Dandy

27,99 €*

LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.

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Tony Joe White

Black And White

46,99 €*