HHV Records 924 Items

The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition

Release: 1966 / EU – Reissue

Genre: Pop

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Official reissue of the super rare Spanish EP from 1966, one of the holy grails in the Spanish 60s collector circles, and a key title from the female ye-ye scene.

Includes a nice cover of Stones’ “Get off of my cloud”, and the label has used a song from another EP of Sonia, “Si tuviera un martillo”, replacing the weak “Concierto para enamorados” that was on the record originally.

Has a 4-page full colour insert with extensive linernotes (Spanish only!) and some photos.

Limited to 450 hand-numbered copies.

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The Staple Singers

LP | 1962 | EU | Reissue (Concord)

24,64 €* 28,99 € -15%

Magic Lantern Black Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1962, The Twenty-Fifth Day Of December is The Staples Singers’ holiday classic, featuring traditional songs such as “Joy To The World, “Silent Night,” “Go Tell It On The Mountain” and more. This reissue features the original album artwork and is cut from the analog master, pressed on 180-gram vinyl at Memphis Record Pressing and housed in a tip-on jacket.

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Haymarket Square

LP | 1968 | EU | Reissue (Guerssen)

LP | 1965 | US | Reissue (Culture Factory)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally from Chicago, Haymarket Square released in 1968 one of the rarest vinyl artifacts from the US underground psychedelic scene: the “Magic Lantern” album. Originally conceived as the soundtrack to a psychedelic lightshow art installation, the album offers crude, dark, psychedelic rock featuring trippy fuzzed out / wah guitars, male-female vocals and long tracks. Newly remastered sound, insert with liner notes, repro of the ultra-rare Baron & Bailey Lightshow poster.

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Donovan

Fairytale

Release: 1965 / US – Reissue

Genre: Rock & Indie

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LP | 1962 | UK | Reissue (Blue Note)

Freddie Hubbard

Ready For Freddie

Release: 1962 / UK – Reissue

Genre: Organic Grooves

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Snowfall: The Tony Bennett Christmas Album

Tony Bennett

LP | 1968 | EU | Reissue (Sony Music Catalog)

Release: 1968 / EU – Reissue

Genre: Organic Grooves, Christmas

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Wishes You A Swinging Christmas Acoustic Sounds Edition

Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

38,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Christmas

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Tijuana Moods Royal Blue Vinyl Edition

Charles Mingus

LP | 1962 | EU | Reissue (Dol)

15,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Music On Vinyl)

Ro-D-Ys

Earnest Vocation

23,24 €* 30,99 € -25%

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Wah Wah)

Sage And Seer

CD | 1966 | US | Reissue (Light In The Attic)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.

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Nancy Sinatra

Boots

LP | 1966 | US | Reissue (Light In The Attic)

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI. Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. CD housed in a digipak and featuring a 28-page booklet

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Nancy Sinatra

Boots Blue Vinyl Edition

Ray Conniff And His Orchestra & Chorus

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Latin Rock

LP | 1960 | US | Reissue (Waxtime)

13,99 €* 19,99 € -30%

Release: 1960 / US – Reissue

Genre: Pop

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LP | 1960 | US | Reissue (Waxtime)

Peggy Lee

All Aglow Again

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Matsuli)

Gideon Nxumalo

Gideon Plays

27,89 €* 30,99 € -10%

Al Charly Max Canta I Beatles In Italiano

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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• Long lost 1968 album from visionary South African jazz composer incorporating traditional African music sources and instruments.

• Officially licensed from the Nxumalo family and reissued with inner sleeve containing archival photographs and new liner notes by Francis Gooding.

Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history. Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show. But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been side-lined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music. However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived. Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays.

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Augusto Righetti

LP | 1966 | Reissue (Vinyl Magic)

Release: 1966 / Reissue

Genre: Pop

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LP | 1969 | Reissue (Vinyl Magic)

Oronzo De Filippi

Meccanizzazione

LP | 1962 | EU | Reissue (20th Century Masterworks)

Release: 1969 / Reissue

Genre: Organic Grooves

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At the end of the '60s in Italy - but also abroad, especially in France and
England - a very particular trend began to spread, that one known as 'Library
music' or 'sonorization': as suggested by its name, those were real music
libraries intended for the accompaniment of audiovisual productions such as
television programs, advertisements, documentaries and films. Since they
were created in total artistic freedom condition, they are often difficult if not
impossible to catalog, as they're not anchored to a specific musical genre;
this freedom also allowed the authors to compose, sometimes in the most
complete anonymity, experimental and avant-garde music, capable of
anticipating the sounds that only many years later would have been
widespread on a larger scale.
Oronzo De Filippi is known not only for his library music works, but also for
having been part of the project The Braen's Machine, together with
Alessandro Alessandroni, another very important name in this context.
"Meccanizzazione" is a completely instrumental record - like practically all
LP's in this genre - literally dominated by the sound of the harpsichord, and it
substantially features two main kinds of compositions: the most 'friendly' and
easy-listening ones with a jazz-lounge and bossanova flavor, and the darker
and hypnotic ones, decidedly more fitting the repetitiveness of the industrial
world and its machines at work.
"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration
with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's
published between late '60s and early '70s, most of which have never been
released again until today, and that are finally made available again for
collectors and sonorization music lovers.

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Quincy Jones

Big Band Bossa Nova

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Le Idee Di Oggi Per La Musica Di Domani

Stormy Six

LP | 1969 | EU | Reissue (On Sale Music)

35,99 €*

LP | 1968 | EU | Reissue (Bonfire)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Stormy Six debut album is, in some ways, the mirror of an era with simple atmospheres and an almost like ‘messa beat’ feel. The harmonies are kinda elementary and the general setting is strongly influenced by the Beat origins of the group. The "Stormy Six" formed as a sextet in Milan in 1965, right along that student environment that had already given birth to Maurizio Arcieri's "New Dada". The album is an eccentric mixture of Beat, Psychedelia and proto-prog in the vein of Moody Blues "In the search of the lost chord" or even early Genesis. The songs are almost written by the Rocchi-Fabbri duo even if, in retrospect, it was assumed that three of them belonged to Rocchi alone: ‘Ramo’, with a mystical indian flavor, ‘I Tuoi Occhi Sono Tristi’ – much in the vein of Brian Auger- and the poignant ‘Sotto I Portici Di Marmo’.

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Siren

Heaven / Earth Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

22,99 €*

Marvin Peterson And The Soulmasters

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

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In Concert

LP | 1969 | JP | Reissue (P-Vine)

Jazz-Lyrik-Prosa Record Store Day 2021 Edition

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.

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Manfred Krug

2LP | 1968 | EU | Reissue (AMIGA)

Ken Wheeler / John Dankworth Orchestra

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Drop 2 release

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Windmill Tilter (The Story Of Don Quixote)

LP | 1969 | EU | Reissue (Decca)

LP | 1969 | EU (Endless Happiness)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. Kenny Wheeler was born Canada in 1930 and, with encouragement from his father - himself a trombone player - began playing trumpet at age 12. After studying at Toronto’s Royal Conservatory, he arrived in London in 1952, his playing enveloped in the sounds of Miles Davis, Booker Little, and Fats Navarro. In 1959, Wheeler joined the Johnny Dankworth Orchestra and stayed there until 1963, although he returned frequently for shows and other projects in the years that followed. He quickly become a distinguished soloist in the Orchestra and appeared on Dankworth’s key sixties albums. Wheeler met and played with the rising artists of London’s free jazz scene. Players such as Trevor Watts, Derek Bailey, and Evan Parker, musicians who would challenge the conventions of the day, eschewing formal composition and structure to embark on group improvisation. For a musician thoroughly schooled in all the conventions of charts and dance bands as Wheeler was, this was a radical departure. Wheeler’s contributions proved his ample flexibility and showed he was capable of inhabiting both the free environment and the more formal and controlled settings of a big band and orchestra. This was shown most clearly on his debut album, Windmill Tilter, recorded for Fontana with the John Dankworth Orchestra. The album features a young John McLaughlin on guitar along with bassist Dave Holland and a roster of talented and well respected musicians playing on one of the greatest modern jazz big band and orchestral albums.

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Jimmy Ruffin

Ruff 'N Ready

LP | 1968 | EU (Endless Happiness)

Release: 1969 / EU

Genre: Organic Grooves

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All killers and no fillers on this fabulous 1969 Motown masperpiece. It is a shame that Jimmy lived in the shadow of those other Motown singers such as Marvin Gaye and Stevie Wonder. It really is one of Motown's best albums!

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The Boston Tea Party

Original Grooves: Ella In Berlin: Mack The Knife / Summertime Record Store Day 2021 Edition

Release: 1968 / EU

Genre: Rock & Indie

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A lecture in 60's psych pop (almost power pop with flashes of hard rock) with consistently solid melodical, up-tempo, organ driven songs, soaring vocal harmonies, anthemic choruses. Psyched, poppy & fun. Not an album that you would listen to regularly, but more like an old friend to go back when you are in that 60s mood.

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Ella Fitzgerald

LP | 1960 | EU | Reissue

15,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU (Survival Research)

Privilege

16,14 €* 16,99 € -5%

LP | 1968 | UK | Reissue (Island)

Release: 1969 / EU

Genre: Rock & Indie

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An acid rock LP on the Isley Brothers’ T-Neck label? Yes, the unlikely collaboration resulted from a Jimi Hendrix concert at New York’s Syracuse University, supported by the Isleys and mixed soul-rock group, Soul Survivors, who had worked with Tom Bell and Gamble & Huff. When Soul Survivors morphed into Privilege, they convinced the Isleys to sign them to T-Neck, the result being this rare self-titled album, a fine set of hard-rocking originals, expertly produced by the Isleys with plenty of stereo panning, blistering guitar from frontman Edward Leonetti, atmospheric organ from Paul Venturini and melodic bass lines from Jack Douglas, later an engineer for Aerosmith, Lou Reed and Cheap Trick. A true classic, not to be missed!

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Traffic

2LP | 1969 | EU | Reissue (Parlophone Label Group)

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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The second offering from Traffic, October 1968 would be their self titled Album, achieving a strong balance between Dave Mason’s simple and straightforward folk-rock songs and Steve Winwood’s complex and often haunting rock jams would see the album peak in the UK charts at No’9 and No’16 in the US Billboard Chart. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Dr. Feelgood

The UA Years

26,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Corridor Of Faces Black Vinyl Edition

Lazy Smoke

LP | 1969 | US | Reissue (Jackpot)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Dexter Gordon & Slide Hampton

A Day In Copenhagen

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Anders & Poncia Album

Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

22,99 €*

Springtime / I Am Satisfied

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Jimmy Thomas / Owen Grey

7" | 1969 | EU | Reissue

13,99 €*

Highway 61 Revisited Transparent Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Deep/Mod Funk heavy hitter previously comped on Le Beat Bespoke and a deep Jamaican Soul cut increasingly in-demand among progressive Northern/Rare Soul deejays.

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Bob Dylan

LP | 1965 | EU | Reissue (Sony)

30,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Endless Happiness)

Kashmere Stage Band

Our Thing

Motherlight Colored Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Self-released in 1969 ‘Our Thing’ is the debut album of the performing Houston unit known as Kashmere Stage Band. The Texas student band came together at the Kashmere High School and under the direction of musical director Conrad O. Johnson, released a series of cult album on Kram Records, before disbanding in 1978. Raw funk, that’s basically what they’ve been playing and clearly there was a blacksploitation feel all over the place, but their drive was quite unique. Rediscover the myth.

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Bobak, Jons, Malone

LP | 1969 | EU | Reissue (Morgan Blue Town)

LP | 1969 | EU | Reissue (Polysom)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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1969 album from the Morgan Blue Town stable, a classic psychedelic prog album. Album features Mike Bobak, Andy Jons & Wil Malone. Now on Limited Edition 180 gram Pearl Colored Vinyl.

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Brazilian Octopus

39,99 €*

LP | 1962 | EU | Reissue (Not Now)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The only LP from the group Brazilian Octopus, featuring Hermeto Pascoal and Nilson da Matta. Originally released in 1969 on the Fermata label. Rare in its original format, a much welcomed re-issue from the Polysom label. Deep soul-funk grooves meet library-esque progressive cinematics and psychedelics meet jazz dance jams! Full range.

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Max Roach

It's Time

18,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Real Gone Music)

V.A.

OST Russ Meyer's Vixen

Release: 1969 / US – Reissue

Genre: Soundtracks

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Such Is Life / Come Down 68

Lord Creator

7" | 1968 | EU | Reissue (Randy's)

8,99 €*

Release: 1968 / EU – Reissue

Genre: Reggae & Dancehall

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12" | 1968 | EU | Reissue (High Note)

Paragons

Riding High

12,99 €*

Release: 1968 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1969 | EU | Reissue (Music On Vinyl)

Miles Davis

Miles In Tokyo

Music From Big Pink 50th Anniversary Deluxe Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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'Miles in Tokyo' is a live album recorded on July 14, 1964, by the Miles Davis Quintet (featuring Sam Rivers, Ron Carter, Herbie Hancock and Tony Williams) at the Tokyo Kosei Nenkin Kaikan, Shinjuku, Tokyo, Japan. It is the first recording of Davis in Japan and the only album to showcase an early incarnation of his Second Great Quintet featuring Sam Rivers on tenor saxophone, following George Coleman's departure. After this, Wayne Shorter's appointment completed the classic line-up which recorded such albums as 'ESP' and 'Miles Smiles', through to 'Miles in the Sky'. The legendary 'Miles in Tokyo' album is now available on vinyl in Europe for the first time. The heavyweight gatefold contains a 4 page-booklet glued inside, like the original 1969 Japanese LP version.

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The Band

2LP | 1968 | EU | Reissue (Capitol)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Mickey & The Soul Generation

Iron Leg

7" | 1969 | EU | Reissue (Gc Production)

12,99 €*

LP | 1969 | EU | Reissue (Four Flies)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Reissued and remastered with replica artwork - the highly sort after classic rare groove track, 'Iron Leg' by DJ Shadow's favourite Funk band, Mickey & The Soul Generation.

Original copies trade hands for £125+. Black 7" dinked centre hole vinyl.

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Bruno Nicolai

Geminus

26,99 €*

LP | 1969 | EU | Reissue (Sony)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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Four Flies are proud and honoured to release the first vinyl reissue of Bruno Nicolai’s outstanding original score for GEMINUS, a 1969 Italian TV mini-series directed by Luciano Emmer and starring Walter Chiari, Alida Chelli, and Ira von Fürstenberg.
Originally released under Italian label Gemelli, Nicolai’s soundtrack has been remastered from the original master tapes and comes in a glossy, tip-on style jacket featuring the restored original cover artwork, as well as extended liner notes by film critics Francesco Cesari and Roberto Curti.
Bruno Nicolai composed and directed an eclectic score that brings together different music genres and influences, from 60s beat, psych, and prog rock to baroque and experimental music. He did not hesitate to mix classical forms and structures with new instruments
and remarkable, eccentric arrangements.

In ‘Giano’ (Janus), the interplay between a distorted electric guitar and a hypnotic harpsichord creates a strange, somewhat troubling ambience.

The delicate, celestial voice of Edda Dell'Orso leaves its unique emotional imprint on the most lyrical piece in the soundtrack, ‘Tema Barocco’ (Baroque Theme).
The main theme ‘Il cielo cade’ (The Sky Is Falling) features a luxurious arrangement and stunning orchestration enhanced by enchanting vocal harmonies sung by ‘I Cantori Moderni di Alessandroni’.

In other pieces, such as ‘Larve’ (Larvas), ‘Il sognatore’ (The Dreamer), ‘Eclisse di luna’ (Moon Eclipse), ‘Visioni’ (Visions), ‘Catacombe’ (Catacombs), and ‘Notti romane’ (Roman Nights), expressive and experimental solo passages played by instruments such as the vibraphone, sitar, harmonica, or percussions, contribute to the sombre, mysterious atmosphere of the score as a whole.
Limited edition, 500 copies worldwide.

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Bob Dylan

Nashville Skyline

30,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Presenting Joe Williams And Thad Jones / The Mel Lew

Joe Williams

LP | 1968 | US | Reissue (Culture Factory)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Generation Pink Vinyl Edition

Rare Earth

LP | 1969 | US | Reissue (Culture Factory)

32,99 €*

The Butterfield Blues Band

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 2000 copies.

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East-West

LP | 1966 | EU | Reissue (Speakers Corner)

King Of The Delta Blues Singers

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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In 1965, just one year after Paul Butterfield had formed his blues band – named after himself - and launched one of the very best groups among the white Chicago blues community, the band produced this dynamic and visionary album. The group presents a wide range of contrasting numbers, both eastern and western, which reflect the LP’s title – something totally new and innovative. In the first few titles, traditional standard numbers come over rather enigmatically while supporting original and rhythmic compactness, but this soon gives over to a tactically well-formed instrumentation and lengthy solo interludes. The all-embracing motto 'blues' is taken up by the band in Nat Adderley’s "Work Song" at the very latest, with mind-expanding ways of playing and varying sounds. Catapulted by Mike Bloomfield’s artistry on the guitar into the world of rock, all the musicians celebrate these well-known jazz standards and each man contributes his personal skill into forging a perfectly balanced team effort. The title number "East-West" ultimately demolishes the world of the blues. In the tonal mixture of confidently prepared rock ingredients and borrowings from Indian music (raga rock), we have an amalgamation of rock, blues, jazz and oriental melodies which result in an emotional, unheard-of sound that is well worth the hearing.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: July 1966 at Chess Studios, Chicago (il), by Jac Holzman Production: Barry Friedman, Mark Abramson, Paul Rothchild

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Robert Johnson

LP | 1966 | EU | Reissue (Columbia)

30,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Not Now)

Del Shannon

Runaway The Best Of

18,99 €*

La Conferencia Secreta Del Toto's Bar

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Del Shannon did not fit the typical teen-idol mould other pop singers of the early Sixties were shoehorned into. Although he certainly had the required good looks, his songs had a brooding intensity to them, with recurring themes of loss and rejection that didn't sit well with the typical pop-star image of the time. In many respects he was similar to the UK's John Leyton and did a lot to pave the way for the British Invasion and the huge expansion to the boundaries of what could be considered pop music.

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Los Shakers

LP | 1968 | EU | Reissue (Guerssen)

LP | 1966 | EU | Reissue (Guerssen)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally released in late 1968, La Conferencia Secreta del Toto’s Bar was Los Shaker’s psychedelic masterpiece. Inspired by Sgt. Pepper's Lonely Hearts Club Band - a milestone that would change the face of pop music forever back in 1967 – Los Shakers created a fundamental album in the history of South American rock music, a seminal record for many artists to come, full of pleasant surprises, magic sounds and sense of humour. It offers a complex fusion of styles, with elements from both rock and jazz, plus the use of exotic instruments like the bandoneon–widely used in tango music but unprecedented until then in pop/rock adventures. It all makes the last album by Los Shakers an essential, innovative record for any collector and aficionado. Sounding as fresh and original today as it did back in the late sixties, here’s the first ever vinyl reissue.

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Los Shakers

Shakers For You

Alfredo Linares Y Su Sonora

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1966, Shakers For You was the second LP by Los Shakers, the legendary beat/pop band from Uruguay. An album clearly influenced by Help!, Rubber Soul and Revolver, but showing a band that were more than mere copycats, offering some revolutionary compositions and influences such as bossa-nova. The songs on Shakers For You take us through incredible musical mixtures that, while keeping a strong early/mid Beatles feel, give us clues of what would come later in pop music with psychedelia just around the corner. This is the first ever vinyl reissue of one of the greatest beat LPs from the 1960s.

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Yo Traigo Boogaloo Record Store Day 2020 Edition

LP | 1969 | EU | Reissue (Vampisoul)

17,99 €*

The 3 & 4: New York Concert Record Store Day 2020 Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 500 copies.

Long sought after by collectors, DJs and lovers of hard salsa and boogaloo alike, 'Yo Traigo Boogaloo' is now lovingly reissued in replica form with the original cover art, remastered from the studio tapes, reproducing that magical MAG stuio sound for today's aficionados to enjoy like it was 1969 all over again.

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Jimmy Giuffre

2LP | 1965 | US | Original (Anagram Music)

The (St. Thomas) Pepper Smelter

Release: 1965 / US – Original

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1500 copies.

The remarkable 1965 New York Concerts performances offer a rare, revealing glimpse into the discographic dark period. This captivating double LP would be valuable solely for the brilliant music, which finds Jimmy Giuffre leading otherwise undocumented trio & quartet lineups, advancing his experiments in counterpoint and abstraction into more adventurous avant-garde territory. But it also offers insight into one of jazz's most innovative thinkers at a key moment in his development. 180-gram vinyl. LP1 / Side A - 1. Syncopate 2. Introduction 3. Crossroads LP1 / Side B - 1. Drive 2. Quadrangle 3. Angles LP2 / Side A - 1. Syncopate 2. Quadrangle 3. Three Bars In One LP2 / Side B - 1. Cry, Want 2. Angles 3. Drive

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Soul & Pepper

LP | 1969 | EU | Reissue (Discos Monterey)

22,99 €*

Art Blakey & The New Jazz Men

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!

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Live In Paris '65

LP | 1965 | UK | Reissue (Sam)

32,99 €*

LP | 1969 | EU | Reissue (Epic)

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Art Blakey's "Live In '65" boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.

Freddie Hubbard's incendiary playing on "Blue Moon" and the blistering 24-minute version of his own "Crisis" shows that he was one of the most innovative trumpeters in jazz history.

On this live session, the audiences seem to have been enthusiastic and appreciative. »Everywhere we’d go people would say, this is the best Jazz Messengers we’ve heard!«, according to Davis. »And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing – with Messengers heads, you know, but when we got to soloing...! And Blakey was ridin’ and oatin’ the time ... but he would always be loose enough to follow, to keep it going. He’s one helluva musician.«

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Donovan

Greatest Hits

Release: 1969 / EU – Reissue

Genre: Pop

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LP | 1969 | EU | Reissue (Sony)

The Psychedelic Furs

Book Of Days

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Third Man)

France Gall

1968

37,99 €*

LP | 1966 | US | Reissue (Third Man)

Release: 1968 / US – Reissue

Genre: Pop

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1968 dives further into the psychedelia that FRANCE GALL was hinting at on Baby Pop. Even with addition of sitars and echoes of The Beatles, The Stones, The Kinks and Pet Sounds era Beach Boys all over this record it is still 100% French and could only have been made by France Gall. The addition of English expat producer/arranger, DAVID WHITAKER, brought a new and welcome airiness to the mix that was lacking on Gall’s earlier recordings. The album contains 2 of Serge Gainsbourg’s strangest and most out there arrangements, “Nefertiti” and “Teenie Weenie Boppie” about an LSD trip gone horribly wrong. 1968 is an absolutely essential addition to any record collection. 180-gram vinyl pressing in direct-to-board jackets.

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France Gall

Baby Pop

37,99 €*

Bless It's Pointed Little Head

Release: 1966 / US – Reissue

Genre: Pop

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Baby Pop is not only an important album for FRANCE GALL herself, it is also a hugely important record for the entire yé-yé scene. Baby Pop hinted at the musical direction that yé-yé was headed in much the same way Revolver and Pet Sounds did in the UK and USA. Baby Pop is more mature and varied than her earlier more bubblegum releases. You will still find a wonderfully cheesy tracks like “L’Amerique” here and there but with the impossibly infectious title track and songs like the Serge Gainsbourg penned “Nous Ne Sommes Va-T’en” and the groovy Farfissa driven “Faut-Il que Je T’Aime” we welcome a new France Gall and say hello to some of the finest pop music ever released in French or any language. 180-gram vinyl pressing in direct-to-board jackets.

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Jefferson Airplane

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Wah Wah)

The Underdogs

Blues Band

LP | 1966 | UK | Reissue (Big Beat)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert

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The Sonics

Boom

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Early Allman (Featuring Duane And Gregg Allman)

The Allman Brothers Band

LP | 1966 | US | Reissue (Allman Brothers Band Recording Company)

35,99 €*

The Soft Parade 50th Anniversary Remaster Edition

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Rare, historic 1966 “Early Allman” sessions Featuring Duane and Gregg Allman recordings pre Allman Brothers Band

Songs featured include “Spoonful” & “Gotta get Away”

First time available on vinyl in over 45 years

Prepared from original Dial/ Mercury analog master tapes Mastered by Tom Lewis at Jim Hawkins’ Studio 1093, Athens, GA

Vinyl cut by Kevin Gray at Cohearent Audio Vinyl pressed at Record Technology Inc.

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The Doors

LP | 1969 | EU | Reissue (Rhino)

26,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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These Are My Roots - Clifford Jordan Plays Leadbelly

Clifford Jordan

LP | 1965 | EU | Reissue (Atlantic)

LP | 1966 | EU | Reissue (BGP)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Clifford Jordan hailed from Chicago, hometown of hard-driving, so-called ‘tough tenorists’ like Gene Ammons and Eddie ‘Lockjaw’ Davis. While Jordan shared their unnerving bravado, his tone is different, an alluring tone, simultaneously rough around the edges and ephemeral. A sought-after sideman, Jordan recorded with stalwarts as Lee Morgan and Max Roach in the late fifties and early sixties, as well as a series of high standard solo albums. Like age matures wine, Jordan’s style ripened in the early seventies, his lines becoming fluent like ripples of lake water. Jordan kept recording and performing steadily until his death in 1993.

Maybe this album, filled with interpretations of such classic tunes as Take This Hammer and Goodnight Irene, is not such a surprise act after all. The preceding year, Jordan had been part of Charles Mingus’ outfit (appearing on the hi-voltage live album Right Now: Live At The Jazz Workshop) Musical gobbler Mingus’ unfazed search for new vistas while retaining an all-embracing sense of the past’s relevance and blend of harmonic finesse with unbridled juke joint tumult surely rubbed off on Jordan.

Da Gray Goose is one of the cases in point. Tasteful harmony over the stop-time theme kicks it into action, strongly plucked bass and fiery drums inspire the soloists, creating an atmosphere of abandon. Lusty shout choruses stoke up the fire as the tune progresses. There are also some, yes, virtuoso banjo parts.

The gloomy folk blues music of Huddie ‘Leadbelly’ Ledbetter, whose life story reads like a combined effort of Shakespeare and James Baldwin, including oppression, hardship, addiction, treachery, murder and prison life, is excellently cast in a jazz frame. But not too jazzy, often the sound of Jordan’s top-notch group is as tough-as-nails as the sound of any one group that enlivened the back alley bars way back when. Jordan’s unpredictable phrasing overcomes the restrictions of the rigid folk blues form.

Craftily uncrafted, These Are My Roots is a spirited album of earnest, raw and ebullient swing.

Recorded on February 1 & 17, 1965 in NYC

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Brother Jack McDuff

Hot barbeque

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Supraphon)

Olympic

Ptak Rosomak

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Wonderful World Of Sam Cooke

Sam Cooke

LP | 1960 | EU | Reissue (Universal)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Universal)

Sam Cooke

Ain't That Good News

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Charlie Palmieri & His Charanga (La Duboney)

Viva Palmieri

LP | 1962 | US | Reissue (Alegre)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | US | Reissue (International Artists)

13th Floor Elevators

Live

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The Famous Ward Singers / Jessy Dixon

I'm Getting Richer / Wade In The Water

7" | 1960 | UK | Reissue (Honest Jon's)

11,99 €*

Spirits Known And Unknown

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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A scorcher from the golden age of gospel, via its cardinal label.
From 1960, during the family’s second decade with Savoy, featuring Gertrude Ward, Christine Jackson, Mildred Means and Vermettya Royster — and Clara, totally riveting and in-your-face with evangelistic fervour and raw soul.

Plus a rambunctious, floor-filling Wade In The Water, by Jessy Dixon and his Singers.

Handsomely sleeved (showing a contemporary but slightly different Wards lineup).

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Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1962 | US | Reissue (Impulse!)

John Coltrane

Coltrane

37,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Out-Sider)

Locksley Hall

LP | 1960 | US | Reissue (Checker)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Bo Diddley

Have guitar will travel

Release: 1960 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Craft)

Bar-Kays

Gotta Groove

35,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Reissue (Prestige)

Thelonious Monk

The Golden Monk

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Richard Groove Holmes & Rusty Bryant

That Healin' Feelin'

LP | 1968 | US | Reissue (Prestige)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | US | Reissue (Tamla)

Miracles

I'll Try Something

Release: 1962 / US – Reissue

Genre: Organic Grooves

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LP | 1968 | EU (Survival Research)

Apryl Fool

20,99 €*

I Want Candy Red Vinyl Edition

Release: 1968 / EU

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Strangeloves

LP | 1965 | US | Reissue (Real Gone Music)

20,99 €* 29,99 € -30%

Release: 1965 / US – Reissue

Genre: Rock & Indie

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The Sky Is Crying Audiophile Edition

Elmore James

LP | 1965 | US | Reissue (Waxtime)

Release: 1965 / US – Reissue

Genre: Organic Grooves

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LP | 1965 | ES | Reissue (Wah Wah)

Twinkle

Golden Lights

Blue Marble Colored Vinyl Edition

Release: 1965 / ES – Reissue

Genre: Pop

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The teen girl falling in love with greasy biker melodrama that set The Shangri-Las on the scene was beaten to the core when English high society child Lynn Ripley -better known as Twinkle- took it to the next level on her own composition "Terry". Penned at the tender age of sixteen, Twinkle's lyrics were found so twisted and bad tasty that the song got the honour of being banned at the BBC thirteen years before the Sex Pistols ran the same luck with "God Save The Queen." A ban that, as you would have guessed, instead of hiding the song from the era's teenage record hunters made it even more coveted. Thus "Terry", Twinkle's first 45 issued on Decca in October 1964, became an instant top 5 hit in the UK and was released successfully worldwide as well as covered by many bands (like Claude François French version or Los Extraños cover sung in Spanish).

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Sagittarius

LP | 1969 | EU | Reissue (Sundazed)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Svart)

Heikki Sarmanto Sextet

Flowers In The Water

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Music On Vinyl)

Miles Davis

Filles De Kilimanjaro

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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OST Femina Ridens / The Laughing Woman / Le duo de la mort / Os Profissionais do Sadismo

Stelvio Cipriani

LP | 1969 | EU | Reissue (Four Flies)

LP | 1968 | BR | Reissue (Polysom)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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LP 180gr. /// Tip-On Sleeve /// Features two unreleased tracks taken from the original master tapes

If a jewel were to be chosen amongst the more than three hundred soundtracks that Maestro Stelvio Cipriani has composed during his long and prodigious career, that choice would probably not fall on the super classic and hyper known ANONIMO VENEZIANO, but probably on his previous and less celebrated FEMINA RIDENS – perhaps the most iconic of his soundtracks, along with MARK IL POLIZIOTTO. This work is undoubtedly one of those titles that best represents the spirit of Italian golden age film music, and the original LP, published on CAM series SAG – 9017, is at the very top of every collector’s most wanted list.

The film, directed in 1969 by Piero Schivazappa, is a feminist parable that blends eros perversion, black comics, and Pop Art. And its mood, halfway between cold and playful tones, is perfectly underlined by Cipriani with a soundtrack that fits flawlessly to the dreamlike, grotesque, and sentimental images, combining classical music and orchestral pop, baroque jazz, spaghetti western flavors, psychedelic blues and lounge vibes – all emphasized with sumptuous arrangements that still sound contemporary. A jewel like “Mary’s Theme” is an immortal, timeless track that has been recently sampled by hip-hop producers, and is a demonstration of the eternal modernity of the finest Italian cinematic sound.

This reissue fills a serious gap, finally bringing to the forefront an iconic soundtrack that has remained inaccessible on wax far too long. And it does so in the best possible way, starting from the original master tapes preserved in the CAM archives, from where it was possible to locate an unreleased track (added at the end of side B), as well as allow for an enhanced version of “Chorus and Brass Fugato”, whose original edit has been improved and extended here. And if that weren’t enough, for all you discerning collectors, as well as DJs, Four Flies is also releasing an extra 7-inch record which includes the two most danceable tracks on the entire OST!

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Tom Ze

Grande Liquidacao

39,99 €*

OST Il Magnifico Tony Carrera

Release: 1968 / BR – Reissue

Genre: Organic Grooves

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This is a 180g vinyl pressing. In 1968 Tom Zé; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement,Zé was so independent he was determined to forge his own musical path. He started by recording Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Brazoes and Os Versateis.

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Gianni Marchetti

2LP | 1969 | EU | Reissue (Transversales Disques)

Simon & Garfunkel, Dave Grusin

Release: 1969 / EU – Reissue

Genre: Soundtracks

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First ever LP reissue of this ultra-rare Italian soundtrack originaly released on cult CAM label. Gianni Marchetti wrote this beautiful score for the Eurospy filmI Il Magnifico Tony Carrera as he was more of a songwritter than a film composer.
The score includes lots of different atmospheres and arrangements: from fuzzy dark psychedelic themes with harpsichord and haunted choirs (performed by the famous 4 + 4 di Nora O²rlandi) to angelic and dreamy vocal themes. Also contains some tense climax sitar tunes with beautiful bass sound.
Compared to the original CAM LP, this reissue dropped some carnivalesque tracks in order to include some nice unreleased variations of the themes, plus all the suspense cues that were largely removed from the original tracklisting.
Il Magnifico Tony Carrera is definitely a major score of the Italian Silver Age.
Limited Edition remastered from the original master tapes.

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