HHV Records 748 Items

Impressions Of Wonderful Colored Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
The late '60s were a mixed bag for Muddy Waters. In 1969, Waters needed to pivot, and away from the longhairs. He made ‘Fathers and Sons’.

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Motions

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Pata Pata (Definitive Remastered Edition)

Miriam Makeba

2LP | 1967 | EU | Reissue (Strut)

Milford Graves / Don Pullen

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Includes both the mono and stereo versions of the album!

Strut presents an all-time classic of South African music, the definitive remastered edition of Miriam Makeba's 'Pata Pata', her first album recorded for Reprise in 1966.
The album marked a significant international breakthrough for Makeba. Moving to the US after the anti-apartheid film 'Come Back, Africa' gained international attention and staying there in exile, she quickly built her career in New York during the '60s, mentored by Harry Belafonte. Signing with Reprise after a period with RCA, she returned to one of her older songs: "I wrote 'Pata Pata' back in 1956, back in South Africa", remembered Makeba in her autobiography. "It was a fun little song and I was thinking of a dance that we do at home ("pata" means 'touch" in Zulu and Xhosa)".
The track peaked on the Billboard Hot 100 at no. 12 and the album. Other songs on the album included a version of the traditional Xhosa classic, 'Click Song Number One' ('Qongqothwane'), the atmospheric 'West Wind', later famously covered by her friend Nina Simone, and a version of Tilahun Gessesse's 'Yetentu Tizaleny' which Makeba learned on a trip to Addis to perform for Haile Selassie at the Organisation Of African Unity.

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Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

25,99 €*

Milford Graves & Don Pullen

Release: 1967 / US – Reissue

Genre: Organic Grooves

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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

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Nommo

LP | 1967 | EU | Reissue (Chush)

21,59 €* 23,99 € -10%

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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In his 1967 DownBeat review of the initial release, Amiri Baraka wrote: "The music is beautiful on this album... These two players... are making some of the deepest music anywhere. It wants nothing."

Peter Margasak included the album in his list of "Favorite Albums of 2020," and wrote: "Essential coupling of two insanely rare duo albums from a 1966 concert at Yale University: Pullen at his most ferocious and probing, Graves making a huge step in establishing his radical approach to polymetric movement."

In a review for Point of Departure, John Sharpe commented: "The five pieces represent a true dialogue... Although intensity levels vary, the exchanges remain resolutely non-melodic and non-metric throughout... Even after all this time the music still challenges preconceptions. It remains a classic of the genre and deserves to be widely heard."

Thurston Moore included Nommo in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal magazine, calling the interplay between the musicians "remarkable."

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Sorcerer Crystal Clear Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Sorcerer

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Sorcerer

73,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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Seven Steps To Heaven 45 Rpm 180g Edition

2LP | 1963 | US | Reissue (Analogue Productions)

75,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | US | Reissue (Mobile Fidelity Sound Lab)

Seven Steps To Heaven

73,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Miles Davis Quintet

Miles Smiles

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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The wonderful Post-Bop album Miles Smiles (1967) was recorded by Davis's second great quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. The album showcases Davis' deeper exploration of modal performance with looser forms, tempos, and meters. Although it did not follow the conventions of Bop, the album did not follow the formlessness of Free Jazz.

180g vinyl.

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Quiet Nights Clear Vinyl Edtion

LP | 1964 | EU (Destination Moon)

16,99 €*

Release: 1964 / EU

Genre: Organic Grooves

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The last of the collaborative LPs Miles Davis recorded with Gil Evans for Columbia, Quiet Nights is easily the most controversial. Following the success of Sketches Of Spain, Davis and Evans aimed to further the Latin explorations, this time pointing to Brazil, as heard on the adaptation of Antonio Carlos Jobim’s ‘Corcovado’ and Joao Gilberto’s ‘Aos Pés Da Cruz,’ with its stellar Ron Carter bass accompaniment, though some were surprised by the brevity of the proceedings, including Miles himself. Nevertheless, those who get to know the album will appreciate its intricacies, the product of the pair’s unique creative chemistry.

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Nefertiti

83,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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LP | 1965 | US | Reissue (Mobile Fidelity Sound Lab)

My Funny Valentine

48,99 €*

Release: 1965 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Smiles

82,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Miles In Tokyo Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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'Miles in Tokyo' is a live album recorded on July 14, 1964, by the Miles Davis Quintet (featuring Sam Rivers, Ron Carter, Herbie Hancock and Tony Williams) at the Tokyo Kosei Nenkin Kaikan, Shinjuku, Tokyo, Japan. It is the first recording of Davis in Japan and the only album to showcase an early incarnation of his Second Great Quintet featuring Sam Rivers on tenor saxophone, following George Coleman's departure. After this, Wayne Shorter's appointment completed the classic line-up which recorded such albums as 'ESP' and 'Miles Smiles', through to 'Miles in the Sky'. The legendary 'Miles in Tokyo' album is now available on vinyl in Europe for the first time. The heavyweight gatefold contains a 4 page-booklet glued inside, like the original 1969 Japanese LP version.

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Miles In Tokyo

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Speakers Corner)

Miles In Berlin

34,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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It's 1964 and the first Berlin Jazz Festival is about to reach its absolute peak: the final concert on the night of Friday, 25th September by Miles Davis. And the European subsidiary of Columbia Records, CBS, couldn’t wait to release this legendary event on LP.
The new quintet, for the first time with Wayne Shorter on the tenor sax (and not yet as composer), thrilled and roused the audience in the Philharmonie from the first minute to the very end. The classics "Miles(tones)", "So What" and "Walkin’" were performed at an astonishingly fast pace, the ballads were tender and dreamy. Such a magical atmosphere was rarely evoked at later concerts, which was probably due to the excellent acoustics of the large concert hall. The audience were also seated behind the stage, so Miles couldn't turn his back provokingly on people; sometimes he just squatted on the stage. However, this didn’t prevent him from performing his solos lyrically and tenderly, most of them finely nuanced, soft and gentle, yet audible right into the furthest corner. The rhythmic structure created by the young drummer Anthony Williams provided the necessary excitement.
Miles at the top of his form, an enthusiastic audience, impressive acoustics and, to top it all, excellent recording technology and a fantastic pressing on virgin vinyl - what more does a jazz fan want? Now’s the time to dig out your credit card!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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LP | 1969 | EU | Reissue (Sony)

In A Silent Way

30,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Sony Legacy)

Greatest Hits

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Columbia)

Greatest Hits

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Mike Bloomfield & Al Kooper

Live Adventures Of ... Blue & White Marbled Vinyl Edition

2LP | 1969 | EU | Reissue (Music On Vinyl)

38,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | JP | Reissue (Think!)

Mighty Sparrow

The Outcast

38,99 €*

LP | 1965 | JP | Reissue (Think!)

Release: 1963 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Originally released in 1963, "The Outcast" is a masterpiece that includes "Tour of Jamaica", the strongest jazzy calypso song that continues to captivate many DJs and music lovers!! No other song makes the listener dance with such happiness! The quality of the album as a whole is excellent, and this is truly one of Mighty Sparrow's masterpieces! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "Tattoo Woman", which will be released at the same time on analog LP!!

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Mighty Sparrow

Tattoo Woman

38,99 €*

LP | 1969 | UK | Reissue (Ace)

Release: 1965 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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"Tattoo Woman" was originally released in 1965 and includes "Under My Skin", a favorite not only among calypso fans but also Ska and Reggae lovers! This is a calypso arrangement of Cole Porter's original song "I've Got You Under My Skin" and is truly a masterpiece! The album as a whole contains many wonderful pieces that convey the breath of calypso in its heyday! Please enjoy these two historical masterpieces by the god of calypso, Mighty Sparrow, together with "The Outcast", which will be released at the same time on analog LP!!

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Mighty Baby

Mickey & The Soul Generation

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.

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Iron Leg

7" | 1969 | EU | Reissue (Gc Production)

12,99 €*

Our Meanings And Our Feelings

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Reissued and remastered with replica artwork - the highly sort after classic rare groove track, 'Iron Leg' by DJ Shadow's favourite Funk band, Mickey & The Soul Generation.

Original copies trade hands for £125+. Black 7" dinked centre hole vinyl.

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Michel Portal

LP | 1969 | EU | Reissue (Le Très Jazz Club)

33,99 €*

LP | 1969 | US | Reissue (Bija)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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On June 27th, 1969, Michel Portal pushed the door of the Pathé Marconi studios. With him were drummers Jacques Thollot and Aldo Romano, bassist Jean-François Jenny-Clark and pianist Joachim Kühn. They hadn"t rehearsed anything, as if entering the studio to record an album without any plan was something normal. The musicians were obviously very used to playing with each other, as the five tracks on Our Meanings And Our Feelings seem to flow perfectly without any hint of improvisation. The zokra, an oriental clarinet that Michel Portal plays on "Walking through the land" and "Dear old Morocco" brings a singular touch to this album. This singularity is transcended by Joachim Kühn"s ability to easily go from the piano to the saxophone alto, from supporting to soloing, before playing the bells, then the tambourine, opening the soundscape. Our Meanings And Our Feelings may not be the first French free jazz record - as it was preceded by the fantastic Free Jazz by François Tusques, released in 1965 and on which Michel Portal plays as well - but it remains one of the most important. Its incredible outburst of sounds and melodies is completely free yet never turns into cacophony. 44 years after its release, it is still urgent to listen to Our Meanings And Our Feelings and what these five talented musicians had to tell us.

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Michael Gregory Jackson

Clarity

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Matthew, Mark, Luke And John

Methuselah

LP | 1969 | EU (Trading Places)

23,74 €* 24,99 € -5%

LP | 1969 | US | Reissue (Limelight)

Release: 1969 / EU

Genre: Rock & Indie

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Obscure psychedelic gospel act Methuselah had its roots in Scunthorpe ‘Beat’ group the Dimples, which became Gospel Garden, whose only 45 infused Northern Soul with psycheleanings. Regrouping as Methuselah, the group signed to Elektra for this sole religious rock concept LP, their sound deceptively American, with vocal harmonies evidencing bluegrass influences; guitarist Les Nicol is never short of excellent. Certain members would later form Amazing Blondel, but Matthew, Mark, Luke And John has a unique flavour, and our edition includes two rare bonus tracks. This slice of obscure psyche must be heard to be believed!

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Melvin Jackson

Funky Skull

LP | 1963 | EU | Reissue (Universal)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl

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Mel Carter

When A Boy Falls In Love

31,99 €*

Release: 1963 / EU – Reissue

Genre: Pop

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Chicken Fat Verve By Request Edition

Mel Brown

LP | 1967 | EU | Reissue (Impulse)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Chicken Fat Red Vinyl Edtion

Mel Brown

Chicken Fat Clear Vinyl Edtion

Release: 1969 / US – Reissue

Genre: Organic Grooves

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The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor. Sourced from the original analog master tapes by Kevin Grey. All Analog Process (aaa) Initially working as a guitar player for such greats as Sonny Boy Williamson & Etta James, Impulse Records eventually offered Mel Brown the chance to record his own material. Recorded in 1967 in Hollywood, CA, for the Impulse record label, Brown amassed a group of session musicians who had played with Charles Mingus, Marvin Gaye, and Dizzy Gillespie. Much of the album was arranged by Oliver Nelson, who worked with Thelonious Monk, Sonny Rollins, Jimmy Smith and more. His touch is felt all over the record and helps solidify the journey. These recording sessions also reflected the Sunset Strip and the energy of late ‘60s Los Angeles so incredibly, you can almost hear the go-go boots hit the floor to dance til they drop.

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Mel Brown

LP | 1967 | EU | Reissue (Blue Note)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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McCoy Tyner

The Real McCoy

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Motown Feeling / Mean Old World

Maynell Wilson

7" | 1967 | EU | Reissue (Record Prayer)

9,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Riding Easy)

Maximillian

34,99 €*

LP | 1969 | JP | Reissue (Craftman)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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RidingEasy Records has teamed up with Permanent Records in Los Angeles to bring this very special heavy psych rocker back into the fold for RSD 2023. New York City based African-American & Latino hard rock/psych trio Maximillian released their sole self-titled album on ABC Records in 1969, then promptly vanished. It has remained a collectors’ conversation piece ever since. Maximillian combined elements of beat poetry, a little bit of The Fugs, a hit of Funkadelic, a lick of Cream and a vibe of Hendrix worship with an ambition that seems to have jumbled these influences. The Maximillian album is a rare artifact of late-60s psychedelic rock whose appeal is not the skill of their musicianship, but the downright strangeness of it. While at times it sounds like the trio is playing entirely different songs at the same time, it’s said that producer Teddy Vann had a hand in the album’s sometimes confusing production. Gatefold

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Masahiko Togashi

We Now Create

45,99 €*

Speed And Space - The Concept Of Space In Music

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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The most important artists in the history of Japanese free jazz, Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi and Motoharu Yoshizawa. A solemn and crazy improvisation work originally recorded in 1969! "It was not until 1969, when this album was recorded, that the quality of Japanese free jazz works reached a world-class level. The most important artists in the history of Japanese free jazz feast the solemn and insane improvisation has not faded away even in the present age of 2022." - Kouki Hanawa (Craftman Records)

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Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

Marvin Peterson And The Soulmasters

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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In Concert

LP | 1969 | JP | Reissue (P-Vine)

31,99 €*

Together Original Master Mono

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.

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Marvin Gaye & Mary Wells

LP | 1964 | US | Reissue (Motown)

37,99 €*

Exotic Moog Black Vinyl Edition

Release: 1964 / US – Reissue

Genre: Organic Grooves

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Vinyl LP pressing.

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Martin Denny

LP | 1969 | EU | Reissue (Supraphon)

Release: 1969 / US – Reissue

Genre: Electronic & Dance

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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.

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Marta Kubisova

Songy A Balady

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Markley (West Coast Pop Art Experimental Band)

Markley, A Group

LP | 1969 | EU | Reissue (Life Goes On)

25,99 €*

Gira Gira / Parabéns Meu Bem Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

11,99 €*

Gira Gira / Parabéns Meu Bem Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.

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Marcos Vermelho

7" | 1969 | EU | Reissue (Groovie)

11,99 €*

Doin' Things Black History Month Colored Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Madeline Bell

LP | 1969 | UK | Reissue (UMR)

41,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Wax Trader)

Madeline Bell

Doin' Things

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Luigi Tenco Clear Yellow Vinyl Edition

Luigi Tenco

LP | 1965 | EU | Reissue (SAAR)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Four Sail Expanded Edition

Love

LP | 1967 | US | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Four Sail is the fourth album by the American Rock band Love, released in 1969. By mid-1968, Arthur Lee was the only remaining member of the Forever Changes line-up of Love. Three LPs worth of material were recorded in a makeshift studio in a Los Angeles warehouse, released as Four Sail and the Blue Thumb LP Out Here. This expanded edition of Four Sail includes three bonus tracks.

180g vinyl.

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Lou Donaldson

Lush Life

37,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Riverside)

Lou Courtney

Skate now shing-a-ling

15,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Musica & Entretenimiento)

Los Vidrios Quebrados

Fictions

35,99 €*

LP | 1965 | EU | Reissue (Guerssen / Little Butterfly)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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"Fictions" (1967) by Los Vidrios Quebrados is released now on vinyl, from the original IRT masters! Los Vidrios Quebrados were pioneers in Chile in adopting psychedelia as a musical aesthetic, due to the influences gathered mainly from British groups. Although they bequeathed only one LP, this one is a permanent reference of research and applause, for having been worked with their own material (without covers, as was the norm of local rock at the time) and combining their electric flight with opinions of social observation. "Fictions" (1967) is one of the most important rock albums made in Chile. The 1966 single "Friend" and "She'll Never Know I'm Blue" gave way the following year to the recording of "Fictions", their only LP, under the RCA Victor and Ues Producciones label. Without merely copying their influences, the songs on the album feature smooth and fine instrumental arrangements by Héctor Sepúlveda (guitar and vocals), who also acted as the album's musical director. Those who were lucky enough to hear them live say that they were much more rock than what we can appreciate on the album. And the music on the "Fictions" album was even more sophisticated than what was being done at the time, there was a musicality that was quite anticipatory, even foreign. If you listen to the harmonies in "Introduction to Life..." or "Concerto in A Minor", they are quite complex compared to what was heard at the time. That's why they also had a place in radio stations more accustomed to playing classical music, like Radio Andrés Bello. There was a certain intellectual taste, something like an "intellectual arrogance", like the quotations to Oscar Wilde in the lyrics of the songs, for example. For the recording of "Fictions", Los Vidrios Quebrados had very little time, as was customary in those days. And despite the technical limitations of the recording studios (two tracks -vocals on one side and all the instruments on the other-, bottle cap tambourines and homemade instruments), when listening to the album, the result is surprising and, considering that in Chile the music of the Beatles and the Rolling Stones was already known, the reception of "Fiction" was quite good. After the success of "Fictions" and with a promising future, Los Vidrios Quebrados decided to go to Europe in 1969, but the idea was rejected by the parents of two of the members, who only saw music as a hobby. Different life choices and musical tastes led months later to the end of the band.

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Los Shakers

LP | 1967 | EU | Reissue (Discos Monterey)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Guerssen and Little Butterfly proudly present the first long playing record from 1965 by the fabulous LOS Shakers, the legendary band formed in Uruguay in the mid 1960s, in the wake of the Beatlemania phenomenon.

Their songs had little to envy to those of their heroes from Liverpool. Tempo, chord progressions and rhythms boiled in a magic, infectious sound!

Get ready to enjoy the songs of Hugo, Osvaldo, Caio and Pelin… Los Shakers!

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Los Shain's

Segundo Volumen

Mi Mami Dijo / Pobre Nina

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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After consecutive reissues of Peruvian garage and psychedelic rock from the sixties and seventies, Discos Monterey couldn't miss the chance to resurface two of the most emblematic records of the period: "Segundo Volumen" (1967) and "Docena 3" (1968) by Los Shain's, the "conjunto de conjuntos" (the band among bands), as they were called back then. Those fifteen-year-olds started in mid-1964 and would go on to make an impressive musical career that would make history with just four records for the Iempsa label.

They recorded their first LP "El Ritmo De Los Shain's" (1966), halfway between instro rock and garage. Its main architects - Enrique "Pico" Ego Aguirre, on guitar, and Gerardo Manuel Rojas, on lead vocals - introduced psychedelia in their second work called "Volumen 2" (1967). They were accompanied by Beto Tataje on second guitar, Juan Carlos Barreda on bass, and Carlos Manuel Barreda on drums. The album contains, for the most part, their own songs, standing out their luminous melodies and a certain beat they themselves considered to be a product of the "enfermedad" (sickness), immersed as they were in "la onda", the groove of the era. An impressive album that also stood out for its sound and for the pioneering presence of the "fuzz tone" among other effects such as the tape echo or a harmonic distorter that were revolutionary in their day and that today still have an impact due to their enormous power.

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Los Monjes

7" | 1965 | EU | Reissue (Discos Quilombo)

2x7" | 1969 | EU | Reissue (Madmua)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Reissue of this incredibly wild proto-punk garage 45 released in Mexico in 1965!!! 500 copies only!!!

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Los Cirros

24,69 €* 37,99 € -35%

LP | 1967 | EU | Reissue (Elpalmas Music)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

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Los Calvos

Estos Son Los Calvos

15,99 €*

7" | 1965 | JP | Reissue (Drum & Bass X Rock A Shacka)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Few have done as much for salsa in Venezuela as band-leader, composer and pianist Ray Pérez. He burst on to the scene in the mid-60s with his group Los Dementes, creating the blueprint for guaguanco, pachanga and boogaloo in Venezuela. When the name salsa began to be used as something of a catch-all-term he was still at the forefront, recording two hugely-popular salsa albums with Los Dementes in 1967. Remarkably, that very same year, he also recorded two albums with a brand new group, Los Calvos, that showed how as well as being the genre’s most visible band-leader, he was also pushing the nascent genre to its limits. Looking back, revered journalist Alfredo Churion states that Los Calvos were “one of the most innovative experiences in Venezuelan popular music.” Estos Son Los Calvos is the first of the two albums he made with Los Calvos. On it, he made a few alterations to the line-up that may seem minor, but created a completely new sound. For the first time, he recruited a drummer (unprecedented at the time for a salsa ensemble, which always used percussionists), he switched from the trombones of Los Dementes to the much harder, direct sound of trumpets, and he recruited Carlos Yanez, best known as El Negrito Calavén, as singer. Whereas Los Dementes had been aligned with the slightly pop sound of tropical orchestras, Los Calvos took an almost-jazz approach, allowing room for the musicians and vocalists to improvise, and they also took inspiration from the sounds of surf rock swirling around Caracas. The group’s drummer El Pavo amusingly once described the group’s sound as like “wearing a dinner suit with flip-flops”. Opening track “El Kenya” is the clearest example of that surf rock influence; it’s opening lines make clear its intentions: “una linda trigueña que me invitó a bailar el Kenya” (“a beautiful trigueña – tri-ethnic girl – invited me to dance the Kenya”). They are intent on creating their own dance craze, El Kenya. If the group had ever performed live, then maybe it would have taken off, as the song had all the credentials: rollicking montuno piano from Pérez, ingenious scatting and vocal improvs from Calavén, and a middle section where the drums and trumpets battle it out hard, with an audience screaming its appreciation throughout. It’s followed by ‘Mi Salsa Llego’, which Pérez had already recorded with Los Dementes; here, it’s a tougher beast, the sparser hits of the drums and trumpets giving a harder sound evocative of the times, with more and more people moving to the cities, and wanting a grittier, urban soundtrack. The secret weapon in Los Calvos was the fact that this was a group made up of some of Venezuela’s finest musicians, many of which, Pérez included, had working class roots. Music for them was as much a part of their day-to-day lives, as it was a profession, it was what they did. The legendary Frank “El Pavo” Hernandez was on drum kit, with revered names like Alfredo Padilla, Carlos “Nene” Quintero, Pedro García, Miguel Silva, Enrique Vazquez, Rafael Araujo and Luis Lewis, also involved in the group. Their versatility allowed Los Calvos to go from the slower, haunting groove of “Negrito Calavan”, a showcase for their singer to improvise, and on to “Bailemos Kenya”, another attempt by the group to create their own version of “The Twist”! Los Calvos never played live, but that was always the intention. Pérez was in demand by the record labels of the time and his deal with RCA Victor to make two albums as Los Calvos was only ever that. But the spirit of Los Calvos remained when Pérez then formed Los Kenya, whose name came from the opening track of this album, and whose line-up featured the same inventions as Los Calvos, with a drum kit, two trumpets and the same vocalists (for their second album, Carlín Rodríguez joined as a singer, and remained for Las Kenya). For this reason, Los Calvos would never have the same successes as Pérez’s other groups, though even Pérez has revealed in interviews that the two albums he made as Los Calvos are some of the most fun he ever had recording. With the price of originals for both albums ever increasing for vinyl collectors, this is a great chance to get hold of two of the heaviest salsa albums ever issued in the 60s, and an important moment in the life of Venezuela’s salsa king, Ray Pérez.

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Lord Tanamo

If You Were Only Mine

17,99 €*

LP | 1969 | US | Reissue (Blue Note)

Release: 1965 / JP – Reissue

Genre: Reggae & Dancehall

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"If You Were Only Mine" is one of Tanamo's most popular songs. Lovely ska vocals start with a beautiful, flowing, gentle horn theme. A great song backed by the Skatalites in their prime. The coupling is a killer ska tune by Don Drummond. "Bellevue" is the name of the mental hospital where Don Drummond spent his life until his death in 1969, after he was arrested for the murder of his girlfriend Margarita on New Year's Day, 1965. This is the last recording of the greatest trombonist in Jamaican history, who lived up to his name as a genius. You can hear Don's heartbreaking cry along with another take of "No More" recorded on the album.

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Lonnie Smith

Turning Point

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Blue Note)

Lonnie Smith

Move Your Hand

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Out-Sider)

Locksley Hall

Poor Dog / A Little Bit Of Something

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Little Richard

7" | 1967 | EU | Reissue (Outta Sight)

12,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU (Trading Places)

Little Richard

Little Richard Is Back

LP | 1969 | EU | Reissue (Sony Music Japan)

Release: 1964 / EU

Genre: Rock & Indie

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Known as ‘the Architect of Rock ‘n’ Roll,’ the flamboyant rhythm and blues extrovert, Little Richard, made an incredible impact with unorthodox piano playing and rasping, shouted vocals, yielding a series of pivotal hits in the mid-1950s, but he abandoned secular music for gospel following a tour of Australia in 1957. Lured back into rock by promoter Don Arden, his UK tour featuring The Beatles as support, Little Richard Is Back was his comeback set for Vee Jay, his voice now deeper and seasoned; the range of covers are tackled with plenty of pep, and original ‘Groovy Little Suzy’ was co-written by Harry Nillson. All hail the King!

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Lisa Ono

Catupiry

32,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Sundazed Music Inc.)

Link Wray

Sings And Plays Guitar

31,99 €*

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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7" | 1967 | UK | Reissue (Tay-Ster)

Lillie Bryant

Mamma / Meet Me Halfway

15,99 €*

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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The Great Electric Show And Dance

Lightnin' Hopkins

LP | 1969 | US | Reissue (Jewel)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Lightnin' (The Blues Of Lightnin' Hopkins) Clear Vinyl Edtion

Lightnin' Hopkins

LP | 1969 | EU (Destination Moon)

16,99 €*

California Mudslide (And Earthquake) Clear Yellow Vinyl Edition

Release: 1969 / EU

Genre: Organic Grooves

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Texan country blues kingpin Lightnin’ Hopkins was rated one of the top 100 guitarists of all time by Billboard, and was a notable influence on Stevie Ray Vaughan, among others. Recordings for Aladdin and Gold Star cemented his reputation, and after performing at Carnegie Hall with Pete Seeger and Joan Baez, ‘Mojo Hand’ was a breakthrough hit. The superb 1961 LP Lightnin’ (The Blues of Lightnin’ Hopkins) benefits from the understated presence of King Curtis’ drummer, Belton Evans, and jazz bassist Leonard Gaskin, placing Hopkins’ guitar licks and raspy voice at centre stage, playfully relating heartbreak and woe.

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Coming Soon

Lightnin' Hopkins

LP | 1969 | UK | Reissue (Vault)

36,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Fire Horses / Silence On The Shore

Les Marquis

7" | 1967 | EU | Reissue (You Are The Cosmos)

12,99 €*

LP | 1967 | US | Reissue (Return To Analog)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.

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Les Differents

Release: 1967 / US – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Legacy)

Leonard Cohen

Songs Of Leonard Cohen

Release: 1967 / EU – Reissue

Genre: Pop

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LP | 1969 | EU | Reissue (Legacy)

Leonard Cohen

Songs From A Room

Release: 1969 / EU – Reissue

Genre: Pop

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Spirits Known And Unknown

Leon Thomas

LP | 1969 | UK | Reissue (BGP / Flying Dutchman)

22,99 €*

Spirits Known And Unknown

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Leon Thomas’ debut as a leader was this classic of spiritual jazz recorded for Bob Thiel’s Flying Dutchman label. Originally pressed in 1969, it features an all-star band including Pharoah Sanders (under the name Little Rock), Lonnie Liston Smith (piano), James Spaulding (alto sax), Cecil McBee (bass), Roy Haynes (drums) and Richard Landrum (bongos).

“Spirits Known And Unknown” features versions of ‘The Creator Has A Master Plan (Peace)’, the classic ‘Song For My Father’, ‘One’, ‘Echoes’ and the topical ‘Damn Nam (Ain’t Goin’ To Vietnam)’. Subtitled New Vocal Frontiers upon release, the rear sleeve noted that “Thomas is searching as far into himself as he can go for spirits known and unknown and is creating new dimensions of vocal expressiveness to bring these spirits – these feelings – into the experience of others.” The fact that this album is hailed as a classic shows that he succeeded.

Pressed on 180gm vinyl we have remained faithful to the original pressing replicating the Flying Dutchman label style and gatefold-sleeve.

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Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

34,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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The Sidewinder Blue Note 85 Collection Blue Vinyl Edition

LP | 1964 | WW | Reissue (Blue Note)

Release: 1964 / WW – Reissue

Genre: Organic Grooves

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Nobody had expected the extraordinary success of this album and its funky title track. When Blue Note released trumpeter Lee Morgan's “The Sidewinder” in 1964, the label “only” pressed 4,000 copies, but they were completely sold out within three days. The instrumental album reached number 25 in the pop charts and number 10 in the rhythm'n'blues charts, while the soul-jazzy title track, which was shortened for that, was also successful as a single. The album, recorded with tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw and drummer Billy Higgins, is now a classic album that should be in every jazz collection.

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LP | 1964 | EU | Reissue (Blue Note)

The Sidewinder

23,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Blue Note)

The Rumproller

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | Reissue (Blue Note)

The Gigolo

Release: 1965 / Reissue

Genre: Organic Grooves

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LP | 1964 | DE | Reissue (Blue Note)

Search For The New Land

Release: 1964 / DE – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Return To Analog)

Lee Gagnon

Jazzzzz

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Le Stelle di Mario Schifano

Dedicato A Purple Vinyl Edition

LP | 1967 | EU | Reissue (AMS)

30,99 €*

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Le Quatuor De Jazz Libre Du Quebec

LP | 1969 | US | Reissue (Return To Analog)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Corridor Of Faces Black Vinyl Edition

Lazy Smoke

Release: 1969 / US – Reissue

Genre: Rock & Indie

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7" | 1967 | UK | Reissue (Coolumbia)

Latin Combo

I'm A Man

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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LP | 1965 | EU | Reissue (Sommor)

Las Mosquitas

LP | 1969 | US | Reissue (Mainstream)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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Infectious rock&roll, surf, beat, girl group and ye-yé sounds by LAS Mosquitas, the first female beat band from Argentina.

Including their rare album from 1965 for the Music Hall label plus bonus tracks from singles and their impossible to find split EP with Los Gatos Salvajes.

Las Mosquitas (“The Little Flies”) consisted of Stella Maris Conde (Pupé) on vocals and guitar, María Cristina Medina (Nita) on bass, Ana María Millán (Nené) on vocals and guitar and Beatriz Cabrera (Dina) on drums. They performed their original compositions as well as Spanish sung covers of hits from the era. Producer Ricardo Romero of pioneering rock&roll Argentinean band Los Cinco Latinos took them under his wing and secured a deal with the Music Hall label.

They toured nationally and internationally, sometimes supporting Los Cinco Latinos, other times as the main act. Not only that, but they conquered every city they performed in, they were received by fans, ambassadors, presidents and their daughters, all eager to see Las Mosquitas on stage. Tours through Panamá, the Dominican Republic, Peru, Puerto Rico, Chile, Uruguay, Brasil, Curazao and Argentina were completed with fantastic public response and TV appearances.

The “Mosquitamania” was born and a string of singles and a full album on the Music Hall label followed. All of them are compiled here for the first time.

“Their music was a mix of ye-yé and beat and they dressed how you would expect the Beatles to dress if they had been women” - Gareth Wynne (Ugly Things)

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Lacewing

La Monte Young / Marian Zazeela

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Colored Vinyl

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31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta

LP | 1969 | US | Reissue (Superior Viaduct)

22,79 €* 23,99 € -5%

LP | 1963 | EU | Reissue (Honeypie)

Release: 1969 / US – Reissue

Genre: Electronic & Dance, Classical Music

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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.

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Krzysztof Komeda

Ballet Etudes

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism. For many years considered a rare collector item "Callet Etudes" comes back to life as a major statement in East-European music history.” Allan Botschinsky - trumpet, Jan Wróblewski - tenor sax, Krzysztof Komeda - piano, Roman Dylag - bass, Rune Carlsson drums.

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Kevin Ayers

Joy Of A Toy

LP | 1964 | EU | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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As the Soft Machine's first bassist and original principal songwriter, Kevin Ayers was an overlooked force behind the group's groundbreaking recordings in 1967 and 1968. Joy Of A Toy is his debut solo album, its whimsical and unique vision is a clear indication of how Soft Machine might have progressed under Ayers' tenure. On the LP he is accompanied by his Soft Machine colleagues Robert Wyatt, Mike Ratledge and Hugh Hopper.

180g vinyl.

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Kenny Dorham

Una Mas

37,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Midnight Blue Blue Note 85 Blue Vinyl Edition

LP | 1963 | Reissue (Blue Note)

Release: 1963 / Reissue

Genre: Organic Grooves

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Guitarist Kenny Burrell debuted on Blue Note Records in 1956 and over the following seven years made a series of excellent albums for the label that culminated with his masterwork Midnight Blue. Recorded in 1963, the album waded deep into the blues, conjuring an alluring late-night vibe with a profoundly soulful cast including tenor saxophonist Stanley Turrentine, bassist Major Holley, Jr., drummer Bill English, and Ray Barretto on congas.
Burrell originals including “Chitlins con Carne,” “Midnight Blue,” “Saturday Night Blues,” and the stunning solo guitar piece “Soul Lament” set the tone for this timeless classic adorned by one of the all-time great Reid Miles cover designs.

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LP | 1963 | EU | Reissue (Not Now)

Midnight Blue

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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K.B. Burrell Tone Poet Vinyl Edition

LP | 1969 | EU | Reissue (Blue Note)

43,99 €*

Kenny Burrell & John Coltrane

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957, Kenny Burrell’s third session as a leader for Blue Note presented the guitarist’s signature stylings with a crack team of hard boppers featuring Horace Silver, Hank Mobley, Doug Watkins, and Louis Hayes. Previously only issued on vinyl in Japan (1979) this swinging set is given a new shine with this mono Tone Poet Vinyl Edition.

BLUE NOTE TONE POET EDITION: Mono, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

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Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

60,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Guitar Forms Acoustic Sounds

LP | 1965 | EU | Reissue (Verve)

43,99 €*

Ken Wheeler / John Dankworth Orchestra

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

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Windmill Tilter (The Story Of Don Quixote)

LP | 1969 | EU | Reissue (Decca)

LP | 1969 | JP | Reissue (P-Vine)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. Kenny Wheeler was born Canada in 1930 and, with encouragement from his father - himself a trombone player - began playing trumpet at age 12. After studying at Toronto’s Royal Conservatory, he arrived in London in 1952, his playing enveloped in the sounds of Miles Davis, Booker Little, and Fats Navarro. In 1959, Wheeler joined the Johnny Dankworth Orchestra and stayed there until 1963, although he returned frequently for shows and other projects in the years that followed. He quickly become a distinguished soloist in the Orchestra and appeared on Dankworth’s key sixties albums. Wheeler met and played with the rising artists of London’s free jazz scene. Players such as Trevor Watts, Derek Bailey, and Evan Parker, musicians who would challenge the conventions of the day, eschewing formal composition and structure to embark on group improvisation. For a musician thoroughly schooled in all the conventions of charts and dance bands as Wheeler was, this was a radical departure. Wheeler’s contributions proved his ample flexibility and showed he was capable of inhabiting both the free environment and the more formal and controlled settings of a big band and orchestra. This was shown most clearly on his debut album, Windmill Tilter, recorded for Fontana with the John Dankworth Orchestra. The album features a young John McLaughlin on guitar along with bassist Dave Holland and a roster of talented and well respected musicians playing on one of the greatest modern jazz big band and orchestral albums.

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Kashmere Stage Band

Our Thing

36,99 €*

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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Kashmere Stage Band

Our Thing