HHV Records 1641 Items

LP | 1969 | JP | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 1000 copies.

The Rationals are one of the cornerstone bands of Detroit’s ever-storied rock history. Artists such as Bob Seger, Ted Nugent and Brownsville Station were influenced by The Rationals. Coming out of Ann Arbor in 1964, The Rationals gave an authentic R&B twist to the new rock ‘n roll styles of the British Invasion. They broke through on Jeep Holland’s A2 label in 1965 and found a hit with a cover of Otis Redding’s “Respect” on the Cameo Parkway label in 1966—reaching a spot on the Billboard Hot 100. By 1967 The Rationals were firmly embedded in the Detroit music scene alongside such contemporaries as MC5, The Stooges, Bob Seger System and the Amboy Dukes. They were frequently featured on bills at the legendary Grande Ballroom, and acted as supporting act for Cream, Jimi He ndrix, and Pi nk Floyd around the Detroit area. Their sole studio LP was self-titled and released by Crewe Records in 1970. Their matured sound included touches of soul, hard rock, psychedelia, and the blues which spawned originals like “Guitar Army,” and showcased their soulful talents on covers such as “Temptation ‘Bout To Get Me”.

This Record Store Day 2022 reissue of the 1970 LP has been newly remastered and pressed on orange and yellow splatter vinyl at Third Man Pressing in Detroit.

Barefootin' Temptation 'Bout To Get Me Guitar Army Something's Gotta Hold On Me Deep Red Sunset Glowin' Handbags and Gladrags Ha Ha Zip-A-Dee Doo-Dah (Bonus Track)

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Oscar Peterson

Mellow Mood

18,99 €*

LP | 1969 | EU | Reissue (Soulgramma)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1975 Japanese reissue.

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Ram John Holder

Black London Blues

20,99 €*

Markley (West Coast Pop Art Experimental Band)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Fully licensed ! Ltd to 500 copies. Singer and guitarist Ram John Holder was born in. 1939 in Georgetown, British Guiana, then moved to Cincinnati in 1954, and to the East Coast to work as folk blues singer in the early 1960s. In 1963, he took residency in England where he recorded several albums. Released in 1969 Black London Blues is surely is masterpiece. A socio-political manifesto the album chronicles the trials and tribulations that were the result of being a black-immigrant in London, and it contains all the pathos and pain one can imagine. Self-conscious, as concept albums often are, the record is almost like an audio A-Z or pub guide. It’s funky and represents his own black experience. It is a must have for all the blues revivalist out there, a record to rank along the lines of early Mike Cooper and american stalwarts like Eugene McDaniels or Sixto Rodriguez !

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Markley, A Group

LP | 1969 | EU | Reissue (Life Goes On)

25,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

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LP | 1969 | US | Original (Atlantic)

Jazz Super Hits

11,99 €*

Spirits Known And Unknown

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with punch hole

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Leon Thomas

LP | 1969 | UK | Reissue (BGP / Flying Dutchman)

Tenderness George Semper Mix

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Leon Thomas’ debut as a leader was this classic of spiritual jazz recorded for Bob Thiel’s Flying Dutchman label. Originally pressed in 1969, it features an all-star band including Pharoah Sanders (under the name Little Rock), Lonnie Liston Smith (piano), James Spaulding (alto sax), Cecil McBee (bass), Roy Haynes (drums) and Richard Landrum (bongos).

“Spirits Known And Unknown” features versions of ‘The Creator Has A Master Plan (Peace)’, the classic ‘Song For My Father’, ‘One’, ‘Echoes’ and the topical ‘Damn Nam (Ain’t Goin’ To Vietnam)’. Subtitled New Vocal Frontiers upon release, the rear sleeve noted that “Thomas is searching as far into himself as he can go for spirits known and unknown and is creating new dimensions of vocal expressiveness to bring these spirits – these feelings – into the experience of others.” The fact that this album is hailed as a classic shows that he succeeded.

Pressed on 180gm vinyl we have remained faithful to the original pressing replicating the Flying Dutchman label style and gatefold-sleeve.

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Candy Rae

7" | 1969 | EU | Reissue (Record Shack)

15,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Tamla Motown Is Hot, Hot, Hot!

LP | 1969 | DE | Original (Tamla Motown)

6,99 €*

LP | 1969 | EU | Reissue (Mad About)

Release: 1969 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG+

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The Four Sounds

Jazz From District Six

LP | 1969 | EU | Reissue (Sommor)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”

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Hugo Y Osvaldo

La Bossa Nova De ...

Speed And Space - The Concept Of Space In Music

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?

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Masahiko Togashi Quartet

LP | 1969 | EU | Reissue (Cinedelic)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert

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Ethiopians

Reggae Power

Giant Step / De Ole Folks At Home

Release: 1969 / EU – Reissue

Genre: Soundtracks

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The Ethiopians were one of Jamaica’s most popular bands during the late ska, rocksteady and early reggae periods. The much loved harmony group began working with the legendary producer Carl ‘Sir J.J.’ Johnson after a series of successful ska and rocksteady hits. This collaboration resulted in some of the biggest reggae hits of the late Sixties and early Seventies. Most notable hits were “Everything Crash”, “What A Fire”, “Feel The Spirit”, “Hong Kong Flu” and “Woman Capture Man”, which are all included on their 1969 debut album Reggae Power. The album cover features a photo of future Carry On Girls-actress Pauline Peart. Reggae Power is available on black vinyl.

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Taj Mahal

2LP | 1969 | US | Reissue (Columbia)

LP | 1969 | US | Original (Prestige)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Terre Haute pressing. US repress.

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Oscar Peterson

Easy Walker

9,99 €*

First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

US original.

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Willie Tee

7" | 1969 | UK | Reissue (Gatur)

13,99 €*

Eight Miles High Red Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.

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Golden Earring

36,99 €*

I Got Dem Ol' Kozmic Blues Again Mama!

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Strictly Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2022 remasters direct from the first generation analogue master tapes! Limited Edition 500 LPs

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Janis Joplin

7" | 1969 | UK | Original (Immediate)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.

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Humble Pie

Natural Born Bugie

5,99 €*

Release: 1969 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

It's A Bubble Gum World White Vinyl Edition

The Mam'selles

LP | 1969 | US | Reissue (Beatrocket)

La Stagione Dei Sensi Clear Vinyl Edition

Release: 1969 / US – Reissue

Genre: Pop

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Cavity-causing Cordovox-driven 1969 girl-group garage! A delightful romp through 'Oye Como Va,' 'Proud Mary,' 'Walkin' The Dog,' 'Son Of A Preacher Man,' their chicle sticky original title track, and so much more! Cordovox organ, trumpet, bass, drums, congas, and tambourine! Not a guitar in sight! Out of sight! Pressed on cloud white vinyl!

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Ennio Morricone

LP | 1969 | EU | Reissue (Vinylmagic)

33,99 €*

Release: 1969 / EU – Reissue

Genre: Soundtracks

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I Quelli Red Vinyl Edition

Quelli

LP | 1969 | EU | Reissue (RCA)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | DE | Original (Chess)

Blues News

6,99 €*

LP | 1969 | EU | Reissue (Blue Note)

Release: 1969 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

White vinyl

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Don Cherry

Where Is Brooklyn?

25,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | NL | Reissue (Elektra)

The Stooges

25,99 €*

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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After All Black Vinyl Edition

After All

LP | 1969 | EU | Reissue (Out-Sider Music)

John Berberian And The Rock East Ensemble

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Middle Eastern Rock Black Vinyl Edition

LP | 1969 | US | Reissue (Modern Harmonic)

Glenn Miller And His Orchestra

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge. Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian's backing band, consists of the artist's standard group, which specializes in traditional Armenian music with a jazz edge, and American session musicians who bring more of a rock sound. The results, which blend elements of psychedelia, free jazz, surf music, and various klezmer, African, and Middle Eastern textures, are dazzling, and are sure to thrill anyone with a taste for rare "outside" albums. ' AllMusic Review by Anthony Tognazzini

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The Original Recordings

LP | 1969 | UK | Original (RCA Camden)

3,99 €*

Release: 1969 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU (Trading Places)

Beau

20,99 €*

Marvin Peterson And The Soulmasters

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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In Concert

LP | 1969 | JP | Reissue (P-Vine)

31,99 €*

It's Great To Be Here / ABC / It's Your Thing / Looking Through The Windows

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.

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The Jackson 5

12" | 1969 | UK (Motown)

16,09 €* 22,99 € -30%

Release: 1969 / UK

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Label sleeve. Reissue. Vinyl is Close to VG+.

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Velvett Fogg

36,99 €*

La Fine Del Mondo / Marylou Blue Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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Edoardo Bennato

7" | 1969 | EU | Reissue (Numero Uno)

16,79 €* 23,99 € -30%

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Matsuli)

Gideon Nxumalo

Gideon Plays

27,89 €* 30,99 € -10%

LP | 1969 | US | Original (Motown)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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• Long lost 1968 album from visionary South African jazz composer incorporating traditional African music sources and instruments.

• Officially licensed from the Nxumalo family and reissued with inner sleeve containing archival photographs and new liner notes by Francis Gooding.

Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history. Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show. But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been side-lined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music. However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived. Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays.

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Four Tops

Four Tops Now!

15,99 €*

LP | 1969 | US | Original (Raw)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original. Cover with stickers and promo stamp

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Wildman Steve

My Man! Wild Man!

3,95 €*

Release: 1969 / US – Original

Genre: Comics

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | US | Reissue (Columbia)

Santana

6,99 €*

LP | 1969 | EU | Reissue (Decca)

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Original sleeve is missing.

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The New Jazz Orchestra

Le Dejeuner Sur L'herbe

Heaven / Earth HHV Exclusive Green Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

Heaven / Earth Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

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The Free Design

LP | 1969 | EU | Reissue (Bonfire)

Ken Wheeler / John Dankworth Orchestra

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Windmill Tilter (The Story Of Don Quixote)

LP | 1969 | EU | Reissue (Decca)

LP | 1969 | EU | Reissue (Wah Wah)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. Kenny Wheeler was born Canada in 1930 and, with encouragement from his father - himself a trombone player - began playing trumpet at age 12. After studying at Toronto’s Royal Conservatory, he arrived in London in 1952, his playing enveloped in the sounds of Miles Davis, Booker Little, and Fats Navarro. In 1959, Wheeler joined the Johnny Dankworth Orchestra and stayed there until 1963, although he returned frequently for shows and other projects in the years that followed. He quickly become a distinguished soloist in the Orchestra and appeared on Dankworth’s key sixties albums. Wheeler met and played with the rising artists of London’s free jazz scene. Players such as Trevor Watts, Derek Bailey, and Evan Parker, musicians who would challenge the conventions of the day, eschewing formal composition and structure to embark on group improvisation. For a musician thoroughly schooled in all the conventions of charts and dance bands as Wheeler was, this was a radical departure. Wheeler’s contributions proved his ample flexibility and showed he was capable of inhabiting both the free environment and the more formal and controlled settings of a big band and orchestra. This was shown most clearly on his debut album, Windmill Tilter, recorded for Fontana with the John Dankworth Orchestra. The album features a young John McLaughlin on guitar along with bassist Dave Holland and a roster of talented and well respected musicians playing on one of the greatest modern jazz big band and orchestral albums.

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Sage And Seer

LP | 1969 | Reissue (Vinyl Magic)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.

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Oronzo De Filippi

Meccanizzazione

Le Idee Di Oggi Per La Musica Di Domani

Release: 1969 / Reissue

Genre: Organic Grooves

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At the end of the '60s in Italy - but also abroad, especially in France and
England - a very particular trend began to spread, that one known as 'Library
music' or 'sonorization': as suggested by its name, those were real music
libraries intended for the accompaniment of audiovisual productions such as
television programs, advertisements, documentaries and films. Since they
were created in total artistic freedom condition, they are often difficult if not
impossible to catalog, as they're not anchored to a specific musical genre;
this freedom also allowed the authors to compose, sometimes in the most
complete anonymity, experimental and avant-garde music, capable of
anticipating the sounds that only many years later would have been
widespread on a larger scale.
Oronzo De Filippi is known not only for his library music works, but also for
having been part of the project The Braen's Machine, together with
Alessandro Alessandroni, another very important name in this context.
"Meccanizzazione" is a completely instrumental record - like practically all
LP's in this genre - literally dominated by the sound of the harpsichord, and it
substantially features two main kinds of compositions: the most 'friendly' and
easy-listening ones with a jazz-lounge and bossanova flavor, and the darker
and hypnotic ones, decidedly more fitting the repetitiveness of the industrial
world and its machines at work.
"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration
with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's
published between late '60s and early '70s, most of which have never been
released again until today, and that are finally made available again for
collectors and sonorization music lovers.

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Stormy Six

LP | 1969 | EU | Reissue (On Sale Music)

35,99 €*

LP | 1969 | EU (Endless Happiness)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Stormy Six debut album is, in some ways, the mirror of an era with simple atmospheres and an almost like ‘messa beat’ feel. The harmonies are kinda elementary and the general setting is strongly influenced by the Beat origins of the group. The "Stormy Six" formed as a sextet in Milan in 1965, right along that student environment that had already given birth to Maurizio Arcieri's "New Dada". The album is an eccentric mixture of Beat, Psychedelia and proto-prog in the vein of Moody Blues "In the search of the lost chord" or even early Genesis. The songs are almost written by the Rocchi-Fabbri duo even if, in retrospect, it was assumed that three of them belonged to Rocchi alone: ‘Ramo’, with a mystical indian flavor, ‘I Tuoi Occhi Sono Tristi’ – much in the vein of Brian Auger- and the poignant ‘Sotto I Portici Di Marmo’.

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Jimmy Ruffin

Ruff 'N Ready

Eric Burdon & The Animals

Release: 1969 / EU

Genre: Organic Grooves

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All killers and no fillers on this fabulous 1969 Motown masperpiece. It is a shame that Jimmy lived in the shadow of those other Motown singers such as Marvin Gaye and Stevie Wonder. It really is one of Motown's best albums!

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Every One Of Us

LP | 1969 | DE | Reissue (MGM)

14,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | UK | Original (Pye)

Man

Revelation

78,99 €*

2LP | 1969 | EU | Reissue (Parlophone Label Group)

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Flipback cover has a tear on back cover.

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Dr. Feelgood

The UA Years

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Analogue Productions)

Tony Joe White

Black And White

46,99 €*

The Anders & Poncia Album

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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Anders & Poncia

LP | 1969 | EU | Reissue (Hanky Panky)

LP | 1969 | EU (Survival Research)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever reissue of this bona fide “buried treasure” produced by Richard Perry and featuring Ry Cooder and the Wrecking Crew. Includes 4 page insert with notes by music historian Stephen J McParland and Vini Poncia, and many rare pictures and ephemera. Like the other more familiar and phenomenally successful duos Goffin/King, Barry/Greenwich or Mann/Weil, Peter Anders and Vini Poncia also graduated from the Brill Building era school of songwriting. Friends since high school, Anders and Poncia debuted as members of the Providence, Rhode Island vocal group The Videls whose second single Mister Lonely (written by Anders-Poncia) proved to be a moderate national hit (#73 on Cash Box and Billboard) in early 1960. It would be five more years before the duo’s pièce de résistance, The Trade Winds’ New York’s A Lonely Town, would appear on the legendary Red Bird label (started by George Goldner and songwriters Jerry Leiber and Mike Stoller in 1964). An East Coast (though California molded) surf music anthem, New York’s A Lonely Town had impressed both Phil Spector (with whom Anders and Poncia had enjoyed a brief working association, writing songs for The Ronettes, The Crystals or Darlene Love) and Beach Boys leader Brian Wilson. They also worked on an Elvis Presley film score – “Harum Scarum”. After releasing albums as The Trade Winds and The Innocence, as well writing and releasing a bunch of songs under various guises for Kama Sutra and Buddah Records, Anders & Poncia signed to Warner Bros in 1969. Produced by Richard Perry (Captain Beefheart, Fats Domino, Tiny Tim…), and featuring the Los Angeles A-Team of sessioneers (later known as “The Wrecking Crew”), their only album features ten original compositions and a version of Leiber & Stoller’s “Smokey Joe’s Cafe” (with some great bottleneck guitar by Ry Cooder). Reissued here for the first time these eleven brilliant and extraordinarily powerful tracks are ripe for rediscovery. As the liner notes state: “listen to Anders & Poncia … and you have found your poets.”

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Privilege

16,14 €* 16,99 € -5%

Dexter Gordon & Slide Hampton

Release: 1969 / EU

Genre: Rock & Indie

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An acid rock LP on the Isley Brothers’ T-Neck label? Yes, the unlikely collaboration resulted from a Jimi Hendrix concert at New York’s Syracuse University, supported by the Isleys and mixed soul-rock group, Soul Survivors, who had worked with Tom Bell and Gamble & Huff. When Soul Survivors morphed into Privilege, they convinced the Isleys to sign them to T-Neck, the result being this rare self-titled album, a fine set of hard-rocking originals, expertly produced by the Isleys with plenty of stereo panning, blistering guitar from frontman Edward Leonetti, atmospheric organ from Paul Venturini and melodic bass lines from Jack Douglas, later an engineer for Aerosmith, Lou Reed and Cheap Trick. A true classic, not to be missed!

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A Day In Copenhagen

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Corridor Of Faces Black Vinyl Edition

Lazy Smoke

LP | 1969 | US | Reissue (Jackpot)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Klaus Kinski Spricht François Villon Und Arthur Rimbaud

Kinski Spricht Villon Und Rimbaud 1

LP | 1969 | DE | Reissue (Amadeo)

7,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Mutantes Bottle Green Vinyl Edition

Os Mutantes

LP | 1969 | EU | Reissue (Vinyl Lovers)

21,99 €*

Motherlight Colored Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here

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Bobak, Jons, Malone

LP | 1969 | EU | Reissue (Morgan Blue Town)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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1969 album from the Morgan Blue Town stable, a classic psychedelic prog album. Album features Mike Bobak, Andy Jons & Wil Malone. Now on Limited Edition 180 gram Pearl Colored Vinyl.

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Easy Rider (Songs As Performed In The Motion Picture)

LP | 1969 | DE | Original (Columbia)

4,99 €*

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1969 / DE – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Cover splits on top seam. Sticker on cover.

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Kashmere Stage Band

Our Thing

Springtime / I Am Satisfied

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Self-released in 1969 ‘Our Thing’ is the debut album of the performing Houston unit known as Kashmere Stage Band. The Texas student band came together at the Kashmere High School and under the direction of musical director Conrad O. Johnson, released a series of cult album on Kram Records, before disbanding in 1978. Raw funk, that’s basically what they’ve been playing and clearly there was a blacksploitation feel all over the place, but their drive was quite unique. Rediscover the myth.

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Jimmy Thomas / Owen Grey

7" | 1969 | EU | Reissue

13,99 €*

LP | 1969 | NL | Original (Blue Horizon)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Deep/Mod Funk heavy hitter previously comped on Le Beat Bespoke and a deep Jamaican Soul cut increasingly in-demand among progressive Northern/Rare Soul deejays.

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Duster Bennett

Bright Lights...

28,49 €* 29,99 € -5%

LP | 1969 | EU | Reissue (Sony)

Release: 1969 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Bob Dylan

Nashville Skyline

30,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Real Gone Music)

OST Russ Meyer's Vixen

31,99 €*

Release: 1969 / US – Reissue

Genre: Soundtracks

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LP | 1969 | EU | Reissue (Polysom)

Brazilian Octopus

39,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The only LP from the group Brazilian Octopus, featuring Hermeto Pascoal and Nilson da Matta. Originally released in 1969 on the Fermata label. Rare in its original format, a much welcomed re-issue from the Polysom label. Deep soul-funk grooves meet library-esque progressive cinematics and psychedelics meet jazz dance jams! Full range.

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Miles Davis

Miles In Tokyo

Mickey & The Soul Generation

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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'Miles in Tokyo' is a live album recorded on July 14, 1964, by the Miles Davis Quintet (featuring Sam Rivers, Ron Carter, Herbie Hancock and Tony Williams) at the Tokyo Kosei Nenkin Kaikan, Shinjuku, Tokyo, Japan. It is the first recording of Davis in Japan and the only album to showcase an early incarnation of his Second Great Quintet featuring Sam Rivers on tenor saxophone, following George Coleman's departure. After this, Wayne Shorter's appointment completed the classic line-up which recorded such albums as 'ESP' and 'Miles Smiles', through to 'Miles in the Sky'. The legendary 'Miles in Tokyo' album is now available on vinyl in Europe for the first time. The heavyweight gatefold contains a 4 page-booklet glued inside, like the original 1969 Japanese LP version.

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Iron Leg

7" | 1969 | EU | Reissue (Gc Production)

12,99 €*

Generation Pink Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Reissued and remastered with replica artwork - the highly sort after classic rare groove track, 'Iron Leg' by DJ Shadow's favourite Funk band, Mickey & The Soul Generation.

Original copies trade hands for £125+. Black 7" dinked centre hole vinyl.

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Rare Earth

LP | 1969 | US | Reissue (Culture Factory)

32,99 €*

LP | 1969 | EU | Reissue (Sony)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Limited to 2000 copies.

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Miles Davis

In A Silent Way

30,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Four Flies)

Bruno Nicolai

Geminus

Alfredo Linares Y Su Sonora

Release: 1969 / EU – Reissue

Genre: Soundtracks

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Four Flies are proud and honoured to release the first vinyl reissue of Bruno Nicolai’s outstanding original score for GEMINUS, a 1969 Italian TV mini-series directed by Luciano Emmer and starring Walter Chiari, Alida Chelli, and Ira von Fürstenberg.
Originally released under Italian label Gemelli, Nicolai’s soundtrack has been remastered from the original master tapes and comes in a glossy, tip-on style jacket featuring the restored original cover artwork, as well as extended liner notes by film critics Francesco Cesari and Roberto Curti.
Bruno Nicolai composed and directed an eclectic score that brings together different music genres and influences, from 60s beat, psych, and prog rock to baroque and experimental music. He did not hesitate to mix classical forms and structures with new instruments
and remarkable, eccentric arrangements.

In ‘Giano’ (Janus), the interplay between a distorted electric guitar and a hypnotic harpsichord creates a strange, somewhat troubling ambience.

The delicate, celestial voice of Edda Dell'Orso leaves its unique emotional imprint on the most lyrical piece in the soundtrack, ‘Tema Barocco’ (Baroque Theme).
The main theme ‘Il cielo cade’ (The Sky Is Falling) features a luxurious arrangement and stunning orchestration enhanced by enchanting vocal harmonies sung by ‘I Cantori Moderni di Alessandroni’.

In other pieces, such as ‘Larve’ (Larvas), ‘Il sognatore’ (The Dreamer), ‘Eclisse di luna’ (Moon Eclipse), ‘Visioni’ (Visions), ‘Catacombe’ (Catacombs), and ‘Notti romane’ (Roman Nights), expressive and experimental solo passages played by instruments such as the vibraphone, sitar, harmonica, or percussions, contribute to the sombre, mysterious atmosphere of the score as a whole.
Limited edition, 500 copies worldwide.

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Yo Traigo Boogaloo Record Store Day 2020 Edition

LP | 1969 | EU | Reissue (Vampisoul)

17,99 €*

The (St. Thomas) Pepper Smelter

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 500 copies.

Long sought after by collectors, DJs and lovers of hard salsa and boogaloo alike, 'Yo Traigo Boogaloo' is now lovingly reissued in replica form with the original cover art, remastered from the studio tapes, reproducing that magical MAG stuio sound for today's aficionados to enjoy like it was 1969 all over again.

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Soul & Pepper

LP | 1969 | EU | Reissue (Discos Monterey)

LP | 1969 | DE | Original (MPS)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!

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Chicago Blues All Stars

Loaded With The Blues

Exotic Moog Black Vinyl Edition

Release: 1969 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Gatefold cover.

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Martin Denny

LP | 1969 | US | Reissue (Jackpot)

Release: 1969 / US – Reissue

Genre: Electronic & Dance

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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.

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LP | 1969 | US | Original (Motown)

Motortown Revue Live

3,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1969 | US | Original (Atlantic)

Aretha Franklin

Soul '69

LP | 1969 | US | Original (UNI)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Original US Monarch pressing. Vinyl with scuffs and hairlines. Cover with ring, shelf wear and long open seam splits

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Hugh Masekela

Masekela

36,99 €*

LP | 1969 | EU | Reissue (Epic)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Drill hole in cover.

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Donovan

Greatest Hits

Release: 1969 / EU – Reissue

Genre: Pop

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LP | 1969 | EU | Reissue (Sony)

The Psychedelic Furs

Book Of Days

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Prisoner Tone Poet Vinyl Edition

Herbie Hancock

LP | 1969 | EU | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Soft Parade 50th Anniversary Remaster Edition

The Doors

LP | 1969 | EU | Reissue (Rhino)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Bless It's Pointed Little Head

Jefferson Airplane

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Very Best Of Jimmy Reed

Jimmy Reed

LP | 1969 | US | Reissue (Buddah)

5,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1969 | US | Original (Epic)

Sly & The Family Stone

Stand!

LP | 1969 | EU | Reissue (Supraphon)

Release: 1969 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Vinyl is Close to VG. Original US Pitman pressing. Unipak has a seam wear.

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Olympic

Ptak Rosomak

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Spirits Known And Unknown

Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

34,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Let It Bleed 50th Anniversary

The Rolling Stones

LP | 1969 | EU | Reissue (Universal)

LP | 1969 | US | Reissue (Craft)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Remastered

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Bar-Kays

Gotta Groove

35,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Original (Columbia)

OC Smith

At Home

7,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Abbey Road 50th Anniversary Edition

The Beatles

LP | 1969 | EU | Reissue (Apple)

30,99 €*

Release: 1969 / EU – Reissue

Genre: Pop

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LP | 1969 | EU | Reissue (Out-Sider)

Locksley Hall

21,99 €*

LP | 1969 | US | Reissue (Bija)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Michael Gregory Jackson

Clarity

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Apple)

The Beatles

Yellow Submarine

LP | 1969 | US | Original (Gordy)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Pop, Classical Music, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2012 reissue. Still sealed with hype sticker.

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The Temptations

Cloud Nine

10,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Blue Marble Colored Vinyl Edition

Sagittarius

LP | 1969 | EU | Reissue (Sundazed)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Svart)

Heikki Sarmanto Sextet

Flowers In The Water

21,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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OST Femina Ridens / The Laughing Woman / Le duo de la mort / Os Profissionais do Sadismo

Stelvio Cipriani

LP | 1969 | EU | Reissue (Four Flies)

OST Il Magnifico Tony Carrera

Release: 1969 / EU – Reissue

Genre: Soundtracks

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LP 180gr. /// Tip-On Sleeve /// Features two unreleased tracks taken from the original master tapes

If a jewel were to be chosen amongst the more than three hundred soundtracks that Maestro Stelvio Cipriani has composed during his long and prodigious career, that choice would probably not fall on the super classic and hyper known ANONIMO VENEZIANO, but probably on his previous and less celebrated FEMINA RIDENS – perhaps the most iconic of his soundtracks, along with MARK IL POLIZIOTTO. This work is undoubtedly one of those titles that best represents the spirit of Italian golden age film music, and the original LP, published on CAM series SAG – 9017, is at the very top of every collector’s most wanted list.

The film, directed in 1969 by Piero Schivazappa, is a feminist parable that blends eros perversion, black comics, and Pop Art. And its mood, halfway between cold and playful tones, is perfectly underlined by Cipriani with a soundtrack that fits flawlessly to the dreamlike, grotesque, and sentimental images, combining classical music and orchestral pop, baroque jazz, spaghetti western flavors, psychedelic blues and lounge vibes – all emphasized with sumptuous arrangements that still sound contemporary. A jewel like “Mary’s Theme” is an immortal, timeless track that has been recently sampled by hip-hop producers, and is a demonstration of the eternal modernity of the finest Italian cinematic sound.

This reissue fills a serious gap, finally bringing to the forefront an iconic soundtrack that has remained inaccessible on wax far too long. And it does so in the best possible way, starting from the original master tapes preserved in the CAM archives, from where it was possible to locate an unreleased track (added at the end of side B), as well as allow for an enhanced version of “Chorus and Brass Fugato”, whose original edit has been improved and extended here. And if that weren’t enough, for all you discerning collectors, as well as DJs, Four Flies is also releasing an extra 7-inch record which includes the two most danceable tracks on the entire OST!

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Gianni Marchetti

2LP | 1969 | EU | Reissue (Transversales Disques)