HHV Records 11344 Items

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Brass Tacks 10th Anniversary Edition

NRBQ

LP | 2014 | EU | Reissue (ADA)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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12" | 2020 | Reissue (PNKSLM)

Shitkid

Shitkid E

Release: 2020 / Reissue

Genre: Pop

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Preorder shipping from 2024-11-15

LP | 2020 | Reissue (PNKSLM)

Shitkid

This Is It

Release: 2020 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

LP+7" | 2020 | EU | Original (Lucky Number)

HMLTD

West Of Eden

Dealers Of Divinity Black Vinyl Edition -Code

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited Red Edition.
Includes Red Fleix Disc and innersleeve.

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White Magician

LP | 2020 | EU | Original (Cruz Del Sur Music Srl)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2011 | EU | Reissue (Pias)

Smith & Burrows

Funny Looking Angels

LP | 2020 | Original (Rhino)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Jetzt endlich auch auf Vinyl lieferbar! Tom Smith und Andy Burrows bescheren uns mit "Funny Looking Angels" eine der schönsten Weihnachtsplatten der letzten Jahre! Inklusive Coverversionen von "Only You" von Yazoo und "Wonderful Life" von Black!

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Stone Temple Pilots

Perdida

Various Featuring Original Music By PJ Harvey

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover close to NM

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The Virtues (Television Series Soundtrack)

2LP | 2020 | UK | Original (Invada)

Release: 2020 / UK – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Sainkho Namtchylak

Cyberia

2LP | 2011 | Original

Release: 2011 / Original

Genre: Organic Grooves

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2LP | 2020 | FR | Original (Ici D'Ailleurs)

Matt Elliott

Farewell To All We Know

Release: 2020 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Solo Paraiso 10th Anniversary White Vinyl Edition

Molly Nilsson

LP | 2014 | Reissue (Night School)

LP | 2020 | US | Original (Bridge Nine)

Release: 2014 / Reissue

Genre: Rock & Indie

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Solo Paraiso will be available on vinyl for the first time in 10 years and Digitally for the first time.

Solo Paraiso is Molly Nilsson’s mini-album from 2014 recorded during a 6 month residency in Buenos Aires, Argentina.
For it’s 10th Anniversary, Night School and Dark Skies Association is making the most sought after long player in Molly
Nilsson’s catalogue available again on a new format with new artwork designed by Molly Nilsson and Jonas Raam.
Pop music rarely comes as honest and heartfelt as when delivered by Molly Nilsson. Having traveled around the world singing
to the romantic and the doomed, Nilsson found herself in the Summer of 2014 in Buenos Aires. Inspired by the crumbling urban
landscape and the heavy hearts that populate it, Sólo Paraíso is not only an ode to a specific time and space but a musical
novella that meditates on youth, idealism and belonging. The soundtrack to a summer you thought you had when looking over
bleached out old photo albums.

Sólo Paraíso has the feel of a bridge between the more lo fi, first phase of Nilsson’s career and the expanded sonic scope she
has employed in the last decade. Recorded quickly, with instinct and feeling of paramount importance over rectitude or
perfection, amongst the eight tracks of this mini LP are some of the biggest fan favourites of her career. As with all Molly
Nilsson songs, each of these tracks is bursting with perfect moments. Opener Summer Cats sails over sun-kissed piano
chords, chasing the sun eternally as it dips over the horizon, while show-stealer Blue Dollar draws parallels between the
doomed Argentine economy and the failure of a love affair. It’s the most feel-good, romantic peon to an economic downturn
you’ll ever hear. As Molly says “why is it so damn easy to break all the things that are so damn difficult to make?”
Using cracked synths, shimmering piano, heat-stroked drum machines and above all her direct, from-the-heart vocal delivery,
Nilsson’s songs have never been so precise and on-point. For fellow doomed romantics, Sólo Paraíso is the perfect sound for
an imperfect Summer.

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War On Women

Wonderful Hell

Sharon Jones & The Dap Kings

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl

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Soul Time!

LP | 2011 | US | Reissue (Daptone)

Release: 2011 / US – Reissue

Genre: Organic Grooves

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LP | 2020 | EU | Original (Tonzonen)

Jack Ellister

Lichtpyramide

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2020 | EU | Original (180g X Disk Union)

Gus Levy

Magia Magia

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2020 | SE | Original (Found You)

STHLM Svaga

Bells And Whistles

Release: 2020 / SE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Sealed Copy.
Cover corners slightly dented.

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Eve Maret

Stars Aligned

Release: 2020 / US – Original

Genre: Electronic & Dance

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Ezra Feinberg & John Kolodij

Release: 2020 / US – Original

Genre: Pop

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OST Fairchild Border Land

Jordan Reyes

Release: 2020 / US – Original

Genre: Pop

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Animal Hospital

Fatique

Release: 2020 / US – Original

Genre: Pop

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Sorry Eric

It's Okay

Release: 2020 / US – Original

Genre: Pop

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Rocker Shocker Colored Vinyl Edition

Hoaries

LP | 2020 | Original (Reptilian)

Release: 2020 / Original

Genre: Rock & Indie

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Friends Of Rock & Roll Splatter Vinyl Edition

Easy Action

LP | 2014 | Reissue (Reptilian)

Release: 2014 / Reissue

Genre: Rock & Indie

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Another Night Galaxy Vinyl Edition

High Spirits

LP | 2011 | EU | Reissue (High Roller)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Nude)

Juanita Stein

Snapshot

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Tiny Engines)

Restorations

Release: 2011 / US – Original

Genre: Rock & Indie

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LP | 2011 | US | Original (Tiny Engines)

Restorations

Release: 2011 / US – Original

Genre: Rock & Indie

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LP | 2020 | Original (Demon)

Honey Cone

Love Peace & Soul

Release: 2020 / Original

Genre: Electronic & Dance

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LP | 2020 | Original (Kscope)

Godsticks

Inescapable

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | Original (Earache)

Tallah

Matriphagy

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Act Music)

Caecilie Norby

Portraying

Release: 2020 / EU – Original

Genre: Organic Grooves

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Live At Summerbreeze Colored Vinyl Edition

Lionheart

LP | 2020 | EU | Original (Arising Empire)

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | Original (Metalheadz)

Adred

Kim

Release: 2020 / Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Purple Pyramid)

Curved Air

Airwaves-Live At The Bbc

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (Counter)

Retirement Party

Runaway Dog

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Unique Leader)

Ahtme

Mephitic

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sorry You Couldn't Make It

Swamp Dogg

LP | 2020 | EU | Original (Joyful Noise)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Baptised In Blasphemy Red Vinyl Edition

Devastator

LP | 2020 | EU | Reissue (Listenable)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Mellow Fantasy Blue And Black Swirl Vinyl Edition

Potatohead People

LP | 2020 | UK | Original (Bastard Jazz)

The Transcendence Orchestra

Release: 2020 / UK – Original

Genre: Electronic & Dance

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*Special Edition Reissue of Potatohead People's critically acclaimed 2020 album "Mellow Fantasy" pressed on beautiful blue & black splatter vinyl*
Potatohead People's much lauded and instantly sold out third LP Mellow Fantasyis back with a very limited edition black & blue swirl vinyl repress. The album showcases the trademark instrumental prowess of the duo and their ease with the loose but hard-hitting drum style brought to the fore by Jay Dee's influential productions, but goes well beyond basic boom bap bread and butter, with singer-centered R&B and uptempo bumps sharing the stage. On this album, Potatohead People have widened the frame of their progressive musical vision and deliver a far-reaching yet approachable set of moods and grooves.
On Mellow Fantasy, they had some impressive inspiration. De La Soul immediately connected with "Baby Got Work," a sophisticated slap that went through several iterations before settling into its ultimate form. Appropriately, the song's diligent construction echoes the ethic of the grind in the clear-eyed, precisely dovetailed lyrics fans have come to expect from the Daisy Age don. Befitting Potatohead People's origins as a hip-hop group, cameos from Illa J and Slum Village's T3 on the summertime teaser "What It Feels Like" and Vancouver veteran Moka Only (the sassy, vanity take-down "Ungodly") add to the unimpeachable rap bonafides.
The hometown connections continue with Lotusland local Kapok slinging verses on a couple tracks and rising stars Kendra Dias and Clear Mortifee, who stake serious claims as names to watch with standout vocal turns on the low-slung neo-soul "Break Even" and the upcoming second single "Hidden Levels," a high-flying house/future boogie hybrid. Following up their successful 2019 collabo "Single Life," Bunnie makes her return to action with the group on "Kettle Boiling." Ranging further, Reggie B, who broke on the scene with his lead on Onra's "High Hopes," shines on the optimistic bounce of "Bring The World A Little Closer."
Mellow Fantasy is Potatohead People's most evolved collection yet, rooted in earthy low end but elevated, expansive and reaching new musical heights.

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Feeling The Spirit

2LP | 2020 | EU | Original (Editions Mego)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2014 | EU | Reissue (Music On Vinyl)

Kansas

Leftoverture

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | UK | Reissue (Hyperdub)

Jessy Lanza

All The Time

LP | 2020 | US | Reissue (Madlib Invazion)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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The first 2000 copies of the LP will be available on transparent turquoise or pink vinyl, randomly picked. 'All The Time', Jessy Lanza's first album since 2016's 'Oh No', is the most pure set of pop songs that she and creative partner Jeremy Greenspan have recorded, reflective and finessed over time and distance. Innovative juxtapositions sound natural, like rigid 808s rubbing against delicate chords in 'Anyone Around', subtle footwork flutter giving a nervous energy to 'Face', unusual underwater rushes underpinning 'Baby Love'.The songs also sound more "live" than ever before. Jessy's voice is treated, re-pitched and edited on songs like 'Ice Creamy' and gestural sounds seem to respond to her lyrics in songs such as 'Like Fire', which reward the listener on repeated plays.More than previous albums, the lyrics on 'All The Time' became an important focus for Jessy too, channelling the negativity of anger and frustration arising from some significant changes in her personal situation into the text. These lyrics sometimes process raw feelings, which aren't obvious to begin with, but are soon felt, standing in stark contrast to the cushioned settings of the music.'All The Time' has ended as a triumph and an abstracted diary of a sometimes difficult, but enduring friendship and creative relationship, and it's their best work yet.

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The Heliocentrics

Infinity Of Now

Exeter Yellow Vinyl Edition

Release: 2020 / US – Reissue

Genre: Organic Grooves

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The UK’s cosmic, psychedelic-funk ensemble issue their first album on maverick producer Madlib’s label, Madlib Invazion. The Heliocentrics’ albums are all confounding pieces of work. Drawing equally from the funk universe of James Brown, the disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique concrète, and Can’s beat-heavy Krautrock, they have – regardless of the label on which they’ve released their music - pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and they are obsessive weirdos in today’s musical climate, searching, progressive humans who are often out-of-time with current trends. They have been playing together for nearly two decades and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” With Madilb’s label Madlib Invazion for Infinity of Now, the Heliocentrics have returned to develop their epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences – Latin, African, and more.

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Bladee

LP | 2020 | UK | Reissue (Year0001)

Release: 2020 / UK – Reissue

Genre: Hip Hop

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LP | 2020 | US | Original (Neon Taste)

Dead Cells

Tyler Bryant & The Shakedown

Release: 2020 / US – Original

Genre: Rock & Indie

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Dead Cells out of Vancouver do it dark, desperate, and minimal. An archaic sound from the gothic ages of punk—when punk was catchy, but also dangerous. Going back to the three chord song, with downstrokes, vicious energy, and the two minute deadline. Sacred by the outstaning artwork, it's night church in the post apocalyptic wasteland. Their first LP and follow-up to their 2018 demo tape which was overheared by many people. Desperation, angst and frustration pepper the words that twist and turn like daggers to the back of emperors. Twin guitar attacks carry melody and smart chord changes backed by a rhythm section that runs the risk of falling off the edge of the cliff. It's complimented by a brooding vocalist that half shouts-half sings.

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Pressure

LP | 2020 | DE | Original (Snakefarm)

Release: 2020 / DE – Original

Genre: Rock & Indie

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March Of The Norse White Vinyl Edition

Demonaz

LP | 2011 | EU | Reissue (Nuclear Blast)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Tubareckorz)

Knorkator

We Want Mohr

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Infidel Splatter Vinyl Edition

Ambush

LP | 2020 | EU | Reissue (High Roller)

Firestorm Splatter Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, orange/ white splatter vinyl, ltd 250

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Ambush

LP | 2014 | EU | Reissue (High Roller)

We Got Love Test Pressing

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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High Roller Records, reissue 2023, white w/ yellow & red "fire splatter"vinyl, ltd 250, insert

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Teddy Pendergrass

7" | 2020 | UK | Original (Shotgun)

25,89 €* 36,99 € -30%

Release: 2020 / UK – Original

Genre: Organic Grooves

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Detroit Multicolored Vinyl Edition

Killer Boogie

LP | 2020 | EU | Reissue (Heavy Psych Sounds)

25,89 €* 36,99 € -30%

2LP | 2020 | EU | Original (Human Level)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Repress of the debut album in a new colored version. As much Detroit, the nine-track debut full-length from Italian three-piece Killer Boogie, boasts raw proto-punker tones, upbeat shuffle and relentless groove with just a touch of psychedelia in its scorch, even more pervasive throughout the Heavy Psych Sounds release is a sense of self-awareness. Led by guitarist/vocalist Gabriele Fiori, also of Black Rainbows, Killer Boogie come across as more geared toward the retro-style '70s rock currently holding sway on the European scene in the wake of Graveyard‘s blues rock supremacy, but their take is rawer than most, and that gives them an edge. An incredible debut album !! Biography Fuzz Fuzz Fuzz!!! Killer Boogie is band well versed in the making of ’70s riff making; a new machine in the retro ’n’ roll scene adept at mixing bluesy frequencies into an extremely fuzzy sound with psychedelic shades.The band is formed by Gabriele Fiori on guitars and vocals, Luigi Costanzo on drums and new bassist Nicola Cosentino who joined the band for the new album in early 2017. Their debut album "Detroit" in early 2015 surprisely recieved much attention and great feedbacks, who bring the band to play at Desert Fest Berlin and Duna Jam. After a split with other cool bands of the scene as Golden Grass, Banquet and Wild Eyes the band wrote a wonderful sophomore album in the spring 2017 and recorded in the summer. Acid Cream was released in March 2018 via Heavy Psych Sounds Records. Killer Boogie is a power retrofuzzriffprotopunkacidblues trio, obsessed by early fuzz pedals, catchy riffs, 60s and 70s iconography Killer Boogie grounds its roots in the sound of Blue Cheer, The Stooges, MC5 and Cactus.

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PlanningToRock

Planningtochanel

25,89 €* 36,99 € -30%

Release: 2020 / EU – Original

Genre: Rock & Indie

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Akebono Black Vinyl Edition

Mathimidori

2LP | 2020 | EU | Reissue (Echocord)

LP | 2014 | EU | Reissue (Napalm)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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BLACK VINYL RE-PRESS

Copenhagen’s Echocord returns with a long player from Mathimidori this October, entitled the ‘Akebono’ LP and comprised on ten original compositions. Mathimidori, better know by most as Mathias Kaden has been using this alias as a way to showcase his take on dub-leaning, minimalistic and refined Techno via labels such as Dorian Paic’s Raum Musik, Tokyo’s Mule Musiq and Berlin’s Ornaments. Here though we see deliver his debut long player under the guise, and fittingly the LP will be released via esteemed Dub Techno imprint Echocord, home to releases from the likes of STL, Deepchord, Fluxion, XDB and Forest Drive West. Across the ‘Akebono’ album Mathimidori delivers hazy, spaced out instrumentals like ‘Maiia’, ‘Ork’ and ‘Soso’ while tracks like ‘Asaka’ and ‘Shao’ offer a darker approach. The project also welcomes an assortment of collaborations such as opening track ‘Java’ alongside Spain’s Pulshar, ‘Kioku’ featuring Japanese artist Tomomi Ukumori and ‘Kobe’ with Germany’s Rhauder which all lean towards downtempo dub territories. Also featured are Sakura who provides spoken word vocals for ‘Akebono’ and Shoco who joins Mathimidori for the ambient leaning album conclusion ‘Akari’.

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Jinjer

Cloud Factory

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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North Atlantic Raven Orange & White Vinyl Edition

Sand

LP | 2014 | EU | Original (Rotorelief)

LP | 2011 | EU | Reissue (Music On Vinyl)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Limited and numbered edition of 500 copies on orange and white vinyl in a deluxe heavy-duty cover case.

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Caravan

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Cosmic Transmission 2023 Repress

Zenker Brothers

2LP | 2020 | EU | Original (Ilian Tape)

Ikebe Shakedown 20 Years HHV Golden Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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We are proud to present our second album “Cosmic Transmission”. In another time it felt like, only an unpredictable extreme event could change the way we choose to live together. Now it feels so crazy, it can be overwhelming, but always remember we are just a tiny micro spaceship traveling through a gigantic universe. When nothing is safe, all is possible. We are one - one love.

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Ikebe Shakedown

LP | 2011 | US | Reissue (Ubiquity)

25,59 €* 31,99 € -20%

LP | 2020 | EU | Original (Nika)

Release: 2011 / US – Reissue

Genre: Organic Grooves

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Limited to 500 Copies!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

Originally released in 2011 with a limited pressing and repressed once a few years later in 2016. “Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound. Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation. ..Ikebe Shakedown is here to change that. The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from '70s-style horn-driven funk”. -Marlon Bishop, Wnyc

Ikebe Shakedown, the self-titled album and Ubiquity Records debut from the Brooklyn-based band, plays with elements of Cinematic Soul, Afro-funk, Deep Disco, and Boogaloo in all the right ways. Pushing their globally-informed sound and eclectic approach to tune-writing into new territory, “Self-titling the album is a way to introduce the audience to the many facets of the band -- to provide a more complete understanding of what we do,” bassist Vince Chiarito says. “Our sound has grown to incorporate our influences without overtly representing any one in particular. It just sounds like us," he adds.

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Siddharta

Id 20

25,59 €* 31,99 € -20%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2011 | EU | Original (Heavy Psych Sounds)

Karma To Burn

V Purple Vinyl Edition

25,49 €* 29,99 € -15%

Junior Tomlin: Flyer & Cover Art

Release: 2011 / EU – Original

Genre: Rock & Indie

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V is the fifth studio album released by the traditionally instrumental stoner rock band Karma to Burn in 2011. Heavy Psych Sounds is now reissuing this psychedelic gem in brand new coloured vinyls and digipak. With "Appalachian Incantation" marking a successfully reunion, ‘V’, containing eight tracks five instrumental -band’s well know formula- and three with vocals, puts another brick in the creative development on the part of the band. ‘47’,‘50’, ‘48’, ‘49’and ‘51’ are the five instrumentals . Heavy ball-breaking rock but also groovy songs which can easily get stuck in your head. Full of dirty and sludgy sounds, pretty technical but on the other hand delicious to the ear since they can be accessible to a wide audience. ’The Cynic’ and ‘Jimmy Dean’ are two of the three songs with vocals in this album. Vocals are by Daniel Davies from Year Long Disaster. Although ‘Karma To Burn’ is traditionally an instrumental stoner band, decided to include 3 non-instrumental songs in this album. Daniel’s vocals seem like they drive K2B songs on a higher level. A bit twisted vocals but so nicely fitted with these redundant tunes. (metal-temple.com).

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Junior Tomlin

Velocity Press

25,49 €* 29,99 € -15%

A.A.L. (Against All Logic)

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"Showcasing the mastermind behind some of the most iconic rave flyers and record covers of the late eighties and early nineties, Junior Tomlin: Flyer & Cover Art is a comprehensive insight into Junior Tomlin’s incredible back catalogue.

Rave culture transformed the way people experienced music, sparking a revolution in British society and spreading across the globe during the late eighties. Its influence is still being felt today, as millions of people around the world attend clubs and festivals that embody the spirit of rave culture. Intrinsic to the spread of the culture in those pre-internet days was the dissemination of flyers, giving ravers information on where and when their favourite promoters would be organising parties. In order to stand out from the competition, it was imperative that the most respected events had distinctive flyer artwork.

Junior Tomlin’s visionary capabilities led to a long-running career as a flyer artist. His fantastical projections of the future and often surreal imagery earned him the title The Salvador Dali of Rave. Tomlin’s iconic work was highly sought after, with ravers collecting his remarkable work and promoters queuing up to commission him to produce imagery for their flyers. Junior’s imagination conjured up alternate worlds, references to outer space and gave us a peek into the endless possibilities presented by an unknown future. It was the perfect representation of the brave new world being cultivated by rave promoters and the community that sprung up around the culture.

Junior worked with a range of seminal rave promoters from 1992 onwards including Telepathy, Dreamscape, Slammin’ Vinyl, One Nation, Dream Odyssey and Ravealation. 30 years since he designed his first flyer Junior Tomlin: Flyer & Cover Art documents his work across 160 pages, with commentary and draft sketches provided by Junior himself. Divided into two distinct sections – Record Covers and Flyers – the book also features an in-depth interview with Junior and a foreword by Chelsea Louise Berlin (artist, flyer collector and author of Rave Art) plus words from former clients.

Chronicling the work of a pioneering artist whose art was intrinsic to early rave culture, Junior Tomlin: Flyer & Cover Art marks a critical time in British history. In a time where division and conflict seem to be more prevalent than ever, the book allows us to escape into Junior’s fantasy worlds and travel back in time to an era when social barriers were being broken down.

The book is 25cm x 25cm, printed on premium 130gsm full-colour paper. It is the first time his work has been documented and presented in such a comprehensive, cohesive fashion.

“His record sleeves are classic examples of a hugely important artform now sadly deceased in the digital age.”
Danny Briottet (Renegade Soundwave)

“When I think of music and the concept of what I wish to express, I always want the visual representation to be in total synergy with that I am creating. Artwork is so important! This is why I did not hesitate when it came to choosing an artist and legend like Junior for specific work projects I had in mind.”
DJ Rap"

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You Are The One

12" | 2014 | EU | Original (Other People)

25,49 €* 29,99 € -15%

Suffrage Clear Vinyl Edition

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, close to VG+

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Fucked And Bound

LP | 2020 | US | Original (Quiet Panic)

Cyber Punk Romance (Lymbic Resonance) Limited Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Blistering, raw, and angry are the three words that best describe Seattle’s Fucked AND Bound. Vocalist Lisa Mungo (daughters, HE Whose OX IS Gored) brings a free and emotional perspective to the feminist voice. Suffrage is the voice of a new generation demanding we all make a change!

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CPR (Cyber Punk Romance)

LP | 2020 | EU | Original (Closing The Circle)

Banzai - Elektronische Musik Aus Berlin 1985-87

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Weird shapes emerge from the darkness, illuminated only by muted street lamps and neon signs CPR album, Lymbic Resonance sifts through the shadows of night life decadence, influenced dimly lit romantic and mysteries that lurk on the streets in the early hours of the morning.

CPR is a collaboration of a mysterious Berlin duo of lovers Together they conjure a sound that paradoxically traverses darkness and brightness - diving into the depht of the unconsciousness leading to a hypnotic, transportive and psychedelic state done within a dark, intriguing and mysterious way.

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Lapre

LP | 2020 | EU | Original (Bureau B)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Beyond The Pale Black Vinyl Edition

JARV IS

LP | 2020 | UK | Original (Rough Trade)

Release: 2020 / UK – Original

Genre: Pop

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Loop Of Yesterdays Clear Vinyl Edition

Azusa

LP | 2020 | EU | Original (Indie)

25,19 €* 35,99 € -30%

All Guts No Glory Swamp Green With Splatter Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Azusa have inked new partnerships with Indie Recordings and Solid State Records to release “Loop Of Yesterdays”, the highly anticipated follow up to 2018’s critically acclaimed “Heavy Yoke”. Although equally broad in scope, “Loop Of Yesterdays” finds the band with more to say but less to prove, achieving a more aerodynamic and accessible approach to their intricate sense of song-writing and inherently technical style. On their sophomore release, Azusa step off the tightrope and stand with feet on solid ground. Expanding on ideas first presented on 2018’s album Heavy Yoke, Azusa seek to captivate audiences with their unique blend of melodic-thrash, jazz-fusion, hardcore and early 90’s riff pop sensibilities.

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Exhumed

LP | 2011 | Reissue (Relapse)

Release: 2011 / Reissue

Genre: Rock & Indie

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Wamono A To Z Volume III HHV Exclusive Numbered Clear Vinyl Edition

V.A.

LP | 2020 | EU | Reissue (180g)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies! Numbered by hand.
Japanese Jazz-Funk & Rare Groove 1968-1980 (Selected by DJ Yoshizawa Dynamite & Chintam) Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. With this first volume of the Wamono series, our two DJs here guide you through some of the best and rarest jazz funk and rare groove tunes produced in Japan between 1968 and 1980. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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12" Schallplatten Aufbewahrung (50)

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The 12 inch 50 record box from Record Box is the smaller alternative to the 12-inch 110 storage box. It offers space for around 50 records or three folders and can be positioned either vertically or horizontally.

With its exactly half the size of the square 12-inch 110 box, the 12-inch 50 record box gives the system an individuality and variety with which an optimal solution can be found for every collection and every room.

The small record box is also available in three colors and can be freely combined with the other storage boxes, register boxes and add-ons to create record shelves, storage furniture and everything a collector's heart desires.

Like all modules, the 12-inch storage boxes are made of high-quality MDF and coated with a resistant surface made of melamine resin. The boxes are connected using glue dots that are attached to the contact surfaces of the boxes according to the instructions. The glue dots specially developed for this modular system can be removed at any time. New arrangements can be implemented immediately with the help of new adhesive dots.

Two sets of top & baseboards enable the construction of sideboards or flat shelves. Adjustable feet compensate for minor unevenness in the floor, the topboard forms a straight end and a uniform surface for sideboards, DJ racks, highboards, roll containers, small tables and other furniture ideas.
Record-Box stands for uncompromising creativity and offers vinyl collectors the freedom they need for optimal storage and presentation of their records.

Technical details:

• Outside dimensions of the box: approx. 36 x 18 x 36 cm | Inside dimensions of the box: 33 x 15 x 33cm (LxWxH)
• Volume: around 50 LPs or 2-3 folders, books, magazines, etc.
• Material: 15 mm MDF with melamine coating - white, black, dark gray
• Connection element: glue dots from Record Box
• Boxes for self-assembly - screwdriver required!

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7" Schallplatten Aufbewahrung (110)

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The 7 inch 110 record box is the ideal box for storing and presenting a 7 "record collection. It can be placed vertically or horizontally and can be used creatively at any point in the Record Box module system.
Thanks to a side length of 36 cm, the 7-inch 110 storage box is perfectly matched to the basic modules. It can hold up to 110 7 "records. It is available in three colors.

Thanks to the diverse stacking options, individual record furniture such as sideboards, record shelves, DJ racks and more can be created in combination with other storage boxes, register boxes and add-ons.

The 7-inch 110 storage box, like the other boxes in the Record Box system, is made of robust MDF and has a resistant surface made of melamine resin. An innovative glue dot system was developed to connect the boxes. All glue dots are attached to the connection points according to the instructions and can easily be removed without leaving any residue.

Technical details:

• Outside dimensions of the box: approx. 36 x 23 x 21.5 cm | Inside dimensions of the box: 33 x 20 x 20 cm (LxWxH)
• Volume: a maximum of 100 LPs or books, magazines, pictures, etc.
• Material: 15 mm MDF with melamine coating - white, black, dark grey
• Boxes for self-assembly - screwdriver required!

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12" Schallplatten Aufbewahrung (50)

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7" Schallplatten Aufbewahrung (110)

LP | 2011 | UK | Reissue (XL)

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Adele

Release: 2011 / UK – Reissue

Genre: Organic Grooves, Pop

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produced by Rick Rubin & Paul Epworth

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12" Schallplatten Aufbewahrung (50)

Bildungsbürgerprolls + Pöbel Sports EP

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Pöbel MC

2LP | 2020 | EU | Original (Audiolith)

Release: 2020 / EU – Original

Genre: Hip Hop

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LP | 2014 | EU | Original (Rhino)

Led Zeppelin

IV Remastered Version

Monument Egg Drop Vinyl Edition

Release: 2014 / EU – Original

Genre: Rock & Indie

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Original album on 180 gram vinyl, newly remastered by Jimmy Page in single sleeve replicating the original album.

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Molchat Doma

LP | 2020 | US | Reissue (Sacred Bones)

Larks' Tongues In Aspic Steven Wilson Mix

Release: 2020 / US – Reissue

Genre: Rock & Indie

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"Monument" ist das dritte Album von Molchat Doma aus Minsk und die erste Veröffentlichung des international gefeierten belarussischen Post-Punk-Trios auf ihrem neuen Label Sacred Bones. Die Band spielte im März - vor dem Pandemie Lock-Down - noch eine ausverkaufte Tour in Deutschland und das Album enthält mit der Single "Ne Smeshno" einen absoluten Live-Favoriten bei Band und Publikum. Übersetzt bedeutet Ne Smeshno in etwa Nicht lustig. Das beschreibt aktuell nicht nur die angespannte politische Lage im Land sehr treffend... Begleitet von einer Drum Machine macht Frontman und Sänger Egor Shkutko seinen Gefühlen der Abgetrenntheit, Ausweglosigkeit und Frustration auf Russisch Luft. "Monument" ist passend gewählt als Titel für das dritte Album der 2017 in Minsk, Belarus gegründeten Band Molchat Doma. In der Tat steht der Name symbolisch für alles, was die Musiker in kurzer Zeit als Gruppe erreicht haben. Zwischen ihrem Aufstieg vom rätselhaften Geheimtipp zum viralen TikTok-Meme liegen gerade einmal drei Jahre. Seitdem zählt die Post-Punk/Synthpop/New Wave-Band zu den Schlüsselbands der belarussischen Post-Punk-Szene. Geschrieben und aufgenommen wurde "Monument" in ihrer Heimatstadt Minsk während der Quarantäne. Molchat Doma haben auf dem dritten Longplayer ihr Handwerk merklich verfeinert. Das Songwriting ist stärker geworden, die Arrangements sind ausgefeilter. Das Gerätearsenal von Roman Komogortsev und Pavel Kozlov ist um eine breite Palette von Synthesizern und Drumcomputern erweitert worden, die mit Präzision von den Musikern bedient werden. Egor Shkutkos Gesang bewegt sich fließend zwischen seinem unverkennbaren deadpan drawl und einer ausdrucksstarken, einlullenden Ruhe. Seine wunderschönen auf Russisch vorgetragenen Texte sind düster und romantisch zugleich. Mit "Monument" haben Molchat Doma eines der schwierigsten Dinge als Band überhaupt erreicht. Sie haben die Bandbreite ihrer Musik stark erweitert und gleichzeitig alles beibehalten, was sie von Anfang an großartig gemacht hat.

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King Crimson

LP | 2020 | UK | Original (DGM Panegyric)

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (International Anthem)

Jeff Parker

Suite For Max Brown

LP | 2020 | EU | Reissue (La Scimmia)

Release: 2020 / US – Original

Genre: Organic Grooves

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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

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Fratelli Malibu

Ciro Miami

2LP | 2011 | EU | Reissue (Monkeytown)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Fratelli Malibu is an original idea of Andrea De Fazio with the cooperation of Paolo Petrella, drummer and bassist for the “Nu Guinea” live band. Their love for synthesizers and drum machines brought them together to create the shiny world of Ciro Miami.

We could think of Ciro as a neapolitan expat in the american dream, where he discovers a world of excess, flashy cars, cocktail bars, beautiful women, cocaine, gambling, spaceships and videogames that erodes all of his money forcing him to go back to Napoli completely broke, but with a fistful of wonderful memories.

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Modeselektor

Monkeytown

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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LP | 2011 | EU | Reissue (Anti)

Tom Waits

Bad As Me (Remastered)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Anti)

Curtis Harding

Soul Power

LP | 2011 | US | Reissue (Dark Entries)

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Curtis Harding says that soul music, and his music, speak for themselves. It's self-evident on the Atlanta artist's debut, Soul Power. The driving sound of his electrified Stratocaster, the foot-stomping backbeat and the lyrics swimming in reverb -- with something this flourishing, it's almost reductive to just dig around the roots. Harding's style was born in Michigan and bred on the road, a restless childhood spent singing gospel alongside an evangelizing mother, then cultivated in Atlanta, where he sang backup for CeeLo Green and befriended the Black Lips (he plays with Cole Alexander in Night Sun).

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Crash Course In Science

Near Marineland

LP | 2011 | EU | Reissue (Rer Vinyls)

Release: 2011 / US – Reissue

Genre: Pop

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Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed Ccis in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years - yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981 but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight Ccis’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see Ccis going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions - this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.

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The Necks

Mindset

LP | 2020 | EU | Original (Arsivplak)

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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Long awaited re-issue of The Necks 2011 masterpiece. Always different, here the Necks resolutely layer polyrhythmic material to form seething blocks of sound - in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics. Their 16th release still resonates on its own.

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Afet Serenay

Bir Of Ceksem...

Six Songs For Invisible Gardens

Release: 2020 / EU – Original

Genre: Rock & Indie

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Really an amazing atmospheric and psych-influated album by Afet Serenay. Mind-blowing tunes by the players, band members were famous musicians and the band called "arilar" (which means The Bees). Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Psychedelic Folk.. Most of the songs are from traditional Turkish folk songs with groovy arranges, drum attacks, percussions, saz and absolutely superb moog sounds going there and here.. Lovely and tasty Turkish Delight..! Enjoy the sound!

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Green-House

LP | 2020 | US | Original (Leaving)

LP | 2020 | UK | Original (DGM Panegyric)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Green-House is the project of Los Angeles based artist Olive Ardizoni.

Approaching the project with an intentional naivety, they craft songs that find freedom through simplicity. As a non-binary artist, they hope to create a space with fewer barriers as both a performer and a listener.

Their first release as Green-House, “Six songs for Invisible Gardens” (out Jan 15, 2020) was written with the intention of transforming the listening environment and augmenting domestic space. The music is designed as a communication with both plant life and the people who care for them.

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King Crimson

Red Steven Wilson Mix

Release: 2020 / UK – Original

Genre: Rock & Indie

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Jason Molina Of Songs: Ohia And Magnolia Electric

Eight Gates Strawberry Shortcake Vinyl Edition

LP | 2020 | US | Original (Secretly Canadian)

LP | 2020 | EU | Original (Warner)

Release: 2020 / US – Original

Genre: Rock & Indie

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Sometime in 2006 or 2007, Jason Molina moved from the midwest to London. Separated from his bandmates and friends and never one for idleness, Molina explored his new home with fervor. Sometimes he'd head out on foot, often with no destination in mind. Other times, he'd pick a random tube stop and find his way back home. He'd pick up on arcane trivia about London's rich history, and if the historical factoids weren't available - or weren't quite to his liking - Molina was quite comfortable conjuring his own history. His adoration of The Great American Tall Tales like John Henry and Paul Bunyan's blue ox Babe stretched across the Atlantic, where he created his own personal Tall Tales. And when he learned of the London Wall's seven gates (itself a misconception), Molina went ahead and called it eight, carving out a gate just for himself. The eighth gate was Molina's way into London, a gate only passable in the mind. Fast forward to 2008, Molina set off on an experimental solo tour through Europe. While in Northern Italy, Molina claimed to have been bitten by a rare, poisonous spider. A debilitating bout of illness ensued. "I was in the hospital here in London," Molina wrote in a letter. "Saw six doctors and a Dr. House-type guy. They are all mystified by it, but I am allowed to be at home, where I am taking a dozen scary Hantavirus type pills a day that are all to supposedly help - but they make me feel like shit." There is no record of a single doctor visit, not any prescription record for these medications. It is entirely plausible there was no spider and that whatever was keeping him indoors during this time was entirely self-induced. While at home, he of course wrote songs. Molina also claimed that during this time, he fed several bright green parrots that would gather in his yard. While often associated with a greyscale sensibility, Molina was oft-clad in a Hawaiian shirt and had, at least in part, selected the name Songs: Ohia for his first project as a nod to Hawaii's 'Ohi'a lehua flower. Which is all to say, the tropical element the parakeets brought to those sick days delighted Molina. He made short, crude field recordings of them with his trusty four-track. Only once Molina was officially on the mend and re-exploring the streets of London would he learn that those parrots had their own fabled tale. Back in the 60s, Jimi Hendrix - in a moment of psychedelic clarity - released his pair of lime green ring-necked parakeets from their cage, setting them free into the London sky. Now, their decendents are spotted regularly around certain parts of the city. Or so we're told. Eight Gates is the last collection of solo studio recordings Molina made before he passed from complications related to alcoholism in 2013. Recorded in London around the time of the supposed spider bite and Jimi's supposed parakeets, some of the songs ("Whispered Away," "Thistle Blue") are fully-realized - dark, moody textures that call to mind his earlier work on The Lioness. Knowing what we know about those parakeets and their peppered presence on the recordings, one can't help but think of that colorful tree of birds on Talk Talk's classic Laughing Stock, certainly a spiritual guide for much of the set. Other songs ("She Says," "The Crossroads and The Emptiness") lay in a more unfinished states, acoustic takes that call to mind Molina's Let Me Go Let Me Go Let Me Go, and still tethered to Molina's humorous studio banter. You remember how young Molina was, and how weighty this art was for such a young man. On the closer, "The Crossroads and The Emptiness," Molina snaps at the engineer before tearing into a song in which he sings of his birthday (December 30), a palm reading and the great emptiness with which he always wrestled. It is a perfect closer and, in many ways, the eighth gate incarnate: mythical, passable only in the mind, built for himself and partway imaginary but shared, thankfully, with us.

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Lianne La Havas

2LP | 2014 | UK | Original (Soundway)

Release: 2020 / EU – Original

Genre: Pop

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South London’s Lianne La Havas re-entered our musical consciousness at the end of February with her emotionally stirring soul-gem ‘Bittersweet’. This came in conjunction with an Annie Mac Hottest Record, a mind-blowing live show at the Barbican with the BBC Symphony Orchestra & Jules Buckley and an incredible Colors session – all of which helped put Lianne firmly back on the cultural map for 2020.

‘Lianne La Havas’, Lianne’s third album and her first in five years and is an album of startling beauty and insight—made entirely on her own terms which has been quite a journey. In one sense, geographically: La Havas spent a lot of time moving back and forth between the UK and the States working on writing and exploring her own identity. As a result, ‘Lianne La Havas’ feels spacious and luminous. Its sunbaked sounds recall, in places, the Brazilian singer, songwriter, and guitarist Milton Nascimento (on “Seven Times”). You might also hear the curveball chords of Joni Mitchell and Jaco Pastorious’s jazz explorations (“Green Papaya”), or the puttering drums and inviting warmth of golden-era Al Green (“Read My Mind”). And throughout the record, there’s a sense of empowerment that has its roots in the crisp ‘90s R&B of Destiny’s Child.

‘Lianne La Havas is ten songs that span the arc of a love relationship. The album’s opener, ‘Bittersweet’ functions as a kind of an overture, setting out what follows, before the giddy, love-struck rush of ‘Read My Mind’. If these first few songs suggest a flower opening its petals, that’s no coincidence: “What plays a big role in the album is the idea of the life cycle of plants and nature—equating this journey with a seasonal thing that blooms, thrives, goes away, and comes back even stronger,” La Havas says. Over the five years it took for the album to come together, she found herself watching the changing foliage outside her window in south London, struck by how she was growing and changing herself—not always comfortably. “A flower has to dry up and die in order to be reborn,” she says. “You have to get to the rock bottom to rebuild yourself.”

After relentless touring and promoting of her first two albums as well as personal and emotional events in her life, it was becoming increasingly difficult to find time, inspiration and confidence to get back in the studio for a follow up. As it came about, the recording process of album number three began in earnest by accident; returning from a glorious, sunny Glastonbury festival performance in June 2019, La Havas and her core band decided to see if they could nail their lithe live version of Radiohead’s ‘Weird Fishes’ in the studio. “I had the most wonderful, nourishing experience recording that,” she says, “And that’s where I decided: the rest of the album needs to be like this. It’s got to be my band, and I’ve got to do it in London, whenever people have time.” By October, she had all ten songs, and by December, everything was recorded—mainly in London, and also in Bath and New York. In keeping with the album’s intimate feel, everyone who contributed to the record is a trusted collaborator, including long-term songwriting ally Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa.

The confidence that La Havas has cultivated, both personally and creatively, is audible in the fact that ‘Lianne La Havas’ is a record that feels utterly real—a living, breathing thing. It hasn’t been polished to a squeak in favor of a “clean” recording; La Havas followed her gut on this album, going with what feels good.

Beauty never really goes by the book, and ‘Lianne La Havas’ is a breathtaking example of this. Now thirty years old, she is excited about playing these powerful songs live. “The best part is that I own them, and really believe in them,” she says. “And, you know, it’s me. So I can’t be afraid of doing what I do, and being who I am.”

‘Lianne La Havas’—an exquisite, rich, and tender expression of love, loss, and rebirth that marks a new era for the British artist.

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Meridian Brothers

Salvadora Robot