HHV Records 14568 Items

LP | 2021 | EU | Original (Heavenly)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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A double album of sumptuous, expansive downbeat luxury written by Pete Woosh - one half of the celebrated duo Digs & Woosh and Nottingham's DIY collective - with Andy Riley Toka Project, Inland Knights) during the illness which would eventually claim Pete's life. Given the background of its creation, it's a blissfully peaceful and optimistic sounding collection. The chilled disco/house hypnotism of 'Keep Yr Shape' and 'For Your Love', all slinky, hazy vocals and headnodding back room hedonism, are obvious highlights, but more reflective moments like 'Piano Fades' make this into a varied and enduring 'proper album' listen rather a mere collection of tracks. All profits will go to the Spirit Wrestlers foundation, founded in honour of Pete's memory and devoted to good causes in his hometown of Nottingham.

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The Parrots

Dos

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (Expansion)

The Paradise Projex

The Paradise Projex EP

Release: 2021 / EU – Original

Genre: Organic Grooves

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Lasut Nyanggut / Dedare Tanjung

The Panturas & Sundancer

7" | 2021 | EU | Original (La Munai)

The Pan Afrikan Peoples Arkestra

Release: 2021 / EU – Original

Genre: Rock & Indie

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Split Single from the garage combo of The Panturas and Sundancer sung entirely on their regional language. An exclusive 7” split from Indonesian surf-garage-rock behemoth The Panturas and Sundancer, hailing from Jatinangor and Lombok Respectively. It was the first series from their upcoming “"Singel Klub" series. "Lasut Nyanggut" by The Panturas their first song sung entirely in Sundanese language. The band appointed Ricky Virgana from White Shoes and The Couples Company fame to be their producer, and successfully produced a garage psych-surf-calypso with a mixture of traditional oriental sundanese pop aesthetics. The lyrics of the song itself paints a picture of someone fishing.The title itself is a popular term among fishing enthusiast on the western parts of Java. “Dedare Tanjung” or “Gadis Tanjung” roughly translates to “the girl on the cape”, was inspired from “Dark Eyes” a russian folk song and Ismail Marzuki’s very own “Panon Hideung” which is a song sung in Sundanese language. The band translates the song to their own mother tongue language which is the Sasak, a language that the band originated from.

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Nyjah's Theme / Little Africa

12" | 2021 | EU | Original (P-Vine)

27,99 €*

LP | 2021 | US | Original (All Time Low)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Legendary spiritual jazz from Nimbus West Records "The Pan Afrikan Peoples Arkestra" will release a new track as 12"ep!! More than 15 musicians are participating in the ep such as Carlos Nino from Build An Ark and Jamel Dean, a genius pianist who also played in Kamasi Washington's album. Japanese OBI strip is attached.

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The Oscillation

Untold Futures

29,99 €*

Let The Bad Times Roll Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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The Oscillation’s continuing journey into the centre of the mind and beyond shows absolutely no signs of slowing down. Indeed, new album Untold Futures is less a consolidation of all that one’s come to love and expect from the cosmic explorers and more a leap forward into an upcoming reality. Redefining the possibilities of altered states through audio stimulation, Untold Futures finds The Oscillation at their most daring and breathtaking. A multi-layered assault on the senses, this is an unexpurgated experience for the seasoned connoisseur and unspoiled novice alike. Revelatory in its brilliance and an intersection between the individual self and the collective unconscious, this is music to fuel the inner technology of the mind. So load up to the brim and give it up to Untold Futures. Veering between krautrock edginess, droning medicated tones and noise-driven, no-wave fuzz, The Oscillation recalls the music of Neu!, Tangerine Dream, and Loop interpreted with an eye on PiL’s dubbed-out punk funk, Miles Davis’s experimentalism and Spacemen 3’s strung-out blues rock. Beginning in 2007, when DC Recordings released the debut Out Of Phase, they have released many albums and EPs, both self-released and with labels (Fuzz Club, Hands In The Dark and Cardinal Fuzz).

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The Offspring

LP | 2021 | EU | Original (Concord)

Phanerozoic Live Gold Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Offspring is a punk rock band from Garden Grove, California, formed in 1984. The band's current lineup consists of lead vocalist Dexter Holland, guitarist Noodles, drummer Pete Parada and bassist Todd Morse. Over the course of their 36-year career, they have released nine studio albums.

The Offspring is often credited—alongside fellow California punk bands Green Day, Rancid, Bad Religion, NOFX, Pennywise and Jawbreaker—for reviving mainstream interest in punk rock in the 1990s. They have sold over 40 million records worldwide, making them one of the best-selling punk rock bands in history. The Offspring achieved its first commercial success with their third studio album, Smash (1994), which has sold over eleven million copies worldwide, setting a record for most albums sold on an independent record label, and was the first album released on Epitaph to obtain gold and platinum status. After switching record labels from Epitaph to Columbia in 1996, the Offspring continued their commercial success with its next six studio albums: Ixnay on the Hombre (1997), Americana (1998), Conspiracy of One (2000), Splinter (2003), Rise and Fall, Rage and Grace (2008) and Days Go By (2012); the first four were certified platinum, multi-platinum, platinum and gold status by the RIAA respectively.

The legendary So-Cal punk group The Offspring are back with their 10th album and first new offering since 2008. After releasing two standalone tracks in 2020 - the over-the-top cover of Joe Exotic's (of Tiger King infamy) "Hey Kitty Kitty" and a rendition of Darlene Love's classic "Christmas (Baby Please Come Home)" - the band is ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.

With the help of producer Bob Rock, Dexter Holland describes the album as "the most cathartic thing we've done. The messages might be dark, but at the end what's left is that communication is important, working through feelings is important and most of all, hope is important." 

Then let the bad times roll for now, in the hopes that good times lie ahead.

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The Ocean

3LP | 2021 | EU | Original (Pelagic)

46,99 €*

Phanerozoic Live Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Berliners present an unusual live album that is a testimony of strange times: their Phanerozoic concept album performed live in its entirety at a time when no shows were happening anywhere in the world.
On September 25, 2020, in the middle of the global pandemic, The Ocean released their 9th studio album Phanerozoic II, the concluding episode of a conceptual trilogy that began with Precambrian 13 years before, with no end of lockdowns in sight, the band decided to thank their fans for the support with 2 streaming concerts, performing both Phanerozoic albums in their entirety.
The performance formed part of the digital edition of Roadburn Festival, aptly named Roadburn Redux. Both shows couldn't have been more different: where the first part boasts with a pompous, mesmerizing lighting production on a big stage, the 2nd part is quite the opposite: intimate, almost cosy, focused on musicianship rather than performance. A stripped down setup in a dark barn, with moody, minimal but not any less efficient lighting.
“We wanted to give people 2 totally different experiences”, says band leader Robin Staps. “In Bremen, we had the chance to record a proper Ocean live show, the way people know us. We played facing towards the front of the stage, to an invisible crowd, essentially to a huge empty room... but we knew people were watching, even if we didn't see them. There was the same rush of adrenaline right before going on stage as you get before going on at any big open air festival... maybe with a little extra anxiety added, because knowing that so many people are watching you without being able to see them yourself was super weird.”
Phanerozoic Live is a live album like no other – it is a live album that was recorded in a cultural vacuum, a bizarre time that we will remember for the rest of our lives: a time when the world as we knew it suddenly stopped spinning. It is a live album that goes without all the qualities that we usually appreciate about a live album: without the sounds of a cheering, exited crowd... but it is the very absence of this, it is the eery silence between the songs that reminds us of what we miss most, and that gives these recordings a rare intensity and power.

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The Ocean

3LP | 2021 | EU | Original (Pelagic)

47,99 €*

Phanerozoic Live Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Berliners Present An Unusual Live Album That Is A Testimony Of Strange Times: Their Phanerozoic Concept Album Performed Live In Its Entirety At A Time When No Shows Were Happening Anywhere In The World. 3 Lps / 2 Cds Plus Dvd And Access To Hd Video Download And Streaming.Phanerozoic I Was Streamed Live From Pier 2, A Big Hall In The Port Of Bremen, On March 25, 2021. Phanerozoic Ii, Recorded At "Die Mühle" Studio, Aired On April 16, 2021 As Part Of The Digital Edition Of Roadburn Festival, This Year Abtly Named Roadburn Redux.Both Shows Couldn't Have Been More Different: Where The First Part Boasts With A Pompous, Mesmerizing Lighting Production On A Big Stage, The 2nd Part Is Quite The Opposite: Intimate, Almost Cosy, Focused On Musicianship Rather Than Performance. A Stripped Down Setup In A Dark Barn, With Moody, Minimal But Not Any Less Efficient Lighting."We Wanted To Give People 2 Totally Different Experiences", Says Band Leader Robin Staps. "In Bremen, We Had The Chance To Record A Proper Ocean Live Show, The Way People Know Us. We Played Facing Towards The Front Of The Stage, To An Invisible Crowd, Essentially To A Huge Empty Room_ But We Knew People Were Watching, Even If We Didn't See Them. There Was The Same Rush Of Adrenaline Right Before Going On Stage As You Get Before Going On At Any Big Open Air Festival_ Maybe With A Little Extra Anxiety Added, Because Knowing That So Many People Are Watching You Without Being Able To See Them Yourself Was Super Weird."This Release Is Yet Another Master Class Of Record Packaging From Norwegian Artist And Long Term Friend And Collaborator, Martin Kvamme: The Trifold Is Made From Thick, Rough And Incredibly Fibrous Cardboard, Adorned With A Filigrane Copper Foil Embossing Of A Bitmapped Live Fotography From The Bremen Event. It Contains 3 Vinyl Records In Printed Inner Sleeves Or 2 Cds, Plus A Dvd And A Concert Ticket With A Streaming And Hd Video Download Link To Both Concerts.

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The Ocean

3LP | 2021 | EU | Original (Pelagic)

64,99 €*

7" | 2021 | US | Reissue (Run For Cover)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Obsessives

Monastery

The O'Reillys & The Paddyhats

Release: 2021 / US – Reissue

Genre: Rock & Indie

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The Obsessives, above all else, write the music that they want to listen to. Comprised of founding members Nick Bairatchnyi (guitar, bass, vox) and Jackson Mansfield (drums, guitar, keys), their sound has spent the last decade evolving through elements of DIY, grunge, alternative, and math to shape into something that feels the most uniquely authentic to their version of exciting noise. Bairatchnyi's lyrics emphasize the importance of songwriting's storytelling aspect, and what pours out of him has a rough edge of urgent specificity. Paired with a soundscape that manages to both punch in its efficacy and shimmer in its intricacy, the sonic chemistry between these two high school friends delivers unmatched, easygoing musicality. Their arrival took shape through weekender basement shows in Bethesda and the labyrinthine DIY community in Arlington and D.C. before finally making their move to Philadelphia to hit with cornerstone groups like Modern Baseball, ultimately solidifying their place in the scene. Joined by Ben Kaunitz (guitar, bass) and Coby Haynes (drums, percussion) in 2018, the live lineup has evolved from a sonic rough-and-tumble to a fully collaborative space, encouraging a new era of thematic cohesion. After opening up the creative dialogue beyond just a duo, the band's sound has been able to make a mature tonal shift in style and form. Following the release of 2017's The Obsessives (Lame-O Records), the band has spent a lot of time compartmentalizing and re-shaping their projects. The difference between being 18 and 24 isn't the world, but at the same time _ it is. The Obsessives' sound has grown up with and around them, and is ultra-specific to what they feel are various catalytic experiences. The determinant factor that sets 2015's Heck No Nancy (Near Mint Records) apart from 2021's forthcoming release under producer Will Yip (Memory Music) is an entire set of lives that's been lived. The best part is _ they dig it as much as you will.

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In Strange Waters

LP | 2021 | DE | Original (Metalville)

22,99 €*

2LP | 2021 | EU | Original (Sony Music Catalog)

Release: 2021 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl. Original inner sleeve. Tiny wear. Limited edition.

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The O'Jays

The Best Of The O'jays

26,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Crossroads Of Life / Gotta Get My Broom Out

The O'Jays

7" | 2021 | JP | Original (P-Vine)

Release: 2021 / JP – Original

Genre: Organic Grooves

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Vertigo Days Yellow Vinyl Edition

2LP | 2021 | EU | Reissue (Morr Music)

36,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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On Vertigo Days, the first album in seven years for The Notwist, one of Germany’s most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they’ve always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, “we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity.”

It’s been seven years since The Notwist’s last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasihno), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There’s something cinematic about Vertigo Days too, reflective of the group’s time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover.

The first sign of this newfound openness was the album’s lead single, “Ship”, where the group were joined by Saya of Japanese pop duo Tenniscoats, her disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on “Oh Sweet Fire”, also contributing “a love lyric for these times, imagining two lovers in an uprising hand in hand.” American jazz clarinettist and composer Angel Bat Dawid adds clarinet to the spaced-out dream-pop of “Into The Ice Age”, while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to “Al Sur”. Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways.

Indeed, what’s most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it’s perfect for the long-distance, dedicated listening experience. This is also captured by the album’s lyrics, which Markus states, “feel more like one long poem.” The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: “As the situation changed so dramatically, while we were working on the record, the theme of ‘the impossible can happen anytime,’ more about personal relationships in the beginning, became a global and political story.” But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. “It’s maybe mostly about learning and how you never arrive anywhere,” Markus concurs. To sit within uncertainty is brave, but it’s also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.

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Vertigo Days Black Vinyl Edition

2LP | 2021 | EU | Reissue (Morr Music)

29,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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CD | 2021 | EU | Original (Morr Music)

Vertigo Days

Release: 2021 / EU – Original

Genre: Rock & Indie

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On Vertigo Days, the first album in seven years for The Notwist, one of Germany’s most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they’ve always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, “we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity.” It’s been seven years since The Notwist’s last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasihno), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There’s something cinematic about Vertigo Days too, reflective of the group’s time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover. The first sign of this newfound openness was the album’s lead single, “Ship”, where the group were joined by Saya of Japanese pop duo Tenniscoats, her disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on “Oh Sweet Fire”, also contributing “a love lyric for these times, imagining two lovers in an uprising hand in hand.” American jazz clarinettist and composer Angel Bat Dawid adds clarinet to the spaced-out dream-pop of “Into The Ice Age”, while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to “Al Sur”. Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways. Indeed, what’s most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it’s perfect for the long-distance, dedicated listening experience. This is also captured by the album’s lyrics, which Markus states, “feel more like one long poem.” The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: “As the situation changed so dramatically, while we were working on the record, the theme of ‘the impossible can happen anytime,’ more about personal relationships in the beginning, became a global and political story.” But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. “It’s maybe mostly about learning and how you never arrive anywhere,” Markus concurs. To sit within uncertainty is brave, but it’s also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.

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Superheroes, Ghostvillains + Stuff

3LP | 2016 | EU | Reissue (Alien Transistor)

31,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Remember how badly we wanted to join them and be part of those sea-faring adventures: Jack London’s The Sea-Wolf, classic TV shows based on his novel The Road, on Radu Toduran’s novels... back then, a couple decades ago, the titles of these shows alone were enough to trigger some strong gusts in our hearts, salty squalls perfect for imaginary downwind journeys we dreamed of with billowing sails. We wanted to cruise alongside albatrosses, seagulls, and fellow sailors. Floating high above a three-masted vessel, we watched our own adventures unfold far below, an imagined movie scene complete with a whole crew that worked the rigging, and all the rest. Cutting waves. Amidst the storm and stress of sounds hitting our eardrums far out in the ocean. Combined with the sounds of rotors, of tropics crossed, of marimbas and cabin wood pounded, of strange music spotted in the distance. And even though it was merely for an hour or two that we were rescued by that seal-hunting ship “Ghost,” as Jack London had it, plus, even worse, often found ourselves surrounded by villains: it was a great escape, for we’d successfully set sails – to new and exciting places. Both around their own Weilheim shores and elsewhere, brothers Markus and Micha Acher have launched various musical vessels, bands and free-floating constellations over the past three decades – and yet: amid all these other speedboats and unlikely sonic barges, The Notwist has always remained the mother ship. This new album documents the latest live incarnation of this very band, which also features Andi Haberl, Max Punktezahl, Karl Ivar Refseth, and Cico Beck. Recorded on December 16, 2015 on the second of three consecutive, sold-out nights at UT Connewitz in Leipzig, Germany, "Superheroes, Ghost-Villains & Stuff" indeed feels like a first-hand live experience caught on triple vinyl. That’s why it’s the definitive album of The Notwist’s career. Although there is one song that points to the early, “louder years” of The Notwist – “One Dark Love Poem” off the album Nook –, the rest of the night’s set sees the band perform all the major hits off Neon Golden, The Devil, You + Me, and Close To The Glass. However, these are different, organically enhanced versions, new interpretations and combinations that feel much more alive; thanks to Olaf Opal’s incredible mix, they sometimes even outshine the original studio recordings. Listening to "Superheroes, Ghost-Villains & Stuff" feels like watching these songs evolve and change, moving from one frame to the next, much like a baroque triptych. What starts out like ‘wimmelbook’ imagery, the music soon folds and unfolds like a Moebius strip: Sans bottom or top, sans inside or outside, the inside becomes the outside and vice versa. It’s all about sonic interconnection, about music as entanglement, music as reconciliation. The rather majestic, cinematic (indie) pop and experimental, kraut- infused jazz, the spirit of the enlightenment and baroque playfulness, the traces of modernism and minimal music, dub leanings, hip-hop lessons, and even hints of house music: here is where they all come together, reconciled in a sound that’s both melancholy and romantic. And ultimately, the spirit of these songs is set free – and the band has released itself, is free at last. As for the album title, it’s lifted from the song “Kong,” and encapsulates Markus Acher’s motto. Throughout the track, the water theme first appears as a dangerous threat: a force that’s strong enough to wash away an entire house; and yet the fluid state keeps transforming and eventually releases that sense of threat into something rather hopeful, a new musical beginning, a melodic departure that ultimately leads to euphoria and a renewed spirit of adventure. These are the strong gusts mentioned above, it’s the spirit of discovery, the urge to set sail together. The crew’s back at it, working the instruments, the rigging, with sails a- billow, launching the next voyage of discovery, assuming the East in the West and vice versa. And thus the adventure saga continues. Pico Be (Das Weiße Pferd)

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Remember T-Shirt

25,64 €* 26,99 € -5%

Available Sizes: S, M, L, XL, 2XL

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The Notorious B.I.G.Remember Tee is equipped with the following features:
• rib crew neck with interior tape
• Remember artwork printed on front
• regular fit
• 100% cotton single jersey, 180 g/m²

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Ready To Die Tracklist T-Shirt

Available Sizes: S, M, L, XL, 2XL

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The Notorious B.I.G. Ready To Die Tracklist Tee is equipped with the following features:
• rib crew neck with interior tape
• "The Notorious BIG / Ready To Die" lettering printed at left chest
• Ready To Die Tracklist artwork printed on the rear
• regular fit
• 100% cotton single jersey, 180 g/m²

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Pop Art T-Shirt

26,99 €* 35,99 € -25%

Available Sizes: S, M

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The Notorious B.I.G. Biggie Smalls Pop Art Tee is equipped with the following features:
• rib crew neck with interior tape
• Biggie Smalls Pop Art artwork printed on front
• regular fit
• 100% cotton single jersey
• officially licensed product

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Life After Death Hoodie

56,99 €* 59,99 € -5%

Available Sizes: S, M, L, XL

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The Notorious B.I.G. Life After Death Hoodie´s features include:
• drawstring-adjustable two-layer hood
• Life After Death artwork printed on front and rear
• kangaroo pocket
• stretch rib cuffs and bottom band
• relaxed fit
• 65% cotton, 35% polyester brush-back fleece, 250 g/m²

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Finest T-Shirt

17,54 €* 26,99 € -35%

Available Sizes: S, M

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The Notorious B.I.G. Finest Tee is equipped with the following features:
• rib crew neck with interior tape
• Finest artwork printed on front
• regular fit
• 100% cotton single jersey, 180 g/m²

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Crown Bathrobe

39,99 €*

Available Sizes: S-M, L-XL

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Made from cozy fleece fabric, the Biggie Smalls Crown Bathrobe is a classic design equipped with a hood, a self-fabric waist belt, twin pockets at hip height, stylish piping details as well as Biggie Smalls branding resp. Crown graphic embroidered at left chest and on the rear. Relaxed fit; 100% polyester coral fleece, 280 g/m².

Dimensions:
Small-Medium: Length 117cm, Chest 127cm, Sleeve 58cm
Medium-Large: Length 120cm, Chest 130cm, Sleeve 60cm
Large-X Large: Length 123cm, Chest 133cm, Sleeve: 62cm

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Biggie B-Day Serato DJ Control Vinyl Special 10"

10" | 2021 | US | Original (Finisher)

43,99 €*

Digipak CD | 2021 | EU | Original (90's Tapes)

Release: 2021 / US – Original

Genre: Hip Hop

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On what would've been Christopher Wallace's 49th Birthday, DJ Mister Cee celebrates the life and legacy of his dear friend, the greatest rapper of all time - The Notorious B.I.G. To Celebrate his immeasurable impact on Hip Hop, Mister Cee, Serato, and Fatbeats decided to put together this limited edition 10 inch vinyl containing the infamous "Where Brooklyn At" free style, and Serato DJ Control. Enjoy.

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The Nonce

World Ultimate

14,99 €*

Digipak CD | 2021 | EU | Original (90's Tapes)

Release: 2021 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies.

We couldn't resist to drop two of our favorite projects from the 90's by legendary Westcoast crew The Nonce, "World Ultimate" (1995) and "The Sight Of Things" (1998). Yusef Afloat and Nouka Basetype (later known as Sach) delivered an unique sound and released instant classics like "Mix Tapes", "Bus Stops", "The Sight Of Things" or "Who Falls Apart?". Both projects are available in limited quantities on vinyl, CD, cassette as well as digitally.

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The Nonce

The Sight Of Things

14,99 €*

7" | 2021 | UK | Original (Stream)

Release: 2021 / EU – Original

Genre: Hip Hop

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The Nombres

Trivialities / Todos

LP | 2021 | Original (Fire)

Release: 2021 / UK – Original

Genre: Organic Grooves

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One part War, two parts Santana, and a dash of Motown, immersed in a rich Puerto Rican stock, Los Nombres were the undisputed kings of Northern Ohio’s Rust Belt barrios. Following successive explosions of brown-eyed and Latin soul in Los Angeles and New York during the mid and late ’60s, Willie Marquez led a rotating cast of Latino teens through numerous underfunded recording sessions for the Day-Wood, Beth, and Lorain Sounds imprints. “Trivialities” was initially recorded in 1972 for release on Beth label and was again re taken in 1977 for the Lorain Sound imprint. Both releases are today as rare as Caribbean pirate’s doubloons and were backed on the flipside by the incredibly groovy barrio banger “Todos”. Here we present the 1977 version of Trivialities and the only existing take of Todos, finally at an affordable price.

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The Nightingales

OST King Rocker

26,99 €*

Release: 2021 / Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Mint, Cover: Sealed

The Night Flight Orchestra

Aeromantic Ii Clear Vinyl Edition

2LP | 2021 | EU | Original (Nuclear Blast)

30,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Leopard)

The Next Movement

21,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Arctic Rodeo)

The New Rising Sons

Demo To Demolition

13,99 €* 19,99 € -30%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | DE | Original (Arctic Rodeo)

The New Rising Sons

Demo To Demolition

6,79 €* 16,99 € -60%

Mass Romantic Colored Vinyl Editoin

Release: 2021 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy closer to NM.

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The New Pornographers

LP | 2021 | EU | Original (Matador)

33,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Money Money 2020 Pt Ii:We Told Ya So!

The Network

2LP | 2021 | EU | Original (ADA)

Release: 2021 / EU – Original

Genre: Pop

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LP | 2021 | EU | Reissue (Sartorial)

The Near Jazz Experience

Nought To 60

29,99 €*

LP | 2021 | EU | Original (4weed)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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"Free-spirited rapture" Gareth Thompson RNR Magazine Nov 2020. A statement of intent from The NJE. Spirit of Indo takes up the whole first side of their RSD 2021 mini-album - and it certainly doesn't outstay it's welcome. Improvised over a gently incessant yet soporific loop, bassist Mark Bedford and drummer Simon Charterton fall in and out of grooves while multi-instrumentalist Terry Edwards deftly moves between saxes, trumpet and melodica to invent topline melodies within that comfortable straitjacket. As the track progresses bigger instrumentation is suggested by the tunes - and so the track builds with more horns and percussion, the resulting climax making way for the comforting loop to bring us back down to the start. Side 2 opens with an instrumental version of Bowie's Five Years, even more pared down than Edwards' previous take on the tune for a John Peel session in the nineties. Bedders' acoustic and electric basses weave around each other while Simon's understated cymbal-work buoys up the fragile melodica melody. Tizita raises the tempo slightly and is inspired by Ethiopian jazz-legend Mulatu Astatke who Terry had the pleasure of working with a few years back. Title track Nought to 60 is driven by Teutonic beats on electronic Wave drum, a Motorik bassline and heavily effected saxes which thunder towards the buffers - after which you'll want to flip the album and start all over again.

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The Natural Dub Cluster

Biosfear

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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In The Realm Of Electricity

The N-21

LP | 2021 | EU | Original (She Lost Kontrol)

Do Nothing Till You Hear From Me

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Ne-21 return to She Lost Kontrol after their first pitch-perfect 80s dark wave release in 2016. After releasing a collaboration with Donato Dozzy with the project ‘Men with Secrets’ at the beginning of the year, the duo lands on the label with their new work “In The Realm of Electricity”. The album is a collection of 8 tracks composed and recorded between 2012 and 2020 at the Sy6 studio in Boscoreale. The outcome is a perfect blend of synth pop and minimal wave, filled with icy synths, shuddering bass, and anthemic vocals, ranging from mumbled vocoder to arch talk-singing. While diverse in atmospheric scope, swells of ghostly synths circle the driving beat throughout, producing a haunting totality drenched in an ethereal midnight trance; the submerge of cold, spectral vocals sing within the darkest depths of a starry soundscape – the gloomy romanticism of low, distant vocals bursting with post-punk melancholia. The track’s unease between purpose and utility create a discrete synthesis, and, like a piece of speculative fiction, the memory of the body and its coalescence with the future become prime motives for this liquid age. Akin to Ballard or Philipp K. Dick, the workis not only dreamlike and surreal, but vocally sinister, as if this spectrum of lush new wave ‘80s pop and Almond-style weirdness hides a truth waiting to be grasped. The album in essence sounds unashamedly distinctive, unique and charming. Whether you fall in love with the whole act or you’re just stunned by the bizarreness of it all, one thing’s for sure – you’ll be compelled and gripped right to the infectiously smutty end. Composed, recorded and mixed by Nicola Buono & Lino Monaco at Sy6 Studio. Vocals and lyrics by Lino Monaco. Mastering by Joshua Eustis, Los Angeles. Design By Michelangelo Greco She Lost Kontrol Records 2021

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The Mute Gods

2LP+CD | 2016 | EU | Original (Inside Outmusic)

22,49 €* 24,99 € -10%

Fuck These Fucking Fascists

Release: 2016 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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The Muslims

LP | 2021 | EU | Original (Epitaph Europe)

Release: 2021 / EU – Original

Genre: Rock & Indie

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American Graffiti Coloring Book

The Museum Of Graffiti

Dokument

9,99 €*

CD | 2021 | US | Original (Air Vinyl)

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From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color! With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and

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The Musalini

The Return Of The Oro

Release: 2021 / US – Original

Genre: Hip Hop

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Young Blindness Colored Vinyl Edition

The Murlocs

LP | 2016 | UK | Reissue (Ato Uk)

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Bittersweet Demons Limited Colored Vinyl Edition

The Murlocs

LP | 2021 | UK | Original (ATO)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Bittersweet Demons Colored Vinyl Edition

The Murlocs

LP | 2021 | UK | Original (ATO)

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Greenway)

The Muckers

Endeavor

27,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Songs For Pierre Chuvin Black Vinyl Edition

The Mountain Goats

LP | 2021 | US | Original (Merge)

Dark In Here Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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A surprise cassette released April 2020, Songs for Pierre Chuvin is the Mountain Goats' first all-boombox album since 2002's All Hail West Texas. After selling over 4000 cassettes in a matter of minutes, the avid Mountain Goats fanbase has demanded more and Merge is happy to acquiesce. "Recording on the same boombox that launched his career, John Darnielle returns to his lo-fi roots for an album of alienation, ancient pagans, and making it through the year together." _Pitchfork / "Full of images fit for these dismal times and slogans suited to surviving them, Pierre Chuvin is an inspiring reminder of how much each of us has left to learn." _npr / "Songs for Pierre Chuvin is exactly what we've come to expect: big-hearted songs full of warmth and smarts, custom-built to comfort and to inspire." _Bandcamp

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The Mountain Goats

2LP | 2021 | US | Original (Merge)

32,99 €*

LP+7" | 2021 | EU | Original (Voodoo Rhythm)

Release: 2021 / US – Original

Genre: Rock & Indie

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When the Mountain Goats got together in March 2020, it was to make not one album, but two. The idea was to again work with Matt Ross-Spang, the dashing Memphis wunderkind. Matt pitched we spend a week at Sam Phillips Recording, his home base in Memphis, followed by another at the storied Fame Recording Studios in Muscle Shoals, Alabama, a plan that dovetailed nicely with John's notion of corralling these songs into two complementary batches: one light, one dark. The Memphis album_Getting Into Knives, would be brighter, bolder, marked by rich and vibrant hues; the Muscle Shoals album _ Dark in Here, is quieter, smokier, but more deeply textured and intense. We were all aware of the mythos surrounding Fame. The second you step inside you transport to its early '60s heyday and its louche mid-'70s denouement. The room we set up in is the room where Percy Sledge sang "When a Man Loves a Woman" and where Aretha Franklin recorded "I Never Loved a Man (The Way I Love You)." The Wurlitzer with which Spooner Oldham opens the last? It's sitting right there. Spooner is living musical history, having played with everyone from Bob Dylan and Neil Young to Linda Ronstadt and Liberace, for crying out loud. And Spooner is all over Dark in Here_any time you hear a bit of Hammond organ or electric piano chiming in without repeating a phrase. We tracked the album's one outright banger, "The Destruction of the Kola Superdeep Borehole Tower," live with Spooner, and "Mobile" and "Dark in Here" with guitarist Will McFarlane_another local veteran who played with Bonnie Raitt for years. We only had Spooner for two afternoons, though, and Will for just one. After it was just the four of us: John playing acoustic guitar and occasional piano, the rhythm section of drummer Jon Wurster and myself, and our jack-of-all-trades Matt Douglas picking up everything else. The result is something more stripped down and intimate than the lush arrangements of Getting Into Knives. Of "The Slow Parts on Death Metal Albums," John concedes that the song is autobiographical. While the lines, "In a new universe / trying to find the mask that fits me" would take on a newly literal connotation in the weeks to come, the song is about going to late `80s metal shows at Fender's Ballroom in Long Beach, and about seeking a sense of identity and community in strange and occasionally forbidding places. This theme _ feeling at once conspicuous and invisible, the frustrated craving for acceptance _ is echoed elsewhere. Then there are elegies to lost causes, some big and institutional ("The Destruction of the Kola Superdeep Borehole Tower"), some small and personal ("Arguing With the Ghost of Peter Laughner About His Coney Island Baby Review," a tribute to David Berman, whose return from self-imposed musical exile had been cause for huge celebration in our camp). "Before I Got There" neglects to identify its victims, or the tragedy that's befallen them. John writes in the liner notes that "if you're looking for a governing theme here, it's calamity, as all the songs are either anticipating one or reflecting one that's already happened." - Peter Hughes, Rochester, March 2021

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The Monsters

You're Class, I'm Trash

12" | 2021 | EU | Original (Rakete Tontraeger)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Monsters Formed In 1986 In Bern, Switzerland As An Alternative To The Popular Music Of The Time (I.E. Disco, Pop, Top 40 Rock). Mixing Rockabilly With Punk Rock And Garage, Their Brand Of Teenage Primitive Rock N' Roll Chainsaw Massacre Garage Trash Has Kept Them As An In Demand Punk Rock Band Touring The World Playing Festivals And Large Halls As Far East As Japan, South As Brazil, North As Scandinavia, And West As New York City.And Then 2020 Hit, Yahoo!!! The World Went Into A Complete Lockdown And Everyone's Plans Changed! With No Touring In The Near Future, The Time Was Now To Write A New Album So The Band Dedicated Two Weeks To Going To Their Practice Space To Write New Music And Another Two Weeks A...

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The Monotrones

New Adventures EP

LP | 2021 | EU | Original (Bang!)

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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It's time to enter The Monotrones spaceship again! Their second 12“ EP "New Adventures“ sees the Dresden-based dub-collective team up with new space cadets.The new expedition follows a simple mission: one riddim —> four artists. Ltd pressing!

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The Monkeywrench

Electric Children

26,99 €*

LP | 2016 | Original (Rhino)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Recorded In Seattle In 1999, This Monster Record Is Now Being Reissued On Vinyl, Remastered By Jack Endino.Don't Miss This Outstanding Second Album From Mudhoney (Sub Pop) Spin-Off The Monkey Wrench, Essential For Fans Of The Alternative American Rock Scene!As Soon As The Opening Track Of Electric Children Begins You Realize That The Monkeywrench Have Gotten Much Tighter In This Their Second Album, Since Their Debut Eight Years Before. The Production Also Seems More Raw, Possibly Due To The Fact That The Band Has Moved From Conrad Uno To Veteran Seattle Producer Jack Endino, Who Also Engineered The First Releases From Bassist Steve Turner And Vocalist Mark Arm's Other Band, Mudhoney. Also Contributing To The Rawness Of The Record Is The Absence Of Arm's Trademark Piano And Organ. This Enhances The Energy, Causing You To Notice A More Frantic, Electrified Side Of The Band. As On The Debut Album, Clean As A Broke-Dick Dog, Several Genres Of Music Are Given Equal Time, Including The Country Of "Thirteen Nights" And "The Empty Place," The Rockabilly Of "The Weasel's In The Barn," The Eastern Modal Quality Of "Around Again," And The Noise Rock Of The Closing Number, "In The Days Of The Five." The Monkeywrench Have Grown In Their Ability To Craft A Song, And The Result Is A Masterpiece. Check This Band's Line Up:Mark Arm (Mudhoney, Bloodloss)Steve Turner (Mudhoney)Tim Kerr (Big Boys)Tom Price (Gas Huffer, U-Men)Martin Bland (Bloodloss, Lubricated Goat)Classic Black, 140 Gram Vinyl, Limited To 500 Copies, Licensed By Estrus Records!

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The Monkees

Good Times!

21,99 €*

Release: 2016 / Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2021 | EU | Original (Sound Of Vast)

The Mole

Thats Nice

10,99 €*

12" | 2016 | IS | Original (Confused Machines)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Sound Of Vast welcomes the return of The Mole this November with his 'That Is Nice' EP, comprised of three typically twisted cuts from the Canadian-born Berliner.

Over the course of the past two decades Colin De La Plante, better know to most as The Mole, has unveiled numerous EP's, singles and albums via the likes of Perlon, Ostgut Ton, Slices Of Life and of course Sound Of Vast where he returns here following output in recent years from the likes of DJ Sodeyama as The People In Fog, Cinthie, Com Sin aka Cosmin TRG, Shinichiro Yokota and Akiko Kiyama from the Japanese imprint.

Opening the EP is 'Vetafit', laid out across seven a half minutes with bubbling metallic chimes, bumpy bass notes, crunchy drums and an amalgamation of intertwining plucked synth stabs. Title-track 'That Is Nice' follows, shifting focus to cut up funk licks, a walking bass line and tension building strings atop a dynamic, organic drum groove.

On the flip is '17 Day Parade' to conclude the EP, stripping things pack to punchy, modulating drums a wandering sub bass pulsations and warbling, intricately processed horns and stabs, once again we're treated to more weird and wonderful material from The Mole.

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The Models / Mule Driver

Confusion One

8,99 €*

Release: 2016 / IS – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original Sound Sessions 1967-1968

The Millennium

LP | 2021 | EU | Original (Munster)

I Just Don't Know How To Say Goodbye / Such A Good Thiy

Release: 2021 / EU – Original

Genre: Rock & Indie

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Essential Listening For Those Into Sunshine Pop Harmonies And Psychedelia!The Millennium Stands As One Of The Most Remarkable Psychedelic Bands From '60s California Despite The Sales Of Their Only Lp, "Begin", Which Did Not Match The Big Expectations Created By The Great Critical Acclaim Received And The Huge Financial Costs Of Its Recording.Although Conceived As A Studio Group By Curt Boettcher (The Ballroom, Sagittarius_), The Millennium Was A Real Band Despite Never Performed Publicly. Following A Carte Blanche Deal With Columbia, He Assembled A Group Of Talented Californian Singers And Musicians (Lee Mallory, Sandy Salisbury, Joey Stec, Doug Rhodes, Michael Fennelly And Music Machine Drummer Ron Edgar) To Record An Album, Resulting In A Sublime Pop Masterpiece, Combining Sunny Melodies, Outstanding Vocal Harmonies, And Psychedelic Touches.Apart From The Tracks That Appeared On "Begin" (Which Also Includes Several Songs That Curt Boettcher Composed For Previous Projects Such As The Ballroom) In The Many Studio Hours The Band Recorded A Host Of Extra Songs, As Well As Numerous Demos.This Record Includes Some Of The Extra Tracks That Were Recorded In The Sessions For The Millennium's One And Only Album And They Are Proof Of The Immense Versatility Of The Band And Of The Extraordinary Ability Of A Group Of Composers Who Created Timeless Gems That We Are Delighted To Recover And Present For Intergenerational Enjoyment, Ssome Of These Tracks Are Reissued Here On Vinyl For The First Time.

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The Millennium

7" | 2021 | EU | Original (Munster)

LP | 2016 | US | Reissue (Stones Throw)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Millennium Stands As One Of The Most Remarkable Psychedelic Bands From '60s California.This Single Presents On Vinyl For The First Time, Two Rare Recordings That Never Made It Into The First Seminal Album "Begin" + 2 Demo Tracks.Essential Listening For Those Into Sunshine Pop Harmonies And Psychedelia!Detailed Info:The Millennium Stands As One Of The Most Remarkable Psychedelic Bands From '60s California Despite The Sales Of Their Only Lp, "Begin", Did Not Match The Big Expectations Created By The Great Critical Acclaim Received And The Huge Financial Costs Of Its Recording.Although Conceived As A Studio Group By Curt Boettcher (Ballroom, Sagittarius_), The Millennium Was A Real Band Despite Never Performed Publicly. Following A Carte Blanche Deal With Columbia, He Assembled A Group Of Talented Californian Singers And Musicians (Lee Mallory, Sandy Salisbury, Joey Stec, Doug Rhodes, Michael Fennelly And Music Machine Drummer Ron Edgar) To Record An Album, Resulting In A Sublime Pop Masterpiece, Combining Sunny Melodies, Outstanding Vocal Harmonies And Psychedelic Touches.This Release Presents Some Rare Recordings And Demo Versions By The Band On Vinyl For The First Time.

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The Mild High Club

Skiptracing

21,99 €*

12" | 2021 | EU | Original (Be With)

Release: 2016 / US – Reissue

Genre: Electronic & Dance

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Mild High Club founder Alexander Brettin grew up playing flute in the school band and majoring in jazz studies in Chicago. In 2012, a visit to Los Angeles allowed him to connect with the Stones Throw crew. Within a year, after passing the early demos of what would become Timeline onto Peanut Butter Wolf, Brettin made the move out west.

“The difference between Timeline and Skiptracing is detail,” Brettin said. “I was stubborn with the process for Timeline, it took almost three years to let go of it.” On Timeline, Brettin resorted to vague lyrics so as to highlight the music itself. But for Skiptracing there’s both a heightened thematic aspect as well as more complex musical arrangements encasing it. In Brettin’s estimation, the album’s story arc is that of a “private investigator attempting to trace the steps of the sound and the spirit of American music.”

And in investigating the spirit of American music, Mild High Club re-imagine AM radio hits as blasting in from a parallel universe, the sound of early 70s LA in a smog of sativa. If Todd Rundgren was the primary touchstone for Timeline, Brettin and band now look to the wry, trenchant wit of Steely Dan, gazing deep into the dark underbelly of sun-bright L.A. and coming away with catchy songs underpinned by slippery jazz phrasings.

Dig deeper into the lyrics and imagery and that detective story slowly emerges. But it’s no simple whodunit? Instead, think The Long Goodbye, The Late Show, Chinatown, Night Moves or any early 70s inversion of the detective noir genre, where the gumshoe protagonist ultimately winds up investigating himself, navel-gazing so as to solve the ultimate mystery. Skiptracing is Philip Marlowe driving around LA listening to Caetano Veloso or that deleted scene in John Cassavetes’s The Killing of a Chinese Bookie where Cosmo Vitelli reads Cosmic Trigger.

In crafting Skiptracing, Mild High Club have made an album that strikes a balance between the known and unknown aspects of art and creation. While Brettin sought to have complete control over the creation of the previous album, in opening up and allowing these creative variables in, he learned a valuable lesson that lies at the heart of Skiptracing itself: “When you wish upon the unknown, you might be surprised by the rewards.”

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The Mighty Soulmates

The Mighty Randells / Sky High All Stars

Release: 2021 / EU – Original

Genre: Hip Hop, Pop

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First release of tracks from mid-90s super-secret super group sessions with André Cymone, St. Paul Peterson, Mic Murphy and Gardner Cole. The Mighty Soulmates is a towering early 90s project from the legitimate super group of André Cymone (bass player with Prince), St. Paul Peterson (keyboard player in The Time and lead singer in Prince’s group The Family), Mic Murphy (of Sass and The System fame) and Gardner Cole (writer, producer and musician probably best known for his work with Madonna). The sound is a majestic blend of sophisticated funk, emotional R&B, New Jack Swing flava and slick deep soul. These should-be legendary sessions have been almost a secret since they were recorded back in 1993. The first Be With knew about the project was whilst working with Mic on some Sass re-issues and he told us he had something else we might be interested in hearing.

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Brimstone & Fire / Earthquake & Lightning

7" | 2021 | EU | Original (JA-Man)

11,99 €*

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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LP | 2016 | EU | Original (Acker)

The Micronaut

Forms

15,99 €*

The Michael Schenker Group

Release: 2016 / EU – Original

Genre: Electronic & Dance

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The Micronaut creates the soundtrack for those moments when the screeching of the subway and the steps on the wet pavement have echoed away into the dark city sky. Those moments when the ghosts of fumes and stop lights haunt the empty streets, when behind glowing windows dreams and urban exit strategies get ready for bed. When everybody is close to each other, but everyone is on his own. When the city comes to a standstill, but the wheels inside the heads of its inhabitants keep spinning. Stefan Streck discovers the musical equivalent for this epic atmosphere somewhere between Bass Music, Electronica and Pop. The cinematic soundscapes of his nocturnal City Blues have a somewhat tragic vibe, which is very noticeable both during the impulsive, passionate live shows of The Micronaut and on 'Forms', his third studio album on Acker Records, distributed through Kompakt. Between moments of deep melancholy and sudden eruptions of blissful euphoria he creates a feverish state of tension.

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Immortal Gold/Black Splatter Vinyl Edition

LP | 2021 | EU | Original (Nuclear Blast)

12" | 2021 | EU | Original (Traum)

Release: 2021 / EU – Original

Genre: Rock & Indie

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MSG is a legendary name. After two phenomenal records under the guise of Michael Schenker Fest, a true guitar hero is returning to his roots. By forming Michael Schenker Group (msg) back in 1979, Michael Schenker laid the foundations for one of hard rock’s most glorious solo careers of all times. And while nobody expected anything less from a former guitarist for Scorpions and UFO, it’s close to impossible mentioning everything Michael has built over the past 50 years, or the countless people he influenced or played with. This, truly, is the stuff that hard rocking myths are made of.

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The MFA

Oranges And Lemons

8,39 €* 11,99 € -30%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Secret)

The Meteors

Best Of Live

Release: 2021 / EU – Original

Genre: Rock & Indie

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Three Apes In The Orange Grove

The Mergers

LP | 2021 | EU | Original (Soundflat)

Release: 2021 / EU – Original

Genre: Rock & Indie

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I Wanna Know Violet Marbled Vinyl Edition

The Meditator

12" | 2021 | UK | Original (Meditator Music)

15,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance

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12" | 2021 | UK | Original (Pomme Frite)

The Mayans

Baditude

The Matthews Baartmans Conspiracy

Release: 2021 / UK – Original

Genre: Electronic & Dance

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You know what to expect by now, your favourite, friendly, potato-based label supplying a bumper plate of triple-cooked disco house slammers. This time cheffing up the good stuff, the mysterious Mayans with label head Alex Virgo on sous chef duties for the remix.

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Distant Chatter

CD | 2021 | UK | Original (Talking Elephant)

10,99 €*

The Master Musicians Of Joujouka

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. cardboard sleeve

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Live In Paris

2LP | 2021 | EU | Original (Unlistenable)

12" | 2021 | EU | Original (Ohm Resistance)

Release: 2021 / EU – Original

Genre: Rock & Indie

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50 years since their first LP “Brian Jones presents the Pipes of Pan at Joujouka” was released, The Master Musicians of Joujouka are releasing a stunning double LP recorded live at Centre Georges Pompidou, Paris in 2016. The recordings are a full immersion into the Joujouka sound with disc one featuring hypnotic flutes and drum and a side of songs with mountain violin played by virtuoso Ahmed Talha with lead vocals by the late Abdeslam Boukhzar. Disc two features the truly hypnotic rhiat suite of Boujeloud, recorded in its entirety for the very first time. The Master Musicians of Joujouka have been known since Brian Jones publicised this amazing music in the 1960’s and of course also to those who are fans of William S Burroughs. This is a live recording from the Centre Pompidou in Paris in 2016. Which offers a chance to listen to the music without the usual background detritus provided when they are recorded in their homeland. The concert was part of the Beat generation exhibition. Gatefold double LP, the first time it has been released on vinyl.

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The Masamune

The Suburbs Dream Of Bloodshed

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Atlanta’s The Masamune presents his debut 12″ release on Ohm Resistance – 4 absolute dancefloor controllers, with a special guest appearance from DJ Hidden on remix duties. This self-titled EP is aimed squarely at the next generation of Drum & Bass DJs and listeners, competing for the top step on the production podium. A direct representation of the storied Drum & Bass history of the label, The Masamune wires together his signature traditional symphonic strings and orchestral elements with the hardest hitting modern dancefloor sound. His beats range from half time punishers, in his signature Neuro-hop style, to running and rolling steppers, with a strong hip hop/b-boy influence appearing throughout his produdctions. According to The Masamune: “This project was made almost specifically to serve as a prelude to the full length LP I’m currently writing for Ohm Resistance.” The EP showcases the numerous talents of the artist, as well as crucial amplifications from his collaborators. Including Jakob Klug on artwork (previously work includes Black Sun Empire and The Outside Agency) and The Netherland’s legendary DJ Hidden, who has remixed the closing track – Doomslayer. The Masamune comments: “I consider DJ Hidden a pioneer and an early influence of mine. He was gracious enough to lend his talents on the remix of my 2018 track “Doomslayer”. The Masamune is a multi-genre producer, remixer, & live act from Atlanta, GA. A composer and sound designer known for his niche style of blending orchestral elements into the chaotic palettes of hard drums and heavy synths, his tracks explore dark themes and deliver punishing consistency. A top-flight production ethic combines with rich exploration of the dark side of Drum & Bass, his works are an automatic dancefloor uplifter in the hands of skilled DJs. He has released on Harder & Louder, Mindocracy, Smackdown Recordings, and was a participant in the Ohm Resistance 7″ series, as well as an annual contributor to the Perihelion compilation series.

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The Marquis

LP | 2021 | EU | Original (Aufnahme + Wiedergabe)

17,99 €* 19,99 € -10%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Screaming Apple)

The Margin Of Sanity

A Wound Up Wall Of Sound

2LP | 2016 | US | Original (Concord)

Release: 2021 / EU – Original

Genre: Rock & Indie

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MONSTER TYME !!! Right before x-mas we offer you the holy grail of UK mid-eighties garage-punk!!! Blazing a brief trail through London's legendary lost music venues during the mid-80s, The Margin of Sanity were a tightly-wound coil of sexual frustration and pent-up rage. Sharing stages with soon-to-be-cult acts such as Spacemen 3, My Bloody Valentine and The Prisoners, they played at the speed of a runaway train on the brink of derailing, fuelled by youthful exuberance, adrenaline and cheap amphetamines.Taking influence from mid-60s Pretty Things and the angry young THEM, The Margin of Sanity quickly picked up a following of disenchanted youths who had turned their backs on the sterilemusic of the 80s and who were instead discovering comps like Chocolate Soup for Diabetics, Nuggets and Pebbles.Fronted by a lanky Keith Relf lookalike, propelled by a drummer raised on Keith Moon at his most frenzied, and backed by black-leather-clad, chelsea-booted guitar slingers, The Margin of Sanity certainly stuck out from the crowd.Their self-titled mini LP consisted of five original compositions and one cover, selling well enoughto warrant a second pressing. John Peel got behind it on his radio show and the UK nationalweekly music press started to take an interest. Headline slots followed but momentum got lost and after only eight months of activity and fewer than twenty gigs, The Margin of Sanity disbanded.This retrospective on Screaming Apple contains all known recordings, including the mini LP, early demos and a rehearsal recorded just before they split, which offers a fascinating insight into the direction they were taking. The recordings are (re)-mastered by none other than Mr. Tim "Back From The Grave" Warren.Perhaps a line from Robin Gibson's mini album review in Sounds, published in February 1987, is a fitting epitaph: "In 1963, The Margin of Sanity would've been creating the generation gap. In 1987 they are a generation gap".

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The Marcus King Band

35,99 €*

Tootsie Rolls Feat. Giuda

Release: 2016 / US – Original

Genre: Organic Grooves

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Songwriter. Guitarist. Singer. Bandleader. At only 20 years of age, Marcus King’s dazzling musical ability is evident throughout The Marcus King Band, the young phenom’s 2nd full-length LP. Raised in Greenville, South Carolina, King was brought up on the blues, playing shows as a pre-teen sideman with his father—bluesman Marvin King, who himself was the son of a regionally-known guitarist—before striking out on his own. Operating within the fiery brand of American roots music that King calls "soul-influenced psychedelic southern rock," the album highlights King’s gorgeous, rough-hewn vocals, soaring guitar work and heartfelt songwriting all amidst a group of masterful musicians who, together, are quickly becoming one of the country’s most sought after live acts.

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The Manges

7" | 2021 | EU | Original (Damaged Goods)

10,99 €*

LP | 2021 | UK | Original (Outernational)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Brand New Limited Edition Red Vinyl 7" Single By The Manges. Formed In La Spezia, A Small Seaside Town Located In Northern Italy, The Manges Started To Play Ramones-Style Punk Rock In 1993 And They Are So Dumb That They Never Stopped. Old School Punk Rockers, Matching Striped T-Shirts, Speed, Melodies, Fun. The Lyrics Are Inspired By Movies And Novels; Irony, Crime, War, Rock References. They've Recorded 5 Albums And Their Discography Includes Many Other Releases (Anthologies, Eps, Live, Splits With Queers, Apers, Mcrackins, Hard-Ons). In Their 27-Year Career They Have Toured Europe, North America And Japan, Sharing The Stage With Bands As Bad Religion, Anti-Flag, Descendents, Marky Ramone, Screeching Weasel, Queers, Riverdales, And Mr T Experience. They Own The Record Label Striped Records And Manage The Italian Festival Punk Rock Raduno. "We Like Giuda. A Lot. Over The Years We've Met At Shows, Played Together A Bunch Of Times, And We Believe The Respect And Admiration Is Mutual.We Didn't Want Our Latest Album To Sound Like All Contemporary Punk Rock Of Our Scene. We Are A So-Called "Ramonescore" Band But We Started More Than 25 Years Ago So We Think That Definition Is Not Enough To Describe What We've Done And What We're Still Doing. Massimo From The Manges Talks About Working With Giuda: "We Love What Giuda Did With '70s Glam Rock_ They Took A Kind Of Music That Was More Than 40 Years Old And Made It Fresh, Catchy, Relevant Today, While Still Following A Specific Canon. They Produce Their Own Records So We Thought They Could Totally Improve A Manges One. They Know Punk Rock Pretty Well Too And That's A Fact. Just Think About Their Astonishing Previous Band Taxi! We Wanted To See What Could Happen By Having Lorenzo And Danilo's Approach On Our Band's Music. The Studio Sessions In Rome Were Great, We Have Been Very Productive Although The Environment Was Pretty Laid-Back. One Of Our Favorite Songs For Our New Album Is Called 'Tootsie Rolls', And It Kinda Stands Aside From The Rest Of The Album...

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The Mallory-Hall Band

The Last Special

LP | 2021 | UK | Original (Outernational)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.

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The Mallory-Hall Band

Song Of Soweto

LP | 2021 | EU | Original (Flight 13)

Release: 2021 / UK – Original

Genre: Rock & Indie

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The Maladroits

Stabil

11,69 €* 17,99 € -35%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Orkney: Symphony Of The Magnetic North Eco Vinyl Edition

The Magnetic North

LP | 2021 | UK | Original (Full Time Hobby)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Orkney: Symphony Of The Magnetic North

The Magnetic North

LP | 2021 | UK | Original (Full Time Hobby)

Release: 2021 / UK – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (G.A.M.M)

The Magic Twins

Gilles Tribute

2LP | 2021 | EU | Reissue (Warner Music International)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This one's for all the jazz-fusion heads out there and a celebratory tribute to the undisputed king of anything jazzy, Mr. Gilles Peterson. The Japanese duo The Magic Twins delivers a strong 3-track EP which is full of jazz/brazil/funk-fusion reworks that would make the dancers at the legendary London Club Dingwalls swing just a little longer. Proper dance material for the jazz-ish community.

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The Magic Gang

34,99 €*

Release: 2021 / EU – Reissue

Genre: Pop

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Death, Madness, Horror, Decay

The Lurking Fear

LP | 2021 | EU | Original (Century Media)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | Reissue (Decca)

The Lumineers

Cleopatra

32,99 €*

Release: 2016 / Reissue

Genre: Organic Grooves

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LP | 2021 | EU | Original (BMG Rights Management)

The Luka State

Fall In Fall Out

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | UK | Original (BMG)

The Luka State

Fall In Fall Out

12" | 2016 | UK | Original (Holy Are You)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Cream vinyl is close to NM. Tiny wear. Original inner sleeve.

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The Lucid Dream

Bad Texan

Release: 2016 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Living Off Xperience Red Vinyl Edition

The Lox

2LP | 2021 | US | Original (Roc Nation)

43,99 €*

Release: 2021 / US – Original

Genre: Hip Hop

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CD | 2016 | EU | Original (Washington Square)

The Low Anthem

Eyeland

3,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | US | Original (Green Cookie)

The Lovedays

The Key To The Trapdoor

Release: 2021 / US – Original

Genre: Rock & Indie

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Release: 2021 / UK – Original

Genre: Rock & Indie

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With their first two singles under their belts – "Generation Game", the fastest selling 7" for the award-winning label, and "Burn The Heather" – plus a raft of Ones To Watch accolades for 2021, there is much anticipation for what lies next for the band.

In early 2020, "Generation Game" announced the band as artists shaping powerful narratives around a fast-fragmenting society. With the lyric “what will the US do?” they served up a painfully prescient prediction of American unrest.

Follow-up single "Burn The Heather" made a left-hand turn for the more punk-funk, sneering at culture wars and the damaging impact of a class divide.

New single "Cain’s Heresy" shakes with the propulsion of a nimble rhythm section, full of bite and scorn, simultaneously swinging angrily at a negligent political class ("The death of four souls is less than a kick in the teeth, for them"), the threat of misinformation ("Poisonous ideals on the screen breed a vicious way of thinking, off the screen") and the noxious follow-the-leader march of celebrity culture ("They’re servants to fame"). The EP title “Silk For The Starving” in itself probes at a society that routinely neglects the needs of the have-nots.

The Lounge Society sing about what they know then. Make no mistake, this is the sound of young England: articulate, enraged and energised. And – perhaps crucially - highly danceable too. It should give hope to anyone who has lost faith in the future, because here the future is in safe hands.

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Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. With insert

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14,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

B-side has two labels sticking over each other, you can peel the 2nd off.

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LP | 2021 | EU | Original (Lechehouse)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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The Los Sundowns