HHV Records 16486 Items

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2024 | Original (Legere)

Pm Warson

A Little More Time

Release: 2024 / Original

Genre: Organic Grooves

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LP | US | Original (Funk Night)

Penza Penza

Alto E Premitivo

Release: US – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Original Gravity)

Feelin' Kind Of Blue

Release: 2024 / UK – Original

Genre: Organic Grooves

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Andrew Wasylyk & Tommy Perman

Ash Grey And The Gull Glides On

LP | 2024 | UK | Original (Clay Pipe Music)

Suface World Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘Ash Grey And The Gull Glides On’ is the new album by Scottish composers Andrew Wasylyk and Tommy Perman.The pair have orbited each others worlds for a number of years through audio-visual collaborations spanning record releases, films and sound installations.

Wasylyk’s cinematic compositions have been nominated for the Scottish Album of the Year Award and been awarded BBC Radio 6 Music’s Gideon Coe’s Album of the Year. He has collaborated with former National Poet for Scotland, Liz Lochhead, and written soundtracks for Radio 4. Perman’s work as a musician and DJ has taken him across the world, with numerous record releases under his own name and with experimental group/arts collective Found, alongside visual works at the Sydney Opera House and National Museum of Scotland.

‘Ash Grey And The Gull Glides On’ is the pair’s first collaborative album as a duo.The record is rooted in Perman's ambient-acid-house grooves and multi-textural percussion built from sampling the knocks, clangs and creaks of Wasylyk’s upright piano.These are woven through a palette of drum machines, rolling transcendental piano motifs, fluttering synthesisers, saxophones swells and hymnal choral vocals.

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Straight Arrows

LP | 2024 | UK | Original (Agitated)

Die Reise Zur Monsalwäsche

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sydney 4-piece Straight Arrows have returned with their 4th studio album ‘Surface World’ today via Rice Is Nice Records in Australia, Agitated Records in the Uk/eu and Lolipop Records in the US on the 9th of August. Since forming back in 2007, Straight Arrows have been a force on the Australian indie scene; with 10x 7”s, 3x studio albums, a live LP and countless shows domestically and internationally under their belt, the band have developed a devoted fan-base, and praise from the likes of Henry Rollins and Iggy Pop along the way. Recorded at Marrickville’s Golden Retriever Studios with Nick Franklin (Polish Club, The Buoys), their 4th LP ‘Surface World’ is a whirlwind of fuzzy riffs and infectious hooks. Thematically, ‘Surface World’, as explained by the band, is a “reflection of the plane of existence we’re all currently trapped upon”, taking an introspective look at modern life and the world around them.

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Läuten Der Seele

LP | 2024 | EU | Original (Hands In The Dark)

2LP | 2018 | EU | Reissue (Ternesc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Christian Schoppik aka Läuten der Seele brings his »Water« trilogy to a close with his new album »Die Reise zur Monsalwäsche« (The Journey to Monsalwäsche) following up »Die Mariengrotte als Trinkwasseraufbereitungsanlage» (2022, Hands in the Dark) and »Ertrunken im seichtesten Gewässer« (2023, World of Echo). While the compositional technique of this opus still relies primarily on samples and altered audio-collages, each chapter of the trilogy was intentionally created from very different sources. The present collection is arguably less ›experimental‹ than some of Läuten der Seele's previous works, as classical music takes center stage this time. However the mastery in crafting such magnificent and intriguing narratives sees the simplicity and emotional depth of these sonic mariages become the beauty of it all.

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Blawan

Wet Will Always Dry

Free Energy Inverted Hyperspace Splatter Vinyl Edition

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Physically and mentally draining in the best way possible, Wet Will Always Dry is maybe the most complete statement from Blawan to date, and as such should be ignored at your peril. This becomes evident from the album-opening “Klade,” a dizzying, tumbling flight of pure energy over overlapping fields of electrified menace. This sets the stage for “Careless,” which retains the hazardous, crackling atmosphere but dials back the intensity just enough to make room for a new feature, Blawan’s eerie and disembodied vocals.
“Tasser” ratchets up the tempo and the frenetic energy yet more, slinging chunks of audio shrapnel and grinding factory noise over the kick-heavy beat, only letting up the tension every now and then for a convulsive breakdown. By the arrival of “Vented,” a more steady, cycling groove has set in along with the accompaniment of suspenseful melodic swells, but the element of surprise is far from gone: there still seem to be spectral entities lurking around every corner, and there’s no shortage of intriguing tumbril weirdness blowing around the imaginary streets that this track conjures up.
The slamming “North” keeps alive the record’s persistent, darkly humorous feeling that things are about to go off the rails at any moment, using wildly contorted sequences and granular debris to shift between total abandon and regimented strictness. A moment of relative calmness, along with the return of the atmospheric vocals, comes about with “Stell,” a faintly dubby track that leaves an impression like watching streams of traffic progress underneath rolling, deep grey clouds.
“Kalosi” brings back the percussive motif of “Tasser” and “North,” this time partnering it with loops that bring to mind radioactive bass strings. “Nims” then shuts things down with infectious harp-like sequences, fuzz-shrouded percussion and an ‘everything but the kitchen sink’ mentality towards filtering and processes which will get the attention of all but the most jaded soundhead.

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Dummy

LP | 2024 | US | Original (Trouble In Mind)

The Reds, Pinks & Purples

Release: 2024 / US – Original

Genre: Rock & Indie

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Dummy ist eine Rockband aus Los Angeles, bestehend aus Alex Ewell, Emma Maatman, Nathan O'Dell und Joe Trainor. Ihr Debütalbum "Mandatory Enjoyment" (Trouble in Mind) erschien Ende 2021 und erntete Lob von Pitchfork, Stereogum und vielen anderen. Die Band tourte zwei Jahre lang, um das Album zu unterstützen, und es ist diese transformative Erfahrung, die durch "Free Energy", den berauschenden Nachfolger von "Mandatory Enjoyment", pulsiert. Die kreativ rastlose Band Dummy (Ewell: Schlagzeug, Synthesizer, Bass; Maatman: Gesang, Synthesizer, Orgel; O'Dell: Gesang, Gitarre, Orgel; Trainor: Gitarre, Bass, Synthesizer) wollte für ihr nächstes Album härter, tanzbarer und psychedelischer werden. Das bedeutete, dass sie die experimentellen Möglichkeiten elektronischer Texturen auf die elementaren Qualitäten des Rocks anwenden wollten, d.h. mehr Gesangsschleifen, Sampling, verrücktere Rhythmen und verspielte Synthesizer - aber sie wollten die Samples von Trainors Gitarre einsetzen, Maatman mutiger singen lassen, mit kalten mechanischen Elementen auf warme und funkelnde Weise experimentieren und sich stärker an traditionelle, aber immer noch großartige Formen von Rockgitarrenexperimenten wie Feedback anlehnen. Das Ergebnis ist ein Album, das die Fähigkeit der Musik feiert, den Körper zu bewegen, sei es durch eine zähneknirschende Wand aus MBV-eskem Lärm, einen klebrigen Pop-Refrain oder eine fröhliche Drum-Machine - oder, wenn man Dummy ist, vielleicht alles im selben Song. Popmusik war schon immer ein wichtiger Bestandteil von Dummys Sound und manifestiert sich auf unterschiedliche Weise in "Free Energy“: Die sprudelnde Synthesizer-Sequenz, die mit einem Korg EM1 gemacht wurde und in "Nullspace" auftaucht, der aufgedrehte Drone-Pop, der von Dunedin Sound Bands der zweiten und dritten Welle wie Look Blue Go Purple und Dadamah inspiriert ist, und der motorische Beat, der "Nine Clean Nails" antreibt. „Nine Clean Nails" ist vielleicht der selbstbewussteste Popsong, den Dummy je aufgenommen hat, und ein Beispiel für das Gleichgewicht zwischen der Intensität der Live-Performance und den elektronischen Ergänzungen auf "Free Energy". Die tänzerischen rhythmischen Elemente wurden aus einem von Ewell aufgenommenen Drumloop erzeugt, während die Bridge mit den Call-and-Response-Gitarren von O'Dell und dem ausdrucksstarken Gesang von Maatman an die Feelies erinnert. "Free Energy" enthält außerdem Gastauftritte des Saxophonisten und elektroakustischen Künstlers Cole Pulice (Moon Glyph) aus Oakland, der Saxophon und Bläsersynthesizer beisteuert, sowie Jen Powers vom Powers / Rolin Duo (Astral Editions, Feeding Tube Records)

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Still Clouds At Noon White Vinyl Edition

LP | 2024 | UK | Original (Tough Love)

LP | 2024 | US | Original (Irish Wristwatch)

Release: 2024 / UK – Original

Genre: Pop

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Recorded as part of the same daydreaming puzzle as Unwishing Well, Still Clouds at Noon brings out the slowcore/sadcore elements that drift through The Reds, Pinks & Purples’ melancholy catalogue. Donaldson names '90s hometown San Francisco acts such as American Music Club and the more obscure Timco as pivotal to his guitar playing and development as a songwriter, both of which shine bright here. The slower tempo ballads on Still Clouds… often culminate in heavy fuzz drenched codas and showcase the more abstract poetic side of Donaldson’s lyricism. There’s an inherent pop-sensibility always at work though, with ear-worm melodies appearing over intoxicating circular riffs.

Formerly a Bandcamp only digital release, this white vinyl version is remastered and adds two unreleased tracks, one featuring Mark Monnone from Australian pop-legends The Lucksmiths on bass. Edition of 500.

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Sad Night Dynamite

Welcome The Night

Release: 2024 / US – Original

Genre: Hip Hop

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You Are My High - 25th Year Anniversary

Demon

12" | 1999 | EU | Reissue (La Tebwa)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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"When Demon released "You Are My High" at the end of 1999, all hell broke loose. Nominated at the Victoires and MTV Awards, the track was on the lips of every Frenchman and the CSA. 25 years later, the "You", inseparable from the French Touch, is more beautiful than ever. This summer, it will celebrate its anniversary on vinyl in a collector's edition.

150M streams, platinum disc, "You Are My High" explodes thanks to its clip, its French kiss in a fixed shot of 3min, which will earn it a brief passage to the CSA, who will try to censor it. before finally running H24 on television. You", as its creator liked to call it, left its mark on his era, inspiring a new generation of artists: Agar Agar, DJ Snake, Central Cee, Disclosure x Flume, Jean Paul Gaultier...

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Release: EU

Genre: Rock & Indie

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The Complete Uppsala Concert Volume 1

Eric Dolphy

LP | 2024 | EU | Original (Honeypie)

LP | 2024 | EU | Original (Drunken Sailor)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Recorded Live in Sweden in September 1961 the Uppsala Concert is an important document from Dolphy's first Swedish tour as leader of an obscure but talented local quartet featuring Rony Johansson - piano; Kurt Lindgren - bass and Rune Carlsson - drums. Master Dolphy shines, as always, on all his instruments alto sax, bass clarinet, and flute, while the track list consists of a rare mix of standards suchs as Milt Jackson's "Bags Groove", Monk's "52nd Street Theme", Cole Porter's "What Is This Thing Called Love?" and the famous unaccompanied alto sax version of "Laura", all this plus a 20 minutes long version of Dolphy's blues "245" where every single note played by Dolphy sounds as pure gold.

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The Unknowns

East Coast Low

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (Jazz Workshop)

Sam Jones

The Soul Society

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Please Black Vinyl Edition

Beatsteaks

LP | 2024 | DE | Original (Beat)

Release: 2024 / DE – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Papercup)

Keshavara

III

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2024 | Original (Matrosenblau)

Wenzel

Strandgut Der Zeiten

Release: 2024 / Original

Genre: Pop

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LP | 2024 | EU | Original (Avant!)

Plastic Estate

Code D'Amour

LP | 2022 | EU | Original

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Plastic Estate is a contemporary synth-pop act from Wales, UK.

With an onus placed on atmosphere and refinement, the duo evoke a rich palette of romance and lustre with their polished marque of pop music.

They have garnered support from the likes of Simon Le Bon of Duran Duran, KEXP and BBC Radio, and played sold-out shows with the likes of LA Priest, Home Counties, and Real Lies, as well as playing at large regional festivals like Ritual Union and Sŵn Festival.

Having previously released a 7” and LP with Avant! Records, they are now releasing their second album on 11th October with new tracks gaining critical acclaim being added to BBC Radio Wales’s ‘Welsh A-List’.
Their sophomore album hails a new era for the act; moving away from darker sonic roots, their sound has progressed to a brighter, more polished aesthetic with fresh influences from the ‘Hi-Fi luxury’ of West Coast Sound, and the gloss of 2010s Chillwave.

What’s more, ‘Code d’Amour’ makes you wonder: What is Pop today?

For many years it has been synonymous with melody, harmony and emotions. These days it seems to be still about emotions but not very good ones, probably because the world is as ugly as it’s ever been, have you noticed?

But what about the fundamental role of popular music which is to represent and at the same time to celebrate and enforce the ties of social living? What about the good times?

Yes, there is a lot to be changed and to fight for but good vibes are not just for recreational use, they can literally build a sense of community among people. If you are looking for that kind of sound right now, you should look no further.

FFO: Talk Talk, Blue Nile, Spandau Ballet, Ian Broudie’s Care, Small Black, Alan Palomo of Neon Indian, Wild Nothing.

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Independent Orchestra

Release: 2022 / EU – Original

Genre: Organic Grooves

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Winds Of Creation Black Vinyl Edition

Decapitated

LP | 2024 | Original (Earache)

Release: 2024 / Original

Genre: Rock & Indie

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Dirge Black Vinyl Edition

Wormrot

LP | 2011 | Reissue (Earache)

Release: 2011 / Reissue

Genre: Rock & Indie

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Entombed Black Vinyl Edition

Entombed

LP | 2024 | Original (Earache)

Release: 2024 / Original

Genre: Rock & Indie

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The World That I Created Now Is Mine

Kabinett

LP | 2024 | EU | Original (Internasjonal)

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 2024 | EU | Original (Shaw Cuts)

Farron

Feal

LP | 2010 | US | Reissue (Dischod)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sometimes, we have the tendency to run away from distress because we do not want to deal with the feeling of pain, but the first step in spiritual healing is overcoming the fears and recognizing the pain. The sooner you address the cause of your difficulty, the sooner you’ll get freedom from the pain. Be aware of your situation. Once you have faced the source of anxiety, you need to acknowledge the pain. Feel your emotions and question what their sources are. Be honest about your feelings. In this stage, it is normal to feel like situations are beyond your control, which can transfer the feeling of hopelessness. However, by allowing yourself to feel rage, it becomes easier for your wounds to heal. Honor your feelings. Honoring your pain will teach you self-forgiveness. You should be able to feel the kindness within you and experience all the love you have for yourself. You will feel a conflict between the instinct to heal on your own, and the desire to accept the situation and seek support to get healed. You prove that you have an unwavering determination to get healed by choosing the latter. When you want spiritual healing, you have to place your faith in the universe, too. Surrendering the pain means releasing the pain and seeking support from the universe. It will help you ease your sufferings. The negative ego vanishes from within you and makes your heart feel lighter once you release your pain. This is a sign of spiritual wellness. You will start to feel a deep openness towards things and think with a peaceful mind. You will become whole again and you will develop the ability to deal with the disruptions of your life with tolerance. The inner peace will be restored. Feal.

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Faraquet

View From This Tower

Atmospherics 30th Anniversary Edition

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Faraquet began as a side project featuring Smart Went Crazy members Devin Ocampo and Jeff Boswell, along with Devin's high school friend Chad Molter. Faraquet stepped up as a full-time band after the demise of SWC and started playing more shows, releasing a couple of singles as well as appearing on a split CD with Akarso. Due to their non-traditional time signatures and off-kilter arrangements the band was often described as “math-rock”—a description they never warmed up to. Faraquet felt more aligned with the Minutemen and both the passion of their live performance and their advanced sense of melody set them well above and apart from the basement scientist crowd. The View from This Tower was recorded by J. Robbins and released in November of 2000. In 2003 core Faraquet members Devin and Chad reunited to form Medications, who continue to release new music on Dischord Records. Remastered from the original tapes. LP includes a download.

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James Bernard / Bvdub

2CD | 2024 | UK | Original (Past Inside The Present)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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zake's untouchable ambient imprint Past Inside the Present revisits James Bernard's classic 1994 album Atmospherics and has remastered it and paired it with some fresh reinterpretations by bvdub, a longtime friend and collaborator. Since the original release, music and technology have evolved significantly but the timeless craft and rich textures of Bernard's work remain evident. Atmospherics achieved cult status during the ambient music boom after being crafted solely with a keyboard, sequencer, 12-bit sampler, drum machine, and bass guitar, all created in real-time and without edits. Bvdub's reinterpretations honour the originals while adding new dimensions and infusing them with a melancholic air that enhances its emotional depth.

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Rødhåd Presents: Crimson Rubeus

2x12" | 2024 | Original (Wsnwg Back To Zero)

Live At The London Astoria 1989

Release: 2024 / Original

Genre: Electronic & Dance

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Rødhåd presents: CRIMSON RUBEUS - the first ever compilation on WSNWG - BACK TO ZERO will be released on April 3rd
Under the leitmotif "WE SEE NEW WORLDS GROWING", the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaboraters.
The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery.
While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.

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Uriah Heep!

2LP | EU (DBQP)

Release: EU

Genre: Rock & Indie

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LP | 2024 | UK | Original (Lightwell)

The Silver Abduction

LP | 2024 | EU | Original (Soda Gong)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.

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Memotone

Fever of the World

LP | 2024 | US | Original (Descarga)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following releases on Sähkö Recordings and The Trilogy Tapes, "Fever of the World" is the Soda Gong debut by Memotone, the nom de plume of UK-based multi-instrumentalist Will Yates. As a collection, it is both intimate and expansive, like the feeling of gathering one's thoughts before setting off on a long journey or committing to an irrevocable course of action. Throughout, Yates' talents as both player and sound designer are on full display, as are the sonic signatures that have come to characterize the Memotone catalog: low-lit, ECM-inflected noir; evasive and evolving loop-based accretions; and mellifluous mosaics of keys, guitar, reeds, and percussion. It is patient and focused music, built around production techniques and compositional ideas that have been perfected both in studio and in live performance over a period of several years. "Catherine, On Fire" sets the scene, one of two languid, longform selections, and develops slowly from a spare, harmonic-laden guitar loop into a bed of rippling textural ambience and woozy clarinet filigree. Later, "The Bus" and "When the Bakery Has What You Want and It's Cheap" conjure images of rain-streaked windows, fanciful baked confections, and grey skies broken finally by sunlight. Warm, generous, and comfortable in its own skin, this is music that reminds us that when it feels easy to resign ourselves to world weariness, we should pause for a moment and listen to the rustle of the leaves. The wind knows not to linger.

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Jesus Chucho Valdes

Jazz Nocturno

LP | 2024 | EU | Original (Honeypie)

Release: 2024 / US – Original

Genre: Organic Grooves

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180-Gram Vinyl Limited Edition of 500 copies. The music here marks a fundamental chapter in the evolution of Jesús "Chucho" Valdés' career and development into one of the finest jazz pianists in the world. The concepts that he brought to fruition in the Quinteto Cubano de Jazz, the Orquesta Cubana de Música Moderna, and Irakere, have their roots in the band Chucho formed at the beginning of the 1960's, which due to limited distribution has received little attention from specialists and jazz lovers alike. Chucho's album Jazz Nocturno was recorded in the early 1960's. During the years in which he worked for the Havana Musical Theater Orchestra, he formed his own combo with friend Carlos Emilio Morales on guitar, Paquito D'Rivera on sax and clarinet, Enrique "Kike" Hernández on bass, Emilio del Monte on timbales, Julio Vento on flute, Alberto Valdés on trombone, and Oscar Valdés on congas. It is worth noting Chucho's exclusion of the traditional drum set, considering his intention to play jazz. THE COMPLETE LP + 3 BONUS TRACKS - 180-GRAM VIRGIN VINYL - LIMITED EDITION OF 500 COPIES

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Lalo Schifrin

Piano Espaniol

Wembley Arena 1990 Volume 1 Red Vinyl Edtion

Release: 2024 / EU – Original

Genre: Organic Grooves

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Piano Español' is led by Lalo Schifrin on piano with the colorful rhythms of Latin America and Spain. The record treats us to a listening panorama of the multi-talents of Lalo Schifrin. He wrote all the arrangements and it is this writing, along with his piano interpretations that set this recording apart. Lalo is devilishly clever. He gives us an ample smattering of Latin Jazz through the use of four trumpets, five saxes, oboe and bongo drums as his piano cuts through "Frenesí", "My Shawl" and "El Cumbanchero." In the latter, Lalo displays his command of jazz piano and the unusual speed of his hands along the keyboard.

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Iron Maiden

LP | 2024 | EU (Outsider)

LP | 2024 | EU | Original (Cosmic Rock)

Release: 2024 / EU

Genre: Rock & Indie

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Taken from the ‘No Prayer on the Road’ tour, this setlist was recorded at the iconic Wembley Arena on 17the December 1990.This tour marked the arrival of a new guitarist, Janick Gers, who replaced Adrian Smith. Following their large-scale stages used during the 1980s, the band opted for a less complicated production for this tour, with bassist Steve Harris commenting: ‘We thought Seventh Son... the show was just a bit hard to control. I mean, the real Eddie and the backdrops I thought were amazing, but the giant icebergs and stuff were a bit cheesy, I think, and we just wanted to keep all that out and turn it into a gig like a massive club performance again, which we really managed to do. And having Janick in the band kicked everyone more than necessary up the arse, too, because, being new, he was so enthusiastic about everything. I think he made us open our eyes a bit and see things in a new way.’

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The Other Half

LP | 2024 | EU | Original (Born Bad)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Reissue of the Californian psychedelic band's only album released on Acta records in 1968. Their sound was influenced by early Rolling Stones and Yardbirds (not coincidentally, guitarist Randy Holden, later on also in Blue Cheer, was offered to replace Jeff Beck). Their name gained attention after their single ‘Mr. Pharmacist’ was included in the famous Nuggets collection.

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Bernard Fevre

Space Oddities 1976/1985

Release: 2024 / EU – Original

Genre: Soundtracks

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LP | 2024 | US | Original (Ba Da Bing!)

Lisel

The Vanishing Point

LP | 2024 | EU | Original (Alien Transistor)

Release: 2024 / US – Original

Genre: Rock & Indie

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Fables of the future fuel the present. Lisel (Eliza Bagg) draws from this tradition on The Vanishing Point, a daring musical odyssey of altered singing, experimental pop, broken melodies, and striking electronics. A culmination of her continual dissemblance of genre, Lisel’s new album is an epic composed of allegorical tales, forming a dystopian storybook of life in the shadow of impending catastrophe. It’s a high-concept work of contemporary pop sounds, hyperpop motifs and tropes. Every song reflects the shared psycho-emotional experience of moving towards unsettling futures and looking beyond these outcomes, to the point where the horizons vanish.

Evolving the sonic toolkit she employed on Patterns For Auto-tuned Voices And Delay (2023), Lisel transforms pop into a canvas for operatic storytelling. Along with making her own work, Bagg is a classical singer working in baroque and contemporary experimental opera, and with her project Lisel, she seeks to develop new, expressive qualities out of ancient vocal techniques from the Baroque and Renaissance periods. Her opera experience has infused her with a desire for a big, cinematic sound and holistic world-building, creating a “total artwork,” and she fits that medium into the form of a solo project. From haunting whispers to soaring melodies, she reaches back towards ancient musical traditions while incorporating futuristic sounds in order to imagine how a possible future might look back at contemporary existence.

Dystopic stories melt into pop songs, hammered to ruin. Both through sonics and lyrics, the album recounts urgent narratives as ancient mythological fables, chronicling in operatic density the deepening awareness of the world’s looming, inevitable vanishing point.

Photographer Carla Rossi further builds Lisel’s world through a series of photographs that similarly draw on Renaissance and Medieval painting, while placing them aesthetically in a digital realm. In these dramatic, hyper-stylized photos, Lisel takes up classical poses and yields iconographic symbols, further exploring the dissonance in her work as these manufactured “paintings” recall storytelling of the past while depicting images from an imagined future.

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o'summer vacation

Electronic Eye

LP | 2024 | US | Original (Grand Jury Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Jordana

Lively Premonition

Release: 2024 / US – Original

Genre: Pop

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LP | 2024 | EU | Original (No Sabes)

Part Time Filth

Full Time Filth

LP | 1967 | EU | Reissue (Cosmic Rock)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Leaving the putrid confines of Pigfuck, TN's dankest basements, full time rock and roll heroes emerge. Prepare for battery acid guitar solos, Johnny Paycheck death screams, blackened humor, and a little old fashioned fuckin’ in the USA--all clocked in for a full 9-5. You don’t christen yourself Filth lightly—forget the classics, forget poetry, forget respect. Don’t come here looking for an honest job. Take your punk and shove it and let the scene heads fracture. Welcome to Full Time Filth.

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The Free Spirits

Out Of Sight And Sound

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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Possibly one of the first crossover jazz-rock album ever, ‘Out of Sight and Sound’ was released in 1967 by ABC Records. The album was recorded by Rudy Van Gelder and produced by Bob Thiele. Featuring a stellar line up comprised of young talented guitar player Larry Coryell (soon to be a proficient solo artist on Vanguard) the record was a true expression of the musicians lifestyle and artist heritage. With drummer Bob Moses (Compost, Steve Kuhn) on board, second guitarist Columbus "Chip" Baker, saxophonist Jim Pepper (a native American who’s debut on Herbie Mann Embryo is still regarded as a masterpiece) and bassist Chris Hills, Free Spirits were possible the first fusion group around !

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Brute Force

Zeitgeist Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Blessed by producer Herbie Mann, who released their sole record in 1970 on his personal imprint Embryo, Brute Force were a singular jazz funk group, who filled the gap between heavy rhythm n blues and the jazz-rock revolution already professed by Miles Davis. The Herbie Mann connection was solidified by the presence of guitarist Sonny Sharrock - who plays on the first half of the record - at the time in the flutist supergroup. With the distinctive electric piano of Richard Daniel and brother Ted (a future key figure in New York downtown jazz scene) on trumpet the record still retains a fascinating mood.

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4 Promille

LP | 2024 | EU | Original (Vier Promille)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (La Vida Es Un Mus)

Kriegshög

Love & Revenge

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Bachelor)

The Ar-Kaics

See The World On Fire

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Dubs That Time Forgot Part 2

Mad Professor

LP | 2024 | UK | Original (Ariwa Sounds)

LP | 2024 | JP | Original (Innocent)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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WHITE-LABEL ALBUM Unheard Dubs from the Mad Professors 80s / 90s / 2000s archives . . TIP!

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Ino Hidefumi

Inocology

7" | 2024 | JP | Original (Cassetron)

Release: 2024 / JP – Original

Genre: Electronic & Dance

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The minimalist sound with an organic texture, combining various electronic sounds and effects such as Fender Rhodes, Moog, EMS, and Yamaha Tenori-on, is very experimental, yet somehow humorous, creating a mysterious soundscape like a soundtrack of the times.

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Oriental Magnetic Yellow

Ryzeen

2LP | 2024 | EU | Original (On Rotation)

Release: 2024 / JP – Original

Genre: Electronic & Dance, Pop

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To celebrate the band's restart, "RYZEEN," one of the most popular of all their songs, is now available for the first time as a 7-inch donut vinyl record! In addition to the original version, a special recording of the version used as BGM for "Super Locomotive" on the reissued game console "Mega Drive Mini 2" released by Sega Corporation in 2022 will be included on the B-side!

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Lisene

Science Friction

The Undreamt-Of Centre Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following a string of releases on a who’s who of top labels such as Planet Euphorique, Salt Mines, Haws and Craigie Knowes, prog-trance pioneer Lisene drops a full-length LP on his On Rotation imprint. With 8 hyper-detailed tracks ranging from club-focused techno, progressive and electro to slo-mo downtempo, Lisene brings his A-game to an album sure to cement his place as one of the most exciting producers and DJs in the UK’s underground music scene.

Created over several years with a perfectionist’s attention to detail, “Science Friction” flits between moods and sonic environments with ease while retaining the cohesion of Lisene’s inimitable production style. Despite being an album, this is still very much a record for the DJs, featuring heads-down club tracks and bass-heavy electro crafted with precision and a cinematic sense of scale. For the home listeners, expansive slo-mo soundscapes and cerebral synth odysseys float high above the clouds, with widescreen details revealing themselves ever further with each re-play.

“This album has been 15 years in the making and represents a culmination of everything I’ve worked towards in defining my own sound and style without letting myself be pigeonholed. I’m immensely proud of each track - it really reflects where I was at musically while making this, while giving a glimpse into my future sound. This is a record that deserves to be played on the finest sound systems and hi-fis, and I couldn’t be more happy with how it’s turned out. Dive in and enjoy!”

Combining influences from across the spectrum of dance music with a cinematic sense of psychedelia and his own inimitable production skills, “Science Friction” is sure to see a lot of airtime across the festivals, after-parties and living rooms of the world this summer and beyond.

On Rotation is a Leeds based label, event & mix series run by Chris I’Anson, Lisene & Adam Pits. Artwork illustrated and designed by Patch D Keyes.

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Laurence Pike

LP | 2024 | UK | Original (Leaf)

Every Line On Point Marbeld Vinyl Edition

Release: 2024 / UK – Original

Genre: Classical Music

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The Undreamt-of Centreis the fourth solo album by prolific Australian drummer/composer/producer Laurence Pike, an evocative, contemporary reimagining of the requiem mass. The album drawson the sounds of modern classical music, Japanese environmental ambient music, fourth world electronics, free jazz and the choral traditions of Estonia, with particular influence from Tallinn-based composer Tonu Korvits. Produced in collaboration with the Vox Sydney Philharmonia Choir, conducted by Pike"s childhood friend, composer Sam Lipmanand recorded in a 19th century Gothic church.

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MC Juice

12" | 2024 | UK | Original (Nobody Buys)

LP | 2024 | EU | Original (Squama)

Release: 2024 / UK – Original

Genre: Hip Hop

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Chicago's finest lyricist MC Juice, infamous from the mid 90s from beating Eminem in the Rap Olympics, is back with a scorching 9 track EP (3 instrumentals and an accapella included) on 12" vinyl! Following on from his two 45s on Nobody Buys Records and well as the hit album The Man, all of 3 of which rapidly sold out this is some of Juice's best work displaying his razor sharp wordplay and effortless flow to its fullest. The sound scape provided by Bankrupt Europeans for their 3rd collabo with Juice ranges from the upbeat & funky original version of All Day to the murky oboe of its remix, the dramatic strings on Where You Go and the sinister vibes of Unseen, in short the perfect set up for Juice to get loose! We are beyond excited to be delivering some of MC JUICE’s finest ever work and there is a general feeling around Nobody-Buys-Records HQ that this may just be our finest release yet. Between the absolutely incredible artwork by the immensely talented Big Crunch, the beautiful marble vinyl, and the exquisite beats and rhymes, this EP is quite simply the perfect summer package! As always every record is hand numbered.

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Poeji

Nant

Sun People Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Squama regulars Enji and Popp join forces on ‘Nant’, the debut LP by their newly minted duo ‘Poeji’, exploring the confines of Post-Dub and Downtempo.
2022’s 3-track EP ‘031921 5.24 5.53’, released as a limited run of dubplates, was the first testament to their open approach to writing, which takes only very basic ideas and relies on non-verbal communication to define form and pace.
Enji’s vocals are less centre-stage than on her solo endeavors, piercing through reverb plates and guitar pedals while Simon inked his signature set of wooden and metal percussions with chains of tape echoes and analog delay.
Listening to ‘Nant’ as a snapshot of Poeji’s artistry at a certain time and place can instill a sense of gratitude within the listener that something so fleeting can be captured.

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Nickodemus

LP | 2024 | US | Original (Wonderwheel)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Cardinals Ep Cream Colored Vinyl Edition

Cardinals

12" | 2024 | WW | Original (So Young)

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2016 | UK | Original (Leaf)

The Comet Is Coming

Channel The Spitits

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 2024 | Original (Aggressive Punk Produktionen)

Fahnenflucht

Molotov Zitrone

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2016 | UK | Reissue (Finders Keepers)

Suzanne Ciani

Buchhla Concerts 1975

LP | 2024 | EU | Original (Thompson Sound)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

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Finders Keepers invite you to witness these incredible earl Buchla synthesiser concerts/demonstrations providing a distinctive feminine alternative to The Silver Apples Of The Moon if they had ever been presented in phonographic form. This is history in the remaking. This spring Finders Keepers Records are proud to release an archival project that not only redefines musical history but boasts genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we’ve come to understand it. To describe this records as a game-changer is an understatement. This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counter culture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance. In short, Suzanne was a self-imposed twenty-year-old employee of the Buchla modular synthesiser company, San Francisco’s neck and neck contender to New York’s Moog. Buchla was run by a community of festival freaks and academic acid eaters whose roots in new age lifestyles and the reinvention of art and music replaced the business acumen enjoyed by its likeminded East Coasters. In the eyes of the consumer the creative refusal to adopt rudimentary facets like a piano keyboard controller rendered the Buchla synthesiser the more obscure stubborn sister of the synth marathon, steering these incredible units away from the mainstream into the homes and studios of free music aficionados, art house composers and die-hard revolutionaries. Championed and semi-showcased by composer Morton Subotnick on his albums The Bull and Silver Apples Of The Moon, Buchla’s versatility began to open the minds of a new generation, but the high-end design features and no-compromise modus operandi was often confused with incompatibility and, in the pulsating shadow of Moog’s marketing, the revolution would not be televised nor patronised. Suzanne Ciani, as one of the very few female composers on the frontline (and also providing the back line) did not lose faith. These “concerts” are the epitome of rare music technology historic documents, performed by a real musician whose skills and academic education in classical composition already outweighed her male synthesiser contemporaries of twice her age. At the very start of her fragile career these recordings are nothing short of sacrificial ode to her mentor and machine, sonic pickets of the revolution and love letters to an absolutely genuine vision of and ‘alternative’ musical future. In denouncing her own precocious polymathmatic past in a bid to persuade the world to sing from a new hymn sheet, Suzanne Ciani created a bi-product of never before heard music that would render the pigeon holes “ambient” and “futuristic” utterly inadequate. Providing nothing short of an entirely different feminine take on the experimental “records” of Morton Subotnick and proving to a small, judgmental audience and jury the true versatility of one of the most radical and idiosyncratic musical instruments of the 20th century. These recordings have not been heard since then. The importance of these genuinely lost pieces of electronic musics puzzle almost eclipses the glaring detail of Suzanne’s gender as a distinct minority in an almost exclusively male dominated, faceless, coldly scientific landscape. Those familiar with Suzanne’s work, a vast vault of previously unpublished “nonrecords”, will already know how the creative politics in her art of “being” simultaneously reshaped the worlds of synth design, advertising and film composition before anyone had even dropped a stylus in her groove. Needless to say this record, finally commanding the archival format of choice, courtesy of the Ciani and Finders Keepers longstanding unison, was not the last “first” with which this hugely important composer would gift society, and the future of a wide range of exciting evolving creative disciplines. You have found a holy grail of electronic music and a female musical pioneer who was too proactive to take the trophies. With the light of Buchla and Ciani’s initial flame Finders Keepers continues to take a torch through the vaults of this lesser-celebrated music legacy shining a beam on these “non-records” that evaded the limelight for almost half a century. You can’t write history when you are too busy making it. With fresh ink in the bottomless well, let’s start at the beginning. Again. You, are invited!

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The Viceroys

Brethren And Sistren

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Leave Me To The Future Black Vinyl Edition

Ischia

LP | 2024 | EU | Original (Siluh)

LP | 2024 | EU | Original (Century Media)

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Sometimes you have to take sides"! That's what you call a statement. It doesn't hurt that `Sides' bursts in with a hypnotic, swirling guitar riff that could have come from Kevin Shields (Ischia is clearly a My Bloody Valentine fan, which is not the easiest thing for a guitarist to do). The krautroc...

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Dream Evil

Metal Gods

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Void)

Richard Soutar

Lavender Daydreams

LP | 2024 | Original (Hansa Local)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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One reviewer said this about Lavender Daydreams: “Blissed out folk psycher in the vein of Tim Buckley or Dan Fogleberg but waaay more psyched out. Richard has certainly dropped a tab or three in his time. A really, really good album to mind-surf to, and also poppy enough that it would sound good coming out of a boombox in a field while you are throwing the frisbee and smoking some bohoofus.” And they were right—Richard did drop many a tab when writing and recording the album: "The songs ‘Lord and Master,’ ‘Here We Are,’ ‘Sunny Days,’ and several others were inspired by experiences I had on psychedelics. Lavender Daydreams comes from my meditation experiences. ‘Electra’ is about a girl I fell in love with while tripping... I realized my purpose in life I was always looking for was in experiencing the extraordinary perfection in front of me every moment and engaging it in play and fun… This is a common theme in my songs. Celebrating those everyday moments. ‘Falling Angels’ was written about crashing on acid. About when we have to squeeze back into our everyday self and the feeling of “Now that the doors of perception have been blown off their hinges what am I going to do about it.” And that slides right into ‘A Stranger’ where you begin reflecting on it. There you are, crashing, beer in hand, a stranger to yourself. ‘Soaring’ is inspired by lying on our back in the field by the Long Island Sound on spring afternoon tripping on ‘Windowpane’. Mike and I were staring up at the sky and the clouds turned into angels singing and it felt like we were soaring up there free. ‘Soaring’ was trying to capture the rapture.” Edition of 370 copies on black vinyl.

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Michèl Von Wussow

Traum B

Release: 2024 / Original

Genre: Pop

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Blackout Red Vinyl Edition

Dropkick Murphys

LP | 2003 | EU | Reissue (Hellcat)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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In Every Dream Home Green / Purple Splatter Vinyl Editoin

Roxy Music

LP | 2024 | EU | Original (Stylus Groove)

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | UK | Original (Central Processing Unit)

Falty DL

In The Wake Of Wolves

Release: 2024 / UK – Original

Genre: Electronic & Dance

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If you can judge an artist's quality by the company they keep, then FaltyDL is up there with the best of them. The label history of the producer known to his friends as Drew Lustman reads like a "who's who" of 21st century electronic music imprints - Ninja Tune, Unknown to the Unknown, Planet Mu, Studio Barnhus, the list goes on.
WithIn the Wake of Wolves, we can now add Central Processing Unit to this illustrious roster. The Sheffield label joins the party at a notable juncture - while FaltyDL has kept up an impressive clip of releases throughout his career,In the Wake of Wolvesis both the NYC-based producer's first LP for two years and his first full-length release away from his own Blueberry Records for almost a decade.
In the Wake of Wolvesproves to be both a great match for CPU and also further evidence of the label's burgeoning sonic palette. While CPU has built its reputation on top quality electro joints, recent releases have delivered adventurous electronica experiments (Proswell'sPeople Are Giving And Receiving Thanks At Incredible Speeds), hard-wired breakbeat techno (Baby T'sI Against I) and golden-age synth explorations (twenty-fifth anniversary reissues of Bochum Welt'sDesktop RoboticsandFeelings on a Screen, both of which first emerged via the legendary Rephlex Records).In the Wake of Wolvestakes things further still - this is a brilliantly genre-voracious record, one which marries the rhythmic cut-and-thrust that we have long known FaltyDL for with all manner of adventurous stylistic choices.
Those familiar with the FaltyDL experience will recognise the trademark blend of synthetic grit and harmonious softness in album opener 'I Need You'. This could pass for Four Tet or even Hannah Diamond at points, the steady build of pulsing synths and looped vocals recalling a more mysterious version of the PC Music sound. 'I Need You' stands shoulder-to-shoulder with any of FaltyDL's other great atmospheric album openers - no small feat given the competition. 'Further', the following number, is yin to 'I Need You's yang. This is a pulsating track which gleefully skitters between machine-funk, tubing darkside bass and breakcore-adjacent drum programming, all of which is peppered with some genuinely beautiful work in the higher synths.
'Further' sets the scene for several of the more club-facing cuts here. 'Minds Protection' similarly features all manner of strange percussive sounds to surprise the ear, and it also boasts a thrilling mid-section in which the bottom falls out the track to incorporate a short snippet of blown-out junglism. With its tunnelling low-end and clattering drums, 'Full Spectrum' kicks off a delightful run of grime-influenced joints which take cues from Mr. Mitch, Logos and many of those other producers who took the Eski sound to exciting new places in the 2010s. 'Forget Me Not', the album's longest track which is placed three spots from the end, feels like the record's climactic point - a pitter-patter post-house joint that has a hint of Caribou in its DNA, it'll take the clubs by storm.
But as much as FaltyDL may consistently bring the heat in terms of the beat programming, the thing which has long marked Lustman out as a special talent is the musicality of his compositions. No matter how much drums clatter or bass bangs, FaltyDL always hooks the ear back in with a sonorous synth or pleasing nugget of melody. Nowhere is this more apparent than onIn the Wake of Wolves' more weightless numbers, each startling in their prettiness. 'Half Spectrum' is a new-era beat track packed full of ear candy; the keening keys of 'GasGas' are potent with feeling; and on the album's closer, the evocatively-titled 'Mila Stans In A Meadow For The First Time Eating Strawberries', we get a gorgeous synth vignette that joins the dots between the modern mastery of Yung Sherman and the most emotionally affecting moments of Aphex's Twin's catalogue.
At once wistful and hopeful, archival and futuristic, FaltyDL's brilliantly unpredictableIn the Wake of Wolvesis a feather in the cap for both this seasoned producer and the Central Processing Unit label.
Riyl: AFX, Bochum Welt, Mark Fell, Mrs Jynx, Boards of Canada

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All Things Considered Volume 3

LP | 2024 | Original (823)

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2020 | WW | Original (Rainbow45)

Asia Minor

Points Of Libration

Release: 2020 / WW – Original

Genre: Rock & Indie

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Clifford Jordan & Sonny Red

A Story Tale

LP | 1961 | EU | Reissue (Jazz Workshop)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Jazz Workshop)

Ron Jefferson

Love Lifted Me

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Cemetery Classics Colored Vinyl Edition

Moon Diagrams

LP | 2024 | UK | Original (Sonic Cathedral)

Population Control Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Moon Diagrams – the solo project of Deerhunter co-founder and drummer Moses Archuleta – returns with a second album, Cemetery Classics, on June 21. The 12-track album is a co-release between Sonic Cathedral (in the UK and Europe) and Angus Andrew from Liars’ new label No Gold (in the US and the Row) and was mixed by James Ford. It features guests including Anastasia Coope, Patrick Flegel (Cindy Lee) and Josh Diamond (Gang Gang Dance). It’s Moses’ first new music since 2019’s Trappy Bats mini-album and the follow-up to 2017’s acclaimed debut Lifetime of Love and everything seems a bit more extreme – from the Basinski-esque degradation of ‘Neptune’ to the Faustian industrial noise of ‘Listen To Me’ via Art of Noise-style postmodern pop (the first single ‘Very Much My Promise to You’), Daft Punk bangers (‘Fifteen Shows at One Time’), trip-hop, shoegaze, Jan Hammer, Depeche Mode, late Leonard Cohen and more. “It’s about finding out your arms are too short to box with god,” says Moses of the emotional force that courses through Cemetery Classics. “It’s the inverse of a desert island disc – a graveyard disc. Songs to take into the afterlife.”

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Machiavellian Ar

LP | 2024 | UK | Original (Riot Season)

Holus Bolus Ice & Aqua Blue Galaxy Marble Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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It's a year later and everything has gone from bad to worse.

Machiavellian Art and Riot Season Records present "Population Control". A Sonic Examination of the Mechanisms of Control.

An intense exploration of societal and self-imposed controls, encapsulated in a dynamic contrast between Side A's visceral anger and the introspective ambiance of Side B. This duality mirrors the contrasting themes of external control versus internal reflection.

"Population Control" extends beyond its predecessor, "Indoctrination Sounds," in both musical depth and thematic scope. The album confronts a broad spectrum of modern-day addictions - not just to substances, but to technology, social media, and the relentless 24-hour news cycle. These themes manifest across tracks like "A Slow Death," "Population Control (1) + (2)," "Fear of the Outside World," and "Crisis," each exploring the resulting isolation, paranoia, fear, and hopelessness. "Seaside Holiday," a critique of environmental negligence, specifically highlighting the issue of untreated sewage being dumped into Britain's waterways by private companies.

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Lord Buffalo

LP | 2024 | EU | Original (Blues Funeral)

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Third album proper by LORD BUFFALO!New Lord Buffalo album Holus Bolus takes its name from an antiquated phrase meaning "all at once." It materializes instantly from the first opening notes, a grey haze drawing listeners in with deft juxtapositions of droning violin, guitars, drums and vocals.While the quartet wades into the same murky waters as dark emotive brethren David Eugene Edwards/Woven Hand, All Them Witches, Emma Ruth Rundle, Earth/Dylan Carlson, Chelsea Wolfe and Nick Cave, the creative interplay of Middle Eastern influences and Western folk Americana takes the record in its own enveloping, meditative direction.Embarking on a sleep-deprived road trance through High Plains iconography, Holus Bolus is bleak yet hopeful, a mix that is by now Lord Buffalo's established custom blend.Gatefold sleeve, ice & aqua blue galaxy marble effect vinyl!

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Nightingale

I Re-Issue

Release: 2024 / EU – Original

Genre: Rock & Indie

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Nothing But Death Remains Re-Issue

Edge Of Sanity

LP | 2024 | EU | Original (Century Media Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Our Label Records, Volume 1

LP | 2024 | EU | Original

Release: 2024 / EU – Original

Genre: Organic Grooves

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Fairweather Friend Pink Vinyl Edition

The Umbrellas

LP | 2024 | UK | Original (Tough Love)

Sophia Jani, Teresa Allgaier

Release: 2024 / UK – Original

Genre: Rock & Indie

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Riyl: Orange Juice, Sarah Records, early Creation, Mary Chain, C86, Lush. Tlv168lpxx repress edition of 300 copies on pink vinyl. The first run sold out very quickly so a small repress has been ordered. The Umbrellas are four renegade romantics crafting irresistible indie pop hymns. The band’s self-titled 2021 debut album became a breakout moment, winning critical praise and sparking an international tour. Follow-up LP ‘Fairweather Friend’ goes a step further – absorbing the sonic attack of their live shows, it balances this with studio finesse, allowing the San Francisco four-piece to become the band they’ve always aspired to be. It's a record overflowing with highlights. The candyfloss melodies of introductory track ‘Three Cheers!’ are matched to an impactful percussive punch; ‘Say What You Mean’ finds The Umbrellas working with total confidence, letting the song ride out to its chiming conclusion, four voices working in precision. ‘When You Find Out’ offers rotating notes of guitar punctuated by a vocal that pushes past angst to accept a world full of hope. A lean 10 track affair, it grasps towards beatific pop while fuelled by a sense of risk, and the precision that comes from long months on the road. The Umbrellas coalesced around a group of musicians who would frequent legendary San Francisco record emporium Amoeba Music. Singer and guitarist Matt Ferrera links with bassist Nick Oka, while Keith Frerichs is the powerhouse drummer. A chance encounter with Morgan Stanley singing karaoke at a Fourth of July party cemented the line-up around an avowed thirst for melody. “All of us love really earnest pop songs,” Nick points out. “I guess we got to a point in our lives where we wanted to be genuine.” Playing shows at San Francisco’s vital DIY redoubt Hit Gallery, The Umbrellas would share line-ups with local heroes such as April Magazine and Cindy. Recording their debut album across a two-day spell at Matt’s parents’ house, the results won a devoted cult following. Yet the experience of touring bonded them tightly and allowed the volume to tick up a little higher, and higher, and higher. “I think we got tired of people saying, oh you’re so much louder than I thought you’d be!” laughs Matt. “Our early recordings are sweet and earnest… and we wanted it to be louder.” Kicking off sessions in November 2022, the band used an ad hoc space Matt created in his basement, working across a four-month period. Sessions were a little more relaxed in terms of timescale than their debut, but The Umbrellas were incredibly focussed on the project. “We gave ourselves more space for this album,” says Keith. “We wanted time to sit on the songs, and really work on them.” Allowing their live dynamic to bleed out on tape, The Umbrellas are at once more physical and yet also more controlled on their new album. Take opening track ‘Three Cheers!’ – the peppy, sun-soaked rush masks a barbed lyric, courtesy of Nick Oka. “It’s a pseudo-political song about power struggles that occur in a job situation, or a friend group. It’s an observational song.” ‘Toe The Line’ has an unkempt, rollicking sense of energy, the playful relationship analogy of the lyric pushed to the speed of light by Keith’s ultra-fast punk drumming. ‘When You Find Out’ meanwhile epitomises their unified, egalitarian way of making music – with The Umbrellas, each voice counts. “It sounds different from any song we’ve ever written together,” says Morgan. “It shows how much we’ve grown. Trust helps us to build the songs. It’s definitely a team effort.” It's also a record of ambition. ‘Say What You Mean’ stretches past the four-minute mark, the viola performance informed by Estonian minimalist composer Arvo Pärt. ‘Gone’ was the first song attempted for the new album, and the last they actually finished, endless re-writes transforming it into a manifesto of control and release. Taken as a whole ‘Fairweather Friend’ is a bold indie pop triumph, crafted with purpose and attention. Taking their time over each note, the four-piece have strengthened their songwriting, adding depth and assurance while unlocking their potential. Some bonds last a lifetime – The Umbrellas are ready to capture your heart.

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Six Pieces For Solo Violin

LP | 2024 | EU | Original (Squama)

Till We Have Faces Vinyl Edition Re-Issue 2024

Release: 2024 / EU – Original

Genre: Organic Grooves

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Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.

Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes)

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Steve Hackett

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Century Media Catalog)

Psychotic Waltz

Mosquito Re-Issue 2024

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | US | Original (Unirhythm)

Marcellus Pittman

Pick Yourself Up

Universe Iii Black Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Underground house heads will very much be familiar with this tune. It has been circulating as a white label owned only by the coolest and most connected cats and now Detroit badman Marcellus Pittman does the right thing and gives it an official pressing on his own Unirhythm label. A-side jam 'Pick Yourself Up' (feat Crystal Procedures) is dusty, loopy, trippy house with swirling vocals adding to the late night feel, then 'Ode 2 Juan' slows things down to smoky basement house vibes with melancholic pads bringing hints of light to the muggy atmosphere.

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Universe III

LP | 2024 | EU | Original (Pride & Joy Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (All Time Low)

The Oscillation

The Start Of The End

LP | 2020 | Reissue (Feel It)

Release: 2024 / Original

Genre: Rock & Indie

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Following a series of meditative explorations in the form of the Singularity Zone series of releases, The Oscillation have returned with a new sense of vigour and purpose. Refreshed and re-energized, the result is The Start Of The End, an album that casts more light and shade than ever before to create a mood of hope and re-birth.

At once warm and welcoming, The Start Of The End is an album quite unlike anything that The Oscillation have ever released before. Fuelled by optimism and taking stock of what’s good about life and what needs to be jettisoned, the record is a result of spiritual and physical re-charging and cleansing.

Leaving the claustrophobic environs of the big city for a more bucolic backdrop, the change in location has left a profound mark on Demian Castellanos, the creative force behind The Oscillation. Where the exorcism of dark emotions of previous album Untold Futures left Castellanos wondering if he’d ever make music again, his new surroundings stirred something within him.

“When I made my new home, I allowed myself time to do nothing for a while,” says Castellanos, “and I then started some new songs without worrying about them being on an album. I just wrote with the mindset to put out something positive.”

He continues: “I did a lot of reflecting on the past and really wanted to change something in myself, but not knowing how and thinking that a lot of people must be feeling the same way.”

Recalling the creation of The Start Of The End, Castellanos says, “Writing and recording in an environment where I had little contact with people, no hanging out or partying or even having conversations was very interesting.”

The result is an album that’s recognisably the work of The Oscillation while pointing to a variety of new directions. Be it the celestial majesty of the title track, the melodic infusions that drive opening track ‘War On The Mind’ or the pulsing grooves underpinning ‘Faraway’ and ‘Body Electric’ or even hypnotic repetition at the heart of ‘Mantra’ and ‘The Eternal’, this music brimming with zeal and confidence. And to crown it all, closer ‘Sovereign’ is akin to communing with angels.

The Start Of The End is a line in the sand and one that points to a better tomorrow.

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Sweeping Promises

Hunger For A Way Out

Release: 2020 / Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Circus Company)

Ezechiel Pailhes

Ventas Rumba

Easy Eight Album Yellow Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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With his new instrumental album Ventas Rumba, the French composer (and singer) returns to his signature instrument, the piano, blending it with warm synth tones. This album represents a "return to his roots ", allowing Ezéchiel Pailhès to reinvent himself in a seamless way while still exploring ballads and ritornellos, halfway between light-heartedness and melancholy. Ezéchiel Pailhès has been meaning to write a solo piano album for as long as he can remember. Hardly surprising, of course, for this academically-trained pianist, brought up on classical music and then studied jazz. Yet, since his 2001 debut with the electro-pop duo Nôze, and his subsequent four albums, the artist had constantly postponed this project that was so close to his heart. Then in 2022, just as he was getting ready to start producing an album of new songs, this long-standing aim finally materialized.
The melodies he wrote seemed to stand on their own naturally, spurring him on to compose this series of fourteen tracks, recorded in sessions split between France and Latvia.
A new piano: the Una Corda
Ezéchiel wanted this project dedicated to the piano to begin a new narrative, to explore new instrumental terrain and new tones, something far removed from the familiar piano he has been playing all his life. He opted for the Una Corda piano, designed by David Klavins, a groundbreaking instrument builder renowned for his distinctive pianos with vertical shapes and frames.

The Una Corda, created in 2014, is an upright piano with a single string per note (unlike three strings on traditional pianos). Enticed by the "crystalline and unique" tones of this instrument, which is hard to find in France, Ezéchiel travelled to Kuldiga, Latvia (where David Klavins set up his workshops and studios), to record the first part of the album. Although the title of the album may initially conjure up images of a distant, sensual dance, the reality is quite different. Ventas Rumba indeed refers to the waterfall and rapids (in Latvian: rumba) of the river Ventas, which runs near this small village in the western part of the country. Ezéchiel chose to blur the lines, as the sound and musicality of the title likely evoke both his short stay in the Baltic country, and also a form of distant exotic imagery perfectly in tune with his own mischievous wit. Tracks as short stories

Back in France, Ezéchiel enhanced the first tracks recorded in Kuldiga with subtle synth tone layers, and added other tracks composed and recorded at his Montreuil studio. The album reflects a deliberate and sensitive orchestration of piano, synth keyboards and digital effects, as he puts it: "playing to erase the differences between the tones of the various instruments", as if each instrument's texture echoed the others. According to Ezéchiel, you can listen to Ventas Rumba as you would leaf through "a collection of short stories", through compositions that rarely exceed three minutes and evoke figures of movement, lightness, curves or modulation, such as "La ligne", "La valse des singes" or "Fly Finger". Others more seriously relate to a kind of spirituality, which quietly infuses such different tracks as "Ferveur", "Éclair" and "Louanges". Ezéchiel adds: “I’m by no means religious, but I like what God has managed to get musicians to achieve (laughs)". "Louanges", for instance, despite its electronic edge, "refers to Olivier Messiaen, a very devout composer who I greatly admire". Other tracks are directly inspired by the classical music he listens to on a daily basis. For example, Chopin's “8th Nocturne” formed the backdrop of “Pianovado”. Likewise, the harmonic structure of Beethoven's “Waldstein Sonata No. 21” inspired “Opus 53”. Aside from these multiple references and inspirations, which quickly recede behind a style that is uniquely his, Ezéchiel Pailhès keeps exploring ideas already found on his first solo albums, this time in an instrumental format, undoubtedly purer, fostering an imaginary world that evokes the shapes and themes of ballads, ritornellos, light-heartedness, passing time, reverie or a universal subdued melancholy.

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Kaiser Chiefs

LP | 2024 | EU | Original (V2)

Dreamers Split Colored / Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Formed in Leeds in 2000, Kaiser Chiefs are one of the leading bands of their generation. Fronted by the charismatic Ricky Wilson with Simon Rix on bass, Andrew ‘Whitey’ White on guitar, Nick ‘Peanut’ Baines on keyboards and drummer Vijay Mistry, the band have had a string of anthemic hits such as ‘Oh My God’, ‘I Predict A Riot’, ‘Everyday I Love You Less and Less’, ‘Never Miss A Beat’ and ‘Hole In My Soul’. Now, almost two decades in the game, armed with that extensive back-catalogue of stadium belters and having sold over 8 million albums, Kaiser Chiefs return with their brand new studio album, the aptly titled Kaiser Chiefs Easy Eighth Album, out March 8th 2024.

Produced by Amir Amor (Sam Smith, Ed Sheeran, Charli Xcx), The Easy Eighth sees the Kaiser Chiefs go for it with a fresh and bold new sound. From the Nile Rodgers co-write of new single ‘Feeling Alright’, to the frantic ‘Beautiful Girl’, horn-laden Kaiser Chiefs throwback ‘Job Centre Shuffle’ and joyous punch in the gut that is ‘Jealousy’, these ten tracks are a true statement of intent from a band that continues to deliver the goods again and again.

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Haunt

LP | 2024 | EU | Original (Iron Grip)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Fire)

Yosa Peit

Gut Buster

Wicked Dub Division Meets North East Ska Jazz Orchestra

Release: 2024 / US – Original

Genre: Pop

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Classic Black Vinyl, Gloss Laminated Sleeve, Printed inner “Gut” sleeve DL card.

On Gut Buster, Yosa Peit spawns fleshy sonic escapades, a swarm of vigorously processed vocals and soulful bass, set to a backdrop of visceral percussive structures. Full of roguish curiosity, the record is cast with an air of lo-fi experimentation, but with a platinum glint of pop sensibility. Peit’s second album grapples with the destructive force of modern consumption, Gut Buster is an anti-capitalist battle cry that syntheses intimacy and hostility; a surrealist-punk affirmation and a testament to Peit’s singular vision and unique approach.

The free-ranging sound of Yosa Peit recalls the intense arrangements of a cyber-era Prince with the surrealist tones of Arthur Russell and early Björk. At the album’s core, “World Eaters” unleashes scorching guitars in search of humankind’s end, “I was born on a planet, I got hungry and I ate it.”

Even in the face of planetary doom and personal obstacles, Yosa evokes our propensity for mischief, humor and pleasure. “bb moon” processes sound solely from her bass into wicked oblivion. “call ME,” a song about friendship, chews up it’s anthemic melody into a gnarled strut worthy of an A$ap Rocky production, while “had3s” urges us to find balance, nodding to the mystical fuzz of Prince. Yosa’s work has been called “personal, punk, poignant, deep” yet her genre-defying production, as textured as it is catchy, escapes definition.

Gut Buster takes that collective playground for creation to planetary reaches, congregating friends from Berlin, Cologne, and New York’s fuzzy musical underbelly: Employee, Funkycan, Gerry Franke, Glenn Astro, Nauker, Paingel, Tbz, and UCC Harlo. The record was mixed by Brainfeeder affiliate Benjamin Vukelic in Portland and Jan Brauer in Berlin.

“Glitchy yet supple, the broken beats and warped abstractions are wholly unpredictable yet deliciously odd, like an esoteric mashup of Bjork, Aphex and Laurie Anderson” Electronic Sound

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Live Studio Session #1

LP | 2023 | UK | Original (Brixton)

Delinquent Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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A collaboration between two prestigious Italian bands, the wizards of dub and the masters of big-band ska-jazz, in perfect symbiosis. An album full of dub atmospheres mixed with orchestral patterns; compelling rhythms of the ska and reggae traditions together with dilated and hypnotic electronic sounds. A recording fruit of a challenge and a celebration of music, something that is undoubtedly reflected in the spectacular outcome. 22 musicians locked in a large studio to rediscover the beauty of sharing after months away from the stage due to the pandemic, without even being able to rehearse. The decision to record a live album was instantaneous, it was just about enjoying the energy of the moment. All tracks were recorded strictly live in the studio, without overdubs, with the aim of apprehending something unrepeatable. The electronics, the melodies of the wind section and the vocal power come together in this work, recorded live at Deep Studio in Treviso (Italy) and mastered by Ibon Larruzea (Bilbao), full of dub atmospheres mixed with orchestral patterns. All this merges into a unique and explosive sound in which the strength of the big band meets the deep and hypnotic beats of dub music. WDD began their journey as a quartet in 2014 and prior to Studio Session #1 they had already released two albums and several singles. NESJO formed in 2012 and have previously released two albums (both available on Brixton Records) and are working on what will be the recording of their next full-length. Northeast Italy is a border area and it's easy to connect with each other in those territories made of enchanted landscapes. That energy, that desire to experiment and get involved, have made possible this ambitious project in which a ska-jazz orchestra and a dub band, each with its own language, are assembled in an amazing sonority.Classic black vinyl!

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Mona Mur

LP | 2023 | EU | Original (Cheezy Crust)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Mona Mur - a name that stands for a smoky-cool voice, manic-intense performances and an illustrious list of changing musicians. She is not only a singer but also a songwriter and producer. As an "80s survivor", she has continuously asserted herself in the music scene over the last three decades, on tour or in her own Berlin studio KATANA. Now music lovers can experience their 2019 album “Delinquent” as a limited vinyl edition on the Hamburg label Cheezy Crust Records. "Delinquent" is a collection of 12 songs in German in harsh black and white, - short stories in urban desperado style - physically painful, beautiful and brutal like the current reality. Despite their intensity, they are danceable and exude an unexpected lightness, even humor. At Mona Mur's side: Ralf Goldkind (known for Lucilectric and Die Fantastischen 4), co-producer and co-author of "Delinquent". Goldkind's hypnotic twang guitars and minimal electronic loops act as powerful triggers for the electro rock 'n' roll heard on this album. The collaboration between Mona Mur and Ralf Goldkind has produced a bright and catchy sound. Goldkind, hit producer and punk from the very beginning, was thrilled to finally realize the Mona Mur album he had always dreamed of. Mona Mur's music is a unique mix of dark and intense emotions wrapped in an electrifying sound. With "Delinquent" she makes an impressive statement in the world of alternative music. “Delinquent” will delight fans and captivate new listeners. Anja Huwe (X Mal Deutschland), Bettina Köster (Malaria) and Annika Line Trost (Cobra Killer) can be heard as guest vocalists.

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Mr Bongo Record Club Volume 5

2LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2022 | EU | Reissue (Nuclear Blast)

Malevolence

Malicious Intent

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (We Are Busy Bodies)

Annarella And DJango

Jouer

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Ovo Sound)

Roy Woods

Waking At Dawn Expanded

Release: 2023 / UK – Original

Genre: Organic Grooves

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Capital Radio (Bbc Radio One)

The Clash

LP | 2024 | EU (Radio Broadcast)

Big Star #1 Blue Jay Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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BBC Sessions dated 1978 plus a series of selection from their 1982 East Coast tour

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Big Star

LP | 1972 | EU (Klimt)

Release: 1972 / EU

Genre: Rock & Indie

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LP | 1970 | EU (Life Goes On)

Blues Magoos

Gulf Coast Bound