HHV Records Vinyl 814 Items

LP | 1968 | UK | Reissue (Speakers Corner)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.

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Yusef Lateef

The Blue Yusef Lateef

34,99 €*

Psychicemotus Verve By Request Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

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Yusef Lateef

LP | 1966 | EU | Reissue (Impulse)

35,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

43,99 €*

LP | 1969 | EU | Reissue (Atlantic)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

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Yes

Yes Cobalt Vinyl Edition

36,99 €*

LP | 1968 | EU | Reissue (Lion / Groovie)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Yes - Yes is the band's acclaimed 1969 debut. Includes "Sweetness" and a cover of The Beatles' song "Every Little Thing"

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Yays & Nays

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Monster rare USA private pressing from 1968, rated with 6 stars in the Hans Pokora 3001 Record Collector's Dreams book. The Yays & Nays were a groovy, hip group (says so on the original LP jacket!) comprised of three guys and three girls. Theirs is a truly unique sounding album, full of creative songwriting and vocal arrangements and a style that defies categorization. There's garage folk-rock-the opening track 'Gotta Keep Traveling' is really astounding!, tracks with vocals in a kind of 'Kicking Against the Pricks"-era Nick Cave-channelling-Tony-Joe-White-meets-Johnny Cash vein, a little country flair, and some cuts of an ''Incredible Strange Music'' type. Weird and wonderful, in it's own peculiar way. Reissued for the first time, in collaboration with band members, and with original artwork.

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Wynder K. Frog

Out Of The Frying Pan

The Exciting Wilson Pickett Crystal Clear Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wilson Pickett

LP | 1966 | UK | Reissue (Rhino Atlantic)

38,99 €*

Release: 1966 / UK – Reissue

Genre: Organic Grooves

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The Exciting Wilson Pickett

Wilson Pickett

LP | 1966 | EU | Reissue (Rhino)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Hey Jude Vinyl Me, Please Edition

Wilson Pickett

LP | 1969 | US | Reissue (Vinyl Me, Please)

First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Let’s start with the scream. We tend to define our singers by how “great” their voice is, how deftly they can ascend and descend major and minor scales, and how they can turn up and turn down the emotion inherent in their voices. But when considering Wilson Pickett, it begins and ends with his scream. He could take you on a journey, he could butter you up, he could make you feel things in your vital organs, but you don’t get a nickname like “Wicked Pickett” because you’re a crooner.

Pickett’s “Hey Jude” forms the spiritual centerpiece and title track of hisfinal trip up to the mountain-top, his last true masterpiece LP. He’d take forays to Philadelphia for the new sound of soul, and even go vaguely disco in the late ’70s. But for his final album of the ’60s, a decade where he dominated the soul charts, he’d unwittingly help start southern rock, and scream his way across one of the most recognizable tunes in the history of song. Not bad for 31 minutes and eight seconds worth of music.

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Willie Tee

7" | 1969 | UK | Reissue (Gatur)

13,99 €*

LP | 1969 | UK | Reissue (Be With)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.

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Willie Hutch

Soul Portrait

LP | 1968 | US | Reissue (Craft)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.

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Willie Colón

Hustler

35,99 €*

LP | 1969 | US | Reissue (Stax)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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HIS CLASSIC SECOND ALBUM WITH HECTOR LAVOE AS LEAD VOCALIST AND IT SET THE PATH FOR BOTH MEN AS ONE OF THE GREATEST SALSA DUOS IN HISTORY.

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William Bell

Bound To Happen

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Hard N' Horny Turquoise Vinyl Edition

Wigwam

LP | 1969 | EU | Original (Svart)

Hard N' Horny Black Vinyl Edition

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Due to high demand, Svart Records will release represses of Wigwam's early works on vinyl once again. The Finnish legends in Wigwam are no strangers to fans of Progressive Rock around the world. Their debut album Hard N’ Horny from 1969 and the following Tombstone Valentine from 1970 are a couple of cornerstones among many in their impeccable discography. The previous Svart editions of these absolute classics by the pioneers of early progressive rock date back to 2019, so it was about time to bring back these must-haves to the market.

Hard N’ Horny started the legacy of Wigwam. Album’s A-side is jazzy, early prog-rock by the keyboardist Jukka Gustavson, with an exception on the first track written by the original bass player Mats Huldén. Lots of heavy organ, jazzy piano, and some vocal parts by Gustavson. The B-side is ‘60s psychedelia written by the British-born vocalist Jim Pembroke. It consists of songs about a man called Henry, together forming a mini Rock opera.

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Wigwam

LP | 1969 | EU | Original (Svart)

LP | 1969 | EU | Reissue (Proper)

Release: 1969 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

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White Noise

An Electric Storm

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Island)

White Noise

An Electric Storm

30,99 €*

LP | 1969 | EU | Reissue (Soulgramma)

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Whispers

Planets Of Life

Genesis HHV Exclusive Green Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Formed in 1964 in Watts, California, U.S. and based in Los Angeles, the original members were the texan twin brothers Wallace Scott and Walter Scott plus Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Gordy Harmon injured his larynx in a driving accident and was replaced by Leaveil Degree. Planets Of Life was the result of the incoming change, a vocal soul-funk masterpiece from a renewed harmony group. Often compared to the Isley Brothers, due to Scotty Scott vocal similarities to Ronald Isley, the band was an excellent r&b combo, turning lately into an electric funk vibe with a clear Temptations twist.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

Genesis Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wendy & Bonnie

LP | 1969 | EU | Reissue (Cinedelic)

LP | 1966 | EU | Reissue (Blue Note)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.

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Wayne Shorter

Speak No Evil

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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With A Little Help From My Friends

Volker Kriegel

LP | 1968 | EU | Reissue (Cinedelic)

23,99 €*

Oh, Good Grief! - 50th Anniversary Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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Vince Guaraldi

LP | 1968 | US | Reissue (Omnivore)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Velvett Fogg Green & White Marbled Vinyl Edition

Velvett Fogg

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 1969 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Pop

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180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL

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Velvett Fogg

36,99 €*

Astral Weeks Limited Olive-Green Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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Van Morrison

LP | 1968 | EU | Reissue (Warner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Astral Weeks Limited Olive-Green Vinyl Edition w/ Obi

Van Morrison

LP | 1968 | EU | Reissue (Warner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Rhino)

Van Morrison

Astral Weeks

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1962 | EU | Reissue (Dialogo)

V.A.

Passaporto Per L'italia

58,19 €* 96,99 € -40%

LP | 1969 | US | Reissue (Real Gone Music)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

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V.A.

OST Russ Meyer's Vixen

Release: 1969 / US – Reissue

Genre: Soundtracks

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Bbc Radiophonic Music Pink Splattered Vinyl Edition

V.A.

LP | 1968 | UK | Reissue (Silva Screen)

Release: 1968 / UK – Reissue

Genre: Soundtracks

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LP | 1968 | EU | Reissue (Akarma)

Ultimate Spinach

My People Were Fair And Had Sky In Their Hair ...

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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American psychedelic band from Boston, Massachusetts. Active 1967 to 1969. Their second album was originally released in 1968. Recorded in September 18th, 19th, 26th, 27th and October 26th, 29th 1967 at Bell Sound Studios, New York City

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Tyrannosaurus Rex

LP | 1968 | EU (Vinyl Lovers)

Release: 1968 / EU

Genre: Rock & Indie, Pop

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LP | 1968 | EU | Reissue (Bonfire)

Twentieth Century Zoo

Thunder On A Clear Day

LP+CD | 1969 | EU | Reissue (Lilith)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Strictly limited vinyl reissue of the Arizona rock band's only album, originally released on Vault Records in 1968. A relatively obscure masterpiece, combining psych rock with distinctive elements of acid blues and jazz. Wild jams sensibly influenced by the West Coast sound and much closer to the Nuggets manifesto. Rising from the ashes of the folk-rock outfit The Bittersweets in 1967, the Phoenix musicians were born to take you on an endless journey. Drifting from acid rock to melancholic blues, this fuzzed out gem from the earliest days of the Phoenix Valley rock and roll scene stands as one of the rarest and purest slices of mid-'60s psychedelia around.

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Tropicalia

Ou Panis Et Circencis

Overlander Orange Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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180 Gram vinyl!

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Trevor Lucas

LP | 1966 | US | Reissue (Fire)

LP | 1968 | UK | Reissue (Island)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Ultra-rare 1966 solo album by singer/songwriter Trevor Lucas of Fairport Convention, Fotheringay, and Election. This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. First ever authorized reissue (by his estate) of this gem.

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Traffic

For The Sake Of The Song Vinyl Me, Please Edition

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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The second offering from Traffic, October 1968 would be their self titled Album, achieving a strong balance between Dave Mason’s simple and straightforward folk-rock songs and Steve Winwood’s complex and often haunting rock jams would see the album peak in the UK charts at No’9 and No’16 in the US Billboard Chart. Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 1968 | US | Reissue (Fat Possum)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Townes Van Zandt

For The Sake Of The Song

27,99 €*

LP | 1969 | EU | Reissue (Long Hair)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Originally released in 1968 For The Sake Of The Song is a reissue of Townes Van Zandt's well-known debut album. Produced by Jack Clement (Charley Pride, Chet Atkins, U2, etc.) and featuring original liner notes by Mickey Newbury, Van Zandt went on to cement his status as a cult icon among gifted songwriters such as Willie Nelson, Merle Haggard, and Emmylou Harris who eventually recorded their own covers of Towne's songs. Eleven tracks.

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Touch

30,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Toots & The Maytals / Roland Alphonso

Hold On / On The Move

7" | 1969 | JM | Reissue (Pyramid)

12,99 €*

Release: 1969 / JM – Reissue

Genre: Reggae & Dancehall

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7" | 1969 | JM | Reissue (Pyramid)

Toots & The Maytals

Pee Pee Cluck Cluck

12,99 €*

Release: 1969 / JM – Reissue

Genre: Reggae & Dancehall

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LP | 1969 | UK | Reissue (Beverley's)

Toots And The Maytals

Sweet And Dandy

27,99 €*

LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.

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Tony Joe White

Black And White

46,99 €*

Snowfall: The Tony Bennett Christmas Album

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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Tony Bennett

LP | 1968 | EU | Reissue (Sony Music Catalog)

27,99 €*

Release: 1968 / EU – Reissue

Genre: Organic Grooves, Christmas

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I Left My Heart In San Francisco

Tony Bennett

LP | 1962 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 1962 / EU – Reissue

Genre: Pop

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2LP | 1962 | US | Reissue (Analogue Productions)

Tony Bennett

At Carnegie Hall

69,99 €*

Tommy James & The Shondells

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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The Best Of Blue Vinyl

LP | 1969 | US | Reissue (Friday Music)

65,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Tommy James & The Shondells

Best Of Tommy James & The Shondells

LP | 1969 | US | Reissue (Friday Music)

42,99 €*

Release: 1969 / US – Reissue

Genre: Pop

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LP | 1968 | BR | Reissue (Polysom)

Tom Ze

Grande Liquidacao

39,99 €*

7" | 1968 | UK | Reissue (Outta Sight)

Release: 1968 / BR – Reissue

Genre: Organic Grooves

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This is a 180g vinyl pressing. In 1968 Tom Zé; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement,Zé was so independent he was determined to forge his own musical path. He started by recording Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Brazoes and Os Versateis.

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Tobi Legend

Time Will Pass You By

14,99 €*

Dance Mania Colored Vinyl Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Iconic 1968 Northern Soul Anthem, One Of The Famed “3 Before 8” As Played Every Sunday Morning At Wigan Casino During It’s 8 Year Reign Coupled With The Original Demo, Recorded By The Writers At The Impact Studio, Detroit, 1965

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Tito Puente

LP | 1968 | EU | Reissue (Dol)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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What You Want To Bet? / These Are The Songs

Tim Maia

7" | 1968 | UK | Reissue (Mr Bongo)

11,99 €*

LP | 1968 | EU | Reissue (Wiseraven)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Debut single from the mighty Tim Maia! Released upon his return from the USA in the late 60’s. Highly sought after and prized in its original form, we are very proud to reissue this record. Maia sings in English here – influenced by his time spend travelling and working in the USA. Both songs are very soulful, reminiscent of the great soul singers of 1960’s USA, who were clearly a powerful inspiration to him. Official Mr Bongo reissue. Licensed from Som Livre.

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Tim Hollier

Message To A Harlequin

LP | 1968 | US | Reissue (Mainstream)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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An acid-folk masterpiece finally revealed ! When two worlds collide here’s where the legacy of Tim Hollier begins, his first album was released on United Artists in 1968 and this long overdue re-issue is a definitive statement of the master genius. Guest on the opening night of a Beckenham folk club run by his friend David Bowie, Hollier recorded ‘Message To A Harlequin’ with the assistance of Donovan arranger John Cameron. Hollier was also a regular on London's folk club circuit for several years alongside the likes of Paul Simon, Al Stewart and Nick Drake. Here’s your chance to finally grab his visionary songwriting.

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Tiffany Shade

The Tiffany Shade

19,99 €*

King Of The Black Sunrise Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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180 Gram Vinyl

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Thunder And Roses

LP | 1969 | EU | Reissue (Out-Sider Music)

Time Out! Time In For Them

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.

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Them

LP | 1968 | US | Reissue (Tower)

18,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Music On Vinyl)

Thelonious Monk

Monk's Blues

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Thelonious Monk & John Coltrane

Thelonious Monk With John Coltrane Opaque Oxblood Vinyl Edition

LP | 1966 | EU | Reissue (Dol)

15,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Presents Chocolate Moose Spearmint Green Vinyl Edition

The Zoo

LP | 1968 | EU | Reissue (Reel Music)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Impex)

The Youngbloods

Elephant Mountain

49,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Cosmic Rock)

The Wind In The Willows

2LP | 1969 | EU | Reissue (Polydor)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.

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The Who

Tommy Deluxe Edition

37,04 €* 38,99 € -5%

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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2LP | 1966 | US | Reissue (Geffen)

The Who

A Quick One

Release: 1966 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Wah Wah)

The Underdogs

Blues Band

The Tiffany Shade Lavender Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue from master tape of New Zealand's legendary Underdogs' first LP from 1968. Lovers of John Mayall and his Bluesbreakers (note the Eric Clapton tribute paid on the sleeve of this album) will love this album. The Underdogs formed in 1964 and shared the scene with other greats from the country like The La De Da's, The Action (NZ band, not to be confused with the UK mod godfathers) and The Pleazers. They spread the rhythm and blues word from their native Auckland through several 45s on the Zodiac label and went through a series of line-up changes prior to the release of their fabulous first long player. The Underdogs Blues Band LP was recorded by Murray Grindlay on vocals, Lou Rawnsley on guitars, Neil Edwards on bass and Tony Walton on drums, and shows the group’s appreciation for Mayall's combo - just like The Bluesbreakers' Crusade LP the Underdogs open their album with a cover of Albert King's "Oh, Pretty Woman," one of three "Bluesbreakers" songs covered on the LP. On this first long player the band storm into a world of guitar led rave-ups a la Yardbirds, organ blues grinders and even give a sight to what's to come next with some incipient heavier sounds a la Cream.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and insert

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The Tiffany Shade

LP | 1969 | US | Reissue (Sundazed)

LP | 1969 | UK | Reissue (Be! Jazz)

Release: 1969 / US – Reissue

Genre: Pop

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Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

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The Three Out

Sittin' In

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Puzzle People (Limited Edition)

The Temptations

LP | 1969 | EU | Reissue (Elemental)

LP | 1966 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Produced entirely by Norman Whitfield, The Temptations’s "Puzzle People" takes the next step along the path that Cloud Nine started, and takes the Detroit band further away from a classic soul sound, and more towards the realm of psychedelic soul. Although a few ballads, including “Running Away (Ain’t Gonna Help You),” are still present, the album is primarily composed of Sly & the Family Stone/James Brownderived proto-funk tracks such as the lead single “Don’t Let the Joneses Get You Down,” and the number-one Billboard Pop hit “I Can’t Get Next to You.” Also included are psychedelic-styled covers (recorded with distorted guitars, clavinets, and spacy reverb and sound effects) of contemporary songs such as The Isley Brothers’ “It’s Your Thing,” The Beatles’ “Hey Jude,” and Roger Miller’s “Little Green Apples.” "Puzzle People" was released on the same day (September 23, 1969) as "Together", a duets album of covers by The Temptations and label mates Diana Ross & the Supremes. It peaked into the Top 5 on the Billboard Pop Albums chart, and spent fifteen weeks at number one on the R&B Albums chart.

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The Temptations

Gettin' Ready

LP | 1969 | US | Reissue (Motown)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180g vinyl, remastered, two bonus songs.

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The Temptations

Cloud Nine

37,99 €*

Run Come Celebrate / I Wish It Would Rain

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Vinyl LP pressing.

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The Techniques

7" | 1968 | JP | Reissue (Duke Reid Classics)

LP | 1966 | EU | Reissue (Motown)

Release: 1968 / JP – Reissue

Genre: Reggae & Dancehall

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A side is a Jamaican Independence festival tune from 1968. Foundation. Both here are great Rock Steady Vocal cuts.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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The Supremes

The Supremes A' Go-Go

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Rhino)

The Stooges

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | NL | Reissue (Elektra)

The Stooges

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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2LP | 1969 | EU | Reissue (Elektra)

The Stooges

18,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Twenty Fifth Day Of December

The Staple Singers

LP | 1962 | Reissue (Gm & Publishing)

Release: 1962 / Reissue

Genre: Pop

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The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition

The Staple Singers

LP | 1962 | EU | Reissue (Concord)

24,64 €* 28,99 € -15%

The (St. Thomas) Pepper Smelter

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1962, The Twenty-Fifth Day Of December is The Staples Singers’ holiday classic, featuring traditional songs such as “Joy To The World, “Silent Night,” “Go Tell It On The Mountain” and more. This reissue features the original album artwork and is cut from the analog master, pressed on 180-gram vinyl at Memphis Record Pressing and housed in a tip-on jacket.

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Soul & Pepper

LP | 1969 | EU | Reissue (Discos Monterey)

LP | 1966 | UK | Reissue (Big Beat)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Once The Shain´s had disbanded a new project was born, St Thomas Pepper Smelter. Recorded in 1969, with practically the same band members as The Shain´s, the band explored darker and psychedelic sounds with covers from Vanilla Fudge, Cream, Hendrix and Music Machine, as well as various amazing songs of their own. This album was to be the transition towards their new projects more progressive and 70s style than before and lead to Gerardo Manuel y Humo!

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The Sonics

Boom

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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The Silvertones With Lynn Tait & The Boys / Lynn Tait & The Boys

Storm Warning / It's Real

7" | 1966 | JP | Reissue (Duke Reid Classics)

Contact Colored Vinyl Edition

Release: 1966 / JP – Reissue

Genre: Reggae & Dancehall

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1966 Recordings. Alternate Takes here: A side with a wicked Ska Vocal backed with a great Ska Inst.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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The Silver Apples

LP | 1969 | EU | Reissue (Jackpot)

Ain't Nothing But A House Party EP

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.

Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to breakup. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.

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The Showstoppers

7" | 1968 | EU | Reissue (You Are The Cosmos)

9,99 €*

LP | 1966 | EU | Reissue (Jazz Samba)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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The Show Stoppers was formed in 1967 by Alex Burke and Laddie Burke (Yes! they were brothers of Solomon Burke...) who joined with fellow brothers Timmy Smith and Earl Smith, all of them were students of Germantwon Highschool (Philadelphia). They are best remembered for their 1967 hit "Ain't Nothin' But A House Party" and they have recorded a bunch of 7" EP/Sge until they disbanded in 1972. This EP contains four of their best songs.

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The Sérgio Mendes Trio

In The Brazilian Bag

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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2LP | 1966 | UK | Reissue (Crescendo)

The Seeds

The Seeds Deluxe Edition

2LP | 1966 | UK | Reissue (GNP Crescendo)

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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Legendary US garage band best known for their evergreen classics ‘Pushin’ Too Hard’ and ‘Can’t Seem To Make You Mine’ that detonated in the US charts in late 1966 and early 1967. Whilst ‘Pushin’ Too Hard’ was their only top 40 hit, this song has been discovered by every new generation that hear it from punk rockers of the 70s to those who are glued to their mobile phones today.

Their debut LP “The Seeds” released in 1966 contains both these tracks and is rightly feted as a garage classic. It is an essential album. As our very own Alec Palao stated, “Like the first Ramones long-player, it is one of rock’s great debuts; an album where, in spite of some obvious influences, a signature sign was sharply defined.”

Ace are delighted to serve up the deluxe edition of “The Seeds” that was lovingly curated by Palao and released by GNP Crescendo some years back. Not only do you get “The Seeds” with 12 pulsating tracks but also a bonus LP of alternate versions and a couple of unheard tracks like ‘The Other Place’ and ‘Out Of The Question’. The extended version of ‘Evil Hoodoo’ is a stone cold treat.

Both albums are housed in a gatefold sleeve with an 8-page full colour booklet with Palao’s brilliant liner notes and sensational photos and memorabilia.

There is no ‘Excuse Excuse’ not to pick up or stock this one.

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The Seeds

A Web Of Sound

37,99 €*

LP | 1969 | JP | Reissue (P-Vine)

Release: 1966 / UK – Reissue

Genre: Rock & Indie

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The Seeds’ second album released in 1966 is a pop-art garage rock classic. ‘Mr Farmer’ was to become a Billboard Hot 100 single in 1967 and the second side of the album features the 14-minute epic ‘Up In Her Room’. This deluxe gatefold edition features the original stereo mix along with an 8-page insert. “Web Of Sound” deluxe comes with a second LP stuffed with mono versions, outtakes and more.

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The Sahib Shihab Quintet

Seeds

34,99 €*

LP | 1969 | EU | Reissue (Rearward)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In 1969, Sahib Shihab and five leading members of the Clarke-Boland Big Band, including Francy Boland, Jimmy Woode, Kenny Clarke, and Fats Sadi, recorded this album for West Germany's Vogue label. The album features the exquisite Latin jazz track "Seeds," the waltz number "Peter's Waltz" dedicated to his son, and the modal piece "Mauve." Each track is highly stylish and sophisticated, showcasing a pinnacle of European jazz that could only be achieved by this exceptional lineup.

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The Sahib Shihab Quintet

Seeds

21,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Let It Bleed 50th Anniversary

LP | 1969 | EU | Reissue (Universal)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Remastered

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Big Hits High Tide & Green Grass Us Edition

LP | 1966 | EU | Reissue (Universal)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Big Hits (High Tide And Green Grass)[LP] [US Version] by The Rolling Stones - Released in 1966, Big Hits (High Tide and Green Grass) was the first hits compilation album from the Rolling Stones. The US Edition contains 12 of their hits, including the #1 singles "(I Can't Get No) Satisfaction" and "Get Off Of My Cloud." 180-gram vinyl LP in a gatefold jacket with tip-in.

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Big Hits High Tide & Green Grass Uk Edition

LP | 1966 | EU | Reissue (Universal)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1966, Big Hits (High Tide And Green Grass) was the first hits compilation from the Rolling Stones. The UK Edition contains four #1 singles, including "(I Can't Get No) Satisfaction," and "Get Off Of My Cloud." The original "fisheye" artwork has been restored for this version and is pressed on 180-gram vinyl in a gatefold jacket.

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LP | 1968 | EU | Reissue (Universal)

Beggars Banquet

What's Wrong With You / Bookie Man

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.

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The Race Fans

7" | 1968 | EU | Reissue (Harlem Shuffle)

12,99 €*

LP | 1969 | EU | Reissue (Sony)

Release: 1968 / EU – Reissue

Genre: Reggae & Dancehall

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This killer double sider is the first release of the stunning “Bookie Man - What’s Wrong With You”. It was previously released as a blank label only in 1968 and was wrongly credited to The Bleechers. On the B side, “Bookie Man” is a completely different song,and it is a rare and brilliant track in its own right. It is also the first time the two “Bookie Man” songs are featured together on a 7inch.

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The Psychedelic Furs

Book Of Days

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Pentangle White Vinyl Edition

The Pentangle

LP | 1968 | UK | Reissue (Renaissance)

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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Pentangle Marble Vinyl Edition

The Pentangle

LP | 1968 | UK | Reissue (Renaissance)

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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The Orient Express Seaglass Bue Vinyl Edition

The Orient Express

LP | 1969 | US | Reissue (Sundazed)

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Sitar-laden raga rock-xotica! Light the incense, turn on and tune out to this acid folk blend of electric oud, minitar and melodica - its genuine organic blend of both Eastern and Western sounds make this band truly sound like no other. Pressed on seaglass blue vinyl!

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The Orient Express

The Open Mind Yellow Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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The Orient Express' sole LP from 1969 stands today as an early experiment in world fusion - and a pretty successful one at that, at least artistically. Guitarist Guy Duris is a Frenchman who became enamored with the oud, a classical Arabian guitar. Belgian Bruno Giet is a bass player with a rock background. Iranian Farshid Golesorkhi is an award-winning percussionist in the Persian tradition. As a trio, they only left 35 minutes for posterity, but these minutes are filled with interesting ideas and kitschy songs, all originals.

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The Open Mind

LP | 1969 | EU | Reissue (Klimt)

LP | 1968 | US | Reissue (Lion)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Open Mind was an English psychedelic rock band formed in London, and active in the 1960s and 1970s. The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches and formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, "Day and Night" / "Get Out of My Way". Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, "Magic Potion", which did not appear on the album. Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single "Magic Potion" having been covered by bands such as The Seers, Sun Dial and The Damned.

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The Nihilist Spasm Band

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