HHV Records Vinyl 153107 Items

The Turning Wheel Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Red vinyl Limited edition.

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SPELLLING

2LP | 2021 | US | Reissue (Sacred Bones)

30,99 €*

Terminator 2 : Le Jugement Dernier

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Sacred Bones celebrates its 15th year label anniversary with this pink vinyl repress of the critically acclaimed The Turning Wheel. "It's weird to think that every classic album was new once; that even Purple Rain had a release date. As hyperbolic as the sentiment may seem, taking The Turning Wheel for it's inaugural spin for the first time gave me the distrinct feeling of hearing a record that it's impossible to imagine the world without." - The Wire

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Brad Fiedel

2LP | 1991 | FR | Reissue (StudioCanal)

80,99 €*

2LP | 2017 | EU | Reissue (4AD)

Release: 1991 / FR – Reissue

Genre: Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

2021 reissue. Grey 180gr vinyl. Still sealed with hype sticker.

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The National

Trouble Will Find Me

39,99 €*

2LP | 2010 | EU | Original (4AD)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original inner sleeves. 2017 reissue. Tiny wear, few scuffs.

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The National

High Violet

2LP | 2020 | EU | Original (Columbia)

Release: 2010 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Stickered PVC sleeve. Original inner sleeves. Few paper scuffs. tiny wear

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John Legend

Bigger Love

LP | 2019 | FR | Original (Ovastand)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM Original inner sleeves. tiny wear.

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Jahneration

Stuck In The Middle

28,99 €*

2LP | 2019 | EU | Original (LuckyMe)

Release: 2019 / FR – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Tiny wear.

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Jacques Greene

Dawn Chorus

Beyond The Pale / Suite For Iain & Jane

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Original inner sleeves. Few paper scuffs.

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Jarv Is...

LP+CD | 2020 | UK | Original (Rough Trade)

LP | 2020 | EU | Original (Nuclear Blast)

Release: 2020 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened. Original inner sleeve. CD is missing. tiny wear

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Paradise Lost

Obsidian

29,99 €*

LP | 1983 | EU | Reissue (A&M)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened with hype sticker. Green/White vinyl. tiny wear. Limited edition.

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The Police

Synchronicity

46,99 €*

Dance Hall At Louse Point

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180gr pressing. Still in shrink but opened. 2019 reissue. Original inner sleeve

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John Parish & PJ Harvey

LP | 1996 | EU | Reissue (Island)

2LP | 2020 | US | Original (Avenue 66)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180gr reissue from 2020. Original inner sleeve.

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Joey Anderson

Rainbow Doll

20,99 €*

LP | 2024 | EU | Original (Ideal)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened. tiny wear

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The Idealist

Extended Player

24,99 €*

2LP | 2023 | UK | Original (Nashazphone)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Inspired by a life long obsession of dub, synth, industrial and different kinds of minimalism, "Extended Player" 12"ep by The Idealist is a tribute to these inspirations aswell as an attempt to move forward or elsewhere. This is experimental techno and electronic music from an artist that is freely moving between drone and noise to this. Party music for professionals.

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Amon

Akh

42,99 €*

LP | 2022 | UK | Original (Room 40)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Amon is the alias of Andrea Marutti, practitioner of elemental ambient and tape music since the early
1990s. Among his decades of work, his self-titled 1996 album, here retitled as ‘Akh’, stands out for his
almost mystical grasp of reverberant acoustics that hark back to prehistoric caves and spaces. Amon really
gets inside his thing with literal, non musical inspiration from the mysteries and rites of ancient Egypt,
factored by the esoteric writings of Peter Kolosimo and a movement of so-called “pseudo-archaeology” that
guides and elevates his work in the imagination. It’s frankly terrifying gear, tempered by a slow-burning,
introspective quality that invites the listener to succumb to its meditative formations.
Best consumed in the depths of night, the album takes on a vividly transportive nature. Over 90 minutes, it
arcs from the Thomas Köner-esque tonalities of Regula #1’, to the subharmonic shadows of ‘Hiram Roi’, via the
glowering ‘Darkside Return’ and into the chasmic phasing of ‘Wasted’. There’s little in the way of light creeping
through, but Marutti’s occasional use of harmony is startling ‘Uhura Photons’ dense and suffocating noise
eventually splits into a near choral synthscape, and on ‘Mopula’ you can just about pick up on the irregular
harmony of each central note. On ‘She Touched The Stone’, we end with beautiful, chiming pads and bells
echoing from deep below, an experience not unlike hearing Bohren and Der Club of Gore’s billowing melodies
seep through a dense cloud of smoke.

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Peter Knight

Shadow Phase

30,99 €*

7" | 2021 | EU | Original (DIY)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Aussie trumpet player, composer and sound artist Peter Knight dissolves jazz and classical elements into a low-light requiem on "Shadow Phase", harmonizing well with music from Arve Henriksen, Leila Abdul-Rauf and Angelo Badalamenti.

Described by Knight as a "meditation on the nature of connection", "Shadow Phase" was created during Australia's strict 2020 lockdown, when residents of Melbourne/Narrm were restricted to a small 5km zone. During this period, Knight connected with his friend and teacher Ania Walwicz, who passed away later that year. This provoked the composer to consider Walwicz's process, which was created in dream states, attempting to find resonant words from the subconscious. It's interesting then that "Shadow Phase" is an instrumental album, relying on trumpet, synthesizer, harmonium and Revox reel-to-reel sounds to convey the mood.

Knight's trumpet parts are most impressive, and his loops - distorted with pedals and plugin chains, and saturated by 1/4" tape - form illusory clouds of lilting melancholy. Its an album that fits neatly on Room40, alongside evocative cinematic music from Rafael Anton Irisarri and dreamworld experimentation from Madeleine Cocolas.

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Dijit

Tapes & Krikor Remixes

13,99 €*

Fringe Oxblood Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Edition of 300 copies. Killer re-works of hi-grade Dijit material from EM Records/Honest Jons/Good Morning Tapes alummmm Jackson Bailey aka Tapes on a fire A side, with Parisian chameleon Krikor keeping it swung tight on the flip. Cairo’s Hashem L Kelesh, aka Dijit, razed our minds to ashes last year with the YOUTH-released ‘Hyperattention’ collection, and is here shuttled to new locales for a heavyweight 45 released via Cairo/London based diy imprint. Dub scientist Tapes is up first with a killer, faded rework, shifting ‘Natfo’ into a 4/4 blur, slowly building into the fuzz with hazy pads before ending on a nostalgic synth-fwd crescendo. It’s miles away from his 8-bit digi dub, instead drawing on a kind of floor-focused, lushly faded Hype Williams vibe, for our money one of his best. Krikor welds his own sound set to the same track, deploying a rolling kick-heavy rhythm before subtly adding SD’s distinctive vocals and Dijit’s signature percussive clanks smacking snares somewhere between Low Jack & Shackleton.

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Felisha Ledesma

LP | 2021 | EU | Original (Ecstatic)

17,59 €* 21,99 € -20%

Mica Levi & Eliza Mccarthy

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Edition of 300 copies. A gorgeous swell of intimate soundscaping from Felisha Ledesma on this simmering stunner for Ecstatic, despatching two extended, richly absorbing pieces weft from everyday detritius; synths, strings, voicemail, found sounds - hitting a similar spot for us as Ulla’s diaristic ‘inside means inside me’ but with a more defined play of sound-as-light that gently and memorably tugs at the earlobes and heartstrings. Exploring a music of presence and ultra subtle inference, ‘Fringe’ is the 2nd release by Ledesma, student of Berlin’s estimable Universität der Künste, following from a debut for Enmossed x Psychic Liberation earlier this year. Using Amqr - a software synthesiser built by Ledesma together with Ess Mattisson - both pieces here shimmer with elusive timbres that occupy a realm that feels lost between worlds - neither electronic nor acoustic, but more a sort of observational sound that radiates togetherness and warmth. Operating at insightful levels of synaesthesia, Ledesma poetically turns ostensibly humdrum sources into clouds of smoke - emails, voicenotes, walking along the water, a poem attached to an email, walking alone in New York during lockdown, going for a swim at sunset in the desert - all turn into a smudge of memory. When ‘Beamsplitters’ opens with a tangible human presence - a voicemail from a friend - it startles with its earthly pull, eventually getting lost in a tangled spool of found sound leaving just a trace of iridescent, intimate reverie. On ‘Golden Mirror’ Felisha gently diffracts a lonesome guitar phrase into a humming thizz with a steeply uncanny ability to jog the memory in a similar way to how olfactory stimulus can conjure feelings of nostalgia. It’s a trick familiar from an emergent new realm of lower case composers creating something like submerged, small scale symphonies that work counter to notions of classical excess or anodyne ambient, instead focusing on microcosmic, highly peronalised sort of worldbuilding that’s impenetrable, yet somehow entirely open.

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Slow Dark Green Murky Waterfall Colored Vinyl Edition

LP | 2018 | EU | Original (Slip)

Die Angel (Ilpo of Pan Sonic)

Release: 2018 / EU – Original

Genre: Classical Music

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Mica Levi returns to Slip with six piano pieces played by Eliza McCarthy in ‘Slow Dark Green Murky Waterfall’ - a crepuscular suite riddled with Mica’s inquisitive, conversational phrasing and smartly expanding upon their 7” track, ‘Riding Through Drinking Harpo Dine’ [Foom, 2017], a new recording of which also appears in this set. The culmination of three years work between Mica and Eliza - winner of the 2013 British Contemporary Piano Competition - ‘Slow Dark Green Murky Waterfall’ follows up their collaboration on the Oscar-nominated score for Pablo Larrain’s ‘Jackie’ score with a finer-shaded, patient space for low-lit, smoky expression that’s so intimate and personal it almost feels like eavesdropping a private recording.

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Entropien I

LP | 2017 | EU | Original (Cosmo Rhythmatic)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (Schneider TM) retitle themselves die Angel for Entropien 1; their eighth LP of electro-acoustic music together, and the duo’s debut for Shapednoise’s Cosmo Rhythmic label. Accompanied by skilled improvisor Oren Ambarchi on two tracks, die Angel model a complex physicality through raw, elemental inputs, exploring a flux of reactive feedback processes and mutating, unstructured sonic states generated from crackling fusions of electronics, drums, electric guitar and field recordings warped and riddled with FX. Taking its title from both the Finnish word and German plural for entropy - in physics, the measure of thermodynamic disorder within a system - Entropien 1 renders seven examples of their kinetic systems in elusive action, keening from arrhythmic mulch to sloshing brownian motions and a brilliantly towering 15 minute exploration that tips into billowing, white hot feedback with scintillating effect. The amorphous results document and describe a freeness of energy travelling from body to machine and diffused across alternating acoustic environments. Each player works as controlled, external variables which act upon and interact with the different acoustic conditions to tempestuous impact, convulsing between squashed, recursive diffractions in Roha, to the sublimated roil of jazz drums and electric guitar wail in Terminen Kevät, before harnessing sloshing feedback chaos in the combustible, diaphanous two parts of Entropia - both North and South - which bring the LP to its logical, compelling conclusion.With the addition of Wold or KTL-like metal emulsification and lacquer-bubbling grain in Kitka, and Ambarchi’s plasmic overdubbing in the burning plasmic plong of Silvaticum, the overall impression is like auditive DMT, dissolving the senses and the ego - simultaneously theirs and the listeners - to better snag us in the music’s metastable potential and aid our unanchored exploration in those dimensions. Entropien 1 is dedicated to Mika Vainio.

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Genre: Electronic & Dance

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Freak Show Red Vinyl Edition

Alice In Chains

2LP | 2023 | UK (Killer Kutz)

Release: 2023 / UK

Genre: Rock & Indie

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William Parker & Ellen Christi

Cereal Music

LP | 2024 | WW | Original (AUM Fidelity)

Release: 2024 / WW – Original

Genre: Soundtracks

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Bad Weathers Black History Month Vinyl Edition

Vivian Weathers

LP | 1978 | UK | Reissue (UMR)

41,99 €*

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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Mi Cyaan Believe It Black History Month Vinyl Edition

Michael Smith

LP | 1982 | UK | Reissue (UMR)

41,99 €*

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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Genre: Rock & Indie

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Genre: Electronic & Dance

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Soulvent Meets Hospital

2x12" (Hospital)

Genre: Electronic & Dance

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Genre: Organic Grooves

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3 Remixed Record Store Day 2021 Edition

Japanese Television

12" (Tip Top)

Genre: Rock & Indie

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Young Limbs Rise Again The Story Of The Batcave Nightclub 1982-1985 Box

Box | 2023 | UK | Original (Demon)

180,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Maxx)

Gladys Knight & The Pips

33,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 1969 | EU | Reissue (Charly)

Archie Shepp

Yasmina, A Black Woman

33,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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EP | 2024 | UK | Original (Kniteforce Prime)

Rise Of Empires

The Megadrive EP

16,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Selec / Gotta Live / Move EP

Haste

EP | 2024 | Original (Twilight)

16,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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EP | 2024 | UK | Original (Kniteforce Prime)

Silent Approach

Energize EP

16,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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LP | 1969 | WW | Reissue (Wienerworld)

Dizzy Gillespie

Soul & Salvation

Release: 1969 / WW – Reissue

Genre: Organic Grooves

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12" | 2024 | WW | Original (Vinyl Combat)

DJ Koncept

Distant Traveller EP

Release: 2024 / WW – Original

Genre: Electronic & Dance

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Dark Shadows Black Vinyl Edition

Cold Sun

LP | 2024 | EU | Original (Guerssen)

LP | 1970 | EU | Reissue (Guerssen)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Vivid peyote-induced psychedelia from Texas sounding like an impossible meld between the Elevators and the Velvet Underground but possessing a strongly unique disposition.

Recorded in 1970 but never released at the time, featuring future members of Roky Erickson’s backing band Bleib Alien / The Aliens.

Formed in Austin in the late 1960s by visionary lyricist and autoharp player Billy Bill Miller and his friend Tom McGarrigle on guitar, Cold Sun evolved from a band called Cauldron (later Amethyst) which at one point featured drummer John Kearney from Roky Erickson’s first band The Spades. Miller, a proto-Goth figure always dressed in black, highly influenced by Joe Meek and vintage sci-fi / horror movies, started to experiment with weird noises out of his electrified autoharp, favoring the audio-oriented drug mescaline over the LSD associated with hippies. Amethyst jammed with musicians such as Benny Thurman from the 13th Floor Elevators and Steve Webb from the Lost And Found (another International Artists band). The definitive Amethyst line-up, with Hugh Patton on drums and Mike Waugh on bass, played at venues like the I.L. Club, a historical landmark of Austin blues & psychedelic music.

It was through Mike Waugh’s friendship with Elevators drummer John Ike Walton that Billy Miller and the band (still unsure about their name but calling themselves The Daily Planet, changing it to Dark Shadows, and then to Cold Sun) hooked up with the local label / studio Sonobeat (Mariani, Wildfire, Johnny Winter…), who expressed interest in recording an album with the intention to shop it to a major label: thus, the now-legendary Cold Sun album was born. The band, driven by Miller’s strange electrified autoharp sounds plus the massive fuzz guitar of McGarrigle, dressed with feedback and futuristic lyrics, laid down several tracks in between rehearsals at Miller’s house on Castle Hill (west Austin). The album opens with “South Texas” (“the ultimate psychedelic track,” according to Patrick “The Lama” Lundborg), climbing to a psychedelic summit with the final 11 minutes of the fervently intoxicated “Ra-Ma”.

Never released at the time, the Cold Sun album languished in oblivion and the musicians moved on to other things. Billy Bill Miller along with drummer Hugh Patton founded Bleib Alien (later The Aliens), the famous backing band of Roky Erickson, with Billy being essential in bringing Roky back to music after his stay at Rusk Mental Hospital.

It wasn’t until 1990 that the Cold Sun album was finally released on vinyl by the Rockadelic label (in a tiny edition of 300 copies), followed by a new edition on German label World In Sound in 2008, now out of print.

For this new edition on Guerssen, we’ve tried to imagine how the Cold Sun album could have looked like if it had been actually released in 1970. It comes in a hard cardboard sleeve with vintage styled artwork by psychedelic illustrator Callum Rooney.

Sourced from the same audio master as the original Rockadelic LP, the sound has been vastly improved thanks to the meticulous and careful restoration / remastering by audiophile engineer Ezra Lesser, who has also penned the definitive story of Cold Sun for the liner notes.

*Hard cardboard sleeve with vintage styled artwork by Callum Rooney *Audiophile restoration / remastering by Ezra Lesser *Insert with detailed liner notes and photos *Download card

“One of the most important psychedelic records, and unlike any other one.” – Paul Major

“Cold Sun is an anomaly in Texas psych history. As significant as Bubble Puppy or Moving Sidewalks but in no way similar, the Austin quartet cut one cult classic in its brief existence, the spell-binding Dark Shadows, which Jello Biafra called “the best psychedelic album I know of.” – Austin Powell (Austin Chronicle)

“Billy Miller invented Post-Punk in 1970” – Julian Cope (Head Heritage)

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Elias Hulk

Unchained

Tilt Yellow Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A classic in the collecting circuit since ages, the sole release by UK group Elias Hulk was out in 1970 on the Youngblood label. Raw hard-rock, adding some Eastern and blues-rock elements as well. Previously available on our Sommor sub-label and out of print, we present a new edition on Guerssen.

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Confidence Man

LP | 2022 | Original (Heavenly)

Release: 2022 / Original

Genre: Electronic & Dance

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LP | 1973 | EU | Reissue (Sommor)

Three-Headed Dog

Hound Of Hades

12" | 1979 | EU | Reissue (Espacial Discos)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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A mysterious three-piece from Birmingham, Three-Headed Dog played underground hard-rock, clearly influenced by early Judas Priest and Wishbone Ash. Before disappearing in the mist of time, they left behind an ultra rare demo tape - recorded in 1973 - which included a couple of cover versions from Wild Turkey and Edgar Broughton Band along with self-penned material. This demo was handled to Norman Hood, manager of other Brum bands such as Necromandus and Flying Hat Band, who was involved in promoting Three-Headed Dog at the time.

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Goya

House At The Sea / Mandy

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this rare & sought after private 12” from Germany, 1979, recorded at the legendary Conny’s Studio. Smooth & laid-back disco-funk-balearic sounds, including the underground club classic “House At The Sea”.
Goya was a German band featuring drummer Charles M. Heuer, also a collaborator of Günter Schickert.

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12" | 2024 | WW | Original (Funkyjaws Music)

Let's Dance Volume 3

Release: 2024 / WW – Original

Genre: Electronic & Dance

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It's So Hard To Say "So Long" / World Of Loneliness

Equasions

7" | 2024 | UK | Original (Symphonical)

12,99 €*

Stuff From My Brain / My Brain After Therapy

Release: 2024 / UK – Original

Genre: Organic Grooves

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Introducing the anticipated 7" re-release of the Equasions single 'It's So Hard To Say "So Long"' & 'World Of Lonliness'. A timeless soul/funk single recorded in San Antonio in 1971, revered by sweet soul collectors internationally, has now become available for the first time in over 50 years through Symphonical Records, in partnership with band leader/songwriter, Robert Williams.
This limited repress is a testament to the sound of San Antonio. The Equasions were immersed in the city's defining impression, performing alongside other local acts Royal Jestors, Sunny & The Sunliners, The Primes, Joe Jama plus many more, all of whom worked to carve out the Alamo sound, one that resonates continues to inspire today.
The 5-piece vocal group, led by Robert Williams, consisted of Vernon Shannon, James Hartfield, Ricky Cotton, and Lamar Sumter. Brackenridge High School graduates, the group were formerly known as 'The Volumes', with their first single being released on Manny Guerra's imprint, 'Garu'. Two years later, the group switched members and formed their new name, recording their single at Joey Internationals studio.
Robert remarks that both songs were written as a universal message; for no one in particular but everyone can relate to. 'It's So Hard To Say "So Long"', is a poignant sentiment to lost love, yet hope created through beautiful harmonies, whereas 'World Of Lonliness' is a psychedelic reflection of society of the era, which Robert mentions remains true today.

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Noahfinnce

LP | Original (Hopeless)

Release: Original

Genre: Rock & Indie

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With Confidence

Love And Loathing

LP | Original (Hopeless)

Release: Original

Genre: Rock & Indie

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The Flow's Greatest Hits Black Vinyl Edition

The Flow

LP | 2023 | EU | Original (Guerssen)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Flow was a psychedelic hard-rock power-trio formed in New York by Pete Fine, Monte Farber and Steve Starer. It was the early 70s in NYC, the pre-glam/punk/new wave days, when Flow (who rehearsed next room to a band called Wicked Lester, later known as Kiss) decided to start playing music without limits, developing their musical horizons. Their sound was based on hard-rock and heavy-fuzz guitars but adding psych / experimental touches. In 1972 they self-released a private album, “The Flow’s Greatest Hits”, featuring their own songs. This is now one of the mega rarities and holy grails of the first psychedelic era. First officially reissued by the Shadoks label in the early 2000s and out of print for many years, we present a new deluxe reissue. *Original artwork in hard cardboard sleeve + OBI *Insert with liner notes and photos *Download card with bonus tracks *One of the bands featured in the book “New York Rock: From The Rise Of The Velvet Underground To The Fall of Cbgb”

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Genre: Rock & Indie

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Wasp

First Blood Last Cuts

2LP (Madfish)

48,99 €*

Genre: Rock & Indie

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LP | 2023 | EU | Original (Elpalmas Music)

La Jungla

De Borondo

24,99 €*

Women And Children First Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Enigmatic group known for their song Cumbia Del Desierto on a 7-inch vinyl they share with El Dragón Criollo at El Palmas Music. This song was played with fury by music lovers and collectors around the world.

Well, beautiful people La Jungla is back with the melody in this mini album titled De Borondo!!! A cut of four songs where criticism, humor, experiences and good vibes are present throughout all the songs.

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Ancient Grease

LP | 1970 | EU | Reissue (Sommor)

25,99 €*

7" | 2022 | UK | Original (Razor-N-Tape)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Heavy-rock / bluesy sound with West Coast overtones and some devastating fuzz-wah guitar. Originally named Strawberry Dust, Ancient Grease was a hard psychedelic band from Wales, connected to Eyes Of Blue and Racing Cars. They were supported by John Weathers (Eyes Of Blue) who also acted as producer and songwriter for their sole album, recorded in London. When eventually released in 1970, “Women and Children First” was credited to Ancient Grease instead of Strawberry Dust (one of those “great” ideas by major labels). The album was first issued in the US and later in the UK, both on the Mercury label but with different sleeves (being the UK one the most desirable and collectable).

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79.5

Club Level

13,99 €*

LP | 2022 | EU | Original (Elpalmas Music)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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RNT welcomes Brooklyn-based band 79.5 to the family with the first single from their forthcoming eponymous LP. Soulful and psychedelic, the haunting melodies of Club Level float above a steady strutting rhythm section, punctuated by moaning baritone saxophone and drenched in washy reverb.

NYC mainstay Eli Escobar crafts a masterful remix that leans into 80s nostalgia, with a soundscape and arrangement nothing short of perfection.

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Moncho Y Su Banda

Que Bellas Son

Let's Go Dance Tonight / Burnin' For Your Love

Release: 2022 / EU – Original

Genre: Organic Grooves

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El Palmas Music to reissue incredibly hard-to-find album by Venezuelan salsa bandleader and polymath.

Few artists worked as hard at their craft as Ramón Urbina. At the age of 15, and in thrall to the Latin jazz and tropical music he was hearing on the radio, he learnt to play tres guitar. Then he learnt bass. Then percussion, tumbadora, timpani drums, trumpet, trombone, piano, whatever instrument he could get his hands on. A true enthusiast and student of all the tropical music that was percolating through Venezuela and the rest of Latin America at the time, he wanted to understand the art of composition and arranging, and around 1972 he decided to put it to the test, forming his first group, Ramón y su Banda Latina. Taking inspiration from salsa ensembles like Sexteto Juventud, as well as Pastor López, a Venezuelan singer and bandleader who was having huge successes in Colombia for his mix of cumbias, guarachas and boleros, Ramón’s group toured throughout Venezuela during the 1970s. Then one day, he went to see La Dimensión Latina in his home town of Charallave, and he saw the future. The age of salsa with its multi-trombone sound was here, and he wanted to take part, recruiting new members to form Moncho y su Banda. After road testing their material, the new group was ready to record an album in 1981, but finding a record label was not easy. Ramón loved music but he was a homebody too and spent most of his time in Charallave, at a distance from the thriving music scene in Caracas. This, combined with the fact that he’d yet to record an album and create any kind of international reputation meant that he initially struggled to find a label. “God help me, even if I have to pay myself, I’m going to record my album”, he said at the time. Despite no guarantee of any album being released, Moncho y su Banda stepped into a recording studio and didn’t rest until they’d got what they wanted. Those who were there remember a feeling of being at a party, hanging out with family and friends, and dancing all night. After realising they’d forgotten to eat at a session, one of the group’s singers, Eduardo Fernandez, ordered a bottle of sambuca, and just like that they kept on recording, without pause, albeit with extra spirit. Once record label executives finally heard the album, titled Qué Bellas Son (How Beautiful They Are), they couldn’t resist its energy and a release date was set. It’s an album that captures the sound of a working band at ease, playing the kind of set that they would be knocking out at clubs around Venezuela at the time, full of life and passion. Whereas a formulaic salsa sound was forming in the early 80s, Moncho y su Banda bucked the trend, playing a mix of raw, unbridled salsa dura, as well as cumbias, merengues, boleros and chucu-chucus, all with a heady dose of Caribbean spirit that sets the group apart from the more urbane salsa ensembles of the day. Qué Bellas Son is the only album that Ramón Urbina ever recorded, though he has kept performing to this day, where you can still find him in Charallave. A true lover of music, we should be thankful that we have at least this one album of his to remind us of a band at the height of their powers.

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Lamont Johnson & Eugene

7" | 2022 | UK | Original (Soul Junction)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Los Corraleros de Majagual

Ésta Es Salsa!

LP | 2022 | EU | Original (Vampisoul)

17,99 €*

LP | 2022 | EU | Original (Play It Again Sam)

Release: 2022 / EU – Original

Genre: Organic Grooves

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"Ésta sí es salsa!" is one of the most sought-after records in the impressive catalog of the Discos Fuentes tropical all-star group Los Corraleros de Majagual.The record is high on collectors' want lists for many reasons: excellent sound quality, diverse and highly danceable repertoire infusing its grooves, and the inclusion of the Cuban genres of descarga and charanga. The album includes outstanding cover versions of '60s New York salsa but featuring the unusual sound of the accordion and the heavy bass playing of Julio Estrada.First time reissue."Ésta sí es salsa!" is one of the most sought-after records in the impressive catalog of the Discos Fuentes tropical all-star group Los Corraleros de Majagual. It was released in 1970, nine years after the band was first conceived by Alfredo Gutiérrez, Calixto Ochoa and label boss Don Antonio Fuentes as an orchestra to play mostly typical folkloric Colombian genres like porro, cumbia and paseo and the occasional guaracha or pachanga, but with a fully orchestrated big band sound that combined the accordion with a complete rhythm and brass section.The record is high on collectors' want lists for many reasons, not least of which is its excellent sound quality and the diverse repertoire infusing its grooves, ranging from expected coastal tropical Colombian rhythms like paseaíto, paseo and pasebol (all related to cumbia and vallenato), to more exotic modes like sonsonete, casatschok, and the Cuban genres of descarga and charanga.There was never any doubt with the label's intentions of introducing this "new" genre of salsa on this LP, albeit as seen through the lens of Colombian musicians only recently converted to the movement, and indeed, the title unequivocally proclaims: "¡Ésta sí es salsa!" ("This is definitely salsa!"). The proof is in the fascinating (and long) cover versions of Nuyorican artists from the burgeoning Big Apple salsa scene that are the centerpiece of the album. Two massive dance tracks on the record are 'Ocho días' and 'Am...

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Courting

Guitar Music

Release: 2022 / EU – Original

Genre: Rock & Indie

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All That She Wants Record Store Day 2022 30th Anniversary Picture Disc Vinyl Edition

Ace Of Base

LP | 2022 | Original (Demon)

44,99 €*

LP | 1970 | EU | Reissue (Guerssen)

Release: 2022 / Original

Genre: Pop

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Limited edition for Record Store Day 2022.

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Màquina!

Why? Black Vinyl Edition

23,99 €*

Win Or Lose Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Along with Smash, Cerebrum or Pan & Regaliz, Catalan band Màquina! were one the truly pioneers when talking about the underground Spanish psych-prog scene from the late 60s. “Why?” was their debut album, originally released in 1970 on the Diábolo label and housed in a striking surreal sleeve designed by band member Jordi Batiste. English vocals, wicked acid fuzz-wah guitars, Hammond organ, flute…including the legendary self-titled track, 24 minutes (split in two parts) of wild psychedelic improvisation. Featuring Josep Maria “Tapi” Vilaseca (later of Tapiman) on drums, Josep Maria París on fuzz guitar, Luigi Cabanach on wah guitar, Enric Herrera on organ and Jordi Batiste on bass/flute/vocals. Highly sought-after by psych collectors worldwide, here’s a long overdue new vinyl reissue of this cult album featuring newly remastered sound, original artwork and insert with detailed liner notes and cool photos.

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Magi

LP | 1976 | EU | Reissue (Got Kinda Lost)

23,99 €*

Storm Queen Colored Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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First time authorized reissue of Rust Belt hard rockers Magi’s (pronounced ˈmā-ˌjī) 1976 privately-pressed, hard rock nugget, Win Or Lose, originally issued on the infamous Uncle Dirty’s Sound Machine label. Win Or Lose carries similar glimmers to other vulgar, pre-PC, mid-Amerigan rock whose stock-in-trade boy meets girl early rock’n’roll topicry could easily be pulled from the Rock 101 playbook, but Magi was more than mired in muscle and machismo. Magi displayed the general insouciance, hormones, and discontent of their age, but also a concerned and wounded heart underneath the veneer, much less common to the field. While essentially a meat-and-potatoes hard rock record, the album flies closer to the early ‘70s beginnings of the genre (with nuance and psychedelic hangover in tow), when the definition was less rigidly and generically defined, and is additionally expertly sequenced across its eight strong tracks, improved by a masterful mix and remaster by T. Dallas Reed (Electric Wizard, Iron Claw, Mos Generator, Orange Sunshine, Poobah, Saint Vitus, Treepeople, Truth And Janey, et al.), utilizing a reel-to-reel from the original recording sessions. In-depth and informative liner notes by Jeremy Cargill (Got Kinda Lost / NTS Radio) and Patrick Lundborg. As the uncredited seeker who penned the original rear sleeve text expressed... “Energy is apparent, the subtleties are there, listen, there’s no question how they feel! Feel it with them! Feel the Magi!” “…quite contemporary in style for its 1976 release year. Regional and local bands tend to lag behind dominating music trends by a few years, but Magi’s sound seems entirely in line with then popular acts like Aerosmith, early Kiss, and maybe Ted Nugent.” – Patrick “The Lama” Lundborg (The Acid Archives)

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Grace Cummings

LP | 2022 | UK | Original (ATO)

Release: 2022 / UK – Original

Genre: Rock & Indie

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File Under UK Metaplasm Neon Black Vinyl Edition

Rian Treanor

LP | 2020 | UK | Original (Planet Mu)

Outland Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Rian Treanor returns to Planet Mu for his raw and energetic second album "File Under UK Metaplasm". The enigmatic, sweaty energy of Tanzanian singeli and Chicago footwork are juxtaposed with slick, high-def bass weight which sits at the centre of the album. Opening track 'Hypnic Jerks' is the perfect example of this, with crinkled percussive loops cut through by machine-gun kicks and acidic wobbles. Elsewhere, 'Vacuum Angle' takes Sheffield's Warp-ed legacy and brings it crashing into the future, with rhythms collapsing into static and noise but never deconstructing or losing the flow. 'Debouncing' meanwhile folds gliding square synths into rattling dancehall kicks, joining the dots between SND, Equiknoxx and Wiley with a neon Sharpie. "It's using all those formulaic dance structures but just slightly mangled or messed up," he says. "I'm still focused on making dance music for clubs, but how far can you push that before it's just no."

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Ital Tek

LP | 2020 | UK | Reissue (Planet Mu)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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2nd pressing on black vinyl! Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘. The album was written during a period of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this time of self-imposed isolation Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album. Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan's sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions. The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’. The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters. These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.

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OST Mega Man 1-11: The Collection Box Set Edition

6LP | 2019 | US | Original (Laced)

172,99 €*

LP | 2019 | US | Original (Drag City)

Release: 2019 / US – Original

Genre: Soundtracks

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152 Tracks
X6 180g Mega Man Vinyl
Includes full scores from first three NES titles
6 Deluxe 3mm Spined Sleeves in Luxury Rigid Board Slip Case

The box set features brand new original artwork by illustrator ultimatemaverickx onto six ‘Mega Man blue’ 180g vinyl LPs, packaged in deluxe spined inner sleeves, and housed in a luxury ridged board slip case. Music includes the full soundtracks to Mega Man, Mega Man 2 and Mega Man 3, as well as a large selection of fan favourites from Mega Man 4 through to Mega Man 11.

For the first time, hear pulse-pounding Mega Man music on wax, with tracks drawn from across the last 32 years of games. Relive the essential Famicom/NES chiptune scores in full, as we present the entire tracklist from Manami Matsumae’s Mega Man OST, Takashi Tateishi’s seminal music for Mega Man 2 (featuring the legendary “Dr. Wily's Castle 1”), and Yasuaki Fujita and Harumi Fujita’s fan favourite Mega Man 3 OST.

Composers also include Minae Fujii (MM4), Mari Yamaguchi (MM5), Yuko Takehara (MM6, MM7), Makoto Tomozawa (MM7, MM10), Toshihiko Horiyama (MM7), Shusaku Uchiyama (MM8), Ryo Kawakami (MM9, MM10), Yu Shimoda (MM9), Ippo Yamada (MM9, MM10), Hiroki Isogai (MM9), Akari Kaida (MM10), Hiroki Isogai (MM10), and Marika Suzuki (MM11).

Across 32 years and 152 games, the Mega Man (aka Rockman in Japan) series has sold over 35 million units, with The Blue Bomber having become one of the most beloved and recognisable characters in all of gaming history.

Artists:

Mega Man - Manami Matsumae

Mega Man 2 - Takashi Tateishi, Manami Matsumae

Mega Man 3 - Yasuaki Fujita, Harumi Fujita

Mega Man 4 - Minae Fujii, Manami Matsumae

Mega Man 5 - Mari Yamaguchi

Mega Man 6 - Yuko Takehara

Mega Man 7 - Yuko Takehara, Makoto Tomozawa, Toshihiko Horiyama, Manami Matsumae

Mega Man 8 - Shusaku Uchiyama, Manami Matsumae

Mega Man 9 - Ryo Kawakami, Yu Shimoda, Manami Matsumae, Ippo Yamada, Hiroki Isogai

Mega Man 10 - Ryo Kawakami, Manami Matsumae, Akari Kaida, Makoto Tomozawa, Yasuaki Fujita, Hiroki Isogai, Ippo Yamada

Mega Man 11 - Marika Suzuki, Manami Matsumae

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Ty Segall & The Freedom

Deforming Lobes

27,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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12" | 2018 | EU | Original (Espacial Discos)

Nappy Mayers

Let Yourself Go

LP | 1978 | EU | Reissue (Out-Sider)

Release: 2018 / EU – Original

Genre: Organic Grooves

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CARIBBEAN DISCO-FUNK DANCEFLOOR BOMB by the great RICHARD ‘NAPPY’ MAYERS, the man behind some of the best Soca, Disco and Funk sounds ever produced in Trinidad.

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Matthew Larkin Cassell

Matt The Cat

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Originally from San Francisco, Matthew Larkin Cassell is a talented songwriter, vocalist and multi-instrumentalist. During the ‘70s-80s, Cassell fronted a trio in the Bay Area, opening for major acts like The Tubes and Sylvester. Playing an unique fusion of funk, R&B, jazz and soft-rock, he recorded his first LP, “Pieces” in 1977, followed by a 12” titled “Matt The Cat” in 1978. Both were privately pressed and modestly distributed at the time.
Fast forward to the early ‘00s: Cassell’s albums are discovered by beat diggers & hip-hop producers, which led to some his songs being sampled and included on mixes by people like Kon & Amir, Madlib and M.F. Doom. Famous labels such as Stones Throw and P-Vine reissue his music at the same time that his original albums reach outrageous prices in the collector’s market.
Here’s an overdue reissue of Cassell’s second effort, “Matt The Cat”, originally released in 1978. A great fusion of FUNK, R&B, SOUL-JAZZ and 70s SSW / AOR, featuring “All I’m Missing Is You”, sampled by People Under The Stairs.

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Rumbita Buena: Rumba Funk & Flamenco Pop From The 1970s Belter & Discophon Archive

LP | 2017 | EU | Original (Pharaway Sounds)

LP | 1973 | EU | Original (Out-Sider)

Release: 2017 / EU – Original

Genre: Organic Grooves

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From the archives of the legendary BELTER and DISCOPHON labels, essential to understand the birth of the Catalan Rumba and Flamenco-Pop genre in Spain, we’ve selected 14 dance-friendly tracks taken from overlooked LPs and 45s.
This is the real gipsy–funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah–wah, organ, electric bass, exotic percussions, soulish horns, latin and even oriental touches...
Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars and groovy rumba–pop bands: DOLORES VARGAS “La Terremoto”, CHANGO, ROSA MORENA, RUMBA 3, EL PRÍNCIPE GITANO, EL NOI...

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Shadrack Chameleon

2LP | 2011 | UK | Original (Scotch Bonnet)

Release: 1973 / EU – Original

Genre: Rock & Indie

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Reissue with newly remastered sound of this teen basement psych-rock private pressing from the Midwest, 1973. Great distorted guitars, organ, melancholic vocals, raw homemade vibe, inventive songs and some cool Neil Young / Crazy Horse influences. File next to Rayne!

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Mungo's Hi-Fi

Forward Ever

20,99 €*

2LP | 1994 | EU | Reissue (Radioactive)

Release: 2011 / UK – Original

Genre: Reggae & Dancehall

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Mungo’s Hi Fi are at the controls delivering their latest productions featuring megatons of talent from a dream lineup of MCs. Mungo's Hi Fi champion the evolution of reggae, dub and dancehall music and are reinvigorating soundsystem culture.

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Live

Throwing Copper

40,99 €*

12" | 1986 | JP | Original (Carrere)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2019 reissue.

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Finzy Kontini

Cha Cha Cha

8,99 €*

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI and insert

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LP | 1984 | JP | Original (CBS/Sony)

OST Footloose

7,99 €*

Club House Feat. Carl Fanini

Release: 1984 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Light My Fire

12" | 1993 | IT | Original (Media)

Release: 1993 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1996 | UK | Original (Nice 'N' Ripe)

D.C. Sensation

Precision E.P

12,99 €*

S.O.S. / Eagle / Higher & Higher

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Writing on labels.

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Abbacadabra

12" | 1993 | DE | Original (ZYX Music)

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1990 | DE | Original (MCA)

Kim Wilde

World In Perfect Harmony

14,99 €*

12" | 1993 | IT | Original (London)

Release: 1990 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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Joe Roberts

Lover

Release: 1993 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1992 | US | Original (RCA)

Pandella

Pull Our Love Together

Release: 1992 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1996 | NL | Original (Work)

Sil

Come Together

I Don't Wanna Get Hurt (Extended Version)

Release: 1996 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Writing on labels.

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Donna Summer

12" | 1989 | EU | Original (Warner)

Release: 1989 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Move Your Body (Tu Tu Tu Tu Ta, Oh La)

2 Eivissa

12" | 1998 | DE | Original (Control)

5,99 €*

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

I Feel Like Dancin' (Disco 130)

Restyler

12" | 1999 | DE | Original (Beta Beat Recordings)

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

2x12" | 1998 | DE | Original (Epidrome)

8:15 To Nowhere

4,99 €*

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1998 | DE | Original (Slotmachine)

Milk Inc.

Inside Of Me

8,99 €*

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

We Shall All Be Free (Remix)

The Weather Girls

12" | 1994 | EU | Original (Ultraphonic Edition)

Release: 1994 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1998 | DE | Original (Urban Tracks)

DJ Nightrider

The Voice of N.R.G.

12" | 1998 | DE | Original (Gang Go Music)

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Head Room

Headrush

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2001 | DE | Original (Blind)

Outcast Project

Into The Light

Release: 2001 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2001 | UK | Original (Distinct'ive)

Maurice

Feline

12" | 2001 | UK | Original (Fire)

Release: 2001 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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Brethren

Reservation

Release: 2001 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2000 | UK | Original (Heat)

THK

France

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2000 | UK | Original (Nukleuz)

Crw

Lovin'

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Prezioso Feat. Marvin / Nick Sentience & Mark Tyler

Noise Maker Volume Six

12" | 2000 | UK | Original (Nukleuz)

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Now Let's Kill That F**ing Band

Abel & Kain

12" | 1998 | DE | Original (Velvet Vibe)

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2x12" | 1993 | Original (WEA)

Rob 'N' Raz

Clubhopping

Release: 1993 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1993 | UK | Original (Cryptic)

Techno Cop

The Vision

Release: 1993 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1999 | DE | Original (BMG)

E & E

Rhapsody

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1998 | DE | Original (King Size)

The Effect

Follow Me

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1994 | UK | Original (Champion)

Robin S.

I Want To Thank You

4,99 €*

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+