HHV Records Vinyl 153651 Items

LP | 2013 | EU | Reissue (Stickman)

Release: 2012 / EU – Original

Genre: Hip Hop

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In a repeatedly rephrased metaphor of vinyl archaeologists digging for samples and re-constructing music from tiny pieces and fractions of long lost sounds, Weedy of 40 Winks is actually a rare example of this image being executed to perfection. His puzzling way of piecing together intricate beats, rich in details, breaks and variations, is rather analogous to surrealist art than to most of his fellow contemporary beat-smiths. On top he adds his own instrumentation to perfect these compositions, being like a conservator creating mosaics of rhythms, grooves and harmonies, giving the listeners imagination ample space to wander about.

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Weedpecker

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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IV: The Stream Of Forgotten Thoughts Yellow Vinyl Edition

Weedpecker

LP | 2021 | Original (Stickman)

Release: 2021 / Original

Genre: Rock & Indie

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Iii Colored Vinyl Edition

Weedpecker

LP | 2017 | EU | Reissue (Stickman)

25,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Weeding Dub Meets Coptic Sound Meets Wise Rockers

Dub Is The Teacher, Part 2, Part 3 / Natural Born Dubber, Part 2, Part 3

12" | 2021 (L'acouphene)

12,74 €* 16,99 € -25%

Release: 2021

Genre: Reggae & Dancehall

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Crater Maker Pruple Vinyl Edition

Weed Demon

LP | 2020 | EU | Original (Electric Valley)

29,99 €*

You Can Fly On My Aeroplane Deep Sky Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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Wee

LP | 1977 | US | Reissue (Numero Group)

I Don't Want To Take A Chance

Release: 1977 / US – Reissue

Genre: Organic Grooves

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Scoring the lives of small-time players, pimps, junkies, and prostitutes lurking around his simultaneously blessed and cursed existence, Wee mastermind Norman Whiteside lived in an entirely different Columbus than Capsoul's Bill Moss or Prix's Clem Price. Alternating between Stevie Wonder's dreamy soul and Sly Stone's druggy groove, You Can Fly On My Aeroplane bypasses Whiteside's everyday gritty street life reality, focusing instead on the airy sounds of fantasy and masquerade. Smooth, sexy, and synthy, You Can Fly On My Aeroplane is a peerless and sprawling psychedelic soul concept album and a sure'fire panty soaker to boot.

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Wee Willie Walker

7" | 2022 | UK | Original (Kent)

12,99 €*

Trying To Tell You How I Feel / We Could Get It Together

Release: 2022 / UK – Original

Genre: Organic Grooves

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These are two of the finest, previously unheard tracks to come out of the Goldwax vaults. Though they have been around in this complete form, with the horn section, since 2004, it is the first time they have been commercially available on a prestigious 45. The Kent 100 Club anniversary promo of ‘Chance’, with its Northern Soul flip, will now set you back up to £300; this pairing makes musical and economic sense.

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Wee

7" | 2024 | UK (Soul Direction)

11,99 €* 15,99 € -25%

12" | 1990 | EU | Original (Jive)

Release: 2024 / UK

Genre: Organic Grooves

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Both tracks “We Could Get It Together” & “Trying to Tell You How I Feel” featured in this latest Soul Direction outing were part of a master tape of unreleased tracks that never saw an addition to the album, but came to light on a 2008 Numero LP. They were slightly remixed for the album, but we are releasing the original tracks which came from the master tape which have never been released in this way before.

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Wee Papa Girl Rappers

Get In The Groove

2,79 €* 3,99 € -30%

Release: 1990 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1991 | UK | Original (Jive)

Wee Papa Girl Rappers

Best Of My Love

3,99 €*

Release: 1991 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | US | Original (Cotillion)

Wee Gee

Hold On (To Your Dreams)

5,19 €* 7,99 € -35%

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | US | Original (Cotillion)

Wee Gee

Hold On (To Your Dreams)

3,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

12" | 2022 | UK | Original (Pyramid Transmissions)

Wee DJ's

14,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Pyramid Transmissions end 2021 with a Full on Electro Assault from the one and only WEE DJ's, bringing a slamming 4 track Vinyl ep from the Edinburgh Master.

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The Dixie Dead Red Vinyl Edition

LP | 2013 | EU | Reissue (Napalm)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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12" | 2012 | EU | Reissue (Napalm)

Spook & Destroy EP

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Monster Of The Universe:Come Out And Plague Gold Vinyl Edition

2LP | 2015 | EU | Reissue (Napalm)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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12" | 2008 | EU | Reissue (Napalm)

Bloodwork EP

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | US | Reissue (Dead Oceans)

Twin Plagues

Release: 2021 / US – Reissue

Genre: Rock & Indie

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In a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of "The Burned Down Dairy Queen" when Karly sings I was hiding in a room in my mind / and I made me take a look at myself. Because if you, like me, have been avoiding mirrors - both metaphorical and real - this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when "Birthday Song" gets good and loud and singalong- able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let "Ghost Of A Dog" churn and rattle you to some nighttime realization that you couldn't have had in silence. But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience. _Hanif Abdurraqib

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Rat Saw God Purple Vinyl Edition

LP | 2023 | CZ | Original (Dead Oceans)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Rat Saw God Black Vinyl Edition

LP | 2023 | US | Original (Dead Oceans)

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Dead Oceans)

Rat Saw God

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited Purple Vinyl Edition.
Includes original inner sleeve and booklet.

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Mowing The Leaves Instead Of Piling 'Em Up

LP | 2022 | US | Reissue (Orindal)

LP | 2024 | US | Original (Feeding Tube)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.

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Wednesday Knudsen

Soft Focus Volume Two

36,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2023 | Original (Feeding Tube)

Wednesday Knudsen

Soft Focus Volume One

36,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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I Was Trying To Describe You To Someone

LP | 2020 | US | Reissue (Dead Oceans)

12" | 2023 | UK | Original (Heads High)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

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Wednesday Club

Magic Body EP

15,99 €*

LP | 2024 | JP | Original (WEA Japan)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Heads High keeps up the good early work with a third interesting offering, this time in the form of a meeting of the fiendish minds of Mike Misiu and Eddie Smilie, aka Wednesday Club. They offer up late-night club sounds with plenty of musical nouse and worldly nuance that comes as a result of late-night sample mining across the African musical landscape. Their tunes are crafted on nice analogue gear so have that lovely freed edge feel and from the space-house of 'Magic Body' to the swaggering dub of 'Magic Dub' via the cosmic expressiveness of cruising groomer 'Love & Care'. This one gets dubbed out to close a fine dance floor adventure.

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Wednesday Campanella

Rabbit Star

42,99 €*

Release: 2024 / JP – Original

Genre: Pop

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LP | 2024 | JP | Original (WEA Japan)

Wednesday Campanella

Neon

44,99 €*

Release: 2024 / JP – Original

Genre: Pop

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LP | 2022 | EU | Original (Napalm)

Wednesday 13

Horrorfier

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Like No Tomorrow Neon Yellow Vinyl Edition

Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

Like No Tomorrow Half Red Half Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedge’s new release „Like No Tomorrow” makes for an unholy trinity of Wedge albums in the Heavy Psych Sounds Records back catalogue. The Berlin-based power trio once more is driving their musical Wedge in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we’ve heard a hundred times before „Like No Tomorrow” has one huge advantage: It’s brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock’n’roll menu. In the tradition of bands like The Raconteurs, The Hellacopters, Graveyard or Wolfmother, Wedge are building on that vintage vibe we all know and love but evolve their very own thing and are able to connect it directly to here and now. Also lyrically the tunes are picking up on our zeitgeist, dealing with topics like digitalisation, mass migration and current social issues among others. So it’s no coincidence that the record’s title is a direct hint at our crazy times, in which it feels like the end of the world might be lurking just around the very next corner. But rather than being pessimistic about it, Wedge want to convey a positive message: „When it feels like there might be no tomorrow, just love and live Like No Tomorrow”

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

12" | 1990 | DE | Original (Polydor)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedding Weekend

Nightmare

5,99 €*

Release: 1990 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Свадебная Песня = Wedding Song

Дос-Мукасан

7" | 2019 | RU | Reissue (Soviet Grail)

Release: 2019 / RU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

3LP | 1994 | EU | Reissue (Proper)

Watusi

52,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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LP | 1994 | EU | Reissue (Proper)

Watusi

31,99 €*

Release: 1994 / EU – Reissue

Genre: Pop

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Bizarro Orange Bio Vinyl Edition

LP | 2024 | US | Original (Sony)

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

24 Songs

49,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Grey Vinyl Edition.
Incudes CD & DVD in NM condition.

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3LP+DVD | 2023 | US | Original (Happy Hapy Birthday To Me)

24 Songs

48,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.

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3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

24 Songs

56,99 €*

Back Where You Belong / The History Of Love

Release: 2023 / UK – Original

Genre: Rock & Indie

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Wedding Bells

7" | 1987 | DE | Original (MarryMe Records)

2x12" | 2023 | EU | Original (Undesound)

Release: 1987 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover closer to VG

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Wedding Acid Group

Metro-303

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hazelnut Green 2023 Repress

Wedding Acid Group

12" | 2020 | EU | Original (Undersound)

13,99 €*

Webster Lewis / The Spirit Of Atlanta

Release: 2020 / EU – Original

Genre: Electronic & Dance

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For the next release, we are glad to introduce the Wedding Acid Group and also inaugurate a major redesign of our label. WAG are a group of three friends based in Budapest, jamming on both classic Roland gear, but also modern instruments like the Monomachine. All the tracks were recorded live around 2016 in the Ballacid studio "Újpest". The EP opens with three fast paced tracks where emotional melodies are intertwined with classic 909, 707 and 606 drums. The flipside presents the uplifting “Chocoball 707” and closes with “Paprika Dye Acid”, the slowest jam of the EP. Overall, the tracks offer a glimpse into the emotional world of these three talented Hungarian producers and we are extremely happy to have them on board for their second vinyl release.

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El Bobo / Freddie's Alive And Well

7" | 2024 | EU | Original (Mad About)

LP | 2022 | UK | Original (Expansion)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Webster Lewis – El Bobo

For the first time on 7” the reissue of rare groove masterpiece “El Bobo”. Jazz-funk, Disco, Fusion and Soul sounds from lesser-known American producer, arranger and key player Webster Lewis. His career started working alongside Stanton Davis, Tony Williams and George Russell – very much driven by super creative jazz piano playing. But, like many of his generation, he ended up in Europe as record deals in the US were getting harder to come by in the straight jazz world. So he ended in Oslo, where he made music for TV and one super cult album recorded live at Club 7. Webster had broken through at a time when The Headhunters and the rise of disco were fusing... and as such, he became the go-to guy for arrangements, production and that magic coat of boogie jazz glitter!

Several albums were signed to Epic, and some classic work with Gwen McCrae, Merry Clayton, Lamont Dozier, and Alton McClain.

THE Spirit OF Atlanta – Freddie’s Alive and Well

A cut from the album “The Burning of Atlanta” by The Spirit of Atlanta, a studio project produced by Tommy Stewart and Clarence Carter. “Freddie’s Alive and Well” is the answer song to Curtis Mayfield's “Freddie’s Dead” and is a huge funk classic.

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Webster Lewis

Give Me Some Emotion

34,99 €*

LP | 2023 | EU | Original (Mutterkomplex Urban Media)

Release: 2022 / UK – Original

Genre: Organic Grooves

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For the first time on CD and LP, an anthology celebrating the work of composer, arranger, producer and pianist Webster Lewis from his time at Epic Records. The era of 1976-1981 is one of polished, luxurious jazz funk and soul, defined by Webster across his four albums at Epic supported by an array of guest musicians, lush string sections and often uncredited singers. This collection contains the artist’s signature tracks “Barbara Ann”, “Give Me Some Emotion”, “El Bobo” and recently uncovered gems from the vaults “Reach Out”, “Boston” and “Japanese Umbrella”. The CD features an exclusive essay written by Will Fox with unique insights from the legendary DJ Patrick Forge. The recently discovered recordings appear on vinyl for the first time on the LP edition.

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Webster

Grounded

Release: 2023 / EU – Original

Genre: Hip Hop

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LP | 2010 | EU | Original (Tube Dub Sound)

Webcam Hi-Fi

Livity Is My Temple

10,99 €*

Release: 2010 / EU – Original

Genre: Reggae & Dancehall

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LP | 2012 | EU | Original (Tube Dub Sound)

Webcam Hi-Fi

Feeding My Faith

Release: 2012 / EU – Original

Genre: Reggae & Dancehall

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Vol. III Blue Swirl Vinyl Edition

Webbed Wing

LP | 2024 | EU | Original (Memory Music)

Right After I Smoke This Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fronted by vocalist/guitarist Taylor Madison, and with Jake Clarke on drumsand Mike Paulshock on bass, Webbed Wing cement their place in modernrock supremacy across 10 tracks of fuzzed-out pop nostalgia on new albumVol III. One impossibly-catchy anthem after another, loaded with Madison'ssignature sardonic wit, makes for one of the most exciting alternative rockrecords of the year. Taking notes from the likes of The Lemonheads andTeenage Fanclub, "Further" opens Webbed Wing's new album Vol. III witha bang--in less than 10 seconds, we're all the way in with Webbed Wingas they expertly intertwine the vibrancy of modern pop, the heaviness ofgrunge, and the sincerity of country. Brazen and self-deprecating, "Burn ItDown" finds Madison unpacking what it means to fly too close to the sun.Its mid-tempo mastery is a testament to the trio's connection as musiciansand friends; everything about this song just works. Drawing inspiration frombig country ballads and shoegaze gems alike, the song shows off a differentside of what listeners can expect from Vol. III.

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Webbed Wing

7" | 2023 | EU | Original (Memory Music)

18,99 €*

Bike Ride Across The Moon Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Put Webbed Wing's Taylor Madison up against some of rock's most celebrated songwriters--he's ready. On their new EP, Right After I Smoke This..., the Philly-based guitarist and singer puts on the kind of unforgettable performance that can take everyday people and turn them into musical heroes for the masses.For those in the know, Webbed Wing--incomplete without Jake Clarke (drums) and Mike Paulshock (bass)--have long-since reached cult status; the project follows Madison and Clarke's already-decorated career in their band, Superheaven. Here, each member freely flexes their innate genre-bending musicality, taking notes from the likes of The Lemonheads, Teenage Fanclub, and Weezer.In just three songs, Right After I Smoke This... channels everything lyrically-gripping about rock music and everything vibrant about pop. There's as much earnest twang in their toolkit as there is snotty skate-park punk and intense metal; it's a celebration of the genre as they've come to love it, resulting in something highly palatable and new.

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Webbed Wing

LP | 2019 | EU | Reissue (Memory Music)

17 Honky Tonk Songs 1952-1959

Release: 2019 / EU – Reissue

Genre: Pop

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Following a decorated career with Philly rock group Superheaven, singer and guitarist Taylor Madison meanders into newly-refined songwriter territory with the inception of Webbed Wing in 2018. Joined by Jake Clarke (drums) and Mike Paulshock (bass), the band fully realizes their innate genre-blending musicality. Webbed Wing's somewhat simplistic approach to songwriting explores what it means to birth a sad song without fully killing a mood, paired with a soundscape laden with nostalgia and a tasteful pop-rock resurgence. Taking notes from the likes of The Lemonheads and Teenage Fanclub, Webbed Wing encapsulates everything lyrically gripping about indie and everything vibrant about modern pop. While also expertly intertwining the heaviness of metal and the earnesty of country, the band blends all these different aspects of their craft into something highly palatable and new.

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Webb Pierce

LP | 2023 | EU | Original (Acrobat)

23,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Elevate 2021 Repress Edition

Webb

12" | 2021 | EU | Original (Mixed Signals)

12" | 1994 | EU | Reissue (Mixed Signals)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2021 repress! David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Webb

Elevate

23,99 €*

12" | 1994 | EU | Reissue (Mixed Signals)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Webb

Elevate

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | US | Original (Strange Mono)

Webb Chapel

World Cup

30,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Web Max II Black Vinyl Edition

Web Web X Max Herre

LP | 2023 | EU | Original (Compost)

Web Max Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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With their fifth album WEB MAX II, WEB WEB continue the collaboration with Max Herre that began on WEB MAX (2021). With this new album, they have succeeded in doing much more than simply continuing a series. WEB MAX II is musically and emotionally probably the most diverse distillation of what the German jazz supergroup, originally rooted in spiritual jazz, has produced in the seven years of its existence.

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Web Web X Max Herre

LP | 2021 | DE | Original (Compost)

79,99 €*

Release: 2021 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Web Max Black Vinyl Edition

Web Web X Max Herre

LP | 2021 | Original (Compost)

Release: 2021 / Original

Genre: Organic Grooves

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LP | 2017 | EU | Reissue (Compost)

Oracle

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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LP | 2017 | EU | Original (Compost)

Oracle

Release: 2017 / EU – Original

Genre: Organic Grooves

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Interpretations Of Web Web (HHV Ltd Edition)

2LP | 2020 | EU | Original (Beat Art Department)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow-Black-Transparent-Splatter vinyl. Still in shrink, but opened, with hype sticker

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Interpretations Of Web Web Colored Vinyl Edition

2LP | 2020 | EU | Original (Beat Art Department)

17,99 €* 23,99 € -25%

Release: 2020 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies!

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Interpretations Of Web Web

2LP | 2020 | EU | Original (Beat Art Department)

Release: 2020 / EU – Original

Genre: Hip Hop

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LP | 2018 | EU | Original (Compost)

Dance Of The Demons

Release: 2018 / EU – Original

Genre: Organic Grooves

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2x12" | 2020 | DE | Original (Acido)

Web

The Sound There

20,34 €* 36,99 € -45%

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2022 | EU | Original (Acido)

Web

Another Perspective EP

16,99 €*

LP | 2017 | EU | Reissue (Memphis Industries)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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I believe its some kind of Japanese spiritual techno music. It has a profound effect on me. I can hear Larry Heard and Herbie Hancock jamming with the Yellow Magic Orchestra. The musical expression ranges from romantic ambient over to mellow blue electro, wild drum & bass and early trance.

This 4 track ep is a continuation of “The Sound There”. A double album released on acido in 2020. Plus a re-issued track that appeared on a Syzygy release in 1995 in japan, under WEB s monika Dja-zz, on the Eva ep.

-dynamo dreesen Price 9,99€

Get your info pack here I believe its some kind of Japanese spiritual techno music. It has a profound effect on me. I can hear Larry Heard and Herbie Hancock jamming with the Yellow Magic Orchestra. The musical expression ranges from romantic ambient over to mellow blue electro, wild drum & bass and early trance.

This 4 track ep is a continuation of “The Sound There”. A double album released on acido in 2020. Plus a re-issued track that appeared on a Syzygy release in 1995 in japan, under WEB s monika Dja-zz, on the Eva ep.

-dynamo dreesen

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Weaves

Wide Open

20,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2016 | EU | Reissue (Memphis Industries)

Weaves

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Are We Having Fun Blue Colored Vinyl Edition

Weathers

LP | 2023 | Original (Sumerian)

34,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Svart)

Weathered Statues

Borderlands

Release: 2018 / EU – Original

Genre: Rock & Indie

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Come In Butterfly Splatter Vinyl Edition

Weatherday

LP | 2022 | US | Original (Topshelf)

30,99 €*

2LP | 2024 | EU | Original (Mascot Label Group)

Release: 2022 / US – Original

Genre: Rock & Indie

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Weatherday is the noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Often heralded as an achievement of lo-fi bedroom pop tangled with threads of emo and DIY, Come in is better described, in its author's own words, as a 'life goal.' The initial spark that ignited the fiery, heated debut from Weatherday originated from Sputnik's desire to write, perform, and produce a record all on their own, from the ground up. Starting in 2014-2015, their preliminary attempts at what would eventually become Come in first materialized as a shoegaze EP, and then a dream-pop meets chamber-pop LP. Ever the perfectionist though, Sputnik wasn't satisfied with the results and deleted the releases without a trace, finally deciding to set out in the direction of something more akin to their longtime influences of emo and its various subgenres. After two years of tinkering in this stylistic sweetspot, Sputnik settled on the eleven knotted, maximal tracks that comprise Come in. From the caustic, harsh peaks of 'Sleep in while you're doing your best' to the soothing piano-laden passages of 'Embarrassing paintings' and experimental, granular coda of 'Water dreamer the same,' the range of Weatherday's debut is doubtlessly a product of an artist who refuses to compromise a single shred of their vision.

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Weather Systems

Ocean Without A Shore

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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What Am I Going To Do With Everything I Know

Weather Station

10" | 2022 | EU | Original (Fat Possum)

Release: 2022 / EU – Original

Genre: Organic Grooves

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How Is It That I Should Look At The Stars

Weather Station

LP | 2022 | US | Original (Fat Possum)

Release: 2022 / US – Original

Genre: Rock & Indie

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One year after the release of Ignorance, The Weather Station returns with How Is It That I Should Look At The Stars. The album is intended to be heard as a companion piece to Ignorance; songs written at the same time that connect thematically and emotionally, songs that reveal the vulnerability at the heart of the body of work. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.

How Is It That I Should Look At The Stars was written in the same fruitful winter of songwriting that gave rise to Ignorance, but were songs that Lindeman felt were too internal, too soft to fit on the album she had envisioned.

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else.

On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. Lyrically, many of the songs return to what has often been a hallmark of Lindeman’s writing; a description of a single moment and all the meaning it might encompass. And this dilation of the moment occurs musically too; as the band moves through music so ephemeral it often incorporates stretches of near silence, and breaths, single notes, and brief solos take on greater importance in the absence of other sound. Whereas the recordings on Ignorance leaned towards ambition and grandeur, here the band reaches towards a different goal; grace perhaps.

How Is It That I Should Look At The Stars was recorded from March 10 - 12, 2020. When the band entered the studio, Covid-19 was a news item, not front of mind, but by the time they left, just three days later, everything had changed. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

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Weather Report Colored Vinyl Edition

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Columbia)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover is close to VG+!

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LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

Limited 180gr Blue Vinyl Edition.
Record is close to VG+.

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LP | 1971 | JP | Original (CBS/Sony)

6,99 €*

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing without OBI! Cover with some wear, yellowing and seam split!

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LP | 1981 | JP | Original (CBS/Sony)

18,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl closer to NM

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LP | 1975 | JP | Original (CBS/Sony)

Tale Spinnin'

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl seems unplayed.

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LP | 1981 | JP | Reissue (CBS/Sony)

Sweetnighter

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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LP | 1973 | EU | Reissue (Music On Vinyl)

Sweetnighter

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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LP | 1980 | JP | Original (CBS/Sony)

Night Passage

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing without OBI!

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LP | 1974 | US | Original (Columbia)

Mysterious Traveller

8,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

- "Cucumber Slumber" sampled by Bahamadia for "Wordplay",
Gang Starr for "Speak Ya Clout" and
People Under the Stairs for "Jappy Jap"

- "Scarlet Woman" sampled by Gang Starr for "Intro (The First Step)"

- "Mysterious Traveller" (Piano) sampled by Bald Head Slick for "Ill Kid Intro",
Bas Blasta for "Dangerous",
Kool G Rap for "4, 5, 6",
Rasco for "Suckas Don't Respect It" and
T-Love for "I'm Comin'"

- "American Tango" (Drums) sampled by Beyond for "The Otherwise",
Brand Nubian for "Black and Blue",
Deep Puddle Dynamics for "Where the Wild Things Are",
Diamond D for "KISS (Keep it Simple, Stupid)",
Musab for "Blackthorn Rose" and "Love Beat",
OC for "Can't Go Wrong" and
Sole for "Dear Elpee"

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LP | 2024 | EU | Original (Music On Vinyl)

Mysterious Traveller

Release: 2024 / EU – Original

Genre: Organic Grooves

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Mr. Gone Colored Vinyl Edition

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | US | Original (Arc Records)

Mr. Gone

14,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1978 | JP | Original (CBS/Sony)

Mr. Gone

14,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Live In Tokyo Colored Vinyl Edition

2LP | 1972 | EU | Reissue (Music On Vinyl)

38,99 €*

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 2024 | EU (Trading Places)

Live In London

20,99 €*

Release: 2024 / EU

Genre: Organic Grooves

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Weather Report’s long and illustrious career had many twists, turns and revelations. Live In London draws on the best moments of performances delivered at the Hammersmith Odeon in June 1983, with former Chic percussionist Jose Rossy, plus a take of ‘Corner Pocket’ as played at the Dominion Theatre one year later with Mino Cinelu. Mainstay Joe Zawinul mans the ship alongside saxophonist Wayne Shorter, this edition of WR driven by the frantic beats of Omar Hakim and the bass of Victor Bailey, less showy than Jaco yet just as engaging. Initially cut for radio broadcast, fans of late-era Weather Report will love every moment.

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Live At Fox Theater, Atlanta February 1980

2LP | 2024 | EU (Whp)