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HHV Records 1743 Vinyl, CD & Tape 1743 Used Vinyl 733
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Reset all Filters Vinyl 1961 1962 1963 1964 1968 1969
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The Orient Express - The Orient Express Seaglass Bue Vinyl Edition
The Orient Express
The Orient Express Seaglass Bue Vinyl Edition
LP | 1969 | US | Reissue (Sundazed)
31,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Sitar-laden raga rock-xotica! Light the incense, turn on and tune out to this acid folk blend of electric oud, minitar and melodica - its genuine organic blend of both Eastern and Western sounds make this band truly sound like no other. Pressed on seaglass blue vinyl!
Apryl Fool - Apryl Fool
Apryl Fool
Apryl Fool
LP | 1968 | EU (Survival Research)
16,14 €* 18,99 € -15%
Release: 1968 / EU
Genre: Rock & Indie
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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.
Sam & Dave - Best Of Sam & Dave Audiophile Red Vinyl Edition
Sam & Dave
Best Of Sam & Dave Audiophile Red Vinyl Edition
LP | 1969 | US | Reissue (Friday Music)
44,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Etta James - Etta James
Etta James
Etta James
LP | 1962 | Reissue (Gm & Publishing)
27,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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Scott Fagan - South Atlantic Blues
Scott Fagan
South Atlantic Blues
LP | 1968 | US | Reissue (Earth)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie
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The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. 'South Atlantic Blues' will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. "His songs embrace a broad sonic fantasia, swirling in '60s New York R&B and '40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga." New York TimesScott Fagan's story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building's Doc Pomus and Mort Shuman, and feted as the next big thing. "Forget Rodriguez, forget Searching for Sugar Man," says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. "Scott was so much more. He was cut from a different cloth."'South Atlantic Blues' is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan's dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works - the never-recorded soundtrack to 'Soon', the 1971 Broadway rock musical he co-wrote and starred in - and a documentary 'Soon: the Story of Scott Fagan' currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.Classic Black Vinyl + DLC
Lee Morgan - Search For The New Land
Lee Morgan
Search For The New Land
LP | 1964 | DE | Reissue (Blue Note)
28,99 €*
Release: 1964 / DE – Reissue
Genre: Organic Grooves
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Hideo Shiraki - In Fiesta
Hideo Shiraki
In Fiesta
LP | 1961 | JP | Reissue (Teichiku)
52,99 €*
Release: 1961 / JP – Reissue
Genre: Organic Grooves
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Etta James - Miss Etta James Orange Vinyl Edition
Etta James
Miss Etta James Orange Vinyl Edition
LP | 1961 | EU | Reissue (Second)
20,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Stan Getz & Joao Gilberto - Getz / Gilberto #2
Stan Getz & Joao Gilberto
Getz / Gilberto #2
LP | 1963 | EU | Reissue (Elemental Music)
31,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves
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Bill Evans - Conversations With Myself
Bill Evans
Conversations With Myself
LP | 1963 | EU | Reissue (Elemental Music)
31,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves
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Ella Washington - Ella Washington Remastered Edition
Ella Washington
Ella Washington Remastered Edition
LP | 1969 | US | Reissue (On High)
34,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Melvin Jackson - Funky Skull Verve By Request Vinyl Edition
Melvin Jackson
Funky Skull Verve By Request Vinyl Edition
LP | 1969 | EU | Reissue (Verve)
35,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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On his sole album as a leader, bassist Melvin Jackson - a veteran of the Eddie Harris band (this album includes two Harris originals) - plays with a bow, plucks and plugs his upright bass into a Maestro G-2 filter box, a Boomerang, an Echoplex, and an Ampeg amp. The result is soulful, psychedelic, and of course, funky – at once one of the grooviest and most avant-garde albums you’ll ever hear.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.
Pulse - Pulse
Pulse
Pulse
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.
McCoy Tyner - Extensions Tone Poet Vinyl Edition
McCoy Tyner
Extensions Tone Poet Vinyl Edition
LP | 1968 | EU | Reissue (Blue Note)
43,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Eric Dolphy - Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
Eric Dolphy
Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
LP | 1968 | EU | Reissue (Culture Factory)
33,14 €* 38,99 € -15%
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.
Wayne Shorter Featuring Lee Morgan, Reginald Workman And Elvin Jones - Night Dreamer
Wayne Shorter Featuring Lee Morgan, Reginald Workman And Elvin Jones
Night Dreamer
LP | 1964 | EU (Blue Note)
28,99 €*
Release: 1964 / EU
Genre: Organic Grooves
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Wayne Shorter stepped out as a Blue Note artist on his masterful 1964 label debut Night Dreamer, a sublime set that signalled the arrival of one of the most important saxophonists and composers in jazz history. Timeless Shorter compositions are given transcendent performances by a quintet with Lee Morgan, McCoy Tyner, Reggie Workman, and Elvin Jones.



Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.
Baden Powell - A Vontade
Baden Powell
A Vontade
LP | 1963 | Reissue (Jazz Samba)
18,99 €*
Release: 1963 / Reissue
Genre: Organic Grooves
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Carlos Lyra - 2nd Album
Carlos Lyra
2nd Album
LP | 1961 | Reissue (Jazz Samba)
18,99 €*
Release: 1961 / Reissue
Genre: Organic Grooves
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Ella Fitzgerald - Clap Hands, Here Comes Charlie!
Ella Fitzgerald
Clap Hands, Here Comes Charlie!
LP | 1961 | EU | Reissue (Vinyl Passion)
17,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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The Wind In The Willows - The Wind In The Willows
The Wind In The Willows
The Wind In The Willows
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.
Naomi / Tommy Mccook And The Supersonics - Lipstick On Your Collar / Tribute To Ramasees
Naomi / Tommy Mccook And The Supersonics
Lipstick On Your Collar / Tribute To Ramasees
7" | 1969 | JP | Reissue (Duke Reid Classics)
20,99 €*
Release: 1969 / JP – Reissue
Genre: Reggae & Dancehall
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Alternate Take. Wicked Female Early Reggae Vocal with a cool old time reggae instrumental on the flip.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.
The Techniques - Run Come Celebrate / I Wish It Would Rain
The Techniques
Run Come Celebrate / I Wish It Would Rain
7" | 1968 | JP | Reissue (Duke Reid Classics)
20,99 €*
Release: 1968 / JP – Reissue
Genre: Reggae & Dancehall
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A side is a Jamaican Independence festival tune from 1968. Foundation. Both here are great Rock Steady Vocal cuts.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.
Art Blakey & The Jazz Messengers - Mosaic
Art Blakey & The Jazz Messengers
Mosaic
LP | 1961 | DE | Reissue (Blue Note)
28,99 €*
Release: 1961 / DE – Reissue
Genre: Organic Grooves
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The Rolling Stones - Beggars Banquet
The Rolling Stones
Beggars Banquet
LP | 1968 | EU | Reissue (Universal)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The Rolling Stones returned to their blues roots on 1968's Beggars Banquet, which was immediately acclaimed as one of their landmark achievements. A strong, acoustic Delta Blues flavor colors much of the album, particularly "Prodigal Son" and Jagger/Richards' "No Expectations." Basic rock 'n' roll is not forgotten with "Street Fighting Man" and "Sympathy for the Devil." The lyrical bite of the material ensured it's place as one of the best blues-based rock albums of all time. 180-gram vinyl.
Arthur Big Boy Crudup - Mean Ol' Frisco
Arthur Big Boy Crudup
Mean Ol' Frisco
LP | 1962 | US | Reissue (Spin The Blues)
36,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!
Pat Kelly - Somebody's Baby / I'm In The Mood For Love
Pat Kelly
Somebody's Baby / I'm In The Mood For Love
7" | 1968 | UK | Reissue (Jamaican)
12,99 €*
Release: 1968 / UK – Reissue
Genre: Reggae & Dancehall
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The Meters - The Meters Red Vinyl Edtion
The Meters
The Meters Red Vinyl Edtion
LP | 1969 | US | Reissue (Jackpot)
35,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.
Crosby, Stills & Nash - Crosby, Stills & Nash
Crosby, Stills & Nash
Crosby, Stills & Nash
LP | 1969 | EU | Reissue (Rhino)
36,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Don Ellis - How Time Passes
Don Ellis
How Time Passes
LP | 1961 | US | Reissue (Candid)
30,99 €*
Release: 1961 / US – Reissue
Genre: Organic Grooves
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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.
Eero Koivistoinen Kvintetti & Sekstetti - Odysseus Black Vinyl Edition
Eero Koivistoinen Kvintetti & Sekstetti
Odysseus Black Vinyl Edition
LP | 1969 | EU | Reissue (Svart)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Masterful Finnish jazz available on wax again!

Odysseus, Eero Koivistoinen's first proper jazz album, gets its title from the wandering spirit of its songs, traveling from one mood to another. Performed by the Eero Koivistoinen Quintet & Sextet, because Koivistoinen wanted to extend his standard quartet (Koivistoinen-Sarmanto-Laine-Hietanen) to a quintet and invited trumpetist Bertil Lövgren to join. Also Juhani Aaltonen is questing on two tracks. Odysseus is an excellent, youthful package of forward-thinking jazz played by ambitious young jazz superstars-to-come. The compositions are at times lyrical, at others furious and complex, but ever captivating.

The original Odysseus LP, released by the book publisher Otava Kustannus in 1969, is among the ten most expensive pieces of Finnish vinyl. Jazzpuu/Sähkö Recordings reissued Odysseus in 2006 as did we in 2016, yet both of these releases have been hard to find ever since. This time around Svart brings the masterful album back on the market on a limited Svart exclusive transparent red vinyl edition, classic black vinyl and CD.
Jimmy Thomas - (We Ain't Here Looking For) No Trouble
Jimmy Thomas
(We Ain't Here Looking For) No Trouble
7" | 1969 | EU | Reissue (You Are The Cosmos)
9,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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First official reissue of this Soul classic originally released in 1969 by Spark label.
Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
32,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Jim Sullivan - U.F.O. Black Vinyl Edition
Jim Sullivan
U.F.O. Black Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
30,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
Eric Dolphy - At The Five Spot Volume 1 Clear Vinyl Edtion
Eric Dolphy
At The Five Spot Volume 1 Clear Vinyl Edtion
LP | 1961 | EU | Reissue (Sowing)
24,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Recorded live by Rudy Van Gelder this is one of a pair of Dolphy's albums documenting the 1961 historical residency at the Five Spot, the New York's major temple of the early avantgarde. This is timeless music performed by one of the essential lineups in modern Jazz. A marvelous quintet featuring the great Booker Little on trumpet and the amazing rhythm section of Mal Waldron — piano, Richard Davis — double bass and Ed Blackwell — drums plus, of course, master Eric Dolphy on alto saxophone, bass clarinet and flute. "All forward thinking and challenged listeners need to own these epic club dates" Allmusic
Silver Apples - Silver Apples Smoke Colored Vinyl Edition
Silver Apples
Silver Apples Smoke Colored Vinyl Edition
LP | 1968 | US | Reissue (Jackpot)
29,99 €*
Release: 1968 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.
Andromeda - Andromeda Black Vinyl Edition
Andromeda
Andromeda Black Vinyl Edition
LP | 1969 | EU | Reissue (Guerssen)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.
Bobby Callender - Rainbow
Bobby Callender
Rainbow
2LP | 1968 | EU | Reissue (Akarma)
40,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)
Andrew Hill - Dance With Death Tone Poet Vinyl Edition
Andrew Hill
Dance With Death Tone Poet Vinyl Edition
LP | 1968 | EU | Reissue (Blue Note)
32,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.
Carmell Jones - The Remarkable Carmell Jones Tone Poet Vinyl Edition
Carmell Jones
The Remarkable Carmell Jones Tone Poet Vinyl Edition
LP | 1961 | EU | Reissue (Blue Note)
32,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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24 Jahre jung war der Trompeter Carmell Jones, als er 1960 von seiner Geburtsstadt Kansas City nach Los Angeles ging. Und schon kurz nach seiner Ankunft erhielt der vielversprechende Youngster, den manche damals mit Clifford Brown verglichen, dort einen Plattenvertrag bei Pacific Jazz. 1961 konnte er für das Label sein phänomenales Debütalbum “The Remarkable Carmell Jones” aufnehmen. Im Zusammenspiel mit Tenorsaxophonist Harold Land, Pianist Frank Strazzeri, Bassist Gary Peacock und Schlagzeuger Leon Pettis präsentierte er auf dem Album eine hochinteressante Mischung aus Cool Jazz und Hardbop.

BLUE NOTE TONE POET EDITION: Stereo, produziert von Joe Harley, komplett analog von Kevin Gray von den Originalbändern gemastert, RTI-Pressung (180g), stabiles Tip-on-Gatefold, wattierte Innenhülle.
Howlin' Wolf - Moanin' In The Moonlight
Howlin' Wolf
Moanin' In The Moonlight
LP | 1962 | EU | Reissue (20th Century Masterworks)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Herbie Hancock - Empyrean Isles
Herbie Hancock
Empyrean Isles
LP | 1964 | EU | Reissue (Blue Note)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Creedence Clearwater Revival - Creedence Clearwater Revival
Creedence Clearwater Revival
Creedence Clearwater Revival
LP | 1968 | EU | Reissue (Fantasy)
22,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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V.A. - Passaporto Per L'italia
V.A.
Passaporto Per L'italia
LP | 1962 | EU | Reissue (Dialogo)
58,19 €* 96,99 € -40%
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.
Jackie McLean - Bluesnik Blue Note Classic Vinyl Edition
Jackie McLean
Bluesnik Blue Note Classic Vinyl Edition
LP | 1961 | EU | Reissue (Blue Note)
22,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Alto saxophonist Jackie McLean had the blues on his mind when he went into Van Gelder Studio in 1961 to record his hard bop masterpiece Bluesnik with a blazing quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. The six-song set of bluesy originals brims with immediacy and vibrancy.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.
Ten Years After - Undead
Ten Years After
Undead
LP | 1968 | EU | Reissue (Proper)
31,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Jethro Tull - Stand Up
Jethro Tull
Stand Up
2LP | 1969 | US | Reissue (Analogue Productions)
77,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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Orphan Egg - Orphan Egg
Orphan Egg
Orphan Egg
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Orphan Egg were a short lived group who were formed in 1967 in San Jose California. Their sole self-titled album was released in 1968 on the small independent company Carole Records. Essentially a garage-psych album – in the tradition of future iconic compilation like Nuggets or Pebbles – Orphan Egg was recorded by a bunch of students at Saratoga High School in Saratoga. Occasionally they won the Vox Battle of the Bands, a nationwide competition. They also appeared on the soundtrack of the classic bike-movie ‘Cycle Savages’ with 3 tracks.
Barre Phillips - Unaccompanied Barre
Barre Phillips
Unaccompanied Barre
LP | 1969 | EU | Reissue (Eargong)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise
Federal Duck - Federal Duck Orange Vinyl Edition
Federal Duck
Federal Duck Orange Vinyl Edition
LP | 1968 | EU | Reissue (Reel Music)
20,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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Yuya Uchida & The Flowers - Challenge!
Yuya Uchida & The Flowers
Challenge!
LP | 1969 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.
Gloria Lynne - I'm Glad There Is You
Gloria Lynne
I'm Glad There Is You
LP | 1961 | US | Original (Everest)
8,79 €* 10,99 € -20%
Release: 1961 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Roy Brooks - Beat Verve By Request Edition
Roy Brooks
Beat Verve By Request Edition
LP | 1964 | EU | Reissue (Verve)
28,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Bobby Darin - Greatest Hits
Bobby Darin
Greatest Hits
LP | 1961 | EU | Reissue (Not Now)
27,99 €*
Release: 1961 / EU – Reissue
Genre: Pop
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Bobby Darin's Atco albums, original copies of which were pressed with yellow 'harp' labels, are collector's items today. He remained with the Label until switching to Capitol in 1962, by which time he had released no fewer than 13 long-players including 'At The Copa', 'Two Of A Kind' (with Johnny Mercer), the dance themed 'Twist With Bobby Darin' and 'Bobby Darin Sings Ray Charles'. This compilation picks the best from those albums. Enjoy the fabulous musical fruits of the multi-talented Bobby Darin.
John Coltrane - Ballads
John Coltrane
Ballads
LP | 1962 | DE | Reissue (Impulse)
23,99 €*
Release: 1962 / DE – Reissue
Genre: Organic Grooves
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Jack McDuff - Goodnight, It's Time To Go
Jack McDuff
Goodnight, It's Time To Go
LP | 1961 | EU | Reissue (Honeypie)
21,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Recorded in 1961 and released on Prestige records in the same year, this was Brother Jack McDuff's fourth studio effort and the first featuring his regular partners Harold Vick on tenor saxophone, Grant Green on guitar and Joe Dukes on drums. Vick and Green would soon become two prominent figures in soul jazz while McDuff stands as one of the key organ players in the genre. This is an absolute soul-jazz gem!
Archie Shepp - Blase
Archie Shepp
Blase
LP | 1969 | EU | Reissue (Charly)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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H.P. Lovecraft - H.P. Lovecraft II
H.P. Lovecraft
H.P. Lovecraft II
LP | 1968 | EU | Reissue (Cosmic Rock)
24,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining nowadays.
The Thelonious Monk Quartet - Monk's Dream
The Thelonious Monk Quartet
Monk's Dream
LP | 1963 | US | Reissue (Impex)
57,99 €*
Release: 1963 / US – Reissue
Genre: Organic Grooves
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Elis Regina & Toots Thielemans - Elis & Toots Limited Edition
Elis Regina & Toots Thielemans
Elis & Toots Limited Edition
LP | 1969 | EU | Reissue (Fontana)
27,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Sun Ra - The Futuristic Sounds Of Sun Ra
Sun Ra
The Futuristic Sounds Of Sun Ra
LP | 1962 | US | Reissue (Craft)
33,99 €*
Release: 1962 / US – Reissue
Genre: Organic Grooves
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The Showstoppers - Ain't Nothing But A House Party EP
The Showstoppers
Ain't Nothing But A House Party EP
7" | 1968 | EU | Reissue (You Are The Cosmos)
9,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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The Show Stoppers was formed in 1967 by Alex Burke and Laddie Burke (Yes! they were brothers of Solomon Burke...) who joined with fellow brothers Timmy Smith and Earl Smith, all of them were students of Germantwon Highschool (Philadelphia). They are best remembered for their 1967 hit "Ain't Nothin' But A House Party" and they have recorded a bunch of 7" EP/Sge until they disbanded in 1972. This EP contains four of their best songs.
Willie Tee - First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition
Willie Tee
First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition
7" | 1969 | UK | Reissue (Gatur)
13,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.
Joao Gilberto - Joao Gilberto Clear Vinyl Edtion
Joao Gilberto
Joao Gilberto Clear Vinyl Edtion
LP | 1961 | EU | Reissue (Sowing)
22,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Limited Clear Vinyl edition, 300 copies! Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Roberto Menescal / Ronaldo Bôscoli) without forgetting essential numbers by Carlos Lyra, Vinicius de Moraes and Tom Jobim. A timeless masterpiece, period!
Stan Getz & Charlie Byrd - Jazz Samba
Stan Getz & Charlie Byrd
Jazz Samba
LP | 1962 | Reissue (20th Century Masterworks)
18,99 €*
Release: 1962 / Reissue
Genre: Organic Grooves
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Janis Joplin - Cheap Thrills
Janis Joplin
Cheap Thrills
LP | 1968 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1968 / EU – Reissue
Genre: Rock & Indie
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One of the most eagerly anticipated albums of 1968 by press and public, 'Cheap Thrills' met every expectation and then some. With the heartrending version of 'Piece Of My Heart' and a definitive cover of Gershwin's 'Summertime', the album (which consists of studio and live material) shot to the top of the charts and stayed there. The audio has been sourced from the original masters, and Robert Crumb's artwork (also known for creating Fritz the Cat and the iconic Keep On Truckin' comics) is meticulously recreated on this Music On Vinyl issue. A truly classic album and an important part of Rock history, this album is a time capsule for one of rock's most distinguished singers.
Dorothy Ashby - Soft Winds: The Swinging Harp Of Dorothy Ashby Clear Vinyl Edition
Dorothy Ashby
Soft Winds: The Swinging Harp Of Dorothy Ashby Clear Vinyl Edition
LP | 1961 | EU | Reissue (Sowing)
24,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Limited Clear Vinyl edition, 300 copies! Dorothy Ashby album from 1961 that also features female vibes player Terry Pollard. Comes with a version of The Skatalites 'Guns of Navarone' which is a pretty surreal listening experience. From the original liner notes: "Dorothy Ashby may not be the first jazz harpist (Caspar Reardon) or the first female jazz harpist (Adele Girard), but her good feeling for time and ability to construct melodic, guitar-like lines, mark her as the most accomplished modern jazz harpist (...) Accompanying her was another Detroit girl, Terry Pollard. Terry's main instrument is the piano and she is one of the best in the country, bar none. She is also a pretty fair country vibraharpist and in this set, Miss Pollard plays vibes exclusively. With them is still another Detroiter, Herman Wright, who like Miss Pollard has worked with Terry Gibbs and Yusef Lateef, and who also served as Miss Ashby's regular bassist. (...) Completing the quartet is Jimmy Cobb, drummer for the Miles Davis group. During the proceedings, Cobb travels between brushes and sticks without upsetting the equilibrium of this essentially quiet set. There is wide range of material presented here, from blues like Benny Goodman's title number, 'Soft Winds', and Miss Ashby's 'With Strings Attached', to movie themes such as 'Laura', 'Wild Is the Wind', and 'The Guns Of Navarone'. Then there are works by such superior writers of standards as Kurt Weill ('My Ship'); Gershwin ('The Man I Love' and 'Love Is Here To Stay')"
The Open Mind - The Open Mind Yellow Vinyl Edition
The Open Mind
The Open Mind Yellow Vinyl Edition
LP | 1969 | EU | Reissue (Klimt)
24,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Open Mind was an English psychedelic rock band formed in London, and active in the 1960s and 1970s. The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches and formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, "Day and Night" / "Get Out of My Way". Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, "Magic Potion", which did not appear on the album. Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single "Magic Potion" having been covered by bands such as The Seers, Sun Dial and The Damned.
The Race Fans - What's Wrong With You / Bookie Man
The Race Fans
What's Wrong With You / Bookie Man
7" | 1968 | EU | Reissue (Harlem Shuffle)
12,99 €*
Release: 1968 / EU – Reissue
Genre: Reggae & Dancehall
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This killer double sider is the first release of the stunning “Bookie Man - What’s Wrong With You”. It was previously released as a blank label only in 1968 and was wrongly credited to The Bleechers. On the B side, “Bookie Man” is a completely different song,and it is a rare and brilliant track in its own right. It is also the first time the two “Bookie Man” songs are featured together on a 7inch.
Joe Pass - For DJango Tone Poet Vinyl Edition
Joe Pass
For DJango Tone Poet Vinyl Edition
LP | 1964 | UK | Reissue (Blue Note)
42,99 €*
Release: 1964 / UK – Reissue
Genre: Organic Grooves
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John Coltrane - Live At The Village Vanguard Acoustic Sound Edition
John Coltrane
Live At The Village Vanguard Acoustic Sound Edition
LP | 1962 | EU | Reissue (Impulse)
37,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - Crescent Acoustic Sounds Edition
John Coltrane
Crescent Acoustic Sounds Edition
LP | 1964 | EU | Reissue (Impulse)
36,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Jimmy Smith / Percy France / Kenny Burrell / Bailey - Home Cookin'
Jimmy Smith / Percy France / Kenny Burrell / Bailey
Home Cookin'
LP | 1961 | EU | Reissue (Blue Note)
25,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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After All - After All Black Vinyl Edition
After All
After All Black Vinyl Edition
LP | 1969 | EU | Reissue (Out-Sider Music)
23,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.
The Dave Pike Set - Noisy Silence - Gentle Noise
The Dave Pike Set
Noisy Silence - Gentle Noise
LP | 1969 | Reissue (Musik Produktion Schwarzwald)
24,99 €*
Release: 1969 / Reissue
Genre: Organic Grooves
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Booker Ervin - The Book Cooks
Booker Ervin
The Book Cooks
LP | 1961 | EU | Reissue (BMG Rights Management)
25,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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The Ornette Coleman Double Quartet - Free Jazz
The Ornette Coleman Double Quartet
Free Jazz
LP | 1961 | EU | Reissue (Speakers Corner)
35,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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The term 'free jazz' was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album "Free Jazz", however, was intended to lend its name to a quite different style of jazz. 'Free' playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal. Coleman thought big: he brought two quartets into the studio at the same time, both with two wind instruments and no piano, and let them play together for 36 minutes without a break – a collective improvisation. There aren’t any precise themes, although short, fanfare-like motifs do exist in which the winds come together. A continuous dense rhythmic beat underlies the music almost throughout – and the pulse is felt rather than heard. One musician after the other comes into the foreground to improvise, almost like at a jam session. First Coleman, then Dolphy, then the two trumpeters. The other winds, however, never remain silent, then make comments and support one another continually – the energy level is immense the whole time (it was cold in the studio ...). Only when it is the turn of the bass and drum players do the winds remain silent for about eleven minutes. This album is not only a historic caesura, but a truly great experience over and over again.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: December 1961 in A&R Studios, New York City, by Tom Dowd Production: Nesuhi Ertegun
Owen Gray - Sings
Owen Gray
Sings
LP | 1961 | UK | Reissue (Burning Sounds)
22,99 €*
Release: 1961 / UK – Reissue
Genre: Reggae & Dancehall
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Owen Gray was the island’s first home grown star to sing in a style that wasn’t mento, calypso or jazz. This is a 180 gram vinyl reissue of his 1961 album. This was the first Jamaican album to be manufactured and released in the UK. This re-issue commemorates the 60th anniversary of its original release.
The Free Design - Heaven / Earth HHV Exclusive Green Vinyl Edition
The Free Design
Heaven / Earth HHV Exclusive Green Vinyl Edition
LP | 1969 | EU | Reissue (Bonfire)
26,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.
Willie Hutch - Soul Portrait
Willie Hutch
Soul Portrait
LP | 1969 | UK | Reissue (Be With)
24,99 €*
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.
Mack Rice - Baby I'm Coming Home / My Baby
Mack Rice
Baby I'm Coming Home / My Baby
7" | 1964 | EU | Reissue (Record Prayer)
9,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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The New Jazz Orchestra - Le Dejeuner Sur L'herbe
The New Jazz Orchestra
Le Dejeuner Sur L'herbe
LP | 1969 | EU | Reissue (Decca)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.
Tony Joe White - Black And White
Tony Joe White
Black And White
LP | 1969 | US | Reissue (Analogue Productions)
46,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!
The Drifters - The Drifters' Golden Hits
The Drifters
The Drifters' Golden Hits
LP | 1968 | EU | Reissue (Atlantic)
29,99 €*
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Nina Simone - At The Village Gate Colored Vinyl Edition
Nina Simone
At The Village Gate Colored Vinyl Edition
LP | 1962 | EU | Reissue (American Jazz Classics)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Clifford Jordan - Starting Time
Clifford Jordan
Starting Time
LP | 1961 | EU | Reissue (Jazz Workshop)
23,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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"This fine set matches together the already distinctive tenor of Clifford Jordan with veteran trumpeter Kenny Dorham, pianist Cedar Walton, bassist Wilbur Ware and drummer Albert "Tootie" Heath. Other than Duke Ellington's "Don't You Know I Care," the group sticks to originals by Jordan, Dorham and Walton. The music is straight-ahead, and although the tunes are pretty obscure, the solos and high musicianship uplift the music. Recommended to straight-ahead jazz collectors." Scott Yanow -All Music Guide
Os Mutantes - Mutantes Bottle Green Vinyl Edition
Os Mutantes
Mutantes Bottle Green Vinyl Edition
LP | 1969 | EU | Reissue (Vinyl Lovers)
21,99 €*
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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One album into their career in 1969, Mutantes showed few signs of musical burnout after turning in one of the oddest LPs released in the '60s. Similar to its predecessor, Mutantes relies on an atmosphere of experimentation and continual musical collisions, walking a fine line between innovation and pointless genre exercises. The lead track ("Dom Quixote") has the same focus on stylistic cut-and-paste as their debut LP's first track ("Panis et Circenses"). Among the band's musical contemporaries, Mutantes sounds similar only to songs like the Who's miniature suite "A Quick One While He's Away" -- though done in three minutes instead of nine, and much more confusing given the language barrier. The album highlights ("Nao Va Se Perder por Ai") and ("Dois Mil e Um") come with what sounds like a typically twisted take on roots music (both Brazilian and American), complete with banjo, accordion, and twangy vocals. Though there are several other enjoyable tracks, including "Magica" and a slap-happy stomp called "Rita Lee," there's a palpable sense that the experimentation here isn't serving much more than its own ends. If the first album's relentless eclecticism did in fact occasionally result in dry passages, it's especially true here
Ibrahim Khalil Shihab Quintet - Spring
Ibrahim Khalil Shihab Quintet
Spring
LP | 1968 | UK | Reissue (Matsuli)
24,99 €*
Release: 1968 / UK – Reissue
Genre: Organic Grooves
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“South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

Though Shihab was only twenty-two when Spring was recorded, he was already a lynchpin of the Cape Town scene, and the album was to be his first major statement as leader and composer. It is a magnum opus gilded by the presence of the upcoming saxophonist Winston ‘Mankunku’ Ngozi, who was soon to find huge acclaim with the hit album Yakhal’ Inkomo.

Three months of touring southern Africa in 1968 honed the band to the point that this entire album was recorded within the just two hours of allocated studio time. This album was repressed just once before the master tapes were destroyed by an ignorant record company executive. While it has remained out of print since then, the album was ‘kept alive’ as an ‘add-on’ to a 1996 CD of Mankunku’s Yakhal’ Inkomo. As a result, many modern jazz lovers still incorrectly believe these five compositions come from Yakhal’ Inkomo.

With this edition of Spring, Matsuli Music corrects an historic wrong. This edition of Shihab’s stunning debut, produced with the blessing of the man himself, is the first time it has been properly available in over forty years, and the first time it has ever been available outside South Africa. Restored and presented with new liner notes by Valmont Layne, Spring can now be seen for what it is: a peerless masterwork of Cape Jazz, blessed by the presence of the great Mankunku, but truly animated by the subtle vision and original musical spirit of its creator, Ibrahim Khalil Shihab.”

• The monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.

• Almost lost recording is back on vinyl after more than 50 years.

• Heavyweight 180g vinyl with remastered audio, inner sleeve with photographs and new notes by Valmont Layne
Dusty Springfield - Dusty In Memphis 45rpm, 200g Vinyl Edition
Dusty Springfield
Dusty In Memphis 45rpm, 200g Vinyl Edition
2LP | 1969 | US | Original (Analogue Productions)
69,99 €*
Release: 1969 / US – Original
Genre: Pop
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Nathaniel Mayer - Going Back To The Village Of Love
Nathaniel Mayer
Going Back To The Village Of Love
LP | 1963 | EU | Reissue (Honeypie)
12,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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American Rhythm 'n' Blues singer Nathaniel Mayer (1944-2008) is mostly remembered for his raw vocal timbre and for his particularly wild live act. Originally released in 1963 on Detroit based label Fortune Records, "Going Back To The Village Of Love" still sounds like an incredibly explosive hyper-energetic irreverent piece of pure Detroit sound.
Martin Denny - Exotic Moog Black Vinyl Edition
Martin Denny
Exotic Moog Black Vinyl Edition
LP | 1969 | US | Reissue (Jackpot)
27,99 €*
Release: 1969 / US – Reissue
Genre: Electronic & Dance
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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.
Bob Dylan - Bob Dylan
Bob Dylan
Bob Dylan
LP | 1962 | EU | Reissue (Columbia)
27,99 €*
Release: 1962 / EU – Reissue
Genre: Rock & Indie
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Jackie McLean - A Fickle Sonance
Jackie McLean
A Fickle Sonance
LP | 1961 | EU | Reissue (Blue Note)
18,99 €*
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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Dexter Gordon - A Swingin' Affair
Dexter Gordon
A Swingin' Affair
LP | 1962 | EU | Reissue (Blue Note)
18,99 €*
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Art Blakey & The Jazz Messengers - Buhaina's Delight
Art Blakey & The Jazz Messengers
Buhaina's Delight
LP | 1963 | EU | Reissue (Blue Note)
28,99 €*
Release: 1963 / EU – Reissue
Genre: Organic Grooves
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The drum hero’s classic 1963 album
 Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, during November and December 1961
The Jazz Messengers’ 11th Blue Note album
Featuring the classic Messengers line-up of Freddie Hubbard (trumpet/flugelhorn), Wayne Shorter (tenor), Curtis Fuller (trombone), Cedar Walton (piano) and Jymie Merritt (bass)
Showcasing three classic Shorter compositions (‘Backstage Sally’, ‘Contemplation’, ‘Reincarnation Blues’) plus Fuller’s ‘Bu’s Delight’, Walton’s ‘Shaky Jake’ and a take on Henry Mancini’s ‘Moon River’
Produced by Blue Note co-founder Alfred Lion
Includes photography by BN co-founder Francis Wolff and liner notes by esteemed writer Leonard Feather
The Rolling Stones - Let It Bleed 50th Anniversary
The Rolling Stones
Let It Bleed 50th Anniversary
LP | 1969 | EU | Reissue (Universal)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Remastered
The Kinks - Arthur Or The Decline And Fall Of The British Empire
The Kinks
Arthur Or The Decline And Fall Of The British Empire
2LP | 1969 | EU | Reissue (BMG/Sanctuary)
28,99 €*
Release: 1969 / EU – Reissue
Genre: Pop
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Joe Henderson - In 'N Out
Joe Henderson
In 'N Out
LP | 1964 | EU | Reissue (Blue Note)
25,99 €*
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Michael Gregory Jackson - Clarity
Michael Gregory Jackson
Clarity
LP | 1969 | US | Reissue (Bija)
19,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Andrew Hill - Black Fire Tone Poet Vinyl Edition
Andrew Hill
Black Fire Tone Poet Vinyl Edition
LP | 1964 | US | Reissue (Blue Note)
38,99 €*
Release: 1964 / US – Reissue
Genre: Organic Grooves
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Lonnie Smith - Think
Lonnie Smith
Think
LP | 1968 | US | Reissue (Blue Note)
37,99 €*
Release: 1968 / US – Reissue
Genre: Organic Grooves
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This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
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