HHV Records Vinyl 140025 Items

7" | 1967 | DE | Original (Deram)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+ and the record is close to VG!

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Procol Harum

A Whiter Shade Of Pale

11,99 €*

Release: 1967 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1967 | DE | Original (London)

The Turtles

She'd Rather Be With Me

Little Anthony & The Imperials

Release: 1967 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

cover variation

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The Best Of Volume 2

LP | 1968 | US | Original (Veep)

4,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1968 | EU | Reissue (Sony)

Jimi Hendrix

Electric Ladyland

LP | 1968 | EU | Reissue (Speakers Corner)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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All time classic album, including 'Crosstwon Traffic', 'Voodoo Chile' & more!

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Lalo Schifrin

OST Bullitt

34,99 €*

LP | 1968 | US | Reissue (Third Man)

Release: 1968 / EU – Reissue

Genre: Soundtracks

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A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.
Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.
Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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France Gall

1968

37,99 €*

LP | 1968 | US | Original (Motown)

Release: 1968 / US – Reissue

Genre: Pop

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1968 dives further into the psychedelia that FRANCE GALL was hinting at on Baby Pop. Even with addition of sitars and echoes of The Beatles, The Stones, The Kinks and Pet Sounds era Beach Boys all over this record it is still 100% French and could only have been made by France Gall. The addition of English expat producer/arranger, DAVID WHITAKER, brought a new and welcome airiness to the mix that was lacking on Gall’s earlier recordings. The album contains 2 of Serge Gainsbourg’s strangest and most out there arrangements, “Nefertiti” and “Teenie Weenie Boppie” about an LSD trip gone horribly wrong. 1968 is an absolutely essential addition to any record collection. 180-gram vinyl pressing in direct-to-board jackets.

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Four Tops

Yesterday's Dreams

LP | 1968 | EU | Reissue (Blue Note)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US original. Sleeve has punch hole.

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Lee Morgan

Caramba

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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It's A Long Way Down Red Vinyl Edition

The Fallen Angels

LP | 1968 | US | Reissue (Jackpot)

31,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Released only one year after their psychedelic debut, The Fallen Angels’ sophomore album, It’s A Long Way Down, lays it all out on the line. Unfettered by label interference, The Fallen Angels’ second and final record highlights all the band has to offer. Off-kilter time signatures, experimental soundscapes, and white-hot guitar licks abound across It’s A Long Way Down’s dozen tracks, with lead singer Jack Bryant’s vocals serving as a guiding light through the paisley-patterned tunnel. Album high points like “Poor Old Man” and “Something New You Can Hide In” tease early signs of progressive rock with their weird and winding melodies, and impress with rock-solid instrumentation. An early marvel of psych rock that holds up to this day. Mastered from its original tapes and pressed at RTI on color vinyl, in its original gatefold design.

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

LP | 1968 | US | Original (Columbia)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Taj Mahal

The Natch'l Blues

19,99 €*

Ain't Nothing But A House Party EP

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has strong wear on the front and back. Label inner sleeve.
Original US pressing with 360 sound labels.

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The Showstoppers

7" | 1968 | EU | Reissue (You Are The Cosmos)

9,99 €*

2LP | 1968 | EU | Reissue (Akarma)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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The Show Stoppers was formed in 1967 by Alex Burke and Laddie Burke (Yes! they were brothers of Solomon Burke...) who joined with fellow brothers Timmy Smith and Earl Smith, all of them were students of Germantwon Highschool (Philadelphia). They are best remembered for their 1967 hit "Ain't Nothin' But A House Party" and they have recorded a bunch of 7" EP/Sge until they disbanded in 1972. This EP contains four of their best songs.

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Bobby Callender

Rainbow

40,99 €*

LP | 1968 | CA | Reissue (Return To Analog)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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T his bizarre, Alan Lorber-produced psychedelic album appeared originally in 1969 on Boston Sound. Bobby Callendar was an incredibly gifted poet and lyricist whose complex texts could only be compared to Scott Walker; the concepts of a U.K. artist of Indian heritage post-psychedelia were augmented by the lush arrangements of Paul Harris and Bob Gallo. The cast of musicians on this album included some of the highest-caliber sidemen of the time, most notably Richard Davis, the master bassist of Van Morrison's Astral weeks fame (not to mention a jazz musician in his own right), the guitars of Eric Gale and Hugh McCracken, and the astonishingly subtle Burnard Purdie on drums. The album is a rich and complex exploration of Eastern-inspired psychedelic rock and folk centered on the incredibly complex texts and vocals of Bobby Callendar. When reading the lyric sheet, it is most astonishing how such elaborate poetic evocations were somehow made to fit popular song forms. Sure, at these highly conscious times of the late '60s it was not uncommon for deeply poetic, socially conscious, or hallucinogenic themes to appear in the lyrics of pop music, yet this is album is absolutely brilliant for being one of the most ostentatious animations of the written word, yet absolutely vital and musical throughout. Fans of Scott Walker's solo material, Colin Blundstone, and Duncan Browne should give this album a few hours -- if not a week -- of their attention. This excellent Italian reissue from Akarma is packaged and remastered exquisitely. (All Music)

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Folklords

Release The Sunshine

Release: 1968 / CA – Reissue

Genre: Rock & Indie

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LP | 1968 | EU | Reissue (Cosmic Rock)

The Wind In The Willows

Around Grapefruit Plus London Session

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Reissue of the band sole album, originally released in 1968 on Capitol Records. The record is a mixture of light psychedelic pop and folk. The band broke up shortly after failing to achieve commercial success or critical acclaim. The following year Artie Kornfeld, the record engineer of the album, went on to be the music producer of the Woodstock festival in 1969. Debbie Harry went on to join The Stillettos in 1974 and other bands until subsequently achieving success in 1976 fronting the new wave band Blondie.

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Grapefruit

LP | 1968 | EU | Reissue (Bonfire)

LP | 1968 | Reissue (Domino)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Officially reissued for the first time on vinyl here's a definitive pop psych masterpiece, originally released in 1968 on Dunhill Records. It's not a legend that John Lennon named the band after an art book by Yoko Ono. The Beatles were closely involved in their early career, signing them to Apple Publishing. Lennon and McCartney produced their single "Lullaby". Here's their debut album with extra tracks taken from their 1967-1968 London Session Apple.

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Nico

The Marble Index

Release: 1968 / Reissue

Genre: Pop

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Julie Driscoll / Brian Auger

Jools/Brian

LP | 1968 | UK | Reissue (Charly)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Ars Nova Black Vinyl Edition

Ars Nova

LP | 1968 | US | Reissue (Sundazed)

Big Brother & The Holding Company

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Cheap Thrills

LP | 1968 | JP | Original (CBS/Sony)

70,99 €*

My People Were Fair And Had Sky In Their Hair ...

Release: 1968 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Taped spines. Japanese pressing. OBI is missing. Vinyl is close to NM.

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Tyrannosaurus Rex

LP | 1968 | EU (Vinyl Lovers)

Release: 1968 / EU

Genre: Rock & Indie, Pop

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Elvin Jones & Richard Davis

Heavy Sounds Verve By Request Edition

LP | 1968 | WW | Reissue (Verve)

LP | 1968 | DE | Reissue (Bear Family)

Release: 1968 / WW – Reissue

Genre: Organic Grooves

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Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.

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Etta James

Tell Mama

19,99 €*

Release: 1968 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Astral Weeks Limited Olive-Green Vinyl Edition

Van Morrison

LP | 1968 | EU | Reissue (Warner)

22,99 €*

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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7" | 1968 | UK | Original (Blue Horizon)

Chicken Shack

It's Okay With Me Baby

7" | 1968 | DE | Original (Atlantic)

Release: 1968 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Joe Tex

Keep The One You Got

Release: 1968 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

You Need Me, Baby / Baby, Be Good

Joe Tex

7" | 1968 | DE | Original (Atlantic)

5,99 €*

Release: 1968 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

What's Wrong With My World

P.J. Proby

7" | 1968 | UK | Original (Liberty)

Release: 1968 / UK – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1968 | IT | Original (GR)

The Babies Singers

Zecchino D'Oro 1968

Release: 1968 / IT – Original

Genre: Childrens

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Used Vinyl

Medium: G+, Cover: VG

Afro-Harping Deluxe Edition

Dorothy Ashby

2LP | 1968 | EU | Reissue (Verve)

39,99 €*

Fabrizio De Andrè Volume 3

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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A cult album from 1968 that has long since become known as a groove classic across genre boundaries, now for the first time as a deluxe edition, freshly remastered, with bonus tracks and attractive packaging. Along with Alice Coltrane, Dorothy Ashby was the only world-famous jazz harpist. Thanks to deep grooves and sophisticated orchestral sounds, “Afro-Harping” is her most famous album to date, which is continually breathed new life into thanks to samples and remixes by Pete Rock, Kendrick Lamar, Jay Dee (aka J Dilla), Madlib, Flying Lotus and others. Remastered from the original ¼-inch tapes by Alex Wharton/Abbey Road Studios and featuring eight strong, previously unreleased alternate tracks, including an explosive version of the single “Soul Vibrations”, the classic album is now available for the first time in a high-quality format appropriate to its ever-growing importance.

2-lp: gatefold sleeve, padded black inner sleeves, illustrated eight-page insert with detailed liner notes by Seán Casey/Shindig! magazine.

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Fabrizio De André

LP | 1968 | EU (Sony Music)

22,99 €*

Release: 1968 / EU

Genre: Rock & Indie

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Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition

La Lupe

LP | 1968 | US | Reissue (Vinyl Me, Please)

7" | 1968 | UK | Reissue (Tramp)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
There is something raw and disruptive about La Lupe and her modalities of performance, something that far exceeds tropes of so-called hysteria and all the gendered and racial scripts that come along with it. Uncontrolled expression opens up new routes; it presses against obligatory composure.

The boleros, boogaloos and salsas of Reina de la Canción Latina contain lessons about love, about a willingness to stay alive, about what it means to push against the confines. Reina de la Canción Latina asks us to listen to La Lupe outside of a binary mode — to look a little deeper, to find her personhood and to search for flashes of freedom wherever we can.

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Offbeats

The Hump

11,99 €*

For The Sake Of The Song Vinyl Me, Please Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Monstrous blue-eyed soul / garage double-sider and a must for any rare groove DJ.
250 copies pressed.

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Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

7" | 1968 | UK | Reissue (Monument)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Robert Knight

Love On A Mountain Top

4,99 €*

7" | 1968 | US | Original (White Whale)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Label sleeve. 1973 reissue. close to NM

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The Turtles

Sound Asleep

Release: 1968 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Gary Puckett & The Union Gap

Young Girl

7" | 1968 | DE | Original (CBS)

5,99 €*

Release: 1968 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1969 | US | Reissue (Limelight)

Melvin Jackson

Funky Skull

19,99 €*

LP | 1969 | US | Reissue (Atlantic)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl

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Dusty Springfield

Dusty In Memphis

37,99 €* 39,99 € -5%

LP | 1969 | BR | Reissue (Polysom)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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180 gram vinyl ... classic !

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Gal Costa

39,99 €*

LP | 1969 | EU | Reissue (Epic)

Release: 1969 / BR – Reissue

Genre: Organic Grooves

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Heady heady work from the legendary Gal Costa – caught here right at her early best, smack dab in the middle of the Tropicalia years!

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Sly & The Family Stone

Stand

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Spirit Of The Golden Juice

F.J. McMahon

LP | 1969 | US | Reissue (Anthology / Kemado)

25,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Contact Colored Vinyl Edition

The Silver Apples

LP | 1969 | EU | Reissue (Jackpot)

Abbey Road 50th Anniversary Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.

Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silver Apples in the cockpit of a Pan Am jet on the front, and a plane crash with the duo superimposed over it, on the back. The airline sued both Kapp Records & the band, forcing the band to breakup. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.

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The Beatles

LP | 1969 | EU | Reissue (Apple)

Release: 1969 / EU – Reissue

Genre: Pop

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LP | 1969 | DE | Original (MPS)

Chicago Blues All Stars

Loaded With The Blues

Mickey & The Soul Generation

Release: 1969 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Gatefold cover.

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Iron Leg

7" | 1969 | EU | Reissue (Gc Production)

12,99 €*

LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Reissued and remastered with replica artwork - the highly sort after classic rare groove track, 'Iron Leg' by DJ Shadow's favourite Funk band, Mickey & The Soul Generation.

Original copies trade hands for £125+. Black 7" dinked centre hole vinyl.

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Tony Joe White

Black And White

46,99 €*

2LP | 1969 | EU | Reissue (Parlophone Label Group)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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Dr. Feelgood

The UA Years

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Original (Pye)

Man

Revelation

78,99 €*

Eric Burdon & The Animals

Release: 1969 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Flipback cover has a tear on back cover.

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Every One Of Us

LP | 1969 | DE | Reissue (MGM)

14,99 €*

Release: 1969 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Velvett Fogg

36,99 €*

After All Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Velvett Fogg are a psychedelic rock band hailing from Birmingham, England. Active during the late 1960’s, Velvett Fogg were one of the many new bands from the Birmingham underground scene trying to take pop and rock music to a higher level of creativity. They were given a record deal by Pye Records, through which they released their first and only studio album, the self-titled Velvett Fogg. The original package was accompanied by a quote from U.K. disc jockey John Peel, who commented that “there is a lot of good music on this record. Remember Velvett Fogg - you will hear the name again”. Ironically the band broke up shortly after release. The album has since become a much sought after title.

Velvett Fogg is available on black vinyl.

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After All

LP | 1969 | EU | Reissue (Out-Sider Music)

23,99 €*

LP | 1969 | UK | Reissue (Be With)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Willie Hutch

Soul Portrait

LP | 1969 | NL | Reissue (Elektra)

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today. His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was; he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.

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The Stooges

25,99 €*

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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The Open Mind Yellow Vinyl Edition

The Open Mind

LP | 1969 | EU | Reissue (Klimt)

Eight Miles High Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Open Mind was an English psychedelic rock band formed in London, and active in the 1960s and 1970s. The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches and formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, "Day and Night" / "Get Out of My Way". Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, "Magic Potion", which did not appear on the album. Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single "Magic Potion" having been covered by bands such as The Seers, Sun Dial and The Damned.

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Golden Earring

36,99 €*

LP | 1969 | EU | Reissue (Charly)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Limited to 500 copies. Strictly Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes by Alvin Lucia! Full dynamic range 2022 remasters direct from the first generation analogue master tapes! Limited Edition 500 LPs

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Archie Shepp

Yasmina, A Black Woman

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Skatalites

Skatalite

37,99 €*

(We Ain't Here Looking For) No Trouble

Release: 1969 / EU – Reissue

Genre: Pop

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• 180 GRAM AUDIOPHILE VINYL
• PRODUCED BY DUKE REID
• LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON TURQUOISE COLOURED VINYL

The album The Skatalite was originally released in 1969 and contains some of the best tracks from the Skatalites cut for producer Duke Reid. It was recorded with the classic line-up, featuring Don Drummond on trombone, Jackie Mittoo on piano, and Jonny “Dizzy” Moore on the trumpet. This 12-track set includes “Eastern Standard Time”, “Dan-De-Lion” and “Yard Broom” amongst others.

The Skatalite is available as a limited edition of 750 individually numbered copies on turquoise coloured vinyl.

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Jimmy Thomas

7" | 1969 | EU | Reissue (You Are The Cosmos)

9,99 €*

U.F.O. Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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First official reissue of this Soul classic originally released in 1969 by Spark label.

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

The Meters Red Vinyl Edtion

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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The Meters

LP | 1969 | US | Reissue (Jackpot)

King Of The Black Sunrise Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Debut 1969 Album by New Orleans Funk Legends: The Meters. Sourced From the Original 1969 Analog Master Tapes. Cut by Kevin Gray of Cohearent Audio. Features the hit song "Cissy Strut". Limited Red Apple Vinyl LP.

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Thunder And Roses

LP | 1969 | EU | Reissue (Out-Sider Music)

LP | 1969 | EU | Reissue (Rhino)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.

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Crosby, Stills & Nash

36,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Original (Elektra)

David Ackles

Subway To The Country

9,99 €*

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | EU | Reissue (Out-Sider Music)

Pulse

LP | 1969 | EU | Reissue (Verve)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.

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The Eddie Fisher Quintet

The Third Cup

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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I've Been Here All The Time

Patti Drew

LP | 1969 | US | Original (Capitol)

13,99 €*

LP | 1969 | EU | Reissue (Wiseraven)

Release: 1969 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G, Cover: G+

Water damage on back cover.

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Pesky Gee!

Exclamation Mark

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Le Très Jazz Club)

Terumasa Hino Quintet

Hi-Nology

LP | 1969 | EU | Reissue (Rhino)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Terumasa Hino is undoubtedly one of the most famous Japanese jazzmen. Learning the trumpet at the age of 9, he began his career as a professional musician by playing in the orchestra of an US Army base, before joining Hideo Shiraki"s Quintet and then forming his own band in 1964. On Hi-Nology we find his brother Motohiko Hino on drums, Hiroma Suzuki on electric piano, Kumitsu Inaba on electric bass and Takeru Muraoka ontenor sax. The inspiration from the "electric period" of Miles Davis (notably Miles In The Sky released in 1968) is felt and is even accepted, since the opening piece is entitled "Like Miles". Coincidentally, Hi-Nology was recorded on July 31, 1969, the day after the release of In a Silent Way and has nothing to envy of this great record by Miles Davis.

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The Stooges

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Beverley's)

Toots And The Maytals

Sweet And Dandy

LP | 1969 | WW | Reissue (Wienerworld)

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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Formed by lead vocalist legend Toots Hibbert, and the ragged call-and-response background singers Nathaniel “Jerry” McCarthy and Raleigh Gordon, Toots & the Maytals were spotted by Beverley Records’ founder Leslie Kong who produced the group’s first records in the 60s. Their Sweet And Dandy album was featured in 1972’s emblematic movie The Harder They Come, which included a performance of the title track recorded at Beverley Studios and also highlighted ‘Pressure Drop’ in its accompanying soundtrack. The movie’s unprecedented success, combined with some of the solid gold singles pulled from this album, fast-tracked Toots and the Maytals to reggae icon status, assuring the group international success and making Sweet And Dandy one of the most highly acclaimed albums in Jamaican music.

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Dizzy Gillespie

Soul & Salvation

31,99 €*

Release: 1969 / WW – Reissue

Genre: Organic Grooves

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Strictly From Hunger Black Vinyl Edition

Hunger

LP | 1969 | EU | Reissue (Guerssen)

Gandalf Clear Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Killer Doorsy organ and fuzzed-out guitars, including all-time psychedelic classics like "Colors", "Workshop" and "Mind Machine".

Transplanted from Portland to the Sunset Strip, Hunger played at all the hip places (Whisky a Go Go, Cheetah, Kaleidoscope...), rubbing shoulders with bands like Hour Glass (pre-Allman Brothers), the Doors or Steppenwolf.

In 1969 they released "Strictly from Hunger!" for the small Public label. Highly sought after, we’re proud to present a straight reissue of such collectable album.

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Gandalf

LP | 1969 | US | Reissue (Jackpot)

Chor Und Orchester Klaus Netzle , Es Singen: Frank Forster, Tommy Kent, Germaine Busset, Christine Christl Röder Helga Und Monika

Release: 1969 / US – Reissue

Genre: Rock & Indie

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If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce GANDALF’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE Left Banke, Kaleidoscope, THE Millennium, and THE Zombies, take note!). Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. So get in on the beauty of this record, and as Sando says on the liner notes: “Put the needle in the groove, sit back, and take the trip with GANDALF.” Enough said.

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OST Outsider II

LP | 1969 | DE | Original (Primaphon)

Release: 1969 / DE – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1969 | DE | Original (Saga OPP)

Johnny Nash

You Got Soul

Release: 1969 / DE – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG

7" | 1969 | DE | Original (Philips)

Scott Walker

Lights Of Cincinnati

Release: 1969 / DE – Original

Genre: Pop

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Used Vinyl

Medium: G+, Cover: VG

Kaleidoscope Black Vinyl Edition

Kaleidoscope

LP | 1969 | EU | Reissue (Guerssen)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the rarest psychedelic garage albums ever, the Kaleidoscope album was recorded in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico in 1969 as a tiny pressing, housed in a fantastic psychedelic sleeve designed by Bodo Molitor.

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Herbie Hancock

Fat Albert Rotunda

42,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Audrey Hepburn, Rex Harrison

My Fair Lady Soundtrack

LP | 1969 | JP | Original (CBS/Sony)

LP | 1970 | US | Reissue (RCA)

Release: 1969 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Nite-Liters

Nite-liters

16,99 €*

LP | 1970 | US | Reissue (DiCristina)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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sampled by Cali Agents

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Vashti Bunyan

Just Another Diamond Day

22,99 €*

LP | 1970 | US | Reissue (RCA)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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... voted one of the top 100 British albums of all time!

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Carolyn Franklin

Chain reaction

14,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Mainstream)

December's Children

18,99 €*

LP | 1970 | EU | Reissue (Rhino)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl

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Curtis Mayfield

Curtis

21,99 €*

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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180 gram vinyl, cut from the original masters!

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Kris Kristofferson

Kristofferson

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Universal)

Nick Drake

Bryter Layter

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Musik Produktion Schwarzwald)

Joe Pass

Intercontinental

LP | 1970 | US | Reissue (VIP)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Joe Pass (born Joseph Passalaqua) knew how to conjoin melody and chords. Moreover, he brought the walking bass line into the jazz guitar repertoire, as heard in his duo performances with Ella Fitzgerald. Deftly accompanied by German bass virtuoso Eberhard Weber and English drummer Kenny Clare, the music runs the gamut of genres – a meditative Jobim bossa nova, a lusciously relaxed version of the jazz standard, “Stompin' at the Savoy”, a blues-drenched rendition of the Bobby Gentry pop classic, “Ode to Belly Joe”, and a display of dynamically controlled guitar pyrotechnics on the exhilarating “I Love You”.

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Spinners

2nd Time Around

16,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Parlophone)

Syd Barrett

Barrett

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Tumbleweed Connection (2017 Remaster)

Elton John

LP | 1970 | EU | Reissue (Mercury)

LP | 1970 | EU | Reissue (Transversales Disques)

Release: 1970 / EU – Reissue

Genre: Pop

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“Tumbleweed Connection” is the third studio album by English singer-songwriter Elton John. It is a concept album based on country and western/Americana themes.

Remastered from the original analogue tapes and pressed on 180-gram vinyl!

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Philippe Sarde

OST Les Choses De La Vie

LP | 1970 | DE | Original (Atlantic)

Release: 1970 / EU – Reissue

Genre: Soundtracks

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Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi. Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library.
Jonathan Fitoussi is a French composer residing in Paris. He works on minimalist and contemporary musical forms. He's also audio restoration engineer at INA & INA GRM. Sebastien Rosat is a French Music Supervisor working for Films, TV and Advertising. He's also a member of French electronic duo Sommet.
First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented French film composer. Les choses de la vie, an outstanding score which offers both the wonderful “Chanson d'Hélène” and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord.
Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the start of a long partnership that spanned twenty-five years and eleven films.
Including the previously unreleased versions of “La Chanson d’Hélène” performed by Romy Schneider and Michel Piccoli in Italian and German. Also Includes Stéphane Belmondo’s version of “La Chanson d’Hélène”.

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Led Zeppelin

Led Zeppelin III

Release: 1970 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1970 | EU | Reissue (Muza)

Marek Grechuta & Anawa

In Rock (2018 Remastered Version)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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This is 180g vinyl.

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Deep Purple

LP | 1970 | EU | Reissue (Parlophone)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Universal)

Rodriguez

Coming From Reality

34,99 €*

LP | 1970 | US | Original (ABC)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Newly remastered by Alex Abrash at AA Mastering, pressed on 180 gram vinyl!

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Ray Charles

Love Country Style

14,99 €*

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1970 | CA | Reissue (True North)

Bruce Cockburn

17,99 €*

Release: 1970 / CA – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Takeshi Inomata & Sound Limited

Sounds Of Sound L.T.D.

LP | 1970 | JP | Reissue (Nippon Columbia)

41,99 €*