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HHV Records Vinyl 133237 Items

HHV Records 141911 Vinyl, CD & Tape 141911 Used Vinyl 36479
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Eric Burdon & The Animals - Every One Of Us
Eric Burdon & The Animals
Every One Of Us
LP | 1969 | DE | Reissue (MGM)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / DE – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
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Jimmy Ruffin - Ruff 'N Ready
Jimmy Ruffin
Ruff 'N Ready
LP | 1969 | EU (Endless Happiness)
19,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU
Genre: Organic Grooves
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All killers and no fillers on this fabulous 1969 Motown masperpiece. It is a shame that Jimmy lived in the shadow of those other Motown singers such as Marvin Gaye and Stevie Wonder. It really is one of Motown's best albums!
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Stormy Six - Le Idee Di Oggi Per La Musica Di Domani
Stormy Six
Le Idee Di Oggi Per La Musica Di Domani
LP | 1969 | EU | Reissue (On Sale Music)
35,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Stormy Six debut album is, in some ways, the mirror of an era with simple atmospheres and an almost like ‘messa beat’ feel. The harmonies are kinda elementary and the general setting is strongly influenced by the Beat origins of the group. The "Stormy Six" formed as a sextet in Milan in 1965, right along that student environment that had already given birth to Maurizio Arcieri's "New Dada". The album is an eccentric mixture of Beat, Psychedelia and proto-prog in the vein of Moody Blues "In the search of the lost chord" or even early Genesis. The songs are almost written by the Rocchi-Fabbri duo even if, in retrospect, it was assumed that three of them belonged to Rocchi alone: ‘Ramo’, with a mystical indian flavor, ‘I Tuoi Occhi Sono Tristi’ – much in the vein of Brian Auger- and the poignant ‘Sotto I Portici Di Marmo’.
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Oronzo De Filippi - Meccanizzazione
Oronzo De Filippi
Meccanizzazione
LP | 1969 | Reissue (Vinyl Magic)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / Reissue
Genre: Organic Grooves
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At the end of the '60s in Italy - but also abroad, especially in France and
England - a very particular trend began to spread, that one known as 'Library
music' or 'sonorization': as suggested by its name, those were real music
libraries intended for the accompaniment of audiovisual productions such as
television programs, advertisements, documentaries and films. Since they
were created in total artistic freedom condition, they are often difficult if not
impossible to catalog, as they're not anchored to a specific musical genre;
this freedom also allowed the authors to compose, sometimes in the most
complete anonymity, experimental and avant-garde music, capable of
anticipating the sounds that only many years later would have been
widespread on a larger scale.
Oronzo De Filippi is known not only for his library music works, but also for
having been part of the project The Braen's Machine, together with
Alessandro Alessandroni, another very important name in this context.
"Meccanizzazione" is a completely instrumental record - like practically all
LP's in this genre - literally dominated by the sound of the harpsichord, and it
substantially features two main kinds of compositions: the most 'friendly' and
easy-listening ones with a jazz-lounge and bossanova flavor, and the darker
and hypnotic ones, decidedly more fitting the repetitiveness of the industrial
world and its machines at work.
"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration
with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's
published between late '60s and early '70s, most of which have never been
released again until today, and that are finally made available again for
collectors and sonorization music lovers.
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Sage And Seer - Sage And Seer
Sage And Seer
Sage And Seer
LP | 1969 | EU | Reissue (Wah Wah)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover the amazing works of Don Beckmann and David Rea.

Their only LP was originally released on their hometown Denver’s Stylist Records label back in 1969. The production is amazing: to the strength of the duo’s compositions and their guitar and vocal talents, a complete band is added, plus impressive orchestrated arrangements with scores provided by Dan Goodman and Mark Schuster and conducted by Ben Kaufman, the result being a deliciously beautiful album that could be a missing link between the works of Simon & Garfunkel and those of soft pop maestros like The Free Design or Harper's Bizarre or baroque pop legends The Left Banke.
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Ken Wheeler / John Dankworth Orchestra - Windmill Tilter (The Story Of Don Quixote)
Ken Wheeler / John Dankworth Orchestra
Windmill Tilter (The Story Of Don Quixote)
LP | 1969 | EU | Reissue (Decca)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. Kenny Wheeler was born Canada in 1930 and, with encouragement from his father - himself a trombone player - began playing trumpet at age 12. After studying at Toronto’s Royal Conservatory, he arrived in London in 1952, his playing enveloped in the sounds of Miles Davis, Booker Little, and Fats Navarro. In 1959, Wheeler joined the Johnny Dankworth Orchestra and stayed there until 1963, although he returned frequently for shows and other projects in the years that followed. He quickly become a distinguished soloist in the Orchestra and appeared on Dankworth’s key sixties albums. Wheeler met and played with the rising artists of London’s free jazz scene. Players such as Trevor Watts, Derek Bailey, and Evan Parker, musicians who would challenge the conventions of the day, eschewing formal composition and structure to embark on group improvisation. For a musician thoroughly schooled in all the conventions of charts and dance bands as Wheeler was, this was a radical departure. Wheeler’s contributions proved his ample flexibility and showed he was capable of inhabiting both the free environment and the more formal and controlled settings of a big band and orchestra. This was shown most clearly on his debut album, Windmill Tilter, recorded for Fontana with the John Dankworth Orchestra. The album features a young John McLaughlin on guitar along with bassist Dave Holland and a roster of talented and well respected musicians playing on one of the greatest modern jazz big band and orchestral albums.
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The Free Design - Heaven / Earth HHV Exclusive Green Vinyl Edition
The Free Design
Heaven / Earth HHV Exclusive Green Vinyl Edition
LP | 1969 | EU | Reissue (Bonfire)
24,29 €* 26,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.
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The Free Design - Heaven / Earth Black Vinyl Edition
The Free Design
Heaven / Earth Black Vinyl Edition
LP | 1969 | EU | Reissue (Bonfire)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.
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The New Jazz Orchestra - Le Dejeuner Sur L'herbe
The New Jazz Orchestra
Le Dejeuner Sur L'herbe
LP | 1969 | EU | Reissue (Decca)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.
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Santana - Santana
Santana
Santana
LP | 1969 | US | Reissue (Columbia)
6,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G+, Cover: Generic
Original sleeve is missing.
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Wildman Steve - My Man! Wild Man!
Wildman Steve
My Man! Wild Man!
LP | 1969 | US | Original (Raw)
3,95 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Comics
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Used Vinyl
Medium: VG, Cover: VG
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Four Tops - Four Tops Now!
Four Tops
Four Tops Now!
LP | 1969 | US | Original (Motown)
15,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
US original. Cover with stickers and promo stamp
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Quincy Jones - Walking In Space
Quincy Jones
Walking In Space
LP | 1969 | US | Original (A&M)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US pressing.
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B.B. King - Completely Well
B.B. King
Completely Well
LP | 1969 | US | Original (Bluesway)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: G+
US original.
Record close to VG. Writing on back cover. Cover with hype sticker
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Gideon Nxumalo - Gideon Plays
Gideon Nxumalo
Gideon Plays
LP | 1969 | UK | Reissue (Matsuli)
29,44 €* 30,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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• Long lost 1968 album from visionary South African jazz composer incorporating traditional African music sources and instruments.

• Officially licensed from the Nxumalo family and reissued with inner sleeve containing archival photographs and new liner notes by Francis Gooding.

Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history. Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show. But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been side-lined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music. However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived. Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays.
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Edoardo Bennato - La Fine Del Mondo / Marylou Blue Vinyl Edition
Edoardo Bennato
La Fine Del Mondo / Marylou Blue Vinyl Edition
7" | 1969 | EU | Reissue (Numero Uno)
17,99 €* 23,99 € -25%
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Jackson 5 - It's Great To Be Here / ABC / It's Your Thing / Looking Through The Windows
The Jackson 5
It's Great To Be Here / ABC / It's Your Thing / Looking Through The Windows
12" | 1969 | UK (Motown)
17,24 €* 22,99 € -25%
Incl. VAT plus Shipping Costs
Release: 1969 / UK
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: Generic
Label sleeve. Reissue. Vinyl is Close to VG+.
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Marvin Peterson And The Soulmasters - In Concert
Marvin Peterson And The Soulmasters
In Concert
LP | 1969 | JP | Reissue (P-Vine)
31,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Reissue
Genre: Organic Grooves
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An impressive live album by Marvin Peterson who was one of the finest trumpetersin the 60's-70's is making its return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add "Hannibal" to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and theirperformance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organistEugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny "Guitar" Watson.

With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to its many fans. The opening "Groove for Otis" (m1) with a jazz-funk whose edgy beat excites rare groove fans. "Our Groove" (m4) is also a fine track whichhas a slick bassline and Eugene'sorgan fusing in harmony. P-vine are very proud to be repressing this record with its intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.
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Beau - Beau
Beau
Beau
LP | 1969 | EU (Trading Places)
20,99 €*
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Release: 1969 / EU
Genre: Rock & Indie
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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks
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Glenn Miller And His Orchestra - The Original Recordings
Glenn Miller And His Orchestra
The Original Recordings
LP | 1969 | UK | Original (RCA Camden)
3,99 €*
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Release: 1969 / UK – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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John Berberian And The Rock East Ensemble - Middle Eastern Rock Black Vinyl Edition
John Berberian And The Rock East Ensemble
Middle Eastern Rock Black Vinyl Edition
LP | 1969 | US | Reissue (Modern Harmonic)
28,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge. Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian's backing band, consists of the artist's standard group, which specializes in traditional Armenian music with a jazz edge, and American session musicians who bring more of a rock sound. The results, which blend elements of psychedelia, free jazz, surf music, and various klezmer, African, and Middle Eastern textures, are dazzling, and are sure to thrill anyone with a taste for rare "outside" albums. ' AllMusic Review by Anthony Tognazzini
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After All - After All Black Vinyl Edition
After All
After All Black Vinyl Edition
LP | 1969 | EU | Reissue (Out-Sider Music)
23,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.
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The Stooges - The Stooges
The Stooges
The Stooges
LP | 1969 | NL | Reissue (Elektra)
25,99 €*
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Release: 1969 / NL – Reissue
Genre: Rock & Indie
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Don Cherry - Where Is Brooklyn?
Don Cherry
Where Is Brooklyn?
LP | 1969 | EU | Reissue (Blue Note)
25,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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V.A. - Blues News
V.A.
Blues News
LP | 1969 | DE | Original (Chess)
6,99 €*
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Release: 1969 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
White vinyl
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Ennio Morricone - La Stagione Dei Sensi Clear Vinyl Edition
Ennio Morricone
La Stagione Dei Sensi Clear Vinyl Edition
LP | 1969 | EU | Reissue (Vinylmagic)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Soundtracks
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Quelli - I Quelli Red Vinyl Edition
Quelli
I Quelli Red Vinyl Edition
LP | 1969 | EU | Reissue (RCA)
23,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Mam'selles - It's A Bubble Gum World White Vinyl Edition
The Mam'selles
It's A Bubble Gum World White Vinyl Edition
LP | 1969 | US | Reissue (Beatrocket)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Pop
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Cavity-causing Cordovox-driven 1969 girl-group garage! A delightful romp through 'Oye Como Va,' 'Proud Mary,' 'Walkin' The Dog,' 'Son Of A Preacher Man,' their chicle sticky original title track, and so much more! Cordovox organ, trumpet, bass, drums, congas, and tambourine! Not a guitar in sight! Out of sight! Pressed on cloud white vinyl!
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Humble Pie - Natural Born Bugie
Humble Pie
Natural Born Bugie
7" | 1969 | UK | Original (Immediate)
5,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / UK – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: G+, Cover: Generic
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The Open Mind - The Open Mind Yellow Vinyl Edition
The Open Mind
The Open Mind Yellow Vinyl Edition
LP | 1969 | EU | Reissue (Klimt)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The Open Mind was an English psychedelic rock band formed in London, and active in the 1960s and 1970s. The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches and formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, "Day and Night" / "Get Out of My Way". Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, "Magic Potion", which did not appear on the album. Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single "Magic Potion" having been covered by bands such as The Seers, Sun Dial and The Damned.
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Janis Joplin - I Got Dem Ol' Kozmic Blues Again Mama!
Janis Joplin
I Got Dem Ol' Kozmic Blues Again Mama!
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Rock & Indie
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In 1968, Janis Joplin decided to go solo while her album 'Cheap Thrills' with Big Brother & the Holding Company was still on top of the charts. 'I Got Them Ol' Kozmic Blues Again Mama!' was her first effort. She leans more towards Soul/Rock than on her previous work, with heavy horn arrangements from her accompanying band. The album contains the lead hit single 'Try (Just A Little Bit Harder)'. The audio is sourced from the original masters and features the original artwork.
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Willie Tee - First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition
Willie Tee
First Taste Of Hurt / I'm Having So Much Fun Record Store Day 2022 Vinyl Edition
7" | 1969 | UK | Reissue (Gatur)
13,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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Following on from the incredible success of 2020's "Teasin' You Again", we're proud to follow that up with one of Willie Tee's greatest double-siders and one of his very rarest 45s. Welcome to the incredible "First Taste Of Hurt" backed with "I'm Having So Much Fun".

This record was first discovered in Los Angeles in 1976 primarily for "I'm Having So Much Fun" which drew interest from the Northern Soul crowd, but then "First Taste Of Hurt" started catching on in wider circles. These days "First Taste Of Hurt" is the key side with a truly international audience across several scenes. An original Gatur copy of this will set you back £5000 and even the UK Grapevine reissue will cost you the best part of £100 these days. Expect another across-the-board Willie Tee smash which will match perfectly with "Teasin' You Again" and sell to many audiences.
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Oscar Peterson - Easy Walker
Oscar Peterson
Easy Walker
LP | 1969 | US | Original (Prestige)
9,99 €*
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Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG
US original.
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Taj Mahal - Giant Step / De Ole Folks At Home
Taj Mahal
Giant Step / De Ole Folks At Home
2LP | 1969 | US | Reissue (Columbia)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Terre Haute pressing. US repress.
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Ethiopians - Reggae Power
Ethiopians
Reggae Power
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Soundtracks
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The Ethiopians were one of Jamaica’s most popular bands during the late ska, rocksteady and early reggae periods. The much loved harmony group began working with the legendary producer Carl ‘Sir J.J.’ Johnson after a series of successful ska and rocksteady hits. This collaboration resulted in some of the biggest reggae hits of the late Sixties and early Seventies. Most notable hits were “Everything Crash”, “What A Fire”, “Feel The Spirit”, “Hong Kong Flu” and “Woman Capture Man”, which are all included on their 1969 debut album Reggae Power. The album cover features a photo of future Carry On Girls-actress Pauline Peart. Reggae Power is available on black vinyl.
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Masahiko Togashi Quartet - Speed And Space - The Concept Of Space In Music
Masahiko Togashi Quartet
Speed And Space - The Concept Of Space In Music
LP | 1969 | EU | Reissue (Cinedelic)
24,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert
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The Four Sounds - Jazz From District Six
The Four Sounds
Jazz From District Six
LP | 1969 | EU | Reissue (Mad About)
24,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Impossible-to-find gem from 1969 finally reissued in a deluxe edition. Ultra Rare South African Jazz from District Six with legendary musicians Clifford Moses, Richard Schilder, Basil Moses and Basil Coetzee.

True Jazz today is becoming a rare art whose existence depends not only on the Jazz-musician but also on the medium by means of which it is propagated. This album is the combined effort of musician and Trutone Record Company to add their contribution to the interest of the arts. The theme for this album is set in "District Six", the community which brought forth "The Four Sounds".

Basil Moses is perhaps most widely known, in the context of South African jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim’s 1970s recordings. He also features on Sathima Bea Benjamin’s African Songbird (The Sun, GL 1839).

Guitarist Cliffie Moses, three years older than brother Basil, was also a professional musician and the two, along with Richard Schilder and Billy Bowers (aka Billie Dollie), formed the Four Sounds in the early 1960s. The group with Basil ‘Manenburg’ Coetzee and Roy Nolly recorded their debut album, Jazz from District Six, in 1969 for Trutone (tblc 1).

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as the core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. Percy Sledge described it as the “greatest tour of [his] career”.

Notes by Siemon Allen at Flatinternational”
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Hugo Y Osvaldo - La Bossa Nova De ...
Hugo Y Osvaldo
La Bossa Nova De ...
LP | 1969 | EU | Reissue (Sommor)
23,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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After the demise of LOS Shakers, brothers Hugo & Osvaldo Fattoruso released in 1969 "La Bossa Nova de Hugo & Osvaldo".

Here, they paid homage to the music they grew-up with: jazz, bossa nova and candombe but adding Beatlesque pop-psych and Brazilian/Latin sounds to the mix, following what they had already done with Los Shakers in songs like "Never Never" or "Adorable Lola".

Cool covers of Burt Bacharach, George Harrison and candombe pioneer Manolo Guardia blend together with lovely self-penned songs and even new, bossa-styled versions from Los Shakers catalogue.

Recorded in 1968 mostly by Hugo and Osvaldo playing all the instruments by themselves, it was originally released in 1969 in a tiny edition of 400 copies, making it one of the most desirable collectable albums related to Los Shakers.

The missing link between "Toto's Bar" and OPA's "Goldenwings"?
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V.A. - Tamla Motown Is Hot, Hot, Hot!
V.A.
Tamla Motown Is Hot, Hot, Hot!
LP | 1969 | DE | Original (Tamla Motown)
6,99 €*
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Release: 1969 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Cover closer to VG+
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Candy Rae - Tenderness George Semper Mix
Candy Rae
Tenderness George Semper Mix
7" | 1969 | EU | Reissue (Record Shack)
15,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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V.A. - Jazz Super Hits
V.A.
Jazz Super Hits
LP | 1969 | US | Original (Atlantic)
11,99 €*
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Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Vinyl close to VG+. Cover with punch hole
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Ram John Holder - Black London Blues
Ram John Holder
Black London Blues
LP | 1969 | EU | Reissue (Soulgramma)
20,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Fully licensed ! Ltd to 500 copies. Singer and guitarist Ram John Holder was born in. 1939 in Georgetown, British Guiana, then moved to Cincinnati in 1954, and to the East Coast to work as folk blues singer in the early 1960s. In 1963, he took residency in England where he recorded several albums. Released in 1969 Black London Blues is surely is masterpiece. A socio-political manifesto the album chronicles the trials and tribulations that were the result of being a black-immigrant in London, and it contains all the pathos and pain one can imagine. Self-conscious, as concept albums often are, the record is almost like an audio A-Z or pub guide. It’s funky and represents his own black experience. It is a must have for all the blues revivalist out there, a record to rank along the lines of early Mike Cooper and american stalwarts like Eugene McDaniels or Sixto Rodriguez !
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Oscar Peterson - Mellow Mood
Oscar Peterson
Mellow Mood
LP | 1969 | JP | Reissue (Musik Produktion Schwarzwald)
18,99 €*
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Release: 1969 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
1975 Japanese reissue.
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Rationals - Rationals Record Store Day 2022 Vinyl Edition
Rationals
Rationals Record Store Day 2022 Vinyl Edition
LP | 1969 | US | Reissue (Rouge)
27,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Limited to 1000 copies.

The Rationals are one of the cornerstone bands of Detroit’s ever-storied rock history. Artists such as Bob Seger, Ted Nugent and Brownsville Station were influenced by The Rationals. Coming out of Ann Arbor in 1964, The Rationals gave an authentic R&B twist to the new rock ‘n roll styles of the British Invasion. They broke through on Jeep Holland’s A2 label in 1965 and found a hit with a cover of Otis Redding’s “Respect” on the Cameo Parkway label in 1966—reaching a spot on the Billboard Hot 100. By 1967 The Rationals were firmly embedded in the Detroit music scene alongside such contemporaries as MC5, The Stooges, Bob Seger System and the Amboy Dukes. They were frequently featured on bills at the legendary Grande Ballroom, and acted as supporting act for Cream, Jimi He ndrix, and Pi nk Floyd around the Detroit area. Their sole studio LP was self-titled and released by Crewe Records in 1970. Their matured sound included touches of soul, hard rock, psychedelia, and the blues which spawned originals like “Guitar Army,” and showcased their soulful talents on covers such as “Temptation ‘Bout To Get Me”.

This Record Store Day 2022 reissue of the 1970 LP has been newly remastered and pressed on orange and yellow splatter vinyl at Third Man Pressing in Detroit.

Barefootin' Temptation 'Bout To Get Me Guitar Army Something's Gotta Hold On Me Deep Red Sunset Glowin' Handbags and Gladrags Ha Ha Zip-A-Dee Doo-Dah (Bonus Track)
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Yuya Uchida & The Flowers - Challenge!
Yuya Uchida & The Flowers
Challenge!
LP | 1969 | EU | Reissue (Cosmic Rock)
19,99 €* 24,99 € -20%
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.
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Can - Monster Movie Black Vinyl Edition
Can
Monster Movie Black Vinyl Edition
LP | 1969 | Reissue (Mute)
26,99 €*
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Release: 1969 / Reissue
Genre: Rock & Indie
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The Dave Pike Set - Noisy Silence - Gentle Noise
The Dave Pike Set
Noisy Silence - Gentle Noise
LP | 1969 | Reissue (Musik Produktion Schwarzwald)
24,99 €*
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Release: 1969 / Reissue
Genre: Organic Grooves
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Jethro Tull - Stand Up
Jethro Tull
Stand Up
2LP | 1969 | US | Reissue (Analogue Productions)
77,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Shintaro Katsu - Sing The Night
Shintaro Katsu
Sing The Night
LP | 1969 | JP | Reissue (Daiei)
51,99 €*
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Release: 1969 / JP – Reissue
Genre: Organic Grooves
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The Dells - Like It Is Like It Was
The Dells
Like It Is Like It Was
LP | 1969 | US | Original (Cadet)
4,99 €*
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Release: 1969 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: G+
US original.
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Marcos Vermelho - Gira Gira / Parabéns Meu Bem Black Vinyl Edition
Marcos Vermelho
Gira Gira / Parabéns Meu Bem Black Vinyl Edition
7" | 1969 | EU | Reissue (Groovie)
11,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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The Polydor label released a few singles in the late 1960s that became very obscure and unknown, even to researchers. Most of these 7 inches are super psychedelic and very creative, but totally anti commercial. Own compositions, recordings and good productions, always with a top team. These works were not promoted or publicized by the label and very few copies circulated at the time. The impression is that the intention was to freeze or disappear with the artist in question. Vermelho is one of them, a work that is little talked about or known but that always attracts the attention of those who have access to these two tracks. Arrangement by Rogério Duprat, who was proud to have participated in these recordings, with Rafael Moreno on bass, Alberto Niccoli Junior on drums, Bolão on Sax and Marcos Ficarelli, the “Vermelho” on guitar and vocals.

Marcos already knew well the ways of recording and producing an album, having participated in historical groups of Brazilian rock in the 60's such as Top Sounds, Código 90 and Loupha, to name a few. At this stage, he had already acquired good knowledge of recording and studio management. Excerpts such as “And in the hole of the corners, to look for, is what I try in vain” presents the listener with the mood of the dark times of that time, and today seems a premonition about the difficulty of finding this single, even in private collections.

“Parabéns Meu Bem” and “Gira-Gira” are tracks with an advanced rhythm for the time. Drums very well marked, with an original take and very close to North American funk. The bass is consistent and strong and the guitar full of effects and very reminiscent of the sound and energy of Jimi Hendrix, Santana and Blood Sweat & Tears. There is yet another musical layer created by Duprat, who managed to insert a mini orchestra along with the sound mass created by “Banda do Vermelho”.
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Boz Scaggs - Boz Scaggs Gold Vinyl Edition
Boz Scaggs
Boz Scaggs Gold Vinyl Edition
LP | 1969 | US | Reissue (Friday Music)
44,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Boz Scaggs - Boz Scaggs Blue Vinyl Edition
Boz Scaggs
Boz Scaggs Blue Vinyl Edition
LP | 1969 | US | Reissue (Friday Music)
44,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Touch - Touch
Touch
Touch
LP | 1969 | EU | Reissue (Long Hair)
30,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Crosby Stills & Nash - Crosby Stills & Nash SuperVinyl Edition
Crosby Stills & Nash
Crosby Stills & Nash SuperVinyl Edition
LP | 1969 | US | Reissue (Mobile Fidelity)
119,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe


The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
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Creedence Clearwater Revival - Willy And The Poor Boys
Creedence Clearwater Revival
Willy And The Poor Boys
LP | 1969 | EU | Reissue (Fantasy)
22,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Vinyl LP repressing of this 1969 album. WILLY & THE POOR BOYS, the fourth album by one of the world's all-time greatest rock bands, Creedence Clearwater Revival, remains a top-selling album in the CCR catalog with over 2 million copies sold to date. Reaching the top 50 in six countries upon it's release, the album stands as a landmark international success and one that cemented the band's legacy as a vanguard of American rock 'n' roll. Contains the ubiquitous chart-topping hit, 'Down On The Corner,' which rocketed into the top 10 in the Billboard Hot 100 in the U.S. and continues to be a mainstay on classic rock radio today. Additionally, the visceral 'Fortunate Son' is included here - an incendiary protest song that became inextricably linked to the Vietnam war, resulting in it's addition to the National Recording Registry by the Library of Congress in 2014 for being 'culturally, historically, or aesthetically significant'.
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The Band - The Band
The Band
The Band
LP | 1969 | EU | Reissue (Capitol)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Spanky Wilson - Spankin' Brand New
Spanky Wilson
Spankin' Brand New
LP | 1969 | JP | Reissue (P-Vine)
34,99 €*
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Release: 1969 / JP – Reissue
Genre: Organic Grooves
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The album that started it all! Spanky Wilson’s legendary debut from Mother’s Records saw Philadelphia’s soon to be soul diva teaming up with legendary producer/arranger H.B. Barnum to deliver a killer 11-track LP! From the opening notes of “You’re Gonna Miss Me”, to the final fading chimes of “The Last Day of Summer”, Spanky Wilson’s beautiful voice is always on full display. Despite the fullness of her voice, there’s a surprising tenderness - undercutting soulful funky numbers with an element of emotionality unlike anything her peers would ever put out. As Spanky’s voice soars, her backing band, at times as sparse as a single piano, and at times as full as a big band, is always tight, giving Spanky plenty of room to shine while showing off their own immense talents. Don’t miss the album that started it all for legendary soul diva Spanky Wilson, now available on limited edition vinyl with a special Japanese Obi-strip!
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Ethiopians - Reggae Power
Ethiopians
Reggae Power
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Gabor Szabo - 1969
Gabor Szabo
1969
LP | 1969 | EU | Reissue (Ebalunga!)
30,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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“Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Szabo declared his independence in 1966, he also proved how seamlessly jazz can blend the Beatles and Bacharach with Latin and Indian styles. The guitarist released a string of albums on Impulse that challenged many assumptions about jazz and stand out today as some of the most radical, yet appealing music of the period. But the times were woefully a-changing. Szabo biographer Károly Libisch considers the year 1969 a “turning point” for the guitarist. The spell Szabo weaved in the press was beginning to wane. The blizzard of coverage he generated in the previous few years began to trickle off. Perhaps the rise of rock – and rock-guitar heroes – tamped down the guitarist’s exotic allure and faddish charm. Then, too, Szabo’s erratic behavior started attracting poor notices and hastened the demise of his storied quintet, featuring guitarist Jimmy Stewart and percussionist Hal Gordon, in late 1968. Now, both Gabor Szabo, the artist and businessman, needed a hit. 1969 was his response to the call of 1969.

The album was released in August 1969, initial reviews were positive. Cash Box raved that Gabor Szabo 1969 “is magnificent music, and an album that deserves great success” while Record World called it “luscious guitaring” that features “lots of contemporary material, which he makes completely his own.” Gabor Szabo 1969 never did find the success it was seeking. But it remains a lovely listening experience that finds the guitarist at his melodic best at an important crossroads in his recording career. “
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Armando Trovaioli - OST Nell'anno Del Signore Black Vinyl Edition
Armando Trovaioli
OST Nell'anno Del Signore Black Vinyl Edition
LP | 1969 | EU | Reissue (AMS)
33,99 €*
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Release: 1969 / EU – Reissue
Genre: Soundtracks
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“Nell’Anno del Signore” is a 1969 film directed by Luigi Magni; set in Rome in 1825, it is based on a real event, the execution of two individuals belonging to the Carbonari revolutionary secret society; the main characters are interpreted by Nino Manfredi, Enrico Maria Salerno and Claudia Cardinale.

The drama and gloom atmosphere of the movie reflect in a soundtrack composed and arranged by Maestro Armando Trovajoli for an orchestra conducted by Gianfranco Plenizio; a few but essential notes outline the principal melodies of the main themes of the work, for a result that is still enticing today. In addition, we have the fundamental contribution of Alessandro Alessandroni’s Cantori Moderni and Edda Dell’Orso, together with the extraordinary participation of Fabrizio De André in the song “Nell’Anno del Signore (Suite)”, here released on vinyl for the first time.

This soundtrack special reissue, with audio remastered by Claudio Fuiano, is accompanied by a completely renewed graphic design compared to the original 1969 version, and also contains a special A4-sized 12-page booklet with a reproduction of the manuscript of the original score of “Tema di Giuditta”.
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Archie Shepp - Yasmina, A Black Woman
Archie Shepp
Yasmina, A Black Woman
LP | 1969 | EU | Reissue (Charly)
33,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Whispers - Planets Of Life
Whispers
Planets Of Life
LP | 1969 | EU | Reissue (Soulgramma)
20,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Formed in 1964 in Watts, California, U.S. and based in Los Angeles, the original members were the texan twin brothers Wallace Scott and Walter Scott plus Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Gordy Harmon injured his larynx in a driving accident and was replaced by Leaveil Degree. Planets Of Life was the result of the incoming change, a vocal soul-funk masterpiece from a renewed harmony group. Often compared to the Isley Brothers, due to Scotty Scott vocal similarities to Ronald Isley, the band was an excellent r&b combo, turning lately into an electric funk vibe with a clear Temptations twist.
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La Monte Young / Marian Zazeela - 31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta
La Monte Young / Marian Zazeela
31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta
LP | 1969 | US | Reissue (Superior Viaduct)
23,99 €*
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Release: 1969 / US – Reissue
Genre: Electronic & Dance, Classical Music
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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.
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Rare Bird - Rare Bird Orange Vinyl Edtion
Rare Bird
Rare Bird Orange Vinyl Edtion
LP | 1969 | EU | Reissue (Klimt)
24,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Rare Bird are perhaps best remembered for having the distinction of being the first act to be released on Tony Stratton Smith’s gloriously eclectic label Charisma records (also the home of Genesis, THE Nice and VAN DER Graaf Generator to name but a few) and for their excellent 1970 hit single ‘Sympathy’. Like fellow future Charisma stable mates Van Der Graaf Generator, Rare Bird was formed around the principle of keyboard dominated progressive rock which eschewed the use of guitars. In December 1969 their eponymous debut album was released to great critical acclaim.
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Ennio Morricone - Senza Sapere Niente Di Lei Record Store Day 2023 Edition
Ennio Morricone
Senza Sapere Niente Di Lei Record Store Day 2023 Edition
LP | 1969 | EU | Reissue (CAM SUGAR)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Soundtracks
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Senza Sapere Niente di Lei (1969, Luigi Comencini) is one of the first scores composed by Ennio Morricone for a Giallo film, just ahead of the great season of the cult Italian thrilling genre forged by Dario Argento...so far unreleased on vinyl (with the exception of two tracks included on a 1980 CAM anthology LP, now pretty much impossible to find). With “Senza Sapere Niente di Lei” Morricone composed one of his most dreamy and ethereal scores, with a sweet and delicate theme unfolding in a lullaby to the rhythm of a valzer, and interpreted in multiple keys: from lounge-jazz to experimental music. The final result is a sensual and suave sound that well matches the quintessential morbid style of Giallo cinema and of the film’s plot.
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Masahiko Togashi - We Now Create
Masahiko Togashi
We Now Create
LP | 1969 | JP | Reissue (Craftman)
45,99 €*
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Release: 1969 / JP – Reissue
Genre: Organic Grooves
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The most important artists in the history of Japanese free jazz, Masahiko Togashi, Masayuki Takayanagi, Mototeru Takagi and Motoharu Yoshizawa. A solemn and crazy improvisation work originally recorded in 1969! "It was not until 1969, when this album was recorded, that the quality of Japanese free jazz works reached a world-class level. The most important artists in the history of Japanese free jazz feast the solemn and insane improvisation has not faded away even in the present age of 2022." - Kouki Hanawa (Craftman Records)
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Yusef Lateef - Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition
Yusef Lateef
Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition
LP | 1969 | UK | Reissue (Arc Records)
43,99 €*
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Release: 1969 / UK – Reissue
Genre: Organic Grooves
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"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."
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Elvis Presley - From Elvis In Memphis
Elvis Presley
From Elvis In Memphis
LP Box | 1969 | US | Reissue (Mobile Fidelity)
119,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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Amalgam - Prayer For Peace
Amalgam
Prayer For Peace
LP | 1969 | EU (Trading Places)
21,99 €*
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Release: 1969 / EU
Genre: Organic Grooves
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While stationed in Germany in the RAF during the late 1950s and early 1960s, York-born alto and soprano saxophonist Trevor Watts met the drummer John Stevens, with whom he would form the Spontaneous Music Ensemble upon returning to the UK in 1965, which became an important vehicle for British free improvisation. Watts’ spin-off project Amalgam came two years later with Stevens and bassist Jeff Clyne, previously in the Jazz Couriers with Ronnie Scott; their debut LP Prayer For Peace is jazz improv at its most melodic, an unpredictable album of varying shades, with three unique takes of the song ‘Judy’s Smile.’
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Sacred Mushroom - Sacred Mushroom
Sacred Mushroom
Sacred Mushroom
LP | 1969 | EU | Reissue (Akarma)
25,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Sacred Mushroom -- led by future Pure Prairie League member Larry Goshorn (guitar/vocals) and featuring brother Danny Goshorn (vocals) -- were a short-lived rock/blues quintet based in Cincinnati, OH. Their efforts coalesce on this, the band's self-titled debut (and only) long-player. The album contains a blend of proficient originals as well as a pair of well-chosen cover tunes, such as the blues standard "Mean Old World" and the Kinks' "I'm Not Like Everybody Else." While their name conjures images of late-'60s psychedelic or acid rock, Sacred Mushroom's roots were decidedly more bluesy than trippy.
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Piero Piccioni - OST Scacco Alla Regina Clear Blue Marble Vinyl Edition
Piero Piccioni
OST Scacco Alla Regina Clear Blue Marble Vinyl Edition
LP | 1969 | EU | Reissue (AMS)
29,99 €*
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Release: 1969 / EU – Reissue
Genre: Soundtracks
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Fairport Convention - Unhalfbricking
Fairport Convention
Unhalfbricking
LP | 1969 | EU | Reissue (Island)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Amon Düül - Psychedelic Underground
Amon Düül
Psychedelic Underground
LP | 1969 | EU | Reissue (Ohr)
26,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Maximillian - Maximillian
Maximillian
Maximillian
LP | 1969 | US | Reissue (Riding Easy)
34,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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RidingEasy Records has teamed up with Permanent Records in Los Angeles to bring this very special heavy psych rocker back into the fold for RSD 2023. New York City based African-American & Latino hard rock/psych trio Maximillian released their sole self-titled album on ABC Records in 1969, then promptly vanished. It has remained a collectors’ conversation piece ever since. Maximillian combined elements of beat poetry, a little bit of The Fugs, a hit of Funkadelic, a lick of Cream and a vibe of Hendrix worship with an ambition that seems to have jumbled these influences. The Maximillian album is a rare artifact of late-60s psychedelic rock whose appeal is not the skill of their musicianship, but the downright strangeness of it. While at times it sounds like the trio is playing entirely different songs at the same time, it’s said that producer Teddy Vann had a hand in the album’s sometimes confusing production. Gatefold
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Jimmy Thomas - (We Ain't Here Looking For) No Trouble
Jimmy Thomas
(We Ain't Here Looking For) No Trouble
7" | 1969 | EU | Reissue (You Are The Cosmos)
9,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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First official reissue of this Soul classic originally released in 1969 by Spark label.
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Michel Portal - Our Meanings And Our Feelings
Michel Portal
Our Meanings And Our Feelings
LP | 1969 | EU | Reissue (Le Très Jazz Club)
33,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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On June 27th, 1969, Michel Portal pushed the door of the Pathé Marconi studios. With him were drummers Jacques Thollot and Aldo Romano, bassist Jean-François Jenny-Clark and pianist Joachim Kühn. They hadn"t rehearsed anything, as if entering the studio to record an album without any plan was something normal. The musicians were obviously very used to playing with each other, as the five tracks on Our Meanings And Our Feelings seem to flow perfectly without any hint of improvisation. The zokra, an oriental clarinet that Michel Portal plays on "Walking through the land" and "Dear old Morocco" brings a singular touch to this album. This singularity is transcended by Joachim Kühn"s ability to easily go from the piano to the saxophone alto, from supporting to soloing, before playing the bells, then the tambourine, opening the soundscape. Our Meanings And Our Feelings may not be the first French free jazz record - as it was preceded by the fantastic Free Jazz by François Tusques, released in 1965 and on which Michel Portal plays as well - but it remains one of the most important. Its incredible outburst of sounds and melodies is completely free yet never turns into cacophony. 44 years after its release, it is still urgent to listen to Our Meanings And Our Feelings and what these five talented musicians had to tell us.
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Ennio Morricone - OST Metti, Una Sera A Cena Solid Yellow Vinyl Edition
Ennio Morricone
OST Metti, Una Sera A Cena Solid Yellow Vinyl Edition
LP | 1969 | EU | Reissue (Cinevox)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Soundtracks
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“Metti, una sera a cena” is a 1969 movie directed by Joseph Patrons Griffi, made up from an eponymous theater script and especially transposed to the film medium. It immediately obtained consents and success, and paved the road to success for actors Florinda Bolkan and Tony Musante in particular. So did the music written by Ennio Morricone, who in 1970 won the Nastro D’Argento Award for Best Score. Lounge sounds, bossa nova, jazz (especially the drums touch) and beat (usually still in vogue in the Italy of the late ’60s), seasoned with orchestral arrangements conducted by Bruno Nicolai, merge here to one of the most famous soundtracks of the Italian Maestro. A perfect mix of eroticism and melancholy, for a real classic! This edition offers the original soundtrack released in 1969 on Cinevox Record in a new artwork, a gatefold cover and colored vinyl. A bonus track is also included, the song “Hurry to me” sung by The Sandpipers, a folk/pop trio who became famous at the time for their version of the popular “Guantanamera”.
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Chuck Berry - Concerto In B Goode
Chuck Berry
Concerto In B Goode
LP | 1969 | UK | Reissue (Elemental)
29,99 €*
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Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Jim Sullivan - U.F.O. Blue Splatter Vinyl Edition
Jim Sullivan
U.F.O. Blue Splatter Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
32,99 €*
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Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
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Jim Sullivan - U.F.O. Black Vinyl Edition
Jim Sullivan
U.F.O. Black Vinyl Edition
LP | 1969 | US | Reissue (Light In The Attic)
30,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / US – Reissue
Genre: Rock & Indie
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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.
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Andre Borgen - Forested
Andre Borgen
Forested
LP | 1969 | US | Original (Sheep Chase)
27,99 €*
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Release: 1969 / US – Original
Genre: Rock & Indie
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Jerry Jeff Walker - Five Years Gone Gold Vinyl Edition
Jerry Jeff Walker
Five Years Gone Gold Vinyl Edition
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Pop
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180 gram audiophile vinyl
Includes 4-page booklet
Features "Mr. Bojangles" and "About Her Eyes"
Limited edition of 750 individually copies on gold coloured vinyl

Jerry Jeff Walker was an American country music and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement, best known for having written the 1968 song "Mr. Bojangles". The late '60s and early '70s were an interesting time during which a number of enduring singer-songwriter albums were released, and this album is a prime example.

Originally released in 1969, Five Years Gone is a forward-looking album rooted in late-'60s folk and folk-rock rather than popular country. The poetic, yet sometimes inscrutable, lyrics owe more to Bob Dylan than any Nashville tradition. For this album, Jerry Jeff Walker was joined by some Nashville heavyweights, including Weldon Myrick, Hargus "Pig" Robbins, and Charlie McCoy.

Five Years Gone is available as a limited edition of 750 individually numbered copies on gold coloured vinyl, including a 4-page booklet.
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Quicksilver Messenger Service - Shady Grove
Quicksilver Messenger Service
Shady Grove
LP | 1969 | EU | Reissue (Endless Happiness)
23,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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The third long-player from San Francisco psychedelic icons Quicksilver Messenger Service (qms) is a direct contrast from their previous discs. Shady Grove (1969) is comprised mostly of shorter and self-contained pieces as opposed to the long and extended jams that were so prevalent on their self-titled debut (1967) and Happy Trails (1969). Ironically, the one stretched-out instrumental is courtesy of their latest acquisition -- Brit recording session guru Nicky Hopkins (keyboards). Another possible reason for the shift in style as well as personnel is the conspicuous absence of Gary Duncan (guitar) -- who is rumored to have been a "guest" of Bay Area law enforcement at the time. The band incorporate a number of different styles on the album. Kicking off the disc is an up-tempo rocking version of the traditional Appalachian folk song "Shady Grove." The QMS reading is highlighted by John Cipollina's trademark fluid fretwork and a familiar "Bo Diddley" backbeat -- reminiscent of both "Who Do You Love" and "Mona" from the live ensemble LP Happy Trails. (all music)
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James Brown - Mother Popcorn (You Got To Have A Mother For Me)
James Brown
Mother Popcorn (You Got To Have A Mother For Me)
7" | 1969 | JM | Original (King)
9,99 €*
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Release: 1969 / JM – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: Generic
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Tommy James & The Shondells - The Best Of Blue Vinyl
Tommy James & The Shondells
The Best Of Blue Vinyl
LP | 1969 | US | Reissue (Friday Music)
65,99 €*
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Release: 1969 / US – Reissue
Genre: Organic Grooves
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Janis Joplin - I Got 'Dem Ol' Kozmic Blues
Janis Joplin
I Got 'Dem Ol' Kozmic Blues
LP | 1969 | US | Reissue (Speakers Corner)
41,99 €*
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Release: 1969 / US – Reissue
Genre: Organic Grooves
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180g
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Velvett Fogg - Velvett Fogg Green & White Marbled Vinyl Edition
Velvett Fogg
Velvett Fogg Green & White Marbled Vinyl Edition
LP | 1969 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1969 / EU – Reissue
Genre: Pop
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180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL
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George Harrison - Electronic Sound
George Harrison
Electronic Sound
LP | 1969 | EU | Reissue (BMG Rights Management)
25,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Thunder And Roses - King Of The Black Sunrise Black Vinyl Edition
Thunder And Roses
King Of The Black Sunrise Black Vinyl Edition
LP | 1969 | EU | Reissue (Out-Sider Music)
26,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.
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Ike Turner & The Kings Of Rhythm - A Black Man's Soul
Ike Turner & The Kings Of Rhythm
A Black Man's Soul
LP | 1969 | EU | Reissue (Soulgramma)
29,99 €*
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Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Here’s the official reissue of the album originally released on Dallas Pompeii label in April 1969. When he was out on tour with his regular gig, the Ike & Tina Turner Revue, Ike found the time to cut this unbelievable instrumental album. Whenever he had some spare time he would drag the band into a local studio and lay down tracks, resulting in these 12 funky soul jams that sound like they were lifted from a blaxploitation movie. The band is tight and laid-back at once, with horns at the forefront most of the time. Los Angeles hip-hop group Jurassic 5 later sampled "Getting Nasty" on their self-titled EP.
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The Brothers Four - The Brothers Four Greatest Hits
The Brothers Four
The Brothers Four Greatest Hits
LP | 1969 | JP | Original (CBS/Sony)
4,99 €*
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Release: 1969 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Small writing inside gatefold.
OBI not included.
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Crosby, Stills & Nash - Crosby, Stills & Nash
Crosby, Stills & Nash
Crosby, Stills & Nash
LP | 1969 | EU | Reissue (Rhino)
36,99 €*
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Release: 1969 / EU – Reissue
Genre: Rock & Indie
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Jeff Beck - Beck-Ola
Jeff Beck
Beck-Ola
LP | 1969 | US | Reissue (Legacy)
29,99 €*
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Release: 1969 / US – Reissue
Genre: Organic Grooves
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Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding
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Simon & Garfunkel - Wednesday Morning, 3 A. M.
Simon & Garfunkel
Wednesday Morning, 3 A. M.
LP | 1969 | JP | Reissue (CBS/Sony)
9,99 €*
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Release: 1969 / JP – Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing without obi. Foxing inside gatefold and discoloration on back cover.
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Midnight Sun Pops Orchestra - Mood In Sax 1
Midnight Sun Pops Orchestra
Mood In Sax 1
LP | 1969 | JP | Original (Sun)
6,64 €* 6,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Red vinyl is Close to VG+.
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V.A. - OST Hello Dolly!
V.A.
OST Hello Dolly!
LP | 1969 | JP | Original (20th Century Fox)
23,74 €* 24,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1969 / JP – Original
Genre: Soundtracks
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Used Vinyl
Medium: VG, Cover: VG+
Record is slightly warped but close to VG+
Back cover shows minor foxing.
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Free - Free
Free
Free
LP | 1969 | UK | Original (Island)
28,49 €* 29,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1969 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: Generic
Vinyl with scuffs and hairlines. Generic cover
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Mitch Ryder - The Detroit - Memphis Experiment
Mitch Ryder
The Detroit - Memphis Experiment
LP | 1969 | DE | Original (Dot)
14,24 €* 14,99 € -5%
Incl. VAT plus Shipping Costs
Release: 1969 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG
Vinyl with many scuffs and hairlines
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Igginbottom - Igginbottom's Wrench
Igginbottom
Igginbottom's Wrench
LP | 1969 | EU (Ethelion)
20,99 €*
Incl. VAT plus Shipping Costs
Release: 1969 / EU
Genre: Rock & Indie
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