HHV Records Vinyl LP 98489 Items

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | TR | Reissue (Emre Grafson)

Baris Manco

2023

East Coasting Clear Vinyl Edition

Release: 1975 / TR – Reissue

Genre: Organic Grooves

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Re-mastered 180g black vinyl, in gatefold cover 12 pages booklet + poster. Originally released in 1975 by the Pioneer of Anatolian Rock, Baris Manco. He was one of the best musician in golden Era of Turkish Rock Scene. The album contains both traditional lyrics and space rock, progressive rock and psychedelic elements. In other words, nice blend of Turkish understanding with western instruments. Simply hypnotic, groovy.

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Charlie Mingus

LP | 1975 | EU | Reissue (Sowing)

Aamun Hauta Red Vinyl Edtion

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Recorded in 1957 this is one of Charles Mingus's lesser known sessions. Here the master was at the head of an awesome band including some of his regular sidemen. Jimmy Knepper - trombone, Shafi Hadi - alto saxophone, tenor saxophone and Dannie Richmond - drums, along with nothing but Bill Evans on piano! This is dense, lyrical and very stimulating music deeply rooted in the bop tradition yet with an open ear to other sound territories.

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Uranus

LP | 1975 | EU | Reissue (Svart)

LP | 1975 | JP | Original (Avco)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Limited red vinyl, gatefold sleeve

Probably very few people today have ever heard of the Finnish band called Uranus. In the short time of their existence in the mid-seventies, the group recorded their sole album Aamun hauta (“The Grave of the Morning”) which remained mostly unnoticed by the music consuming public. As drummer Jari Unha says, “the time just wasn’t right for the kind of music we were playing”. The more rewarding it is now, nearly half a century later, to dig the album up from the grave of oblivion and let its happy soul groove reach our ears. With the help of historical perspective, it’s perhaps easier now to appreciate this extremely well played and rare early Finnish dive into the vibrating musical territory inhabited by legendary figures such as Otis Redding and Stevie Wonder.

In the autumn of ’75 Uranus drove to Lahti and recorded Aamun hauta in Pekka Nurmikallio’s Microvox studio. Jari Unha is amused to remember the pink Volga of the trombone player Hannu Lehtonen. “We went to record American soul music with the pride of the Soviet car industry. Almost like a detail from an Aki Kaurismäki movie!”

It is presumed that Aamun hauta was too daring a deviation from the mainstream of the time to get the attention it would have deserved. On top of that, Basf had no guts or will to promote the LP. It was an optional subscriber’s gift in Popfoto magazine, together with albums by Kummitus, Kyklooppi and Horseshoe, but due to the lack of money, the short-lived magazine failed to succeed.

As for Uranus, things folded soon after recording the album. Soul music didn’t sell in live circuits either. For some time the group continued accompanying Markku Aro on dance venue gigs. The members have since made long and versatile careers in music.

Meanwhile, the original vinyl of Aamun hauta has become a rare collector’s item. Majanen has noticed someone in Italy is selling the LP for the price of 70 euros. Svart Records is proud to re-release this delicious and invitingly groovy album. Happy listening!

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The Stylistics

Best Collection

LP | 1975 | JP | Reissue (Roulette)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI!

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The Bud Powell Trio

LP+7" | 1975 | EU | Reissue (Somatória Do Barulho)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Without OBI.

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Luiz Henrique

Mestiço

34,99 €*

LP | 1975 | EU | Reissue (Rhino)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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"Mestiço" was originally recorded in 1975 to be the first release of Luiz Henrique´s own label Itagra, after coming back from fifteen years as a sucsseful musician in the U.S during the 60´s. Mestiço, meaning, "mixed race" in Portugues plays this exact roll mixing a variety of genres manking it impossible to be labeled a a single bossa-nova or samba-jazz album. Featuring Laércio de Freitas, Tenório Jr. Chico Batera with arrangements by J.T Meirelles, Mestiço was a precious jewel, only pressed 300 copies at the time.

The Brazilian label, Somatória do Barulho dug deep for the original master tapes for this reissue, and was blessed to find three extra themes, never heard before. A real masterpiece brought back to life, with incredible remaster work and a gatefold version for the beautiful sleeve designed by Florianópolis artist Hassis.

Includes 7" with bonus tracks.

Super thick heavy cardboard cover, this is what “deluxe” is meant to be in all terms.

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War

Why Can't We Be Friends?

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Rhino)

Fleetwood Mac

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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The Sensational Alex Harvey Band

Tomorrow Belongs To Me

LP | 1975 | UK | Original (Vertigo)

Release: 1975 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1975 | JP | Original (Trio)

Steve Kuhn

Trance

39,99 €*

Fiorenzo Carpi / Bruno Nicolai

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, with insert..

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Un Bianco Vestito Per Mariale

LP | 1975 | EU | Reissue (Holy Basil)

LP | 1975 | JP | Reissue (Musik Produktion Schwarzwald)

Release: 1975 / EU – Reissue

Genre: Soundtracks

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Directed in 1972 by Romano Scavolini, "Un Bianco Vestito Per Mariale'" features a cast with some familiar faces from the Italian thriller genre like Evelyn Stewart and Ivan Rassimov. The film was scored by a great name of the Italian film music scene, Fiorenzo Carpi, whose music was superbly arranged and conducted with his own and unique great style by Bruno Nicolai. Originally released on vinyl by Gemelli in 1975, three years after the release of the movie, this score is dominated by the Mariale' theme both with Piano and orchestra and Edda Dell'Orso's voice and orchestra versions, and also features several lounge and tensive themes. Long out of print, we are proud to bring this beautiful soundtrack back on vinyl as a limited edition of 500 copies, including the instrumental version of "Mariale'" and an alternative arrangement of "Garden Party", available on vinyl for the first time

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Oscar Peterson

Travelin' On

15,99 €*

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Joel Mc Ghie & Space Spies

LP | 1975 | EU | Reissue (Comet)

Epsilon In Malaysian Pale Record Store Day 2022 Green/Milky Clear Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Comet Records present the new release out of the Comet new reissue series, Noel McGhie’s only fulllength LP, released in France in 1975 at cult private label Disques Esperance! A true rare groove classic, a one-of-a-kind spiritual jazz funk record with a fusion touch. Includes ‘Trapeze’, ‘Dancer’ and ‘Mademoiselle Tuloch’.

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Edgar Froese

LP | 1975 | US | Reissue (Culture Factory)

LP | 1975 | EU | Reissue (Henry Stone)

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Limited to 3500 copies.

Epsilon in Malaysian Pale... which could be described as part of the "Phaedra Rubycon Epsilon" trilogy, shows Froese's impressions after the Australian Tangerine Dream concert tour, in relation to the flora and fauna there. Froese creates here a lush sonic atmosphere, the music matches the cover artwork perfectly. The music is harmonic and melodic. A sun-drenched musical landscape that is in no way inferior to the most famous Tangerine Dream albums.

It was not without reason that both David Bowie and Björk named Epsilon in Malaysian Pale as one of their inspirations.

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Milton Wright

Friends & Buddies

Soul Impressions Clear Blue Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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One of the most unique albums to ever come out of the Miami soul scene of the 70s. Milton Wright has a really jazzy groove to his music - and he mixes his own acoustic guitar lines with warm keyboards and a bit of synth or moog. Milton's vocals have the chops to live up to the heady batch of soul artists. This record feels like nothing else you've ever heard, but which you can't live without once you've heard it!

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Janko Nilovic

LP | 1975 | EU | Reissue (Underdog)

25,99 €*

LP | 1975 | US | Original (Springboard)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited to 300 copies.

Following the recent reissues of Pop Impressions (UR000651) and Super America (UR000651), Underdog Records label follows-up to the series with another brilliant album by French underrated composer and producer, Janko Nilovic!

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Brian Auger

17,99 €*

Yum Yum Black Vinyl Edition

Release: 1975 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover.

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Fatback Band

LP | 1975 | UK | Reissue (Ace)

19,99 €*

LP | 1975 | UK | Reissue (Ace)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Formed by drummer Bill Curtis in 1970, the Fatback band started off as a funk band although when disco began to break in 1974, they added that four-to-the-floor wrinkle to their sound to serve up some classics. In 1975 Fatback released both their fifth and sixth albums - “Yum Yum” and “Raising Hell” - in the same year. Although singles had been released Stateside as early as 1971, it was not until 1975 that Fatback began to appear on singles here.

Their third UK 7” – ‘Yum Yum (Gimme Some)’ - got to number 40 in the UK charts in August. Later in November, ‘Are You Ready (Do The Bus Stop)’ got to number 18, which helped propel the “Raising Hell” LP into the top 20. This album also spawned the Top 10 hit ‘Spanish Hustle’ in early 1976. Both “Yum Yum” and “Raising Hell” have been out of print on vinyl for decades. These new editions allow funky Fatback fans to drop the needle and get back into the groove.

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Fatback Band

Raising Hell

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Original (Mercury)

Skyhooks

Ego Is Not A Dirty Word

The Sinking Of The Titanic

Release: 1975 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

US original. Cut corner. Original US Terre Haute pressing.

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Gavin Bryars

LP | 1975 | EU | Reissue (Superior Viaduct)

38,99 €*

LP | 1975 | Reissue (Knitting Factor)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Inaugural release on the seminal Obscure Records, Produced by Brian Eno in 1975. Featuring Derek Bailey, Michael Nyman and John White, First-time vinyl reissue.

Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars eloquently reconstructs the passengers' experience – at once forlorn and eerily calming – through assemblages of understated strings and indeterminate elements. A core principle of the piece is that the ship's band continued to play as the vessel went down. One of the most sublime works in the modern classical canon, Titanic remains Bryars' magnum opus. Jesus' Blood Never Failed Me Yet, the album's second sidelong track, is based on a tape loop of a London street singer captured in the early 1970s. Featuring Derek Bailey, Michael Nyman and John White, Bryars' composition gradually builds around the cripplingly poignant voice until its emotional force is almost too much to bare. It's no surprise that Jesus' Blood is known as Tom Waits' all-time favorite piece of music. Produced by Brian Eno in 1975 as the inaugural release on Obscure, The Sinking of the Titanic draws the listener in to a majestic world. While these exquisite, hymn-like recordings have not changed in nearly 50 years, their deeply personal nature and the audience's attention to their subtlety have only strengthened over time.

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Fela Kuti

He Miss Road

Release: 1975 / Reissue

Genre: Organic Grooves

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LP | 1975 | CA | Reissue (Return To Analog)

Lothar Jahn

Dreams Of '75

LP | 1975 | EU | Reissue (Elemental Music)

Release: 1975 / CA – Reissue

Genre: Rock & Indie

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Singer/songwriter and multi-instrumentalist Lothar Jahn’s Dreams Of 75 is a wild fusion of psychedelic folk, and Krautrock. Fantastic from beginning to end “Dreams of ’75,” will take listeners on a stereoscopic journey

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Donna Summer

Love To Love You Baby

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | JP | Reissue (Universal Music Japan)

Pesants

Memories

39,99 €*

Release: 1975 / JP – Reissue

Genre: Pop

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Lonnie Liston Smith & The Cosmic Echoes

Expansions HHV Exclusive Transparent Yellow Vinyl Edition

LP | 1975 | UK | Reissue (BGP)

LP | 1975 | EU | Reissue (Dialogo)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Limited to 500 copies on transparent yellow vinyl in gatefold sleeve, exclusively available at HHV.

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Enrico Rava

Pupa O Crisalide

LP | 1975 | EU | Reissue (Holy Basil)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Enrico Rava was the first Italian jazz artist to represent the country internationally, born in Trieste in 1939. A border city with a long history as part of Austria, an important port on the Adriatic see, a places influenced by different cultures. Rava's music at its best is a product of this city - a mix of Central European and Italian culture. 'Pupa o Crisalide' is one of the most interesting works in Enrico's discography. It is a good summary of the first phase of his solo career, and contains tracks recorded with three different line-ups: an all-Italian line-up for the opener "Pupa O Crisalide" and the closer "Giromondo", recorded in Rome with Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea, Michele Ascolese, Mandrake and Tommaso Vittorini - an Argentinian octet for the B-side of the LP, recorded in Buenos Aires, and finally an impressive American septet with Jack DeJohnette and John Abercrombie, to name a few for the A-side, recorded in New York. The musical style clearly reflects the composite nature of the album. The first half is funkier, edgier and more fiery, evidently influenced by the jazz-rock/fusion tendencies that were spreading at the time. The second is more placid, elegantly incorporating some Latin/samba elements into the alchemy. The two halves are held together by the similarity in timbre of the line-ups (which feature almost the same elements), and Enrico Rava's renowned trumpet style. Often compared to Miles Davis and Kenny Wheeler, his technique involves rarefied notes, full of atmosphere, and erratic melodic lines that surprisingly do not undermine the 'presence' of his trumpet sound. On the contrary, the charisma of Rava's trumpet seems to emerge precisely from this surprising balance of detachment and red blood.

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Ennio Morricone

Controfase

Inner Feelings Deluxe Edition

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Composed by Ennio Morricone alongside friend and frequent collaborator Bruno Nicolai, "Controfase" is one of the most overlooked and lesser known chapters in the maestro's extensive catalog. Various experimental elements perfectly intertwine in these skilful compositions, Vcs3 blend with hair-raising violin notes on a pattern of ominous percussions by Egisto Macchi. With the precious help of Gruppo di Improvvisazione Nuova Consonanza as well as Edda Dell'Orso angelic voice, the two masterminds have crafted a true hidden gem.

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Roy Porter Sound Machine

LP+7" | 1975 | JP | Reissue (P-Vine)

51,99 €*

Chicago Ix Picture Disc Edition

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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He wasn’t satisfied simply being a bebop legend!

After spending the 40s and 50s playing with jazz pioneers such as Charlie ‘Yardbird’ Parker, Dizzy Gillespie, and a young Eric Dolphy. After spending much of the 1960s silent, Roy Porter returned triumphantly with the release of ‘Jessica’ in 1971. Four years later, he followed that up with “Inner Feelings”. Listeners back then had to wait four years for the sequel, but you don’t have to wait at all!

The seven-man band, with its powerful horns and phat grooves, is no doubt worthy of the name ‘Sound Machine’ Praise has been sung of this record in and among rare groove circles for over three decades, with mere rumors of original copies being enough to cause collectors to begin salivating. Album opener, “Party Time”, begins with an almost mechanical drum break - a groove so tight, you just might think Roy Porter is a metronome. Jpegmafia certainly thought so, sampling the drum beat on “Free the Frail”. Fans of classic hip-hop may also recognize “Panama”, not just for its beautiful melody and iconic groove, but from DJ SPINNA’s hit-song “rock”. The re-recorded version of “Jessica” adds vocals and a touch of melancholy to the jazz-funk classic. It’s still danceable, but it might also make you stop and think for a second. Album closer, “Out on the Town Tonight”, takes the funk one step further, with an even larger horn section, and fiery solos. Yet throughout the whole album, the drumming remains steadily funky, a reminder that Roy Porter sits at the heart of the Sound Machine.

With the LP reissued on clear blue vinyl for the first time ever, this record has never looked this good! Combined with a 7” record containing a re-edit by the legendary DJ Muro, and the nearly impossible to find vocal version of “Panama”, this reissue is no doubt going to be legendary! Don’t miss this iconic album, reissued for the first time on clear blue vinyl with a 7” record, available only from P-vine Records!

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Chicago

LP | 1975 | EU | Reissue (Warner)

33,99 €*

LP | 1975 | EU | Reissue (Universal)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Reissue as a part of the Start Your Year Off Right Kampagne von Warner. Gepresst als Picture Disc. Mit Syeor sticker. Chicago's 5X Platinum Greatest Hits collection, now on a picture disc. Includes the hits "25 or 6 to 4," "Make Me Smile, " "Saturday In The Park," "Colour My World," and "Feelin' Stronger Every Day." (Original RD: 1975)

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Lynyrd Skynyrd

Nuthin' Fancy

2LP | 1975 | US | Reissue (Mobile Fidelity)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Lynyrd Skynyrd is best known for popularizing the southern hard-rock genre during the 1970s. The band rose to worldwide recognition on the basis of its driving live performances and signature tunes "Sweet Home Alabama" and "Free Bird". Following on from the vinyl box set released in January; the six albums are now available individually with exact reproductions of original artwork to retain authenticity 180g heavyweight and pressed on 180 gram heavyweight audiophile vinyl

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Eagles

One Of These Nights

119,99 €*

Une Bien Curieuse Planète

Release: 1975 / US – Reissue

Genre: Rock & Indie

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2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Stereo

Limited to 10,000 copies
1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe
Copyright 1975 Elektra/Asylum Records, a division of Warner Music Group

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François Jeanneau

LP | 1975 | EU | Reissue (Souffle Continu)

Zambia Smoke Colored Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Paris, 1965. Pianist François Tusqueslaid the foundation stone of French-style free jazz with his first, soberly titled, album “Free Jazz”. Also in the team were several future key names of the French scene, (Michel Portal, Bernard Vitet, Beb Guérin, Charles SaudraisandFrançoisJeanneau) all of whom honed their skills at the beginning of the decade in JefGilson’s groups, althoughhe was none too fond of the turbulent new face of jazz at the time.Ten years later, Jef Gilsonhad obviously changed his tune, as the label Palmthat he had created in 1973 was now the launch pad for what would become the cream of French and international avant-garde jazz. This would notably be the case for François Jeanneauand “Une Bien Curieuse Planète”. His first album as leader (after brieflyerring into pop with Triangle) was recorded in 1975, a few months after “Watch Devil Go” by his old friend Jacques Thollot, and with more or less the same casting: Jeanneau on sax of course, Jenny-Clarkon bass and percussions, Lubatreplacing Tholloton drums and Michel Grailler(plucked out of Magma) was called in as a reinforcement for his completely ‘out of space*’ synthetiser sounds. Thus began a strange trip to a very strange planet, at the border of experimental jazz and swinging avant-garde.From 1960 to nowadays, from Georges Arvanitasto Laetitia Shériff, from Manu Dibangoto “Mama” Béa Tékielski, everyone has wanted to play with François Jeanneauat some point. There is a good reason for this. The saxophonist is a formidable improviser, but alsoa solid composer, as he demonstrates on this record with, for example, the monumental “Droit d’Asile”, the spooky “Theme For An Unknown Island” or the Coltranesque “Mr J.C. For Ever”. Over half a century later, the planet seems far more familiar to us. And François Jeanneau is always on the front line for a guided tour. Jérôme « Kalcha » Simonneau.

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Rikki Ililonga

LP | 1975 | US | Reissue (Now-Again)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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The Hall Of Floaters In The Sky

Omega

LP | 1975 | EU | Reissue (MIG)

23,99 €*

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU (Trading Places)

John L. Watson

Let's Straighten It Out

LP | 1975 | US | Original (Tamla)

Release: 1975 / EU

Genre: Organic Grooves, Rock & Indie

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Following his tenure fronting British psychedelic rock act The Web, who cut a couple of likeable albums featuring his bluesy, soulful lead, US-born vocalist Mississippi John L. Watson went solo, working with Pete Wingfield on his 1970 debut, White Hot Blue Black. Superior sophomore set Let’s Straighten It Out was released on Bob Kingston’s Spark label in 1975 and credited to John L. Watson and White Mouse, with Watson headed in a funk direction; along with the potent title track, there’s a fine cut of Gwen McCrae’s ‘Rockin’ Chair,’ making the set a sure-fire winner for Watson fans and lovers of British funk and soul.

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The Miracles

City Of Angels

12,99 €*

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | UK | Reissue (Pure Pleasure)

The Piano Choir

Handscapes Volume 2

34,99 €*

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Original (ATCO)

Black Oak Arkansas

Ain't Life Grand

3,14 €* 8,99 € -65%

Gratitude Blue Vinyl Edition

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is missing. RI pressing.

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Earth, Wind & Fire

2LP | 1975 | US | Reissue (Friday Music)

76,99 €*

Release: 1975 / US – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Island)

Burning Spear

Marcus Garvey

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1975 | EU | Reissue (Virgin)

Roxy Music

Siren

36,99 €*

LP | 1975 | EU | Reissue (Lipposen Levy Ja Kasetti)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

2022 reissue. Still sealed with hype sticker.

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Jukka Tolonen

Hysterica

Latimore III (Henry Stone Records)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Tolonen's 1975 album Hysterica was nearly an international hit, with the band scheduled to appear on a major international tour. However, things didn't work out and the album remains a cult item. Some songs from it, such as Silva The Cat and Windermere Avenue, are perennial favorites on compilations of Tolonen's best work.

This edition features newly done interviews with Tolonen and other key players such as Esa Kotilainen and Häkä Virtanen. The cover is expanded to gatefold format.

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Latimore

LP | 1975 | EU | Reissue (Wagram)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Greensleeves)

King Tubby

The Roots Of Dub

LP | 1975 | EU | Reissue (Greensleeves)

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Two albums that shook the world! The release of these two ground-breaking dubs sets in 1975 altered the course of modern music forever. Dub From The Roots & Roots Of Dub make up a crucial selection of King Tubby’s mind-altering dub versions.
Produced by Bunny ‘Striker’ Lee – both albums are essential!

The ace reissue of these wicked dub albums collecting together classic 70's dub versions by dub pioneer and leader of ‘roots’ music in Jamaica, King Tubby! Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard. All the tracks on here are versions of classic tracks from Cornell Campbell, Johnny Clarke, Horace Andy, Linval Thompson, Derick Morgan & Hortense Ellis dubbed out by the King of Dub King Tubby!’

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King Tubby

Dub From The Roots

Funkadelic's Greatest Hits Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Funkadelic

LP | 1975 | UK | Reissue (Westbound)

Story Of Wind Behind Left HHV Exclusive Green Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Keenly awaited vinyl reissue of Funkadelic’s 1975 “Greatest Hits” collection on Westbound Records.

Known as “the sheep album” for its unique cover art, it is a stunning selection of highlights from the George Clinton-led group’s first six albums.

Gathering 45 mixes, LP versions and a unique edit of the instrumental ‘A Joyful Process’, it is a perfect entry point into the world of Funkadelic.

The original 1975 release suffered from a slightly tinny sound, so we have remastered to give you the full force of the music.

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Masahiko Togashi

LP | 1975 | EU | Reissue (Cinedelic)

25,99 €*

Nana Nelson Angelo Novelli Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on green wax, limited to 100 copies

Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. On the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left,” Masahiko Togashi revolutionized the Japanese jazz scene. The record includes an insert with the original liner notes translated into English.

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Naná Vasconcelos

LP | 1975 | Reissue (Altercat)

Release: 1975 / Reissue

Genre: Organic Grooves

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Story Of Wind Behind Left Black Vinyl Edition

Masahiko Togashi

LP | 1975 | EU | Reissue (Cinedelic)

LP | 1975 | EU | Reissue (Cosmic Rock)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. In the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left,” Masahiko Togashi revolutionized the Japanese jazz scene. The record includes an insert with the original liner notes translated into English.

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Magical Power Mako

Super Record

LP | 1975 | EU | Reissue (Be With)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Here is the second album of original japanese freak Magical Power Mako, originally released in 1975. A truly iconic acid folk manifesto, interspersed with intense moments of pure psych rock. A sonic journey into imaginary lands !

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Nucleus

Snakehips Etcetera

27,99 €*

LP | 1975 | EU | Reissue (Musica & Entretenimiento)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”

With all restraint out the window, 1975's pimped-up Snakehips Etcetera is the outrageous - in both cover art and sound - follow-up to the brooding Under The Sun. It's perhaps not one for the jazz purists! It finds Nucleus pared down to a core group of six, with Carr, Bob Bertles (sax), Ken Shaw (guitar), Geoff Castle (keys), Roger Sutton (bass) and Roger Sellers (drums) comprising the collective. Snakehips Etcetera reflects a period where the compositions start to become a little more direct and less-cerebral in comparison to some of Nucleus' previous releases. And why would we begrudge them some fun? This one rocks, swings and funks with no little soul. And more than a little jazzy sleaze. Clearly, they were having a good time.

The album has a real live, jamming feel to it, no surprise given the extent to which they were touring at the time. The band is tight and grooving throughout, none more so than on Bob Bertles's effervescent opener, "Rat’s Bag". So darn funky it stings, it's an infectious gem full of punchy clean lines over a killer bassline from Sutton. The thick, driving jazz-rock of "Alive And Kicking" is exactly that. It has a very improvisational feel, but an inspired one at that and features a wailing guitar solo from Ken Shaw that simply slays. The funky "Rachel’s Tune" is amazing, bringing you back to Canterbury days with its fuzzed-out organ solos to close out Side A.

Opening up Side B, the cool psychedelic title track unfolds slowly and sensually over its ten-plus minutes. A stoned soul stew of sorts, each member of the crew gets their chance to shine over Sellers's steady drums. The melodic funk fusion of "Pussyfoot" pairs Carr with Bertles on ace solo flute for a bright, springy melody. This one really gleams over shuffling drums. Changing the pace to close out this memorable set, the particularly cool "Heyday" is a reflective, sober tune which reinforces the sumptuous Nucleus palette, the acoustic guitar and bass high in the mix to make the neck snap, the horns elegantly blasting to help you swoon.

This Be With edition of Snakehips Etcetera has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The striking, lascivious sleeve has been restored in all its seductive/ridiculous beauty.

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Fusion

Top Soul

35,99 €*

OST Profondo Rosso Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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"Top Soul" (1975) by Fusion is released now on vinyl, from the original IRT masters! The experience of the group Fusion, historically considered the first Chilean electric jazz project, according to musicologist Alvaro Menanteau in his book Historia del jazz en Chile (History of jazz in Chile). Luna was the son of Peruvian diplomats settled in Chile. He had lived and studied art in New York and for that reason he had first-hand knowledge of the current jazz scene: the last years of John Coltrane in the avant-garde and the mutation of Miles Davis to electric jazz. He had studied at the Boston school of Berklee and had an important collection of records by Davis himself and his disciples: Joe Zawinul, Herbie Hancock, Chick Corea, Wayne Shorter, Miroslav Vitous. While Pizarro, who had appeared in the mid '60s as a very young pianist, of outstanding technique, advanced ideas and notorious musical culture, was also returning from a period of study at Berklee. The workshop meetings, jam sessions and auditions of new music were held at Pizarro's house, on Hernando de Aguirre and Eliodoro Yánez streets, and there was no jazz musician during those years who did not go through the experience of attending the initiation sessions. According to Chilean musicologist Alvaro Menanteau in his book Historia del jazz en Chile (2003), from the youngest (pianists Manuel Villarroel and Mario Lecaros or drummers Patricio Villarroel and Pedro Greene), to the most experienced (saxophonists Patricio Ramírez and Sandro Salvati or drummer Jaime Farfán), they frequented Pizarro's house and consolidated the core of musicians that faced the hard decade of the 70s. That was the seed of the foundation of Fusion, a group that adopted its name directly from the generic topic that began to understand and describe the music promoted mainly by Miles Davis in those years. In 1972, Fusion launched its project with the Luna-Pizarro-Salvati trio, using electric instrumentation, experimenting with rhythmic patterns of soul, funk and rock, but keeping intact the impulse of the original jazz improvisation and an important factor of Afro-Latin music, full of percussion. Although to record the album "Top Soul" (1975), the band ended up with soloists like David Estánovich (tenor sax) and Lautaro Rosas (guitar), plus a rhythm trio with Mario Lecaros (electric piano, ex Village Trio), Enrique Luna (bass) and Orlando Avendaño (drums, ex Nahuel Jazz Quartet), plus guests like trumpeter Daniel Lencina, and the young percussionist Santiago Salas (from the group Santa y su Gente). But it was, in any case, a brief history with few live appearances. One of them took place in 1972 at the Chile Stadium, with some members of Fusion as Luna, Pizarro and Greene, joined Los Jaivas for a free collective improvisation session, under the name of La Banda, and of which there is a valuable filmed testimonial record, although without audio. Fusion's life ended definitively after the release of the album, with Matías Pizarro living in Paris since 1977, Mario Lecaros in Barcelona in 1976, Orlando Avendaño retired from music, Enrique Luna back in Peru after working with the fusion group Almandina, and a hostile reality for the development of music during the first years of the military dictatorship.

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Goblin

LP | 1975 | EU | Reissue (AMS)

29,99 €*

Release: 1975 / EU – Reissue

Genre: Soundtracks

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Braen/Raskovich (G.Sorgini/A.Alessandroni)

Tempo Libero Black Vinyl Edition

LP | 1975 | EU | Reissue (BTF)

25,49 €* 29,99 € -15%

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | UK | Reissue (Westbound)

Junie

When We Do

LP | 1975 | UK | Reissue (Westbound)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Never before reissued debut album by hit-making member of the Ohio Players Junie Morrison - the first of his much-sampled Westbound recordings. Junie is best known today as Funkadelic's late 70s keyboard player who wrote their worldwide hit 'One Nation Under A Groove'. "When We Do" was released on his departure from the Ohio Players, who decided to leave Westbound after the success of 'Funky Worm'. "When We Do" features Junie's unique mix of funk and soul, including the classic 'Tight Rope' and the title track as sampled by Lyrics Born. Junie, who died in 2017, was celebrated by Solange Knowles and Andre 3000 of Outkast on the track 'Junie' on her "A Seat At The Table" album from 2016. "When We Do" is reissued on vinyl for the first time since it's 1975 original release.

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Junie

Freeze

Harold Melvin And The Blue Notes Featuring Teddy Pendergrass

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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In the wake of their hit, 'Funky Worm', the Ohio Players quit Westbound Records and keyboard and vocal wizard Junie quit the Ohio Players. He immediately set out on a solo career that was less commercial than his erstwhile colleagues, but musically intriguing. He recorded three solo albums for Westbound, with "Freeze" being the immediate follow up to his debut "When We Do". Recorded at the world-famous Ardent Studio in Memphis, it saw Junie play every instrument, from a traditional rhythm section to a barrage of the latest synthesizer technology. The result was an avant-funk masterpiece that ranged from the sublime 'Not As Good As You Should' to the wild 'Granny's Funky Rolls Royce' which reprised the worm character and was later sampled by DJ Shadow. Junie would later join Funkadelic, originating their biggest international hit, 'One Nation Under A Groove', and touring the world. He died in 2017, a year after Solange and Andre 3000 from Outkast lauded him on the track 'Junie' from Solange's Grammy winning album "A Seat At The Table". The album is reissued in a facsimile of it's original cover, and is reissued for the first time ever

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To Be True

LP | 1975 | US | Original (Philadelphia International)

18,99 €*

LP | 1975 | US | Original (MGM)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Santa Maria pressing.

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Gloria Gaynor

Never Can Say Goodbye

3,99 €*

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

LP | 1975 | EU | Reissue (ABC)

Isaac Hayes

Chocolate Chip

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Seriewoc)

Saheb Sarbib

Evil Season

39,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Original (T-Neck)

The Isley Brothers

The Heat Is On

14,99 €*

LP | 1975 | JP | Reissue (P-Vine)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split at the upper edge.
Includes original inner sleeve.

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Karin Krog

We Could Be Flying

34,99 €*

LP | 1975 | EU | Reissue (Sanctuary)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1975, Norwegian jazz singer Karin Krog’s We Could Be Flying has long been called an underrated masterpiece. Although Krog is listed as the sole leader on the album, pianist Steve Kuhn’s presence is felt throughout. Composing four out of nine tunes and playing on all nine, the New York pianist’s brand of mellow jazz is on full display from beginning to end. Album opener and title track “We Could Be Love” sets the tone for the record, as spiritual chimes and rolling piano arpeggios make way for a gentle groove, over which Krog’s vocals soar. “The Meaning of Love” is a Kuhn composition, and sees the pianist take an understated, yet fantastic solo. However, the true highlights are the bass playing from Steve Swallow and drumming from John Christensen. The two are perfectly locked in, and you can practically imagine the two of them locking eyes as they create a rhythmic bedrock. The cover of Joni Mitchell’s “All I Want”, is another highlight of the record, with 70’s sensibilities oozing from practically every aspect of the performance. Despite that, the track has aged well, and perfectly shows the interplay between Krog and the immensely talented rhythm section. That’s not to say that the rest of the record is lacking in any way. From the loungey interpretation of Carla Bley’s “Sing Me Softly Of The Blues”, to the danceable samba-inspired “Raindrops, Raindrops” and “Hold Out Your Hand”, fans of all kinds of jazz are sure to be delighted from beginning to end. Reissued on vinyl with an obi-strip for the first time ever, this record is a must-have for any jazz fan!

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The Kinks

Soap Opera

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Sanctuary)

The Kinks

Schoolboys In Disgrace

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Kristyl Black Vinyl Edition

Kristyl

LP | 1975 | EU | Reissue (Guerssen)

LP | 1975 | US | Original (Big Tree)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Stunning private press album from 1975 by Louisville guitar-driven psych-rockers.

A blend of West Coast styled psychedelia with acid dual guitar and gentle dreamy passages.

Officially reissued for the first time by Guerssen in 2009, here’s a new, improved repress sourced from recently discovered master tapes.

*Original artwork in hard cardboard sleeve + OBI *Insert with liner notes and photos *Sourced from the original masters

“Personal fave, one of the big ones in the style” – Patrick Lundborg (Acid Archives)

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Hot Chocolate

LP | 1975 | Reissue (Knitting Factory)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sticker on front and saw cut. Vinyl close to VG+

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Fela Kuti

Expensive Shit

Release: 1975 / Reissue

Genre: Rock & Indie

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LP | 1975 | US | Original (EMUS)

Dinah Washington

5,99 €*

2LP | 1975 | Reissue (Knitting Factory)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover with long open seam splits

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Fela Kuti

He Miss Road

Release: 1975 / Reissue

Genre: Rock & Indie

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Antonio Infantino Ed Il Gruppo Di Tricarico

I Tarantolati

LP | 1975 | EU | Reissue (Black Sweat)

Solta O Pavão Colored Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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In the late 1960s, Antonio Infantino linked his name to the Beat world and to italian performance and gestural music circles (Bussotti, Chiari, Curran). A poet and singer, a tireless devotee of the musical traditions of Southern Italy, he focuses his research mainly on the mysterious phenomenon of Tarantismo, a cultural syndrome of hysterical type found in the Mediterranean air and made famous by the studies of Ernesto De Martino. With his group, Infantino twists and reinvents the traditional repertoire of Basilicata, creating an entirely new and original songbook. The music reflects the states of Trance induced by the bite of the spider tarantula, with obsessive and hypnotic rhythms characteristic of the incandescent blood of the peasant world. A deep and universal human sound, it also takes its cues from Dylan's folk revolution and the frenetic drums of North Africa.

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Jorge Ben

LP | 1975 | EU (Survival Research)

17,99 €*

When Do We Get Paid Golden Sleeve Edition

Release: 1975 / EU

Genre: Organic Grooves

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A reissue of Jorge Ben's Solta o Pavao, originally released in 1975. Jorge Ben is one of Brazilian music's iconic and best-loved figures. Born Jorge Duilio Lima Menezes in Rio in 1942, he took the stage name, Jorge Ben, in deference to his mother's Ethiopian roots, and later used Jorge Ben Jorge for further distinction. Playing tambourine and singing in a church choir from an early age, Ben began playing in Carnival blocos and was performing in nightclubs as a teen. Signed to Philips in 1963, his "Mas Que Nada" became an instant international sensation that has never waned, despite being sung entirely in Portuguese. Beginning in samba, Ben's openminded approach saw him embrace aspects of bossa nova, the "Jovem Guarda" rock movement of the mid-1960s and the experimental Tropicalia form, the broad palette and diverse influences yielding a number of adventurous and abstruse albums during the 1970s, of which Solta o Pavao is one of the most rated by connoisseurs, though somewhat overlooked in general; its title translates roughly to "Unleash the Peacock" and apparently concerns the outward expression of inner beauty. Against a backdrop of lushly produced samba rock with shades of MPB, highlights include opener "Zagueiro", in which Ben salutes football center-backs in typically playful and poetic language; closing number "Jesualda" is a heady ballad of a chance encounter leading to a girl's social climbing and "Para Ouvir No Radio (Luciana)" a love song with striking flute and string arrangements; Dadi Flavi's bubbling bass and occasional string synths help keep the sound non-standard.

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The Staples Jr. Singers

LP | 1975 | US | Reissue (Luaka Bop)

27,99 €*

LP | 1975 | IT | Reissue (RCA)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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When Do We Get Paid is now available for the first time since its original release (nearly 50 years ago) with its original gold cover.The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.

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Antonello Venditti

Lilly

37,99 €*

Release: 1975 / IT – Reissue

Genre: Pop

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2LP | 1975 | US | Original (Atlantic)

The Modern Jazz Quartet

The Last Concert

16,49 €* 21,99 € -25%

LP | 1975 | DE | Original (Knöterich)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover close to VG+

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Jessica

Jessica Spielt Reger

104,99 €* 139,99 € -25%

LP | 1975 | JP | Original (RCA)

Release: 1975 / DE – Original

Genre: Rock & Indie, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG

Front cover has a small hole close to spine.
(see photos).

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The Hues Corporation

Love Corporation

6,74 €* 8,99 € -25%

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Have You Never Been Mellow

Olivia Newton-John

LP | 1975 | JP | Original (EMI)

3,99 €*

Still Crazy After All These Years

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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Paul Simon

LP | 1975 | JP | Original (CBS/Sony)

17,99 €*

LP | 1975 | JP | Reissue (RSO)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

No OBI! Includes insert!

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Bee Gees

In The Morning

11,24 €* 14,99 € -25%

Release: 1975 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Return To Forever Featuring Chick Corea

No Mystery

LP | 1975 | JP | Original (Polydor)

15,99 €*

Butterfly HHV Summer Of Jazz Exclusive Clear Vinyl Edition

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Copy closer to VG+

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Bra Sello

LP | 1975 | EU | Reissue (Afrodelic)

23,39 €* 25,99 € -10%

LP | 1975 | JP | Reissue (Express)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Graciela Susana

Adoro, La Reine De Saba

5,99 €*

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1975 | JP | Original (A&M)

Carpenters

Horizon

LP | 1975 | JP | Reissue (A&M)

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With original plastic sleeve. close to NM

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Carpenters

Close To You = 愛のプレリュード

LP | 1975 | JP | Original (Epic)

Release: 1975 / JP – Reissue

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI!

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Rick Derringer

Spring Fever

7,99 €*

An Evening With John Denver

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No OBI.

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John Denver

2LP | 1975 | JP | Original (RCA)

LP | 1975 | CZ | Reissue (BMG Rights Management)

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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John Fogerty

Release: 1975 / CZ – Reissue

Genre: Rock & Indie

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LP | 1975 | JP | Original (EMI)

Olivia Newton-John

Clearly Love

4,99 €*

LP | 1975 | JP | Original (Arista)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no OBI.

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Bay City Rollers

Rollin'

12,99 €*

LP | 1975 | JP | Reissue (Capitol)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Wings

Red Rose Speedway

19,99 €*

LP | 1975 | JP | Original (Avco)

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, no Obi.

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The Stylistics

Best Collection

5,24 €* 6,99 € -25%

Art Tatum / Erroll Garner

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing with obi.
Splits in seams.

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Giants Of The Piano

LP | 1975 | JP | Original (Roulette)

11,24 €* 14,99 € -25%

LP | 1975 | JP | Original (Threshold)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Mono.
OBI not included.
Includes original insert.

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Ray Thomas

From Mighty Oaks

13,99 €*

LP | 1975 | JP | Original (Arista)

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Bay City Rollers

Wouldn't You Like It?

6,99 €*

LP | 1975 | JP | Original (A&M)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Carpenters

Horizon

6,99 €*

Oh! Carol And Other Big Hits

Release: 1975 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G+

No obi.

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Neil Sedaka

LP | 1975 | JP | Reissue (RCA)

4,49 €* 5,99 € -25%

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1975 | JP | Original (Arista)

Bay City Rollers

Once Upon A Star

7,19 €* 7,99 € -10%

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Doug Hammond & David Durrah

Reflections In The Sea Of Nurnen

LP | 1975 | US | Reissue (Now-Again)

33,99 €*