HHV Records Vinyl LP 102000 Items

Ba Ad Schandau Express Volume 2 Ag.Geige

LP | 2023 | EU | Original (Iron Curtain Radio)

24,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ba Ad Schandau Express Volume 1 A.E.Bizottsag

LP | 2023 | EU | Original (Iron Curtain Radio)

24,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ayo Ke Disco:Boogie, Pop & Funk From The South China Sea

LP | 2024 | Original (Soundway)

23,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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"Ayo Ke Disco" (meaning "Let"s go to the disco" in Malay and Indonesian) celebrates the musical identities emerging from the newly independent countries in South-East Asia during the 1970s and 80s.Soundway general manager Alice Whittington, aka Norsicaa (DJ), selects 10 deep cuts from local labels, officially reissued on vinyl for the first time - forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.The artists featured here were known for exploring traditional sounds alongside funk, disco, city-pop and even political psych-rock, genres that were indicative of the exciting but often turbulent period. But despite the post-war backdrop of instability there came unprecedented levels of economic prosperity. With a hopeful buzz filling the air, the music scene was helping lead the way in reshaping the new identities of the region.

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2LP | 2022 | EU | Original (Terra Magica)

Axisdance

23,74 €* 24,99 € -5%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Another Terra Magica release is coming! The new ‚Axisdance‘ - Various Artists (terram003) double-vinyl 12″ compilation coming out this summer August/September on Terra Magica Rec.

With artists from all over the world such as Poly Chain, Mogwaa, Jacques Satre, Jai, DJ Normal 4, Imogen Soundsystem – Ilija Rudman and Antonio Zuza], Gee Dee, Rambal Cochet, Listensport, Johnmon and Hektisch Sprengen DJs.

Every track has its own spirit, in a kind of a 90s journey way. The compilation is a fascinating mixture of weird cosmic and slow goa vibes to more emotional places with powerful bassdriven downtempo techno and slightly trance influenced anthems as well as distinctive tribal acid easiness with epic melodies. Furthermore it involves faster loaded minimal hypnotic synth sounds and dark UK-House with a big-beat touch to it. Raw liquid floating old skool breaks melts into rave stompers which are inhabited by sensitive living microbes vibrating jungle atmospheres.

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Awaaz Original Soundtracks Recordings From The Archives Of Cbs Gramophone Records & Tapes India 1982-1986

2LP | 2023 | EU | Original (Naya Beat)

38,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Bollywood rarities handpicked and remastered on a double LP release with laminate gatefold and multi-layered flower petal foldout. Featuring rare, overlooked or not-previously-on-vinyl music from Bappi Lahiri, R. D. Burman, Ilaiyaraaja, Kalyanji-Anandji, Anand Milind, Raamlaxman and Kirti Anuraag released between 1982 and 1986. Mastered for and cut to vinyl by multi Grammynominated Frank Merritt at his mastering studio The Carvery. Naya Beat is incredibly proud to present the first in our series of ‘Awaaz’ (‘sound’ in Hindi) archival projects focused on uncovering the sounds of 1980s Bollywood Original Soundtrack Recordings (OSTs). Series 1 focuses exclusively on the musical output of CBS Gramophone Records & Tapes (India) Ltd. Active during India’s peak disco era – a time when synthesisers and drum machines became a mainstay in Indian popular music – CBS India became a home for established composers to be experimental, up-and-coming composers to get their start, B-movie soundtracks, and straight-to-VHS releases. Expertly curated by Naya Beat co-founders Turbotito and Ragz, who were given unprecedented access to the original label archives, this compilation is not just a collection of four-to-the-floor Bollywood disco (although there are plenty of those). ‘Awaaz’ is designed to take listeners on a musical journey that includes everything from leftfield electronic and mood music to outrageous proto house. Be it classic and hard to find cuts like Ilaiyaraaja's "Aye Zindagi Gale Lagaa Le" and “Mere Jaisi Mehbooba” (Bappi Lahiri’s Hindi remake of Herbie Hancock's “Rockit”), or the instrumental mood music of Kirti Anuraag’s VHS movie soundtracks, to the proto house of Raamlaxman’s “Dil Gadbad Jhala” and Kalyanji-Anandji’s “Aage Bhi Dushman,” or the synth and guitar drenched breakdance madness of R. D. Burman’s “Dekho Idhar Jano Jigar,” the music on this compilation captures the output of a label that was unique as it was unconventional. An homage to the genre, every detail in this stunning release has been lovingly crafted. From the laminate cover to the absolutely incredible foldout, to the cut-out and collage design, to the font type and layout, there are countless authentic details and nods to classic Bollywood releases of the era. As much of the album has been made in India as is possible. The sleeves have been handmade in New Delhi. The liner notes have been compiled by music archivist Nishant Mittal (aka Digging In India).

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Automatic Gain Control 12.5

LP | 2019 | US | Original (Culture Power 45)

38,99 €*

Release: 2019 / US – Original

Genre: Hip Hop

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Hip Hop started out with some spray cans and break beats with brothers and sisters getting down on cardboard boxes. Culture Power45 is true to the essence of this tradition and with the help of several creative sound providers we introduce to you Automatic Gain Control 12

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Austrian Folk Music Volume 1 - The Eastern Provinces (Upper Austria, Styria, Lower Austria, Vienna, Burgenland)

LP | 1967 | AT | Reissue (Roots)

14,99 €*

Release: 1967 / AT – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Small writing on cover.
Includes booklet.

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Aurex Jazz Festival '81 Fusion Super Jam

LP | 1981 | JP | Original (Eastworld)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Aufschwung Ost - Heile Welt - Die Kompilation

2LP | 1997 | DE | Original (Hörspielmusik)

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Small ripoff on front cover. Light edge and corner wear.

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Audiophile Analog Collection Vol. 2

2LP | 2023 | CA | Original (2hd)

91,99 €*

Release: 2023 / CA – Original

Genre: Organic Grooves

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Audiophile Analog Collection Vol. 1

2LP | 2023 | CA | Original (2hd)

91,99 €*

Release: 2023 / CA – Original

Genre: Organic Grooves

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Audio Master Plus Series Sampler Vol. 1

LP | 1983 | US | Original (A&M)

4,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Attack Of The Killer B's (Volume One)

LP | 1983 | US | Original (Warner)

8,99 €*

Release: 1983 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

3LP | 2023 | UK | Original (1985 Music)

Atlas / 3

Release: 2023 / UK – Original

Genre: Electronic & Dance

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For us at 1985 Music, our Various Artists series are extremely important. It not only provides a great platform to celebrate music from a wide range of artists, but it also enables us to push the parameters of underground music. We are very excited to share the third and final part of our Atlas series which includes both new and familiar faces.

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2LP | 2023 | UK | Original (Nuits Sonores)

Atlantic Stereo

29,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

A cultural and collective exercise, Atlantic Stereo brings 24 Colombian and French artists together for a 11-track sound experience connecting two continents. Nuits sonores, an urban festival showcasing electronic cultures in Lyon (France) since 2003, began building bridges with Colombia in 2017 as part of the French Institute’s Année France—Colombie. The festival invited representatives from the new Colombian electronic scene to go on tour in France and organised a series of events in Colombia (Bogotá, Medellín, Manizales). This multi-city event in Colombia would go on to be repeated in 2018 and 2019, allowing a total of 25 of the most captivating artists on the French electronic scene to perform in Colombia over the course of three editions. Between 2020 and 2021, although forced to cancel the 4th edition of Nuits sonores Colombia due to the health crisis, the festival team offered to pursue the exchange by initiating, with the support of the French Institute and the French Embassy in Colombia, the production of a brand new compilation. Atlantic Stereo reflects the artistic riches found in two territories that Nuits sonores intends to carry on bringing together. A shared conversation in a moment of profound crisis for culture, thus becoming a perfect opportunity to reimagine it. The compilation opens with artists who know how to listen to the world and the diversity of its sounds, as shown by the soaring Cumbia psychedelic track by Dani Boom (Systema Solar, El Leopardo...), Tushen Raï & Cornelius Doctor. It then digs into Reggaeton and Dancehall influences with a collaboration between Linapary, Simo Cell & Low Jack: a subtle alliance between the Colombian artist’s sensual trap music on the one hand, and the kicks and heavy basses of the French electronic duo on the other. With ‘Full Friction’ (Voiski and Verraco’s track) and the Julianna and Zadig collaboration, the compilation moves on to another atmosphere: a more vaporous and syncopated one, made of powerful breaks and kicks, with ice-cold and bewitching electro and breakbeat tracks. Atlantic Stereo’s last tracks eventually lean towards Dance and Club, inviting us to dance to Bambounou’s solar techno, revisited by Gladkazuka, and the Balearic house remix of Laurent Garnier’s ENCHANTé by Julio Victoria. Atlantic Stereo is a compilation standing at the crossroads of different cultures, permeable to all sound research. It is also the result of a shared friendship and trust that drives Nuits sonores, determined to make such music resonate across all four corners of the glob

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Atlantic Rhythm & Blues 1947-1974 (Volume 6 1966-1969)

2LP | 1985 | JP | Original (Atlantic)

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Japanese pressing without OBI!

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Atlantic Rhythm & Blues 1947-1974 (Volume 6 1966-1969)

2LP | 1985 | US | Original (Atlantic)

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Specialty Pressing.
Records are close to VG+
Side F track 1 shows a small inclusion but hardly affects playback.

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LP | 1980 | JP | Original (Atlantic)

Atlantic Doo Wop 60's

24,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Foxing on cover. Vinyl seems unplayed.

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Atlanta Soul Artistry 1965-1975 Black Vinyl Edition

LP | 2022 | UK | Original (Kent)

19,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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Though built with highly questionable finances, gangster Michael Thevis’ GRC, Aware and Hotlanta labels produced some scintillating mid-70s soul music. Thevis knew his limitations and allowed his producers, arrangers and songwriters free reign as long as they worked hard and came up with good recordings. It was the period in music when Detroit and the south got together, as with Stax and Westbound’s Memphis/Detroit co-productions, and Thevis tried to make that blueprint work for his Atlanta set-up. He brought producer Marlin McNichols and engineer Milan Bogdan down from the Motor City and Floyd Smith from Chicago. Smith came with the highly talented singers Loleatta Holloway and John Edwards, while McNichols brought the Counts, Ripple and Deep Velvet to cut in the spanking brand-new Sound Pit Studios. Songwriter supreme Sam Dees was co-opted from Thevis’ Moonsong operation, which he ran out of nearby Birmingham, Alabama, and the resulting sessions produced some exquisite soul songs – several of which charted, making the company hot between 1973 and 1975.

Those main acts are here along with artists from the Los Angeles office of the stature of Jimmy Lewis, King Hannibal and Joe Hinton. The John Edwards track debuts on vinyl for the first time, while the Joe Hinton number ‘I’m Tired Of Dreaming’ is the original version of the collectible 45 as recorded by Pure Velvet on Osiris in 1976 – it has never been issued before at all. The King Hannibal track is from his Atlanta sessions (Hannibal lived in both Los Angeles and Atlanta, from where he hailed) and makes it out of the tape vaults for the first time, while gospel legend Dorothy Norwood’s epic opener ‘Big Boat Ride’ had previously only been available since 2016 on CD and is now available to vinyl purists too.

We tried to avoid the non-Atlanta tracks from the Thevis years but have included earlier offerings from Arthur Alexander and Bobby Wilburn recorded by the independent producer Bill Haney – a man as far adrift in personality to Thevis as you could wish for. One of Haney’s acts, Joe Graham, did record for the Aware set-up around 1973 but the four excellent tracks were shelved until now – more will follow. Bill Haney recorded Drifter Charlie Thomas while he visited the city for live work, and ‘Don’t Let Me Know’ is another classy mid-tempo number making its vinyl debut.

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Athos: Echoes From The Holy Mountain

2LP+Book | 2024 | EU | Original (FLEE)

63,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.

After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.

Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.

A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).

A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.

The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.

Tracklist

A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)

B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)

C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)

D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir)

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Athos: Echoes From The Holy Mountain

2LP | 2024 | EU | Original (FLEE)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (We Jazz)

Ateneum 2019

16,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Helsinki's We Jazz Records presents "Ateneum 2019", part 2 of their ongoing "We Jazz Live Plates" series documenting the label's live activity. Recorded at the historic Ateneum Art Museum in Helsinki during spring 2019, the intense live compilation brings together three acts on the label's roster: Timo Lassy & Teppo Mäkynen, OK:KO and Alder Ego, each performing two tracks here.

OK:KO opens proceedings with their sound electrified by Toomas Keski-Säntti changing from piano to Fender rhodes, a little touch that opens up new avenues in their sound. The band who made a big splash with their 2019 debut album "Syrtti", present energetic new versions of the title track and the looping "Piik". Alder Ego, led by drummer Joonas Leppänen, shifts gears with a new deep version of their 2018 album track "Cubism", and add a new track "Mystery Room Nr. 6" into the mix. Timo Lassy & Teppo Mäkynen strecth out their compact tracks "Fallow" and "Goldenrod", which grow into new lenght and depth in the live setting.

"Ateneum 2019" released together with "Lonna 2019", We Jazz Live Plates vol. 3, is an inspiring example of the active and high quality jazz scene in Helsinki.

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At The Ave Breaks Volume 5

LP | 2022 | US | Original (Battle Ave)

23,79 €* 27,99 € -15%

Release: 2022 / US – Original

Genre: Hip Hop

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Limited edition of 200 copies!

Battle Ave returns with the 5th installment of their battle break record series,"At The Ave Breaks". In partnership with Glowtronics, Mega DJ Center, and HHV.De, ATA 5 features production from the 2019 Cut2Cut Worlds Champions, DJ Jose Rodriguez and DJ Delightfull.

Side A - 15 Skipless battles breaks arranged by Jose Rodriguez
Side B - A full length EP produced by DJ Delightfull, Starteras, Chrisfader, Duzz Down San,
Testa, and X-Team.

Mastered by DJ FlipFlop + Swiftstyle
Cut by Tom Haunstein (Studio //T.E.S.S.) Leipzig, Germany
Executive Produced by Battle Ave Records

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Askorn Records Various Artists 05

2LP | 2023 | EU | Original (Askorn)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited to 300 copies, this 2x12" double vinyl VA is the third physical release of the industrial techno label, Askorn Records. Including 8 tracks ranging from dark and tortured slow beats to hard and industrial techno bangers, this release brings together 9 producers from Belgium, UK, Poland, Australia and France: Twan, Dahryl, Mickey Nox, Tripped, 14anger, Draugr, Hel.IV, Ogmah and Hatelove.

A1: Twan & Dahryl - Ammunition Pure industrial techno banger. 142bpm bomb full of fast rolling drums and screaming synths, this collaboration between Belgium based artist Twan and Dahryl from United Kingdom, is a furious dancefloor destroyer.

A2: Mickey Nox - Switching Horsepower Classic industrial hammer by Mickey Nox from Australia. A crazy 4-4 techno track with his famous stomping kick, strange FX sounds, chopped with some glitchy voices. Sounds like an unstoppable engine.

B1: Tripped - Fat Load Tripped demonstrates the perfect mix between hardcore and techno into this track, using his famous and indescribable style. Industrial hardcore and destroyed 909 gabber kickdrums, scary synths, amen breaks and terror atmosphere.

B2: 14anger - Bachman Heavily distorted bass-line, overdrived kickdrum, an acid break and some electrical noises: Bachman is the latest 14anger banging track. This raw industrial techno track definitely brings some oldschool rave vibes to this project.

C1: Draugr - Discipline A dark and groovy track by Draugr. He brings his famous threatening atmospheres, spooky bass and catchy drums on this one. Crunchy kickdrum, radar noises and a perfectly chosen speech about order and discipline.

C2: Hel.IV - Brave & Thick Hard, dark and punchy as usual, let's introduce Hel.IV from Paris. Deep and hard kickdrum with catchy drums patterns surrounded by a screaming distorted vocal sample, and an epic and menacing synth.

D1: Ogmah - No Feelings, Pure Wrath New harsh and scary bomb by Askorn's founder, Ogmah. A slashing and industrial beast with some shrill highs drums, creaky and industrial FX sounds, and a long break with scary vocals about sins.

D2: Hatelove - Snakebyte A slow and dark track with a deep as hell atmosphere, produced by the one and only Hatelove from Poland. Full of filters automations, psycho and spooky noises, banging drums and crazy sound design. Angering af.

The artwork is an engraving by the artist Daniel Girault from Brittany in France. This is the result of a dark and disturbing abstract design engraved on a hard metal surface, made by cutting grooves into it with differents sharp tools. After being drowned into an acid bath, this metal plate is finally pressed with black ink on a thick paper sheet.

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Asfalttidisco Black Vinyl Edition

LP | 2022 | EU | Original (Svart)

26,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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2LP | 2023 | UK | Original (NTS)

Ascend

39,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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In the early 1990s, a handful of black metal artists were enticed by the possibility of conjuring new fantastical worlds from the deep isolation of their home setups. Rather than the dense metal sound of their existing projects, this new direction would be centred around intimate synth soundscapes: forlorn organs and otherworldly Midi theatrics.

The music on Ascend is predominantly from self-produced, self-distributed releases, typically manufactured in small numbers. Though some artists producing this style of music, most notably Mortiis and Burzum, gained wider recognition outside underground circles, it is only in recent years that the sound and its influence has really been appreciated. This is particularly the case with the late Matthew Davis and his recently reappraised Secret Stairways project, whose song ‘Lammas Tide’ (from the 1997 Enchantment of the Ring album) appears on Ascend. A simple home recording on a Yamaha Kx-w392 manages to be both elegant and tortured, ambiguously devotional and recalling latter years Popol Vuh.

This battle between dark and light is a constant thread through Ascend, with simple minimal synth lines that can be both delicate and menacing. Compilation opener ‘The Dark Dreamquest’ from Italian black metal group Evol is loaded with occult warning, and Finnish act Kadotus 609’s ‘The Summoning Through Crimson’ is languid, twisted and dark. In spite of the darkness, several pieces of the music on Ascend have formal similarities with the sometimes saccharine new age music that rose to prominence in that era: but to a rougher, darker ends. The closing song from Darkthrone icon (and past NTS radio host) Fenriz, under his Neptune Towers pseudonym, pulls us further out, with ‘To Cold Void Desolation’ — an astral synth project, akin to ’70s kosmische muzik masters Harmonia.

The gentler side can often amplify an uncannily sinister edge, heard in German act Dolch’s ‘Tumulus’, where orc marching horns contrast against delicate rompler harps and softly whispered chanting. It hammers home a deep loneliness and detachment constant throughout Ascend, made possible by these unusual contrasts, both unsettling and otherworldly.

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As-Shams Archive Vol. 1: South African Jazz, Funk & Soul 1975-1982

2LP | 2023 | EU | Original (As Shams)

28,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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As-Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this 2LP compilation delivers 85 minutes of South African music history.

Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tapes and housed in a gatefold art sleeve, As-Shams Archive Vol. 1 is an unbeatable introduction to South African rare groove for new listeners as well as a long-awaited first anthology for the label’s many devoted followers.

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As 12 Mais Sertanejas Vol. 2

LP | 1979 | BR | Original (Chantecler)

Release: 1979 / BR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Artists For Peace - Love, Peace & Harmonies

LP+LP | 2022 | DE | Original (Sunny Bastards)

33,99 €*

Release: 2022 / DE – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow / Blue vinyl

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Artificial Intelligence Volume I

2LP | 2022 | EU | Original (Artificial Intelligence)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Artificial Intelligence was born in 2005 with the AI Series events in Madrid as a deep and sincere tribute to the pioneers of the early Bleep, Braindance and Idm sound. Thanks to labels such as Warp, Planet Mu, Skam Records, Rephlex… and artists such as Richard D. James, Autechre, Jega, Boards of Canada. Almost 20 years later we are back as a label with this first volume of 14 tracks by 14 different artists with the usual suspects along with some new faces where we want to express our love and respect for this sound.

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Artificial Intelligence Volume 2

2LP | 2023 | EU | Original (Artificial Intelligence)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A deep and sincere tribute to the idm and electro sound through out 16 tracks from Artificial Intelligence Records.

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Artificial Intelligence Ltd

LP | 2024 | EU | Original (Artificial Intelligence)

33,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 1992 | UK | Reissue (Warp)

Artificial Intelligence

31,99 €*

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Are you sitting comfortably? Artificial Intelligence is for long journeys, quiet nights and club drowsy dawns. Listen with an open mind.

Back in 1992 when Warp released the Artificial Intelligence compilation it almost instantly changed both the course of Warp as a label and arguably what many would consider club music as an entity to be. Artificial Intelligence came housed inside a prog rock styled gatefold sleeve depicting a cover image of a robot blowing smoke rings whilst reclining on an armchair. Its extra long rolling papers and tin of tobacco just out of reach, whilst a high-end stereo plays out the sounds of Kraftwerk's Autobahn and Pink Floyd's Dark Side Of The Moon, their LP sleeves lay strewn across the floor. This image along with the above text that as printed on the sleeve acted as a guide for the listener on how to best experience this new mode of techno music, one that was designed for those nights when your body stays in but your mind steps out.

Having been in operation for three years by the time they compiled and released the Artificial Intelligence compilation, Warp had already proved itself as a worthy force within the world of quickfire 12 singles of acid house and the emerging hardcore scene. Starting as a predominant pusher of the new bleep 'n' bass sounds of their hometown Sheffield, Warp had enjoyed success with early anthemic singles from artists such as Nightmares on Wax, LFO & Richard H. Kirk's Sweet Exorcist project. These building blocks laid the foundations for what many would go on to define as the Warp sound but it was 1992's Artificial Intelligence compilation that cemented their place in music history.

Artificial Intelligence was notable for early appearances by people who went on to become pioneers of the hypnotic groove for both Warp and electronic music in its entirety. Artists such as The Black Dog/Plaid whose melancholic contribution The Clan (produced under the alias I.A.O.) bears long drawn out strings combine perfectly with the tear-drenched techno of Carl Craig with the trend for looped breakbeats to create a track that still resonates deeply every time it is played. Looking further out than most, B12's Telefone 529 with its recording of an automated incorrect phone number message carries an air of nostalgic puzzlement, while Preminition transports a diva vocal and hardcore piano roll into a zero-gravity soundtrack of space. Autechre's Crystel and The Egg offers the first steps towards the path of abstract oblivion that they would go on to travel throughout the post-AI years. Both pieces focus an acidic gurgle around some cut up vocals, its timeframe existing perfectly within a distinct hip-hop cylinder that brilliantly displays their roots within b-boy culture.

Aphex Twin appears under his alias The Dice Man, opening up the operation with a track that would become an alias in itself, Polygon Window in many ways formed the core sound of the Artificial Intelligence compilation and subsequent album series that followed it. Rolling post-acid dynamics, a strong knowledge of breakbeat techno and some serious subs keep the track in a full forward motion, Polygon Window still stands out as one of the most unbeatable techno tracks within Warp's discography. Elsewhere, chief ambient technologist Dr Alex Paterson put forward a four-minute cosmic ambient piece akin to his work as the central figure of which The Orb revolves around. Whilst Richie Hawtin made an appearance with his euphoric almost gabba track Spiritual High, produced under the name Up! his fellow Plus 8 producer Speedy J stepped in with De-Orbit, a track that you could say on reflection, almost helped shape the early steps towards what would turn into the deeper recesses of liquid drum & bass.

Warp co-founder Steve Beckett was quoted around the time of the Artificial Intelligence compilations release in 1992 as saying you started to hear tracks by B12 and Plaid and Speedy J that just didn't fit into any category, B-sides and last tracks on EPs. We just realised that they weren't meant for 12-inches, it was just that this was the only outlet for that kind of music. We realised you could make a really good album out of it. You could sit down and listen to it like you would a Kraftwerk or Pink Floyd album. That's why we put those sleeves on the cover of Artificial Intelligence - to get it into people's heads that you weren't supposed to dance to it!. This train of thought led to Warp putting together one of the most forward-thinking compilations to appear within the early 90s post-acid explosion, and many others tried to copy the formula but arguably no imprint ever came close to topping or even releasing anything that stands tall alongside Artificial Intelligence for its undeniably experimental, yet sheer futuristic scope and vision.

Listening back now, 30 years since its original release, it's striking how contemporary and fresh the music of Artificial Intelligence still sounds. While many tracks from those days still and will forever sound brilliant, many AI contemporary compilations have taken on the sheen of a more retro and throwback feel. When digested with a knowledge of what has been made within the last quarter of a century, the tracks that form Artificial Intelligence still carry a strong, almost outside of time feeling that's influence shines as strongly today as it did 30 years ago. A timeless record that will continue to point the way forward for electronic music for many years yet to come.

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LP | 2022 | EU | Original (Wagram)

Arte Soul

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Wagram)

Arte Reggae

27,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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LP | 2022 | EU | Original (Wagram)

Arte Electro

Release: 2022 / EU – Original

Genre: Organic Grooves

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Art That Kills Presents HHCOMP01

LP | 2023 | EU | Original (Art That Kills)

21,74 €* 28,99 € -25%

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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"I don't like rap music at all. I don't think it's music. It's just a beat and rapping." Nina Simone

Straight off the streets, Hip-Hop burst onto the scene, leaving no one indifferent, igniting a cultural revolution that would shape generations to come. Now, in celebration of its 50-year anniversary, Art That Kills proudly presents Hhcomp01.

Hhcomp01 aims to capture the freshness and innocence of a genre in the midst of defining itself. As the world embraced this new phenomenon, it was a time of raw creativity and unbridled expression. With a selection of seven fantastic tracks stepped out of the underground, Hhcomp01 is a window into the origins of a genre that has resonated with countless hearts and minds.

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Around The World - Daft Punk Tribute

LP | 2022 | EU | Original (George V)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Armageddon Over Wacken Underground

LP | 2008 | EU | Original (Wacken)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Armageddon Over Wacken Power

LP | 2008 | EU | Original (Wacken)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Armageddon Over Wacken Death

LP | 2008 | EU | Original (Wacken)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Armada Music - House Legacy

2LP | 2023 | EU | Original (Armada)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Use Vinyl)

Arlecchino Volume 3

31,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Third and final volume for the collection dedicated to the Arlecchino disco of Santa Maria Codifiume in the province of Ferrara, once again a double vinyl that collects the best of Afro, Funky, Rare Groove and Black Music, proposed in the club by resident DJs Giancarlo Lelli , DJ Ghello and DJ Frank.

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2LP | 2021 | EU | Original (Use Vinyl)

Arlecchino Volume 2

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Second Chapter, once again in double vinyl, by Arlecchino Disco Club in Santa Maria Codifiume - Italy - is out now. The release collects the best of Afro, Funky, Rare Groove and Black Music selected from the classics club's anthems by the residends djs Giancarlo Lelli, Ghello and Frank

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Arlecchino Volume 1 Selected By Lelli

2LP | 2020 | EU | Original (Use Vinyl)

31,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | US | Original (Paper +)

Are You With The Band?

Release: US – Original

Genre: Rock & Indie

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Are They Hostile? - Croydon Punk, New Wave & Indie Bands

LP | 2022 | EU | Original (Damaged Goods)

19,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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An 18 track compilation featuring the best of Croydon's punk and post punk scene 1977-1985!Are They Hostile? Is a new documentary film about the Punk, New Wave and Indie scene in Croydon in the late '70s and early '80s. It takes its name from the first single by Croydon band Bad Actors. To coincide with the film's release Damaged Goods Records are releasing a compilation vinyl LP and CD featuring bands from in the film including Johnny Moped, The Marines, The Daleks, Case, Fanatics and also bands such as The Straps who played Croydon many times usually at The Star Pub in West Croydon. The CD version also features a specially recorded introduction by the legendary ex-Croydon Greyhound DJ Peter Fox.It's been argued that Croydon was the birthplace of Punk in the UK, largely due to The Damned and Johnny Moped. But there was a group of other, less well-known bands who were part of that scene, or who came just after, but who didn't achieve the same success or recognition. The film and album attempt to set the record straight by shining a light on bands such as Bad Actors, Case, The Daleks, The Heroes and Fanatics.The music still fizzes with the energy and enthusiasm of youth and the punk ethos of just doing it. And the participants, if a bit older and slightly less slim than forty years ago, come alive in the current interviews as if connected to the mains. As the saying goes, "old punks don't die", but they do remember.The documentary film takes us through the history of these bands, the people in them, the places they played and, through current interviews with "a bunch of old punks", what they did next, and how formative and important being in a band was for them growing up.The film is the brainchild of Bad Actor Griff Griffiths and Mark Williams and will premier at the David Lean Cinema in Croydon on 2nd September with a Q & A afterwards by Griff and Mark, and an aftershow party nearby with special celebrity guests TBC.Griff explains: "It's also a film about being young, being passionate, being...

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Arabstazy presents Under Frustration Volume 2

LP | 2019 | EU | Original (Infine)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The “Under Frustration” project takes stock of the contemporary Arab electronic scene, and highlights its astonishing diversity, by deconstructing Western clichés that are still fantasizing about a culturally homogenous Arab world. In a context of post-revolutionary disillusion, this ambitious trilogy sets itself as a manifesto of a new, futuristic, underground wave that aims to uplift the Arab voice, once again. With this new release, Arabstazy allows the listener to walk among Shiite, Shaabi or Stambali lands - revealing new mystical sounds, reserved for trance ceremonies and ancestral rituals; all vivid in the eyes of the collective members, musicians, producers, videographers and photographers, nowadays, scattered between the United States, Tunisia, Germany, France, Sweden, Irak, Lebanon and Poland. Vol2 includes unreleased tracks of Dj Haram, Praed, Hello Psychaleppo, Okydoki and many more. Curated by Arabstazy, produced by Shouka, published by InFiné.

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Aquapelago: An Oceans Anthology

LP | 2022 | EU | Original (Discrepant)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Anthology introducing the first of a series of albums based on the concept of Aquapelago.

‘’ Since the earliest days of the planet there has been a rhythm of tides that creates coastal interzones where humans have foraged and pursued various livelihoods. Developing boats to fish from and technologies that enabled them to immerse themselves deep underwater, the aquatic realm has been one explored, experienced and imagined in various ways. In an effort to express the vitality and richness of this environment I coined the term aquapelago in 2012. The wordplay was deliberate. The neologism was designed to distinguish the liquid inbetweenness of this space from the dry, scattered, lands of archipelagos.

The concept of the aquapelago coalesced around themes taken from various places. Epeli Hau’ofa’s idea of an Oceanic “sea of islands’” was formative but a number of songs were also inspirational. Torres Strait islander Seaman Dan captivated me with his experiences of pearl diving in the Darnley Deeps in his song ‘Forty Fathoms’ and Norfolk Islander singer Kath King imaged how sea-turtles might have experienced ecological change in her song ‘Tech me how fer lew’. Other reflections on watery realms also appealed. Debussy’s solo piano piece ‘La cathédrale engloutie’ soundtracked me as I researched myths of lost Lyonesse while Mike Cooper’s Kiribati, an ambient exoticist album about the imperilled archipelago (recently re-released on Discrepant), caused me to reflect on the social and cultural impact of sea level rise before that topic became a high-profile concern.

This compilation album takes the concept of the aquapelago into new depths and breaches it on fresh shores. The tracks are soaked with the aquatic. Bassy sonorities boom as if heard deep underwater. Bubbly textures breach the surface, water drips and seabirds soar high above waves. Sugai Kei samples fragments of text concerning the Ningen, a fantastic humanoid/whale that reflects the ‘aquapelagic imaginary’ of modern Japan and its preoccupation with industrial whaling. Andrew Pekler continues the orientation of his Phantom Islands project - a sonic atlas of imaginary places - with a soundscape as if heard by a swimmer just offshore, mixing sounds of the island and the sea together. Mike Cooper’s sonic reflection on Hong Kong’s Lamma Island is similar, combining the island’s ubiquitous barking dogs with the slurp of waves on rocky shores, conjuring a languorous time before Chinese crackdowns on the territory.

Taking another tack, the Dead Mauriacs gleefully water-ski through collage of tropical island exoticisms, replete with glitchy orientalism, while Babau combines skittering idiophone melodies with resonant glissandi. Vica Pacheco moves between dense and airy sounds, as if crossing between surf lines and the space above. Yannkick Dauby’s track is also imbued with in-betweenness, evoking ambient sounds heard through a ship’s hull. Sculpture’s ‘Froth Surfer’ realises its title, with bubbling sounds and rhythms that evoke Hawaiian surfing filtered through layers of time and distance. Reminding us of the shore necessary for aquapelagic spaces, Franceso Cavaliere and Tomoko Sauvage’s composition anchors the album, centred around shaken rhythms and resonant ringing tones and drones.

Taken together, the album sketches the contours of the aquapelago as it might be imagined and conjured in sound – an endless oceanic realm that laps on to beaches and crashes against cliffs. The performers navigate this space under alternately starry and cloudy skies, orientating themselves with sounds, textures and sonic samples of their terrestrial homes while we float with them. ‘’ Philip Hayward December 2021

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LP | 2024 | EU | Original (Angels Carry Guns)

Apparatuses Volume 1

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Two figures of quasi-human form whose contours are in the process of dissolving. Like curtains of varying opacity, realities slide close together without ever laying claim to validity. The essence is clouded, nature its imitation. What sounds like the dripping of a viscous acid from porous aluminum casings could also be a sequential noise. The rhythm is an aid, a barb in the flesh. Voices fleeting like gases that have never surrendered to the dictates of gravity. It is the year 2024 of a calendar resembling an Abrahamic apparatus. Angels carry guns.

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2LP | 2024 | EU | Original (Apnea)

Apnea Xx

Release: 2024 / EU – Original

Genre: Electronic & Dance

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For its landmark 20th anniversary, Apnea Records proudly presents XX, a double 12" compilation that chronicles the label's journey from its inception to its current cutting-edge form. Featuring both original innovators and fresh talents from its recent relaunch, this release is a sonic time capsule and a forward-looking statement. Spanning from deep techno to Detroit-infused house, Jamal Moss's abstract house, electro, and E.R.P.'s signature machine funk, XX dives into the label's broad sonic spectrum. With contributions from Alex Under, Damian Schwartz, Jamal Moss, E.R.P., Dopplereffekt, Thomas Brinkmann, and Kyle Hall & Kero, this collection serves as both a reflection of Apnea's past and a bold vision for the future.

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Aphelion Volume 2 Transparent / Deep Space Blue Splatter Record Store Day 2021 Edition

LP | 2021 (Rocket)

34,99 €*

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release limited to 500 copies. Record Store Day exclusive's 'Aphelion Vol.1' and 'Aphelion Vol.2' bring together a selection of rare remixes from the Rocket Recordings back catalogue - all but one track are being released on vinyl for the first time. The LP's bring together tracks by Rocket favourites like Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Josefin Öhrn + The Liberation, Sex Swing, Gnoomes, Bonnacons of Doom and many more.

Tracklisting: 01. GUM Takes Tooth - NO Walls, NO AIR (broken English Club Remix) 02. Bonnacons OF Doom - Esus (JD Twitch Optimo Remix) 03. /josefin Ohrn + THE Liberation - Rainbow Lollipop (cherrystones Remix) 04. Petbrick - Roadkill Ruby (spooky J / Nihiloxia Remix) 05. Mamuthones - Symphony FOR THE Devil (giant Swan Remix) 06. J.ZUNZ - Four Women AND Darkness (jamie Paton Dub) 07. Ooba Tercu - Kqasan (negra Branca Remix)

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Aphelion Volume 1 Transparent / Deep Space Blue Splatter Record Store Day 2021 Edition

LP | 2021 (Rocket)

25,49 €* 33,99 € -25%

Release: 2021

Genre: Rock & Indie

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Apala - Apala Groups In Nigeria 1967-70

2LP | 2020 | UK | Original (Soul Jazz)

28,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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Soul Jazz Records new ‘Apala: Apala Groups in Nigeria 1964-69’ is the first ever collection of Apala music ever to be released outside of Nigeria.
The album focusses on a wide selection of recordings made in Nigeria in the 1960s, a time when Apala music was at the height of its popularity. Apala is a deeply rhythmical, hypnotic and powerful musical style that combines the striking nasal-style vocals and traditions of Islamic music, the Agidigbo (thumb piano), and the equally powerful drumming and percussion rhythms and techniques of the Yoruba of Nigeria.
The most significant figure in Apala music is undoubtedly Haruna Ishola who features throughout this album. Ishola holds an almost mythological status in his role as populariser of Apala music in Nigeria. Ishola’s singing was believed to be so powerful that, without proper restraint, it could kill the recipient of his music.
Apala is a popular music that also functioned as a form of cultural resistance – Apala music involved no western instrumentation and is sung in the Yoruba language, its aesthetic an implicit cultural rejection of the British Empire’s colonial rule over Nigeria which lasted from 1901 until independence in 1960.
Apala music was popular and widely accepted in Nigeria due to its philosophical and profound lyrical content alongside the complex rhythmic patterns of this heavily percussive style, which highlighted many of the percussion instruments of south-west Nigeria.
Apala is one of a number of popular urban styles of music that came out of Nigeria in the 20th century and sits alongside the more well-known (in the West) styles of Fuji, Highlife, Juju and Afrobeat. Of these modern forms Apala remains perhaps the most ‘roots’ style (sometimes described as ‘neo-traditional’) due to the authenticity of its sound. It has similar Islamic roots to other neo-traditional styles of Nigeria – including Waka and Sakara – examples of which are also included on this collection contextualising the music of Apala.
These recordings were originally made and released locally by Decca and EMI Records as well as a variety of independent labels in Nigeria and have never been released outside of the country before. Soul Jazz Records are releasing this album as a deluxe double gatefold vinyl (+ download code), CD, slipcase and booklet, both containing full text and photography.

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Aor Global Sounds Volume 5 1977-1984 Selected By Charles Maurice

LP | 2021 | EU | Original (Favorite)

22,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Favorite Recordings and Charles Maurice proudly present the 5th edition of the AOR Global Sounds compilations series: 8 rare and hidden tracks, produced between 1977 and 1984 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 5th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors. Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, while the other half is made of productions from all over the globe, from France or United Kingdom to Venezuela. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press. Often, these records will have a special story, sometimes they’re just part of the universal quest of finding true love. Nonetheless, they all carry a wide range of emotions magnified by the music. For example, “Don’t Take It Away” by Westside is as a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. (Hollywood) by Bernie Grundman, who worked on Thriller – funny thing, the original LP is a picture-disc, which was still quite rare back in the days because the singer saw one from Mickael Jackson when visiting the studio. “Til’ Mornin’ Comes”, the only release by The Ferry Brothers, is also a love song, recorded in NYC with notably Gwen Guthrie, Vivian Cherry & Patti Austin singing as backup vocalists. On “What Its Meant To Me”, Jonathon Hansen remembers with emotion the good times spent with the members of his band including the vocalist he was in love with. On “J’Irai Squatter Ton Cœur”, Didier Makaga better-known as a French Boogie & Pop singer, arranger & composer, sings a charming declaration of love on a heavy and groovy eighties production. “You Never Know” by Rhapsody, recorded in Connecticut, sounds more like an East coast fusion of Soul and Jazz-Funk à la James Mason. “What You Do To Me” by Sugar Cane was highlighted on a Pittsburgh Rock Radio compilation: listening to this smooth ballad with its amazing Moog synth break will lift your soul. “Kailua” by Venezuelan Jazz-Funk band Esperanto, is a song about Hawaii which evocates bucolic dreamy nights facing the ocean, a typical AOR vibe. Finally, “I Need You” from Mark Williamson is a blue-eyed soul UK groover ending on a fouron-the-floor climax! And we could detail stories but our guessing is the best way to learn more about all these gems is to listen to the compilation, fully remastered from originals, and whether your preference is for vinyl or CD formats.

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LP | 2014 | US | Original (Mississippi)

Anxious Color

27,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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Antologia Della Canzone Napoletana

LP | 2024 | EU | Original (La Canzonetta)

45,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Antologia De Música Atípica Portuguesa Vol.2: Regiões

LP | 2019 | UK | Original (Discrepant)

33,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM.

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2LP | 2022 | EU | Original (Left Ear)

Antipodean Anomalies 2

38,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Antipodean Anomalies 2 is Left Ear Records' most ambitious project to date, a compilation that took over 4 years to license and includes 17 artists across a double LP. AA2 picks up where the first iteration left off, with co-compilers Chris Bonato and& Bridget Small continuing to dig through the music of the geographically isolating and maverick landscapes of Australia and& New Zealand.

As with the first iteration, Left Ear continues its to excavation ofe the music from these vast micro-scenes that evolved out of a number of small community-focused domains, creating their own unique reinterpretation of musical influences from near and far, spanning the years 1980 – 1992.

The compilation scopes an overlooked epoch from Adelaide, presenting acts such as the DNA Lounge, TCH & Will Kuiper. A close-knit community of like-minded mates that made distinctive electronic music together throughout the 80’s, all of which remained unreleased until now. Holbrook Buchanan capture the ambiance of Perth’s heat prodded afternoon’s perfectly with their track Hunger, a breezy 9-minute minimal-jazz jam that includes kalimba, water samples & conga. Furthermore, artists like David Watson & Colin Offord use samplers and handmade instruments to offer a more abrasive and experimental aesthetic.

To round out the compilation, artists such as Jane Stevenson, discovered a 7” at an op-shop and found the needle stuck on the word, ‘Aloha’. Using tape loops, she chose to highlight imperfections rather than hide them and in unison managed to cross boundaries of time; the 60s (album voice) and the 80s (my voice), of location; Hawaii and Australia, and of language; “Aloha and Hi”. This ethos echoes the compilation's vision, to champion artists that implement impromptu creativity, and who have a desire to create regardless of their surroundings and resources. AA2 signs off with the Back to Back Zithers, drawing inspiration from the haiku poems of Basho. To illustrate this, Kari set a Kacapi improvisation to the backdrop of the cicada chorus of summertime in outer Melbourne.

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LP | 2018 | EU | Original (Born Bad)

Antilles Mechant Bateau

Release: 2018 / EU – Original

Genre: Organic Grooves

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The West Indies - a sweet coastline subject to many clichés from another time. That postcard with coconut trees, a glass of rum to sip on, those so exotic madras dresses... Almost as many as in Compagnie Créole's "doudouist" songs, that say a lot about the misunderstandings from both sides of the ocean. West Indians are still as stuck with this distorted outlook as in the good old days of the colonies. Because, underneath the veneer of moldy images, a completely different reality is woven. 'They beat drums but were never number one' - to misquote the chorus by a Martinique-born French singer. This is the subject of this collection - musicians drumming on percussion as a way of asserting their creolized identity. Songs that tell, in veiled terms, a different reality from what mainlanders were fed with. Special cases, with cries of joy and laments accompanied by cadences, as an invitation to trance, all immersed in the Caribbean melting pot of rhythm.

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Anthems From The Underground

LP | 2014 | US | Original (1332)

21,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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Antal Presents Beyond Space & Time Volume 2

2LP | 2022 | EU | Original (Beyond Space And Time)

29,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Regular Edition WITHOUT the 7".

Rainbow Disco Club and Rush Hour, a long-standing friendship that transcends continents! House, disco, new wave, Caribbean, rare groove, leftfield.. Antal compiles the second release on "Beyond Space And Time", loaded with personal choice cuts.

Internationally recognised and much-loved festival from Japan, Rainbow Disco Club’s offshoot project "Beyond Space And Time" record label presents their sophomore release! Following the work by DJ Nobu, their second compilation has been compiled by none other than Antal. Also known as the festival's headliner and the man behind Amsterdam record shop/label Rush Hour, all 11 tracks are selected by Antal in a 2 x 12-inch + bonus 7-inch format. From local Dutch newcomers to '80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans!

An afro electronics track recommended by South African collector DJ Okapi, who co-produced the masterpiece compilation "Pantsula!: Rise Of Electronic Dance Music In South Africa: 1988-90" released in 2017, which brought Kwaito back onto the map. A-1

Improvisation Organic Deep House track by New Zealand’s newcomer. A-2

A rare breezin' boogie by Larry Heard’s alias Trio Zero from 1989. Highly sought after by all collectors as a cult Balearic track. Previously unreleased version. B-1

From the 2015 album by L.A. funk maker DAM-FUNK on the prestigious Stones Throw label. LO-FI beats and synthetic breakdowns that are reminiscent of early Rush Hour works and ‘90s house. B-2

The debut single of Japanese idol unit, Shohjo-Tai. Haruomi Hosono also produced some of their tracks later on in their career. Japanese new wave disco from 1984. C-1

The soundtrack from the Japanese manga "Touring Express". RDC fans will recognize this track from the final hours of the festival. A nostalgic oriental disco from 1985. C-2

80s Silky Mellow Soul by Connecticut jazz vocalist Dianne Mower who also contributed to the re-press of the prestigious Numero Group. D-1

The original version is a masterpiece from 1983 by Zouk singer Jocelyn Mocka of French Guadeloupe. This edit still very much emphasizes an emotional mid-tempo Caribbean soul, nicely reconstructed by Rush Hour's Bonnefooi. D-2

The first 500 copies will include a limited 7-inch bonus disc featuring a Dutch artist.
Modal jazz track from the Han Litz Group led by Han Litz, a jazz flute player representing the local Amsterdam scene. A-1

A freestyle percussion jam track inspired by Brazilian and Klaus Weiss music. Los Calxunxos Tuyos, derived from the band Zuco 103 formed by students of the Rotterdam Conservatory. B-1

A mysterious electronic pop floating, between the dance floor and easy listening by Rush Hour's Kamma. B-2

A total of 11 tracks from all types of genres and generations, a true masterpiece and representation of Rainbow Disco Club’s vision “Beyond Space And Time”. Bringing you the love from Amsterdam to the world!

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Ann Arbor Blues & Jazz Festival 1972

2LP | 1973 | US | Original (Atlantic)

15,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Records are close to VG+. Cover has ring wear.

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Anjunadeep Presents: Reflections Vol. 1

LP | 2020 | UK | Original (Anjunadeep)

60,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

vinyl is close to NM. Original inner sleeve. tiny wear. Limited edition

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Anime & Manga Synth Pop Soundtracks 1984-1990

LP | 2022 | UK | Original (Time Capsule)

27,99 €*

Release: 2022 / UK – Original

Genre: Soundtracks

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Trailblazing instrumental synth pop experiments created to soundtrack Japan’s booming 1980s cartoon and comic industries. The brightly futuristic instrumentals on this collection reflect the mindset of composers and musicians who believed in a technological future where everything was possible.

In the late 1980s Japan experienced a brief but heady period where societal changes combined with new-found wealth to open up a world of possibilities. A huge influx of cash - artificially created by slashed interest rates after an agreement with the US to weaken the dollar relative to the yen - resulted in the inflation of real estate and stock market at a rapid pace. While the economic bubble it created was unprecedented and impossible to sustain, for a while money was in plentiful supply.

The musical genre City Pop reflected the aspirations of the country’s booming leisure class. Video games flourished with Nintendo's 1983 launch of their Family Computer (or FamiCom). Studio Ghibli was founded 1985 to later became one of the most famous and respected animation studios in the world, and Anime and Manga were established as major forms of entertainment for all generations of the Japanese public.

Music was no mere footnote to the anime and manga boom: the two forms of media often went hand in hand, and not simply through the presence of background melodies. With generous budgets available, even two-dimensional static manga comics could be released with an accompanying soundtrack of original music known as an ‘Image Album’.

Composer and arranger Kazuhiko Izu was one such beneficiary of this open budget approach. Written to accompany artist Katsuhiro Otomo’s manga comic Domu, the composer and arranger took advantage of the world-leading (and wallet-busting) Japanese synthesiser technology available at King Records’ fully equipped studio. Featured on this compilation, A3: Act 2 Scene 26 reflected the story’s sci fi themes with a blazingly futuristic yet warmly funky slice of synth pop that presents a joyful celebration of synthesisers and their seemingly endless possibilities.

Kan Ogasawara was another composer who made early mastery of the litany of synthesisers, drum machines and sequencers that had become available. Two tracks written to accompany the 1985 period manga Yume No Ishibumi are featured here; Honowo’s experimental electronic textures add spice to a jaunty electro pop melody that recalls the Rah band’s 1983 hit Messages From Stars; the jazz-tinged Utage rounds out Ogasawara’s shimmering synth textures with beautifully crafted backing from legendary musicians Yuji Toriyama (guitar), Pecker (percussion) and Jun Fukamachi (piano).

Before becoming one of the pioneers of Japanese Kankyo Ongaku (Ambient Music), Takashi Kokubo worked on the proto techno track Kiki (Jungle At Night). It was put together for the 1984 anime film Shonen Keniya (Kenya Boy) using some of the most expensive music technologies available at the time. This Africa-Inspired dance track offers a contemporary parallel to the early techno music that young Detroit based producers were then creating using cheap Japanese Roland drum machines and synthesisers.

This is the first compilation of Japanese anime and manga soundtracks curated by Kay Suzuki and Rintaro Sekizuka from Vinyl Delivery Service (a Tokyo based online record shop which also operates in East London's renowned wine and hifi shop Idle Moments). With a cover by artist Kazuki Takakura and two pages of liner notes, this vinyl only compilation of music never before released outside of Japan, captures a vital aural snapshot of an era whose forward-thinking sounds went hand in hand with cutting edge technology.

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Anima Pop Music From Estonian Animations 1965-1986 2024 Repress

LP | 2024 | EU | Original (Raadio Kohila R)

34,99 €*

Release: 2024 / EU – Original

Genre: Soundtracks

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Compilation of (mainly instrumental) music from 1960-80s Estonian animated films. Comes with 8-page full-colour booklet in Estonian with texts by Andreas Trossek and Berk Vaher. Musically all over the place, as you'd expect.

Note: The animated films of this LP can be watched online at kohilarecords.eu/ark

In the mid1970s, when Tallinnfilm animation studios recruited a youthful bunch of skilled artists and cartoonists, interesting things started to happen. Contemporary themes and ironic depictions of domestic life were introduced into Estonian animation – as well as pop-art aesthetics and even psychedelic imagery. Also, composers found their chance to exercise something beyond the routine standards of pop and academic music, to try their hand at the edges of orchestral sonic palette and electronic soundscapes.

Suddenly, pop art merged pop music, and electric guitars, Rhodes pianos and synthesizers were telling tales of a better future that still hasn’t fully arrived today.

Composers: Arvo Pärt, Rein Rannap, Sven Grünberg, Tõnu Aare, Tõnu Naissoo and Olav Ehala

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Angola Soundtrack Volume 2

2LP | 2013 | EU | Reissue (Analog Africa)

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics' Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi platinium record, "Good Things". Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa who believed such award should have come much earlier. Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes:

"Listening to these tracks may cause addiction and provoke heavy rotation!"

Angola Soundtrack Vol.2 - Hypnosis, Distortions & other Sonic Innovations 1969-1978 - The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda's need for a live music scene. His self-designed "Kutonocas", Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms.

The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other's style; communication between the groups was frequent as everyone studied each other's records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities. Development of skill and ingenuity was a must, as well as addressing the highly politicised climate. The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.

Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity. Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine "Note E Dia", Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s.

The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda. This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire. Do yourself a favor and submerge yourself into some of the most addictive music created by mankind!

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Angelheaded Hipster:The Songs Of Marc Bolan &T.Rex

2LP | 2020 | EU | Reissue (BMG Rights Management)

Release: 2020 / EU – Reissue

Genre: Pop

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Angel Dust Psychedelia 1968-1972

LP | 2014 | EU | Original (Frisco Speedball)

23,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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Non-hippie devastating guitar-psych and PCP induced hard-rock!! ANGEL DUST PSYCHEDELIA is a "100% killers, no fillers" compilation featuring obscure and unknown 45s / unreleased acetates from the US, most of them released on private labels. Many local underground bands of the late 1960s-early 1970s lacked the money and/or material needed to make a full-length album, and would put out a self-released 45 instead. Record collectors and writers have been slow to understand this treasure of vintage private press singles, with music that is every bit as good as hallowed underground LPs like Mystic Siva or Boa. 14 tracks including the monster acid-punker "Time gone to waste" by Local Traffic, post-Stereo Shoestring band Red House with an unreleased track, the mega rare acetate by Matchbox from Houston, tremendous acid-psych by Dick St John and Ragweed Patch, raw hard-rock by Masque and Zoo and more. The perfect companion to those legendary 80s psych comps like Brain Shadows, Acid Dreams, Endless Journey. Remastered sound for a stunning in-your-face heavy guitar experience. Limited to 500 copies.

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And You Don't Stop: A Celebration Of 50 Years Of Hip Hop

Box | 2023 | EU | Original (Tommy Boy)

71,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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And Now For Something Completely Crunchy

2LP | 2019 | EU | Original (Crunchy Frog)

19,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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An Historical Artefact - The First British R & B Festival, February 28 1964

LP | 1989 | EU | Original (Decal)

Release: 1989 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG

An Anthology Of British Blues

LP | 1968 | US | Original (Immediate)

6,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves, Rock & Indie

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Medium: VG, Cover: VG

Amplitude - The Hidden Sounds Of French Library (1978 - 1984)

LP | 2022 | EU | Original (Farfalla)

26,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Farfalla Records presents its new compilation Amplitude - The Hidden Sounds of French Library. 12 tracks exclusively recorded for professional use between 1978 and 1984 in France.

Dive into the universe of the early 1980s with colorful sounds and catchy rhythms from talented musicians from the French scene, composing and arranging both for library music and variety, and accompanying big names in French music.

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LP | 1998 | UK | Original (Zip Dog)

Amnesia Music Bar

14,99 €*

Release: 1998 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1979 | GDR | Reissue (AMIGA)

AMIGA-Express 1968

7,99 €*

Release: 1979 / GDR – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: G+

tears in spines

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Genre: Rock & Indie

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Americana Railroad Black Friday Record Store Day Vinyl Edition

2LP | 2021 | EU | Original (Renew)

33,59 €* 41,99 € -20%

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP, Gatefold This collection consists of 19 classic and original train songs performed by a variety of artists from the worlds of Americana and Rock. None of these tracks have been previously released and most feature innovative takes on songs you are likely familiar with. Together they tell a story of the intersection of the history of railroads and popular music in America.

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2LP | 2022 | EU | Original (Music On Vinyl)

Americana Collected

Release: 2022 / EU – Original

Genre: Rock & Indie

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American Soul Connexion Chapter 5

Release: 2019 / EU – Original

Genre: Organic Grooves

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L’année 1962 apparaît comme le véritable “An 1” de la Soul Music. Tous ceux qui vont régner sur le genre pendant une décennie sont au rendez-vous que leur a fixé l’Histoire. Otis Redding, Joe Tex, Solomon Burke, Mary Wells, Wilson Pickett, James Brown, Marvin Gaye, Aretha Franklin, Rufus Thomas, William Bell (…) accumulent les hits comme autant de signes avant-coureurs de la période faste et débridée qui s’annonce.

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American Soul Connexion Chapter 4

Release: 2019 / EU – Original

Genre: Organic Grooves

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American Soul Connexion Chapter 3

Release: 2019 / EU – Original

Genre: Organic Grooves

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American Soul Connexion Chapter 2

Release: 2019 / EU – Original

Genre: Organic Grooves

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American Soul Connexion 1954-1962

5CD | 2019 | EU | Original (Le Chant Du Monde)

Release: 2019 / EU – Original

Genre: Organic Grooves

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American Satan Opaque Black

2LP | 2019 | EU | Original (Virgin Music Las)

Release: 2019 / EU – Original

Genre: Rock & Indie

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American Hit Parade 1963-1972 Vol. 3

LP | 1980 | JP | Original (MCA)

8,99 €*

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

close to NM. Japanese pressing. OBI is missing, With insert

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American Hit Parade 1963-1972 Vol. 2

LP | 1980 | JP | Original (MCA)

4,99 €*

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM.

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American Hit Parade 1963-1972 Vol.1

LP | 1980 | JP | Original (MCA)

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Japanese pressing. Tiny wear.

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American Graffiti-Good Ol' Rock 'N Roll

2LP | EU (Vinyl Passion)

Release: EU

Genre: Rock & Indie

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Genre: Rock & Indie

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American Football Covers Frosted Glass Vinyl Edition

LP | 2024 | US | Original (Polyvinyl)

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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American Folk Blues Festival '82

LP | 1983 | GDR | Original (AMIGA)

4,99 €*

Release: 1983 / GDR – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

American Folk Blues Festival 66 - 2

LP | 1971 | GDR | Original (AMIGA)

5,99 €*

Release: 1971 / GDR – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

American Folk Blues Festival 66 - 1

LP | 1968 | GDR | Original (AMIGA)

12,99 €*

Release: 1968 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+. Seam split.

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American Banjo Tunes & Songs In The Scruggs Style = アメリカン・バンジョー・スクラッグス・スタイル

LP | 1976 | JP | Reissue (Folkways)

7,99 €*

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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LP | 1976 | US | Original (Festival)

America's Musical Roots

6,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: G

LP | 1976 | US | Original (Festival)

America's Musical Roots

6,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Punch hole. Tiny tear in spine. Vinyl is Close to VG.

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America Dream Reserve 2023 Edition

2LP | 2023 | EU | Original (Smiling C)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2023 edition with new artwork and sleeve. Come with insert/liner notes.

"Welcome to the America Dream Reserve, home to husband & wife duos, pub legends, one-man-bands, preachers’ sons, and country-lounge entertainers..."

About: America Dream Reserve is a home for kindred souls. An hour-long journey into the world of lo-fi drumcomputer folk, disco-pop-lounge, haunting ballads, obscure vanity pressings, and synthesized string ensembles. A collaborative compilation between Charles Bals, creator of the inimitable Club Meduse, and Smiling C.

Compiled by: Charles Bals & Henry Jones.

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2LP | 2021 | EU | Original (Amas_Studio)

Amas Jahre

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | UK | Original (do you have peace?)

Always + Forever

22,99 €*