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HHV Records Vinyl LP 98523 Items

HHV Records 98523 Vinyl, CD & Tape 98523 Used Vinyl 17963
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Steve Potts - Musique Pour Le Film D'un Ami
Steve Potts
Musique Pour Le Film D'un Ami
LP | 1975 | EU | Reissue (Souffle Continu)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
In 1975, Steve Potts left Steve Lacy for a time to compose Musique pour le film d’un ami following the proposition from the film’s director Joaquín Lledó. With guest musicians of quality and from vairied horizons (Ambrose Jackson, Jean-Jacques Avenel, Frank Abel, Elie Ferré, Christian Escoudé…), the saxophonise recorded a soundtrack ranging from modal jazz to free funk and from dirty grooves, to java wah-wah with disconcerting elegance. Rather than blaxploitation, Potts and his group offer us their mixploitation made in Paris which would be recognised way beyond the boundaries of La Défense.
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The Rolling Stones - Metamorphosis UK Green Record Store Day 2020 Edition
The Rolling Stones
Metamorphosis UK Green Record Store Day 2020 Edition
LP | 1975 | EU | Reissue (Universal)
33,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Record Store Day 2020 Release.

The first official Rolling Stones’ rarities collection originally released in June 1975 to try and outwit the bootleggers. The release combines some legendary out-takes and rarities as well as focusing on the wealth of demos that Jagger & Richards composed for other artists (produced by Andrew Loog Oldham or Jimmy Miller). Remastered by Bob Ludwig (Gateway Mastering) and Lacquer cutting by Sean Magee (Abbey Road Studios) Released exclusively on 180g Hunter Green vinyl Includes exclusive iron-on t-shirt transfer of the sleeve design, which alludes to Franz Kafka’s ‘The Metamorphosis’ (the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect!). This release replicates the U.K. version, with two extra songs, “Some Things Just Stick In Your Mind” and “We’re Wastin’ Time” that were not on the original U.S. release.
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The Three Degrees - International
The Three Degrees
International
LP | 1975 | JP | Original (Philadelphia International)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: Near Mint, Cover: Near Mint
Japanese pressing with OBI!
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The Three Degrees - International
The Three Degrees
International
LP | 1975 | JP | Original (Philadelphia International)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing. close to NM
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The Manhattan Transfer - The Manhattan Transfer
The Manhattan Transfer
The Manhattan Transfer
LP | 1975 | JP | Original (Atlantic)
9,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with OBI and insert.
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Hubert Laws - Firebird
Hubert Laws
Firebird
2LP | 1975 | JP | Original (CTI)
21,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with Obi.
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Ultrafunk - Ultrafunk
Ultrafunk
Ultrafunk
LP | 1975 | EU (Trading Places)
20,99 €*
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Release: 1975 / EU
Genre: Organic Grooves
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Anonymous British funk studio outfit Ultrafunk was spearheaded by Blues & Soul magazine proprietor John Abbey, who ran a fashionable record shop and label called Contempo in London’s West End during the 1970s; he conceived of the group as the UK counterpart to US studio bands like Mfsb. Arranger Gerry Shury, who had worked with Barry White and Maurice Gibb of the Bee Gees, drafted guitarist Chris Rae and bassist Frank McDonald (who often composed library music together) and future Rubettes drummer John Richardson to form the group, in situ. A lack of band photos, suggestive song titles and a predilection for American cover tunes led many to believe the band was US-based. Their self-titled debut LP is where the myth all begins, with a number of truly atmospheric and cinematic hard funk instrumentals, given added textural depth through full orchestration, including covers of Bill Withers’ “Use Me” and Stevie Wonder’s “Living In The City.” Though not quite as compelling as the better-known follow-up set, Meat Heat, there is still plenty to savour on Ultrafunk, making this debut companion disc a must-have for all true funk aficionados.
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The Stylistics - Greatest Hits 24
The Stylistics
Greatest Hits 24
2LP | 1975 | JP | Original (H & L)
13,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
With OBI. Japanese pressing. close to NM
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Hubert Laws - The Chicago Theme
Hubert Laws
The Chicago Theme
LP | 1975 | US | Original (CTI)
12,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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The Modern Jazz Quartet - The Last Concert
The Modern Jazz Quartet
The Last Concert
2LP | 1975 | JP | Original (Atlantic)
14,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with insert. OBI is missing.
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Olivia Newton-John - Clearly Love
Olivia Newton-John
Clearly Love
LP | 1975 | JP | Original (EMI)
9,99 €*
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Release: 1975 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing without OBI!
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Stanley Clarke - Journey To Love
Stanley Clarke
Journey To Love
LP | 1975 | JP | Original (Atlantic)
22,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing without OBI!
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The Modern Jazz Quartet - The Last Concert
The Modern Jazz Quartet
The Last Concert
2LP | 1975 | JP | Reissue (Atlantic)
14,99 €*
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Release: 1975 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing without OBI!
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V.A. - New Soul Best Collection
V.A.
New Soul Best Collection
LP | 1975 | JP | Original (Tamla Motown)
12,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without OBI
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Silver Convention - Save Me
Silver Convention
Save Me
LP | 1975 | JP | Original (Victor)
9,74 €* 12,99 € -25%
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Release: 1975 / JP – Original
Genre: Organic Grooves, Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
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The Doobie Brothers - Best Of The Doobies
The Doobie Brothers
Best Of The Doobies
LP | 1975 | JP | Reissue (Warner)
18,99 €*
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Release: 1975 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing. 1981 reissue. OBI is missing.
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V.A. - Get Down With Soul & Disco Hits Vol.1
V.A.
Get Down With Soul & Disco Hits Vol.1
LP | 1975 | JP | Original (CBS/Sony)
5,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing with OBII and insert. Cover with long open seam split on bottom spine
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V.A. - Hustle In Discotheque
V.A.
Hustle In Discotheque
LP | 1975 | JP | Original (Avco)
5,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: G+
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The Stylistics - Greatest Hits 24
The Stylistics
Greatest Hits 24
2LP | 1975 | JP | Original (Avco)
7,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG
Original Japanese pressing with OBI. Cover with foxing inside, otherwise VG+
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Larry Marshall - I Admire You
Larry Marshall
I Admire You
LP | 1975 | EU | Reissue (MONLY ROOTS)
19,99 €*
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Release: 1975 / EU – Reissue
Genre: Reggae & Dancehall
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Commodores - Movin' On
Commodores
Movin' On
LP | 1975 | JP | Original (Motown)
49,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with OBI and insert.
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Cleveland Eaton - Plenty Good Eaton
Cleveland Eaton
Plenty Good Eaton
LP | 1975 | US | Reissue (Real Gone)
24,99 €*
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Release: 1975 / US – Reissue
Genre: Organic Grooves
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John Prine - Common Sense
John Prine
Common Sense
LP | 1975 | EU | Reissue (Rhino)
26,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Lou Reed - Coney Island Baby
Lou Reed
Coney Island Baby
LP | 1975 | EU | Reissue (Sony)
29,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Earth, Wind & Fire - OST That's The Way Of The World
Earth, Wind & Fire
OST That's The Way Of The World
LP | 1975 | EU | Reissue (Music On Vinyl)
29,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Goma - 14 De Abril
Goma
14 De Abril
LP | 1975 | EU | Reissue (Wmspain)
24,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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1975. Another historic album from the Spanish prog scene. Goma was a supergroup from Sevilla formed by members of Smash, Gong (the Spanish ones), Chicle and others. Very progressive but using some jazz elements as well. Relevant sax work goes hand by hand with good guitars and organs. This is their only album, originally on Movieplay.
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The Beaters - Harari
The Beaters
Harari
LP | 1975 | EU | Reissue (Matsuli Music)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Excellent reissue of this amazing LP by the South African super group. Check the tunes ''Harari'' and 'Thiba Kamoo'', super groovy arrangements and tight cohesion between Alec Khaoli on bass guitar and Sipho Mabuse on drums, laced with the soaring vocals and guitar play by Selby Ntuli. Tip! The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul in the late sixties to delivering two Afro-rock masterpieces. Before these two albums the Beaters had been disciples of ‘Soweto Soul’ – an explosion of township bands drawing on American soul and inspired by the assertive image of Stax and Motown’s Black artists. The Beaters supported Percy Sledge on his 1970 South African tour (and later Timmy Thomas, Brook Benton and Wilson Pickett). But their watershed moment was their three month tour of Zimbabwe (then Rhodesia) where they were inspired by the strengthening independence struggle and musicians such as Thomas Mapfumo who were turning to African influences. On their return, the neat Nehru jackets that had been the band’s earliest stage wear were replaced by dashikis and Afros. “In Harari we rediscovered our African-ness, the infectious rhythms and music of the continent. We came back home inspired! We were overhauling ourselves into dashiki-clad musicians who were Black Power saluting and so on.” Sipho Hotstix Mabuse, talking of the band’s time spent on tour in the (then) Rhodesian township from where they took their name. As well as expressing confident African politics, Alec Khaoli recalled, they pioneered by demonstrating that such messages could also be carried by “...happy music. During apartheid times we made people laugh and dance when things weren’t looking good.” The two albums capture the band on the cusp of this transition. One the first album Harari, Inhlupeko Iphelile, Push It On and Thiba Kamoo immediately signal the new Afro-centric fusion of rock, funk and indigenous influences. Amercian soul pop is not forgotten with Love, Love, Love and, helped along by Kippie Moeketsi and Pat Matshikiza a bump-jive workout What’s Happening concludes the album. The second album Rufaro pushes the African identity and fusion further, with key tracks Oya Kai (Where are you going?), Musikana and Uzulu whilst the more pop-styled Rufaro and Afro-Gas point to where Harari were headed to in years to come. The popularity and sales generated by these two classic albums saw them signed by Gallo and release just two more albums with the original line-up before the untimely death of Selby Ntuli in 1978. Whilst they went on to greater success, even landing a song in the US Billboard Disco Hot 100 in 1982, it was never the same again. “Harari’s music still speaks directly to one of my goals as a younger artist: to express myself as an African without pretending that I don’t have all these other musical elements – classical, jazz, house – inside me.” (Thandi Ntuli, niece of Selby Ntuli).
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Freddie Hubbard - Liquid Love
Freddie Hubbard
Liquid Love
LP | 1975 | US | Original (Columbia)
9,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG
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V.A. - Super Soul Sensation
V.A.
Super Soul Sensation
2LP | 1975 | DE | Original (Philips)
3,99 €*
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Release: 1975 / DE – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Jeff Beck - Blow By Blow
Jeff Beck
Blow By Blow
LP | 1975 | EU | Reissue (Epic)
29,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Sylvia - Sweet Stuff
Sylvia
Sweet Stuff
LP | 1975 | EU | Reissue (Wewantsounds)
33,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Soul Classic BY Soul and Hip Hop Godmother Sylvia Robinson, Released IN 1975 on her Vibration Label and reissued on Vinyl for the first Time IN Decades, With Bonus Tracks.

Wewantsounds is delighted to reissue Sylvia Robinson's super rare soul LP released in 1975 on her Vibration label, part of her All-Platinum/Stang/Turbo empire. A few years later, she would launch Sugarhill Records and put hip hop on the map with "Rapper's Delight" in 1979 and "The Message" in 1982. "Sweet Stuff" features several Sylvia cult classics including "Private Performance," "Soul Je T'aime", a cover of Serge Gainsbourg's "Je T'aime Moi Non Plus" and the mellow favourite "Sho Nuff Boogie" recorded with The Moments. As bonus tracks, the release features "Sho Nuff Boogie, Part 2" which only came out as the single's b-side at the time and the long version of "Soul Je T'aime", all packaged in the album's original artwork. Born and raised in New York, Sylvia Robinson began recording at a young age under the name "Little Sylvia" in the early 1950s. She gained exposure when she teamed up with Mickey Baker scoring a hit in 1956 with "Love Is Strange" as Mickey & Sylvia. She went on to record many singles during the late 50s and 60s before setting up her own label, All Platinum Records in 1966 followed by Stang Records and Vibration. Through these labels, she had several hit records in the 70s as a producer including The Moments' "Love On A Two Way Street" and Shirley & Co's "Shame Shame Shame". ? Sylvia Robinson continued to record as a solo artist shortening her name as 'Sylvia'. She got a massive hit of her own with "Pillow Talk" in 1973, a song she'd originally penned with Al Green in mind. The song went to nr 3 in the charts and started a string of other hits over the next few years. In 1973 she covered Serge Gainsbourg's 1969 megahit "Je T'aime Moi Non Plus" renaming it here "Soul Je T'Aime" and duetting with Fania Records' Latin soul singer Ralfi Pagan. ? The following year was also busy for the singer and producer with three singles that went to the R&B chart: the Soul Ballad "Alfredo", the Funky "Private Performance" and "Sho Nuff Boogie," sung with The Moments. They are all featured on the album "Sweet Stuff" which was released in 1975. Interestingly the song "Sweet Stuff" notoriously sampled by J Dilla for "Crushin'" doesn't appear on this album even if "Sho Nuff Boogie" sounds very much like a forerunner of the song with its similar languorous pace and almost identical melody. "Sweet Stuff" is packed with other tasty soul songs including "I Can't Help It", "The Notion" and "Love Is The Only Thing." Four years later in 1979, Sylvia Robinson would make another genius move with the launch of Sugarhill Records and the Sugarhill Gang's single "Rapper's Delight" which would revolutionize music and almost single-handedly launch hip hop but that's another chapter of Sylvia Robinson's life. Wewantsounds is delighted to reissue one of her rarest albums from her best 70s period for the first time in decades and make it available on vinyl.
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Eberhard Alexander-Burgh / Hans Clarin - Hui Buh, Das Schloßgespenst 4 - Und Seine Allerneusten Spukereien
Eberhard Alexander-Burgh / Hans Clarin
Hui Buh, Das Schloßgespenst 4 - Und Seine Allerneusten Spukereien
LP | 1975 | DE | Reissue (Europa)
3,99 €*
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Release: 1975 / DE – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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The Temptations - House Party
The Temptations
House Party
LP | 1975 | US | Original (Gordy)
11,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
US original.
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The Allman Brothers Band - Win, Lose Or Draw
The Allman Brothers Band
Win, Lose Or Draw
LP | 1975 | US | Reissue (Capricorn)
8,99 €*
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Release: 1975 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Vinyl with scuffs and hairlines. Cover with cut corner
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Erkut Tackin - Erkut Tackin
Erkut Tackin
Erkut Tackin
LP | 1975 | EU | Reissue (Ossi Müzi)
23,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Raices - Raices
Raices
Raices
LP | 1975 | IT | Original (Atlantic)
24,99 €*
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Release: 1975 / IT – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
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Brian Brown Quintet - Carlton Streets
Brian Brown Quintet
Carlton Streets
LP | 1975 | AU | Reissue (Roundtable)
33,99 €*
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Release: 1975 / AU – Reissue
Genre: Organic Grooves
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Composer and saxophonist Brian Brown produced some of the most refined Australian jazz recordings during the 1970s. A versatile musician whose distinct impressionist music melded modern jazz with the outer limits of free experimentation. Considered to be his greatest work was the 1975 concept album Carlton Streets, an ambitious recording that romanticised the sights, sounds and the nostalgia of this once-bohemian Melbourne neighbourhood. Differing from his eco-jazz composition Wildflowers heard on the recent Roundtable compilation Pyramid Pieces, Carlton Streets explores the polar opposite, offering jazz impressions of the urban environment. Comparable to other pioneering jazz-rock groups such as Ian Carr’s Nucleus and mid-period Soft Machine, the album is a mosaic of ecstatic jazz-rock groove, spirited free improvisation and expanded experimental textures. A potent fusion that owes as much to Australian 20th-century avant-garde composers as it does to the influence of the electric jazz innovators, specifically early Weather Report and Herbie Hancock’s Mwandishi. The Roundtable are pleased to showcase this important artist and offer a new edition of this landmark Australian jazz recording. Restored from the original master tapes and presented in a gatefold sleeve including liner notes and rare photos. Released for Record Store Day 2021.
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Stanley Turrentine - Have You Ever Seen The Rain
Stanley Turrentine
Have You Ever Seen The Rain
LP | 1975 | US | Original (Fantasy)
9,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
US original. Santa Maria Pressing.
Record has some hairlines and a few superficial scratches.
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Makoto Kubota & The Sunset Gang - Champroo
Makoto Kubota & The Sunset Gang
Champroo
LP | 1975 | EU | Reissue (Wewantsounds)
34,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Wewantsounds is delighted to announce an ambitious Makoto Kubota reissue program with his three albums recorded with The Sunset Gang between 1973 and 1977. The albums feature Haruomi Hosono (who also co-produced ‘Hawaii Champroo’ and ‘Dixie Fever’) and also include Minako Yoshida, Taeko Ohnuki and Tatsuo Hayachi to name a few. Makoto Kubota has been one of Japan’s true musical innovators and following his involvement with Les Rallizes Dénudés in the early 70s, he developed a unique sound bringing American, Hawaiian and Okinawan music influences to his own Japanese folk music mix. Starting with the reissue of 'Hawaii Champroo' recorded in Honolulu in 1975 and co-produced by Haruomi Hosono, Wewantsounds will then release 'Sunset Gang' from 1973 followed by Dixie Fever from 1977. All albums have been newly remastered by Makoto Kubota and they each come with original artwork, OBI and the original japanese inserts. This is the first time the albums are released outside of Japan.

Recorded in 1975 at the famed Sounds of Hawaii studio in Honolulu, Hawaii Champroo was co-produced by Haruomi Hosono and marks the start of Kubota's keen interest in Hawaiian and Okinawan music (Champroo is derived from Chanpuru, the traditional Okinawan stir-fry dish). A companion album to Hosono's own 'Tropical Dandy' and 'Bon Voyage Co.' albums(on which Kubota plays), the album was at the forefront of a tropical musical movement started in Japan in the mid-70s. The core Sunset Gang consists of Kubota on Guitar, Takashi Onzo on bass, Yosuke Fujita on guitars and mandolin, Keni Inoue on lead guitar and Hiroki Komazawa on pedal steel guitar. They are joined on the album by Hosono on drums and Teriyuki Kokubu on piano. Having travelled to the United States in the early 70s, Makoto Kubota had fallen in love with American music and had brought back many influences from his sojourn on the East and West coast. these are evident from the tracks covered by the band on 'Hawaii Champroo', including Jesse Fuller's 'San Francisco Blues', The Rooftop Singers' 'Walk Right In' (an old Gus Cannon ragtime) or The Texas Playboys' classic 'Steel Guitar Rag.' 'Hawaii Champroo' also features originals such as the funky 'Shanghai Gaeri' and a nod to the Hula Hawaiian dance 'Moonlight Hula'. One of the highlights of the album is the classic 'Haisai Ozisan', the Okinawan 1972 cult classic by Shoukichi Kina which has become a standard in Japan. All in all, 'Hawaii Champroo' is a timeless classic and one of the key Japanese albums from the 70s which Wewantsounds is happy to introduce outside of Japan for the first time.
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John Mayall - New Year, New Band, New Company
John Mayall
New Year, New Band, New Company
LP | 1975 | US | Original (Blue Thumb)
9,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
US original.
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Bruno Nicolai - Rendez-Vous Black Vinyl Edition
Bruno Nicolai
Rendez-Vous Black Vinyl Edition
LP | 1975 | EU | Reissue (Sounds From The Screen Black Vinyl)
29,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Licensed in 1975 by Gemelli, Rendez Vous is possibly an holy grail in Nicolai long-running career as a composer. The orchestra director and musical editor is been active for at least 30 years and his majestic opus an overwhelming data for any avantgarde freak or moviegoer obsessed. While studying piano and composition at the Santa Cecilia Conservatory in Rome, he befriended Ennio Morricone and formed a long working relationship, with Nicolai eventually conducting for and co-scoring films with Morricone. Nicolai also scored a number of giallo exploitation films and wrote many scores for director Jesús Franco. His work was featured in the Quentin Tarantino films Kill Bill: Volume 2 and Once Upon a Time in Hollywood. Tension! Pretty much what this whole record is all about. An imaginary soundtrack that turned out to be an in-demand obscure library, Rendez Vous shows up the many skills of the composer and his alumni. Possibly Morricone is playing muted trumpet in several episodes – Diffidenza and Subdolamente – absorbing thrilling experiences similar to the Maestro soundtracks for Dario Argento early movies (not a case that Nicolai was the conductor for several adventures in movie sound theatre such as ‘L’Uccello Dalle Piume Di Cristallo’, ‘ Il Gatto A Nove Code’ or ‘4 Mosche Di Velluto Grigio’).
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Ufo - Force It Limited Clear Deluxe Edition
Ufo
Force It Limited Clear Deluxe Edition
2LP | 1975 | EU | Reissue (Chrysalis)
32,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Costin Miereanu - Luna Cinese
Costin Miereanu
Luna Cinese
LP | 1975 | EU | Reissue (Dialogo/Cramps)
25,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Easily one of the most singular and important experimental albums of the 1970s that remains as engrossing, creatively riveting, and as ahead of its time today as it was in 1975, this is as exciting as reissues come. Complete with new English translation of their original liner notes, it can’t be missed! Edition of 500 LP on black vinyl. Audiophile pressing. Gatefold cover, including printed inner. Perfect replica of the original packaging (with additional translated liner notes) and newly remastered for optimal sound.** Of all the historic labels associated with experimental music, few have garnered as much affection, or as devoted a following, as the Italian imprint Cramps. Its catalog reads like a who's who of the 1970s musical avant-garde, housing seminal albums by John Cage, Gruppo di Improvvisazione Nuova Consonanza, Giusto Pio, Demetrio Stratos, Juan Hidalgo, Robert Ashley, Walter Marchetti, Cornelius Cardew, Raul Lovisoni / Francesco Messina, Alvin Lucier, Derek Bailey, and so many more, the vast majority of which have remained largely out of print and nearly impossible to obtain for decades. Now, at long last, the Milan based imprint, Dialogo, has begun a stunning series of vinyl reissues from Cramps' Nova Musicha series - dedicated to contemporary avant-garde composers - beginning with Costin Miereanu’s Luna Cinese, originally released in 1975. Fully remastered and housed in a sleeve that beautifully reproduces the album’s signature design, complete with brand a new English translation of the original liner notes, this is a truly historic event. For its impact, Cramps was a relatively short-lived endeavor, running for roughly seven years between 1973 and 1980. Founded in Milan by the producer, publisher, and graphic designer, Gianni Sassi - publisher of counter-cultural magazines like Bit and Frankenstein, and the designer behind numerous covers for Bla Bla, including Franco Battiato's Fetus and Pollution - Cramps was the pitch perfect emblem of revolutionary Italian temperaments of its era; creatively radical, globally minded, without profit motive, and bridging numerous musical idioms, from progressive rock and jazz, to some of the most forward thinking and singular expression of sonic experimentalism the world has ever seen. Of all the seminal figures that recorded for Cramps, the Romanian / French composer, Costin Miereanu, remains among the most distinct and under-appreciated. The reemergence of his debut LP, Luna Cinese, issued by the label in 1975, will likely change that. Over the last decade or so, Miereanu has developed something of a cult following among experimental fans because of his stunning series of albums issued during the 1980s on his own Poly-Art imprint, skirting the border of ambient music and minimalism in highly individual ways. Luna Cinese, which dives into far more explicitly experimental territory, will undoubtedly be a revelation and expose the true underpinnings of the work that would begin to emerge of the next decade and a half. During his early years, Costin Miereanu was something of a wunderkind of avant-garde and experimental music. Born in Bucharest, between 1960 to 1966 he was a student of Alfred Mendelsohn, Dan Constantinescu, and Lazar Octavian Cosma, before moving to Paris where he earned a Doctor of Letters and a Doctor of Musical Semiotics, winning numerous prizes in writing, analysis, music history, esthetics, orchestration, and composition. Between 1967 and 1969 he was a student of Karlheinz Stockhausen, György Ligeti, and Ehrhard Karkoschka at the Internationale Ferienkurse für neue Musik in Darmstadt, laying the final groundwork for a stunning career as both a composer and noted academic over the years since, often combining techniques drawn from Satie with the abstraction of Romanian traditional music into a sonic fabric that is guided by systems associated with Musique concrète. Luna Cinese, issued as the composer's debut LP by Cramps in 1975, is a stunning combination of all these elements. The work - stretching across the album's two sides, consists of continuous low-density repetitions, build from what the composer describes as “the kind of 'woven' silence you find on mountains – occasionally disturbed by irregular and very dense insertions – the kind of intense noise you find in the city.” The result, combining a vast range of environmental sound, voices chattering in various languages, fragments of acoustic instrumentation, and the pulsing and ambiences of synths and electronics, is about as singular and beautiful as experimental works from the 1970s come, while never for a moment sacrificing rigour or tension. A truly stunning, interwoven sonic expanse that lays pregnant with multiple meaning and interpretations - conceived by the composer to illuminate the complex ways in which meaning and narrative are constructed across time - and imbued with surrealism and the 'schizoid', Luna Cinese stands as an entirely distinct and original gesture within the canon of experimental music, displaying a remarkable density, while open, airy, and encouraging the subjectivity of the listener to play an active part. Easily among the best and important works from the original Cramps catalog, but sinfully overlook over the years since its release, Luna Cinese is as good as they come and an absolutely riveting and immersive listen. Issued by Dialogo in this newly remastered vinyl edition - the first since 1975 - with its original liner notes by Miereanu in a brand-new English translation, this one is impossible to recommend enough and will leave the composer ringing in your mind for a long time to come.
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Bruno Nicolai - Rendez-Vous HHV Exclusive Green Vinyl Edition
Bruno Nicolai
Rendez-Vous HHV Exclusive Green Vinyl Edition
LP | 1975 | EU | Reissue (Sounds From The Screen Black Vinyl)
29,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves, Soundtracks
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Green vinyl edition limited to 100 copies. Only available at HHV Records.

Licensed in 1975 by Gemelli, Rendez Vous is possibly a holy grail in Nicolai long-running career as a composer. The orchestra director and musical editor has been active for at least 30 years and his majestic opus an overwhelming data for any avantgarde freak or moviegoer obsessed. While studying piano and composition at the Santa Cecilia Conservatory in Rome, he befriended Ennio Morricone and formed a long working relationship, with Nicolai eventually conducting for and co-scoring films with Morricone. Nicolai also scored a number of giallo exploitation films and wrote many scores for director Jesús Franco. His work was featured in the Quentin Tarantino films Kill Bill: Volume 2 and Once Upon a Time in Hollywood. Tension! Pretty much what this whole record is all about. An imaginary soundtrack that turned out to be an in-demand obscure library, Rendez Vous shows up the many skills of the composer and his alumni. Possibly Morricone is playing muted trumpet in several episodes – Diffidenza and Subdolamente – absorbing thrilling experiences similar to the Maestro soundtracks for Dario Argento early movies (not a case that Nicolai was the conductor for several adventures in movie sound theatre such as ‘L’Uccello Dalle Piume Di Cristallo’, ‘ Il Gatto A Nove Code’ or ‘4 Mosche Di Velluto Grigio’).
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Twinkle Brothers - Rasta Pon Top Colored Vinyl Edition
Twinkle Brothers
Rasta Pon Top Colored Vinyl Edition
LP | 1975 | UK | Reissue (Burning Sounds)
22,99 €*
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Release: 1975 / UK – Reissue
Genre: Reggae & Dancehall
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The O'Jays - Family Reunion
The O'Jays
Family Reunion
LP | 1975 | US | Original (Philadelphia International)
16,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl is Close to VG+. Original US Pitman pressing.
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Willie Hutch - Ode To My Lady
Willie Hutch
Ode To My Lady
LP | 1975 | US | Original (Motown)
14,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Cover with some wear and a sticker on the front!
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Esther Phillips W/ Joe Beck - What A Diff'rence A Day Makes
Esther Phillips W/ Joe Beck
What A Diff'rence A Day Makes
LP | 1975 | US | Original (Kudu)
8,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG
Record has some hairlines and a few superficial scratches.
Small writing on back cover.
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Buddy Miles - More Miles Per Gallon
Buddy Miles
More Miles Per Gallon
LP | 1975 | US | Original (Casablanca)
7,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Brass Construction - Brass Construction
Brass Construction
Brass Construction
LP | 1975 | US | Original (United Artists)
16,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Original US All Disc pressing. Damaged corner.
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The Sylvers - Showcase
The Sylvers
Showcase
LP | 1975 | US | Original (Capitol)
8,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US pressing.
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Jimmie Walker - Dyn-O-Mite
Jimmie Walker
Dyn-O-Mite
LP | 1975 | US | Original (Buddah)
7,99 €*
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Release: 1975 / US – Original
Genre: Soundtracks
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Used Vinyl
Medium: VG, Cover: VG
Cover with punch hole.
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Piero Umiliani - Continente Nero
Piero Umiliani
Continente Nero
LP | 1975 | EU | Reissue (Dialogo)
22,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.
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Barcelona Traction - Barcelona Traction
Barcelona Traction
Barcelona Traction
LP | 1975 | EU | Reissue (Sommor)
23,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to form his own band, having jazz as a starting point but taking it to a more electric, eclectic sound with multiple influences. And thus, in 1973, he created the New Jazz Trio, which would become the embryo for Barcelona Traction. Lucky was accompanied by top double bass player Jordi Clua (ex-Dos +Un) and drummer Francis Rabassa (a veteran of the Barcelona 60s beat scene). The New Jazz Trio was the house band at the legendary La Cova del Drac jazz club, where they played every day, even acting as the backing band for international artists that came mainly through the USA-Paris jazz connection.

Performing life on a daily basis gave the trio great skills and the confidence to create a more personal sound through improvisation. But the turning point came when they decided to go electric. Lucky Guri moved to electric piano and even introduced the mini-moog to their sound. Jordi Clua never left the double bass, but started to use an electric bass as well. Add the modern, daring beat of Francis Rabassa and they started delivering a totally electric jazz-rock sound. The resulting mix arose the criticism of their more jazz-purist followers who turned their back on them, but the younger generations and a new audience coming from rock started to follow them instead.

After changing their name to Barcelona Traction, they caught the attention of popular catalan singer-songwriter Joan Manuel Serrat, who arranged for them to sign for his label, Òliba-Edigsa. The resulting LP contains five instrumental tracks. Three are written by Lucky Guri, the other two are fabulous covers of Rubens Serrano's "Sudamérica" and James Taylor's "Fire and Rain", here translated to Catalan as "Foc i pluja".

On Francesc Bellmunt's film about the famous Canet Rock festival, the band appears playing "Sudamérica". Thanks to this footage we can see how powerful the trio was on stage. Barcelona Traction marked an era, and their eponymous debut LP is here to prove it. Modern, fresh music that gets the attention of the listener. Unlike other bands like Música Urbana, more based in sophistication and more technical developments, Barcelona Traction is a combo that stands out due to the apparent simplicity and high energy of their sound, with the quality of being able to appeal and be listened in any situation, taking it beyond strict, pigeonholed mind sets.” - Álex Gómez-Font
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Oscar Peterson - Girl Talk
Oscar Peterson
Girl Talk
LP | 1975 | JP | Reissue (Musik Produktion Schwarzwald)
7,99 €*
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Release: 1975 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing, no Obi.
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The Three Degrees - International
The Three Degrees
International
LP | 1975 | JP | Original (Philadelphia International)
5,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Japanese pressing
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Phineas Newborn Jr. - Harlem Blues
Phineas Newborn Jr.
Harlem Blues
LP | 1975 | JP | Original (Contemporary)
17,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Fred Bongusto - OST Conviene Far Bene L'Amore Colored Vinyl Edition
Fred Bongusto
OST Conviene Far Bene L'Amore Colored Vinyl Edition
LP | 1975 | EU | Reissue (Cinedelic)
27,99 €*
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Release: 1975 / EU – Reissue
Genre: Soundtracks
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Limited pressing on colored vinyl! USA title: Love And Energy / Sex Machine 2037 A.D.
In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L’Amore is a 1975 film written and directed by Pasquale Festa Campanile, a film adaptation of his novel of the same name. It is an erotic comedy with science-fiction elements that is debilitating the theories of Wilhelm Reich (the author of The Function of the Orgasm) in which satire and fantapolitic are mixed.
The original LP with the music of Fred Bongusto, arranged and directed masterfully by Josè Mascolo, is now a cult object for the lovers of Italian melodic soundtracks with bossa nova and jazz and for the samples used by many rappers. Bongusto often combines the synth for the melody with the orchestral ground; an unmistakable and very personal solution also used the year before for the Malizia soundtrack which was a great success.
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Piero Umiliani - Polinesia
Piero Umiliani
Polinesia
LP | 1975 | EU | Reissue (Dialogo)
22,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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“Polinesia” is another incredible example of Piero Umiliani’s versatility, showing how he could combine an artistic path intimately bound to Italy and to its traditions with the world’s sounds - and even more, given the cosmic ventures of some of his releases. Fully recorded with glowing percussion and exotic suggestions that remind of Martin Denny, bringing to mind sunny white beaches, Oceania and the famous Bora Bora island, “Polinesia” is the perfect soundtrack to a full-moon exotic night.
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Rovi (Piero Umiliani) - Pianofender Blues
Rovi (Piero Umiliani)
Pianofender Blues
LP | 1975 | EU | Reissue (Dialogo)
22,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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“Pianofender Blues”, originally released in 1975 and entirely recorded with the aid of two electric pianos - Fender, of course, and Wurlitzer, bass, piano, drums and percussion, is another curious foray for the eclectic composer Piero Umiliani into territories other than the usual jazz, soundtrack and avant-garde ones. This album blends the Fender Piano melancholic sound over an easylistening repertoire, testifying the author’s versatility once again.
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Commodores - Caught In The Act
Commodores
Caught In The Act
LP | 1975 | JP | Original (Tamla Motown)
18,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Original Japanese pressing with OBI!
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Diana Ross - Best Collection
Diana Ross
Best Collection
LP | 1975 | JP | Reissue (Motown)
17,09 €* 17,99 € -5%
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Release: 1975 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
without OBI. close to NM
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The Three Degrees - International
The Three Degrees
International
LP | 1975 | JP | Original (Philadelphia International)
11,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
incl. OBI
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Michael Franks - The Art Of Tea
Michael Franks
The Art Of Tea
LP | 1975 | EU | Reissue (Speakers Corner)
34,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma
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Van McCoy & The Soul City Symphony - Disco Baby
Van McCoy & The Soul City Symphony
Disco Baby
LP | 1975 | US | Original (Avco)
3,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G+, Cover: VG
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The O'Jays - Family Reunion
The O'Jays
Family Reunion
LP | 1975 | US | Original (Philadelphia International)
12,99 €*
Incl. VAT plus Shipping Costs
Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Original US Santa Maria pressing. Original inner sleeve.
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Little Willie John - Talk To Me
Little Willie John
Talk To Me
LP | 1975 | US | Original (Power Pak)
16,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Record is close to VG+.
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Donald Byrd - Places And Spaces
Donald Byrd
Places And Spaces
LP | 1975 | EU | Reissue (Blue Note)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Donald Byrd’s 1975 album Places and Spaces featuring the hits “Wind Parade” and “Dominoes” was the culmination of the great trumpeter’s fusion period.

It was the fifth consecutive Byrd album to be produced by visionary producer Larry Mizell, and the second to last session Byrd would cut for Blue Note, the label he had recorded for since 1958 that had followed him along his remarkable evolution from top-notch hard bop trumpeter to pioneer of R&B/Funk fusion.

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
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Martin Davorin Jagodic - Tempo Furioso (Tolles Wetter)
Martin Davorin Jagodic
Tempo Furioso (Tolles Wetter)
LP | 1975 | EU | Reissue (Dialogo)
25,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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Martin Davorin Jagodić (1935 – 2020) was a Croatian contemporary music composer and educator. His work includes theatre music, graphic scores, instructions for performances, multimedia installation art, radio art, electroacoustic music on tape as well as experimental film soundtracks. Despite a very long series of performances during the years, only one single LP has officially been released under his name, named Tempo Furioso (Tolles Wetter), a collage of electronic and ‘found sounds’ divided in two long movements (one for each side of the LP). Originally released on the Italian Cramps Records label as the 8th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, Tempo Furioso is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Tempo Furioso”: My first thought was to state that ‘Tempo Furioso’ is a version of the song entitled ‘Tolles Wetter’. But things are not so straight-forward (after all, what is a version?), so I prefer to talk a bit about ‘Tolles Wetter’. This way, I am sure that I will be able to avoid illustrating the relationships existing between the ‘version’ of ‘Tempo Furioso’ and the ‘original’, namely the music of ‘Tolles Wetter’. Reading the diagram of ‘Tolles Wetter’ will help in listening to the record. It will also explain why I am forced to avoid the terms ‘version’ or ‘variation’. These expressions, for several years now, have become faithful counterparts to certain compositions featuring ‘multiple possible versions’; they make us almost automatically think of any ‘Third Sonata’, ‘Klavierstück XI’ or other open works of this kind. Because all of this is very far from my work, I do not want to use any of these terms. They would inevitably mislead the listener [...]. I’m saying all this in order to reassure the listener, who might otherwise think they are in front of a second-hand work (a minor version) and would therefore feel deprived, almost robbed, of the original. So, what is ‘Tolles Wetter’? The actualisation of a (musical) situation – a place, an action – in which we are at home, well warmed up, in our room, while outside there is a storm. The disturbing elements – atmospheric or otherwise – are already there and will eventually find their way into our space. (Have you ever noticed that there are places, whole cities, that are penetrated by frequencies that create a particular kind of sound – oscillations that are in the air?). They can be fire, or some annoying ‘Tafelmusik’ (“what’s going on under my table?”), wood creaking, wind blowing, as well as lines connecting us with the outside world, far away as it might be (radio stations, for instance). Now, little by little, our situation becomes more complex. It is no longer a question of one story but of several. Bad weather has definitively stabilised (this does not mean that the action always has to be actualised in a violent way; not all possible actualisations are like ‘Tempo Furioso’). Weather and time-duration are confused, we are invaded by memories, by projects... The different situations appear more and more like crystallised and superimposed objects/images, as if one wanted to be everywhere at the same time. Zigzagging through time, stumbling, enlarging the picture... reading makes its way into this picture. Of course, not all actions can be performed at the same time. The overall actualisation/hearing will depend on the organisation of the connections. In sight of a global actualisation/hearing, roles are distributed, and the scripts of the different versions of the same story are written. At this point, we can already better understand the sense in which - regarding the relationship between ‘Tolles Wetter’ and ‘Tempo Furioso’ - the term ‘version’ has little meaning. Let’s say, therefore, that ‘Tempo Furioso’ is a possible actualisation that came to be because of its recording. This also explains why – and perhaps helps instigate – different and diverse possibilities of overlapping sides and records are proposed.
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Tin Pan Alley - Tin Pan Alley
Tin Pan Alley
Tin Pan Alley
LP | 1975 | EU | Reissue (Life Goes On)
12,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Tin Pan Alley is the name given to a collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. It originally referred to a specific place: West 28th Street between Fifth and Sixth Avenues in the Flower District of Manhattan. Haruomi Hosono (Apryl Fool, Happy End, Ymo), Masataka Matsutoya (music producer, arranger, keyboard player and composer married to popstar Yumi Arai), Shigeru Suzuki (also guitarist in Happy End) and drummer Tatsuo Hayashi (later on in fusion prog-bands such as Aragon and Parachute) took the name for granted. Their 1975 self-titled debut is stil one of the most sophisticated venture in the so called city pop scene.
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Jacques Thollot - Watch Devil Go
Jacques Thollot
Watch Devil Go
LP | 1975 | EU | Reissue (Souffle Continu)
25,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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To write these few lines, we spoke to saxophonist François Jeanneau, an old friend of Jacques Thollot who also played on several of his albums, including the “Watch Devil Go” which interests us here. He told us a story which, according to him, sums up the personality of Thollot. A noted studio had reserved three days for a Thollot recording session. The first morning was devoted to sound checks and putting some order in the score sheets which Jacques would hand out in a somewhat anarchic manner. Then everyone went for lunch. When the musicians returned to the studio, Thollot had disappeared. He wasn’t seen again for the three days. When he reappeared, he had already forgotten why he had left, The music of Jacques Thollot is in the image of its’ author: it takes you somewhere, suddenly escapes and disappears, returning in an unexpected place as if nothing had happened.

Four years after a first album on the Futura label in 1971, Jacques Thollot returned, this time on the Palm label of Jef Gilson, still with just as much surrealist poetry in his jazz. In thirty-five minutes and a few seconds, the French composer and drummer, who had been on the scene since he was thirteen, established himself as a link between Arnold Schoenberg and Don Cherry. Resistant to any imposed framework and always excessive, Thollot allows himself to do anything and everything: suspended time of an extraordinary delicacy, a stealthy explosion of the brass section, hallucinatory improvisation of the synthesisers, tight writing, teetering on the classical, and in the middle of all that, a hit; the title-track - that Madlib would one day end up hearing and sampling.

“Watch Devil Go” was in the right place in the Palm catalogue, which welcomed the cream of the French avant-garde in the 70s. But it is also the story of a long friendship between two men. Jacques Thollot and Jef Gilson had known and respected one another for a long time. Though barely sixteen years old, Thollot was already on drums on the first albums by Gilson starting in 1963 and would play in his big band (alongside François Jeanneau once again), ‘Europamerica’, until the end of the 70s.

In a career lasting half a century and centred on freedom Jacques Thollot played with the most important experimental musicians (Don Cherry, Sonny Sharrock, Michel Roques, Barney Wilen, Steve Lacy, François Tusques, Michel Portal, Jac Berrocal, Noël Akchoté...) and they all heard in him a pulsation coming from another world. (Jérôme "Kalcha" Simonneau)
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Tom Wachunas - Spare Changes
Tom Wachunas
Spare Changes
LP | 1975 | EU | Reissue (Gotta Groove)
32,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Ugo Busoni - Valvole
Ugo Busoni
Valvole
LP | 1975 | EU | Reissue (Musica Per Immagini)
23,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves, Rock & Indie, Soundtracks
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Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.
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Nikki Giovanni - Way I Feel
Nikki Giovanni
Way I Feel
LP | 1975 | EU | Reissue (Modern)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Total Eclipse - A Great Combination
Total Eclipse
A Great Combination
LP | 1975 | US | Reissue (Demon)
25,99 €*
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Release: 1975 / US – Reissue
Genre: Organic Grooves
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Pink Floyd - Wish You Were Here
Pink Floyd
Wish You Were Here
LP | 1975 | UK | Original (Harvest)
120,99 €*
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Release: 1975 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
UK original.
Sleeve has wear and scuffs. Original inner sleeve
LP has surface marks.
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Elvis Presley - Promised Land
Elvis Presley
Promised Land
LP | 1975 | EU | Reissue (Music On Vinyl)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Ace - Time For Another
Ace
Time For Another
LP | 1975 | US | Original (Anchor)
3,99 €*
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Release: 1975 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Terre Haute Pressing.
Cover with cut corner.
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Kenny Cox - Clap Clap! The Joyful Noise
Kenny Cox
Clap Clap! The Joyful Noise
2LP | 1975 | UK | Reissue (BBE Music)
42,99 €*
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Release: 1975 / UK – Reissue
Genre: Organic Grooves
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Maxophone - Maxophone Crystal Clear Vinyl Edition
Maxophone
Maxophone Crystal Clear Vinyl Edition
LP | 1975 | EU | Reissue (AMS)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Maxophone, from Milan, formed in 1973 as a six-piece with an unusual assortment of instruments, due to their past experience as music students. A band of great talents and musicianship, their only LP, released in 1975, came too late to compete with the most important Italian bands of the genre and went sadly unnoticed.

"Maxophone", released on the Produttori Associati label (along with Duello Madre one of the few ventures in rock records by this label) is a marvellous album, full of dreamy atmospheres and complex horn arrangements, with good vocal parts in a Genesis style and is nowadays considered as one of the best Italian prog records of all times. [source: www.italianprog.it]

Limited edition on crystal vinyl.
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Premiata Forneria Marconi - Chocolate Kings
Premiata Forneria Marconi
Chocolate Kings
LP | 1975 | EU | Reissue (Numero Uno)
24,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Sammy Burdson, Klaus Weiss & Larry Robb - Dramatic Tempi / Larry Robbins Background
Sammy Burdson, Klaus Weiss & Larry Robb
Dramatic Tempi / Larry Robbins Background
LP | 1975 | EU | Reissue (Be With)
24,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.
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Sammy Burdson - Background Action
Sammy Burdson
Background Action
LP | 1975 | EU | Reissue (Be With)
24,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves, Electronic & Dance
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C-l-a-s-s-i-c library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. Background Action’s first side is all Blaxploitation wah-wah, funky clav and heavy, heavy drums. It’s top-quality takes on the sort of hard-knocking psychedelic sleuth-funk that the library labels gave us in spades.
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Don Cherry - Brown Rice Brown Vinyl Edition
Don Cherry
Brown Rice Brown Vinyl Edition
LP | 1975 | EU | Reissue (Klimt)
24,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Brown Rice is probably the most accessible entry point into Cherry's borderless ideal, jelling into a personal, unique, and seamless vision that's at once primitive and futuristic in the best possible way. Its title track is a sensual fusion of various styles and sounds from the African, Indian and Arabic traditions. It also represents the spiritual multiculturalism that Cherry was interested in exploring during this creative period. With ex-Ornette Coleman cohorts on board – Billy Higgings on drums and Charlie Haden on double bass (also heard on electric) – the album (originally released in Italy in 1975) is a cult on its own.
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Doug Hammond & David Durrah - Reflections In The Sea Of Nurnen
Doug Hammond & David Durrah
Reflections In The Sea Of Nurnen
LP | 1975 | US | Reissue (Now-Again)
30,99 €*
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Release: 1975 / US – Reissue
Genre: Organic Grooves
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Originally planned for issue on Strata-East, Hammond took his collaboration with Durrah to Detroit and issued his masterpiece. Lacquered by Bernie Grundman. Now-Again presents the denitive Tribe Records reissues. Deep, Spiritual Jazz of the highest order. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.
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V.A. - New Soul Best Collection
V.A.
New Soul Best Collection
LP | 1975 | JP | Original (Tamla Motown)
11,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Japanese pressing with Obi.
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The Three Degrees & MFSB - The Three Degrees & MFSB Show - Vol. 2
The Three Degrees & MFSB
The Three Degrees & MFSB Show - Vol. 2
LP | 1975 | JP | Original (Philadelphia International)
3,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: G, Cover: G+
Japanese pressing without OBI, with insert. Vinyl full of scuffs and marks. Cover with long open seam split on the bottom
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Jothan Callins & The Sounds Of Togetherness - Winds Of Change
Jothan Callins & The Sounds Of Togetherness
Winds Of Change
LP | 1975 | EU | Reissue (Mad About)
25,99 €*
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Release: 1975 / EU – Reissue
Genre: Organic Grooves
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Rare Spiritual Jazz Funk masterpiece reissued for the first time ever worldwide with the original 4 page booklet. Jothan Callins had played with Olatunji in the late 1960s, he both joined the Sun Ra Arkestra and founded his own Sound of Togetherness. The incarnation of the band featured on this 1975 New York recording includes Cecil McBee, Norman Connors, Joseph Bonner and Roland Duval. “Winds of Change” is generally compared to the Strata East style of Jazz. Under exclusive license from Amadi Aziliwe.
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Roberta Flack - Feel Like Makin' Love
Roberta Flack
Feel Like Makin' Love
LP | 1975 | JP | Original (Atlantic)
16,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing without OBI, with insert
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Daniela Casa - America Giovane N. 2
Daniela Casa
America Giovane N. 2
LP | 1975 | EU | Reissue (Vinyl Magic)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Electronic & Dance
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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale. Daniela Casa (1944 - 1986) was a singer and composer, wife of another library music artist, Remigio Ducros, who wrote "America Giovane" (Young America), an LP that ideally precedes this second chapter. Originally released in 1975, "America Giovane N. 2" is today - like almost the entire Edizioni Leonardi catalog - extremely rare and among the most sought-after by collectors. Musically, it shares with the aforementioned "America Giovane" a remarkable stylistic variety: from folk to psychedelia, from funk to rhythm 'n blues but, unlike the first volume, on this record there's a more or less evident jazz aura ("Fix" and "Soft Bird" are practically two short free-jazz excursions!) that makes it even more interesting and unique. "America Giovane N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers. First official reissue ever on black vinyl.
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Van Der Graaf Generator - Godbluff
Van Der Graaf Generator
Godbluff
LP | 1975 | EU | Reissue (Virgin)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Slade - Ballzy Record Store Day 2022 Vinyl Edition
Slade
Ballzy Record Store Day 2022 Vinyl Edition
LP | 1975 | US | Reissue (BMG)
28,99 €*
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Release: 1975 / US – Reissue
Genre: Rock & Indie
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The provocative, yet spectacular US-only debut release from Slade (Ambrose Slade), Ballzy laid the foundations for the rock bands path to their legendary status. Slade and BMG are proud to reissue their debut US LP Ballzy for the first time on beautiful transparent blue vinyl. Slade were unstoppable throughout the seventies becoming one of Europe’s biggest bands, releasing 6 smash hit albums, including three UK No-1’s, a run of 17 consecutive Top 20 singles and their hits are synonymous with the glam era. This limited edition product is a key component of the Slade catalogue.
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Pointer Sisters - Steppin'
Pointer Sisters
Steppin'
LP | 1975 | US | Original (ABC Blue Thumb)
10,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
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Roxy Music - Stranded
Roxy Music
Stranded
LP | 1975 | EU | Reissue (Virgin)
33,99 €*
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Release: 1975 / EU – Reissue
Genre: Pop
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Apoteosi - Apoteosi Clear Purple Vinyl Edition
Apoteosi
Apoteosi Clear Purple Vinyl Edition
LP | 1975 | EU | Reissue (AMS)
28,99 €*
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Release: 1975 / EU – Reissue
Genre: Rock & Indie
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Apoteosi were a very rare, if not the one and only, progressive voice coming from the Calabria region. Their self-titled LP, released in 1975, therefore in a period of transition for the prog-rock genre, is undoubtedly one of the most emblematic LP’s and shows how a young and geographically completely ‘out of the loop’ group has been able to create a small jewel. “Apoteosi” is a work deliciously poised between pastoral and refined moments and darker and ‘crimson’ moods, with an extremely original approach and that still deserves to be listened to carefully after exactly 40 years.

Almost every musician in the band will take off towards important careers in the music world, reflecting the talent of a group that even featured a 14-year old keyboardist Massimo Idà. There’s a curious “Coro Alessandroni” presence in the credits: “Apotheosis” was recorded in Rome, therefore we’re probably talking about the same Alessandro Alessandroni who at the time had already worked on many different soundtracks written by Ennio Morricone.

The remarkable rhythm section and the musical cohesion of the musicians are standout elements in this LP, since they were able to create a musical continuum that holds a qualitative tension along the whole work; moreover, there is a close proximity to certain models the English progressive underground, rather than the Italian one, the Canterbury scene in particular. “Apoteosi” stands still today among the hidden and precious gems delivered from a florid era of artistic ferment.
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Billy Preston - It's My Pleasure
Billy Preston
It's My Pleasure
LP | 1975 | US | Original (A&M)
6,99 €*
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Release: 1975 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG, Cover: VG
Close to VG+
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The Miracles - Don't Cha Love It
The Miracles
Don't Cha Love It
LP | 1975 | JP | Original (Tamla Motown)
6,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: G+
Japanese pressing without OBI! Cover with some wear and seam split!
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Helen Reddy - Helen Reddy's Greatest Hits
Helen Reddy
Helen Reddy's Greatest Hits
LP | 1975 | JP | Original (Capitol)
4,99 €*
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Release: 1975 / JP – Original
Genre: Pop
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Used Vinyl
Medium: VG+, Cover: VG
Japanese pressing without OBI
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The Modern Jazz Quartet - Django
The Modern Jazz Quartet
Django
LP | 1975 | JP | Reissue (Prestige)
18,99 €*
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Release: 1975 / JP – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing with OBI and insert.
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Shirley Bassey - Live In Japan
Shirley Bassey
Live In Japan
2LP | 1975 | JP | Original (United Artists)
23,99 €*
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Release: 1975 / JP – Original
Genre: Organic Grooves, Pop
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Used Vinyl
Medium: VG, Cover: G+
Japanese pressing with Obi.
Sleeve has foxing, wear.
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