HHV Records Vinyl LP 83456 Items

Music Is The Healing Force Of The Universe

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the rarest psychedelic garage albums ever, the Kaleidoscope album was recorded in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico in 1969 as a tiny pressing, housed in a fantastic psychedelic sleeve designed by Bodo Molitor.

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Albert Ayler

LP | 1970 | EU | Reissue (Elemental)

LP | 1970 | EU | Reissue (Elemental)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums!

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Antonio Carlos Jobim

Tide

Wizard Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Reissue of the 6th studio album by Brazilian jazz legend Antônio Carlos Jobim. Released in 1970 on A&M Records, this instrumental Bossa Jazz masterpiece was produced by Creed Taylor and engineered by Rudy Van Gelder. It features the arrangements of Eumir Deodato (who also conducted the band), and includes a plethora of sidemen from the U.S. jazz scene, such as Joe Farrell, Hubert Laws and Ron Carter, as well as Brazilian stars like Hermeto Pascoal, Airto Moreira and João Palma.

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Wizard

LP | 1971 | EU | Reissue (Out-Sider Music)

Lady Killer Bi-Colored Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Rare & sought after psychedelic hard-rock album from 1971 by this power trio from Tampa (Florida) that opened for big names like Iron Butterfly and Mountain and even played at the legendary Goose Lake Music Festival in Michigan. Wizard consisted of Ben Schultz (guitar, vocals), Paul Forney (bass and lead vocals) and Chris Luhn (drums). Together, they conjured a heavy sound full of raw & loud guitars, powerful bass and crashing drums. “The Original Wizard” was their only album, recorded as a “live” in the studio demo after the band caught the attention of Decca Records, finally released on the small Peon Productions label. *Remastered by Tony Reed at HeavyHead Recording Co. *Original artwork in hard cardboard sleeve *Insert with liner notes and photos

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Mouse

LP | 1973 | EU | Reissue (Sommor)

LP | 1967 | EU | Reissue (Elemental)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Led by legendary prog-fusion / session guitarist Ray Russell (John Barry Seven, Graham Bond, Georgie Fame, Running Man…) and bass player Jeff Watts (Steel Mill), Mouse released their only album in 1973 for the short-lived Sovereign label. An eclectic mix of progressive sounds, hard-rock, psych, blues and glam with stunning acid lead guitar. Includes their celebrated cover of Medicine Head’s “All the fallen teen-angels”. Remastered sound, original artwork in gatefold sleeve just like the original, insert with liner notes and pictures.

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Wes Montgomery

A Day In The Life

LP | 1966 | EU | Reissue (Elemental)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Reissue of the debut album on A&M Records by jazz guitarist Wes Montgomery, released in 1967. It reached #1 on the Billboard Jazz Album chart and #2 on the R&B chart. Considered by far the best of his three albums on A&M (in partnership with Creed Taylor’s CTI Records), A Day in the Life features a plethora of star sidemen, such as Herbie Hancock, Ron Carter, Ray Barretto, and Grady Tate, among others, as well as superb arrangements by Don Sebesky. The LP was masterfully engineered by Rudy Van Gelder.

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Richie Havens

Mixed Bag

Rob Heron & The Tea Pad Orchestra

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Mixed Bag is the debut studio album by Richie Havens, released in 1966. Mixed Bag is frequently cited as the singer's best work,[1] and was his first album to appear on Billboard's charts (appearing on both the jazz and pop charts). The recording was the first to introduce a wider audience to Havens's rich baritone vocals and the full-sound of Havens's distinct guitar style (thumb-chorded and played in open E tuning).[1] Electric Havens and Mixed Bag were two of the records reported among the personal collection of Havens' one-time Greenwich Village buddy, Jimi Hendrix.

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Feet First Green Vinyl Edition

LP | 2024 | EU | Original (Sleazy)

Release: 2024 / EU – Original

Genre: Rock & Indie

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From Dawn To Jane Black Vinyl Edition

Stoned Rose

LP | 2024 | EU | Original (Guerssen)

Lady Killer Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heavy-progressive, proto-metal and psychedelic hard-rock from the depths of the UK underground, 1970-71. Formed in Preston by the core of Pete Hughes (lead guitar) and Mick Carroll (vocals, rhythm guitar), Stoned Rose evolved from a band called Five Steps Beyond and at one time featured Chris Allen on bass (later of Ultravox). The band worked with a London agency called Nemesis and also with Tramps from Birmingham (owned by Black Sabbath guitarist Toni Iommi). Stoned Rose played several times at notable venues like the Temple and the Cavern and also at underground and progressive clubs and Universities, sharing stage with bands like Stray, May Blitz, Blonde On Blonde… Exhumed from rare as hell acetates (including a Deroy one) and demo tapes, here’s the first ever Stoned Rose album. File next to Bent Wind! *Insert with liner notes by David Wells and rare photos / memorabilia

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Mouse

LP | 1973 | EU | Reissue (Sommor)

LP | 2022 | US | Original (ORG Music)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Bad Brains

Punk Note Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Ghost Ship Trance Lamentations

Gareth Sager

LP | 2022 | US | Original (ORG Music)

Release: 2022 / US – Original

Genre: Pop

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LP | 2022 | US | Original (ORG Music)

Detective

33,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 1989 | US | Reissue (ORG Music)

Bad Brains

Quickness

Release: 1989 / US – Reissue

Genre: Rock & Indie

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LP | 1983 | US | Reissue (ORG Music)

Bad Brains

Rock For Light

Release: 1983 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Big Scary Monsters)

Chastity

Release: 2024 / EU – Original

Genre: Pop

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Live At The Royal Albert Hall 2024

Bryan Adams

4LP Box | 2024 | UK | Original (Bad)

109,99 €*

Sababa 5 / Yurika Hanashima

Release: 2024 / UK – Original

Genre: Rock & Indie

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Includes bluray disc.

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Kokoro Transparent Blue Vinyl Edition

LP | 2024 | EU | Original (Batov)

Mondscheinpsychose Bordsteinrose HHV Exclusive Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerising new sound on "Kokoro", Sababa 5 and Yurika"s collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs.

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The Doctorella

LP | 2024 | EU | Original (Bohemian Strawberry)

24,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Reissue (Earmusic)

The The

Ensoulment

Release: 2024 / EU – Reissue

Genre: Rock & Indie

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Curyman II Earl Of Lemon Wave Vinyl Edition

Roge

LP | 2024 | EU | Original (Diamond West)

35,99 €*

2LP | 2024 | EU | Original (Omniverse)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Earl of Lemon Wave Vinyl.Latin Grammy-nominated and Brazilian Music Awards-winning artist Rogê hasbecome a pivotal figure in the resurgence of Música Popular Brasileira (MPB).With a rich career spanning over two decades, Rogê has released seven soloalbums that have solidified his place in the contemporary Brazilian musicscene. In March 2023, he released his U.S. debut album "CURYMAN" underDiamond West Records. Produced by Thomas Brenneck of the Budos Band_who has worked with artists like Lady Gaga, Beyoncé, Jay-Z, and AmyWinehouse_the album is a celebration of samba infused with messages ofresilience and redemption. "CURYMAN" not only marked the launch ofBrenneck's new label but also reflected Rogê's deep belief in the power ofmusic to inspire hope and perseverance.As Rogê looks to the future, he is gearing up to release "CURYMAN II" inNovember 2024. Building on the success of his U.S. debut, this upcomingalbum promises to deliver even more vibrant samba rhythms and thoughtprovokinglyrics. Exciting new singles are set to drop in the lead-up to thealbum's release, offering fans a preview of what's to come. As Rogê continuesto evolve his sound and push the boundaries of Brazilian music, he remainsdedicated to spreading the rich cultural heritage of Brazil to audiences aroundthe world.

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Visioneers

Def Radio

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Drag City)

Papa M

Ballads Of Harry Houdini

35,99 €*

LP | 2024 | EU | Original (Night Dreamer)

Release: 2024 / US – Original

Genre: Rock & Indie

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The "Great Escape Artist" is back! No, not THAT one - dude"s dead! We"re talking about Papa M. And HE"s talking "bout Harry Houdini - in the album title, anyway, not sure about anywhere else. So, six years since his last LP, the all-acoustic A Broke Moon Rises, Papa M rolls into the shred zone, buns glazing, with his fifth full length in 25 years of Papa M-itude! Six fat-assed songs - a couple ballads, yeah, but mostly real all-out groovers here.

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Marcelo D2 / Sambadrive

Direct-To-Disc

LP | 1993 | UK | Reissue (Beggars Banquet)

Release: 2024 / EU – Original

Genre: Hip Hop

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Brazilian rapper Marcelo D2 announces the release of a new direct-to-disc album via Night Dreamer. Recorded alongside electrifying live band SambaDrive, the album revisits some of Marcelo D2"s most important tracks, mining 25 years of ground-breaking music from the Brazilian legend and capturing his now timeless "samba hip-hop" sound in full flow.

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Buffalo Tom

Big Red Letter Day

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Dead Oceans)

Greg Mendez

LP | 1990 | UK | Reissue (Beggars Banquet)

Release: 2024 / US – Original

Genre: Rock & Indie

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For Greg Mendez, reflection doesnüft mean a static imagein a mirror, or even a face he recognizes. Itüfs more akaleidoscopic mirage, where paths taken shapeshift withthe prospect of paths untread, and the subconsciousmerges with the intentional. On his self-titled new album,the Philadelphia-based songwriter andmulti-instrumentalist investigates the shaky camera ofmemory, striving to carve out a collage that points to atruth. But there isnüft a regimented actuality here; instead,Mendez highlights the merit in many truths, and manylives, and how even the hardest truths can still containsome humor.While this is technically Mendezüfs third full-length album,his back catalog boasts an extensive range of EPs and liverecordings. Heüfs a prolific and thoughtful songwriter,understanding the joy in impulse, and shying away fromthe clinical sheen of overproduction. 2017üfs ügüP/ _(c)_ /üPüh and2020üfs Cherry Hell garnered acclaim for their quiet, lo-fiurgency, exploring themes of addiction and heartbreakwith an intentional, authentic haze, and itüfs this approachthat has solidified Mendez as a staple in the DIYcommunity for years.Greg Mendez was written in fragments, some stretchingacross more than a decade, with Mendez reworking oldideas and arrangements, and others blossoming muchmore recently. The weight of time..and perhaps theanxiety in running out of it..clouds the album, as Mendezprods at some painful experiences from his childhood andearly adulthood. The common thread connecting thecharacters is their evident imperfections, and the variousdegrees of damage they cause, both knowingly andunknowingly. But where do we draw the line between agood person and a bad person? For Mendez, itüfs neverbeen that easy.Greg Mendez is an intimate dialogue between thechapters weüfve experienced, and how they can inform thereality we perceive. Itüfs a reminder that we are constantlyshifting, ever-changing selves and that if we ruminate toolong, we may find...

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Buffalo Tom

Birdbrain

Release: 1990 / UK – Reissue

Genre: Rock & Indie

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LP | 1992 | UK | Reissue (Beggars Banquet)

Buffalo Tom

Let Me Come Over

Release: 1992 / UK – Reissue

Genre: Rock & Indie

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Only Music Makes Me Cry Now

Becky And The Birds

LP | 2024 | UK | Original (4AD)

Release: 2024 / UK – Original

Genre: Pop

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Ananda Shankar And His Music

Ananda Shankar

LP | 1975 | Reissue (Mr Bongo)

Release: 1975 / Reissue

Genre: Electronic & Dance

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Warsaw Colored Vinyl Edition

Warsaw

LP | 2000 | EU | Reissue (Vinyl Passion)

17,99 €*

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Miles in France 1963 & 1964 - Miles Davis Quintet: The Bootleg Series, Vol. 8

Miles Davis

Box | 2024 | EU | Original (Sony Music Catalog)

133,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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All The Dreams I Share The Vocal Vinyl Edition

Talla 2XLC

2LP | 2024 | EU | Original (That's Trance!)

21,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Into The Gap Deluxe 40th Anniversary Red

Thompson Twins

LP | 1984 | Reissue (BMG Rights Management)

Release: 1984 / Reissue

Genre: Pop

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Levitation Sessions Limited Color Vinyl Edition

Ringo Deathstarr

2LP | 2024 | EU | Original (The Reverberation Appreciation)

40,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Musik Produktion Schwarzwald)

Dave Pike

Infra Red

Release: 2024 / EU – Original

Genre: Organic Grooves

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And Now What? Colored Vinyl Edition

The Peacocks

LP | 2024 | EU | Original (Concrete Jungle)

24,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Levitation Sessions Limited Color Vinyl Edition

Death Valley Girls

LP | 2024 | EU | Original (The Reverberation Appreciation)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Last To Run Dark Green Vinyl Edition

The Pineapple Thief

LP | 2024 | Original (Kscope)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Mojo Lucky)

Simone Kopmajer

Home For Christmas

Release: 2024 / EU – Original

Genre: Organic Grooves, Christmas

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Levitation Sessions Limited Color Vinyl Edition

Boogarins

LP | 2024 | EU | Original (The Reverberation Appreciation)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Brilliant Classics)

Jeroen Van Veen

Nymann:Piano Music

Release: 2024 / EU – Original

Genre: Classical Music

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LP | 2024 | Original (Neue Meister)

Johannes Motschmann

Preludes Tableaux

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Music On Vinyl)

Spear Of Destiny

The Best Of

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Peace Of Action HHV Exclusive Colored Vinyl Edition

Damu The Fudgemunk

LP | 2024 | UK | Original (Def Presse)

Release: 2024 / UK – Original

Genre: Hip Hop

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When You Wake Up Clear Vinyl Edtion

Molina

LP | 2024 | EU | Original (Escho)

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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2LP | 2024 | EU | Original (A Strangely Isolated Place)

Okraa

La Gran Corriente

41,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (1-2-3-4 Go!)

Pinhead Gunpowder

Unt Red Vinyl Edition

LP | 2024 | US | Original (Aguirre)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Pinhead Gunpowder started writing songs in 1990 and made our first 7-inch the following spring. Nearly every year since, we’ve met up to play. Some years we recorded—five albums and eleven EPs—and some years we played shows.

“But since 2010, we’ve been playing just for ourselves, something bands forget to do. Rather than ‘writing for the new album’ or rehearsing to get ready for tour, we went back to the basement every year. We lived in the house we’d built, remembering how we’d made the music for each other in the first place.We played all over the world—well, at least Oakland, Singapore and New York—but only for each other. We worked on the reissues of our back catalog, too and found ourselves fonder of each other and more family-like than ever.

“A new record and tour was only a matter of time, but between the members’ other bands projects, and families, that was hard to find. When we finally did, we were all surprised. We think it’s our best yet—our catchiest, most collaborative, and most poignant.”

— Aaron Cometbus

Pinhead Gunpowder is Billie Joe Armstrong, Aaron Cometbus, Jason White and Bill Schneider. Unt is fourteen brand new songs recorded in 2023 by Chris Dugan (Green Day, Weezer, Iggy Pop, Samiam, Swingin’ Utters etc) and mastered for all formats by Nick Townsend (Cheap Trick, Bad Religion, Iron Maiden etc) at Infrasonic Sound.

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Souled American

Frozen

2LP | 2024 | US | Original (Amish)

Release: 2024 / US – Original

Genre: Rock & Indie

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For the first time this century, two missed masterpieces are coming available on vinyl. The band Souled American formed in Chicago in 1986 and recorded a total of sixty-six songs between 1988 and 1996. Though not ever popular themselves, their evolving hybrid of roots / rock music heavily influenced many more popular bands to come, among them Wilco, The Jayhawks, The Feelies, Califone, Counting Crows, The Mountain Goats, and Cracker. Their records became legendary, unavailable for decades. Some got to the Internet in 2023.

Their last two albums Frozen and Notes Campfire will now be re-issued in limited, hand-crafted, 30th Anniversary Editions with a fresh abundance of stories, technical information, musician credits, and cartoons that detail the unexpected origins surrounding these two early classics of “ambient Americana.” These records sound at once both old and new with brilliant melodies and profound performances stacked in unusual patterns like soft-hued bricks.

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Primitive Art Group

1981-1986

44,99 €*

LP | 1999 | US | Reissue (Happy Happy Burthay To Me)

Release: 2024 / US – Original

Genre: Rock & Indie

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This gatefold 2xLP is a combination of the group’s only two albums, consisting of one LP of Five Tread cuts plus “Cecil Likes to Dance” a never-before-released live recording from Thistle Hall (1984) and the full 1985 LP Future Jaw-Clap. This material that has been unavailable since mid-1980s. It is well documented that in the early ‘80’s New Zealand was awash with adventurous new music. Though sharing the kind of happy isolation and the DIY ethic with contemporaneous outfits like Flying Nun, South Indies and Xpressway, one band cut a decidedly different path. The Primitive Art Group, formed in Wellington, devoted itself to collective improvisation coming out of a jazz tradition. With the line-up of Anthony Donaldson (drums), David Donaldson (bass), Neil Duncan (saxes), Stuart Porter (saxes), David Watson (guitar), and originally with Pam Grey (on cello), the group’s relatively brief existence left a lasting impression on the New Zealand’s free music scene. Musically, there was no precedent in New Zealand for their combination of noise, collective playing and compositional freedom. Gary Steel from the local music rag TOM, wrote “The first time I saw the Primitive Art Group they blew my tiny mind… Great sheets of architectural noise coming at you from the stage. Where else would you see free music in New Zealand in the early 80s? You just didn't.” The band’s five-year lifespan was non-stop activity: rehearsing, touring, the creation of Braille Records (their own record label which released ten LPs), dance and theater work, appearances at music festivals, and hosting two hugely influential national festivals of improvisation at Thistle Hall, Wellington. In 1984, Primitive Art Group spent a week making their first recording, an ambitious double LP, Five Tread (Braille 001) which had only a single pressing and sold-out locally. One year later they were back in the studio making their second album, Future Jaw-Clap (Braille 002). This outing contained tighter pieces, as the band widened its repertoire with nods to broader influences and antecedents. In 1986, The Primitive Art Group gave their last concert at the Wellington Town Hall, just a half mile from Rawa House and the legendary Thistle Hall where their first shows had taken place. The band’s Braille Records’ recordings have never been released outside of New Zealand, nor have ever been available digitally. As Thurston Moore writes, “these are magic time capsule, lost-n-found recordings, previously shared only by deep-diving record collector aesthetes”. The group’s brief tenure has continued to inspire new generations of improvisers, but nothing has ever quite matched the visceral blast of the Primitive Art Group’s arrival on the scene. Every member of the group has carried on doing creative work at the highest levels: scoring films, making art, mentoring, organizing, touring and always playing.

· Gatefold 2xlp of improv / free jazz from legendary Wellington, NZ group Primitive Art Group originally released between 1981-1986 · Available on LP for the first time since 1985 · Includes one never-before released live song · Features guitar playing of NY-based David Watson who has worked with artists such as Phil Niblock, Lee Ranaldo, Marc Ribot, Christain Marclay + · Album liner notes by Thurston Moore (Sonic Youth) and Bruce Russell (Dead C)

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The Ladybug Transistor

The Albemarle Sound

LP | 2024 | US | Original (Carbonized)

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Originally released in 1999 on Merge Records, The Albemarle Sound, the third full-length LP by Brooklyn, New York’s The Ladybug Transistor, exists just outside its fixed point in time and space. Perhaps the last great pop album of the 20th century, The Albemarle Sound is like few records from the turn of the millennium, its attention turned to the intricate arrangements of late 1960s pop and the strange and familiar environs of home. The notion of home is important to The Albemarle Sound, not just lyrically and thematically, but in the fact that the album was recorded, mixed and produced in a Victorian house in Flatbush named Marlborough Farms. The Ladybug Transistor was formed in 1995 as the home recording project of singer and trumpeter Gary Olson, and by 1999 the group had swelled to include siblings Jeff Baron (guitar) and Jennifer Baron (bass), Sasha Bell (keyboards and flute), San Fadyl (drums), and Julia Rydholm (violin), who lived together at Marlborough Farms, a home filled with instruments, recording equipment and a piano room where the group made demos. For the 25th anniversary of The Albemarle Sound, the record has been lovingly reissued on silver vinyl by Happy Happy Birthday to Me Records. The CD includes 12 bonus tracks which break open the year-long recording process with the inclusion of rare B-sides, four-track demos, instrumentals and alternate mixes, further highlighting the band’s mastery of songcraft while teasing out the intricate worlds those songs contain, making a case, as fans of The Ladybug Transistor have known for decades now, that The Albemarle Sound is as infinitely rewarding to return to as it is to visit for the first time.

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Dungeon Crawl

Maze Controller

39,99 €*

Novoa / Carter / Mela Trio, Vol. 1

Release: 2024 / US – Original

Genre: Rock & Indie

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The die is cast and your journey begins within the epic labyrinth that is Dungeon Crawl’s second full-length album, Maze Controller! Influenced by a multitude of orchestral and extreme metal bands, both classic and contemporary, Dungeon Crawl seeks to root their sound on Maze Controller as something wholly unique, but familiar in a saturated genre, by fusing elements of thrash and symphonic metal to create a distinctive listening experience. Maze Controller was Recorded by Codie Jones and Jason Bursese (Black Fucking Cancer, Cyanic, Dispirit). Guitar Reamping, Mixing, and Mastering by Zack Ohren (Cyanic, Immolation, Suffocation) at Castle Ultimate Studios. Cover Artwork by James Bousema (Laceration, Municipal Waste), with additional Inner Artwork by Carlos Castilho, Geraldo Marinho, Brendan Elliot, Garry Yulianto, and Jacob Fleming.

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Eva Novoa

LP | 2024 | US | Original (577)

LP | 2022 | US | Reissue (Carbonized)

Release: 2024 / US – Original

Genre: Organic Grooves

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It’s not a rumor. Brooklyn’s Eva Novoa has formed a new trio! Novoa / Carter / Mela Trio, Vol. 1 marks their first sparkling album together (which is also Eva’s third with 577 Records). The group performed live for the first time in Cambridge (Boston) in 2022 and at the NY Forward Festival in August 2024. In an invigorating creative explosion recorded at New York City’s Sear Sound in 2021, the multi-talented instrumentalist unites with sax legend Daniel Carter and beloved drummer Francisco Mela. Prepare to be reawakened when you experience Novoa tickling the ivories, dominating the Fender Rhodes, and wowing with the electric harpsichord and Chinese gongs. Even her whistling will linger in your mind! As captured in the electrifying tracks “Aire” and “Fuego", Novoa / Carter / Mela Trio, Vol. 1 is inspired by the four elements (earth, wind, fire, and water). “Hasta Mañana Vida Mia” weaves together Cuban tradition with soulful lyrics (sung by Francisco) and high-energy, rhythmic conversations with horns and drums. The musicians’ free interplay approach defines this eclectic trio and their sonic universe. Born in Barcelona, Spain, Eva Novoa is a pianist and composer who’s been mastering her talents since childhood. Calling NYC home since 2012, she has rocked countless local venues with her thrilling performances and has played with many adored artists all over the globe.

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Vile Rites

The Ageless

39,99 €*

LP | 2024 | US | Original (Carbonized)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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The official reissue of Vile Rites’ EP, The Ageless. Originally released on CD and cassette by Desert Wasteland in 2022, the record received praise and admiration through several circles of the metal underground, establishing Vile Rites as a new band to look out for. The Ageless reissue sees both original formats back in print as well as the first ever Vinyl Pressing for this release. Recorded, Mixed, and Mastered by Greg Wilkinson (Mortuous, Necrot, Vastum) at Earhammer Studio. Cover Artwork by Fernando JFL.

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Vile Rites

Senescene

39,99 €*

LP | 2024 | US | Original (Digital Regress)

Release: 2024 / US – Original

Genre: Rock & Indie

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The first Full Length album from Vile Rites, Senescence, is a forty minute journey of mind-bending Psychedelic Death Metal that takes the listener through cavernous darkness to soaring ethereal ecstasy with surprises around every corner. Senescence presents the idea that everything must die and everything must suffer to live, shining a light on the chaos of our world, and the juxtaposition of all creatures suffering and writhing in the shadows of ancient entities. Senescence was Recorded, mixed, and mastered by Greg Wilkinson (Mortuous, Necrot, Vastum) at Earhammer Studio and features fantastic Cover artwork by Justyna Koziczak. Additional inner artwork and Senescence lettering by Karmazid (Stormkeep, Svartidauði, Vile Rites). Turn on, Tune in, Take the Journey...

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Marbled Eye

LP | 2024 | EU | Original (Meritorio)

Release: 2024 / US – Original

Genre: Rock & Indie

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Oakland-based post-punks Marbled EYE have been blowing minds and smashing worlds with their astute riffing, masterfully tight rhythm section, and memorable hooks since they released their first two EPs in 2016 and 2017. Since then, the band has gone on to release two stellar full-length records and tour the US and the EU extensively. For the first time since their original releases, these artifacts are being re-released together on one 12”. EP I and EP II contain some of the most memorable Marbled Eye hooks and progressions, forming songs like “Primrose,” “Oddity,” “Former,” “Feast,” and “Objects”—though every song is a singular hit. Marbled Eye’s dueling guitarists and vocalists, Chris Natividad and Michael Lucero, expertly craft intricate guitar tangles as they trade deadpan vocal hooks. Bass player Andrew Oswald pummels through the songs with precise and heavy downstrokes, while drummer Alex Shen muscles through tight grooves, adding tasteful syncopation. Together, these elements put Marbled Eye at the top of their class, producing some of the genre’s most interesting music. Informed by bands like Joy Division, Television, and Total Control, Marbled Eye understand the necessity of big hooks and deliver them song after song. This release will be coveted by those who already own the first 2 LPs, or the perfect start for the new Marbled Eye record collector—Don’t sleep."—Sims Harden

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Capitol

Sounds Like A Place

LP | 2024 | EU | Original (Meritorio)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hamilton’s, Canada, five-piece returns this fall with their sophomore album, Sounds Like a Place. This twelve-song record has been a long time coming, with the initial recording at Toronto’s Union Sound Company back in the summer of 2022. Sounds Like a Place bears a mix of the industrial, electric hum of Capitol’s hometown of Hamilton and the shoegazey dream-pop that they’ve been leaning into since their debut single, 2017’s “English Girls”. This time heavily inspired by alternative indie artists of the 90s/00s and still tinged with a dash of 80s New Wave, the album weaves in and out of genre and decade. Though it retains the signature music-out-of-time abstraction that has pervaded their previous work, it is also defined with a new level of clarity. Just as every song is written as a memento of a moment or a feeling, Capitol hopes each new listen will become tethered to a time and, of course, to a place.

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Jim Nothing

Grey Eyes, Grey Lynn

LP | 2024 | US | Original (Feel It)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Grey Eyes, Grey Lynn is a record that could only come from inner-city Auckland and is an open window into Jim Nothing's world. Created during a time of isolation, Jim reflects on his immediate surroundings, finding beauty in the ordinary and noting the eccentricities of everyday life. Jim Nothing's songwriting has matured, showing a refined narrative which pulls from lived experience. Themes and scenes of local pubs, open roads, psychedelic summers and deep melancholia. This is antipodean life at the edge of the world. Written on walks through the neighborhood with a notebook and pen. Recorded between The Audio Foundation and Jim's own garage. The amalgamation of spaces further blurs the line between a “demo” and a final recording, as buried within the songs are the initial moments of weird magic and intimacy. This new album retains the crystalline nature of early recordings, offering a feel very much immediate and genuine. Sonic experimentation of acoustic instruments, layered guitar drone and catchy pop hooks create a palette both heady and new. Influences from New Zealand's past can undoubtedly be heard (The Clean, Snapper, Lbgp) but the world contained within Grey Eyes, Grey Lynn is a world of Jim's. Both a slice of life and a moment in time.

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Disintegration

Shiver In A Weak Light

LP | 2024 | US | Original (Feel It)

Release: 2024 / US – Original

Genre: Rock & Indie

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The first full-length release from Cleveland’s Disintegration brings their intricate circuitry of nocturnal synthwave and noise-saturated post-punk to a new plateau. Sharper, leaner, and more involved than the material on their first EP, Shiver in a Weak Light is a huge step forward in terms of production, atmosphere, and overall construction, with singer/synthesist Haley Himiko turning in stellar vocal performances, guitarist/vocalist Noah Anthony and bassist Christopher Brown moving in lockstep, and new drummer David MacCluskie adding clatter and thump to the gridded framework the band architects and then dismantles on every song. The album roves between shadowy dream sequences and slow-motion shatter, drawing a dark and futuristic sound that’s sometimes familiar, sometimes confounding, but always captivating.

Listening closely to the web of sounds on “In Your Diary” reveals a series of unlikely turns and transitions; like the brittle guitar line that arrives out of nowhere to lace up a propulsive chorus, the nearly subliminal hits of percussion that move throughout the stereo field, and a song structure that jumps between its parts in unexpected ways, always landing on a new hook. “Hideaway” connects its fragmented sections in a perfect balance of dissonant chaos and shout-along melodies. Live bass and guitar parts are processed until they sound more like alien synth programming, with choppy rhythms bouncing like sequenced ones and zeroes. Each repeated listen to Shiver in a Weak Light unlocks a new room of sounds and ideas that may have gone unnoticed the time before. It’s an album that beckons the listener to trek ever deeper into its network of neon hallways and interconnected underground tunnels, exploring a world where it’s always night and time moves differently.

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Freak Genes

Delirik

LP | 2024 | US | Original (Cherub Dream)

Release: 2024 / US – Original

Genre: Rock & Indie

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///Intro///

<~>Hello I am the new Freak Genes bio.<~>

<~>You can use me to find out more about Freak Genes.<~>

///Part one///

<~>Freak Genes have recorded a new album. It is called Delirk. That word is derived from delirium.<~>

///Part two///

<~>It is a warped kind of industrial music. It is for fans of this kind of music.<~>

<~>And it was made by Charlie Murphy and Andrew Anderson.<~>

<~>With mixing and mastering from Mikey Young.<~>

///Part three///

<~>It is their sixth album. Previous Freak Genes albums include Hologram, Power Station, III, Qwak Qwak and Playtime. <~>

///Part four///

<~>The album will be released in both grooved vinyl and audio bitstream formats.<~>

<~>It is released by Feel It Records.<~>

///Finish///

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Buddy Junior

Rust

Black Mercy / Band Of Bastards

Release: 2024 / US – Original

Genre: Rock & Indie

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"Buddy Junior’s 'rust' captivates with emotive shoegaze and introspective lyrics, offering a raw, immersive journey from vulnerability to strength. In the shadowed alleys of San Francisco’s vibrant music scene, Buddy Junior emerges with 'RUST,' a track that reverberates with the raw energy of shoegaze and the introspective depth of emo. The song, born from a moment of acute vulnerability and fear, encapsulates the essence of a band unafraid to delve into the darker recesses of human experience. 'rust' unfolds like a confession, with lyrics that paint a vivid picture of anxiety and the struggle for clarity amidst life’s tumultuous moments. The band’s ability to channel the intensity of an emotional ordeal into their music is palpable from the first chord. The track’s sonic landscape is a meticulously crafted chaos, where distorted guitars and relentless percussion create a backdrop for vocals that oscillate between a whisper and a howl, embodying the song’s thematic tension between despair and resilience. Buddy Junior’s approach to songwriting is refreshingly unfiltered, offering a glimpse into personal moments of fragility with a rawness that is both jarring and cathartic. 'rust' doesn’t just aim to narrate an incident; it invites listeners to feel the weight of the metal rod, the sting of tears, and the relief of sight preserved. It’s this immersive storytelling, coupled with the band’s deft blend of genres, that sets 'rust' apart as a standout track. As the song progresses, the initial shock gives way to a reflective resolve, mirrored in the shift from frenetic riffs to a more measured melody. This dynamic progression underscores the band’s adeptness at navigating emotional landscapes through their music, making “rust” not just a song, but a journey from vulnerability to strength, from fear to fortitude. In 'RUST,' Buddy Junior has not only crafted a compelling narrative but also a sonic embodiment of the emo and shoegaze ethos. The track stands as a testament to the band’s ability to transform personal tribulation into a universal anthem of endurance, making it a beacon for anyone who’s ever felt on the brink of losing sight, literally or metaphorically. It’s a raw, unapologetic reminder that sometimes, the most profound revelations emerge from the rust and rubble of our lives."—B-Side Guys

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The Curse / American Carnage - Split

LP | 2024 | US | Original ((In) Sect Records)

Propeller Product Prp 1-4

Release: 2024 / US – Original

Genre: Rock & Indie

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Black Mercy and Band of Bastards of Austin, TX, team up to give listeners a glimpse of what lies beneath the local underground hardcore scene. The brutal and beautiful album’s 16 songs clock in right around 25 minutes and feature members of bands Tia Carrera, Brick, Employer Employee, Total Diamonds, Those Peabodys, Society Of Friends (Black Mercy) as well as ...And You Will Know Us By the Trail of Dead, Mukilteo Fairies, Broken Gold and Sparta (Band Of Bastards). This split recording breathes new life into the tradition of early '80s-early '90s punk, noise, and hardcore music that has always sought to commune with the unsatisfied and disaffected. Black Mercy “The Curse” (Side A) Description: Black Mercy, an Austin-based band formed in 2019, brings a fierce blend of fast-paced, raw hardcore and punk energy on their new LP “The Curse”, recorded at Adrian Quesada’s studio Electric Deluxe. Embodying the spirit of Minor Threat or Circle Jerks, with the chaotic sensibilities of seeing Clikatat Ikatowi or Unwound blowing out an amplifier. More a noisy band with a hardcore framework, their music exemplifies their aggressive sound that is just a bit off-center. Every song has twists and turns on this record, with one stand out track, “Lost” where they bring the tempo down to where Sleep lives. With vocalist and scene-veteran Noble Brown leading the charge, Black Mercy infuses their music with elements of '90s DIY punk and '80s hardcore, creating a high-energy experience that is both nostalgic and refreshingly intense. Black Mercy’s sound is characterized by gruff, fast, and intense punk rock with a nod to '90s emotive DIY and '80s Dischord records. The band has been praised by Maximum Rocknroll and The Austin Chronicle for their raw intensity and innovative music videos featuring fingerboarding. Their music captures the essence of innovation and a strong respect for the past. Band OF Bastards “American Carnage” (Side B) Description: Band of Bastards, formed in 2018, is a powerhouse hardcore punk band from Austin, Texas, known for their short, explosive tracks and high-octane performances. They recorded their new record “American Carnage” with drummer Sam Rich at the helm, and the result is nothing short of brilliant. Drawing on their diverse backgrounds, vocalist Jason Reece delivers a potent mix of hardcore punk with a modern edge, driving home the message that the world is still imperfect, and you have to give a shit. The band’s music is fast, aggressive hardcore punk with influences from early Dischord records and first-wave hardcore bands, with notable tracks like “Minor" and “fyp". They have been featured for their relentless energy and DIY spirit, with their 2nd release that promises to shake the hardcore scene. Their music embodies the same raw power and fervor that defined the early hardcore scene, capturing the straightforward and impactful nature of music.

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V.A.

2LP | 2024 | US | Original (Lawrence Wilmington)

49,99 €*

Nyctophilian Pearl Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Long traded and coveted, discussed and debated, Propeller Product’s 1981 cassette compilation finally receives a physical release reflecting its original intention and aim. And this is its Boston origin story: a small collective with a DIY artistic bent, Propeller launched in 1981. Founded as a collaborative taking inspiration from Factory Records and the “pay no more” ethos of Dischord Records and Crass, Propeller offers a unique window into Boston and the American post-punk underground. Led by Justin Burrill, Michael Cudahy, and Steve Gregoropoulos, alongside a constellation of curious cohorts, Propeller hoped to move beyond Boston’s bluesy bar rock, to say nothing of its nascent hardcore scenes. The Allston-based Propeller bands explored a more angular and inventive musical space. “Propeller wanted a unified aesthetic,” Cudahy recalls. “I remember having a meeting where we spent over an hour deliberating what typeface to use. I wanted to release a compilation of bands I thought weren’t being done justice.” Existing concurrently with the brawny hardcore acts emerging from the Bay State, Propeller’s influences, execution, and intent offered a 180-degree turn from the alpha male Boston Crew. By contrast, “Punk rock was a refuge,” Cudahy says about his fellow Propeller artists, but just “two years after punk happened and hardcore came along in Boston, it was like, ‘Hey you were the guys who beat me up for being punk and now you’re in a band!’ Propeller was the weird offshoot species.” Propeller’s practice space occupied the very same building as Gallery East, where many Boston hardcore bands played. This was also the location where most of the Prop 4-1 tape was recorded. Boston’s offshoot species had found its voice. Upon release Propeller’s cassette-only compilation hit a monumental snag. Because of a manufacturing error almost all of the Propeller Product cassettes were defective, screeching in rotation and making the music largely inaudible. Even the deluxe edition that came with a 24-page cut-and-paste collage booklet housed in an oversized polybag didn’t sound right. Propeller had the music, the artwork, and the vision, but manufacturing, materials, and logistics all failed Allston, until now. Carefully restored and remastered by Massachusetts's Bob Weston (Chicago Mastering Service), Lawrence Wilmington’s debut release presents the original 18 songs on 180-Gram double LP for the first time and features reworked artwork taken from the deluxe booklet. 450 copies, full-color gatefold includes download.

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Then Comes Silence

LP | 2024 | EU | Original (Haha Fonogram)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Boy Who Ran The Paisley Hotel

Chime School

LP | 2024 | US | Original (Slumberland)

Release: 2024 / US – Original

Genre: Rock & Indie

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It Was Divine Black Vinyl Edition

Alina Baraz

2LP | 2020 | US | Reissue (Mom+Pop)

33,99 €*

Release: 2020 / US – Reissue

Genre: Pop

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LP | 2024 | US | Original (We Are Busy Bodies)

Electric Taal Band

24,99 €*

Wasteland Baby Sea Blue And Apple Red Mix Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Electric Taal Band was a project that came out of the Covid pandemic, a necessity to work alone and some happenstance. I had stumbled on a box of Punjabi records for sale at Bollywood Music Center on Gerrard St. East in Little India -- a store where I had been buying hindi film records for years. I wasn't too familiar with Punjabi music beyond UK Bhangra, took a chance and loved the records; over some time I bought every Punjabi record in the store. I studied the records and bought a tumbi from Kala Kendar, a shop next to the music store that sold instruments. I learned the tumbi from Youtube videos and copying the sounds on the records.

Over time I acquired both a vintage Radel Talometer and electronic Tanpura locally via classifieds and experimented with integrating their sounds into the recordings as well. The basic idea was to take these machines designed for practice, which had their own incredible sound due to technological limitations and apply them to Indian music. Everything I had heard of these machines in recordings and videos only used them in an abstract electronic context. The main intent was and still is to use these sounds in collaboration with South Asian musicians and vocalists in the Toronto area, but this album came from both casual exploration and experimentation with the tools, as well as an inability to collaborate in-person due to pandemic restrictions at the time.

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Kal Marks

LP | 2024 | US | Original (Exploding In Sound)

LP | 2024 | EU | Original (Thanatosis Produktion)

Release: 2024 / US – Original

Genre: Rock & Indie

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Kal Marks have never made a record as personal as Wasteland Baby. Though Carl Shane, the band’s vocalist-guitarist, has made a career off of exploring blunt, uncomfortable truths through song, with Wasteland Baby, he steered Kal Marks toward something utterly new. Shane looked inward to stare down a fear that had long plagued him: What would it look like to have a child in a world that looks like this? “The album was driven by the fears I’m having about being a father,” says Shane. “The initial spark was this fear, and I thought that maybe if I could express it, I could overcome it.”

What started out with this simple premise slowly grew into a sprawling, borderline-concept record. It’s no surprise, then, that Kal Marks went deeper and darker than ever before when writing Wasteland Baby. Though, in order to reach that final product, it required the band—bassist-vocalist John Russell, drummer Adam Berkowitz, and guitarist-vocalist Christina Puerto, who is also Shane’s partner—to interrogate every decision they made with exacting detail. ”We were really all on the same page in that we wanted to make something really, really special and that was going to require us putting a lot of ego aside and just trying to serve the songs as best as possible.”

“In an ideal world, Kal Marks will go on forever. But it may be the end of a chapter for a while. I don’t want it to be the end, but there was an element running through the album that maybe could be the end,” says Shane. No matter what the future holds, Wasteland Baby is an emphatic reminder to brush off the things that keep you from truly living and venture into the unknown.

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Rotem Geffen

The Night Is The Night

20,99 €*

Birdwatching Baby Blue Bird Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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"The Night is The Night is the ambitious follow-up to singer, pianist and composer Rotem Geffen’s seminal debut You Guard the Key. For this new recording she’s been collaborating with producer Alex Zethson (keyboardist with Sven Wunder, Mariam the Believer, Goran Kajfes Tropiques, Angles 9, Fire! Orchestra) and co-producer/mixing engineer Anton Toorell (Dammit I’m Mad, Invader Ace), and together with some of Stockholm’s finest musicians they’ve created an irresistible masterpiece.

The instrument setting varies, but the piano and voice form a common thread. However, on 'Ich vermisse dich,' the piano sound is abstracted by a felt-covered tone, while on 'River,' the spoken voice is intertwined with Hernandez's violin. 'I Always Know' stands out as the only song with a clear percussive rhythmic element, skillfully crafted by percussionist and sound artist Henrik Olsson. Unlike her debut album, this release prominently showcases the harmonium as a recurring instrument in its sound palette. Additionally, the album introduces the flute as a new element. Isak Hedtjärn, a longstanding collaborator with Rotem Geffen, expands beyond playing clarinet and bass clarinet. Notably, on 'I Beg,' Hedtjärn's flute and Leo Svensson Sander's cello elegantly spiral upwards, as if entwined in each other.

The lyrics, written in German, English and Hebrew, explore themes of memoring, love, grief, loss, and the night as a vibrating room. The ”I” and the ”You” are drawn as relational organisms, with boundaries that shift, blur and are redrawn in the encounter with each other. With a varied and dynamic instrumentation, the songs are imbued with a naïve shimmer that is balanced by darkness, depth and a low-key intensity – in both lyrics and music. This work is certain to resonate with fans of artists such as Julee Cruise, Björk, Nico, PJ Harvey and Fairuz, to name a few."

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Cliffdiver

LP | 2024 | Original (SideOneDummy)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sound As Language)

Natural Palace

Reeling

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Sundazed)

Eddie Quinteros

Quinteros Au-Go-Go!

Release: 2024 / US – Original

Genre: Rock & Indie

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Chick Elektric Band Corea

Eye Of The Beholder

2LP | 2024 | Original (Candid)

37,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Eighteen Hours Of Static Tin Vinyl Edition

Big Ups

LP | 2024 | US | Original (Exploding In Sound)

After Image Crystal Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Here is what 2014 felt like: The cold, rushed walk from the Montrose Avenue L to the downstairs entrance of 20 Meadow Street, an address you could never quite remember. The careful steep climb to the top of the nondescript building, where Titus Andronicus’s Patrick Stickles was waiting to take your balled-up cash and stamp the inside of your wrist. Standing beneath that jagged cardboard punk bunting, draped with tangled twinkle lights, while Joe Galarraga, frontman of Big Ups, slowly, menacingly, wound a microphone cable around his fist. Then a barbed F-sharp sprang forward from Amar Lal’s guitar, shaking the entirety of Shea Stadium to life.

For much of that time period, ten years now behind us, it would be easy to say, man, you just had to be there. You had to be there when Death By Audio closed. You had to be there when the Apple store opened on Bedford Ave. If you weren’t there when a small, specific subculture of New York City took over its abandoned lofts and grimy basements and squatted itself into community, that’s okay — it might be too clunky and myopic to explain now. Released in January 2014 to Dead Labour in the US and Tough Love Records in the UK, Eighteen Hours of Static stands even now as a triumphant representation of what Big Ups did so well over the course of their nine-year run as a band. Now, with the re-release of Big Ups’ killer debut full-length, those who didn’t get to experience all this the first time around will get a shot at living as if it’s the glory days again.

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Hyper Gal

LP | 2024 | US | Original (Skin Graft)

Release: 2024 / US – Original

Genre: Rock & Indie

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Yon Loader Cloudy Clear Transparent Vinyl Edition

Yon Loader

LP | 2024 | US | Original (Tiny Engines)

This Side Of Jordan Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Yon Loader is a New Zealand recording project developed over distance and led by James Stuteley (Carb on Carb). Made in numerous sessions in various locations, the project weaves together many elements and talents of Aotearoa indie rock. Stuteley composed the core of the songs before fleshing them out with help from a cast of rotating collaborators and key engineer and producer Harry Lilley. These collaborators (including members of Recitals, Welcomer, For Everest, Model Home, Fouler, First Move, and Bad Friend) build Stuteley’s straightforward, candid compositions into an album of weighty, intricate rock songs with melancholic, diaristic emo-punk energy. Interweaving guitar and cello draws on the epic without going into excess. Slipping between thoughtful guitar passages and poignant interludes to expansive uplifting blowouts of repeated vocals and waves of cymbals, Yon Loader's debut album draws you in and holds you tightly.

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Watchhouse

LP | 2024 | US | Original (Yep Roc)

LP | 2024 | US | Original (Whited Sepulchre)

Release: 2024 / US – Original

Genre: Rock & Indie

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At it’s core, Watchhouse (formerly known as Mandolin Orange) is a duo - Andrew Marlin and Emily Frantz - from Chapel Hill, NC. Their harmonies are ethereal, their chemistry vibrant, bringing to mind the atmosphere invoked by classic duos such as Emmylou Harris and Gram Parsons, or Gillian Welch and David Rawlings. Andrew and Emily provide the foundation of the group's timeless Americana sound, while enlisting a full band to flesh out their dynamics. This Side of Jordan is the group's 3rd full length album and debut release on Yep Roc Records. Since signing to the label and releasing This Side of Jordan in 2013, the band has made quite a bit of noise on the folk/Americana circuit. They’ve received critical acclaim from NPR Music, Rolling Stone, The Wall Street Journal, Garden & Gun, No Depression and more. Their catalog has surpassed over 500 million streams and they’ve sold out worldwide tours. They have headlined Red Rocks and have graced the stage of the Ryman, Bonnaroo, and Newport Folk Festival.

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Max Jaffe

Reduction Of Man

OST Spook Show Spectacular A-Go-Go Violet Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Max Jaffe wasn’t planning on creating an album commemorating the decade-plus he spent living in New York City while recording Reduction of Man. Operating as a preemptive elegy, Reduction of Man traces Jaffe’s musical trajectory while in New York City - a process of becoming fluent in several musical languages and cultures all at once, rather than the linear education of an MFA musician (which Jaffe also is). Jaffe’s second “solo” album finds him at the helm of an ensemble - leading the project as he plays: one hand drumming, the other composing and editing on the fly, shepherding multiple musical voices towards a single end - a sinewy tension between noise and groove.

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Something Weird

LP | 2024 | Original (Modern Harmonic)

Release: 2024 / Original

Genre: Soundtracks

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LP | 2024 | US | Original (Sundazed)

Dr. John

Frankie & Johnny

Moon Mirror Coke Bottle Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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A lost solo piano record from the Night Tripper! Originally put to tape in ‘82 & ‘83 for the Clean Cuts label, these tracks have remained unheard until now. Two numbers feature the doc's raspy growl while his solo piano navigates us through the rest of the train ride, past touches of blues, jazz, and foot stompin’ boogie-woogie jive. It's the kind of magic that can only come from a dusty tape box.

In 1981, Dr. John began recording his first of two solo piano albums. The “new” performances featured on this release are of the same quality as the music on Dr. John Plays Mac Rebennack and The Brightest Smile In Town.

His left hand creates a three-note rhythmic pattern that forms the foundation for the performance while his right soulfully plays the melody and then builds off of it in the tradition of the New Orleans piano blues masters. In other songs, it begins as a nostalgic and heartfelt ballad, picking up steam during the performance and switching moods several times before returning to where it began.

While it is a real shame that he would never again record a full album of unaccompanied solos (Dr. John enjoyed leading a band too much), the release of Frankie & Johnny gives one an additional opportunity to discover just how brilliant and spirited a pianist Mac Rebennack was during his colorful career.

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Nada Surf

LP | 2024 | US | Original (New West)

Moon Mirror Moon Mirror (Reflection) Deluxe Galaxy Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Moon Mirror, Nada Surf’s new record, has everything fans love and expect from them. Bittersweet anthems that begin quiet but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows-down masterpieces? Check. It’s all here. For the past 30 years, Nada Surf has had the same core lineup: Matthew Caws, Daniel Lorca, and Ira Elliot. Moon Mirror, their first for New West Records, was produced by the band and Ian Laughton at Rockfield Studios in Wales. For the recording, Matthew, Daniel, and Ira were joined by their friend and longtime keyboard player Louie Lino. Moon Mirror is a thrilling and moving leap forward for Nada Surf. The songs on the album are true to the human experience—as meaningful and mysterious and sometimes absurd as it is. There’s love, yes, but also grief, deep loneliness, doubt, wonder, and hope. These are not the songs of a band in their 20s. There is hard-won wisdom here, and hard-won belief in possibility—the kind that comes from falling down and getting back up

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Nada Surf

2LP | 2024 | US | Original (New West)

43,99 €*

Wallsocket Director's Cut Deluxe Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Underscores

2LP | 2024 | US | Original (Mom + Pop)

42,99 €*

LP | 2024 | US | Original (Candid)

Release: 2024 / US – Original

Genre: Rock & Indie

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“Wallsocket is a loose concept album about the American town of Wallsocket and the people that live in it. I first started making music purely on the computer, so my challenge for this album was writing the songs acoustically first and adding production afterwards. A lot of the themes of the project can be summed up by taking something natural and trying to sterilize it.

At the time of writing, I was obsessed with using the 'horseshoe theory' in an apolitical context. Where in our lives are we so one thing that we wrap back around and become its opposite? That theory is riddled throughout the album.” - underscores

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Simon Moullier

Elements Of Light

Wearing Out The Refrain Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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A Singular Blend of Dynamic Post-Pop & Electronic Production
Featuring The Vibraphonist’s Remarkable Quartet
Special Guests Gerald Clayton and Marquis Hill
Named One Of Downbeat's 25 For The Future

“His music is fresh, it speaks to everyone. Never heard anyone play vibes like that before.” -Herbie Hancock

“Best vibes player I’ve heard...” -Quincy Jones

In discussing Elements of Light, his fifth album as a leader, the vibraphonist-composer Simon Moullier often returns to a specific term: unfolding.

“This is an important word — the unfolding of a song,” says Moullier, who was born in France and lives in New York. “It’s something I’m very attached to, and something I’m always working on.” As he explains, many of his essential influences —Wayne Shorter, Milton Nascimento, Toninho Horta, Radiohead’s Thom Yorke, Ravel, — have been masterful unfolders in their writing. Moullier admires the movement and design in their music and harmony, the way one section of a tune leads into the next, everything flowing in a natural, beautiful, inviting way. Even the most serious intellectual musical concepts are rendered with a directness, a simplicity that can captivate a general audience. “For me, no matter how complex an idea can get,” he says, “clarity is always key.”

That’s a mature, evolved outlook for a millennial jazz musician to embrace, and it’s shared among Moullier’s youthful quartet featuring pianist Lex Korten, bassist Rick Rosato and drummer Jongkuk “JK” Kim. What’s more, these musicians of astonishing technical facility interact with the selflessness and good taste that Moullier’s song-focused music requires; to say it another way, they use their virtuosity to make the bandleader’s compositions sound as human and affecting as possible — never to preen.

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Bad Moves

LP | 2024 | US | Original (Don Giovanni)

Art Of The Unseen Machine Doublemint Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition. On the new Wearing Out the Refrain, recorded once again with producer Joe Reinhart (Hop Along, Algernon Cadwallader), Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.

Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation. Witness the ambitious climate change metaphor of “Eviction Party,” which understands the union of sugary pop and genuine angst embodied by 1960s girl-group songcraft, and uses it to expand a personal story to planetary scale. “It’s my eviction, I’ll cry if I want to” Bad Moves shouts, channeling the dawning millennial midlife crisis. The personal may be political, but what if both feel weighed down and trapped in circular, inescapable ruts?

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Allegra Krieger

LP | 2024 | US | Original (Double Double Whammy)

Wish On The Bone Grape Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Allegra Krieger’s "Art of the Unseen Infinity Machine", her second full-length album with Double Double Whammy, is a collection of 12 songs that pick at the fragile membrane between life and death.

Krieger’s previous album, "I Keep My Feet on the Fragile Plane", hewed more closely to the domestic spaces of city and mind. Rolling Stone regarded the album as “ten songs of heady philosophical meanderings packed with emotional dynamite,” and likened her “finely phrased lyrics” to those of “Joni Mitchell, Leonard Cohen, [and] David Berman.” Krieger’s existential meditations remain on "Art of the Unseen Infinity Machine", however her meandering melodies have taken on a stronger sense of direction. She narrates candidly and assertively; the full-band arrangements never overpower, only offer a robust platform on which Krieger’s voice reaches new heights.

The full band brings a heightened sense of drama to the album’s arrangements, which contrasts the quieter approach of Krieger’s previous LP. There are noisy interludes, jazz-inflected discursions, impactful stops and starts, and occasional spaces for Krieger to stretch out her impressive vocal range (most prominently at the dazzling climax of album stand out “Came”). In "Art of the Unseen Infinity Machine", Krieger invites us to a place where transfiguration is not only possible but actively happening. From this place, the beautiful and the banal and the terrible are all laid out before us. And Krieger asks us not to look away. Instead, she invites us to stare down the beautiful and terrible in the world, and to realize that sometimes the only way out is through.

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Why Bonnie

LP | 2024 | US | Original (Fire Talk)

Wish On The Bone Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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'Wish On The Bone' is Why Bonnie's sophomore LP and debut for Fire Talk. It's untethered from any landscape or genre, propelled by this freedom and resulting in Why Bonnie's most catchy, hopeful body of work to-date. Ranging from twangy country infused rock jams to more intimate and lo-fi arrangements, ‘Wish on the Bone’ is wide-eyed and waiting. It’s a coming of age film in which the protagonist rejects the forces that have tried, and failed, to shape her into something other than herself. It leaves you with a hard-fought sense of hope, which is among songwriter Blair Howerton’s greatest gifts. “You owe it to the people who are experiencing the worst to just keep pushing,” Howerton says. That’s the throughline of “Wish On The Bone”, a record that rewards with repeated listens.

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Why Bonnie

LP | 2024 | US | Original (Fire Talk)

Moon Mirror Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Nada Surf

LP | 2024 | US | Original (New West)

LP | 2024 | UK | Original (Western Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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My Brightest Diamond

Fight The Real Terror

LP | 2024 | US | Original (DFA)

Release: 2024 / UK – Original

Genre: Rock & Indie

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A classically trained vocalist with a self-taught instrumentalist's spirit, Shara Nova has been releasing spellbinding music as My Brightest Diamond since 2006. Over the years, the band has released five groundbreaking albums, each showcasing a different musical landscape while always centering on Nova's distinctive voice.

Her journey took an unexpected turn in July 2023, when within hours of learning about Sinéad O'Connor's passing, a fierce storm plunged her Detroit home into darkness. As the city held its breath, Nova sat with her guitar, reflecting on O'Connor's iconic SNL performance where she repurposed Bob Marley’s "War" to address child abuse, urging viewers to “fight the real enemy.” Inspired by this act of artistic courage, Nova poured her emotions into a raw demo – the title track "Fight the Real Terror" – which opens the album in its original form.

Traveling from her home in Detroit to Chicago, Shara worked with Tom Schick at Wilco’s studio, The Loft, for five days. Initially expecting to re-record everything, she was surprised when Tom insisted on keeping the raw demo material. The week was spent overdubbing, with Shara playing bass for the first time, alongside pianos, guitars with gizmotrons, and re-amping some original guitar parts recorded in her studio. More than just a collection of songs; Fight the Real Terror is a call to action, and a testament to the transformative power of music. Nova's powerful vocals and genre-bending compositions are simultaneously intimate and expansive, urging listeners to confront their fears, embrace their vulnerabilities, and fight for a better world.

“Her wholly enveloping, finely tuned alto sounds by turns forceful, vulnerable, cooing, playful, and endlessly emotive.” NPR Music

“…percussive, jagged art-pop that explores themes of self- acceptance, sensuality, and community.” Pitchfork.

“...has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details.” The New York Times

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Mermaid Chunky

Slif Slaf Slof

Face Of Despair Dark Red Vinyl Edition Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Mermaid Chunky. It's all in a name, sometimes. The danceable, costumed, curiosity rich duo of artists Freya Tate and Moina Moin are as imaginative as they profess. Or, to get more to the point, as we all need them to be.Freya and Moina are two visual artists and musicians from Stroud and South London, places where they importantly found communities (Stroud's SVA and the capital's Total Refreshment Centre) of like minded people just as willing to chase down an idea to its possibly illogical conclusion. And it is in the collective and the idea of participation that Mermaid Chunky really clicks. This is a party, a collective dance, made all the better with more: people, ideas, layers, kick drums, recorders, saxophones, frogs.To wit, the album's first track and first single, "Céilí," named after a traditional Scottish or Irish social gathering and dance, which builds from a simple recorder line into a swelling, warm burst of major chord dance music. Goosebumps or check your pulse.Further down the rabbit hole, "Chaperone" is almost boardwalk electro, like Fischerspooner on a ferris wheel; "Frogsporn" and "Nature Girl" are mucky, trippy dirges filled with stalactites of synth and squelch; "Tiny Gymnast" is a kaleidoscopic waltz into the night. Hold onto your seats, ladies and gentlemen.You might be wondering how we, DFA Records, all the way over in cynical Brooklyn, entered the picture. There was a day a few years ago, sun shining in full Springtime splendor, when James heard something while waiting for a coffee down the street from the office. It sounded simple yet deceptively complex: a dance track, but one where the one - that anchoring first beat in a measure - could be heard a thousand different ways. Frustrated and interested, he Shazamd the song, playing at the shop from an episode of Zakia's Questing show on NTS, and brought it back to the office, where we all listened to it about fifty times. (The song was "Friends," from Mermaid Chunky's VEST EP, released in 2020. It led to an invitation to open fo...

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Mortal Sin

LP | 2024 | EU | Original (Dissonance)

37,99 €*

LP | 2024 | EU | Original (Ideologic Organ)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Emerging from the Australian metal underground in the latter part of the 80s after forming in 1985, Mortal Sin quickly found global fame when their self released debut LP 'Mayhemic Destruction' was picked up by major label Vertigo and reissued globally in 1987.Follow up 'Face Of Despair' was produced by Randy Burns (Megadeth, Possessed, Death, Nuclear Assault) and received global acclaim. The band toured Australia with Metallica on their '…And Justice For All' tour, and also toured Europe with Testament, and then supported Faith No More on their 'The Real Thing' tour. The single "I Am Immortal" and live video release 'Face Of Mayhem' helped the band gain wider acceptance.When vocalist Mat Maurer quit the band in 1990, Mortal Sin carried on and recorded a third album, 'Every Dog Has It’s Day', released in 1991.Mortal Sin have remained sporadically active up until 2012. This reissue has the full co-operation of the band. SIDE A:1. I Am Immortal2. Voyage of the Disturbed3. The Infantry Corps4. For Richer For Poorer5. Martyrs of EternitySIDE B:1. Innocent Torture2. Suspended Animation3. H4. Terminal Reward5. Robbie Soles

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Timothy Archambault

Onimikic

LP | 2024 | EU | Original (No Remorse)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Timothy Archambault's unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder). Each piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground). An important document of new music meets contemporary musicological research via Stephen O'Malley of Sunn O)))'s Ideologic Organ. The Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa & Saint Lawrence Rivers. To the Algonquin the flute (Pibigwan) is the wind maker or essence of the wind. Unlike other tribal nations whom the majority used the flute as a courting instrument, the Algonquin generally utilized the flute for more contemplative singular usage to mimic the sounds of nature or as a signaling device during times of conflict. When love songs were required, they were usually more plaintive in character expressing sadness, loneliness, or concerning the departure of a lover. The album intro begins with the shaking of a necklace of otter penis bone, fish spine, bear claw, elk teeth and deer hide, gifted from Algonquin Elder Ajawajawesi. It is meant to focus the listener's attention before the flute pieces begin. The warble or multi-phonic oscillation prevalent in all the pieces traditionally represented the "throat rattling" vocalization of the tonic note, sometimes known as the horizon of which the melody floats from. Due to the repetition of multi-phonic oscillation the performer will breathe erratically creating an altered state correlating with similar traditional ceremonial practices.

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Morgul Blade

Heavy Metal Wraiths

35,99 €*

Mundo Invisible Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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MORGUL BLADE's sophomore album delivers righteous headbanging anthems. Songs like the title track and "Beneath the Black Sails" lean into their love of Tolkien lore, with the arena rock attitude inspired by Dokken and the Scorpions. Other tracks like "Frostwyrm Calvary" attack with the ice cold speed of classic black metal. More ambitious yet are "Razor Sharp" and "Neither Cross Nor Crown," which speak to the band's working class attitude and disdain for zealotry. "Heavy Metal Wraiths" is an instant classic blackened epic heavy metal album. Album cover by James Bousema. 1. Eagle Strike2. Beneath the Black Sails3. Heavy Metal Wraiths4. Frostwyrm Cavalry5. Widow's Lament6. Spider God7. Razor Sharp8. A Welcoming Hearth9. Neither Cross Nor Crown10. The Last in a Line of Kings

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La Inquisición

LP | 2024 | EU | Original (Hfmn Crew)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mundo Invisible Oxblood Red Vinyl Edition

La Inquisición

LP | 2024 | EU | Original (Hfmn Crew)

22,99 €*

Mundo Invisible Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Third full-length album by La Inquisición, a record slowly gestated in the deepest and most veteran catacombs of Barcelona punk. This time, La Inquisición refines the formula that has brought them to this invisible world, where we find ten tracks of dark punk with melodic outbursts. The lyrics stand out from the typical genre themes, featuring solid bass lines, powerful guitars, and drumming that steps over everything like a steamroller. Everyone say the third album of any band is the hardest one. And this time, La Inquisición takes us by the hand to their particular universe, full of light and shadows, butalso honesty, redemption, and perseverance in a musical tradition on the verge of extinction.A bunch of friends with something to say in a noisy, beautiful, aggressive, and honest way.Because as they say, "Anger, noise, and blood...will save us."Vinyl as dark black or deep red and CD available!

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La Inquisición

LP | 2024 | EU | Original (Hfmn Crew)

20,99 €*

Youre Not Elected / Charlie Brown Woodstock Yellow Vinyl Editoin

Release: 2024 / EU – Original

Genre: Rock & Indie

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Vince Guaraldi

LP | 2024 | US | Original (LMFP)

48,99 €*

Release: 2024 / US – Original

Genre: Soundtracks

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Naya Beat Volume 2: South Asian Dance And Electronic Music 1988-1994

V.A.

2LP | 2024 | EU | Original (Naya Beat)

2LP | 2024 | EU | Original (Sticky Buttons)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Naya Beat Records reveals Volume 2 of its critically acclaimed series dedicated to South Asian dance and electronic music. Label founders Turbotito and Ragz have curated an exceptional 13-track compilation with a focus on an overlooked era of house and electronic music released between '88 and '94. While Volume 1 explored early 80s Balearic, synth pop, and disco, Volume 2 uncovers lost or forgotten future classics from later in the decade. The release spotlights a unique era in the late 80s and early 90s when fertile cross-cultural collaboration abounded in diasporic communities in cities like London and New York and when South Asian music was infused with acid house, New Beat, and dub. There is a true wealth of sounds here, from The Jets Orkhestra’s organ-fuelled house workout ‘x-290’ to the downtempo splendour of the Asha Bhosle fronted West India Company. Lady M lends the Hindi house track and arpeggiated wonder of ‘Kali Raat’ and Mantra’s eponymously titled cut is a hypnotic gem. Featuring other scintillating Balearic house, dub, and street soul from the likes of Asha Puthli, Bappi Lahiri, Johnny Zee, and Kuljit Bhamra, this double album is a treasure of never-before-reissued and previously impossible-to-ﬁnd holy grails. Often "too Asian for mainstream success in the West, and too Western for success in Asia," the pioneering music from this time was frequently released to short-lived success or relative anonymity. Naya Beat founders Filip Nikolic (aka Turbotito) and Raghav Mani (aka Ragz) have spent the last four years endlessly hunting through dusty records, obscure cassettes, and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers, and bold selectors looking for fresh sounds. Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and exhaustive liner notes, the 2LP release has been cut to vinyl for the discerning DJ and listener by Grammy-nominated Frank Merritt from The Carvery, London. Naya Beat Records is focused on uncovering foundational dance and electronic music from the subcontinent and South Asian diaspora through reissues, remixes and compilations. Success came immediately with ‘Naya Beat Volume 1’, which was named Vinyl Factory’s number 1 reissue of 2021, and has been followed up with more fascinating releases such as a two-part remix project with disco-jazz legend Asha Puthli, a scintillating bhangra acid house EP with Mr. Scruff, a reissue of Pinky Ann Rihal’s 1985 Hindi new wave album, and the superb Bollywood compilation ‘Awaaz Series 1’.

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Dizzy K

Sweet Music Volume II

36,99 €*